[Album Review] HEART*IZ (2nd Mini Album) – IZ*ONE

I am so sorry that it took me an entire month to write up this album review! Despite April being a relatively quiet month for KPOP releases, I have been extremely busy with my studies and the few releases did come out had a lot of interesting albums that I felt that it would be more interesting to review. Hence, this bumped HEART*IZ around. Just I have been so busy that I haven’t listened to any recent albums, so I thought I take this opportunity to finally look at IZ*ONE’s second mini album. After all, they always say ‘better late than never’.

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HEART*IZ Album Cover

1..Hey. Bae. Like It. (해바라기) – Starting off the album is a combination of cuteness and typical tropical-esque instrumentation. The combination of the two actually works well, with the cuteness in the vocals not too overwhelming and the tropical side of the instrumental was quite refreshing and bright. I also enjoyed the lightness of the track, which really made it a promising starter to the album. I think the only downfall is the typicalness that the song suffers from. But apart from that, I like this track (which is also titled Sunflower as well). (8/10)

2. Violeta (비올레타) (Title Track)Click here to read my review for Violeta. (8.5/10)

3. Highlight –Highlight starts off with what seems to be an edgy sound. It gave me hip-hop vibes, so I was excited to see what direction the song was going in. They seem to lose this for a bit of the verse, but it returns for the pre-chorus. The entire verse seemed to be a nice steady incline to the minimalistic chorus, which featured a simple beat and the lines ‘Highlight (Look at Me)’. I did not know what I had expected the first time around but the chorus did catch me off guard (but I think it is quite sophisticated this way). I also liked the saxophone touch for the final chorus, which delivers a different feel altogether. Both the vocals and rapping were nice in this track. (8.5/10)

4. Really Like You – We now come to a ballad. Really Like You is an acoustic track that showcases some of their vocals. I thought it was a rather nice song, even though I felt it was a little messy when it comes to the melody. The way they sing with their airy voices and the floaty instrumental reminds me of Berry Good’s My First Love, which was also a similar concept (but Really Like You isn’t as heartfelt as the latter song). It was a nice break amid all of these dance-centred tracks. (7.5/10)

5. Airplane – Following Really Like You, I think IZ*ONE strengths are definitely in more upbeat songs. While Airplane seems a lot more comfortable for the group, the song felt like it went in the ‘typical girl group debut title track’ route, where the song ends up being too bright, youthful and poppy. Even the rapping reflected and the main hook in the chorus reflected this thought. The group does nail the track perfectly without any hitches or awkward patches. I do have a special playlist on my phone for songs like this and I think Airplane will fit perfectly into it. (8/10)

6. Up – I think out of all the tracks on the album (besides Violeta) Up is probably my favourite sidetrack. It does fall within that ‘typical’ category once again. But there is a fair amount of appeal in the track to make me become drawn to and enjoy it. The instrumental was very nice, especially the bounciness at the start of the track (that is ongoing throughout the track). I also like the bright vocals in this track, going perfectly with the pop vibes of the song. The track was very addictive with the hooks and vibrancy of the track being pretty much unforgettable. (9/10)

7. I Want To Be A Cat (고양이가 되고 싶어) (Korean Version)I Want To Be A Cat (otherwise known by the Japanese title, Neko ni Naritai) was previously sung and performed by Sako, Yuri, Yeni, Nako and Minju on their Japanese debut album. But the Korean version is sung by all the members of IZ*ONE. I really like the more chilled sound that the song had going on. It is rather different from the harder pop styles earlier on in the album. I did like the vocals, which were showcased well. The melody was pleasant. I just thought the song could have done a bit more in terms of memorability. But other than that, it was decent. (7/10)

8. Happy Goodbye (Korean Version) – Otherwise known as Gokigen Sayonara is also from the group’s first Japanese album. Listening to the track, you can tell it was distinctively J-POP previously, as it has all of those elements that make J-POP what it is. I am in no way saying that the Korean version is bad. I really like the chorus, which was catchy vibe to it. I also enjoyed the slightly techno-pop instrumental (which is once again a distinctive sound for J-POP). I also enjoyed the song because it was light and pleasant as well. (8.5/10)

Overall Album Rating – 8.1/10

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HEART*IZ Teaser Image

[Review] Spring Again – Golden Child

Also returning today is Golden Child. Unfortunately, it isn’t their usual full comeback. Instead, Spring Again is the main track from their first special single album. At this very stage, I am not sure whether there will be any promotional stages for this release. But despite that, we must push on with the review! We last saw Golden Child through the group’s previous promotional comeback, Genie, which was released at the end of October 2018.

There is no doubt that when you look at the title, you will automatically think that it is a Spring song. And as long as Korea is experiencing Spring, the influx of Springtime songs will continually bombard the charts and our devices. Spring Again is your standard Spring track. While it sounds like I don’t perceive any element as mind-blowing, there were some good points about the song. I thought the vocals were very melodic and flowy, which is something I personally do enjoy. This paired nicely with the instrumental, which incorporated whistling and classical instrumentation to become a pleasant canvas for the vocals. The harmonies were also quite nice. The rapping gave a little definition to the song and provided something that usually isn’t there when it comes to other Spring tracks. Overall, typical may be part of the description for Spring Again but it was still a decent track.

Unlike past Golden Child music videos, Spring Again lacks choreography. It was quite obvious that with the idea of a Spring track, along with the fact that it was a special single, the ‘performance’ aspect of this release would be omitted. Instead, the video shows the members in a pleasant fashion. Cherry blossoms were in the background and the members were having an outing to look, smell and play within the midst of these flowers. Other than that, there really isn’t much to the video. I know the seasons are getting warmer but I found the greyness of the video made it look cold and dreary. I think if they went with a more colourful approach to fit the warmer temperatures, the video would be fun and vibrant. It would have also been a nicer fit for their music portfolio.

Song – 7.5/10
Music Video – 6/10
Overall Rating – 6.9/10

[Review] 4:44 – Park Bom ft. Wheein (Mamamoo)

If Park Bom was still under YG Entertainment, we wouldn’t be able to see much of her in the near distant future. But the good news is that Park Bom is no longer under YG Entertainment and therefore we are able to see her more often. Back in March, Park Bom returned with her first solo single in 8 years, titled Spring and featured fellow 2NE1 member Sandara Park. Within a month and a half, the soloist has returned with 4:44, which features Mamamoo’s Wheein. And in a recent interview, Park Bom hinted towards other comebacks within the year! So rejoice Park Bom fans, she is here to stay!

From the very start of 4:44, you can tell that there is a heavy emotional tone to the song. It also tells you what type of direction the song would go into. Despite being in a time of sudden changes, I think vocally-centred and emotionally-based songs don’t become affected by such trends. But a trend that did affect the song is the use of an electronic instrumental for this R&B ballad. Even some of Park Bom’s vocals are autotuned. I am not too bothered by as they all blend well together. But they could have been a little lighter with the autotune. I find 4:44 very interesting for two reasons. Part of me finds certain moments quite nostalgic as it brings me back to her earlier solo works. Leading right after is that the Park Bom’s voice is very husky and airy in this track, reminding me of Soyou’s vocals when her collaborations were the go-to track to download. I think Wheein gave the song some lightness and crispness. Her part had a slightly faster tempo and this gave dynamic appeal. I also liked Park Bom’s ad-libs during Wheein’s feature, which I thought were rather cool.

Once again, the emphasis is on the colour blue. It definitely made itself the centre of attention. Apart from that, there isn’t a whole heap going on. Park Bom, for the majority of the video, walks around. I like the idea but I think she could have been a little less rigid while walking, which would have made the video appear softer. I also understand that Wheein wasn’t in the video. Many times, featuring artists cannot fit music video filming into their schedule. But getting the main actress to lip-sync doesn’t really cut it for me. And the small opening of the mouth really annoyed me. Maybe there was an artistic reason for this. But I just thought the lip-syncing was unnecessary.

Song – 9/10
Music Video – 6/10
Overall Rating – 7.8/10

[Review] Focus – Kim Dong Han

For the first time this week, I am able to post two reviews on the same night! This review will be for Kim Dong Han’s latest release (which just dropped a few hours ago). The song is titled Focus and is featured on the artist’s third mini-album, D-HOURS AM 7:03. We last saw Kim Dong Han through his Good Night Kiss promotions back in October 2018. Deviating from the review slightly, I like to inform you that Kim Dong Han was my pick for Best New Soloist in the 2018 KPOPREVIEWED Awards. Now back on the review!

Focus is rather interesting. The song is all about focusing on your lover, yet the instrumental was rather choppy, creating a nice contrast to the usual expected peaceful conditions when you want to focus on something. And this definitely gives off more texture when compared to other songs. I really liked how they used the ‘Focus on You’line as p[art of the instrumentation as well. A dynamic touch to the song, if you ask me. Kim Dong Han also showcases his vocals in this song, which I thought really popped on top of this electronic instrumentation. I particularly like the way he sang (or maybe rapped) the pre-chorus section, which was another textural device but also very captivating when compared to the other sections of the song. I think the song could have benefited from a rap sequence via a featuring rapping. I think this could have boosted the song and made it more intense. But what we got is already very good, so definitely no complaints from me.

I don’t think there is much of a plotline to the video. But all the close-up shots that focus on Kim Dong Han seem to fit aesthetically with each other. Kim Dong Han’s visual game is rather strong, making this very appropriate for a song titled as Focus. I really liked the emphasis on the colour blue during those choreography shots with the blue set and Kim Dong Han’s blue pants. I think the music video is definitely captivating despite there not being much content int eh video besides close-ups and choreography shots.

But something that I am extremely excited for is the performance. It is his strongest effort and display of energy yet. His enthusiasm alone in the music video really makes me keen to watch his live performances. As for the dance, a lot of complex moves are present. My favourite so far has to be the jumpy moves during the post-chorus. But everything else looks amazing!

Song – 9/10
Music Video – 8/10
Performance – 10/10
Overall Rating – 8.9/10

[Review] After Party – SPECTRUM

The last few days I have so busy but managed to find time to write one review per day. Monday saw the release of three songs. I have already reviewed the releases from NU’EST and The Boyz. Today, I will be reviewing the third song, which is After Party by Spectrum. This is Spectrum’s first comeback for 2019 and is it also their first comeback since What Do I Do?, which was released back in November 2018.

After Party doesn’t really envoke the desire to continue partying after the main event. Rather, it feels like a song is more light than party-theme and is more about having a good time at that very moment. And actually, the lyrics reflect that. The song takes on the tropical island style of music, so it doesn’t offer anything new. And that is the case for most of the song. I found the vocals to be fitting for the track but not really mind-blowing. I did like the autotune and the rapping, which gave the song some texture. There is a fun element embedded in the song which you can’t help denying and I think the song comes together well to really bring that out and make it somewhat appealing. At least, it wasn’t just plain. The chorus was nice, with the post-chorus hook (the ‘Say La La La‘) being quite catchy. Though I did expect something with a little more hype and energy based on the title, After Party was a relatively chill song that I wouldn’t mind play once in a while.

The video seems to match the lightness and fun side of the song. There are no parties in this video, with the members mainly just having fun and hanging out. And since the video was just that, I don’t really have much to talk about. Because of that, it is one of those videos that you watch once and don’t really have the desire to rewatch it as it is fairly straight forward. Compared to other videos, this one does fall short. But it was rather fitting.

Like the video, the performance went in a fun direction. There really isn’t much else you can do. There really aren’t complex moves as the song doesn’t allow them to fit in. Hence, the dance was rather simple and was quite playful. My favourite part has to be the post-chorus section, which incorporated that Fortnite dance.

Song – 7/10
Music Video – 6.5/10
Performance – 7.5/10
Overall Rating – 7/10