Tag: INFINITE

[Album Review] 13egin (7th Mini Album) – INFINITE

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INFINITE made their grand return in July 2023 after a five year hiatus due to military enlistments and their departure from Woolim Entertainment. The mini-album, titled 13egin, also celebrates their 13 years career, which has definitely been fruitful over the years particularly in the 2010s. 13egin features a total of five songs, including an introductory track and the title track New Emotions. Like some other albums that I have been reviewing lately, 13egin has a fundamental issue of featuring the weakest track as its title track. Don’t get me wrong, I am glad to hear INFINITE in any form after so long (and hope that they continue to regularly release new music as a group into the future). I just think there are other songs on the mini-album that could have served as a better title.

13egin Album Cover

1. Intro: 13 – This introductory track really got me excited for what is to come on the mini-album. The mysterious piano and suspenseful interwoven vibration synths leads into some groovy guitar and synth work. The strings that come into play in the latter parts of 13 throws me back to some of Infinite greatest works, which have involved strings in some way. No vocals, so no score. But damn, 13 was amazing!

2. New Emotions (Title Track) – Click here to read the full review for New Emotions. (7/10)

3. Time Difference (시차) – It seems like Time Difference is the more liked track on the album from what I can see online, and I completely agree with the public here. I really like how the track doesn’t require any powerful or dynamic elements (which is usually what I look for) to really sell the track. Instead, Time Difference features really pleasant atmospheric vibe, with its trendy synth line. I like the small additions to the song, which are well placed to maintain a consistent grooviness to the song. The members’ vocals are really well done, bringing a touch of brightness and a refreshing melody to the track, whilst all keeping aligned to that pleasantness mentioned above. (10/10)

4. I Got You – I Got You opts for a more upbeat pop number, yet the beats, string and synths elements in the instrumentation do continue the pleasantness that we heard in the previous song. The members do another amazing job in I Got You with their vocals, especially with how dreamy they made the song feel. In some cases, I liked the crispness the members themselves added to the song. Everything comes together to create a summery vibe that felt very clean and fresh. (9/10)

5. Find Me – The mini-album ends with a ballad, which gets me excited. INFINITE is one of the groups that I look to for amazing ballads. But rather going down the purely classical orchestration backing that INFINITE has done multiple times before, Find Me features some atmospheric synths and band instrumentation. However, the track does maintain the beautiful sound of the piano, which makes this track quite fulfilling. Once again, the members’ vocals are beautifully delicate and dreamier than in the last track. (9/10)

Overall Album Rating – 8.8/10

13egin Teaser Image

[Album Review] 2023 S/S Collection (5th Mini Album) – Kim Sung Kyu (INFINITE)

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The next album to be reviewed on the blog belongs to Kim Sung Kyu’s 5th mini-album. 2023 S/S Collection, which dropped in June of this year. There is a total of 6 songs on the mini-album, including the title track Small Talk. There is one recurring element on this mini-album that I consistently come back to. And that is Kim Sung Kyu’s vocals. Trust me, you will not be disappointed by his voice in any song on this mini-album So, if you are looking for some amazing vocal work, I highly recommend you check out this album release (and honesty the rest of Kim Sung Kyu’s discography, as he has some really great songs throughout his solo career thus far).

S/S Collection 2023 Album Cover

1. Intro: Time Lapse – Kicking off the mini-album is a very atmospheric and calming introductory instrumental piece. Time Lapse features the sound of waves crashing onto a shoreline or beach, synths and band instrumentation that builds up the track into a very pleasant opener.

2. Small Talk (Title Track) – Click here to read the full review for Small Talk. (8/10)

3. It Will Be – I really liked the captivating mix of orchestration and synths in It Will Be. The combination isn’t anything new, especially for Kim Sung Kyu. But the execution of the pairing makes for an interesting background piece. The backing vocals add so much depth to the song in the chorus, while Kim Sung Kyu himself just stuns me throughout with his vocal delivery that adapts to the changes in the music so effortlessly. (9/10) 

4. Jump – Jump sounds like it is going to be a dynamic and active track. But what I did not expect is the amazing balladry melodies that features in this song. These are brought to life by Kim Sung Kyu’s heavenly vocals, turning Jump into a beautifully and soft euphoric number. The harmonies and high note was amazing. The instrumentation of Jump puts a piano dominant orchestral piece with band instrumentation, which is pretty much Kim Sung Kyu’s style, to create such a beautiful backing piece. Another captivating listen from the soloist. (10/10)

5. Go Again – Go Again is the mini-album’s most upbeat number. Synth-pop rock influence instrumentation serves as the backing of Go Again, moving away from the orchestral touch that featured in the previous two tracks. I really like the foot-tapping energy that is given off by Go Again. Kim Sung Kyu sounds like he is having a good time delivering this track, and I like the vocals used as part of the instrumentation, which adds a fun element to the song. The best part has to be at the 3:08 mark, where he utters the words ‘Let’s go again’ to lead us into the final chorus. Simple, but highly effective. (9/10)

6. Sometimes – Alterative rock instrumentation kicks into play with Sometimes. Again, I quite like the upbeat vibes of the song (though it is a bit more subdued that compared to Go Again), especially how straightforward the chorus of Sometimes comes across. The straightforwardness of the song does mean, however, that Sometimes doesn’t have much else going on. That being said, Kim Sung Kyu adds a bit of oomph into this song, particularly towards the end, adding a tinge of complexity and cool energy to the song. (8/10)

Overall Album Rating – 8.8/10

S/S Collection 2023 Teaser Image

[Review] New Emotions – INFINITE

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After a 4 year hiatus from the stage, INFINITE has finally made their long awaited comeback with their newest single, New Emotions, and their 7th mini-album, Begin. As it has been a while since we have heard from the group, here is a quick introduction to INFINITE. Starting out as a seven member male group under Woolim Entertainment in 2010, INFINITE is one of those groups who skyrocketed to fame from a small company with their sharp and synchronised choreography and hits after hits like BTD, Be Mine, Paradise, The Chaser and many more. Currently, the group is a 6 member group (consisting of Sungkyu, Dongwoo, Woohyun, Sungyeol, L and Sungjong) under their own company, INFINITE company. We last saw the group release the single Clock in 2019.

New Emotions is seriously groovy and funky, which is pretty much on trend with KPOP nowadays. We see the funkiness and grooviness in two different forms – the vocal-like detailing in the background of certain parts of the song and via the bass guitar in the choruses. The members’ vocals add such a sleek and smooth texture to the song, which contrasts super well with the instrumentation. The opener was very ear-catching and intriguing, while the accumulation of instrumentals in the choruses gives New Emotions drive. I would have liked to see a stronger melody or a hook to take New Emotions to the next level. Though, I have an inkling that the current melody/hook is growing on me as I review the track. My biggest disappointment with New Emotions, however, is its length and how underbaked it feels without a proper ending. It kind of leaves us hanging and doesn’t satisfy accordingly. I think I am with the majority here in saying New Emotions feels a bit lackluster when compared with their past hits which had a proper climax and ending. But nonetheless, I am glad that INFINITE is back and hope that there is more comebacks in the future for this second generation and iconic group.

The music video doesn’t have an apparent plot from what I can see (at least, I think it does). Though, the flashlights, the chase scenes and the members wearing silk red tops in a construction site says otherwise. But apart from that, I found it to be a very stylish showcase of the members. L (Kim Myungsoo, for those who don’t know his stage name) steals the show, particularly during those scenes where they wear white on a black background.

Sleek and smooth movements and engaging solo moments make up this choreography, and I am all for it! While currently we are constricted to seeing what is only in the music video, you can see INFINITE’s signature sharpness and sychronisation, which is a nice call back to their earlier works.

Song – 7/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 7.5/10

[Review] Small Talk – Kim Sung Kyu (INFINITE)

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The countdown to INFINITE’s long awaited comeback is officially underway. But prior to the group’s comeback, INFINITE’s leader (Kim Sung Kyu) has managed to slide in a solo comeback with his latest single Small Talk and his fifth mini-album, 2023 S/S Collection. Last week, Kim Sung Kyu and Small Talk topped my Weekly KPOP Chart for the 1st Week of July 2023. And in that post, I promised to review Small Talk during the week – so, here we are! We last heard from Kim Sung Kyu through his Savior comeback from mid-2022.

If I am being honest, I personally do not have much to say about Small Talk. This shouldn’t be taken as a criticism, however. To me, Small Talk is straight forward song with some groovy and fun appeal. The mid-tempo upbeat nature of Small Talk does make it stand out in Kim Sung Kyu’s discography, given that Kim Sung Kyu hasn’t really venture down the more upbeat nature of music with his solo work. Even though this is new territory for himself, Kim Sung Kyu does keep true to his roots in Small Talk by having band instrumentation make up the entirety of the song’s background. The guitar work was charming and made the song likeable. I particularly really enjoyed how they were utilised in the instrumental break, bringing a funkier groove to the song and consolidating the already mentioned funky and fun appeal that the song had consistently going on. Small Talk also serves as a nice refresher for Kim Sung Kyu’s vocals, as it has been a while since we heard from the artist. And the melodies and hooks in Small Talk were catchy and had a nice ring to them. Overall, Small Talk is a really nice yet different addition to his solo repertoire. And given how it is lined up right before INFINITE’s comeback, it serves as a nice way to ease back into my Inspirit (INFINITE’s fanclub name) mindset.

The music video sees Kim Sung Kyu’s desire to communicate with the people around him (even if it is just some small talk), despite being in a society where people are more isolated due to technology, social norms and the active decision to not participate in conversations (me, every time I find myself in some sort of training at work). The video captures all of this in a slight comedic manner, with the people around Kim Sung Kyu refusing to acknowledge him even as he is pushed around or as he has a breakdown (i.e. the train scenes), actively seeking ways to avoid communicating with him (i.e. the office scenes), or just decide to film him whilst he is doing something wild (i.e. him sitting on an utility pole, and everyone just filming him instead of trying to get him down or talk him out of the dangerous stunt). At one point, someone does listen to him, but ends up bleeding from the ear. Yikes! Apart from the concept, the video features a nice pastel brightness that fits in with the song and a small amount of choreography that adds a bit of more fun to the video (but not enough to warrant a separate section for this review).

Song – 8/10
Music Video – 8/10
Overall Rating – 8/10

[Album Review] SAVIOR (4th Mini Album) – Kim Sung Kyu (INFINITE)

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Support your favourite artists, songs and performances in the 2022 KPOPREVIEWED Awards by clicking the link here to vote.

Going over my list of album and song reviews that I want to cover, I note that there are a few releases from the first half of the year that I have yet to cover. One in particular is Kim Sung Kyu’s solo comeback from April, SAVIOR, which I am quite surprised I missed. I was a very big fan of Kim Sung Kyu’s solo work in the past and I would always be game to review his solo work in depth. So forgive me that this is almost seven months late, but here is my review of the fourth mini-album from the leader of INFINITE himself.

While it was a while since we last heard from him at the time of SAVIOR‘s release, I must admit the mini-album did a good job of bridging what Kim Sung Kyu is known for from his past solo discography and the more modern elements of today’s industry. I did wish more people are interested in his work, as he has a lot to offer. I personally cannot wait for another release from Kim Sung Kyu, but at least we have five songs to tie us over for the meanwhile.

SAVIOR Album Cover

1. Intro – Kicking off the mini-album is a nice yet short band piece. It is quite nice to hear drums and guitar in a pure form, as it felt like it has been a while since I have heard something straight up like this. No vocals feature in this Intro, but it still definitely did a good job of driving excitement levels up for what is to come. And if you have been a avid fan of Kim Sung Kyu, you know that an intro like this one is something that is right up his alley.

2. Savior (Title Track) – Click here to read the full review for Savior. (9/10)

3. My Love Will Be Yours – Following the title track is a ballad. My Love Will Be Yours is nice but it is on the fairly typical side of ballads. It does capture his vocals very well, and the instrumental was classically and orchestrally driven. But I found it to be lacking that captivation factor or a swayable/flowy melody that usually draws my attention to a ballad. It is still a good ballad nonetheless, just not one that I would find myself going back to often. (7.5/10)

4. I Dare You – I Dare You is SAVIOR‘s most interesting track. But it is this interesting factor that makes it good. I Dare You starts off with an atmospheric intro and first verse, which I would collectively liken to a suspenseful piece from a sci-fi movie. Here, Kim Sung Kyu concentrates his deeper tone, before soaring in the chorus alongside to some atmospheric rock. For the second verse, Kim Sung Kyu maintains the momentum from the first chorus, and captures my attention with a brief high note. The bridge is forgone for a dynamic and texturally heavy synth instrumental piece that feels like a performance could accompany this section if I Dare You were to be performed live. To me, I Dare You reminds me of his early solo days where he got to try something different from your typical ballad or dance tracks with his rock-styled tracks. Overall, a standout track that I would be revisiting often. (10/10)

5. Fog (안개) – Fog closes out this mini-album with a song that features a heavier presence of rock. I really like how intense the rock feels, despite it falling more on the softer side of the rock profile. I also enjoyed the upbeatness it gave the chorus, which was a nice change to usual softer rock sounds. For this most part, Kim Sung Kyu sounds quite good. This style is what he is known for, and it is nice nostalgic trip down the memory lane of Kim Sung Kyu’s solo work for me. However, at certain points of Fog, I did find the vocals to be quite soft and muffled. But I wonder if this was intentional to mimic how fog encapsulates one’s surrounding. It will be interesting if that is the case. (8.5/10)

Overall Album Rating – 8.8/10

SAVIOR Teaser Image

[Review] Savior – Kim Sung Kyu (Infinite)

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Time to jump back to last week, with the next review focusing on Kim Sung Kyu’s solo comeback, Savior. Savior is the title track off Kim Sung Kyu’s fourth mini-album which shares the same name. This is Kim Sung Kyu’s first release following last year’s departure from Woolim Entertainment, him signing on with Double H TNE, and the release of HUSH and Won’t Forget You. He is also due to continue his domestic tour of South Korea, which began earlier this month in Seoul.

To me, Savior is a throwback to Kim Sung Kyu’s past solo work. If you were to put his past solo releases side by side with this latest one, this one would blend right in. And I quite like the idea of that. While I am a strong advocate for artists to change their music style once in a while, Kim Sung Kyu is one of those acts that I am happy to stay within the rock realm, simply because he will explore different areas of the genre each time he releases new music. This time around, Savior is a mid-tempo pop rock sound that has stunning potential. I find the pop rock instrumental to just extremely satisfying. The mix of ethereal synths alongside the rock gives Savior that potential I mentioned. I also find that Savior doesn’t overwhelm nor overpower, which is why I like Kim Sung Kyu’s music so much. He knows how to make his vocals standout, and he ensures the rock backing (no matter what style he is diving into) assists with this. I do think the instrumental can go slightly bolder in some parts, just to give Savior some oomph, but what we got is another case of ‘good enough’. As I have touched on already, Kim Sung Kyu’s vocals are amazing throughout the song. There is a warm and comforting feeling to his vocals. This might just be the nostalgia speaking, but I find this tone to work well with the lyrics of the song. I also like the power he adds to his vocals during the chorus, which helps makes the piece more riveting. The ‘Ooh Wa Ah Ah~‘ was quite catchy. I also really like the heavenly touch the falsetto gives Savior at the very end. Overall, Savior is a great single to return to the industry with for Kim Sung Kyu, and I am definitely looking forward to more work from the soloist into the future (and a potential Infinite reunion, please!).

I quite liked the artistic yet simple nature of the music video. It doesn’t overcomplicate or clash with the song, which is just perfect. It is all shot in a studio, but the scenes all look much more than just a studio. To me, each scene (whether it was the boat scene or with the band) went beyond the boundaries of the studio, and this made it looks effortlessly stunning to watch. In particular, I feel like the video touched on that ethereal description I had for the synths in the song. Whoever produced and/or directed this video did an amazing job. I do have to say some of Kim Sung Kyu outfits though looked a bit awkward. But apart from that, its a great video.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

[Review] Calm & Passion – Nam Woohyun (Infinite)

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Also making his comeback today is Nam Woohyun! Calm & Passion (the title track) and With (the fourth mini-album) is Woohyun’s first comeback since completing his military enlistment and the first time we have heard from him since Hold on Me in 2019.

It has been a while and I am definitely excited for a Woohyun comeback. But unfortunately, I am left disappointed with this release. Calm & Passion just doesn’t live up the standard that he had set himself through his previous comeback, Hold On Me, and the new song felt flat. Calm & Passion is a sleek R&B track that taps into the funky trend that KPOP has been riding lately. While it does sound great in writing, Calm & Passion isn’t as fleshed out as you expect. Take the chorus, for example. The song definitely picks up in the pre-choruses, and so I expected the song would approach a meatier drop. But instead, we are treated to an anti-drop that makes Calm & Passion remain in neutral gear. It does pick up slightly in the second half of the chorus, but I am still recovering from the disappointment from the first half. The second verse continues the momentum from the second half of the first chorus, so I expected that momentum to continue build and snowball from there. But the chorus just repeats its lackluster form which is a bigger disappointment. The song had a perfect sound platform to build momentum with, as rock elements clearly make themselves known in the instrumentation as the song progresses. But Calm & Passion doesn’t pick up on that hint, unfortunately. When it comes to the final chorus, this was the energy that I was after and it felt satisfying then, but I wished they had it happening earlier in the song. Aside from the instrumentation, it was great to hear Woohyun’s vocals after so long. This was not a disappointment like the music, as he sounds good in this sleek manner and I liked how his vocals pierced through when the instrumental was more relatively robust and dynamic. Overall, Calm & Passion had potential but failed to captialise on the mentioned potential.

The music video faired a bit better. Visually, it was okay. It isn’t the best, but at least the video was clear and you can see Woohyun well. For the plot, Woohyun is kind of stuck in this limbo when it comes to his relationships. Everything is slow paced and just doesn’t work out, contrary to the relationship that he seeks (which is calm and passionate, if you haven’t picked that up from the lyrics). It was kind of interesting piece and I liked how they purposefully made the video feel stagnant to reflect this story.

While I was disappointed with the song, it definitely enabled Woohyun to take on a sensual and mature vibe with his choreography, which he nailed. I really liked watching the shoulder movements, and I think the choreography made better use of the rock elements than how the song did.

Song – 6.5/10
Music Video – 7/10
Performance – 7.5/10
Overall Rating – 6.9/10

[Album Review] Won’t Forget You (1st Single Album) – Kim Sung Kyu (Infinite)

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The next album I will looking into is Kim Sung Kyu’s very first single album which features the title track, HUSH. There are a few significant milestones with the release of this single album, titled Won’t Forget You. This is the first single album under his name since his solo debut back in 2012. It is also his last album release under Woolim Entertainment, which he has been signed to as an artist (both solo and as a member of Infinite) since his debut in 2010. The company announced his departure in early March and (as mentioned in HUSH’s review), it appears the two parties mutually parted ways from one another based on the existence of this single album. Let’s wish Kim Sung Kyu good luck to wherever he goes next with his solo career. And while we await for his next solo release, let’s have a deeper listen to Won’t Forget You.

Won’t Forget You Album Cover

1. HUSH (Title Track) – Click here to read the full review for HUSH. (9/10)

2. You – You is a very pleasant and likeable track, thanks to the simple instrumentation involving acoustic guitars and consistent percussion. I like how the electric guitar and a very small amount of electronic band styled instrumentation sneaks its way into the song by the time it wraps up. On top of that, we have Kim Sung Kyu’s vocals which are very clear and crisp. There is an appreciable level of sweetness to his voice that really compliments the song’s message of wanting his partner to stay by his side. The backing vocals in You really amplify his vocals and the melodies, along the chorus to be quite memorable. The combination of the backing vocals and melodies also brought out a nostalgic factor, for some of his past singles. Altogether, You is a highly recommended listen from me. (10/10)

3. My Day (나의 하루) – Kim Sung Kyu’s music is heavily influenced on the electronic band style that you would associate with Korean band Nell. While My Day seems to stay within that same area of music, it also seems to be slightly more experimental with its more upbeat and Summery vibes. My Day seems to be the perfect song to use as background music while walking along the beach. Like all his songs, his vocals stand out here. I really like the echo that comes through (thanks to the vocal processing) during the chorus, which enhances those Summery vibes. The layering at the end was really well executed. Overall, My Day comes off as extremely dreamy and is another highly recommended listen. (10/10)

Overall Album Rating – 9.7/10

Won’t Forget You Teaser Image

[Review] HUSH – Kim Sung Kyu (Infinite)

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Kicking off this week’s rush of comebacks is Kim Sung Kyu with HUSH. This is Kim Sung Kyu’s final release as part of Woolim Entertainment, the company in which he has been apart of since his debut in 2010. For those who don’t know, Kim Sung Kyu is a member and the leader of male group Infinite, who has gone on to become one of the top male groups in the early 2010s and are widely known for their synchronized choreography. It was announced that Kim Sung Kyu would leave Woolim Entertainment in early March, however still remaining a member of Infinite. It seems like the pair are still on good terms, with Woolim picking up promotions for HUSH and Kim Sung Kyu’s first single album, Won’t Forget You (you will notice that HUSH’s music video is release on Woolim’s home channel and carry the company’s branding as well). We last saw Kim Sung Kyu make his solo comeback in December of last year with I’m Cold and Inside Me.

My first impression of HUSH is that it reminded me of Kim Sung Kyu’s previous title tracks, Kontrol. This is simply because of HUSH‘s 80s synth pop instrumentation. The new song initially started off like your typical traditional band style ballad, a sound that is explored territory for the solo artist. The synths start filtering into the song soon after and the song starts building momentum towards that synth pop instrumentation. What I do like about the song is that it isn’t too much like Kontrol, which seemed more committed to the synth pop genre. While I do like the reminding notion of HUSH, it is still its own style. HUSH maintains that traditional band underlay as part of its instrumentation, creating a fine balance between band and synth. The resultant product sounds amazing, atmospheric and powerful in its own way. What obviously makes any Kim Sung Kyu song better is, of course, the presence of Kim Sung Kyu’s vocals. I find his vocals so captivating and gripping in this song. You can feel the emotions behind his vocals, relaying the song’s message (the powerful power of attraction and emotion that is conveyed even without words – sourced from Soompi) very nicely. I liked the way the song’s title is delivered in the song, feeling present but also distant at the same time. While I have made comments about excessive use of autotune, I also really liked how it was used for ad-libs. I also enjoyed the ‘echoing’ that rounded out the song. To me, these kept the song very grounded and makes the instrumental do the ‘soaring’, which is usually something you describe the vocals. I find this related to the lyrics, with the words doing less and the music being more powerful as a result. Overall, HUSH is a really nice way to round out Kim Sung Kyu’s time as part of the Woolim family.

The music video stars both Kim Sung Kyu and IZ*ONE’s leader Kwon Eun Bi, who is also a fellow Woolim labelmate. Based on the lyrics, I believe it is assumed that the pair do not exchange words throughout the video. Rather, we see their emotion be portrayed in their facial expressions. At the start of the video, we see the two sad and distant. In one scene, where Kim Sung Kyu goes to hug Kwon Eun Bi, she vanishes into the air. This signifies that they have broken up. But the memories between the two lingers and we see the pair smile towards the end, which drives Eun Bi to return to Sung Kyu, where they hug one more time. This time, she doesn’t disappear and the pair are reunited without the exchange of words but rather memories and thoughts.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

[Review] Memory – Kim Myung Soo (L)

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Many of our favourite second generation KPOP male idols have been enlisting into the miltary over the last few years. So we have been experiencing a lack of performances from those idols. However, they are slowly returning from the military, and we could potentially see these idols and their respective groups make their first comebacks this year. On the other hand, we are still saying farewell (temporarily) to some of these idols, such as Myungsoo (or L from Infinite). More recently, Myungsoo (or L) has been active as an actor since his departure from Woolim Entertainment. However, he is still committed to his fans and Inspirits alike. Last week, he made his solo debut with the single Memory as a parting gift before he enlists in the military later this month.

Given the context behind the song and the circumstances that Myungsoo finds himself in, a ballad seems like that default style. And a ballad is what he gives us. The instrumental is pretty starightforward, consisting of a acoustic guitars and piano work. It progresses like most other ballads, where it slowly builds by incorporating more instrumentation as the song progresses along. It is still a captivating piece, nonetheless. What I do like about Memory is that it doesn’t tap into the classical side of the ballad genre. That would have been very cliche. But as previously mentioned, the ballad approach is very typical regardless. But it does still feel a tiny bit different from what I had expected. Memory also indulges fans of Myungsoo as it showcases the actor/singer’s voice. Myungsoo has always had a very unique voice and I really like the colour which he brings to Infinite back in the day. To know that he has a whole song to himself really makes my day. His voice takes you on a bit of a journey. I felt I easily got lost in the track, between his vocals and instrumentation. Together, the instrumentation and vocals bring forth that swaying effect that I often mention when it comes to ballads. And that swaying effect is always a good thing when it comes to ballads. Overall, Myungsoo doesn’t get points for originality when it comes to Memory, but rather execution and effect.

The music video is simply a bunch of closeups of Myungsoo in what seems like a photoshoot type of set up. We see him posing throughout the video in very nature-based scenic places. Occasionally, we get a picture form of what we just saw. I am sure fans enjoyed the visual aspect of the music video. There isn’t much else to the music video. I will admit that it isn’t a video that I would return to constantly, but I really like the paced nature of the video. It works well with the song and its balladry nature. It also felt like a blissful walk along the beach or somewhere scenic.

Song – 8/10
Music Video – 8/10
Overall Rating – 8/10

[Album Review] INSIDE ME (3rd Mini Album) – Kim Sung Kyu (Infinite)

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It is time to return to the album reviews. Apologies for not posting any over the weekend, when they should have been released per the posting schedule. Today’s focus is Kim Sung Kyu’s INSIDE ME, which is the soloists’ third mini-album since his solo debut in 2012. The title track, I’m Cold, was released alongside the mini-album in December 2020. Kim Sung Kyu’s solo comeback in December came at no better time as I had a massive craving for Infinite in some form. Kim Sung Kyu’s solo releases are enough to suffice this for now. I am hoping for a group release once all the members return from the military. We last heard from Kim Sung Kyu in 2018 through his 10 Stories comeback and the title track, True Love, another aweome comeback from the solo act.

INSIDE ME Album Cover

1. INSIDE ME – While INSIDE ME will not be included in the final rating score, I just want to take a moment to draw attention to this introductory track. I really like the suspenseful vibes of the song. I also like how it felt like a teaser of what is to come, as it literally used some of the instrumentation from the title track.  It also felt like music that Infinite would have released back in the day, with the combination of synths and instruments.

2. I’m Cold (Title Track) – Click here to read the full review for I’m Cold. (10/10)

3. Fade (안녕) – Fade continues on with the R&B vibes that featured in I’m Cold. The major difference is that Fade is a lot airer in its instrumentation and slower overall. It kicks off with a somewhat distorted like filter over a music box and Kim Sung Kyu’s utterance of ‘Goodbye’, before proceeding with the familiar R&B vibes I just mentioned. I really like how the electric guitars sound almost like electronic synths, which reminds me of some of his earlier works such as his last solo comeback. His vocals flourish in this song, with the falsettos he opts for being a star attraction. I just wish Fade had a more memorable melody. (8/10)

4. Room – Room diverts away from the R&B that we all know Kim Sung Kyu for. Instead, he opts for a genre that I am sure that everyone is certain the soloist will nail, ballad. I am happy to report that his ballad had me sway along to the music, which we all know is my way of determining the quality of a ballad. But honestly, the buildup of Room was stunning. It starts off like any slow ballad. But as you progress along, the instrumental grows by incorporating more instruments and it develops into an epic backing for the ballad. Kim Sung Kyu’s vocals climb to compliment this buildup and he sounds beautiful and powerful. It is most emotional number on this album and probably his discography as far as I can remember. (10/10)

5. DIVIN’ – Moving away from the heartbreak that has dominated the album thus far, Kim Sung Kyu goes DIVIN’ into a new relationship and sound. The song falls back into the R&B realm of music, but there is more to it. It sounds like there was is a bit of jazz mixed into the instrumentation, which comes together to become a groovy mix, which makes it suitable for a high-end bar. Once again, Kim Sung Kyu’s vocals are quite good. I appreciate that his vocals sound a lot livelier, complimenting groovy instrumentation. Multiple R&B and ballad tracks after one another can be draining in some cases, so it is nice for a change up. (8/10)

6. Climax – Climax is a little unexpected with its upbeat nature. But it is an amazing end to the album. Firstly, Climax is a personal track. It is a song about performing, a passion of Kim Sung Kyu (if you cannot tell). He sings about pushing forward with his career and his motivation is simply his fans. A message like that will have fans swooning over him. Secondly, the instrumentation is very unique and colourful. I really like the electronic nature of the instrumental, which was full of textures (which you know I enjoy). I also enjoyed the choppiness, which was an interesting route in general. The pre-chorus has a very unique vibe by embracing a choppy delivery of the lyrics, which helped made the song so much more alluring. His vocals are superb, once again in this song. TGhere was some questionable uses of autotune in the song though, which doesn’t really capitalise on his vocals as much as the song should have. (9/10)

Overall Album Rating – 9/10

INSIDE ME Teaser Image

[Review] I’m Cold – Kim Sung Kyu (Infinite)

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Kim Sung Kyu has been absent from the KPOP stage for about two years now due to his military enlistment. We last saw him in 2018 promoting his first studio album, 10 Stories, which was headlined by True Love. Like the solo artist, not much has happened with Infinite (the group that he leads) since 2018, aside from a single release at the very start of 2019 that did not feature Kim Sung Kyu has he had already enlisted by then. Now, Kim Sung Kyu is back with new songs, in the form of the single I’m Cold and the mini-album Inside Me. This is his first comeback since completing his mandatory enlistment earlier this year.

If you forgot or did know about me, but I am a big fan of Kim Sung Kyu’s solo work. I enjoyed all of his past singles and album releases. So, I’m Cold has a a lot to live up to. Well, I am happy to report that Kim Sung Kyu manages to still have the ability to stun me with his solo release, even though there was a massive two year gap. I’m Cold is a R&B styled song with a hip-hop influence. Personally, this combination doesn’t excite me unlike his pop rock roots that I know him for. However, it is how the song comes together with his voice that really shines for me. The instrumental for this song is simply an atmospheric piece and can be described as quite minimalistic. It didn’t add much substance to the song, but it was definitely needed to create the feelings of emptiness and loneliness, which goes hand-in-hand with the lyrics of the song. The most substantial part of the song was during the chorus and that was only simply due to the amped by strumming of the acoustic guitar. The main ‘meat’ (as one would describe) would the vocals, of course. Kim Sung Kyu sounds stunning and boy, do I miss his voice. What I really liked is how the producers really emphasised the vocals by applying echo-like effects and (what I think is) an additional layer of his vocals during the chorus to bolden his main vocals. I feel like all of these (if I was correct in identifying the tactics used) really helped emphasised the idea of loneliness and emptiness further. I’m Cold is honestly slightly different to what I am used from the soloist, but it is nailed like any other song Kim Sung Kyu has attempted before.

The music video simply needed to convey two things. Emptiness/ Loneliness (as conveyed in the lyrics) and coldness (as conveyed in the title of the song). Both these aspects were effortlessly shown in this music video. Kim Sung Kyu was very alone in this music video. The ring he possesses is stuck in ice and his memories cause him to cry. There was also a moment of rage towards the end of the video as he searches for something that I felt was a great peak in his acting for this video, showcasing his loneliness a step further. The coldness was cleverly inserted. He sings in a freezer room and in the snow, which all symbolises the coldness. But the best part was when he holds onto the flower and it becomes encased in ice. I felt that was a smart way of showing that he is also cold on the inside. I just wished there was a bit more to the video, like a bit of a back story or flashback to his breakup.

Song – 10/10
Music Video – 9/10
Overall Rating – 9.6/10

[Album Review] Destiny (2nd Single Album) – Infinite

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It is time that I bring back the Past Album Reviews (PARs), where I dive into the albums that have been released in past. In order to be reviewed, the album cannot be released in the current year. So in this case, any album released in 2019 or before may land itself on the review. They will be published weekly (as like last year) and will follow the same format as the usual album reviews. The restarting album to this segment Infinite’s Destiny, which is the group’s second single album. It was released back in 2013 after the release of New Challenge in the same year, which I previously reviewed last year.

Destiny Album Cover

Apologies that I could not find the official audio for the b-sides on this album on YouTube. I have linked to the YouTube lyrics videos that I could find instead.

1. Destiny (Title Track) – My previous review for Destiny consisted of a combined rating score, which I do not use in my album reviews. Upon reconsideration I have changed the rating to 9/10 song-wise from the 7.5 combination rating I had given originally. Click here to read the full review for Destiny. (9/10)

2. Inception – My new headphones are really getting a workout with the recent bass heavy songs that I have been reviewing. And Inception joins that list, opening with multiple deep drumbeats that really gets me intrigued in the song after all these years. Joining the deep beats that is brought in and out of the song, the song has this ongoing squeaky synth that really gets into your head (well, it did for me after all this time). There is also this classy vibe to the song which I thought really helped make this song feel polish and at another level. The vocal work was really good, with the chorus featuring harmonies from the members to give that powerful feel in a subtle way. There is also a catchy melody attached to the song, which helps it becomes a strong b-side that follows in the footstep of Destiny. (9/10)

3. Going To You (너에게 간다) – Going To You is pop ballad, leaning more to the pop side. I am always amazed when it comes to Infinite’s ballad. Back then and even now. Going To You has this very wholesome and passionate feel to it, which I thoroughly enjoyed. The instrumental is a balanced mixture of band and classical instrumentation, which gives the song that lean to the pop side of the spectrum. The melody was light and simple. All the members participate as vocalists in this song and they all sound really good. I love how they stripped all the music at the end, giving Woohyun an opportunity to end the song with his effortless vocals. I could go on about this song but I will give two big thumbs up for this song, with hopes that summarises the rest of my thoughts. (9/10)

4. Mother (엄마) – Mother is more of your typical ballad. Slow and the instrumental is more classical-centered. Mother is a special song, dedicated to all mothers. The members sing Mother with their own mothers, wanting to saying to ‘Thank You’ and ‘I Love You’ to them. They touched on being immature at a young age and now that they have grown up, they understand what their mothers had gone through while raising them. There is a very warm feel to their voices and you can hear the emotions behind their voices, which is a sign of a good ballad. I liked how swaying the melody was, another sign of a good ballad in my books. (9/10)

Overall Album Rating – 9/10

Destiny Teaser Image

[Album Review] New Challenge (4th Mini Album) – Infinite

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It is time for another past album review (PARs). Last two weeks, I have been focusing on groups who have disbanded. And while I could continue that, I want to also focus on the groups that are still active (or supposedly active). Infinite is one of these groups who are in a weird limbo. Some members are actively promoting, while others are in the military. More recently, L moved on from Woolim Entertainment (the company managing  Infinite), placing a question mark on top of the group’s future, despite L confirming that he is still part of the group. Nonetheless, Infinite still many albums to look at and that is what we will be doing today. The group’s fourth mini-album, New Challenge, was released in 2013 with Man In Love.

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New Challenge Album Cover

2. Man In Love (남자가 사랑할때) (Title Track) – Rereading my past review, I am very confused about what I meant myself. So, to keep it short, Man In Love has grown immensely on me. Not immediately after the initial review, but a few months (maybe years) after the release. It still is a change-up no one saw coming, given their past darker releases that came before and after Man In Love. Vocally, I think the song is fine (now) and the rapping is still a highlight for me. I thought the retro sound was appealing and the upbeat nature was a welcome change after all. These comments are drastically different from what I had originally, but if you want to see what I wrote previously (ignore the hypocrisy), click here to read the original review. (9/10)

3. As Good As It Gets (이보다 좋을 순 없다) – As Good As It Gets is a decent track. It isn’t amazing. But it isn’t terrible. It is like the Goldilocks of the tracks on the album, which I think is rather fitting given the title of the song. It follows the title track in a sense that it is wholesome and lively. At the same time, however, the song doesn’t push itself to be better. It stays very consistent throughout. And in this case, it doesn’t work well with the track. The instrumental takes a rock pop approach, which I was good. It felt very typical, especially in comparison to other songs on the album. But it was a good canvas for the vocals. The singing together for the chorus was a good technique, as it added more colour to the song. The members alone sounded quite nice. The rapping was quite good as well, but it didn’t feel necessary. There are two sides to this track, which is why I label as decent. (7/10)

4. Still I Miss You (그리움이 닿는 곳에) – One thing that I am not exactly sure if you know about me. But I always love Infinite ballad, regardless of the lyrics. Their voices are very versatile and hence can fit multiple genres. And it is always nice to hear them attempt something so strong through their title tracks and then successfully nail their more fragile ballads perfectly. Unfortunately, Still I Miss You is one of those outliers that just doesn’t meet that benchmark. It is a nice ballad, but it doesn’t capture the best of the group. It felt very typical and the melody didn’t feel special. While some members shined, others didn’t really do as well in the song, which I think is another letdown. The instrumental was a lot more lively than the ballads that I listen to often from Infinite, which I guess was required to fit into the album. (7/10)

5. Beautiful – The vocals and instrumental start from the very first second, expressing how their partner leaves them in awe with their beauty. Given their previous tracks, this one follows the title track in being of the unexpected nature. But I guess some brightness doesn’t hurt from time to time. Harmonies are given to us at the start of the chorus and I thought the song zoned into the vocals quite well. Instrumentally, I thought it was a little standard. It felt more like a b-side track than anything else, honestly speaking. So, it wasn’t necessary memorable back then or now. But still, another decent track. (7/10)

6. 60 Seconds (60초) (Infinite Version) – 60 Seconds was previously the title track from Kim Sung Kyu’s first solo album. A song that I do come back to every so often because it is so damn good. So, to hear that the group would be releasing a version themselves was a pretty big deal back then. And it was a version that I enjoyed. The harmonies and the vocals of the individual members were shown off. Hoya and Dongwoo also introduced a rap sequence into the song to give it some additional depth of appeal. The instrumental remained the same between the two versions, keeping it consistently good throughout. (9/10)

7. Inconvenient Truth (불편한 진실) – Opening this track up is a female’s laughter and a very vibrant set of horns. It brings forward a very retro sound, which is Infinite’s forte for this album. The song shows the members in an unimpressed state because of their lover, with the laughter at the start present to tease the members. Despite, the song is very lively and energetic. I thought the chorus was nice, with all the members singing together. It did feel a little childish at times, from my perspective, which is something I am a little disappointed in. I also wanted more to the song, given how it was very consistent throughout. The fading out ending didn’t really wrap things up in a manner that I would have liked it. All of this felt made it feel like there should have been one more song coming right after, so it leaves a gap at the end of the album. (6.5/10)

Overall Album Rating – 7.6/10

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New Challenge Teaser Image

[Album Review] A New Journey (3rd Mini Album) – Nam Woohyun (Infinite)

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Today’s album review will be focusing on Nam Woohyun’s latest solo mini-album, A New Journey, which also features the title track Hold On Me. In the past, Nam Woohyun’s releases have revolved around the ballad genre. But with a fitting title such as A New Journey, it is implied that a new direction is taken. And with the intro track and title track suggesting a more upbeat route, it is definitely ‘A New Journey‘ for the Infinite member in terms of solo releases. So let’s follow Woohyun and see what songs are included on the album.

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A New Journey Album Cover

2. Hold On Me (ft. Junoflo) (Title Track) – Click here to read the full review of Hold On Me. (9/10)

3. Rain – The song is a mixture of different sounds. However, I don’t think it is an overwhelming mix. I just think it could have been tied together more nicely. The few changes it did feature were very obvious in nature and it created a messy atmosphere as a result. I think the track was going towards a dynamic vibe and a more cohesive approach (if it is possible) would have really benefited the main appeal of the track. It starts off with an acoustic-like electric guitar introduction and slowly builds to a Latin-inspired chorus with both electric and acoustic guitars at the forefront. The song remains in this mode up until a brief pause at the end and it changes completely. So different that I thought a new song had started. The first listen was overwhelming but that feeling died down after multiple listens, as suggested above. I thought the vocals were well presented in this track, with that being another highlight. (7.5/10)

4. Stranger – While this track does sound a little typical, the rush of energy that we get from the chorus makes it sound so good. Personally, I think this song ticks all the boxes on my checklist for an amazing song. Great vocals, great energy, great beat. Everything was great! It just felt like it was missing one element. I did lowkey expected a rap sequence during the instrumental break. And I think that could have made the song a little more interesting. The instrumental break did feel like a small void and it would have helped if it was filled up in some way. (9/10)

5. Crying Baby – While I did mention that the album took an upbeat approach (and this song is no exception from that), Crying Baby’s verses made it feel very ballad-like. But that doesn’t hold for long, as the song takes a turn (though I don’t remember exactly if this turn was expected or unexpected for me). I am glad that the majority of the singing for this song was during the verses, making way for an empty-ish chorus to be filled with loud dubstep effects. I find this a well contrasting mix due to its differences in softness and loudness; delicate and rough; ballad and electronics etc. If any major singing parts were to occur during the chorus, no doubt that Woohyun voice would have been drowned out. (8/10)

6. Just Look At Me (넌 나만 바라봐) – The first thing that really pops out at me in this track is Woohyun’s airy and lower toned vocals. It is a lot different than his vocal approach in any other song on the album, so it is different intriguing. I like the instrumental for this track, as well. The synths are a little loud, which at times did feel like it was drowning out vocals. They did attempt to combat this by incorporating some loud backing vocals (that he does a good job harmonizing with), which expelled a very dominant retro vibe to the song. This was successful to varying degrees along the track. But overall, I thought it was a nice track. (8/10)

7. Flower – Flower is probably the most ‘expected’ track off this album to fit into Woohyun’s existing portfolio. It isn’t strictly a ballad, however. But I find the song to be consistent with a softer nature and more traditional instrumentation that you expected for a ballad. It is also the one song on the album that provides relief from the loaded energy that we have coming from the album. And this relief is much appreciated. Flower ends up being a typical café style and almost-jazzy number, which I enjoy time to time. Because of the energy I mentioned just a moment ago, this is a good example of when I enjoy this type of song. A part of me says this is a lacklustre song to end with, due to its standard nature. But at the same time, it is definitely pleasant. (7/10)

Overall Album Rating – 8.1/10

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A New Journey Teaser Image

[Review] Hold On Me – Nam Woohyun (Infinite)

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One of the groups that I want to continue to see in the future is Infinite. Their releases in the past have also been outstanding and with the military enlistment period upon the members, I want something Infinite related in this Infinite-drought. Woohyun is probably my favourite member and it isn’t just because he is the one to break the Infinite-drought. Woohyun returned today with Hold On Me, his third solo title track.

While Woohyun is my favourite member of the group, his previously ballads quickly wore off after their respective releases and reviews.  You can’t really help that if all you release are ballads. However, Hold On Me departs from this ballad train and jumps onboard a more upbeat and energetic train. Kicking off the track are some guitars that really perk your interest, particularly if you were expecting a ballad track. We were treated to some of Woohyun’s vocals but I did not expect such an early featuring of Junoflo right after. I liked the raspy texture he gave the song and the way they managed to blend together was very interesting. I think the best bit of the song has to the pre-chorus and chorus combination. The buildup was nice and the chorus had a rush of energy/colour (thanks to the vibrancy of the guitar), making the track quite memorable for me. Woohyun’s vocals were really nice, with the bridge of the song probably showcasing his vocals the best in the entire song. Overall, Hold On Me serves as a great drought-breaker and provides a fresh take of Woohyun!

The music video shows Woohyun remembering a past lover. Woohyun looked like he never moved on from his breakup, as the static on the television reminded him of his girlfriend and his place doesn’t look like he ever stopped drinking since that heartbreaking night. Towards the end, he does find her. But she seems to be a memory within his mind and the static effect is shown alongside her, representing the fact that she is now just a memory (and not a partner). I thought it was an interesting video. I did like the choreography set (I don’t think it was a real cityscape, which was rather disappointing). I think it would have been better with an actual cityscape, like his solo shots.

The choreography looks good. It isn’t as intense as other Infinite releases in the past but it is getting there. I think Woohyun focuses more on this vocals for these performances, which I think is the more appropriate thing for Woohyun, as his vocals his main weapon (though his dancing is as well).

Song – 9/10
Music Video – 8/10
Performance – 7.5/10
Overall Rating – 8.4/10