Tag: NCT DREAM

NCT DREAM made their return yesterday with a brand new mini-album Dream()Scape and the single Smoothie. This is the group’s first release after their ISTJ, which featured the title track of the same name, saw a whopping 4.2 million in pre-orders and 3.65 million in sales. Dream()Scape is already breaking records for NCT DREAM, with the new mini-album already breaking the group’s highest first day sales record (from what I could see on my timeline on X).

Unlike what the song title suggests, Smoothie is not a smooth song. It is definitely more coarse in terms of texture, given the mixture of rough and hard-hitting synths, intense rapping and melodic vocals (which does give Smoothie a hint of smoothness) that make up the new NCT DREAM track. I also note that Smoothie is a lot darker than usual, with the song leaning super hard into that intense and serious territory via these same elements – not expected with a song titled Smoothie at all. Each of these elements are great aspects of the track. The backing of Smoothie goes down hip-hop territory with 808 bass line and snare rhythm (based on a Soompi article). There are also some cool and interesting synth choices made for the detailing of Smoothie throughout the track, which gives the backing of Smoothie some liveliness and colour. The rapping is definitely the highlight of the track, with MARK, JENO, JAEMIN and JISUNG really bringing their A-game to the track and contributing to the intensity of Smoothie. And as mentioned above, the vocal sequences are melodic and brought a much needed relief from the intensity in the form of smoothness. The only gripe I have about Smoothie is the chorus. As charming and catchy as it is, it felt plain. I was waiting for something exciting to happen in the central part, but that never eventuated due to the simultaneous and consistent monotonous repetition of the title and the anti-drop in the instrumentation. Overall, another song from NCT DREAM, just let down slightly by the chorus.

The music video (and every teaser that was released prior to the video) was quite interesting to watch. I presume they are all linked together, as my theory involves the ()SCAPE videos being the first chapter of the story, followed by the Dirty Smoothie teasers and then the music video. The first chapter showed the members being brainwashed by an entity via instructions, medication and binary code. While they do break away from the brainwashing facility at the end of the ()SCAPE videos, life doesn’t appear to be the same as at the start of the ()SCAPE video (note the glass of water on the table in the foregrounds of the initial and final video of the ()SCAPE series). The Dirty Smoothie teasers, we see the members assimilating back to normal life, but also ignoring the dangers and negativity around them. This to me suggest that the brainwashing was successful, but ‘in part’ as the members are not mindless as the facility had intended them to be. In the opening of Smoothie‘s music video, we see a black thorn wrap around the building they are in. As the video progresses, we see the members gather ingredients for a smoothie. By the end of the video, the members have drank said smoothie and the black thorny vines have unraveled, leading me to think that brainwashing has been dispelled. As for the rest of the video, you could definitely feel the intensity from different aspects of the visuals, matching up with the song quite well.

From the snippets of the choreography I could see in the music video, intensity and energy is definitely the first thing that pops into my mind, as the performance really throws both elements right at you. For the chorus, to complement the fact that the song slows down, the members maintain the intensity but goes down a more alluring path with their dance moves. Almost sensual, but definitely holding onto that cool factor. Definitely an interesting combination for the group that I definitely going to pay attention to.

Song – 8/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 8.5/10

Making their explosive comeback yesterday was NCT DREAM, who returns with their 3rd studio album ISTJ. This new album is lead by the title track of the same name as the album and the pre-release single Broken Melodies released a couple of weeks back. As mentioned in the pre-releases’ review, a fair bit has kept the subunit busy since their last Korean comeback with Candy, such as releasing their 1st original Japanese single Best Friend Ever (still yet to be reviewed) and the continuation of their first world tour.

I could potentially see ISTJ rivalling the likes of BOOM (which has grown and remained my pick for most favourite NCT DREAM track ever) had it not flip back and forth between melodic vocals and intense raps/hip-hop moments. I wished the sections were more cohesive and blended into one another, rather than be fragments (which is more or less the trend nowadays particularly with NCT to fit in multiple styles into one song). Such an example is the calmer and ‘introverted’ vocal focused pre-choruses. I personally felt this was too much of a slowdown and it really cut the amazing flow the verses/choruses had going on. That being said, however, ISTJ still manages to pack a massive punch in one way or another. The start of ISTJ‘s verses really kicks the song into gear, especially the starting combination of Mark and Jaemin’s rapping, and the instantaneous fast pace instrumentation that literally launchpads right into the song. As for the choruses, they can be described as ‘extroverted’ sections of the song. The choruses are very much the concentrated moments of intensity that makes ISTJ super memorable, with the rap-singing in first part, followed up by some powerful vocals from the vocalists and finally the ‘Let’s Get Down‘ refrain at the end of each chorus. The bridge mixes in a dreamy-like sequence that doesn’t really fit into the bigger picture of ISTJ, especially with the choruses serving as bookends on either side of the bridge. it does raise the same issue about cutting the flow of the song and needing to be more cohesive with the rest of the song. But I thought it was an impressive display of vocals from the entire vocal line, the rapping was a lot more soothing to a degree and I appreciated the dreamier instrumentation that accompanied it. In other words, I appreciated the blissful moment that was the bridge amongst the high-energy packed choruses. Overall, ISTJ is a strong track and it does work in terms of appeal. However, I wished the issues I touched on were improved upon to make ISTJ a better listening experience.

I am not entirely sure what is going on in this video. Supposedly, the lyrics depicts an ENFP type person trying to understand an ISTJ type person in their own way, thus breaking the stereotypes of the MBTI indicator personalities. And I think we see that in some capacity in the video, with the group hanging around ISTJ people, being conditioned to become ISTJ types after kidnapping a doctor, trying to teach themselves of the trait etc. But based on the scene in which the members are walking around the maze (which is later shown to be the brain), not all the members are ENFP types. Personality aside, the video had some really cool styling and sets, and I liked how the lighting made things chaotic and erratic during the more intense moments of the song.

With the calmer and more intense parts of the song, there is a good mix of moves to represent either side of the song. My favourite has to be the more intense parts, simply because NCT DREAM really thrives in these moments. And the synchronisation and execution are on point! I particularly enjoyed Renjun’s solo moves in the final chorus, which appear to be moonwalk-like.

Song – 8/10
Music Video – 7.5/10
Performance – 8/10
Overall Rating – 7.9/10

Ahead of their upcoming comeback ISTJ scheduled for release next month, NCT DREAM has released a pre-release single titled Broken Melodies. This is the group’s first release since their Korean comeback with their remake of the single Candy and their Japanese comeback Best Friend Ever (review to come). The group is also in the midst of their The Dream Show 2: In A Dream world tour.

Broken Melodies successfully eases us into their upcoming comeback and easily excites fans and casual listeners of the group for what is to come. Personally, the song is fairly simple with its straight forward pop rock influences. While the simplicity side of things can be problematic in some cases, that was not a concern for NCT DREAM here. The group managed to make Broken Melodies dynamic and stunning. The two main elements that really jumps out at me in Broken Melodies is actually the pop melodies of the song and the vocals that bring said melodies to life. We all know how capable the vocal line of NCT DREAM are their vocal abilities and they did not disappoint. But the rappers really surprised me with how stunning their vocals were during the solo moments in the verses and choruses. However, that doesn’t stop the rappers from being incorporated later on in the song, delivering a powerful rap line which hurls Broken Melodies upwards towards its peak. The pop rock instrumentation in Broken Melodies felt refreshing and nostalgic at the same time, reminding me of similar releases that I grew up on in the 00s. But the best parts of Broken Melodies has to be when the instrumental doubles down and intensifies via dynamic and cool drumming in the bridge. This adds to the memorable factor of Broken Melodies. I also like it was paired with the shouted “Broken Melodies” at the end of the choruses, which was a successful last ditched effort to get me back into the song right as it wraps up. As mentioned above, everything in Broken Melodies works wonderfully in setting us up to the next release from the group, which will come out mid-July (i.e. a little under a months time).

One of the vibes that I got from the song that I didn’t mention above was that there was a pleasant and warming tone to the vocals, which complements the song’s message of wanting to protect a love no matter what, expressing that they will overcome the numerous emotions they feel while being separated a great distance from the person they love (taken from Soompi). That’s why we see a bunch of scenes of the members talking on the phone with a smile, or sending messages to their partners with a smile. I also liked how the members were dressed up in school uniform and the location of the music video was predominately at a school or college field. I prefer to think of a college setting, which aligns with the group’s more mature image. But the potential to take us back to slightly younger years doesn’t hurt the group, and complements their youthful concept that they began and built their image with.

The choreography that we do see in the music video looks great. But I won’t factor it in the final rating until we get a live performance of Broken Melodies, as what we do see is quite limited.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

NCT DREAM is nominated for Best Sub-Unit and Best Male Group in the 2022 KPOPREVIEWED Awards. Glitch Mode is nominated for Best Concept and Best Music Video, while Beatbox is nominated for Best Pop Song, Best Male Group (Choreography). Definitely an all-rounder group. Supper NCT DREAM, their songs, and all your other favourite artists, songs and performances by clicking here to vote today.

NCT DREAM officially makes their comeback today with a special Winter mini-album, titled Candy. The same-titled single (the focus of this review) leads the mini-album. The single is also a remake of H.O.T’s Candy, which was released way back in 1996. This is the group’s first comeback since their Glitch Mode and Beatbox comebacks from earlier in the year.

Given that Candy (NCT DREAM’s version) is a re-recording of the original (cue the comparison), the newer version is fairly same as the older version. The melodies haven’t changed and NCT Dream retains the upbeatness of the original song. However, there are some distinct differences with the newer version that I actually liked more so than in the original. The main difference I could hear instantly is how much more modern the instrumental is. While it is similar enough for listeners to gain a bit of familiarity and nostalgia from NCT DREAM’s version, I enjoyed the extra intensity that the producers had put into NCT DREAM’s version. This definitely helps modernise the 1996 hit to current times and gives Candy a lot more oomph, which in turn makes way for some awesome execution from NCT DREAM. Talking about execution, I also find NCT DREAM’s vocals and raps to be a lot more polished than the original. I guess we can attribute that to advances in technology since 1996 – a lot has happened since then. The second verse gets an extra (super intense) rap sequence and I liked that NCT DREAM did not opt for as much overlap between vocals and raps as H.O.T had incorporated. They do bring that overlap into play later on in the song, but it is a lot cleaner and more refined than the original. Maybe it is a generational thing as I didn’t grow up during that era (I was born a few months after the song’s original release) and I am used to the modern style of KPOP, but I definitely prefer NCT DREAM’s version of Candy by a long mile.

When you think of H.O.T’s Candy, the group’s terrible outfits come to mind. Or at least, I thought they were terrible. It is the main thing that I still cannot wrap my head around until this day – how the colourful overalls and massive oven mitts got approved. I guess it was to fit the more vibrant and upbeat style of Candy, but boy do they look awful. I am glad that NCT DREAM’s stylist did not opt for the same style choices. However, H.O.T’s outfits were iconic in the end, and so NCT DREAM’s outfits were influenced by the look from 1996. Jeno’s massive trapper hat looks like it could have been lifted from that era. But as it is just an influence and their outfits do look fairly tame, I am fine with that. Other than that relief, the music video’s candy manufacturing set reminded me of Glitch Mode‘s technology set. And per usual, I really liked the colours. Some parts however were cringy to me.

At the time of writing, there was no official stage for NCT DREAM’s version of Candy. They are however confirmed to perform the single at the 2022 KBS Music Festival, which is being held today. But from what I can see, the choreography retains some of the key moves from the original version, but also intensifies the moves to match the intensified music we get in the newer version.

Song – 9/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.5/10

After a mini-break from tiredness and feeling unwell, I am back to finally review the new releases that started off this week. First up is Glitch Mode, the title of both the lead single and second studio album from NCT DREAM. Without a doubt. 2021 was an extremely big year for the NCT subunit, who returned with their Hot Sauce and Hello Future hits (along with participating in NCT 2021 promotions). It is definitely going to take a lot of work to replicate or even exceed the success of their 2021 promotions. But it appears that NCT DREAM is already outshining their last comeback, with reports that Glitch Mode has already outperformed their personal records for best first day sales and pre-ordered album sales.

I found Glitch Mode to be an alright song. Not too bad, but not that great either. I found the instrumental of Glitch Mode to be lacking substance and oomph. Described as a hip hop dance song, there were some good moments within the instrumental, such as the retro arcade accompaniment they had in the pre-chorus section and the awesome/powerful sounding rock-based dynamic dance break (which was the highlight of Glitch Mode for me). However, the rest of the instrumental felt mediocre and boring. Had there been that substance and oomph as mentioned, Glitch Mode‘s instrumental could have been more fulfilling. But sadly, the version we got was not the case. This issue then flows onto other elements of the song, such as the rapping, which needed that oomph to be more powerful sounding. The vocals, on the other hand, faired a bit better. But they too could also have been enhanced by what I mentioned already. As for the chorus, I don’t mind it as much. Sure, the shouty nature is becoming a cliché for them. But in the first half of the chorus, I thought it was fine. I just wished they changed it up in the second half of the chorus to be a bit more melodic and vocally driven. That would have made Glitch Mode more interesting. Overall, Glitch Mode wasn’t as exciting as I hoped it would been, but it was a fair comeback nonetheless.

Compared to the song component of the comeback, the music video receives a better review from me. I liked that despite the group went with a video game store concept for this comeback, they managed to incorporate the ‘glitch mode’ that they sing/rap about in the song when you are in front of the person you like. It adds an extra level of depth to a pretty random setting that I didn’t think was possible for this video. The icy end to this video was also bit random, but I guess we can say it is a ‘glitch’. I also liked how their outfits complimented the colours of the scene, which helped make the video look visually appeal.

I quite liked the glitchy party of the choreography, which really shows off their dance skills. They made it look so clean. It is quite clever and probably needed a lot of hard work to get it right, but it pays off. On a side note, Chenle is unfortunately unable to fully participating in the comeback due to an injury. A performance of Glitch Mode released today saw him edited/incorporated into the choreography poorly. I wish that if he is part of the stage performances, that they better incorporated him into the routine (like Felix in MANIAC).

Song – 6.5/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 7.3/10

Also making their comeback on Monday is NCT Dream (apologies for the long delays in getting this review out). The NCT subunit unveiled their latest title track, Hello Future, and the group’s first ever repackaged album which shares the same name as title track. Hello Future follows the release of Hot Sauce (both title track and name of the group’s first ever mini-album). The full-length album featuring both Hello Future and Hot Sauce will be reviewed tomorrow as part of the Album Review focus this weekend. In preparation for that, I will need to write my full review for Hello Future, so here are my thoughts on their new song.

Hello Future finds that middle ground between their very youthful tracks that they began their careers with and their more mature sound that they have opted for in their more recent releases. How so? Well, the pop instrumentation that sits in the background gives off a refreshing and pleasant vibe that feels like a throwback to those early days. And it feels like a great Summer track, overall. Hello Future may not start off in this manner (thanks to that deep gurgling-like effect), but it does give off such impressions when we get to the chorus. It actually took me a few repeats to warm up to the opening verse because of that gurgling-like effect in the background, but getting through it to reach the chorus was definitely worthwhile (more on this in second). In addition to the youthful reminder via the instrumentals, the groups vocals in both rapping and singing brings forward that matureness. Compared to their early releases, NCT Dream’s voices (particular the rappers) have gotten pretty deep, which I assume is the reason why NCT Dream ended up going down the mature route of KPOP releases. For Hello Future, I liked how they capitalised on this unavoidable change. The singing vocals brought this insane level of smoothness to the song and kept the song grounded in a positive manner. The melodies we hear in the chorus are so captivating and stunning, and this is all thanks to the vocalists in NCT Dream. For the rappers of the group, their sequences provided some interesting contrast that made the song memorable and well-balanced. In particular, the sequences we get after the second chorus have the song some nice brief punches of intensity, which acted as a superb offset to the song’s pleasantness. But while Hello Future is an awesome song already, I do feel that the song had opportunities to be more dynamic, especially when it came to the ad-libs at the end of the song. It felt pretty safe and ‘in the box’. What they needed was to venture out of the confines of said box to ensure this song hit a home run. But as of now, it was still a very enjoyable song from the group.

To me, the group are portrayed as hippies in this music video. From their outfits, to the ‘natural’ accessories, to the peace signs we see on their posters and signs, everything felt very influenced by the hippies we associate from the 60s. Note that everything has been modernise to fit this era. I doubt hoodies and sweatpants were the 60s hippies go to attire. But I think this was a smart concept for the group to follow through with. The song’s message was ‘overcoming struggles to grow together with love and trust’ (taken from Soompi) which is a very hippie type of messaging. And they did so by crashing a very competitive Soccer game, bringing the two teams together to join them in their pursuit for love and trust.

I really enjoyed the choreography for this comeback. It might not be their best work out there, but I feel like it was a good fit for the song. I liked the incorporation of – what I like to call – the royal hello (cupped hand and a slight turn of the wrist). I also liked their ending sequence, which brought a rush of intensity to end of the song with. This is a nice example of contrast, as I note their choreography beforehand was quite slow and mellow looking. But this intense rush at the end reminded us that the performance was a NCT performance nonetheless.

Song – 9/10
Music Video – 8/10
Performance – 8.5/10
Overall Rating – 8.6/10