[Review] Rooftop – YooA (OH MY GIRL)

Making her first solo comeback in 15 months is YooA from OH MY GIRL. She returned on Thursday this week with the new single Rooftop, which is the lead single off her Borderline single album. Her last solo release was Selfish from November 2022.

Rooftop is YooA’s answer to a mature sound. This is uncharted territory for YooA, who hasn’t really explored the likes of this darker and edgy pop sound before in either of her solo or group work. I particularly like the presence of the string synths in the song. To further delve into this sound profile, Rooftop also sees YooA complement the mature sound with some bold delivery approaches – some of which pays off and others doesn’t. The first verse for Rooftop was forgettable for me. Nothing really stuck out of me during these parts, which does create a void that I cannot fill once the song ends. The choruses, on the other hand, were definitely more memorable. I liked the boldness and confidence that YooA exudes during the central piece of Rooftop. I also liked the rhythm that the instrumental had. Her sing talk delivery motif was good when the chorus started, but it became dull fast as its dragged on. The most engaging part of Rooftop was when YooA gave us melodies that felt substantial. There were other parts in the song that had melodies, but they were brief and passed over quite quickly. The takeaway here is that Rooftop should have incorporated more melodies in place of the sing talk motif to make the track more engaging. Some of the sing talk was justified, but the song didn’t need too much of it.

The music video sees YooA transform into a black bird, based on the feathers we see her leave behind in her wake. This make sense, as in the lyrics to Rooftop, YooA likens herself to a bird who’s life is being held back (like in a bird cage) and expresses her feelings as she leaves that life for another. I like the concept of YooA being a black bird, since black birds have strong symbolism. A black bird can represents one’s inner self and transformation, which is what we see is desire expressed in the lyrics and what we see YooA do in the music video, respectively. Concept-wise, it lends well to the idea of that darker, edgier and more mature vibe she has going on in the song.

YooA is known for her performance skills, and so it comes as no surprise that she flourishes on stage for Rooftop. As mentioned earlier, the performance gives YooA opportunity to tap into that mature side, bringing out a confident and sensual (at times) routine. I really like the impact she has during the chorus, particularly with the opening move with the aggressive hip sways.

Song – 8/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 8.2/10

[Album Review] Golden Hourglass (9th Mini Album) – OH MY GIRL

OH MY GIRL made their comeback back in July of this year with their 9th mini-album, Golden Hourglass. It is the focus of this album review today. The mini-album features a total of five songs, including the title track Summer Comes. Golden Hourglass is another example of an album release where the title track was the weakest of all tracks on the mini-album, and the side tracks stood out more (and by a great deal). Further, if you have a desire to return to the warmer months (or are heading to Summer if you live where I am), I recommend that you should check out Golden Hourglass, which is very summery and upbeat. I also applaud Mimi, who is my pick for MVP on this mini-album, standing out in most of the tracks on the mini-album. There is a lot to like in Golden Hourglass, so have a listen to the tracks below.

Golden Hour Album Cover

1. Celebrate – If you ever want a very bright and poppy track that does not skimp on blastful energy, then Celebrate is the song for you. I just love the summery rush and energy that Celebrate provides. It is a track that genuinely makes me want to find a reason to celebrate by getting up and dancing along. The vocals from OH MY GIRL are also bright and bubbly. Even the rapping breakdown mid-way into the song felt right and adds some flair to Celebrate to keep it dynamic and fun. (10/10)  

2. Summer Comes (Title Track) Click here to read the full review for Summer Comes. (7/10)

3. Queen B – I freaking love the tenacity and fun energy that the chorus of the Queen B exudes. The chorus is the primary reason as to why the song was stuck in my head for days when the album was first released. And now that I am revisiting the song for the purposes of this review, it is now stuck in my mind once again. Mimi’s rapping throughout Queen B was excellent, particularly in the second verse, as it cuts through the song very well and prevents the song from being overly repetitive. The high-pitched vocals during the pre-choruses were equally as nice, and also served a similar effect. (10/10)

4. Dirty LaundryDirty Laundry is actually quite a pretty song, when it comes to the choruses. I find that to be quite ironic. The “La La La Hoo” was very nice and easy-on-the-ears centrepiece. The vocalisation that brings that to life is definitely a successful aspect of the song. Mimi’s rapping is quite punchy, but I felt like it goes down a heavy-handed road that doesn’t quite match up with the rest of Dirty Laundry. I wished there was more balance. But Dirty Laundry was still a good listen. (8/10)

5. Paradise – For me, I like that Paradise brings out a different side of OH MY GIRL, whilst also keeping the usual profile of OH MY GIRL alive. OH MY GIRL have always had “pretty” songs, with the prettiness is a characteristics of the instrumentation or the melodies or vocals. And I feel like the chorus and melodies of Paradise maintains this side of the group quite well. But the post-chorus sequence led by Mimi gives off an edgier vibe, which I don’t register as much with OH MY GIRL. Both come together to create a strong and powerful track that I found to be quite enjoyable. I also like the brass in the instrumentation, which gives Paradise some flair and oomph. (9/10)

6. Miracle – The mini-album finishes up with Miracle, a sweeter and softer toned mid-tempo track. I like how upbeat and tropical the track was, which aligns it well with the rest of the mini-album. The vocals are comforting, the melodies were very nice and the track was easy on the ears, overall. The placement of Miracle at the end of the mini-album is smart, as it helps ease us out of from all the upbeat and summery energy that the mini-album is built around. (8.5/10)

Overall Album Rating – 8.8/10 [Updated due to missing song]

Golden Hour Teaser Image

[Weekly KPOP Chart] 4th Week of July 2023

Welcome back to the Weekly KPOP Chart for the 4th Week Of July 2023. It is a nice a sunny day today where I am, so that is giving me some energy to do some home stuff and I am looking forward to reviewing an album and/or a song later tonight (but the song review will be scheduled for later in the week). So keep your eye out for the album review later today and that song review later this week. As for now, here is the Weekly KPOP Chart.

Recap of the past week

This past week, I posted:

Joining the ISTJ, Cool With You and ETA this week as new releases are the following songs:

  • LOLO – Yugyeom (GOT7)
  • STAY – SATURDAY
  • MY COLOUR – ILY:1
  • Jewelry – LE SSERAFIM
  • ALOHA – Soyou ft. Bora
  • Summer Vacation – The Wind
  • Love Is Like A Wave – Yoon Seobin
  • Six7een – HORI7ON
  • Black Rose – ASH ISLAND
  • Love Rain – V.O.S
  • None of My Business – ITZY
  • Koong – xikers
  • ASAP – NewJeans
  • Alive – The Rose
  • Sunrise – JEONG MIN

Throwback Song of the Week

This week’s throwback song is SISTAR’s Loving U. While it isn’t Summer where I am (the mornings here are shivering weather!), I can’t listen to the continuous stream of summery releases without these Summer queens on my playlist. It doesn’t feel right!

Non-Korean Song of the Week

Each week, I feature the highest ranking non-Korean song by a Korean artist in this part of the Weekly KPOP Charts. For the 4th Week of July 2023, that song is THE BOYZ’s all English single Delicious, which is also in its final week on the Weekly Chart System.

The Charts

Congratulations to OH MY GIRL and Summer Comes for debuting in the top spot on this week’s KPOPREVIEWED’s Weekly KPOP Chart. For more of the charts, keep on scrolling down below.

Pos.SongArtistChange
1Summer ComesOH MY GIRL(NEW)
2Party O’ClockNMIXX(▲ 58)
3MOVET5 (TREASURE)(▲ 43)
4S-ClassStray Kids(▲ 15)
5Super ShyNewJeans( 2)
6BONA BONATREASURE(NEW)
7Love Me A LittleSHOWNU X HYUNGWON (MONSTA X)(NEW)
8ISTJNCT DREAM( 7)
9ShhhKISS OF LIFE(▲ 58)
10Roller CoasterNMIXX(▲ 17)
11HATECHOI YENA ft. YUQI ((G)I-DLE)(▲ 56)
12I Can’t Forget YouHwang Chi Yeul(▲ 55)
13#menowfromis_9( 2)
14Wild HeartLUN8( 11)
15ContrailBaek Yebin(▲ 52)
16Broken MelodiesNCT DREAM(▲ 7)
17GestureFantasy Boys(▲ 50)
18ETANewJeans( 16)
19MY COLOURILY:1(NEW)
20Six7eenHORI7ON(NEW)
21OVERDRIVEWEi( 46)
22YOUR TIMEPEAK TIME TOP 6(▲ 45)
23Save MeMAMAMOO+( 44)
24BAD BLOODNANA, SANGAH, SUYUN, Yeeun, WOOYEON, Kei (Queendom Puzzle)(▲ 43)
25Misfit’s SundayJooyoung( 42)
26NumbE.SO(▲ 41)
27YoutifulStray Kids( 40)
28DeliciousTHE BOYZ(▲ 4)
29RUNRunners (from FANTASY BOYS)(▲ 38)
30Cool With YouNewJeans( 26)

Songs leaving the charts

The following songs have wrapped up their nine week run in the charts system, and will no longer be on the charts from next week:

  • BLUE ROS3 (miracle) – Eunice
  • Star Crossed – Ryu Sera
  • Eyes On Me – HELLO GLOOM
  • Fading Seasons – Soohyun (UKISS)
  • LOSER – AB6IX
  • Save me, Kill me – CIX
  • A Shining Day – MeloMance
  • Serenade – BOYNEXTDOOR
  • Numb – E.SO
  • Bloom – Yang Eun Hee & CHEN (EXO)
  • Delicious – THE BOYZ
  • Lovey Dovey – HORI7ON
  • Don’t Call Me – NINE to SIX (DKZ)
  • Time Difference – Aaron Kwak
  • Die For Love – B.I ft. JESSI
  • Dare to Love – B.I ft. BIG Naughty
  • Mañana (Our Drama) – Zhoumi (ft. Eunhyuk from SUPER JUNIOR)
  • SPACEMAN – @IN_US (from FANTASY BOYS)
  • RUN – Runners (from FANTASY BOYS)
  • SNACKS – SUGAR POP (from FANTASY BOYS)
  • Hold Tight – Flash (from FANTASY BOYS)
  • S-Class – Stray Kids

[Review] Summer Comes – OH MY GIRL

Making their comeback at the start of the week is OH MY GIRL, who returns for the first time in 16 months with their 9th mini-album Golden Hourglass and the title track Summer Comes. Their last comeback, Real Love, occurred back in March of last year. This comeback also is the first time we see OH MY GIRL as a 6 member female group, following the departure of Jiho, who left the group and WM Entertainment to focus on acting instead.

For me, my main issue with Summer Comes is that it is a bit of a blur. It felt like it was whizzing past to the next section, and this does give the impression is over-stuffed. I don’t necessarily think the latter is the concern in reality. But the impression does play a big part in reducing the song’s appeal, especially when I reflect upon the continuous string that is the second chorus, bridge and final chorus. I did wish there was more opportunity to digest and take in the song, either by making it feel more paced and/or utilizing breaks that are either better placed or more innovatively or creatively used. We did get two brief breaks in the music prior to the first two choruses, but there wasn’t much of a change to the fast tempo and momentum that preceded and followed these breaks, so they didn’t make much of a difference for Summer Comes. This causes a bit of a ripple effect on other parts of the song, which I will touch on in just a small moment. Some good news such that, the song brightly upbeat and felt appropriately summery. I really liked how Mimi had more opportunities in Summer Comes to show off their rapping, and the vocals were decent. Again, I felt the speed and momentum of the song does causes some issues with the vocals and instrumental. There were moments where the vocals felt almost chipmunk-like and the instrumental had a shrilly type of effect. Had Summer Comes been a bit more paced, I think this potential issues would not have existed and Summer Comes would have been more appreciable.

The music video looks like the members are in some sort of video game against some ghosts, zombies and scary clowns. For majority of the video, the members do struggle in their battle. But they do prevail in the end. While I am not entirely sure what the connection with the song is (taken from SOOMPI – the song “convey the joys of hearing the voice of a loved one, which feels like the heart-fluttering excitement of summer arriving”), my best guess is that the members are seeking the voice of a loved one to help them through their battle. And for the video, it looks like Yubin is that voice given the heaven-like scenes during the bridge, where she grants Mimi a second chance at the battle. But aside from that, I like the brightness that stems from the colourful nature of the video, and the summery/beachy-like setting the green screen brings to the video.

The fast-paced nature of the song does lend well towards a great performance, which I find to be evident in the chorus sequences of the song. I also liked how the bubbly and upbeat the performance is, which does make it fit very neatly in the range of performance we have seen stem from the summer season.

Song – 7/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 7.5/10

[Album Review] Real Love (2nd Studio Album) – Oh My Girl

Next up on the album review chopping block is Real Love, Oh My Girl’s second studio length album since their debut. It was released at the end of March. Leading the album is the title track that shares the same name as the album and features an additional eight tracks. While the release of Real Love is all good news to fans, Real Love also is the final release to feature Jiho as a member, who left the group and their company (WM Entertainment for those who are wondering) following the album’s release and associated promotions following the completion of her contract. All the best to Jiho for her future endeavours and to Oh My Girl as they reform into a six member group.

When I was writing this review, I was wondering how I would best sum it up for you in this initial paragraph. And my best idea was to describe as an ‘pleasant experimentation’. It sounds odd, but it actually the hybrid of two different styles Oh My Girl had attempted on Real Love. There are a handful of songs that I actually describe (repetitively) as pleasant, while there were also a handful of songs that were experimental, unique and different from other artists. Do you have any other ways to describe the album? Let me know in the comments below once you have finished reading my review for Real Love.

Real Love Album Cover

1. Real Love (Title Track)Click here to read the full review for Real Love. (8/10)

2. Drip – If you were listening to the song for the first time, you would have noticed that there were so many twists throughout Drip. You wouldn’t know where the song is heading, so it keeps you on the edge of your seat. This style might be disjointed, complicated and overwhelming for some, but I really liked it. This pop song’s chorus featured catchy hooks and the verses were felt fashionably sleek. I think there was room for the group to be bolder in some of the segments as some of them were relative forgettable, but it is a great track nonetheless. (8/10)

3. Eden – Acoustics opens up the pleasant sounding Eden, paired with such soft vocals from some of the members. But Eden doesn’t stay acoustic all the way through. Synths are eased in and Eden features an interestingly paced pre-chorus, before proceeding to a glitchy chorus. It is so intriguing that the synths and glitchy chorus doesn’t detract from Eden’s soft and pleasant beginning. It is different overall, but so enjoyable at the same time. The song repeats the same set up of verse, pre-chorus and chorus as described above. But after all this time, Eden still sounds refreshing and original after all this time. (10/10)

4. ReplayReplay forgoes melodies, but brings the bass and rhythm in this freaking amazing song. Replay brings forth voguing vibe, which I believe the group has previously approached in another side track from the top of my memory. But Replay feels just right for a club and/or party. Its groovy, its attitude/sassy and its sleek. And it is super catchy and memorable as a side track on this album. (10/10)

5. Parachute Parachute feels like it easily could have traded places with Real Love as it too delves into the disco pop genre. While the instrumental was great (I enjoyed the buoyancy the steelpan brought to the instrumental), I did feel the vocals was pretty generic and didn’t bring much excitement. Real Love played around with the vocals, which helped make it interesting for me, whereas Parachute was pretty straight forward. It is slightly disappointing that the vocals weren’t as memorable, as I felt the hooks were. (7/10)

6. Kiss & FixKiss & Fix is another pleasant and soft track on this album. I liked the soft drumming in the instrumentation, as it helps sets the soft tone of the track. The vocals also help out with this. The best showing of vocals comes from Binne and YooA in the bridge. That part of the song floored me. The chorus goes with this nursery-rhyme-chant-esque style which was memorable and easy on the ears. Another great track on the album. (9/10)

7. Blink – Turning to pop, Blink is a nice track. It has pleasant instrumentations that doesn’t catch you off guard or overwhelm you by being excessive. I enjoyed the underlaying guitar in this song. It felt hidden, but it peeked out enough for me to recognise it. The melodies and vocals were nice and enjoyable, as well. The rapping changes up the momentum just enough and at the right time to keep the song from falling into a ‘too consistent’ state. All is good with Blink. (8/10)

8. Dear RoseDear Rose is another pleasant track, even though the instrumental and rapping might not be in agreeance with this observation at first glance. I attribute the pleasantness to the vocals, which were quite soft and doesn’t ever stray from how it the song first started. I also find the softness might have come about from another nursery rhyme-like melody that the lyrics were delivered in. The ‘Pretty Little Rose’ hook was quite catchy as well. As for the instrumental, we get dance synths suitable for the club. And the rapping added an edgy tinge to the Dear Rose. Quite the opposite of soft, but somehow Dear Rose makes it work. (8.5/10)

9. Sailing Heart – The album ends with a stunning ballad. I liked the pulsing bass in the background, which added so much depth to the song. Sailing Heart also features a piano-centric instrumental. And the warm and drifty vocals lays on top. Interestingly, Sailing Heart doesn’t have a swayable melody, as the ad-libs were added throughout the song. But that doesn’t instantly mean it is not good. Sailing Heart still managed to captivate and end the album on such a dreamy note. (8/10)

Overall Album Rating – 8.5/10

Real Love Teaser Image

[Special] Personal Favourite Songs from the 1st Half of 2022 + more

As already mentioned on this blog somewhere (most likely the Weekly KPOP Charts posts), we are officially in July 2022. And that means that an entire 6 months has already past. Per usual, a substantial number of KPOP releases have been released, many of which have been on repeat. Keeping to tradition in July, it is time to post a list of my personal favourite songs from the 1st half of 2022.

I am doing things slightly different this year. In addition to the usual 10 songs (in no particular order) for the first half of 2022, I will also be posting two songs from the November – December 2021 period, which were ineligible for the 2021 KPOPREVIEWED Awards due to the cut off date being in October. And I will be posting 3 non-Korean songs (i.e. English, Japanese etc.) by Korean artists that caught my attention so far this year. So without furtherado, here are the list of my personal favourite songs of the year thus far (in no particular order, of course).

From November – December 2021

Personal favourite non-Korean songs of 2022 thus far

Personal favourite KPOP songs of the year so far (January – June 2022)

[Review] Real Love – Oh My Girl

Also making their comeback on Monday was Oh My Girl, who returns with their second full length album as well, titled Real Love. The title track for their promotions this time around also shares the same name. This is the group’s first comeback since the release of Dun Dun Dance last year.

Real Love comes off as a mixture of their more recent releases (i.e. Nonstop and Dun Dun Dance) and the sound in which that got them into the spotlight (i.e. The Fifth Season and Secret Garden). To me, the chorus reflects that upbeat side of the group. Chirpy and feel-good is how I would describe the centrepiece of Real Love. Everything within it (i.e. the brass and the vocals) were extremely pleasant and has a nice delicate feel to it. I did wish the choruses were a bit more fleshed out, with a longer sequence to give the melody a bit more room to grow. As for the verses, they align with that sophisticated side that I associate with the sound in which got them into the spotlight. But instead of a fairytale-like approach, Real Love adopts more of a mature level of sophistication, which makes the verses so much more interesting. The vocal work in the second verse in particular was quite striking, while the instrumentation was sleek and bouncy. The weakest aspect of Real Love, for me, was the bridge. It literally felt disjointed from the rest of the song. And while the slow down was pretty, it felt a bit too drawn out for my personal taste. In some good news, Mimi’s rapping here was quite good. Also not a fan of the abrupt ending. Overall, Real Love is not a song that I have fallen in love with, but it still a nice addition to Oh My Girl’s portfolio of great songs.

The music video is extremely pretty. From the outside shots to those shot inside the studio in front of our good friend the green screen, everything looked spectacular. Their visual game was on point, and their dresses and outfits worn throughout the video looked amazing. They also added a nice splash of colour to the video. Yubin’s (formely Binnie) blue dress and headpiece was probably the best look in this video. But aside from visuals, there really isn’t much else to this video.

The performance was quite good. I liked every second of it. The moves were either graceful, pretty, fun or mature, depending on what the music was beckoning at that particular second. My favourite move was the sharp movements when Hyojung sung in the opening chorus. Talking about the chorus, I like how each chorus was different in the performance, giving the stage variety.

Song – 8/10
Music Video – 8.5/10
Performance – 8/10
Overall Rating – 8.2/10

[Album Review] Dear OhMyGirl (8th Mini Album) – Oh My Girl

Unfortunately, this will be my final post this weekend for what was supposed to be a focus on album reviews. In reality, I only wrote two additional album reviews that usual. But I have plans to do another focused weekend down the track because I still have so many albums to review. I barely made a dent during the last two days! In the meanwhile, I have decided to review Dear OhMyGirl, Oh My Girl’s 8th mini-album since debut. Leading this mini-album is Dun Dun Dance, which dropped early May. Last year’s mini-album, Nonstop, turned out to be their most successful release yet and that was headlined by the title track of the same name and the side-track Dolphin, which became a long lasting trend in KPOP. Let’s see if Dear OhMyGirl has what is takes to exceed that high standard that Nonstop had set.

Dear OhMyGirl Album Cover

1. Dun Dun Dance (Title Track)Click here to read the full review for Dun Dun Dance. (10/10)

2. Dear You (나의 봄에게)Dear You twists the album in a different direction, incorporating a very soft pop track into the tracklist. Nothing in this song is heavy, with all elements being light and feathery. I really like the use of synths in the instrumental, giving the song fresh feeling. The melodies remind me of nursery rhymes, which brings a subtle nostalgic factor to the song. Some of the vocals have been processed to make it feel distant from the instrumental, which helps create the illusion of depth. When the vocals are not processed, they are superb! Each member did a stunning job in Dear You. It is a top pick for me. (10/10)

3. My Doll (나의 인형 (안녕, 꿈에서 놀아)My Doll continues the soft approach that Dear You add. The synths in this song are a bit more prominent. But this doesn’t shorthand the soft and airy nature of the song The instrumental in My Doll gives the song texture, while the vocals give off that airy feel. The combination of the two amps both texture and airiness of the song, creating an aesthetic appeal that you know I am drawn to. (9/10)

4. Quest – The airiness continues in Quest. This time, the instrumental resembles an 8-bit style that is also relatively paced. For this song, I feel that the airiness doesn’t really appeal to me. If anything, it withdraws any energy that is commonly associated with 8-bit styled music. I wished there was something in the instrumental that bulked up Quest to make it a more fulfilling and satisfying song. I feel the vocals tried to do that, especially how it did develop to having a substantial bite. But I don’t think it was enough. Quest, to me, was the most lacking song on this release. (6.5/10)

5. Who Comes Who Knows (초대장)Who Comes Who Knows taps in the jazzy style of pop song. Following the title track, it is the first song with what I guess you can say is an upbeat instrumentation (relative to the above songs). It is a pleasant track, especially when the members sing the title of the song. I love how the repetition of the title just floats; it is so beautiful. Who Comes Who Knows also shows off the vocals of the group, delicate and warming. (8/10)

6. Swan – Closing the album is the song is also the heaviest song on the album. Swan has a beat to it, which is a great contrast for the album. The song has this rock influence during the pre-chorus, before it turns into a EDM track for the chorus. In keeping with the album, however, the EDM drop isn’t anything too crazy. In fact, I think it on the softer side of the spectrum of EDM drops, which works well with the rest of the album. I liked the energy that comes from the song, which once again, finds that fine balance between soft and heavy. The vocals give Swan some substance and helps complete the track in a satisfying manner. (10/10)

Overall Album Rating – 8.9/10

[Special] Personal Favourite Songs from 1st Half of 2021

Within a blink of an eye, another 6 months have passed. 2021 was still an awful year with lockdowns, isolation and the pandemic still dominating news headlines. I feel that these events, amongst other things, has really slowed me down this year. But at least, KPOP was on the pleasures that I still had to get me through these last 6 months.

A lot of albums and a lot of songs were released, per usual, in the span of the first 6 months of 2021. And I am still playing catch up with some to write reviews for! I will get there eventually! But in the meanwhile, I thought I share with you 10 KPOP songs that are my personal favourites from the last 6 months (in no particular order). Why 10? Well, it is an even number and I just couldn’t decide on a few, so I went with a couple :D. (Please note that this is irrespective of my reviews – songs can grow on you over time!)

Let me know if we shared similar taste in 2021 so far? And if we don’t, then comment below what your favourite songs of the year are! I would love to see what you all have been enjoying.

[Review] Dun Dun Dance – Oh My Girl

The next major comeback from today is Dun Dun Dance from Oh My Girl, which is featured on the group’s 8th mini-album since their debut in 2015. This is the group’s first comeback since their mega hit Nonstop topped charts in 2020. It also follows the continous success of their side track Dolphin and YooA’s with Bon Voyage. High expectations as the result of a highly successful year for Oh My Girl are placed on Dun Dun Dance, so let’s see if the new song meets those high expectations.

Right off the bat (and for me at the very least), Dun Dun Dance definitely meets those expectations. And at the moment, judging solely on how much I am enjoying the song, Dun Dun Dance exceeds those very same expectations. A little fun fact about me writing reviews – I usually do so just before going to bed. And so, I am usually very tired while typing up my thoughts for the new releases (sorry for spelling mistakes and if something doesn’t make much sense, I do try to proofread but sometimes some mistakes just sneak into the reviews). But the vibrant and upbeat energy Oh My Girl and Dun Dun Dance‘s producers manages to package into the song’s almost four minute run time was so damn infectious, it literally woke me from my tired state and gave me energy to have a little boogie in my chair. And it is so infectious that I have to stop writing the review because I am too engrossed in the song’s funky and groovy vibes. (I pressed paused so I don’t lose any more focus on the review). It too also brought a smile to my face, which is definitely saying something, especialy after the long day I had. I love the funky instrumentation of the song, which is the main driver of that infectious energy. Dun Dun Dance also benefits from its lightness. It isn’t too heavy of a song, which helps make it so appealing and refreshing to me even in my tired state. The vocal work was really nice, especially when it came to the chorus. I really like the way that Seunghee (for the first and second chorus) and Jiho (in the final chorus) drags out that ‘High~‘ in the lyrics. It is the song’s small detail that I really enjoyed. Even Mimi’s raps weren’t heavy handed despite it opting to feature her deeper tone and the instrumentation tapping into the typical trap base. But what makes Dun Dun Dance memorable for me, and is probably what pushes the song over those expectations that I mentioned at the start are the catchy hooks that are just digging. They are part of the reason to why I now cannot get the song out of my head and I must take a 4 minute breather to have another listen!

For the music video, it appears that Oh My Girl are aliens that are brought to Earth to have some fun. They look pretty normal at first, but I did find their placement alone in each of the settings to be very perculiar. The start looked like a flying saucer was trying to get to them, but in fact was there to collect them. But since Oh My Girl is having so much fun on Earth, they send the flying saucer away at the end. I liked how the indivdual solo shots came out, especially with the various effects we saw (i.e. the camera flying over Mimi and Seunghee during the second post-chorus hook, and small round camera effect that we saw Mimi become part of for her short rap sequence in the final post-chorus hook). I also enjoyed how the camera really made the colours, especially in the choreography scenes pop out, making this one beautiful video as well!

Once again, the choreogeaphy for this comeback is very fitting for the song. I really like the bounce the choreography has, which complimented the upbeat and vibrant feel of the song. I also really l enjoyed the entirity of the chorus’ routine. It looks very fun! It is a pity that Mimi is unwell, as her absence from the showcase was felt while they group was perfoming Dun Dun Dance for the first time. Hope she has a speedy recovery and we see her soon!

Song – 10/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 9.5/10

[Special] 2020 KPOPREVIEWED Awards – Winners Announcement

Welcome to the announcement post of the winners for the 2020 KPOPREVIEWED Awards. During the month of December in 2020, I opened up a survey for the 2020 KPOPREVIEWED Awards. Over 1800 of you voted during the month of December, a number that I did not expect to see! I am sure that you all are excited and are awaiting to see which artist has clinched victory in each category. I have definitely made you wait long enough 🙂

Like the previous years, I will announce the winners using GIFs and images. I have also announced the runners up for each category as Honourable Mentions below the GIFs. In addition to that, I have included the KPOPREVIEWED Choice, which is my personal pick for each category.

Unlike previous years, however, all of the winners of the 2020 KPOPREVIEWED Awards (including the End of Year Charts and Best Song of 2020 Award) is included in this very one post! Towards the bottom of each post, you will see some page numbers. You can click on these page numbers to navigate to different award categories and the End of Year Charts. Here is a quick guide to the page numbers:

Page 1 – Artist Categories
Page 2 – Visual Categories, Performance Categories, Weekly KPOP Charts related Categories
Page 3 – Blog related Categories, Song Categories (excluding Best Song)
Page 4 – End of Year Charts & Best Song of 2020 Award

Artist Caregories

The following categories are all fan-voted categories for the artists that were active during the eligible period of December 2019 to November 2020.

Best New Male Group

Nominees:
BDC
CRAVITY
DRIPPIN’

Nominees:
MCND
TOO
TREASURE

Honourable Mention: TREASURE
KPOPREVIEWED Choice: TREASURE


Best New Female Group

Nominees:
aespa
BLACKSWAN
cignature

Nominees:
SECRET NUMBER
WEEEKLY
woo!ah!

Honourable Mention: WEEEKLY
KPOPREVIEWED Choice: WEEEKLY


Best New Male Soloist

Nominees:
Han Seung Woo (VICTON)
Kim Woo Seok (UP10TION)

Lee Eun Sang
Wonho
WOODZ

Honourable Mention: Wonho
KPOPREVIEWED Choice: WOODZ


Best New Female Soloist

Nominees:
Lee Suhyun (AKMU)
Moonbyul (Mamamoo)

Ryu Sujeong (Lovelyz)
Solar (Mamamoo)
YooA (Oh My Girl)

Honourable Mention: Lee Suhyun (AKMU)
KPOPREVIEWED Choice: YooA (Oh My Girl)


Rising Star of 2020

Nominees:
EVERGLOW
Golden Child
ONEUS

Nominees:
ONF
The Boyz
VICTON

Honourable Mention: EVERGLOW
KPOPREVIEWED Choice: The Boyz


Most Underrated Group of 2020

Nominees:
A.C.E
APRIL
ASTRO

Nominees:
Dream Catcher
ONEUS
VERIVERY

Honourable Mention: Dream Catcher
KPOPREVIEWED Choice: ONEUS


Best Vocals

Nominees:
AKMU
DAY6
IU

Nominees:
Lee Hi
Ong Seong Woo
Taeyeon (SNSD)

Honourable Mention: Taeyeon (SNSD)
KPOPREVIEWED Choice: DAY6


Best Rapper

Nominees:
Dami (Dream Catcher)
Han Ji Sung (Stray Kids)
Jessi

Nominees:
Jooheon (MONSTA X)
Moonbyul (Mamamoo)
Wooseok (Pentagon)

Honourable Mention: Han Jisung (Stray Kids)
KPOPREVIEWED Choice: Jooheon (MONSTA X)


Best Band

Nominees: CN BLUE, DAY6, IZ, N.Flying, ONEWE

Nominees:
CN BLUE
DAY6

IZ
N.Flying
ONEWE

Honourable Mention: CN BLUE
KPOPREVIEWED Choice: DAY6


Best CO-ED Group

Nominees:
AKMU
CHECKMATE
K-TRIGERS ZERO
KARD

Honourable Mention: AKMU
KPOPREVIEWED Choice: KARD


Best Subunit

Nominees:
BTOB 4U
End of Day
Moonbin & Sanha

Nominees:
NCT 127
Red Velvet – Irene & Seulgi
WJSN CHOCOME

Honourable Mention: NCT 127
KPOPREVIEWED Choice: NCT 127


Best Male Soloist

Nominees: Baekhyun (EXO), Chen (EXO), Kang Daniel, Ong Seong Woo, Taemin (SHINee), Zico

Nominees:
Baekhyun (EXO)
Chen (EXO)
Kang Daniel

Nominees:
Ong Seong Woo
Taemin (SHINee)
Zico

Honourable Mention: Taemin (SHINee)
KPOPREVIEWED Choice: Kang Daniel


Best Female Soloist

Nominees:
Chungha
Hwasa (Mamamoo)
IU

Nominees:
Jeon Somi
Sunmi
Taeyeon (SNSD)

Honourable Mention: Hwasa (Mamamoo)
KPOPREVIEWED Choice: Chungha


Best Male Group

Nominees:
A.C.E
AB6IX
ASTRO
ATEEZ
BTS
Golden Child

GOT7
MONSTA X
NCT
NU’EST
ONEUS
ONF
Pentagon

SEVENTEEN
SF9
Stray Kids
The Boyz
TXT
VERIVERY
VICTON

Honourable Mention: BTS, Stray Kids
KPOPREVIEWED Choice: NCT, SEVENTEEN, Stray Kids


Best Female Group

Nominees:
APRIL
BLACKPINK
BVNDIT
Cherry Bullet
CLC
Dream Catcher

EVERGLOW
fromis_9
(G)I-DLE
GFriend
ITZY
IZ*ONE
LOONA

Lovelyz
Mamamoo
Oh My Girl
Red Velvet
TWICE
Weki Meki
WJSN (Cosmic Girls)

Honourable Mention: BLACKPINK, EVERGLOW
KPOPREVIEWED Choice: ITZY, LOONA, Oh My Girl


Select the page numbers below (just above the comments section) to go to the award categories you want to see the most!
Page 1 – Artist Categories
Page 2 – Visual Categories, Performance Categories, Weekly KPOP Charts related Categories
Page 3 – Blog related Categories, Song Categories (excluding Best Song)
Page 4 – End of Year Charts & Best Song of 2020 Award

[Album Review] Bon Voyage (1st Mini Album) – YooA (Oh My Girl)

Sorry for the absence from the blog for the past few days. I have been a bit tired and had some personal stuff to deal with. But I am hoping to get back on track with one album review, one Weekly KPOP Chart post and one review tomorrow. In the meanwhile, here is an album review which I should have written one month ago when it was first released. I am talking about YooA’s debut mini-album, Bon Voyage. The album features the title track of the same name, which has wowed me for its uniqueness and refreshness. And while the feeling still remains for her title track, the rest of the songs on the album are as promising as the title track. So, without any further ado (and before I fall asleep again), here is my deep dive into Bon Voyage (the album).

Bon Voyage Album Cover

1. Bon Voyage (Title Track) Click here to read the full review for Bon Voyage. (9.5/10)

2. FarFar instantly stands out for me for YooA’s crisp vocals. And that is a very strong selling point. Far features a bouncy tropical EDM instrumental. For me, I find it relatively nice and light for an EDM track. There is some intensity when it comes to the chorus, which I really liked (though I wouldn’t be surprised if some people mistook it for just plain old simple ‘noise’). I like the inclusion of the metallic xylophone in the verses, helping pose the song (with the tropical EDM) as refreshing and suitable as a Summer heat (and also to follow Bon Voyage). To me, it isn’t the strongest song on the album, but it isn’t too far from that title. (8/10)

3. Diver YooA adds both funky pop and some attitude to the album through Diver. It might not be an intended infusion of attitude, but her vocal style in Diver comes off like so and this is more of the YooA that I am used to when it comes to performances. I really like the energy that comes from the song, instantly picking up from the more subdued energy from the previous two songs. The chorus stands out for its catchiness and the instrumental is quite colourful in its own way. Overall, Diver is a fun and strong song for YooA and her album. (9/10)

4. Abracadabra – You will be kidding yourself if you don’t agree that Abracadabra’s chorus is its main drawing point (or the weakest point in the song, depending on how you perceive the song). YooA literally is the driving force in the chorus, with the instrumental more so just a background piece and doesn’t amplify the melody (which isn’t present in the first half of the chorus – as the song’s main hook is more spoken than sung). It is definitely an intriguing yet risky style that draws me in and ends up working out perfectly. The second half of the chorus is more vocally driven, with a melody brought in to ensure that the song is balanced. We also get a bit of YooA as a rapper in this song, which pushes her boundaries effortlessly. (10/10)

5. End of Story – Ahh… the mandatory ballad on any KPOP album. For YooA, it comes in the form of a beautiful piano piece. Her vocals are husky and very innocent sounding. I would say it is almost child-like. I really like her harmonies with the backing vocals, which adds an extra level of depth to the song. I do feel like her vocals in End of Story might be overpowering, covering up the beautiful piano which I think should have had more moments to stand out. But still, a very nice song to end the album with. (8/10)

Overall Album Rating – 8.9/10

Bon Voyage Teaser Image

[Review] Bon Voyage – YooA (Oh My Girl)

2020 has been a very successful year for Oh My Girl, probably exceeding the success the group achieved in 2019. Despite dropping their Nonstop/Dolphin comeback four months ago, the two songs are still ranking high on the digital charts, outperforming many artists and songs released more recently! And now it is time for Oh My Girl to step into new territory with solo promotions. First up is YooA with Bon Voyage!

Through Bon Voyage, it can be agreed that YooA has managed to show the best of herself. It a really great track and it stands out due to its unique sound (relative to other KPOP releases). Bon Voyage is a very airy and light in tone, diverting us away from the synthetic and heavy music influences of today’s music and opts for more a sound and vibe that feels fresh and natural. In many ways, the song feels like the it is reconnecting us with nature. Take the percussion, for example. It sounds wooden-like, rather than metallic and hence man-made. The instrumental also makes use of tribal-like chanting in the background, which also has that natural tinge to it. That being said, there are synths used throughout the song. But they are selected carefully to emphasis and highlight the nature vibes. The lightness of the song pairs up with YooA’s light and breathy vocals, helping create an aesthetic atmosphere overall. To me, the best parts of Bon Voyage are the choruses. They pretty much sum up everything I mentioned above and brings about a memorable feeling. The first chorus reminds me of Shakira’s Waka Waka, whilst the second chorus features YooA’s harmonies with the chanting background and is rather short (but sweet)! I did wish it was longer, so more charm could have been exuded from the song. But despite that, what Bon Voyage already had done before the final chorus was enough to warrant a positive review.

What a visual masterpiece. This music video captivates all possible senses and it is hard to look away when there is just so much going on, despite so little happening in each scene. The cinematography and especially the drone shots were extremely artistic and aesthetic. Definitely a video to watch if you want to see something stunning and are willing to be blown away. Fans have been floating some ideas about the concept of the music video. Personally, I like the idea of YooA reconnecting with Mother Nature, as that is what I initially thought of when I first watched the music video. I think the idea of YooA being a ‘child of Mother Nature’ to also be suitable, but I am unfamiliar with that story.

YooA is the main dancer of Oh My Girl, so I had high expectations for the performance for Bon Voyage. And those expectations were definitely exceeded. While the music video showed a lot of freestyle and interpretive dancing, the routine on stage is pretty much set. But the set routine carries the same vibes over and we get a glimpse of something similar to what we saw in the music video towards the end of the performance. I also like how artistic it looks, overall.

Song – 9.5/10
Music Video – 10/10
Performance – 10/10
Overall Rating – 9.8/10

[Special] Top 10 Personal Favourites Songs from 1st Half of 2020

2020 has proven to be an eventful year so, without a doubt. But since we are at the halfway mark already, let’s have a little reflection post on the last 6 months. In no particular order, here are 10 of my personal favourite KPOP releases since the start of 2020. I have also added some of my favourite sidetracks that I have encountered so far in the year as part of my top 10. This is also irrespective of my reviews and Weekly KPOP charts posts.

[Album Review] Nonstop (7th Mini Album) – Oh My Girl

Sorry about the double up on album reviews today. I thought I had already published Winner’s album review last night, but I guess I got distracted. Despite already publishing one album review today, I have decided to publish a second album (the usual Sunday album review release) to keep on track and not impact the upcoming release of reviews this week. The focus of this second album review will be on Oh My Girl, who recently returned with their most successful comeback yet, Nonstop. Both the album and title track shared the name, Nonstop. The album also features four other tracks, so let’s dive into the album to see it can be replayed nonstop.

Nonstop Album Cover

1. Nonstop (살짝 설렜어) (Title Track)Click here for the full review of Nonstop. (9/10)

2. Dolphin – If you have been following my Weekly KPOP Charts segment, you may notice that I have been mentioning this song over the last few weeks. Dolphin has fast become my favourite side-track of the year. It is extremely addictive, catchy and fun sounding. I also liked the light tone that the members adopted for the song. I thought it contrasted nicely with the relatively deep thumping and instrumentation that featured in the song. Per usual, I would have pointed out that consistency could have been an issue with this song. After all, this whole song is built on repetition. But I thought that adding that trap influence to the final part of song was quite clever and avoided me drawing the consistency red card. (10/10)

3. Flower Tea (꽃차)Flower Tea is a ballad. No surprises there, as the title felt like it was going to be a ballad. While the main suspects in the instrumental are those classical associated instruments, the chorus seems to pick up a slight jazzy vibe, which I thought were very nice. It is a very soothing ballad and it shows off the member’s vocals really nicely. When I listen to the song, I feel like I am sitting in front of a warm fireplace as the song gives off that warm feeling. I just don’t find this song all that memorable. I just find Flower Tea to be the type of song that I would be happy to listen to this song if it pops up on my playlist, but it isn’t one I would go out of my way to find, if that makes sense. (7/10)

4. NE♡N – The title of this song is pronounced exactly like the word it is trying to spell. Neon. I don’t like the love heart in the actual title of the song. It just feels cringy and alludes to that form of cutesy in KPOP that I don’t really like. One thing I am glad about NE♡N is that it doesn’t go into that cringy cutesy style. It feels like a pop track with a mild level of cutesy in it. There was a good beat and the instrumental seemed to be incorporated an 8-bit type of feel. Part of me wants to say this song was very retro, but it also feels very contemporary. I also liked their vocals in this song, which was the usual Oh My Girl style. I must say that this song is more suited for when Oh My Girl had that young girl image. It suited them then and feels a little displaced in this more mature limelight. But it was still good nonetheless. (8.5/10)

5. Krystal – The melody of Krystal really stood out to me. It reminds me of BoA’s old tracks. It has that throwback type of vibe, which helps it become another strong song in my books and on this album, which helps end the album on a good note. If you can somehow replicate that same vibe as the Queen of KPOP and yet make the song your own, you are doing something right. I liked how the producers linked the overall sound of the song to the title. To me, it truly felt like the percussion and synths all came together to become a crystal that is glimmering and shining in the light. I also liked how light the vocals in the song were as well. But yet it was very different to the light vocals we got in Dolphin. In this song, the vocals felt warmer and sweeter. (9/10)

Overall Album Rating – 8.7/10

Nonstop Teaser Image

[Review] Nonstop – Oh My Girl

Starting off another busy week full of comebacks from the industry’s big names is Oh My Girl, with Nonstop. The song features on the group’s seventh mini-album, which also shares the same name as the title track. This is the first comeback since the release of Bungee, the group’s participation on Queendom (where they came second, which earned them more attention and fanfare) and their return to Japan in January 2020. This comeback also marks the return of Jiho who took a hiatus earlier this year to focus on her health.

As South Korea will soon be entering a warmer climate as they have just one month until Summer kicks in, we can definitely expect to see a lot of songs from the KPOP industry to take on an energetic and fun vibe, typical of the season of Sun. While it isn’t the first to take on the Summer vibes, Nonstop is definitely one of the more obvious examples. The instrumental is a mixture of synth-pop and island genres, with a small injection of hip-hop when it came to Mimi’s rap sequences. As the first song of the year to use the island genre, the sound is relatively fresh. Though, I don’t expect this feeling to remain as more songs start adopting the 2018 and 2019 overused tropical and island trend. Oh My Girl’s song is pretty catchy, thanks to the addictive hook that they have embedded at the end of the chorus. I like how they add a little attitude to this one part, which definitely gives the song some character. Likewise, I like Mimi’s rap section as they added some edge to the song. What I also like about the song is that despite it being bright and energetic, I am glad that the group doesn’t go back to their cutesy roots. There is some points in Nonstop that does steer in that direction, but the song manages to stay on the more likeable side.

The song is about falling and loving for a friend. And they did so in a very beautiful and colourful video. The video takes on a virtual board game, which I think was a good concept. There is more to just the board game however, as their world seems to be overtaken with this virtual theme. This concept on the visual front alone matches the fun vibes that the song contains and the very bright colours really reflect that energetic side of the song, as well. The friend that plays the very important role of lover is a cute teddy bear. The bear does remind me of Ted from the movies, which probably isn’t the best bear/friend to fall in love with. Unless Oh My Girl has that effect on him, which I will totally understand.

The choreography is quite good and very energetic. Overall, I felt the feel and looks of the dance definitely fitted in with the song. There is a bit of aeygo, attitude, edginess and brightness throughout the entire routine. I just don’t find the moves all that memorable, which was a pity.

Song – 9/10
Music Video – 9/10
Performance – 7/10
Overall Rating – 8.6/10