Today, I am posting another album review – this one is for MONSTA X’s first subunit SHOWNU x HYUNGWON. Their first mini-album, THE UИSEEN, was released at the end of July 2023. This mini-album features the title track, Love Me A Little, and four other side tracks. To me, THE UИSEEN is one of those albums where the title track was the weakest track of all and the side tracks all surpassed the standard created by the title track. There is definitely a side track on this mini-album that would have served better as the title track. To see which of the side tracks I thought had what it take to be title track material, continue reading below.
2. Love Therapy – Love Therapy would have made a far more convincing title track than the actual title track. Grungy vibes feature in Love Therapy thanks the ongoing presence of a very texturally crunchy synth. But as the song enters chorus territory, Love Therapy becomes groovier, which a very cool development in the song. The duo comes off as very charismatic in Love Therapy, with strong vocals from both. SHOWNU really oozed a lot of sleekness and style through his vocals, while HYUNGWON’s rap-speak moment in the bridge was a highlight. I think the song could have benefited from a more robust hook that isn’t repetition of the song’s title. But as it is, it is quite a strong side track already. (8.5/10)
3. Roll With Me – For me, there was a fair bit to like in Roll With Me. The element that resonates the most with me in this track are the soft and gentle vocals from both SHOWNU and HYUNGWON. There is just something so captivating about their vocals and the melodies that rolls along in Roll With Me. However, as equally as strong as the vocal work, the instrumentation was quite something. The haunting vibe and striking piano makes for a solid base, and the contrast with the vocals made Roll With Me even more compelling to listen to. (9/10)
4. Play Me – Groovy and funky vibes take over in Play Me. I like how the track keeps the soft trajectory going from the previous track. It is a motif that I find works well with SHOWNU and HYUNGWON, especially when it came to the post-chorus sequence of the song. The falsettos were also a nice touch to the song. I would have liked to hear more riveting melodies, as this would have helped take Play Me to the next level. But what we got was pretty good already. (8/10)
5. Slow Dance – Ending the mini-album is Slow Dance, which is a R&B track. There isn’t much to talk about in this song, other than it is a solid effort from the duo. Once again, they take the soft direction and the groovy air does remain in Slow Dance. But I do like the upbeat nature and the oomph they do put into the chorus, which makes it more charged and appealing listen. But once again, punchier hooks and stronger melodies would have made Slow Dance even better. (8/10)
SHOWNU x HYUNGWON made their debut as the first official subunit of MONSTA X earlier this week with the single Love Me A Little, and their 1st mini-album, The Unseen. It is the first time we are seeing a unit from MONSTA X, who made their debut 8 years ago in 2015. And the duo’s unit debut follows MONSTA X’s latest comeback Beautiful Liar and REASON, and also serves as SHOWNU first release since completing his military enlistment earlier in the year.
While the song had good bass, and the vocals brings a satisfying deep and groovy tone to the song, Love Me A Little‘s instrumental is the song’s weakest point. Aside from the hefty paced drum beats, repetitive piano work and a few synths (most of which were percussive, so it blends in with the drum beats) to give Love Me A Little some texture, there isn’t much else to the background for a good portion of the song. It does lend well towards a sensual slow-burn atmosphere which Love Me A Little does go for, but it also doubled up in creating a sluggish and dry atmosphere as well. Thus, I found it difficult to maintain focus on Love Me A Little. It doesn’t help that the song didn’t have any memorable hooks or melodies to standout on or compensate the instrumentation. It isn’t until after the second run at the chorus do we start hearing the incorporation of additional instruments to the background, such as a brass element, strings and electric guitar. This does increase the appeal of Love Me A Little and gives the song some much needed flair, but I personally felt this was too late in the game. The instrumental’s existing makeup also gets interesting and builds towards something a lot more dynamic, which helps Love Me A Little end on a much stronger note than compared to the first two thirds of the song. I wished there was more to Love Me A Little, something that sparks a bit of energy and dynamism a lot earlier in the song.
As per the title of the song, the duo sings about wanting more love for themselves from their partner. The video doesn’t make much of a plot-line. Instead, we see the pair in an emotionless state caused by the lack of love that their partner is giving them. Honestly, there isn’t too much else to the video, so the music video becomes one of those that you watch once and you don’t really need to watch it again. On the flipside, however, the video takes a dark and moodier approach, which works well with the sensual slow-burn atmosphere of the song. I did like the choreography sets and locations chosen in the music video, and the transition between the pair in the driver’s seat of the car.
If there was any aspect of a comeback this duo would be sure to ace, that would be the performance aspect, given they are the dancers of their group. And they really did showcase a really cool and captivating performance to watch. Firstly, they made everything look effortless and smooth. Secondly, the dance sequences towards the end of the song were so well-executed and their chemistry was on point. Their backwards bending move was super cool and clean to watch – it is the part of the routine that I would gladly watch again and again.
Song – 6.5/10 Music Video – 7/10 Performance – 9/10 Overall Rating – 7.2/10
As already mentioned prior to my break, one of the first posts after posting the outstanding Weekly KPOP Charts will be the annual ‘Personal Favourite’ post. Each year, to help round out the first half of the year, I post a list of my personal favourite songs from the 1st half of the year in July of each year. As we are now in July 2023, it is time to post my personal favourite songs from the 1st half of 2023 (with a few extra tidbits).
For this year’s post, I am following what I did last year, as I quite liked how that turned out. This means in addition to the usual list of 10 songs (which are in no particular order and not related to my reviews as songs do grow immensely on me) for the first half of 2023, I will also be posting two songs from the November – December 2022 period. And I will be posting 3 non-Korean songs (i.e. English, Japanese etc.) by Korean artists that caught my attention so far this year. So without further delays, here are the list of my personal favourite songs of the year thus far (in no particular order, of course).
From November – December 2022
Personal favourite non-Korean songs of 2023 thus far
Personal favourite KPOP songs of the year so far (January – June 2023)
JOOHONEY, one of two rappers from the male group MONSTA X, made his return to the stage a few weeks back in May 2023 as a solo artist with the single FREEDOM and the mini-album Lights. JOOHONEY has previously release solo music before in a form of five mixtapes since 2015, but this new release is being dubbed as his official ‘solo debut’. This makes JOOHONEY as MONSTA X’s third member to release ‘solo music ‘debut’ as a solo artist, following the likes of fellow MONSTA X rapper I.M in 2021 (with God Damn) and main vocalist KIHYUN in 2022 (with VOYAGER).
FREEDOM unexpectedly embraces multiple sides of JOOHONEY and it a stunning display of what JOOHONEY has to offer. Given his main position in MONSTA X is a rapper, I kind of expected him to gear towards that typical hip-hop genre with the title track. But I am all for surprises, asFREEDOM is definitely one in itself and definitely is full of them. Opening up FREEDOM is a spectacular showing of honey-like vocals from the rapper over a beautiful piano backing. A minute or so of this beautiful vocal/piano piece, FREEDOM diverts itself to that expected territory of rap and hip-hop. During this segment, JOOHONEY takes on an angsty persona that contrasts heavily with the preceding vocals. But this was short-lived, as vocals take over during the pre-chorus, returning us to a glimpse of the start of the song. For FREEDOM‘s choruses, the song keeps itself on its toes by blending together JOOHONEY’s vocals and with the harshness of rock elements, which highlights a more dynamic side of JOOHONEY. To me, the choruses highlights the blend of the intensity we get from JOOHONEY’s rap/hip-hop side with the mellow side that comes from his vocal. For the second verse, FREEDOM keeps us on our toes, with the vocal centric start before a dramatic and super intense instrumental break in place of the rapping/hip-hop side we heard earlier in the first verse. Obviously, such a break would allow JOOHONEY to highlight another side of his career – his dancing abilities in the performance and serves as another twist to FREEDOM. The song then closes with the rock-infused/vocal centerpiece, but with an extra layer of electric guitar riffs and intensity to signal that end.FREEDOM is designed to be a cool song and to highlight the best sides of JOOHONEY. That brief is, without a doubt, met. At times, FREEDOM does feel a bit much, but multiple listens and time have helped combat this feeling. Potentially, the song could have been dialed back and explore just one or two of the sides that FREEDOM had explored. But that could have limited FREEDOM to be rather one-dimension and would have meant we would missed out on a unique and personal song from JOOHONEY.
The music video for FREEDOM was pretty cool. Along the vocals and piano at the start of the song, we see JOOHONEY climb up the stairs to seek the freedom he mentions in the lyrics. That and the end with the ending poses/lights gave off a religious undertone, which I thought was interesting. I am sure those moments were symbolic rather than religious though, but that this is all speculation from my end. When we get to the more angsty rap/hip-hop, the video shows a more confronting and intense side of the artist with the use of fluorescence effects, which gave off a cool yet mildly unsettling moment. And everything else in between seemed to give off a more urban and casual vibe based on the outfits of JOOHONEY, the dancers and the sets. Overall, a pretty good music video.
As for the performance, the live vocals made it a captivating performance to watch. As for the rest of the performance, it all looked good and works well with the music. I really enjoyed the dance break enabled by the dramatic instrumental break mentioned before. The stomping moves and intensity both JOOHONEY and the dancers showed gave off a super powerful impression and made it an awesome watch.
Song – 8/10 Music Video – 8/10 Performance – 8/10 Overall Rating – 8/10
Welcome to the first 2023 album review of the year! Yes, I know it is May. And yes, this might technically not be the first 2023 album release to be reviewed this year. But it is the official start a more focused look at the 2023 releases. Starting my ‘focused look at 2023 releases’ is MONSTA X’s REASON, the group’s 12th mini-album, which was released in early January 2023. It is also the group’s first release since most of the members renewed their contracts with Starship Entertainment (with the exception of I.M, who chose to look elsewhere for solo promotions, whilst continuing activities with the rest of the group). The main single off the mini-album is Beautiful Liar, which also dropped on the same day. REASON follows the release of their SHAPE OF LOVE mini-album from 2022.
2. Daydream – Daydream features a creepy and haunting instrumentation, a complete shakeup if you were expecting something daydreamy. It is quite unsettling, but the track stands out because of this. As for the members, they do a decent job. I like that they do lean into the eerie vibes the song gives, telling us their desire to not wake up and realize their lover had left them. But I was expecting them to really kick Daydream up a notch. While they do go in that direction at certain moments, it doesn’t get Daydream anywhere, which is a bit of a disappointment. (7/10)
3. Crescendo (춤사위) – Crescendo is your typical hip-hop track with a traditional Korean twist to the instrumentation. It is a really cool mash of traditional and modern, with both sides feeling very balanced and harmonious with another (as far as a hip-hop track can go). There was never a dull moment in the song. Alongside the instrumentation, MONSTA X kills it with the rapping and vocals, always bringing an unexpected surprise as the song progresses. A personal highlight on the album. (10/10)
4. LONE RANGER – LONE RANGER incorporates a Wild West flair, giving the song a strong sense of character from the get-go. I like how it is more subtle than other songs that have the same influence, who tend to have it more in the forefront and in-your-face usually. The flair is paired with a relentless stomping beat, giving LONE RANGER intensity and propels the song forward. The vocals are very clean and deliver the catchy hooks effortlessly. Kihyun ended the song off amazingly with his ad-lib. The rappers of MONSTA X also do an amazing job as well, with Joohoney’s second verse rap sequence having a bit of a grow and an impact oomph in the song. (9/10)
5. Deny – Deny tones down the album with a smoother approach and a jazzier undertone to its instrumentation. The song falls more into R&B territory. I like the glow that radiates from the vocalists, while the rapping gives Deny a really sleek vibe. It was an enjoyable track to listen to, overall. (8/10)
6. It’s Alright (괜찮아) – Ending on a happier tone, the album ends with the single It’s Alright where they talk about going back to their lover. The track keeps true to MONSTA X’s hip-hop roots. But this time around, they go with an old-school 90s vibe. And this makes the track so likeable. The melodies in this track are amazing, especially the English lines in the choruses. There is some really nice piano work in the background, which just adds a classy tone to the song. (9/10)
The next mini-album up for review this week is KIHYUN’s first mini-album, YOUTH, which featured a title track that shares the exact same name. Alongside, YOUTH (the title track), four side tracks also make up the mini-album. YOUTH (both the album and title track) follows KIHYUN’s solo debut earlier in 2022 – Voyager, which was released back in March 2022. YOUTH was a neat follow up to VOYAGER, showcasing more of KIHYUN and delivering that mini-album that KIHYUN definitely deserves to flaunt his talents and undeniable potential as a solo artist. Next up on the wish list is a speedy solo comeback from KIHYUN (Side note – he just returned in MONSTA X’s Beautiful Liar) with another album.
2. Bad Liar – Kicking off Bad Liar are some vocals on a lower register, before KIHYUN soars upwards with some powerful vocals when it came to the chorus. I found the instrumental to be a dramatic one, but also quite electrifying once we get into chorus territory. I do think some more substantial electric guitar riffs would have been really cool addition to the song and taken Bad Liar to even more electrifying heights. (8.5/10)
3. STARDUST – Next up on the mini-album is STARDUST. It is a straightforwardly fun and upbeat track that brings some retro synths into the mix of band instrumentation. I like the head-nodding potential behind the track and how KIHYUN sounds throughout the track. It is a fairly simple track, but definitely a standout for me on this mini-album. (9/10)
4. Where Is This Love – Where Is This Love is an all-English ballad that really showcases KIHYUN’s vocals. I honestly did not expect an all-English track from the soloist, let alone an all-English ballad. This is probably the hardest type of an all-English track, given that is it hard for a non-English speaker (regardless of their vocal abilities) to convey emotions just as well as when they are singing in their mother tongue. But he does just that. Throughout Where Is This Love, I really liked how KIHYUN shows range with this track, going effortlessly between soft whispery moments and the more powerful moments where KIHYUN really shows emotions. It is a nice balance between delicate and passion, which makes Where Is This Love a strong track. (9/10)
5. ‘Cause of You – ‘Cause of You ends the album with a soft and lovely pop track. I believe there are some acoustics influences present in this track, along with some piano work and very light and subtle sprinkling of synths in the background. It is a very airy track, overall. Melody and vocal-wise, I didn’t find the track interesting. KIHYUN does sound pleasant throughout ‘Cause of You, but it isn’t his most impressive display of vocals on the album. (7/10)
MONSTA X also made their comeback on Monday alongside SF9. Beautiful Liar is the title of their latest track and it leads the group’s 12th mini-album, Reason. It follows the group’s early 2022 comeback with LOVE (which I nominated as Best Rap or Hip Hop Song of 2022 in the 2022 KPOPREVIEWED Awards) and their 11th mini-album SHAPE OF LOVE, the release of Late Night Feels (a collaboration with San Feldt), and contracts renewal where all but one member renewed their contracts with Starship Entertainment (with the exception of I.M, who left Starship Entertainment but confirmed that he will continue to promote as part of MONSTA X).
The electric guitar start to Beautiful Liar and the punk rock influence from the electric guitar’s presence for the rest of the song has to be one the most exhilarating starts to a song. It leaves such a strong impression that it makes Beautiful Liar really irresistible to me. I really do want to say similar comments to Beautiful Liar‘s instrumental, but the choruses (which I will discuss a little later) do hold me back from saying that. Anyhow, the first verse (which is actually the first run of the chorus, but it is delivered in a manner that made it feel like a verse) features such a sleek vocal line from I.M, Minhyuk and Hyungwon, while I.M and Jooheon really takes it up a notch with a rap sequence in the second verse that really delivers impact. Each of the verses is followed by Kihyun, who blasts us with his powerful vocals as the electric guitars ramp up the song. The choruses had a neat melody that has a memorable ring and it felt emotional yet charming. However. if I had one complaint about Beautiful Liar, it is that the chorus could have more oomph in the instrumental department. This would forces the vocals to be more powerful, which I reckon would have done wonders to Beautiful Liar. The way the pre-choruses ramped up to the chorus suggested a continuation of that exhilarating start and an electrifying nature, but we never got to see that become reality. It was interesting that in place of a what should have been the second chorus (third, if you count the first verse – I do not), Beautiful Liar skips to a second rap verse before bringing back the chorus for a final run. But this is not a complaint, as this structure gives us a second dosage of awesome rapping from the rappers (which I am all for). I do think there was a missed opportunity for the group to have concentrated the momentum and energy to form part of the final chorus to give Beautiful Liar a more deserving and punchy end (just to end the song on a higher note). But overall, Beautiful Liar is still a strong song, which works really well for MONSTA X, despite the complaint and suggestion around the choruses.
I am not exactly sure what the video for this comeback is about. But I do have a theory. The cloaked people surrounding the the members throughout the video represent the lies MONSTA X’s partners have told them. At first, the members want to protect their love for said partner, thinking their love is real and the lies are lie themselves. A fight against the cloaked figures ensures. Note their red jackets, with the colour red being referenced in the lyrics through the line “At the end of your red tongue, like the color of red, you got sores, I will kiss, I love your lies.“, suggesting that the love the members have for their partner is still very real. But as the video progresses, we see the members change into outfits that have a black and white theme to them. The white in the middle of the video donned by I.M most likely represents a sense of innocence in their mind, whereas the all-black clothing worn by the other members represents a toxic version of themselves that has come about from the lies. We see the toxicity break loose (i.e. stomping to break the glass) and take over the minds of the members. In real life, this results in the members (once dressed in red) to become dressed in black and white checkered outfits, represents the lies/toxicity are slowly taking over and corrupting the members. And instead of a fight like at the start of the video, the members are hyping up the crowd of cloaked figures (i.e. lies), which may represent to us that the members are now embracing the lies that their partner once told them. And while we don’t see this, I think the members are supposed to become cloaked figures as well, once the lies/toxicity fully takes over. It is a bit of a crude theory and I may be wrong. But if I am right, I liked the idea of the symbolism.
From what we can see in the music video, the choreography for this comeback looks pretty decent. But as I have yet to see the full performance, I can’t say with 100% certainity whether there is anything that stands out or not. So I will comeback tomorrow or Friday once we do get a live performance to provide proper comments. But for now, accept my interim ratings.
Song – 8.5/10 Music Video – 8.5/10 Performance – 8/10 Overall Rating – 8.4/10
This review kicks off a big week of reviews coming to you on this blog. And that honour of the day goes to KIHYUN, who returns as a solo artist after his solo debut with VOYAGER seven months ago. The new single is titled Youth and is featured on his first mini-album of the same name. KIHYUN also participated in MONSTA X’s comeback earlier this year, LOVE.
Youth follows on neatly from his solo debut track, with both tracks falls into the rock genre. However, we aren’t talking about copies here. Youth is more on the alternative side of the genre and there is some really good energy coming from the song. Within the first listen, I was digging the sound and having a bit of a dance in my seat. That is probably the best first impression you could get with any song. KIHYUN did a superb job in terms of vocals, once again. I really liked the huskier tone he adopts in the verses of Youth and the way his vocals push upwards to give us a more explosive chorus. The melody was just fine, but I found it to be fulfilling given the way his vocals rode the energy that came from the instrumental. This created a satisfying centrepiece to Youth. His lower vocals at the end of Youth was also stunning way to close up the song, making the song feel complete, especially following the high of the chorus. However, with a few more listens in the bag, I have consistently been caught off guard with the fact that Youth is short. I wanted more to the song. Maybe the ending we got potentially could have been a false one, and KIHYUN had another go at the chorus to catch us off guard. This doesn’t change the fact that Youth is good and that I am happy with Youth. But hopefully we can get a longer title track from KIHYUN in the future.
YOUTH’s lyrics expresses the emotions felt by a person at the crossroads between their younger and current self. It touches on the whole idea of maturing into an adult, but also wishing those days when we were young to return. I felt the music video depicted KIHYUN as his younger and current self quite well. We see KIHYUN as his younger self in the first half of the video, with him jumping about in the bedroom and having fun at the playground, just like a young kid would be doing. His current self is depicted in the second half of the video, but I think we see two sides. We first saw what his younger self had thought he would become when he matures into an adult – dark and lonely. But we a truer representation of KIHYUN now when he is in the studio taking photos and videos towards the end. And he definitely looks content and happy about where he is now. It is a nice video that woks extremely well with the lyrics and has a deep meaning.
Song – 8.5/10 Music Video – 9/10 Overall Rating – 8.7/10
Finally getting around to another International Song Reviews post. I originally had intended to post one of these every fortnight since the start of September, but I have failed to keep up. So, I am hoping to smash through some of these as fast as I can, especially since I feel like the songs that I cover in this segment of the blog have been really forgotten (on my part) this year. In the last International Song Reviews post, I covered ITZY, Mark Tuan (from GOT7), Jackson Wang (from GOT7), CIX, Golden Child and Woosung (from The Rose).
This time around, I will be focusing on ONEW (from SHINee), Jackson Wang again (from GOT7), MONSTA X, aespa, TXT and Stray Kids.
Life Goes On – ONEW (SHINee)
Life Goes On is the title of both the lead single and first studio length Japanese album from ONEW, the leader of SHINee. It dropped officially back in July of this year. Life Goes On is a cheerful summery track that has a simple message – even in the most boring or hardest times, life will continue. It features a bright and up-tempo acoustic instrumental that really sets the mood and makes you look/think in a positive light, which is the whole purpose of the song. ONEW’s vocals were dreamy and light, and worked well with the brightness that radiates from the song. My only issue (and it is a minor one!) with the song is how it transitioned from the pre-choruses to choruses. The buildup in the pre-choruses was done well, but the chorus slowed down just by a tiny hair. It isn’t much and doesn’t ruin the song for me. But it is one of those things that now I have noticed it, it just stick out me every time I listen to the song.
As mentioned before, the song is quite bright and gives off positive energy. ONEW’s solo scenes are all shot on a beach on a very sunny day and the ocean is just so blue, a perfect setting for the song. Elsewhere in the video, we see actress Hinako Sakurai come face to face with a few hiccups in her day (knocking over a plant, bumping into people, nodding off, dropping her lunch). But while she does become upset over these events, she manages to still enjoy her day, as depicted by her bright smiles and dance scenes. We also see some sadness, so the video covers all bad moments that are possible, but her ongoing dance parties are a nice resolve to get through to the next day. Even the ending, where the world had disappeared, is passed off by her as another day or something to worry about later.
Overall Rating – 8.4/10
Cruel – Jackson Wang
Another July release, with Jackson returning with the single Cruel, another pre-release single from his second studio length album, MAGICMAN (which was later released in September). This time around, Jackson Wang delves into grungier rock territory with Cruel. Personally, I prefer the likes of Blow over Cruel, but I appreciate the nostalgia that Cruel brings forth for me (i.e. the grungy styled tracks from my youth). I also enjoyed the fact that the song is vastly moodier and darker than any song he has put out previously – a nice change to his music. The use of his raspy tone and the filtering of his vocals throughout Cruel were one of the highlights of the song. Another highlight was the way the electric guitar acted as nice detailing to the grungy tones of the song, balancing out the song.
The music video probably the best part of this release. And to sum it up, it is amazing. Essentially, Jackson Wang and the people we see in the video are demons who have wrecked havoc on the world. But now it is the fight of the fittest demon, with all of them fighting each other for ultimate power. Jackson, as the main character, manages to succeed in eliminating them all over a well choreographed sequence which also includes playing some of the other demons as guitars. He takes their souls and faces off the one on the throne, who appears to have overpowered him. But that twist ending where he reappears might suggest he has a few tricks up his sleeve. The setting and even their ashy appearances all worked super well in the video.
Overall Rating – 8.8/10
Late Night Feels – Sam Feldt MONSTA X
Late Night Feels was a fun number between Sam Feldt (Dutch DJ) and MONSTA X. I liked the groovy and funky instrumentation of the song, with the disco undertones and brass giving the song extra liveliness and additional colour. Late Night Feels‘ backing is also quite light and airy, perfect for the type of late night feels one might have to just have some fun and escape their troubles. Pairing up nicely with this element are the vocals of MONSTA X, who also add a further layer of brightness to the song with their higher pitched vocals. The simple melody of the chorus definitely caught on and I found myself humming the song to myself quite a fair bit after its release. Late Night Feels all came together to be a straight-forward and enjoyable track.
I recognized a few faces from the video including LeenaDong, Alan Chikin Chow and Brooke Monk. Essentially, they are treated poorly by their bosses, strangers and loved ones. Instead of continually putting up with such treatment, each of person are transported to a different world, where they are dressed in PJs, surrounded by dancers and neon lighting and get to have fun with some carefree (or awkward in Alan’s case) dances. Their peers end up joining them, and they also lose the serious tones we first saw them in and see them in a more lighthearted manner. The video definitely sums up the song quite well.
Overall Rating – 8/10
Life’s Too Short – aespa
aespa released their first English single, Life’s Too Short, back in June of this year. The single later featured on their 2nd mini-album, Girls, which I will be reviewing soon. Life’s Too Short is a mid-tempo R&B pop single with a simple yet breezy melody that draws my attention to the song. I quite appreciate this release, as it is vastly different to their main EDM-based title tracks, which can be overwhelming at times. Even though this is a pop track and doesn’t necessarily pack a punch like those title tracks I just mentioned, Life’s Too Short still manages to showcase potential behind their vocals, especially when they single together. It is all unfiltered and uncomplicated, which allows the listener’s focus to be just on the vocals. The pop instrumentation is quite light and pleasant, which in turn enables the vocals and melodies to do most of the talking.
Despite having seen this side of aespa through their past remake singles, I still find it weird to see the members in a more innocent vibe. I am just so used to seeing and thinking of them in edgy gear/concepts. But it is a neat change of image (even if it is brief). I guess even aespa needs their off days from their KWANGYA travels. I found the teenage-like concept the members take on board to suit the simpleness of the song. However, I did wish the music video was a bit more interesting, just to make it more memorable, as it is pretty dry for the most part. As for the choreography, it is nice. But pretty typical.
Overall Rating – 7.3/10
Valley of Lies – TXT ft. iann dior
Valley of Lies is also another July release, and features the likes of TXT and iann dior (rapper and singer). Together, they form a neat indie pop rock track that is very easy on the ears. There really isn’t much to this song, if I am being honest. I quite like the heavy presence of the strumming guitar in this song. I really liked the husky and raspy tones that both TXT and iann dior bring to the song, as it gave the song some grit and substance. Otherwise, I would have passed on the track and ignored it. But they gave me a reason to listen to Valley of Lies. Other than that, I don’t have anything else to comment on. This lack of talking points doesn’t mean Valley of Lies is lacking or boring. It is just a simple track that I enjoyed and I don’t think I need elaborate further.
We don’t get a music video for this release. But we did get an official visualizer, which in the grand scheme of things, acts as a music video. In this visualizer, we see an animation of a figure walking through the valley of lies (and at one point, flying through the sky). This appears to be in line with the song, which “speaks about a lonesome journey that one takes towards the end of a relationship, along a trail of countless lies”. I do want to know what the different backgrounds mean, as I feel they add more meaning to the video than meets the eye.
Overall Rating – 7.7/10
Circus – Stray Kids
The final release to be part of this post is Stray Kids’ Circus, their latest Japanese single, which was released in June. A Korean version of Circus featured as part of their latest mini-album, MAXIDENT, which I will be reviewing some time in the future. Circus is a hip-hop dance track that has is centered on a circus theme, which I thought was cool and unique. I quite enjoyed the release, as the members made sure it was dynamic and fun, whilst also trendy and modern. There were many good moments throughout Circus, like the circus theme coming through via the melody during the bridge and the whispery lines at the start of the choruses. There was also a strong showing of rapping and vocals from the members, per usual. But my favourite part of Circus has to be Lee Know’s line in the second chorus. It is super ear catching and goes back to that idea that the song is dynamic. I constantly replay Circus just for that moment.
Like the song, the music video features a circus theme and circus performers, alongside the members. But we don’t see just one set of the members. There are two sets of Stray Kids featured in this video, which instantly bring up the cool factor in my books. One of them are actual circus acts, while the other version of the group sneak in. By the end of the video, the two sides are performing together. Like the song, there are other cool moments in this video, but Hyunjin stole my attention with his visuals. As for the choreography, I liked how they interwoven references to circus acts into the music video. It keeps the circus theme going. I also liked how they kept it punchy and dynamic. I would have loved to see the four members (can’t tell who) do that spinning move they did at the back of one of the scenes of the music videos. That looked cool in the video and would have been super awesome to be pulled off on stage.
The next album review belongs to MONSTA X, who returned to the KPOP scene back at the end of April, with their 11th mini-album SHAPE OF LOVE and their title track LOVE. Out of all the albums that I have to catch up on, MONSTA X’s (with a few others – one of which I will be reviewing later this weekend) have consistently been on my mind to review. As part of this mini-album, LOVE is featured alongside five other tracks.
SHAPE OF LOVE proves that MONSTA X is still powerful and impactful as they have always been. It is another high quality release from the group, with a slightly different yet refreshing title track than usual and very strong side tracks. And with such another mini-album under their wing, I am glad we will be hearing more from MONSTA X into the future, following news that all members (sans I.M) had re-signed with Starship Entertainment to continue MONSTA X activities. And even though I.M had elected not to be part of Starship Entertainment, he reaffirmed with the news that he will still be part of MONSTA X moving forward.
2. Burning Up (ft. R3HAB) – Following the title track is Burning Up, a very addictive synth pop track. Despite having deep retro influences and groovy vibes, Burning Up was quite minimalistic. You don’t expect that with songs with retro influences, but somehow R3HAB managed to get Burning Up to do just that. Very interesting. The minimalistic approach of Burning Up allows the vocals to be the pure focus of the song, and the MONSTA X members sound so striking. The rappers, in particular, sung their way through track alongside the other vocalists. I found the simple repetition of the song’s title to be so catchy and effective. Overall, an interestingly simple yet bold track. (10/10)
3. Breathe – Another retro track follows Burning Up and the title track. This time around, MONSTA X opts to include brass, alongside atmospheric synths, in Breathe. If you listen closely, you can hear breaths in the background. Clever. I quite enjoyed the soft nature of Breathe, as it allowed the members to bring forth smooth vocals that had a lot of character and charisma. It isn’t as striking as the previous song, but Breathe was still pretty good. (8/10)
4. Wildfire – While the side tracks have been simple so far, MONSTA X adds a relatively more complex song to the tracklist via Wildfire. I don’t mean that in a negative manner, however. I am referring to the fact that Wildfire brings merges two types of instrumentation – orchestral and EDM – into one piece. This has been done before. But I don’t remember any song from the top of my head that has done this to be so stunning and captivating. I like the extra oomph that the vocalists got to show in Wildfire. But for me, the standout member is Joohoney, who really got to show-off via a fiery rap sequence in the second verse. (10/10)
5. 사랑한다 –사랑한다 (or Love You) was a nice sentimental song that was extremely pleasing to listen to. I don’t have much to say about the song as I think the song talks for itself. It was heartwarming, especially when they all sing the title together on repeat (the best parts of the song, if I am being honest). The rest of the vocals (including the rapping) were stunningly beautiful and clear. The instrumental, whilst generic, was pleasantly simple and suitably soft. (8/10)
6. AND – The vocal focus continues with the last song on this mini-album. There was an epic and grand nature to AND’s slow pop rock instrumental that made the song sound loaded. The vocals match wonderfully, helping to create a powerful atmosphere with the instrumentation. The slow paced nature of the song does dry out the song for me personally. But if you are looking for something more balladry on this album that isn’t necessarily a ballad, then AND is the song for you. (7/10)
As mentioned yesterday on Twitter (yes, I have a Twitter account – @kpopreviewed), there would be two album reviews today (as I was slightly busy yesterday). The second album review of the day is for KIHYUN’s official solo debut, which occurred back in March of this year. The solo debut was titled VOYAGER, and is the title for both the lead single and single album. In addition to VOYAGER, the single album also consist of two additional side tracks. Following his solo debut, KIHYUN returned with MONSTA X through their LOVEand Shape of Love comeback (which I will be writing an album review for some time in the future). It was also recently announced that KIHYUN had renewed his contract with Starship Entertainment.
I am a bit disappointed that KIHYUN’s solo debut came in the form of three songs (i.e. the very typical length for a single album). It is far too short to appreciate what KIHYUN has to offer. He definitely deserves a mini-album, at the very least. But hey, this is what KIHYUN has provided us, so I shouldn’t be complaining. Again, a strong album release from this seasoned KPOP artist. VOYAGER takes the cake for best song on the album, but the other two songs have their own charm. Continue scrolling to see what I thought about those songs.
2. , (COMMA) – COMMA continues the pop rock vibe from the title track, but opts for a much softer and more emotional atmosphere, expressing his own desire to take a break or rest when he is lost, similar to how a comma brings a brief pause in a sentence. It is a completely different energy to what we got before it, as KIHYUN’s vocals convey more emotions in this song. I quite like the oomph he puts behind his vocals during the chorus, in contrast with the softer approach he takes in the verses. It makes for a slightly more riveting piece. The instrumental feels on trend, but I wished it was a bit more innovative, just so COMMA can have a bit of an edge. (8/10)
3. RAIN – RAIN opts for a more intense instrumental piece, featuring what felt like a slow burning rock instrumental. The intensity is so gripping, it was quite hard to be distracted from the song (or to turn away from the song). KIHYUN’s vocals are powerful and felt so loaded, particularly during the chorus, which in turn felt relatively explosive. I did like how he kept held himself back throughout RAIN, keeping that energy and intensity simmering away until the end to make it a captivating piece. (9/10)
MONSTA X made their official comeback to the stage yesterday with a new song and mini-album. Titled LOVE and Shape of Love respectively, it is the first time we are seeing the group (sans Shonwu, who is currently serving his military enlistment) since November of last year through their Rush Hour comeback. This comeback also follows KIHYUN’s solo debut with VOYAGER which occurred last month. The comeback was originally scheduled for earlier in April, but was postponed by two weeks due to COVID-19. But the members have since recovered and are ready to crush the stage with LOVE.
MONSTA X’s affinity to EDM in the past for their title tracks has made it synonymous with the group’s sound. I quite liked this aggressive, powerful and intense side of the group, even when others didn’t. LOVE steps away from that reliance on EDM and re-enters old school R&B and hip-hop territory. Despite how I started this section of the review, I must say that there is definitely nothing wrong with this sound profile as MONSTA X expertly executes and showcases the two sides of song really well. What I quite enjoy about LOVE is how within the instrumental, the two sides of the song were distinct and clearly identifiable. But what really glued the song together were the vocals, which blurred the boundaries a bit (i.e. hip-hop melodies in the R&B instrumental territory and vice versa). It is an interesting blend, and one that MONSTA X pulls off successfully. I also like the colourful nature of the instrumental, from the brass that literally felt oozy to the punchy synths. For me, the standout member for this comeback was Jooheon. His vocals and rapping worked so well on both sides of LOVE, and I quite liked how energetic and upbeat he was throughout the song. Definitely made it captivating. His growls were very alluring and hit at the right moments. The other members did excellent in the song, as well. In terms of weaknesses, LOVE should have stronger hooks that were more defined and memorable. What we got just didn’t really feel enough for this song, and there was moments where they could have gone further. But overall, LOVE was a nice departure from their usual sound.
Visually, MONSTA X shows off two sides of themselves in this video. The first is a more casual side, and the second is a more elegant side. Both were captivating to watch, but the elegant side was a lot more alluring. Though I might be bias due to that cool stage set and the gold on black colour palette that made everything feel so expensive. I guess that might say something about my taste. The glittery closeups of Hyunwon and Kihyun also may have played a part. I also liked how the video acknowledges that MONSTA X is a six-member male group even though they are promoting as a five member group at the moment. At the very end of the video, we see six microphones, with the sixth microphone corresponding to Shownu (who is currently enlisting as already mentioned). What a warm way to end off the video.
The choreography felt extremely fitting for this song, with the choreography’s intensity feeling just right. I also enjoyed the bounce the choreography had, particularly in Hyungwon’s part in the bridge. Some other observations I had whilst watching the stage performance includes wanting better utilization of I.M’s cane (its adds a classy touch, but felt under used) and that Minhyuk’s visuals were so good.
Song – 8.5/10 Music Video – 8.5/10 Performance – 9/10 Overall Rating – 8.6/10
Next up on the comeback rush of this week is KIHYUN, MONSTA X’s main vocalist, who made his solo debut yesterday with the track VOYAGER and single album of the same name. KIHYUN is the second member to go solo, with fellow rappers Joohoney and I.M being the first members of MONSTA X to have officially released solo tracks (i.e. Joohoney with his mixtapes and I.M’s God Damn). But this review is for KIHYUN’s latest song, so let’s check it out.
As a main vocalist, I expected KIHYUN to go down the typical route of a ballad of some sort for his solo promotions. But VOYAGER is no ballad. Instead, VOYAGER delves into an upbeat rock profile that is both refreshing and lively to listen to. The consistent drumming in the chorus was definitely a highlight for me. VOYAGER isn’t strictly just rock though, with the instrumental composed in a way to be almost funky, tapping into current trends in KPOP. There are also some jazzy undertones in VOYAGER when the piano becomes more present in the bridge, which gives VOYAGER a nice accent. Other than the instrumental, KIHYUN does an amazing job vocally to make VOYAGER more dynamic and charismatic. I really like the cheerful tone to his vocal colours in the chorus, which makes VOYAGER instantly appealing. This also compliments the upbeat nature of the song. I noticed a slight raspy texture to his voice that allows him to work so well with rock instrumentation. I would definitely be down to hear more of KIHYUN as a solo artist, in particular exploring more of the rock genre, as he is well suited from how VOYAGER was pulled off and what we heard.
Not exactly sure if the music video is meant to string together and form some sort of theme or message. It seems like there might be hints towards one, but nothing too recognisable. Instead, the video comes together more so like a collection of closeup shots of KIHYUN. This is absolutely fine and would make for a great video. I just got the impression that there should have been something in this video to pull everything together in this video. But aside from that, I liked how confident and cheerful he appeared, which comes off and stays with you after watching the video.
Song – 9/10 Music Video – 8/10 Overall Rating – 8.6/10
I am finally getting around to posting my first International Song Review post in a long while. My last post was way back in October 2021, and since then I have been fairly busy and unable to write any of these posts. But I am now back on the bandwagon. For those who may be unfamiliar with this segment, I review songs that aren’t in the Korean language (or are not marketed for the Korean music scene in some cases – such as some side tracks on Korean albums) that have been released by Korean artists (or artists that have a direction connect with a KPOP group). In this post, I will be covering songs released by MONSTA X, SEVENTEEN, TWICE, WONHO and Jeon Somi.
You Problem – MONSTA X
MONSTA X spreads the ongoing groovy and funky trend that we are currently experiencing in KPOP to the Western music scene. The group, now down to five members as Shownu has enlisted in the military, released this disco number early December 2021. It is quite unlike any of their Korean title tracks, which have been very EDM focused and performance heavy tracks. You Problem settles for a simpler approach, and one that is quite pure and fun. I love the guitar work in this backing of You Problem, along with those disco vibes we get in the chorus (as already mentioned). I also enjoyed the vocal focus of the song, which each member (even the rappers) singing in this track, complimenting the lighter than usual tone for MONSTA X. Kihyun and Jooheon’s falsettos in the chorus make the song even cooler! The hooks are super memorable, and the hooks are so damn catchy. Even after two months, I am still digging You Problem!
For the music video, it is set in a bowling alley that is reminisce of bowling alleys from the 70s. Definitely suiting the light tone, fun vibes and retro direction of the song. There are also heavy presence of other retro elements throughout the video, such as the checked pattern (commonly associated with racing) and neon lights. Even the glittery tinsel decoration behind the group when they are performing as a ‘band’ screamed out retro. The performance I saw also had a fun vibe. It was loose and fluid, as if the group was freestyling their performance. But also showed their personality, which made it even more enjoyable.
Overall Rating – 8.8/10
Power of Love – SEVENTEEN
Power of Love‘s music video officially dropped at the end of November, and closes out their Power of Love project that started earlier in 2021 with the release of Mingyu and Wonwoo’s Bittersweet (ft. Lee Hi). It is a neat ballad with a really meaningful message that even in difficult times, having the Power of Love can help you through it. I liked how even though the instrumental had sleigh bells ringing throughout the whole instrumental, Power of Love doesn’t feel constricted to just Winter or the Christmas season like other songs that ultilises sleigh bells. It was also quite soothing and it was a nice display of all the members’ vocals. Unfortunately, however, Power of Love doesn’t fair well in the memorable arena. It is a good ballad, but I am not necessarily looking for the song when I feel in a mood for ballad. I guess Power of Love was produced to be more on a sweet side. I do think there could have been room towards the end to oomph up the ballad a bit, just so it didn’t feel the same from start to end. I think Power of Love would have come off better if it went down this path.
The parts of the video where some of the members were in built sets (I believe it was just limited to Joshua, DK and Vernon) looked quite cool, and I wished the video had more built sets (as it felt stylish and modern). But instead, the producers for this video chose to just use green screen, and I felt this really cheapened the video. While the actual backgrounds applied through the use of the green screen looked aesthetic and the members look good as always, I wished the post-production team incorporated the members better. We have seen great use of green screen in the past, and this is just not one of those instances. It is just quite unfortunate.
Overall Rating – 6.2/10
Doughnut – TWICE
Doughnut was released on 15 December 2021 and the track itself comes in the form of a ballad. Not exactly the first genre of music you think of when you hear of a sugary treat. But it does create an abstract appeal, which makes Doughnut memorable for me. Talking about abstract, I also like how the members likened the void they experience without their partner, and the constant looping they refer to in the lyrics to the shape of a doughnut. To me, the song definitely needed this extra appeal, especially since I thought it was a bit of a blur. Everything from start to end felt similar, and I couldn’t work out where the chorus was in the song had it not been for the music video. While I did like the city-pop direction the instrumental was going and the delicate nature of their voices (which isn’t something we get in TWICE title tracks that much), I just wished parts of Doughnut were more distinct. The most significant distinct moment of the song was during the finale sequence with the use of synths to give off textures. But it was too late to really sell Doughnut to me.
Visually, I thought this was a very neat video. The snow, warm indoor settings and dress colours compliments the Winter season in which the song was released. That scene in the bridge where Mina and Chaeyoung are lying on the ground over a wreath was extremely memorable for me. I am a bit confused about the start and end of the video, with the ‘doughnut crime scene’. My guess is that the crime scene symbolises that the loop and void represented by the shape of doughnut is broken and that the members had moved on from what they thought were ‘the only one in the world’. Though, I am more confused about the amount of jam spilling from the doughnut (How did they get so much in the doughnut to begin with? And in a doughnut with a hole?). As for the choreography, it felt fitting for the balladry nature of the song.
Overall Rating – 6.8/10
ON THE WAY～- Wonho
Wonho’s Japanese debut single, ON THE WAY~, is actually the oldest song in this review post as it was first unveiled on 27 October 2021. It is a decent track that pleases with its sweet lyrics, thanking fans for staying by his side and that he treasures them greatly. Don’t be fooled though. ON THE WAY~ is no typical ballad. Instead, it features a satisfying band instrumental that really makes this song more appealing. I also like how amped the chorus gets. It did feel somewhat overpowering at first, but Wonho manages to shine throughout ON THE WAY~ with his blissful and honey-like vocals. I did wish there was something more to the song, like a more profound electrical guitar solo sequence (we did get an instrumental break, but it did feel enough) to make it even more satisfying.
The accompanying video was also quite nice. Not one that I see myself going back to however, since it just Wonho acting sweet and grateful to match the lyrics of the song. There are also some band shots and some decent outdoors shots. I am sure fans would adore this video.
Overall Rating – 7/10
Anymore – Jeon Somi
The final song on this post is Jeon Somi’s Anymore. You would have heard Anymore way before the music video dropped (which occurred on Christmas Day), as it was originally featured as a side track on Jeon Somi’s first solo studio album, XOXO, which dropped at the end of October (the 29th to be exact). It is an all-English track that delves into pop-rock territory. I quite like this song because it doesn’t feel complicated or difficult to navigate like EDM tracks. Anymore just sounded pure and doesn’t mess or fluff around. The soft pop rock sound that we hear in this song just suits Jeon Somi’s tone and she sounds very good. The melodies were also very memorable and satisfying, as well.
I need to applaud Jeon Somi’s visuals and acting in this video. Both were highlights that draw me back to the music video. I liked how she well she portrayed her heartbreak and emotions, whilst looking stunning as always. As for the music video concept, all looked terrific and worked extremely well with the song. I liked how chaotic the chorus appeared to match the increased energy we get from the chorus, while the verses were more still.
MONSTA X is nominated for for Best Stage Presence and their single GAMBLER is nominated for Best Concept. MONSTA X member I.M is also nominated for Best Rapper, while God Damn is nominated for Best Rap or Hip-Hop song. Support MONSTA X, I.M and your other favourite acts by voting in the 2021 KPOPREVIEWED Awards. Click here to vote now.
The next album review on this blog is for MONSTA X, who returned in November of this year with the their 10th mini-album, NO LIMIT. The mini-album is lead by the title track Rush Hour and an additional 6 tracks, which will be reviewed below! The mini-album is also the first to not feature Shownu, who enlisted earlier this year. Keep on reading for some of my thoughts on NO LIMIT. In some related news and following the release of this mini-album, MONSTA X went on to release their second studio-length English language album, The Dreaming, which is lead by the new single You Problem and previously release One Day. Just to let you know, I will be reviewing You Problem in a future International Song Review post early next year (once I am back from my break) and am still contemplating on whether to review the new album next year (which is only a few days away now – super yikes).
2. Autobahn – Autobahn starts off promising electronic song and ends up developing into a satisfying dance track with a decent amount of intensity. Auotbahn, for those who don’t know, means motorway/freeway in German, and I can imagine listening to this track while on the road. However, I don’t think I will coasting it down the road, though. Autobahn could have hit harder, especially when it came to the vocals in the song. They seemed to underwhelm. The chorus could also go further than just ‘satisfying’ by really concentrating that intensity. On the other hand, the rappers nailed their sequence and they add great flow and energy into the song. (6.5/10)
3. Ride with U – Ride with U was a ride in itself. It is a very interesting song, with a lot of bold and memorable moments. I really like the groovy instrumentation that really comes through during the chorus. The pre-chorus was this smoothness to it, which makes the chorus punchier. The ‘Talk Talk Talk’ and ‘Love Love Love’ hooks that follow the choruses were very catchy and hard to get out of your head. I like how they stripped the instrumental at the every end, but retained the hook and created this purified outro. I was definitely a fan of that. Vocally and rapping-wise, Ride With U is a strong song. The bridge was also standout moment, really showing those strong vocals and rapping. (9/10)
4. Got Me in Chains – Got Me in Chains definitely got me with its instrumentation. I really like all the textures within Got Me in Chains, which really helped make the song really appealing. Even the subtle ones stood out for me. There were a few parts in which we only get to hear the instrumental in its raw form, and those were the best parts of the song. That however does not outshine the other aspects of Got Me in Chains. The vocal work in this song is pretty damn good, showcasing a sensual vibe during the chorus of the song. The rapping felt clean and neat for this song, which I think is a positive aspect of Got Me in Chains and works well with the sensual vibes from the rest of the song. (9/10)
5. Just Love – MONSTA X takes it down a step with Just Love, a R&B track. The guitar work in this song is very much in the forefront of the song with the vocals. It definitely helps make Just Love fulfilling, and less bare. Half of me is appreciative of this, the other half didn’t like it as much. The vocal work from all the members sounds super good. Even the rappers, in addition to their rapping duties, surprised with solid vocals during the chorus. A satisfying listen overall. (8/10)
6. Mercy – Mercy turns up the dramatic vibe thanks to the combination of orchestra and electronic instrumentation, and this creates a different style of intensity than when I mention intensity in the above songs. Mercy is loaded up with this dramatic style of intensity and I feel that the song is perfect as a OST during the peak of drama or movie where the drama is very heavy between a couple or just people in general. MONSTA X’s vocals added onto that intensity with impactful lines and the rapping we got in Mercy was extremely thrilling and felt ‘edge of your seat’ like. Definitely my style of song and one of my favorites off the album. (10/10)
7. I Got Love – The album ends with a R&B track that ultimately focuses on vocals from all members. I enjoyed their vocals for the most part and you can feel the genuineness behind their vocals. The ‘I Got Love’ line stands out in a memorable manner. The instrumentation was a bit plain but had a nice sleekness to it, going with soft trap and hip-hop direction. It is quite consistent throughout, which made it less appealing as we got to the end. (7/10)
I.M is nominated for Best Rapper, while God Damn is nominated for Best Rap or Hip-Hop Song in the 2021 KPOPREVIEWED Awards. MONSTA X is also nominated for Best Stage Presence and Best Concept for GAMBLER. Support I.M, God Damn and MONSTA X by clicking here to vote today.
We return to the ongoing transmission of reviews for songs nominated under Best Rap or Hip-Hop Song category. Today’s review is the final one for the category, and is focused on I.M’s GOD DAMN, which was released way back in February of this year. It formed part of his first formal solo album release, Duality. You might recognise the song, as it has been on my ‘Coming Soon’ page for a very long time. And today, I am finally getting around to it. Since the release of GOD DAMN, I.M has participated in MONSTA X’s GAMBLER and Rush Hour.
Out of all the nominees for the Best Rap or Hip-Hop Song category, I.M’s release is the most sensual. It is a slow song for those who are tuning into GOD DAMN for the first time, and that might be a turn off for some. I completely understand that. But I guess multiple listens (and nine months later), GOD DAMN becomes a lot more appealing. For me, the slowness of the track emphasis that sensual energy, and allows I.M to use a huskier tone and a more drawn out approach with his vocals. All of this helped make GOD DAMN as appealing as it is. We usually get something powerful and fierce from I.M in his MONSTA X works, so this change in sound intrigued me to the point in which I enjoyed it. My favourite and what I felt to be the most memorable aspect of the song has to be the sequence between 2:08 and 2:12, where it seemed like he was murmuring the lyrics. It stood out at me, and stayed with me ever since it was first released. I also like the pulsing and trap instrumentation to a degree. It was plain enough to become a blank canvas, so I.M could do all of the above with the song. But there was also enough trap elements in the instrumentation to ‘fill up’ the background so that it isn’t a sparse and empty. I did think was a bit too consistent, and wished that the instrumental intensified. It didn’t need to be anything hardcore. But rather a subtle yet noticeable intensification to just change up the song a bit would have made the song end on a much stronger note. Overall, GOD DAMN was a deliberate sensual number that changed up what I personally know from the artist.
The lyrics of GOD DAMN are about lying to oneself about being happy, and the video depicts this is a logical manner. The video starts off with flashbacks of I.M and his lover, before we enter the reality where she has left him and he pretends to be happy. But in reality, he is alone throughout the video despite the crowd around him. He uses the mask (I assume to depict him getting high) and drinking alcohol as a mask to cover up his feelings of loss and heartbreak, but it seems like they made such feelings more pronounced and obvious without him knowing. I really like the moody and dark atmosphere of the club and of the overall video, complimenting both the song and concept for this release. I.M is also a great actor throughout the video, doing a good job of portraying the emotions mentioned, and also acting as drunk and high.
Song – 8/10 Music Video – 9/10 Overall Rating – 8.4/10
KPOPREVIEWED 