[Special] Kingdom: Legendary War Review – WHO IS THE KING (Final Round)

Earlier this month, Kingdom: Legendary War began its run, pitting six well known and high performing male groups against one another for the throne. The Boyz, winner of the prequel season Road To Kingdom last year, is featured as one of these male groups. During the 2020 MAMA Awards, it was confirmed that Stray Kids and ATEEZ will be participating. And in January 2021, it was also confirmed that iKON, BTOB and SF9 will be joining the lineup. It was also confirmed that TVXQ (a name in the industry worthy of the Kingdom title without a doubt) will be hosting, but this was later reduced to just Max Changmin, as Yunho was involved in a scandal and was edited out as much as possible (and will not make an appearance in future rounds).

As I have reviewed part of Queendom and all of Road To Kingdom, I will also be reviewing the stages of Kingdom: Legendary War, recapping the high caliber performances from each round and also putting forward my thoughts on what the ranking should have been for that round.


Final Round – WHO IS THE KING?

After two months of performances, we have finally reached the final round. WHO IS THE KING? started a week prior to the episode airing, with the final songs released to see which group would garner more attention on the music charts. This attention (and their ranking on the music charts) would determine the first set of points the group’s would get, thus contributing to their final score.

When the episode starting airing, fans were given the opportunity to live vote for their favourite groups, thus creating a second set of points the groups were able to get in the final round.

At the conclusion of the performances, the live votes were tallied and added to all the points which the groups have accumulated throughout the competition. The group with the most points would be crowned the King!

For this review/rundown, I will be having a deeper listen to the songs released by each of the groups and a closer watch of the performances. I will also be giving a final rating based on these aspects, allowing me to determine a rank for the final round.

Then I will look at all my rankings I have done since the start of the show to determine who I thin should have been crowned the King! See you at the end.


The Real (멋) – ATEEZ

Going first up in the final round is always a daunting task and that task was assigned to ATEEZ. But knowing ATEEZ’s style, this task was going to be a piece of cake for the group. The Real taps into the hip-hop genre, combining it with a really dynamic and upbeat instrumentation filled with abrasive synths that has a sense of familiarity for me. I am sure somewhere on the blog, I have heard these same synths somewhere. But despite that, I really like that ATEEZ took those synths and really made it their own hype song. ATEEZ’s rappers kept the song dynamic, especially in the verses, and helped moved the song along. The vocalists really help give The Real some definition, and kept the song grounded and still for a brief moment. I think this was needed to prevent the song from being too overwhelming with the synths and energy. It also made the chorus that followed become more impactful. But what really sold me with this song is the energy that comes off it. I love the relentless energy that just doesn’t stop coming at you. And I also really liked how the energy just kept on piling up, especially towards the end. It was an exciting and stimulating opener to the round. It even got the crowd (i.e. other participants) hyped up. Definitely a style I would like ATEEZ to continue with in the future.

I feel the stage for this performance was a bit weak. While the choreography and energy was undeniable, I felt the performance could have had more of a wow factor to it. It might have been a stylistic choice to not include a wowing moment in the performance, but I felt that is where this performance fell short. I really like how the markings on the locker and the way the microphones were positioned to make the hangul of the song’s title appear at the right angles. That would have taken a while to set up and to ensure the camera work was on point (we all know how sometimes camera people like to not capture the right moments). I also feel the other stage props and setups had a fun vibe to them, which also matches the song (i.e. the puppet box and the chickens). As for the choreography, it definitely had that hype energy that felt on par with the song. I also felt their stage presence and personality made the choreography more energetic.

Final Rating – 7.9/10


WOLFGANG – Stray Kids

With WOLFGANG, Stray Kids relies heavily on momentum and intensity to get through their performance. There is also a showcase display of vocals and rapping from the members throughout the song. But I feel that comes second in WOLFGANG. I feels the members could have been a bit more angsty at certain parts (like in some of their other performances), which would have made for a more intense and thrilling performance. This would have made the dynamic performance even more dynamic and powerful, and give them more room to experiment with performance strategies on stage. I also find it interesting that none of the members really stood out to me in this WOLFGANG. Each member brought their individual style to the song, but the limelight was shared between members. Instrumentally, I liked the choir-like background to this song. It gives of a suspenseful atmosphere and does a good job of contrasting with the vocal/rapping delivery that we did get in the song. It also felt like something was simmering away in the background, concentrating as the song progressed along. Glad to hear in the end that energy was released in a relentless and concentrated manner that makes for a really thrilling ender to the performance. It started with the EDM instrumental break before leading into a dramatic increase in strings for the final sequence. It definitely showed Stray Kid’s powerful potential and it gave what I thought the performance definitely needed.

I really like the idea of the members turning into werewolves for this performance. The members started out as humans, before they start donning fur to show their transition from human to werewolf. But I think they are new to this transition, with some of dance moves starting off small (i.e. when they jump off the dancers back the first time). But as we get towards the end, the members become used to this change and exert more dominance, leading them to leaping off the dancers’ back the second time around. The choreography for the ending sequence also looked really powerful, matching the energy they exuded in the song. The show-stopping moment of the performance has to be Bangchan putting on the wolf attire showing some skin in the process, which I assume has thrown the STAY fandom into disarray.

Final Ranking – 8.1/10


KINGDOM COME – THE BOYZ

The Boyz rounded out their Kingdom journey (Road To Kingdom & Kingdom: Legendary War) with KINGDOM COME. I liked that their song reminded me of their winning song from Road To Kingdom (CHECKMATE). This one sounds more intense, especially thanks to the powerful orchestral influence the producers of the song infused into the chorus. To compliment the chorus, KINGDOM COME teases us with less intense strings in the verses. Their vocals and rapping also fits in really neatly. The second half of the second verse brings in a really stylish and cool electronic-based instrumental break to facilitate a dance break on stage (more on that in a bit). It led to Juyeon’s dance break, which retained the dynamic thumping but opted for strings rather than EDM. The chorus returns, before transitioning with a really cool rough textured electronic sequence to the bridge song, which showcased nice vocals from New, a bit of deep rapping from Sunwoo and a spectacular elongated high note from Sangyeon. This marked an entrance to the final chorus, which I am sure had the same energy levels as the previous chorus. But until this point, KINGDOM COME has been snowballing all its energy to release it during the final chorus to give off an ‘edge of your seat’ vibe. I really like the autotuned ‘Until Kingdom Come‘ line that repeats. I didn’t notice it at first, but I think it added to the suspense that contributed to a really strong ender from The Boyz.

What I really liked about this stage is the pre-recorded footages featured in the performance. As mentioned at the start, this performance wraps up their time on the Kingdom series. In the first pre-recorded footage, we see each individual member wearing a different stage outfit from each of their RTK and Kingdom performances. The second pre-recorded footage we see features Younghoon, who couldn’t physically dance in this performance due to an injury. And the third pre-recorded footage features the members dance in white shirts and black pants while it is raining in the background. These pre-recorded footages were interlaced throughout the stage performance, allowing for different visuals to be in play, similar to how a music video switches between solo shots and choreography scenes. A unique concept and idea. On stage, The Boyz pulled off really both intense and graceful dance breaks (the latter being in a shallow pool of water) and powerful choreography that was captivating to watch. I liked fiery red colour of the stage at the end that showed us their passion.

Final Ranking – 8.7/10


Show And Prove (피날레) – BTOB

What I really like about Show and Prove is how uplifting it sounds. And because of this, it has a very different sound to all the songs by the other participants of Kingdom: Legendary War. I really like the dramatic rock-influence instrumental sequence that kicked off the song, which lead into Peniel’s opening narration to enjoy their stage, Changsub and Eunkwang’s vocal pairing and Minhyuk’s rap sequence. Up until this point, it appears that BTOB had opted for a rock styled instrumental for the song. But what keeps Show and Prove exciting is that they changed up the style for the chorus, opting for a much brighter and warmer melody. The rock influence remains, but it clear the vocals do most of the speaking during the song’s central parts. And while we are on the topic of vocals, the members’ smoothness really sell me this song. You can also feel the passion and energy through their vocals, which makes a really great song to finish their journey on Kingdom with. I particularly commend Changsub, who seems to employ a bit of a musical flair with his vocals in this song. The same structure of rock-dominance in the verses and the warm melodies for the chorus repeats again, repeating the same level of captivation from the first time they did it. The entire bridge and final chorus sequence, consisting of Minhyuk’s vocals, high notes from the members, harmonies between the members in a choir like manner and more of Peniel’s speech, gave me goosebumps and was a really polished finish Show and Prove.

For the final stage, the members of BTOB keep true to themselves and focus on what they know best. They don’t dance or participate in the accompanying choreography. Instead, they showcase their vocals. Despite opting this arrangement in terms of the stage performance, it doesn’t mean it is any less dynamic or impactful. I am sure I have mentioned this somewhere on my blog, but their vocals speak volumes. That being said, the dancers did a lot to give a bit of a wow factor to the stage and I liked how BTOB used the stage for this performance. If I were to nitpick at one aspect, it has to be how the stage was set up for the final sequence. I think some of the dancers should have been in front of the members (who were already on high blocks). I think the stage would have looked better and potentially warmer, as a result to fit the song’s vibes. But overall, a really strong performance by BTOB, who were clever and played with their strengths.

Final Ranking – 9.1/10


At Ease (열중쉬어) – iKON

There was no surprise when I heard At Ease for the first time. It taps into hip-hop, which is iKON’s preferred genre of music whenever they release something. Like most of their songs, the rap is dominant in At Ease, which definitely plays towards their strengths. But based on what I heard, the rapping in At Ease was pretty standard for iKON. Nothing special in that department. Similar comments can be said about the vocals that make up the pre-chorus, though I was glad for some melodic flair in the song. It the last few seconds of the chorus when the song gears up for the chorus drop that starts pulling my attention towards the song. The repetition of the ‘Play Play Play‘, paired with the drumming instrumentation, was a really cool and intense buildup. Then came the chorus, which brought all the energy down. While I do wonder where all that energy those last few seconds had brought to the song, the militaristic vibes and bombastic creates a very powerful atmosphere that I feel iKON could only create. I do think it pairs well with the rapping we get in the verses, even though I did mention they felt standard. Their anthem ending sequence was expected, as it tends to appear in all iKON songs (and have been appearing in their Kingdom stages). And while I do groan at the unoriginality of how they approached the ending, I do find the energy that comes off this sequence to be fitting for this song. It felt like a last hurrah, following all the seriousness that the chorus felt, infusing a bit of freestyle and fun into the song. Personally, At Ease isn’t my preferred song of the bunch. But they definitely infused their roots into the song.

As for the stage, I did like the way they used the fences. From the mini ‘rooms’ created by the fences (like how the cameraman was trapped in at the end of the performance), to how the cameraman shot through the fence to create an edgy effect. I did think they could have taken the stage a step further and made it more interesting. Aside from the fences, there wasn’t much to really talk about. As for the choreography, it was good. Though like the stage, I think more could have been done. I do find their outfits interesting. I would have thought they would have gone something to compliment the militaristic style of the song. But I guess that would have been cliché.

Final Rating – 7/10


Believer (숨) – SF9

SF9 finishes up the final round with Believer. The song comes off as smooth and showcases the charm that SF9 was most successful with during the earlier rounds of Kingdom: Legendary War (i.e. sensual). What I find interesting about Believer is that it is the least bold song out of the bunch. But that might be a good thing on one hand. All the other performances rely on dramatic flair and powerful instrumentation. Believer differentiated itself as a result from the pack, allowing it to become an ‘easy on the ears’ listen, which is definitely appreciable after so many powerful and intense sounds. But on the flip side, it might not be able to standout and become forgotten within the mix of powerful songs. For me, I feel the former (it being a good thing) to be the case here. Though, I do think there is room for the song to be bolder with its instrumentation. The synths in this song are quite stylish and sound like they have never been done before in KPOP. It is almost trippy and hypnotic in a way (combined with the percussion we get in the instrumentation). I find the vocal work to be quite sleek, while the rapping infuse a bit of edge to the song. As for the chorus, the melodies were memorable and catchy. The ‘Tuk Tuk Tuk‘ at the end of each line in the chorus was very addictive.

Of all the six stages, I think SF9’s was the stylish. And that is thanks to that hexagonal mirror structure present, which reflects the stage’s lighting and imagery from the screen. As a result it gives off a really cool effect that takes me back to a few music videos from KPOP’s past. I also like how it wasn’t just a tube, but rather segments that SF9 used really well to reveal members and have them quickly disappear. As for the choreography, SF9’s stage was also pretty cool. I really like the idea of mirroring that was employed in the routine (seen during the start with Hwiyoung and Yoo Taeyang and then again between Chani and Youngbin after first chorus). I am not entirely sure what the story behind the choreography, but it seems like there is a struggle between light and darkness based on the imagery we see on stage. I did wish they brought more of a sensual vibe to the choreography, though. The best part of the stage has be Zuho’s stage presence during his rap sequence, where we saw the light and dark come together in a moment of peace. His outfit was split between the two sides and the contacts he was wearing was quite scary, but at the same time, very memorable.

Final Rating – 8.6/10


And the winner of this round is…

Formal results for the final performances were not provided, with the crowning of the king taking precedence once the performances wrapped up. We did get to see digital results for the final round, but these are based on their rankings on music charts since the release of the songs a week prior to the final episode. The ranking for the digital music points were The Boyz (1st), Stray Kids (2nd), BTOB (3rd), ATEEZ (4th), iKON (5th) and SF9 (6th).

As a result, I have decided to ranking the final performances amongst each other. The table below shows the ranking for the final round only. Keep on scrolling down if you want to find out how I ranked each group’s performance throughout the entire Kingdom: Legendary War series.

Do you agree with my ranking of this round? Comment below if you agree/disagree. Plus include what you think the ranking would have been like!

RankKPOPREVIEWED’s Final Round Ranking
1stBTOB
2ndThe Boyz
3rdSF9
4thStray Kids
5thATEEZ
6thiKON

And the winner of Kingdom: Legendary War is…

And it is the moment you have been waiting for! I will be sure not to going into dramatic pauses, like what Changmin did on Thursday. I did laugh at how quick MNET decided to flash the final results on our screen on Thursday at the very end.

For the most part, I agree with the crowned winner, which was ultimately Stray Kids! But it the rest of the rankings which I for the most part did not agree with, considering how I ranked the performances and stages from all the rounds. You can see the results below!

Do you agree with the shows’ ranking? Or do you agree with mine? Or do you disagree with both and have a different ranking in mind? Let me know in the comments section below!

RankingFinal Kingdom: Legendary War ResultsFinal KPOPREVIEWED Ranking
1stStray KidsStray Kids
2ndThe BoyzBTOB
3rdATEEZATEEZ
4thBTOBThe Boyz
5thiKONSF9
6thSF9iKON

And that’s it! Thank you once again for sticking around for my review and thoughts for Kingdom: Legendary War! While I do have negative thoughts on how MNET operates, I do hope that we get to see more Queendom and Kingdom seasons in the future. Congratulations to all the groups for their amazing performances. Mad respect to all of them and I can’t wait to see all of their future comebacks and works! (Now to get back on track with the reviews…)

Preliminary Round – 100 Second Rundown/Review
1st Round – To The World
2nd Round – RE-BORN
3rd Round – Part A – Collaboration
3rd Round – Part B – NO LIMIT
Final Round – WHO IS THE KING?

[Special] Kingdom: Legendary War Review – NO LIMIT (EP 8 & 9)

Apologies regarding how long this post has taken. The finale rundown should be published by Sunday!

Earlier this month, Kingdom: Legendary War began its run, pitting six well known and high performing male groups against one another for the throne. The Boyz, winner of the prequel season Road To Kingdom last year, is featured as one of these male groups. During the 2020 MAMA Awards, it was confirmed that Stray Kids and ATEEZ will be participating. And in January 2021, it was also confirmed that iKON, BTOB and SF9 will be joining the lineup. It was also confirmed that TVXQ (a name in the industry worthy of the Kingdom title without a doubt) will be hosting, but this was later reduced to just Max Changmin, as Yunho was involved in a scandal and was edited out as much as possible (and will not make an appearance in future rounds).

As I have reviewed part of Queendom and all of Road To Kingdom, I will also be reviewing the stages of Kingdom: Legendary War, recapping the high caliber performances from each round and also putting forward my thoughts on what the ranking should have been for that round.


Round 3B – NO LIMIT

Round 3 was broadcast over three episodes (Episodes 7, 8 and 9). It was also spilt into two sections. For this post, I will be focusing on the NO LIMIT segment of Round 3. You can see the performance rundown, comparison and results for Round 3A ‘Collaboration’ here.

In this part of the round, each individual group was given the freedom to cover any song they wish. As we are back with six individual performances for each group, I will revert back to the original format of this Special segment.

For this rundown/review of each stage, I will be looking at their song arrangement, concept and overall performance.


Classy Savage – iKON
Original Song/Artist: Pretty Savage – BLACKPINK

There were some slight modifications to the start of iKON’s version of Pretty Savage. You will notice that the instrumentation in iKON’s version has a deeper tone. And some of the lyrics and delivery of lines were changed to fit in with each member’s abilities. I really liked it how they sneakily slipped a swear word into the pre-chorus (in case you didn’t noticed). Expect iKON to do that! The chorus is where the song changes up. I really like the robustness and dynamic percussion alongside the ‘BUM BUM BUM‘ and the new-found intensity the members brought to the ‘You better run run run‘ line in the chorus. The jungle sound inserts (at the start of the song), tribal drumming and cult-like choir we get leading up to the epic featuring of Lisa herself actually worked well with the concept and stage design. I also liked it for the fact it gave a bit of an interesting colour to their version. They maintained their version’s deeper tone when Lisa started her rap sequence, and it made me think that this should have been the tone of BLACKPINK’s version of Pretty Savage to begin with. I think I would have enjoyed the original song more if they had this deep tone to the instrumentation. Following Lisa’s featuring, everything becomes very lively and energetic. I really like the hype feel from the final bit of their stage, which really exuded a lot of energy and made the entire stage more appealing in a last minute pitch.

For the concept, I am not exactly sure how to describe it in one word, so I will split it up. The performance starts with the members watching previous YG performances. (In addition to Winner, BLACKPINK and iKON themselves, we also get some Big Bang – just another hint that these KPOP Kings are working in the background for an upcoming and long awaited comeback). A portal opens up, leading them to this foreign jungle land, before being captured by the people who live there. During the performance, we see the people call upon their Goddess (i.e. Lisa) and the members convert to following this Goddess (hence why their outfits change from casual to golden). I liked the concept and thought it was fun. It is nice to have a less serious concept once in a while.

For the choreography, I didn’t really see anything that new or unfamiliar. They took a number of moves from BLACKPINK’s version and made it look more intense, which fits in with the music. To me, the best bit of the performance has to be Ju-ne’s kick at the end. Other than that, the members relied heavily on stage design and Lisa’s featuring.


God’s DDU-DU DDU-DU – Stray Kids
Original Song/Artist: DDU-DU DDU-DU – BLACKPINK / God’s Menu – Stray Kids

Another BLACKPINK cover, this time Stray Kids is covering BLACKPINK’s debut single, DDU-DU DDU-DU with a surprise. More on that in a bit. Following Felix’s narration and BLACKPINK’s song’s chorus, Changbin comes swinging with his lines. It was an impressive display of his rapping skillset that really sets the bar high for the rest of the performance. The rest of the performance falls into line and continues the momentum that Changbin and the first chorus had set up. I really like the edgy rock feel of the instrumentation that fits so well with BLACKPINK, Stray Kids and the song(s). The next chorus comes along, with a bit of God’s Menu infused into the chorus. How did this occur? Well, God’s Menu has ‘DU DU DU‘ in its chorus, so it was an easy fit. I am glad they didn’t overuse this technique, obviously to preserve BLACKPINK’s song. In addition to the just mentioned, we also get really powerful and dramatic drums, which makes it the cover’s most iconic sequence. I shamelessly rewatch the performance to hear this exact chorus again as it had it all. Felix also brings in some more God’s Menu in his rap sequence, however indirectly, as he threatens mentions Gordan Ramsay who happens to be a Michelin Star Chef (and this latter term is referred to God’s Menu). For the cover’s final sequence, Stray Kids take it to the next level, coming at you with all of this intense and powerful energy that we have yet to see in the competition. They also managed to integrate their tag line ‘Stray Kids all around the world‘, ending a performance that cleverly reminds you of the group and BLACKPINK as well.

For Stray Kids’ stage, I really like the idea of Deadpool and breaking the fourth wall, which Deadpool is notorious for doing in his movies. Felix starts off the performance by narrating the introduction, while Bangchan introduces the final segment of the performance (really like the humour in Bangchan’s segment, pushing down the JYP speech bubble). Not entirely sure of the massive rice cooker that Felix sits on at the start, but I guess that is reference to God’s Menu. I also really like the use of the camera angles to unveil the van, which Felix had stole the smaller version of earlier in the performance.

Breaking the fourth wall also made it into the performance, with Lee Know smiling in a cute fashion whilst all the guns were pointed at him. As for the rest of the performance, it was a powerful routine combining the likes of DDU-DU DDU-DU and God’s Menu. There were also a bunch of other cool moments, such as Felix’s navigating his way through the red laser lines and the ending sequence which saw the members stomping their way to leave a lasting impression.


Blue Moon (Cinema Ver.) – BTOB
Original Song/Artist: Blue Moon – BTOB

Based on commentary from the MC, BTOB would be competing in this round with their own song and it would be a song that has never been performed on stage before. The song in question is Blue Moon, a single written by Minhyuk from their 11th mini-album, This Is Us. When I compare the two versions, it doesn’t seem like much as changed. The jazzy instrumental was retained. If anything, it does sound like it was amplified for the stage. But I think there was a bit a vocal rearrangement to accommodate for the stage performance and the fact that BTOB has been reduced to four members for the competition. I know for a fact that the raps have been changed, while some of the vocal bits have been altered to allow for harmonies and high notes to come through. To me, standout members for this performance was Minhyuk and Eunkwang. Minhyuk’s rapping in this version has a lot of emotional heft, which reflect well with the story they are telling on stage. His singing was so good, as well. As for Eunkwang, his high notes in the final chorus and ending made me go wow and I shared similar reaction to the other participants of the show. It was a solid performance from the group, with a strong showing of skills from each of the members.

For the concept of the performance, it appears BTOB’s stage is influenced by La La Land. Minhyuk, who is only a staff member on the production, is in love with Miyeon (from (G)I-DLE), who has been enlisted to play the actress in this stage. While the feeling is mutual, I think Minhyuk believes that Miyeon has moved on from him and no longer wants to be with him. Changsub plays the actor in this performance and I loved how his character added a bit of comedic relief to the stage based on the way he looks. Peniel is the director, who is extremely passionate, while Eunkwang is a singer in the production. Fast-forwarding through the stage, Minhyuk makes his thoughts apparent, while Miyeon assures him that she still loves him. They make up and hug (for a moment there, they looked like they were going to kiss) to end the performance. A happy ending for the main characters.

As for the performance aspect, I thought the performance was quite pleasant. Nothing that amazing in terms of choreography, but it was still worth watching. BTOB allowed their vocals and rapping to be the main star, once again emphasising that different dynamic the group was bringing along to the competition from the very start. I liked how the ending came together to be a big song and dance. It is a bit cliché, but it was a nice way to end the performance and bring everything together.


Answer: Ode To Joy – ATEEZ
Original Song/Artist: Answer – ATEEZ

Out of all the stages we saw in this episode, I have to admit that ATEEZ was the most epic and powerful. The energy they brought to the stage in just the music alone for this version of Answer blew me away. They also really knew how to amplify Answer and upgrade it a whole new level. The logical answer to this was a rock instrumentation, given that we all had the feeling that Answer was the perfect vessel for this sound. The post-chorus hook was definitely the original’s best bit and I was grateful that while also intensifying it, they retained the appeal of this section. What was really interesting about this version of Answer was despite the thrilling momentum of the rock sound, they cut it completely to make way for a bit of classical opera. La Poem was featured to deliver this opera. It was a brief interlude before an intense drumming to bring back and rock influences with the opera together. It was the best bit of the performance. Like all the performances of ATEEZ we have seen thus far, Jongho brings in a really cool high note. Not to put pressure on him, however, but I felt it should have been followed up with another high note as the music felt somewhat empty afterwards. I think that would have been this performance’s ‘icing on the cake’ if it had happened. Hongjoong’s rap sequence while blindfolded was the next iconic part of this performance. This performance of Answer hit the mark and showed us that there was no limits in creating this version of this song.

I think the concept was the weakest point of the performance. I wasn’t entirely sure what was going on. My best guess, based from the start, is that the white-masked dancers captured one of the members, so ATEEZ and the hat-wearing counterparts went to rescue him from these white-masked bandits. Fighting ensues, but the rescue was successful and the enemies were defeated. I really like how the opera singers were unveiled on stage.

The epicness carried over into their performance. It was super intense, especially in the rock instrumented sequences. I also like the choreographed fight scene in the final moments. I did think it could have been a bit more convincing. I also wished the performance did end on bland feel. We had all this amazing energy preceding it, just to see the member walk up the steps and stare back all serious into the camera.


Move – SF9
Original Song/Artist: Move – Taemin (SHINee)

The most surprising stage of the round was SF9’s take on Move. It is sexy sounding song and I feel that SF9 really encapsulated this, whilst also creating a sound of their own in this performance. Chani’s deep voice begins the performance with a brief yet sharp instrumental piece. Dawon and Jaeyoon then brings sultry vocals to the mix, before we are taken to the chorus which is lead by Yoo Taeyang and Inseong. The slow but sensual pace of Taemin’s original version of Move features here. The rappers (Hwiyoung, Youngbin and Zuho) of the group start bringing more upbeat and metrosexual vibes in their sections through the instrumentation and delivery, whilst also maintaining the sensual atmosphere that the other members had created. After Zuho’s part (which was also my favourite), an electronic based instrumental interlude gave the performance/version some intensity that can only be passed through a dance break, before we are provided an upbeat version of the Move‘s chorus that fits into what SF9’s version has built towards. I really enjoyed SF9’s take on such an iconic KPOP song, so much that I have returned to listen and rewatch the stage so many times after the show’s broadcast.

For the concept of this performance, I believe the setting is a factory that produced robots that wore white and very generic. But the SF9 members were incorrectly made, wearing black and were completely different to the robots the factory originally manufacturing. I also like how the settings were bland and monotone. But with SF9 present, colour started to come through. It was gradual, but made for a really great stage. I really like the rain of coloured confetti during the final dance sequence, and the rain room they had created off the stage to further highlight the group’s sexiness. This was a really unique performance and one that shows off a different charm of the members.

We all know Move for its sexy moves, but I feel that SF9 took it further with their outfits and sensual moves on those steps. It was definitely a breathtaking performance to watch. Chani’s entrance was so smooth. I would have liked to see more references to Taemin’s original choreography, but I think they did fantastic with creating their own, especially to match the upbeat moments of the final chorus. And when they are not dancing, the members are strutting their stuff on the stage as you could see during Hwiyoung and Zuho’s parts.


Monster (Stormborn) – The Boyz
Original Song/Artist: Monster – EXO

The final performance was The Boyz’s take on EXO’s Monster. While the melodies for the vocals parts remained the same between version, the instrumentals for The Boyz’s version was remixed to enable the 11-member male group to perform the song to the calibre of the Kingdom’s stage. And while I do like the performance, I am not a major fan of the shrilly-like synth they had in the chorus. It wasn’t off-putting, but it just didn’t sit right for me. But everything else in their version was good. I really like the rapping, which gave the song a more edgy and powerful touch (which I felt was needed – more on this in a bit). The EDM used for the dance break really showed performance flair and their ability to intensify an pre-existing intense track. I really like the guitar and the melodic drumming (at the end of the instrumental piece) they used in the dance break, which gave the instrumental break an interesting centre-piece. I think if I were to nitpick at one thing, it would be the intensification. I felt the producers of this version could have taken it a step further and made the music bolder and more defined. This would have brought it up to the same energy levels as other performances in this round and would have made The Boyz sound and look more powerful on stage.

Once again, the performance references an episode from Games Of Throne. Once again, I am not entirely sure what Game of Thrones reference I am seeing in the performance (as I have yet to see it). It is probably an obvious reference, like the massive serpent that they brought to life. But even not knowing the Games of Throne reference, I have to commend The Boyz for another performance that can still be appreciated by itself. Like how amazing was the second dance break of the performance, with the members dancing in front of that projected imagery, which is followed by the massive serpent on stage. Definitely a memorable performance.

The choreography also had a memorable feel. Even while I think the performance could have been intensified on the music front, you could tell the members put their all into the choreography to ensure that they make up for that additional intensity. Each dance break we saw in this performance saw the members go above and beyond, showcasing their performance abilities (without the dearly missed stunts) that stole our attention back during the Road To Kingdom days.


And the winner for this round is…

This was a really hard episode to rank because each stage was amazing in their own right. If I had the ability to, I would have given each stage the top rank. But as there are six groups, I had to rank them from 1st to 6th (hey, I don’t make the rules :P), based on what I saw. This is shown on the right hand side of the table below.

As the show have yet to finalise the official rankings of the round (as global voting and YouTube views were still being determined), the show has only released the rankings per the expert (left hand side of the table) and the self-evaluation (middle columns).

Do you agree with my ranking, the participants’ ranking of the performances or the expert panel’s ranking of the performances? Let me know in the comments below.

RankingKingdom: Legendary War Ranking from Expert PanelRankingKingdom: Legendary War Ranking from Self-EvaluationRankingKPOPREVIEWED’s Ranking
1stStray Kids1st (TIE)SF91stSF9
2ndSF91st (TIE)BTOB2ndStray Kids
3rdThe Boyz2nd (TIE)iKON3rdATEEZ
4thBTOB2nd (TIE)Stray Kids4thThe Boyz
5th (TIE)iKON2nd (TIE)The Boyz5thiKON
5th (TIE)ATEEZ3rdATEEZ6thBTOB

Previously: Kingdom: Legendary War Review – Round 3A – Collaboration
Next up: Kingdom: Legendary War Review – FINALE – Who Is The King?

[Special] Kingdom: Legendary War – Round 3A – Collaboration – EP 7 & 8

Apologies regarding how long this post has taken. The second part of the next round’s rundown should be out tomorrow!

Earlier this month, Kingdom: Legendary War began its run, pitting six well known and high performing male groups against one another for the throne. The Boyz, winner of the prequel season Road To Kingdom last year, is featured as one of these male groups. During the 2020 MAMA Awards, it was confirmed that Stray Kids and ATEEZ will be participating. And in January 2021, it was also confirmed that iKON, BTOB and SF9 will be joining the lineup. It was also confirmed that TVXQ (a name in the industry worthy of the Kingdom title without a doubt) will be hosting, but this was later reduced to just Max Changmin, as Yunho was involved in a scandal and was edited out as much as possible (and will not make an appearance in future rounds).

As I have reviewed part of Queendom and all of Road To Kingdom, I will also be reviewing the stages of Kingdom: Legendary War, recapping the high caliber performances from each round and also putting forward my thoughts on what the ranking should have been for that round.

Round 3A – Collaboration

Round 3 was broadcast over three episodes (Episodes 7, 8 and 9). It was also spilt into two sections. For this post, I will be focusing on Collaboration segment of Round 3.

In Round 3A, three groups were pitted against the other three groups in various battles such as rap, dance and vocals. The teams of groups as follows:

  • Stray Kids, BTOB, ATEEZ (named themselves Mayfly)
  • The Boyz, iKON, SF9 (named themselves It’s One)

For this particular post, things will be a little different. I won’t focusing on the six performance individually. Instead, I will be comparing each performance in their respective battles, as there are only two performances (i.e. Mayflys vs. Its One). As a result, this post will be shorter than usual.

I will also summarise the final rankings for each battle decided by the experts who watch the performances, whilst also give out my own personal ranking to who should have won each battle in my opinion.


Rap Battle

Colours (물감놀이) – Mayfly

Members: Han Jisung, Changbin, Bangchan (Stray Kids), Minhyuk (BTOB), Hongjoong (ATEEZ)

Full DaSH – It’s One

Members: Sunwoo (The Boyz), Bobby (iKON), Hwiyoung (SF9)

Going into this round, I had a hard time predict who would succeed. On one hand, you had Bobby. For those who don’t know Bobby, he is probably the most well known rapper out of the bunch. Then, we have 3RACHA from Stray Kids, who have put out really strong and powerful rap songs as a unit before. And then, we have Minhyuk, who is an all-rounder but started off as a powerful rapper in BTOB. For Sunwoo, Hwiyoung and Hongjoong, I am not familar with their solo work to really influence my prediciton.

For the performances, both was quite lively. Colours was vibrant and colourful, while Full DaSH was edgy and stylish. Colours felt like a performance, based on their ending pose, stage set ups and the presence of choreography. I like the inclusion of the traditional instrumentation in the background. There was a bit of a free spirit to the performance, but it wasn’t as prevalent as Full DaSH. On the other hand, Full DaSH was relied on a heap of freestyling. There was some choreography and stage set up, but all was minimal in comparison to the other performance. I really like the paint gun sequence at the end of the Full DaSH performance. It was an element of fun and really showed how unconstrained the performance was. In terms of execution, I feel both are on par with each other. The five members in Colours helped give the track a catchy ring. I also find Minhyuk’s exclamation “We all bleed the same colour” to be very deep. For Full DaSH, I felt the energy behind the trio’s delivery to be very powerful and memorable.

In the end, I lean towards Colours as my favourite performance out of the two. It is more aligned to what I like and enjoy in general. That being said, Full DaSH was terrific in its own way.

RankKingdom RankingKPOPREVIEWED’s Ranking
1stColours – Mayfly Colours – Mayfly
2ndFull DaSH – It’s One Full DaSH – It’s One

Dance Battle

Wolf – Mayfly

Members: Lee Know, I.N, Felix (Stray Kids), Peniel (BTOB), San, Seonghwa, Yeosang, Wooyoung, Yunho
(ATEEZ)

King and Queen – It’s One

Members: Juyeon (The Boyz), Donghyuk (iKON), Yoo Taeyang (SF9)

Wolf was an unexpected surprise. I thought that the members of ATEEZ, BTOB and Stray Kids would come together to form their own routine to a unique song for themselves. I would have appreciated the innovation and creativity a lot more, but Wolf was still an amazing performance. I really like how they took to EXO’s version of Wolf and made it even more animinalistic and wilder. It show cases the edgy and dangerous side of the members. It was also great to see stunts reappear in the competition. There hasn’t been many so far. When Felix did the run up and jumped onto San, I was floored by how he kept his exposure despite the landing being slightly rocky and committed to the part. I also really like Peniel’s solo part, showcasing some of his dance skills – something we don’t see too much of.

King and Queen was an instrumental piece, and as far as I am concerned, it was made for this performance. I liked the innovation and creativity of this performance. It starts off as the three members on their chairs, before jumping off and giving us a solo performance each over some electrifying guitar instrumentals. We then see a really graceful performance from the trio together, before we see in the distance the queen is assasinated. Throughout the performance, you could see the emotions in their moves or on their faces. If you know me, emotions make up a very large part of the stage presence. And while each of the three members had a different way of showcasing emotions, they all made sure it was there. Yoo Taeyang had a really cool sword fight solo scene, but I personally could not get over how we caught the sword without any dramas. Juyeon’s table flip was very impressive as well. Donghyuk also had an awesome solo scene, though nothing memorable pinged from it. I also liked how they used stage tricks to reintroduce the other two members to end the performance.

I liked both performances. But I felt that It’s One had the edge in this battle. They showed many sides of themselves and a wider range of moves, such as from powerful to graceful. Wolf was great in itself, but I felt like more could have been done to captivate us, as did King and Queen.

RankKingdom RankingKPOPREVIEWED’s Ranking
1stWolf – MayflyKing & Queen – It’s One
2ndKing & Queen – It’s One Wolf – Mayfly

Dance Battle

Love Poem – Mayfly
Original Artist: IU

Members: Seungmin (Stray Kids), Eunkwang (BTOB), Jongho (ATEEZ)

Spark – It’s One
Original Artist: Taeyeon

Members: New, Sangyeon (The Boyz), Ju-ne, Jinhwan (iKON), Inseong, Jaeyoon (SF9)

Spark (by It’s One) was a good cover of Taeyeon’s song. Personally, I feel like Spark was an unexpected choice for a cover, especially for this battle. I can’t really pinpoint an exact reason to why I feel this way. It just felt odd. Song choice aside, I really like it when the members came together to sing together for its climax. It made the cover more captivating. Per usual, I wanted more of that. And harmonies, as well. If the harmonies were more prevalent and present, then I feel like Its One cover of Spark would have been more memorable. There was also a good amount of huskiness and raspiness behind some of their vocals. While we got to hear their voices very clearly (especially since none of the members have really had a solo platform yet) and they all sounded great as a team, no one really stood out for me. That might be a good or bad thing, depending on how you look at it. Good in the sense that no one member took over the song and outshone in the rest. Bad in the sense that it felt too neutral. In this case, I feel like the latter seems to be the case. It is a pity that Inseong couldn’t pull off his high note. I feel like it would have lifted the performance to a whole new level if it was successful.

The Love Poem cover was stunning and grand, featuring the balance of the three groups that make up of Mayfly (with the exception of Changsub, who sat out due to being unwell). I don’t have much to say about this cover, aside from expressing how good it was. While I can’t really comment on show-stopping melodies of IU’s Love Poem (as the original had already them), what made this cover so great is that it had the harmonies that I wanted to hear. Those harmonies and high notes just made the entire performance captivating and blissful to listen to. I felt as if I was floating while listening to the song, which is an impressive feat to achieve, especially since I really enjoys my ballads. If I were to be critical, I would have liked to see Jongho shine a bit more. We know he has an impressive set of lungs based on the performances on the show thus far. I just felt he didn’t really have his moment to really shine in this cover, compared to Seungmin and Eunkwang.

Based on the language I had used to describe each of the performances, I think it is clear that I lean towards Mayfly’s cover of Love Poem.

RankKingdom RankingKPOPREVIEWED’s Ranking
1stLove Poem – MayflyLove Poem – Mayfly
2ndSpark – It’s OneSpark – It’s One

Previously: Kingdom: Legendary War Review – Round 2 – To The World
Next up: Kingdom: Legendary War Review – Round 3B – NO LIMIT

[Special] Kingdom: Legendary War Review – RE-BORN (EP 4 and 5)

Apologies regarding how long this post has taken. The first part of the next round’s rundown should be out shortly!

Earlier this month, Kingdom: Legendary War began its run, pitting six well known and high performing male groups against one another for the throne. The Boyz, winner of the prequel season Road To Kingdom last year, is featured as one of these male groups. During the 2020 MAMA Awards, it was confirmed that Stray Kids and ATEEZ will be participating. And in January 2021, it was also confirmed that iKON, BTOB and SF9 will be joining the lineup. It was also confirmed that TVXQ (a name in the industry worthy of the Kingdom title without a doubt) will be hosting, but this was later reduced to just Max Changmin, as Yunho was involved in a scandal and was edited out as much as possible (and will not make an appearance in future rounds).

As I have reviewed part of Queendom and all of Road To Kingdom, I will also be reviewing the stages of Kingdom: Legendary War, recapping the high caliber performances from each round and also putting forward my thoughts on what the ranking should have been for that round.

Round 2 – RE-BORN

Round 2 was broadcast over episode 4 and 5 of the new season, occuring on the 22nd and 29th of April. The brief of Round 2 was titled ‘RE-BORN’, which each group got the opportunity to cover a song released by a fellow participant. Each group had the opportunity to not only recreate a fellow group’s song as their own, but also perform it on stage.

Per usual, live voting opened after the 5th episode to allows for fans to vote for their favourite stages. YouTube views, epert ranking and self-evaluation were taken into account for this round.

I will be reviewing the performances based on who went first, and will be looking at song arrangement, concept and choreography for this round.


The Stealer (The Scene) – SF9
Original artist: The Boyz

I really like how SF9 transformed The Stealer. The new instrumental is made of distinct sounding pieces that all piece together to bring you a suspenseful performance. The performance may be influencing my perception of this, however I think it was well executed. The new instrumentation starts off with Rowoon (welcome back to Rowoon, who has been absent from the performances due to an injury) and Dawon with a really slow and sensual introduction, brought to life with their smooth vocals. Jaeyoon, Youngbin, Yoo Taeyang and Inseong follows up with the first verse of the original song, over an instrumentation that feels like like subtly suspense moments before an unexpected action season in movies. The chorus comes into play and we get an R&B influenced dance instrumentation here. Zuho starts off the second verse, rapping in an angsty way to match his fight scene on stage. The instrumentation kicks up a notch here, becoming more upbeat. Chani follows up briefly, before an instrumental break comes into play featuring funky guitars. Inseong and Hwiyoung’s solo parts brings some stillness to the song and unnerving energy, which is ultimately followed up with an electrifying dance sequence and a final chorus sequence that brings everything together into one. All the vocal work and the rapping reflected well with the different sequences. And while SF9’s style was definitely featured throughout this performance, the original essence of The Stealer was not lost.

Concept-wise, SF9’s visual take on The Stealer was one of the best of the round. The members are all working together as part of a gang to steal the crown that was locked away at the start. And as part of the storyline of stealing that crown, fighting is invovled to get that crown in their hands. Regarding staging, you can tell that FNC Entertainment and SF9 are no longer bound by any financial constraints. You can tell that they really went all out with this performance. I really like the shipping container set-up they had in the background, giving the stage that edgy persona. Their outfits (and in the case of Daewon and Jaeyoon – lack thereof), the props and some of the special effects (tourching someone on fire and shooting at one of the stage structures to make it fall down) all created a really cool and intense atmosphere.

And you cannot talk about this stage without talking about the choreography. I really liked how they creatively choreographed the fight scenes into the routine, especially when it came to Zuho’s solo. That was an amazing sequence. So was the dance break, which saw flips from Chani, Youngbin and Yoo Taeyang. We also saw more cool fight scenes invovling Jaeyoon and Zuho afterwards, topping everything we saw previously in this performance.


O Sole Mio (The Red Wedding) – The Boyz
Original Artist: SF9

We all probably know O Sole Mio for being a Latin influenced song in SF9’s discography. So it was interesting to see how The Boyz would transform it. What I really liked about this version is that it didn’t stray away from its original style. Instead, it seems to concentrate it, tapping into the world of tango. This was a fresh take on the song without it going into any foreign territory or lose the aesthetic of the original version. While the first verse and chorus felt the same as the original, Sunwoo’s rapping is where this version started to have it own appeal. His rap sequence was so clean and well-executed, giving The Boyz’s version an edgy vibe. From then on, the song became The Boyz’s. I really like how they substituted the second chorus for an instrumental piece to fit in a dance break. This is followed by another dance break featuring Juyeon and the female dancer that brings together some tango and the theme of Games of Thrones. The final chorus comes soon after, bringing everything to a climatic ending. Personally, I wished each member got more lines. I noticed a lot of members had a one-liner in this performance. But obviously to fit everything in, some lines probably had to be sacrificed. But aside from that, it was a solid cover.

For the concept, obviously The Red Wedding was the main attraction. I don’t know if there were any Game of Throne references on stage, as I haven’t watched the series at all yet (and probably will never watch it, given my track record of starting TV shows that are big in mainstream pop culture). The emphasis on the colour red and the sun/fire made this a really cool stage to watch. I also really like the idea of the cage, which was a stunning setting for the many dance sequences we saw in this performance.

Performance wise, this is The Boyz’s best one so far on the Kingdom: Legendary War. There were so many cool moments. Firstly, Juyeon and the female dancer’s tango moments I found it so epic when he started to climb the cage. Secondly, the passing of the rod during what was supposed to be the second chorus. Thirdly, the final chorus, with all the members. I really liked how the closeness of the setssurrounding them, lighting and confetti all made the stage look and feel climatic, like the song. Hyunjae’s bow catching at the very end was very sleek as well.


Inception (iKON ver.) – iKON
Original artist: ATEEZ

It isn’t iKON if there wasn’t hip-hop infused into a song, regardless of it being their own or a cover. For iKON’s version of Inception, they really took the round’s rules and transformed Inception into something they would have released. I liked how they kept the first verse as the constant between the original and their version, along with the bridge of the song. Usually, it is the chorus or hook that you would keep intact if you were to make the song your own, as that is what fans and listeners would recongise. But based on how perform this version, you can tell they are confident that fans and listeners (especially ATINYs) would recognise it. For me, I am actually glad that they kept the bridge of the song intact, as it a memorable part of the original that I now recongise and it also builds really well towards the final chorus. Moving along, it is the final seconds of the pre-chorus that iKON’s style peeks through, hyping us towards a hypnotic and different style chorus that is fitting with their stage concept. It also twists the song into something that you would not expect. It doesn’t really capitalise on any of the iconic nature of the original’s chorus, but you must admit that it has its charm. As expected, the song ends with a hype style outro, which is very YG and iKON. It definitely ends the song on an upbeat note. I also like how the final chorus slows down completely at first, emphasising that hypnotic factor that they began with. My only peeve with the performance came during Bobby’s rap sequence. He was out of time and ended up skipping a few lines. I know he was very into the performance and looked like he was enjoying his time. But it is things like this that really stick out and could potentially make or break a performance.

iKON took the opportunity and went with it. Their stage was based on the movie Inception. Go figure! Wow was the reaction I gave when I watched this performance for the first time, especially as the buildings all moved and the road was raised, like in the movie. But if that wasn’t obvious, then spinning top at the end should have been the last clue to give it away. Aside from really cool stage design and technology, I really liked the trippy camera effect that appeared during Bobby’s verse.

Obviously with a new chorus and unique stage design, the original choreography just couldn’t seem to be brought over. It is slightly disappointing. But as soon as iKON inserted their influence into the song, it seemed right that they departed from the original choreography. What iKON ended up doing looked really cool, especially when it came to that complete slow down at the start of the final chorus.


Rhythm Ta (The Awakening of Summer) – ATEEZ
Original artist: iKON

Kicking off ATEEZ’s Rhythm Ta performance is Seonghwa and Wooyoung’s whispering. It was barely audible, but it got me interested in the performance. When it came to the verses, I really liked the exciting energy that you could feel was building up in the background. This is all thanks to ATEEZ’s version having this upbeat and energerised kick to it which I find really appealing. Yeosang’s ‘We’re gon get it, pop it‘ just before the chorus was quite addicting, especially when it layered over dramatic and suspenseful violins. For the chorus, I am not a major fan of the metallic/shrilling synth they used. Though, I acknowledge that it gave a platform for them to show a great performance. I liked how they maintained Rhythm Ta‘s one-liner hook for the chorus, which also allowed to showcase an even more impressive set of moves. The chorus if then followed up with a bit of an instrumental interlude, featuring latin styled brass. This was carried through to Hongjoong’s rap sequence, before rock influences peeked through the vocals parts of the second verse. To me, the odd ball in the performance is the presence of the brass. While I thought it add a nice touch, I think it could have been swapped out for something more electrifying to fit in with the rest of the performance and instrumentation. Both the violins and rock influences returned a little later to followup Hongjoong’s speech (which gave me goosebumps) and complimented the energy and power Jongho was inserting into the song through his vocals and dramatic first high note. For the final chorus, ATEEZ really amped up the instrumentation giving us a chance to witness a really thrilling sequence and Jongho’s second high note. We all know that I am a sucker for high notes, and Jongho’s always are top notch!

For me, I didn’t pick up that this was based on or influenced by Money Heist. Mainly because I haven’t watched the series. But even without knowing it was based on Money Heist, you can tell that ATEEZ clearly portrayed the idea of a heist at the start, stealing back all the art and instruments that were taken away from them. By the end of the video, the group was starting a revolution, opening the eyes of the dancers who were once against the group to be with the group in the final moments, creating a really cool ending for the performance with everyone on board.

Performance wise, charisma from the members came through. Notable mention has to go to San, for his part at the start of the performance and the centre during the final chorus. I also really liked the twists and turns they managed to pull off in the choruses, and how they quickly moved between cameras (evident in the first chorus sequence). The ending, while it was chaotic, was also quite organised, but yet it still actually complimented the intense energy we got. It was a great performance.


Back Door – BTOB
Original artist: Stray Kids

In BTOB’s version of Back Door, I really liked how they mixed four different styles into their version. The song starts off with Changsub, whose sequence brought a bit of rock to the mix. This is followed up by Minhyuk’s sequence which featured a very sensual R&B sequence. Peniel brings in a bit of upbeat and energetic hip-hop flair, before Eunkwang brings in his power vocals during his more pop-ballad like approach to the song. While I like that each member got to show off their own indivdual colours, the performance is at its best when it all four members of BTOB join forces with one another. This occurs when the bridge of Back Door comes into play, combining the pop and rock sequences above to finish the song in a thrilling and exciting manner that iterates to me why Back Door is such a good song. Eunkwang and Changsub’s high notes and harmonies really gave the performance the peak it needed, while I was glad to hear Peniel got more lines than usual!

BTOB’s stage was quite clever. The main concept of the performance is that the four are stars (as they are) getting ready for a great performance. The first half of the stage is a ‘back stage’ setting, as we visit each member preparing for their upcoming stage. I really like how they kept the Back Door knocks in this part, which really keeps that nostalgic factor of Stray Kids song within BTOB’s version. The second half of the stage is when the members are finished getting ready and make their way onto the stage, where a big crowd is awaiting their performance. They proceed to perform like the superstars they are.

The first half of the peroformance didn’t have much choreography. They were committed to the concept of being back stage, and any choreography would have been a little too ‘staged’. The second half was were BTOB showed off their performance skills, bringing some of Stray Kid’s iconic moments within their Back Door routine to their stage (i.e. Minhyuk knocking on the door while Peniel stands in front him, the arches formed by the dancers for BTOB to knock and walk through). And at the very end, we see Minhyuk rip off his singlet, giving the stage its iconic moment in itself. Everything from stage, concept and performance was amazing to watch and it is the main reason why I continually return to this performance each week.


Pray (I’ll Be Your Man) – Stray Kids
Original artist: BTOB

Pray was one track I was hoping would be performed on the show, by BTOB or any of the other participants. It is such a great song, showing off vocals, rapping and performance skills in one succinct 3 minute hit. Stray Kids brings a mashed up dance and orchestral touch to their version, more so than the original version by BTOB. It isn’t a mind-blowing or innovative combination, but managed to hit the brief with the song. The song starts off with Seungmin’s vocals, who successfully pulls off the first impressive set of vocals. Han Jisung follows up with more vocals, surprising everyone with his vocal ability despite being a rapper of the group. A geniune surprise for those who may not be all too familiar with the rest of the group. Changbin follows with a very emotionally charged rap sequence that really steals your attention. The chorus comes into play and is brought to life by Han Jisung and Lee Know. For the second verse, the rappers (Jisung and Changbin) return and they captialise on Felix’s deep voice for this performance, who happens to also voice the Devil in this performance (I believe). A literal smashing instrumental break came upon us before we return to the actual song. Pray’s highlight is the rapping and vocal layering peak, and I am so glad that Stray Kids kept that in its original form. Like how BTOB slayed us back then, Stray Kids does the exact same. It is a pity that I.N voice broke, otherwise I am sure it would have been an amazing high note to end the performance on. I feel that the weakest point of the song arrangement had to be the second verse. I didn’t know what was really happening when Felix voiced the Devil and it felt detached from the rest of the performance. Likewise, I would have liked to see something with a little more energy and intensity for the dance break. Aside from the actual smashing we got, it felt somewhat plain.

For the stage, we are given a story about a young boy. I would have liked a bit more context, as I felt there are gaps in the story. Why was Felix getting dragged my angels? Were they trying to show him becoming possessed by the Devil? But anyway, Felix retrieves a heart and they place it into the young boy’s statue hand to bring the young boy back to life, after he saved Changbin from dying in the past. For what reason they plan on bringing him back for is unclear and hence a bit more context would have been nice.

The choreography was quite good. I liked how they included more to the original choreography. The first half of the performance was more so about the story, while the second half was the actual choreography. I liked the set up of the first chorus. And I like how the members who were not singing and rapping during the bridge were dancing with the dancers, unlike in the original where the BTOB members who were not part of that sequence were just kneeling and praying. The dance break was nice and I really like how they broke the set in their choreography.


And the winner was….

Because I waited around for so long, all the points (mentioned above) were calculated and tallied to give definite rankings for the second round. Below is a table with two columns. The left hand side of the table shows the ranking from the show once it was finalised, while the right hand side of the table shows the my personal ranking of teams.

Do you agree with my rankings, or the shows rankings? Comment below and let me know! If you disagree, comment your ranking below as well!

RankingKingdom: Legendary War Final Ranking for Round 2KPOPREVIEWED’s Ranking
1stATEEZBTOB
2ndBTOBSF9
3rdSF9The Boyz
4thStray KidsStray Kids
5thiKONATEEZ
6thThe BoyziKON

Previously: Kingdom: Legendary War Review – Round 1 – To The World
Next up: Kingdom: Legendary War Review – Round 3A – Collaboration

[Special] Kingdom: Legendary War Review – To The World (EP 2 and 3)

Apologies regarding how long this post has taken. The next round’s rundown should be out this week!

Earlier this month, Kingdom: Legendary War began its run, pitting six well known and high performing male groups against one another for the throne. The Boyz, winner of the prequel season Road To Kingdom last year, is featured as one of these male groups. During the 2020 MAMA Awards, it was confirmed that Stray Kids and ATEEZ will be participating. And in January 2021, it was also confirmed that iKON, BTOB and SF9 will be joining the lineup. It was also confirmed that TVXQ (a name in the industry worthy of the Kingdom title without a doubt) will be hosting, but this was later reduced to just Max Changmin, as Yunho was involved in a scandal and was edited out as much as possible (and will not make an appearance in future rounds).

As I have reviewed part of Queendom and all of Road To Kingdom, I will also be reviewing the stages of Kingdom: Legendary War, recapping the high caliber performances from each round and also putting forward my thoughts on what the ranking should have been for that round.

Round 1 – To The World

Round 1 was broadcast over episode 2 and 3 of the new season, occuring on the 8th and 15th April. Round 1 is titled ‘To The World‘. In this round, the groups are able to performed a revamped version of one or two of their past hits. Included alongside the revamped version, the groups also had the opportunity to bring them to life with never seen before stages.

After the broadcast of episode 3, live voting opened allowing fans to vote for their favourite performance. The official results of that will be shown at the end of this post, along with my personal ranking from this round.

Round 1 was unfortuate quite problematic thanks to a communication error between MNET and the indivdual companies. Only three of the six companies were notified that the budget for the round was increased. Watching the performances below, you can see three of the performances utilising the extra cash, while the other three performances did not (as they were not aware). Obviously, this raised concerned regarding bias behind the scenes, which MNET has denied and apologised for. Rules were altered for subsequent rounds. While I will try to consider this issue in my ranking, I will admit it will be hard given how bold and high calibre the advantaged performances were. But I will try my best.

I will be reviewing the performances based on who went first, and will be looking at song arrangement, concept and choreography for this round.


No Air (A Song of Fire and Ice) – The Boyz

First up, I am so happy that The Boyz (or someone in the competition) chose to perform No Air. It is one of my favourites. I really enjoyed the dramatic and theatric side of the arrangement, thanks to the use of the classical instrumentation. It is very different from their electronic synths they used in the original version. I also like how different the song sounded on the vocal front, with the changes also affecting the member’s delivery of their vocal and rapping line. For the most part, I really liked the softer moments of the arrangement and few growls. But I am disappointed by the lack of the impactful ‘No Air‘ hook. It was altered to fit in with the song, but briefly. But it just doesn’t have the same effect. I wished that was retained that resembles the highlight version, keeping to this more dramatic flair the arrangement had opted for.

As for the concept, I am not exactly sure what they are going with. My best guess, and this comes after their Round 2 performance, is that they are going with a Games of Throne concept. I never watched the series (I know, feel free to gasp), so I can’t really make much of an association between show and stage. I really enjoyed the ice and snow side of the performance, represented by the snow and the blue on the screen behind them, while fire was represented by the flaming props and orange red colour we see on screen. I also really enjoyed how the members interacted with said props.

As for the choreography, I thought it was good but not best of the bunch. There really wasn’t much in the performance that stood out for me, when I compare this performance to the other performances. But there were some memorable moments including the gracefulness and elegance of the first chorus, the lineup of members that appeared in the second verse with the female jewelled hand, and Juyeon’s performance with the white sheet. Noticeably absent were the stunts that The Boyz commonly does.


Love Scenario & Killing Me (Kingdom Version) – iKON

IKON is one of the two groups in the competition to blend two of their own songs for this round. The first half was Love Scenario, which started off as a passionate performance. But when the iconic chorus comes into play, iKON takes an unexpected turn towards a really happy and upbeat version of their infamous song. I am very used to seeing iKON in hip-hop mode and not musical mode. The second half of the performance, after some thunder and sirens, takes a turn. Gone are the happy tunes and hello serious and moody tunes. iKON brings in Killing Me, which already has me excited as that is my favourite title track from them. While the second half had dynamism, I wished they did more on the music front. Like their remix of the song and the parts picked from the original were all great. I just wished they had upgraded Killing Me‘s killing parts and also find a way to tie the elements of this part together in a neater fashion.

Their concept is pretty straight forward. Musical influenced at the start and grungy boy band in the second half. While iKON was on the performances that got the short end of the stick, they made good use of the props to really showcase those two profiles.

Another great performance. We got to see really upbeat moves that fit that musical profile that Love Scenario opted for. We got to see really dynamic moves for the second half, fitting for Killing Me and its remix. I did wish they didn’t opt for the anthem style approach for the latter part of Killing Me. I know they did it in the original, but I think it could have been upgraded, as well.


Missing You (Threatre Version) – BTOB

Expectations were high for BTOB’s performance. And I think they really hit those expectations. BTOB also went for a theatrical version of Missing You, but also maintains the balladry side of the song. Interestingly, they didn’t do a whole lot to the song to give it a new face lift. There were still some new and different aspects to this version, compared to the original. But what I loved about this performance was how it still gave off that same warm and soothing impression, just like the original did. I liked how they incorporated various additional instruments into the song’s instrumental (I think there was a mix of contemporary and folksy instrumentation add to the song). I also liked how they gave each a member a distinct part. Eunkwang and Changsub showing off their vocals. Minhyuk and Peniel adding their passionate rapping to the mix. The harmonies between the members helped make this stunning performance.

Concept wise, I think the group brought in a mix of traditional Korean imagery and added that theatrical aspect to the performance. It really isn’t anything special, but the stage still looks quite aesthetic. From the trees to the screens, BTOB made good use of what they had to make it look beautiful. I also really like their traditional styled outfits.

There wasn’t much choreography for this performance. BTOB opted to focus on vocals, which was the main point of the original song though. However, Missing You‘s sign language choreography made it into this performance and Minhyuk had a really strong showing of his performance skills when it came to that sword-fighting scene.


Jasin (Oneself ‘Ja’, Ghost ‘Sin’) – Stray Kids
Songs: Side Effects & God’s Menu

Stray Kids was the second and final group to combine two songs into the one performance. The first half of the performance was dedicated to Side Effects, which was a rearranged into a really eerie and haunting sequence. I wished it was longer as this was a whole different energy to the original version of Side Effects. The whipsery vocals and rapping of the original version were brought into this version untouched, showing how fitting their delivery is for this new side. In particular, Felix’s deep voice was made for this! Side Effects was brief, however. The main spectacle of this performance was God’s Menu, which they really intensifed in this arrangement, especially when we were first thrown into it. I liked how the rest of the performance, the amplified instrumentation kept us on the edge of our seat (or on out toes), adding a thrilling element to what already was a striking song to begin with. Side Effects returned briefly before the performance wrapped up, bringing in its killing part alongside God’s Menu, which makes this powerful and energetic performance to watch.

I really like the controlling concept. The first half of the performance, we see the dancers controlling the members. We see the dancers control Lee Know’s moves, hypnotize Jisung and act as puppet masters. However, Felix fiinds a bell that breaks whatever spell they are under. The playing field switches with the members controlling the dancers in the second half. I also like how they designed the sets to really keep us captivated.

The dancers played a very big part in this choreography. Not only do they have a role in the concept, they also make the performance whole. Without them, the members would not have been able to pull off that epic entrance for God’s Menu, which the dancers popping up under that massive white sheet. Bangchan’s solo part was also very iconic, with that dancer upside down and mimicking Bangchan’s moves as if there were two seperate parallel worlds.

Symphony No.9 (From the Wonderland) – ATEEZ
Song: Wonderland

When it came to ATEEZ’s stage, I really liked the theatrical aspect of their arrangement. It just felt so fitting for Wonderland and made the stage quite memorable just from the song itself. It also gave the performance a more impactful level of nostalgia. I also liked that they didn’t change too much with the performance. It didn’t feel over-engineered or over-produced, which could be the case when you try to recreate another version of the song. They maintained the various effects and vibes that came off the 2019 version, but they did add some new parts and pauses to enable a story to be told on stage. I also liked the party remix towards the end. But what made this stage of Wonderland explosive were the vocals and raps from each member. The rapping start of the song courtesy of Hongjoong was so powerful and energetic. The rest of the members were extremely clear and crisp in this live performance. But the standout member has to be Jongho, who blew us all away with a surprising high note that even shocked the other contestants of the show.

ATEEZ’s concept for this stage was definitely the pirates and the Seven Seas. Defintive clues of this was the pirate ship they used as the main backdrop to their stage, the treasure map at the start of the performance and the massive octupus tentacle that surprised and wowed everyone. I also find the start of the performance quite mysterious, and liked how they used one of their previous concepts from their TREASURE era. It seems like these pirates are trying to find something that they have been contracted to do.

As mentioned earlier, I really liked how they weaved the story in the choreography as well. It definitely made for an interesting stage. The first verse and chorus was mainly to set the scene and also incorporated the original choreography, before the second verse and onwards changed things up a bit to make the story progress and provide that ‘new’ element to the performance (i.e. an alternate choreography for the remixed sequence at the end). I iwshed they changed it up sooner, as the start was kind of meh for me. The most impressive part of the routine was Jongho and Yunho’s spin.


Jealous – SF9

The final performance of the night was SF9’s Jealous (otherwise known as Now or Never). I am so glad they picked this song to be their stage, as it is too my favourite release from the group. Unfortuately, I think this version of Now or Never was the weakest arrangement of the bunch, and it doesn’t do the original version justice. It attempted to be thrilling and alluring with its subtle instrumentation mix at the start, the use of violins in the second verse and then its intense electronic sequence at the end. But the resulting product felt pretty bland. I didn’t get the same captivating or ‘edge of my seat’ experience as I did with the other performances. The vocal work was good, and the rapping had a promising factor to it. But I think the arrangement could have been better executed. Something electrifying would have been nice especially towards the end could have reinvented the energy, done justice to the original and given the arrangement that zing it needed.

Concept wise, this performance was also the weakest of the bunch. I wasn’t sure what the concept was, aside from the fact that mirrors played a massive part. It is quite unfortuate that SF9 got the shortest end of the short stick, given how shockingly poor the entire performance looked (and it is not SF9’s fault). From their lack of props to cheap looking outfits to the poor camera work, the performance did not hit the aesthetic standard. I did like the use of the two-way mirrors, which gave the performance that element of wow.

The choreography was good. Not the best, but it was the best element of their stage performance. Chani’s solo part with the female dancer gave the routine a sensual touch. I also liked that they brought over some of the original choreography, which made the routine feel familiar.


And the winner is…

We don’t know who the real winners of this round are. We are still awaiting official final rankings, though I suspect MNET might hold off on that. MNET has, however, released the results of each category that would make up the final ranking. Below are these results that have been officially announced, and the fifith column is what I think the final ranking should be like based on my own thoughts.

RankingExpert EvalutionSelf EvaulationVideo ViewsGlobal VotingKPOPREVIEWED’s FINAL Ranking
1ATEEZATEEZ Stray Kids Stray Kids Stray Kids
2Stray KidsBTOBiKONSF9ATEEZ
3The BoyzStray KidsATEEZiKONBTOB
4SF9The BoyzBTOBBTOBiKON
5BTOBiKONThe BoyzATEEZThe Boyz
6iKONSF9SF9The BoyzSF9

Do you agree with me? Or do you agree with the show’s interim category ranking? Or do you have a different order in mind? Let me know in the comments!

Previously: Kingdom: Legendary War Review – 100 Seconds Performances
Next up: Kingdom: Legendary War Review – Round 2 – RE:BORN

[Special] Kingdom: Legendary War Review – 100 Seconds Performances

Earlier this month, Kingdom: Legendary War began its run, pitting six well known and high performing male groups against one another for the throne. The Boyz, winner of the prequel season Road To Kingdom last year, is featured as one of these male groups. During the 2020 MAMA Awards, it was confirmed that Stray Kids and ATEEZ will be participating. And in January 2021, it was also confirmed that iKON, BTOB and SF9 will be joining the lineup. It was also confirmed that TVXQ (a name in the industry worthy of the Kingdom title without a doubt) will be hosting, but this was later reduced to just Max Changmin, as Yunho was involved in a scandal and was edited out as much as possible (and will not make an appearance in future rounds).

As I have reviewed part of Queendom and all of Road To Kingdom, I will also be reviewing the stages of Kingdom: Legendary War, recapping the high caliber performances from each round and also putting forward my thoughts on what the ranking should have been for that round.

Preliminary Round – 100 Seconds Performances

The preliminary round was performed way back in February by each of the groups and was live streamed to the global audience in preparation for the actual season. The reason for this was to allows fans to live vote and pick their favourite stage, which would subsequently give the winning group an advantage in the first official round.

The preliminary round had a number of rules. Firstly, the performance could only last 100 seconds (hence the name of the round). Secondly, the song chosen for the preliminary round had to be a song that received first place before. Thirdly, the performance order was chosen based on who the participants perceived to win this preliminary round. Who was expected to win performed last. They then chose the group who would perform first. The group who was selected to perform first chose who went second, and so forth until the performance order was decided.

I will be reviewing the performances based on who went first, and will be looking at song arrangement and choreography for this preliminary round.


Wave: Overture – ATEEZ

My guess regarding ATEEZ’s concept was that they just washed ashore. The start of the performance saw the members struggling, as if they were injured. The screens showed their ship being capsized (for whatever reason), which explained their “injuries”. ATEEZ then officially began their performance with dramatic flair thanks to the violins and Hongjoong spewing fake blood on the stage, surprising all viewers (including fellow participants). Wooyoung, Jongho and San literally comes at the camera with their aggressive choreography, before the camera switching to Yunho (and Yeonsang and Seonghwa as well) starting us with the pre-chorus of Wave. When we get to the ‘chorus’ of the song, Wave opts for the return of the dramatic flair with synthesized violins employed to intensify the performance, allowing ATEEZ to show off a more powerful routine fitting for Kingdom. I liked that choice. Aside from the fake blood, San delivers the performances most impressive move of all (i.e. the backflip). Unfortunately, it isn’t much compared to the other performances on this list. ATEEZ finishes their 100 seconds with San running up and climbing on top of the rest of the group, whilst carrying a flaming torch and officially signifying the start of the performance. ATEEZ’s performance was great and provided us with a taster to their performance skills. But I don’t think they lived up to the expectation that I had for them personally going into the competition.


Beautiful Pain (Choir version) – BTOB

Out of all the male groups participating on the show, BTOB is the outlier. While they started off as a dance group, the group has found success with their more vocal-centric songs, such as ballads like Beautiful Pain. So it will be interesting to see what BTOB brings to the competition. But if their 100 seconds stage is anything to go by, BTOB will be bringing a lot of competitive heat by sweeping their competitors off their feet with amazing and jawdropping vocals (as they did with this stage). Obviously, BTOB cannot continually play this card for all stages, so it will be what BTOB will do next. The stage starts off with Eunkwang, Changsub and Minhyuk harmonising (beautifully, I should add) with one another, bringing the choir component to the song. It then cuts to Peniel rapping his part of the song, before he joins the other three members at the microphone stands to bring out Beautiful Pain‘s signature melodies and harmonise with one another to bring their stage to a close. The best part has to be the flawless high notes that they incorporated into the stage. It is a beautiful stage and showed off BTOB’s strongest asset, similar to how the other groups do so with choreography. If BTOB can implement powerful choreography to their stages (which they will have to, given the repertoire of songs from the fellow competitors), they will become a force to watch out for.


Good Guy (The Glory) – SF9

Given the criteria set for the preliminary round, SF9 was limited to only one song – Good Guy, which clinched their first win on music shows in early 2020. Notably absent is Rowoon, who was watching from the sidelines due to an injury. The group kicks off their 100 seconds performance with a model walk, intimidating us (and the competitors) with their serious looks and the echoing of the Good Guy hook from the song. After their walk, the camera focuses on Chani and Youngbin (I think) who starts aggressively dancing to the EDM dance break, before the other members joining in. The performance then ends with SF9 going into the final chorus of Good Guy, but with a modified routine to match the altered instrumental that also has been intensified. Unfortunately, nothing stood out for me. I think it was a solid routine and stage to watch, but I wanted more. I do like this side of the group as their more electrifying songs and performances are what I stray towards, but I wished they retained more of the sensual moves from the original choreography, which would have made this performance more memorable. There was some grinding, but what is the harm of asking for more?


Miroh – Stray Kids

Stray Kids is the only group who did not specify that this stage involves an alternate version of their original song in the title. But this 100 seconds version of Miroh is very different to standard Miroh we heard back in 2019. The animalistic and aggressive vibes of this performance shows whoever is watching who is boss. The stage opens up with Hyunjin alone. But with some easy camera distraction, the entire group appears in front of you in a second. In the background, you hear Felix’s iconic deep tone repeating the anthem that dominates Miroh. A few spins and jumps later, the group then performs with knives over some intense electronic music. This adds a thrilling and cool element to the performance. While I am sure they are not the real deal, the knives held in their mouths and their glares really intimidates, engages, captivates and take this performance to the next level. Felix and Han then brings us back to back Miroh, which is then followed up by Changbin who raps his part of the song whilst holding a stick that sends sparks flying out. This was the performance’s highlight. The choreography for Miroh‘s chorus’s beat drop is replicated (with Chan throwing in a backflip), before the group’s vocalists brings back dramatic and animalistic (respectively) vibes. This is all done whilst the other members are craving their symbol onto the stage, which is the final image we see before the performance comes to a close. Overall, the performance makes a statement from the very first second.


The Stealer (Epic Version) – The Boyz

The Boyz have the advantage that they are familiar with what is expected of them. However, they only had one song to choose from for this opening performance. Dubbing their performance the ‘epic version’ of The Stealer, The Boyz really does live up to that name. The performance starts off with Juyeon and Hakyeon, in what seems to be the competition’s creepiest start yet. The opening line ‘Is it an addiction‘ is probably going to stay in my mind for some time. The rest of the members come running in, before the song is warped and we are lead into the second part of the performance. This section is more electrifying, opting for electronic dance elements in the background. It is also this part where Sunwoo delivers some lines and shows an upgraded version of himself as we have never heard him like this before. We also see some cool camera work whilst Sunwoo raps away, with two of the members lending their arms for some arm choreography. The Boyz then all return to the stage, with some of the members sliding effortlessly back into the performance. This is also the only part of the performance that resembles the original song (i.e. the utterance of ‘I’m The Stealer‘). Interestingly, The Boyz changes up the performance with a third part, changing to a classical arrangement, showing off graceful ballet moves before capping the performance with flying Juyeon. With an final stunt like that, it is clear that The Boyz are willing to do whatever stunt it takes to win the competition, raising the expectation for future stages.


Rhythm Ta (Kingdom Version) – iKON

To me, iKON’s presence on this show is a bit of a wild card. But it seems like everyone is expecting greatness from them, given that they selected iKON the group likely to win this preliminary round. I am not too sure what to expect, given that their performances are not really as iconic as the actual songs themselves. But that being said, I am looking forward to what they are bringing to Kingdom. They kick off their 100 seconds of Rhythm Ta with the line ‘iKON is back‘, before progressing to some bold choreography that exudes confidence to me. I really like how iKON stayed true to their roots with their elements. Sure, they brought in EDM like the other groups. But they infused it with hip-hop influences and energy, which pretty much sums up iKON’s music in a nutshell. They kick the energy to a higher notch with DK and Jihwan’s duo moment, before the rest of the members come together to continue the same momentum. All the while, the addictive repetition of Rhythm Ta plays in the background. The performance then incorporates some of Bobby’s rapping who enters the centre of the performance with a really high jump. This is then followed up with iKON’s favourite vocal sequence – anthem. I really like how comfortable and fun Bobby looks like he is having throughout the performance, which really reflects on the audience, as we see some of the reactions of the other competitors. It was a fun performance that shows of iKON’s skillset.


And the ranking is…

At the end of each round, the show will rank the groups according to a set criteria. For this round, the criteria was simply global fan voting.

On the left hand side of the table below, you will find the show’s announced ranking, which was announced over the the first two episodes. On the right hand side, you will find my personal ranking of each of the performances. As you can see, I agree with the first two rankings but have a slightly different opinion regarding the 3rd to 6th ranks.

Do you agree with me? Or do you agree with the show’s ranking? Or do you have a different order in mind? Let me know in the comments!

RankKingdom: Legendary War Official RankingKPOPREVIEWED’s Personal Ranking
1Stray KidsStray Kids
2The BoyzThe Boyz
3BTOBATEEZ
4SF9BTOB
5ATEEZiKON
6iKONSF9

Next up: Kingdom: Legendary War Review – Round 1 – To The World

[Review] Why Why Why – iKON

iKON is finally back after a year and a month absence from the stage with Why Why Why. The new release follows Dive, their title track of their previous comeback. Since then, things have been quiet for iKON until most recently. Bobby made his solo comeback with U MAD in January of this year, while iKON was also confirmed to be a participant for their upcoming show Kingdom. Hopefully 2021 is a more eventful year for the group, with Kingdom already making it look promising.

Honestly, I don’t have much to say about Why Why Why. This may sound like a bad thing to start the review off with, but I felt the song was straightforward enough to describe what it felt like for me. And honestly, it felt like a really great addition to their discography. Why Why Why is probably iKON’s most smoothest and melodic comeback to date. To me, I felt everything glided along with the acoustics of the instrumentation. I quite liked that. The song largely feels like a ballad, with the tiniest hint of a hip-hop influence in Bobby’s rapping in the second verse. I thought the chorus was a really nice ring to it in terms of melodies. Paired with the vocals, you could feel the heightened heartbreak behind their voices. Why Why Why undoubtedly shows us a more fragile and delicate side of the group. Their vocal delivery during the chorus made it feel like the song was going down a power-ballad route. I did wish they committed to it more, with a featuring of more powerhouse vocals and some high notes from the members to potentially make the song even better than what it is. I did like the emphasis on the raspy and huskiness of their voices, which comes naturally with some of the members. While it might be a whole heap of praise, I have to note that Why Why Why is no mind-blowing song. It isn’t unfamiliar territory for the group, who have had a string of melodic hip-hop centric releases in the past – Love Scenario being the most well-known example from their discography. Does that impact how much I like the song? No, not really. Why Why Why managed to reel me in for all of the above praises and it has definitely maintained its appeal to me.

To match the song’s ‘sad reflection’ tone and showcase some of the fragility, the members appear quite sullen and heartbroken throughout the video. You can tell they did a good job at conveying those emotions throughout the video if that is what is coming off it. The lonely scenes of the members and the amount of space the cameras managed to really capture in their solo shots stood out for me. And loneliness is probably one of the best ways to showcase those emotions. The simplicity of their choreography scenes was also quite aesthetic. I also find the purple/blue sky to be potentially quite iconic, as it is the most memorable element of the music video for me. The burning bus (that they were travelling in) was a very riveting image, yet extreme step in getting over this relationship that had left them heartbroken.

The choreography actually looks quite nice. It starts off with just five members, before Bobby is introduced into the choreography during the second verse through his rap sequence. Unsure why this is the case, though it could be related to potential overlap with practice and his solo promotions. I thought the last addition made the performance look somewhat unique. The chorus looks quite nice, while the final moments of the routine during the song’s balladry moments were quite nice.

Song – 9.5/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 9.3/10

[Review] U Mad – Bobby (iKON)

Bobby makes one of the first comebacks of the week. Looking back at this previous solo work, it has almost been four years since we have seen any work from the iKON member. His last release was back in 2017 with the double title track release of I Love You and Runaway. Since then, Bobby has been mainly focused on his group activities through multiple comebacks. More recently, Bobby returned as a solo artist briefly for an OST. Today, Bobby made his solo comeback with U MAD and his second studio album titled Lucky Man.

U MAD is a very agressive song. While U MAD does feature a powerful instrumental, it isn’t the most explosive aspect of the new song. Rather, it is Bobby’s angsty delivery of his lines through his rapping that gives the song its blastful effect. And this actually sets the song a part from the rest of its competition. Most of the time, songs rely heavily on the instrumentation to show off that energy or flair. But in U MAD, Bobby shouts and growls his way through. It really does make an interesting song. The instrumental itself does help out a bit, framing itself around the hip-hop genre. The synths do make the song eventful, peeking through when it matters most to help deliver an effective song. The chorus was really cool. Not only does it combines the best of everything that I mentioned so far, I really liked that it started off with a question (‘Why you mad son?‘) that almost feels playful in a way. It is as if Bobby is edging on his opponents in this song (more on this in a moment). While I have specified in the past that songs like this aren’t really my thing, Bobby definitely manages to change that this time around with U MAD. The only thing I was upset about with this song was how quickly it was over for me.

The premise of the music video was an action packed mission in which Bobby (number 1) had to find the missing CD that Bobby (number 2) had already taken. There was an epic fight scene between Bobby (number 1) and a bunch of guards who worked for Bobby (number 2), which I read Bobby attended stunt classes for. That is definitely commitment! Naturally, for the video to proceed, Bobby (number 1) managed to make it past all those guards (by pretending falling to his death before flying away with Spy Kids styled jet pack shoes) to Bobby (number 2), who was patiently waiting for him. We don’t get to see the aftermath so I am hoping there is a sequel of some kind on the cards. It was a really good video that literally comes out swinging, making it highly suitable for the new song. The only thing I didn’t like was the dreadlocks on Bobby (number 2). The only reason why this version of him is in the feature image is because it is the most decent closeup of the soloist I can get from the music video. I am sure the stylist could have given him a different hairstyle to show off the sinsiterness of the character.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

[Album Review] i DECIDE (3rd Mini Album) – iKON

It is finally time for me to sit down and knock out some album reviews that has been sitting on my to-do list. First up is for a comeback that occurred in early February, which means this review is almost 2 months late (really sorry for this). For those who may not remember this comeback, iKON returned with Dive at the start of February, their first comeback since the departure of B.I from the group. It was reported that the group had to re-record the album again and hence the comeback delayed to earlier this year. Let’s have a closer (and belated) look at the album.

i DECIDE Album Cover

1. Ah YeahAh Yeah kicks off with a rolling marching drumbeat. It gives the song an epic lift-off. While there was a bit of dramatic flair to it, the song moved into more of a rock sound, which makes complete sense. More unexpectedly was that there was a perky melody and tone to the song, which I don’t mind. But I would have loved for the rock sound to add onto the dramatic flair we got. The group handled the song well, despite it containing parts that we all know B.I once filled. There were two parts that I didn’t enjoy. First the trap-like breakdown for the bridge. We all know how overused this is now and it is becoming more and more obvious with each song. And second, iKON keeps on pulling out the anthem card. It is becoming slightly overused and this might ruin the appeal that card has. (8/10)

2. Dive (뛰어들게) (Title Track)Click here to read the full review for Dive. (7/10)

3. All The World (온 세상) – We get a blast of 90s energy in this song at the very start, before the song settles for a pop sound. Everything in All The World is very vibrant and lively, a side of iKON that we get to see from time to time. The group’s rapping and vocal delivery really made this song feel so much more energetic and appealing to fans. And based on the comments from other listeners on YouTube, the song’s lyrics add to that regard, as well. Once again, they pull out the anthem card for the end. Here, however, it did feel like it made more sense and helped create a wholesome profile for the song. (8.5/10)

4. Holding On (견딜만해) – Following the same tone and energy as the previous track, Holding On brings in the vibrancy with some brass. Within the instrumental seems to be also some orchestral and classical instruments, all built to form an upbeat and playful track. This is a vocal centric track, containing no rapping sequences. The raspy vocals brought to you by Ju-ne and Bobby was an amazing texture. The ad-libs at the end were pretty good and I loved how the instrumental moulded around them. The chorus was catchy and definitely got me in a good mood (especially since the lyrics give empowerment to those who recently broke up). The song also pulls the anthem card out towards the end, but it was more for a backing rather than straight up singing the final chorus (as previously done in the above songs). (9/10)

5. Flower (너란 바람 따라) – The album ends with a song that is almost like a ballad. When I look at the lyrics of the song, I can’t help but think that iKON is paying homage to their former leader. Lyrics like ‘Hope your way is not painful, Hope you just smile happily’ strongly suggests that mentioned meaning. And I am sure this provokes tears in loyal fans of the group. I really like how the instrumental takes a slightly heavier tone, suitable for the song’s message, as opposed to following the upbeat tone that preceded the track. I also find the instrumental to be rather soothing with the acoustic guitar and violins and in despite the drum beat we do get. Vocally, the group did amazing and Bobby’s rap gave it that little push. (9/10)

Overall Album Rating – 8.3/10

i DECIDE Teaser Image

[Review] Dive – iKON

After an exceptionally long wait, iKON has finally returned to the music industry. It has been rough year for iKON. For those who missed it, B.I withdrew from the group after it was revealed that he tried to buy drugs in the past. This effectively put a stop on the group’s 2019 comeback. Fast forward to 2020, the group has returned as a reformed 6-member group with Dive and an album produced by B.I (along with many others). It was revealed that this album was originally the comeback slated for 2019. But due to the ‘controversy’, the group had to re-record everything.

I definitely find it interesting that YG Entertainment decided to keep B.I’s song despite the controversy. There could be a number of reasons for this. iKON could have pushed very hard to keep the songs that B.I had put his sweat and tears into. Or YG Entertainment kept the songs as they came from a very trendy producer. Whatever the reason, the song seems to take on a growing trend in the industry. The song features traditional instruments on top of its standard hip-hop backdrop. I think majority of songs that adopted this trend have only featured one instrument. Dive seems to have a few. There are definitely some sort of string instrument and a horn of some type. It gives the song a very appealing and unique profile. This also gave the song some lightness, as I found the song not heavy handed as some of their past tracks. While I do find this side of the song interesting, the vocal and rap work was not as exciting. Instead, it didn’t have the impact it needed and it just didn’t feel captivating. It did try to get there at the end when they brought everyone together, but it just wasn’t enough. On a personal level, I think the song will grow on me. It just needs a little more to it.

One thing that is always a promising sight when it comes to music videos from YG Entertainment are the sets. And this one features some really awesome. A flaming bridge, a non-flaming bridge, a ring of fire just to name a few. Essentially, these are all dangerous and this plays neatly into the lyrics. The members sing that they will be willing to go through anything to be with their lover. If their lover was a thorny bush or a fire, they will dive right into it because they will be willing to do so.

The choreography was good. It was toned down to fit the song’s lighter and melodic nature, which I quite liked. It just doesn’t ping me as a memorable one, unfortunately.

Song – 7/10
Music Video – 9/10
Performance – 6/10
Overall Rating – 7.4/10

[Review] I’m OK – iKON

2018 has been the busiest year for iKON yet. Love Scenario, Killing Me and Goodbye Road were all promoted in 2018 by the YG male group. And now the group has kicked off 2019 with the release of I’m OK, which is the title track off their first repackaged/compilation album, The New Kids. The song also serves as the final release as part of their New Kids series, which has been ongoing since 2017. I’m OK was also due to be released on the 31st of December 2018 but it was postponed until yesterday.

I’m OK is a hip-hop ballad, something that we all know iKON will nail given their past releases. And out of the songs in this series, I’m OK goes heavy handed with the emotions. You can hear the pain and emotions they put forward during the rap sequences and the way the chorus sounds. I really like the instrumental for this track despite it being quite soft in nature. It features an orchestral influence, which is an instant hit in my books (if you know my taste in music). But it is the pairing of the instrumental with the vocals and raps make the song sound extremely worthwhile. I particularly like the piano in the background, especially the heavier notes we hear at the start of the chorus. Maybe they could have added more to the instrumental to build it up or had a more dramatic climax. But over than that, I’m OK is another great song from the group.

In line with the emotive side of the song, I’m OK is filled with scenes that go perfectly with that concept. And with each individual scenes, the video becomes very aesthetic, which is highly expected of any YG video. Definitely, the most epic moment of the video has to be the exploding car. There might be a story involved, as I think all the members interact with the car throughout the video in some form but it isn’t as explicit as I had hoped.  Overall, I thought it was a nicely done video.

While the ballad side of the song doesn’t need choreography, the hip-hop side invites the opportunity to arise. But because of the ballad side of the song, the potential for a set of moves is hugely limited. For the most part, iKON does a pretty good job at handling the motions. But it felt standard for the most part.

Song – 9/10
Music Video – 9/10
Performance – 6/10
Overall Rating – 8.4/10

[Album Review] New Kids: The Final (2nd Mini Album) – iKON

As mentioned previously, iKON has returned with their third release of the year. The group started off the year with Return, their first studio album and the insanely popular title track, Love Scenario. In August, the group returned with their first ever mini album, New Kids: Continue, which featured Killing Me. And now, the group has returned with New Kids: The Final and the title track Goodbye Road (link for this is posted below). Today we will be having a look at their latest mini-album, so let’s not delay any more.

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New Kids: The Final Album Cover

1..Goodbye Road (이별길) (Title Track)Click here to read the full review for Goodbye Road. (8/10)

2. Don’t Let Me Know (내가 모르게)Don’t Let Me Know falls into the category of an upbeat track, very different to their title track. But while this was upbeat, the song wasn’t as intense as their past dance tracks. Instead, it felt like a traditional pop sound. The song was quite plain, without much to really make it feel that special. The chorus was relatively simple yet addictive. The group opted for their anthem style ending for the chorus that they do regularly (i.e. when all the members sing together). Vocally, the song was quite good, and the rapping was, per usual, amazing. I personally like iKON’s more intense side, but this was still pretty good. (7.5/10)

3. Adore You (좋아해요)Adore You combines the bright nature of the previous song and matching it with the tempo of the title track. This becomes a winning combination as it manages to develop a very powerful ballad. I like the simplicity of the instrumental, going for a raw and acoustic sound instead of the usual synths. Like the previous two songs, amazing vocals and rapping once again from all the members. I particularly love Yuhyeong and Jinhwan’s vocals during the bridge, which gave the song a nice peak. Once again, the group opted to sing together for the final chorus, which felt very fitting for the song. (9/10)

4. Perfect (꼴좋다) – The initial comments made for Adore You can also apply to this song. But it ends up having a completely different sound, which I think was a nice relief. I think this song is more ballad-y than the previous track as it doesn’t really move anywhere. Great vocals once again and the rapping was quite good. I like the ad-libs for this track, as they felt improvised rather than rehearsed. I think if I were to be critical about anything, it would be the ending. It just didn’t feel right. I felt like a fade-out would have been nicer (and less sudden) but also it would complement the stylistic choices of the song. (8/10)

Overall Album Rating – 8.1/10

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New Kids: The Final Teaser Image

[Review] Goodbye Road – iKON

iKON has already been through a very busy year and they haven’t finished just yet They have just dropped their latest title track, Goodbye Road. Multiple comebacks within the span of less than a year from a YG Entertainment group are rare if you do not know. The previous 2018 iKON comeback title tracks included Love Scenario and Killing Me. I can’t really find any information on this but I am not too sure if these releases were intended to be a trilogy but all of these songs (including Goodbye Road) featured on the New Kids series.

Goodbye Road can be described as an emotionally driven track with elements of a ballad and a dance track combined into one. It just doesn’t top the insanely epic drop that we got in Killing Me if you are going to ask me to pick favourites.  The instrumentation combines an orchestra and a mid-tempo beat that allows the song to fit neatly into iKON’s iconic hip-hop portfolio. I also like how it fits in with the season of sad songs that we might have just stepped into. I like how impactful the vocals are and the rapping was toned down to be more fragile than rough and growl-like. However, there were two sections of the song that felt out of place. The first is the ‘Check it Out‘ line, which just felt like it was filling the void and out of context. The second had to be the ‘Na Na Na‘ which attempted to make it feel more cheerful than what it could ever be. But other than that, it was a nice song.

The music video had this Autumn and dull colour tone to it, which felt fitting for the song’s direction and the season. I applaud the acting from the lead actress, who alongside the group members, did a wonderful job of captivating me (and possibly the rest of the audience) with their acting abilities. They managed to summarise the heartbreak and sorrow within a few minutes without fluffing up the storyline or going overboard in any way. Thought the setting was quite nice, though I wonder why they opted to go outside for this video whereas their previous music videos stayed within the confines of a studio.

As mentioned earlier, the song has elements of a ballad (i.e. the orchestral instrumentation) but there was also a mid-tempo beat allowing for the song to be transformed into a dance track without the unnecessary synths of today’s music. From what we can see, it looks nice and fitting for the song. Definitely well-balanced.

Song – 8/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8/10

 

[Album Review] New Kids: Continue (1st Mini Album) – iKON

As you may tell, I am currently prioritising some of the albums released earlier in the month, hence if some of your favourites recently came back, their album reviews should be out around mid-September. iKON is one of the artists who made their return to the stage at the start of the month with Killing Me and their first mini-album, New Kids: Continue.

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New Kids: Continue Album Cover

1..Killing Me (죽겠다) (Title Track)Click here for the full review of Killing Me. (9/10)

2. Freedom (바람) – I thought the song would have had great potential with its rock influence, if only it didn’t take on a chorus that felt like it resembles something that came from the Disney channel. The verses and bridge were good, just the chorus felt like a letdown. Nonetheless, it was good head-banging music despite being described as a soft rock. I did like the fast-paced nature of the song and everyone sounded quite good. (7/10)

3. Only YouOnly You takes that Summer sound that you get throughout the Summer season and mash it with iKON’s traditional hip-hop sound. In the end, we get a decent song. There was a slight reggae feel to the song, from what I heard. It did feel quite generic around the chorus but it wasn’t too bad that it affected the rest of the track. I liked the rapping in the song and the vocals were still quite good. (8/10)

4. Cocktail (칵테일)Cocktail is probably my most favourite track on this list. The atmosphere that comes from this track makes you feel quite happy and lively. I thought the tiny quirk (where they go for a quick falsetto) at the end of each vocal line during the verses was nice. The vocals and rap combination was also quite cool in this song. And I like how they bring everyone together at the end of the song for the outro. And you can’t really help but sing along to it. (9/10)

5. Just For You (줄게) – Just For You is a nice ballad to end the album with. I like how the resident rappers also sing in this song (which they have done with other ballads in the past). But their vocals are top notch here, giving the song some interesting textures. The vocalists themselves did a nice job. The instrumentation was also quite nice and the launch back into the final chorus was quite impactful. Overall, it is a nice song. (8/10)

Overall Album Rating – 8.2/10

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New Kids: Complete Teaser Image

[Review] Killing Me – iKON

It is rare for a YG group to make multiple comebacks within a year. IKON actually acknowledged this in an interview today. But it seems like YG Entertainment has finally allowed their groups to fully take on the industry with comebacks within months of each other. IKON returned at the start of the year with Love Scenario and Rubber Band. And within 5 months, iKON has returned with their 1st mini-album and the title track, Killing Me.

The song took me by surprise. Not in the sense where I was caught off guard by the style of song but rather how the instrumental just creeps up at you. The song opens up with a very minimal instrumental and it slowly builds up. The buildup isn’t anything that special taking on a more typical approach. However, once the chorus drops, we get this funky concoction that draws your attention in and delivers an impactful blow of addictiveness to your ears. And it is this chorus that really holds me in my seat for the entirety of the song. The vocals were really good and the rapping was superb. The ending feels more like a club and anthem vibe combined together and I think this makes the song feel a lot like iKON’s usual sound. Overall, I thought the song was amazing.

YG Entertainment always releases high-quality music videos. So expectations were quite high for this video. But out of all the music videos I can think of, this one feels the most typical of a KPOP music video. There aren’t any elaborate sets that really make you go wow. And there are no really smart shots or amazing editing that grabs my attention. So I am a little disappointed. I did like the camera work, with the more upbeat parts getting the shaky camerawork whereas the rest of the video gets smoother camerawork.

The performance looks good, from what I can see in the music video. I don’t think there was a live performance yet, as the song just came out. I particularly like how the choreography for the chorus goes as it channels the change of energy quite well. It is a complicated drop but the simple change in the choreography was definitely impactful.

Song – 9/10
Music Video – 7/10
Performance – 9/10
Overall Rating – 8.4/10

[Review] Love Scenario – iKON

Making their long-awaited return to the stage is iKON with their second full-length album, Return. There is only one title track of this particular YG album, the title track being Love Scenario. This is the group’s first comeback since their promotions of Bling Bling and B-Day in May last year.

Am I the only one surprised they went with a more mellow track as their promotional single this time around? I did expect a more hard-hitting track, similar to how Bling Bling or debut was. But that being said, we know that iKON can handle this softer sound through some of their other singles in the past. I feel like the group did a good job with mixing it with their usual hip-hop style, which is definitely what they are known for.The instrumental was nice, definitely stripped back in comparison to their previous songs. The vocal work here is superb and the raps were (per usual) really good. For me, the best part of the track is when the members sing together during that final chorus. The harmonies there were really nice and it made the chorus feel a little catchier. To me, the only thing the song lacks is a catchy element. If there was something more prominent, I would have liked this track so much more. 

It is only the fourth week of the new year and I think we already have a contender for the Best Music Video awards for this year’s KPOPREVIEWED Awards. The way this video was shot in a way I don’t think we see much. The shots at the start of the bus stop, B.I’s slow-motion spinning shots, the lighting for Ju-ne’s solo moments and the choreography shots, all looked quite cool. I might be lousy when it comes to explaining the awesomeness of videos so I guess it is best if you all go watch this video to understand what I am getting at.

[Updated] The performance is quite fitting for the song. It doesn’t call for an intense choreography routine, which is exactly what the choreography avoids. I did like some of the moves, such as the one I saw at 0:32 – 0:35 of the music video or Ju-ne’s solo part.

Song – 8.5/10
Music Video – 10/10
Performance – 8/10 [Updated]
Overall Rating – 8.9/10 [Updated]