Earlier this week, SEVENTEEN debuted their latest subunit duo CxM, becoming the fourth subunit of the 13-member group after BSS (HOSHI, DK and SEUNGKWAN), JxW (JEONGHAN & WONWOO) and HxW (HOSHI & WOOZI). Following a similar naming pattern, CxM is made up of SEVENTEEN’s leader S.COUPS and fellow member MINGYU. Their debut single, 5, 3, 4 (Pretty Woman), dropped on Monday, along with the mini-album Hype Vibes.
For me, 5, 3, 4 (Pretty Woman) is a fun debut single. S.COUPS and MINGYU takes the primary hook of Roy Orbison’s Oh, Pretty Woman (lyrics and music), turning it into an energetically funky and groovy hip-hop number. The guitar riffs is a stronghold of the song and its consistency throughout keeps the momentum of 5, 3, 4 (Pretty Woman) going. Said energy of 5, 3, 4 (Pretty Woman) definitely suits summery season. However, I think an earlier release date of 5, 3, 4 (Pretty Woman), say in the middle of Summer, would have allowed the song to hit harder. Interestingly, the entire second verse (a large portion of the song) was handed over to Lay Bankz. There is no question that she is a strong artist – her part in 5, 3, 4 (Pretty Woman) absolutely hits hard. But that does mean we didn’t get to hear as much of either S.COUPS and MINGYU. What we do hear is good (I am loving the pre-choruses), but I don’t think 5, 3, 4 (Pretty Woman) particularly used their talents and abilities as well as it could have. Overall, a well executed and crafted song that builds on a classic’s hook. But I would have loved to hear something more distinct from the pair.
The music video sees S.COUPS and MINGYU hanging out in LA, getting ready, partying it up and turning heads wherever they go. It is honestly rather simple, but it works well in the context of the lyrics and vibes. I liked how each time the chorus come on, the video turns into a little party. The bright sun and settings were also well selected. I also liked that the video featured Lay Bankz, as well, particularly given the large bite of the song she has. Given how short the song is, it did feel a bit odd to have a minute worth of ending credits, but the outtakes make up for it.
The choreography incorporates the groovy and hip-hop vibes of 5, 3, 4 (Pretty Woman) in a manner that is simple, laidback and cool. Their charisma and playfulness also makes sure to emphasise the coolness and easygoing nature of the routine.
Song – 8/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 8.3/10
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