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[Weekly KPOP Chart] Week 1 of June 2025

June 8, 2025Posted in Weekly ChartsTagged ENHYPENLeave a comment

Welcome to the next edition of the Weekly KPOP Chart posts. This is for Week 1 of June 2025, which spans 1 to 7 June 2025. Another fast one today – let’s get right to it.

Non-Korean Song of the Week

Each week, the top-ranked non-Korean Song on the Weekly KPOP Chart is spotlighted (as this is an area I haven’t been focusing on as much on my blog lately). The non-Korean song of the past week is TABLO & RM’s Stop The Rain.

The Chart

ENHYPEN’s Bad Desire (With or Without You) ranks in the top spot this past week! Congratulations ENHYPEN!

Pos.	Title	Artist	Status
1	Bad Desire (With or Without You)	ENHYPEN	(NEW)
2	Countdown!	TWS:	(▲ 9)
3	THUNDER	SEVENTEEN	(▼ 2)
4	Good Thing	i-dle	(▲ 4)
5	TILT	Red Velvet – IRENE & SEULGI	(▼ 2)
6	HANDS UP	MEOVV	(=)
7	Never Ending Story	IU	(▼ 2)
8	I Feel Good	BOYNEXTDOOR	(▲ 14)
9	DROP TOP	MEOVV	(▼ 7)
10	STOP THE RAIN	TABLO (EPIK HIGH) & RM (BTS)	(RE-ENTER)
11	FREEZE	KickFlip	(▲ 5)
12	Fly Up	RIIZE	(▼ 5)
13	Poet \| Artist	SHINee	(▼ 9)
14	2 Months	UAU (Dreamcatcher)	(NEW)
15	Elevator	BAEKHYUN (EXO)	(▲ 12)
16	Wait On Me	KAI (EXO)	(▼ 4)
17	GNARLY	KATSEYE	(▲ 7)
18	Maybe Tomorrow	DAY6	(▼ 8)
19	Love Language	TXT	(▼ 10)
20	poppop	NCT WISH	(▲ 3)
21	Are You Alive	tripleS	(▼ 7)
22	Don’t Say You Love Me	JIN (BTS)	(▼ 9)
23	Moon	ASTRO and various artists	(▲ 3)
24	RADAR	HWAN WOONG (ONEUS)	(NEW)
25	Rock Steady	YOUNITE	(NEW)
26	Cameilla	XION (ONEUS)	(NEW)
27	Really Really	UDTT	(NEW)
28	Tea	VVS	(NEW)
29	POV	JUNNY	(NEW)
30	BANG OUT	WHIB	(NEW)

[Album Review] FANTASY (14th Mini Album) – SF9

June 7, 2025Posted in KPOP, ReviewsTagged SF91 Comment

In August 2024, SF9 made their comeback with the single Don’t Worry, Be Happy and their 14th mini-album FANTASY. The mini-album is on the shorter side, with just 5 songs (including the title track). Like usual, all my thoughts on the title and side tracks can be found down below.

FANTASY was their first release since January 2024 – their 13th mini-album, SEQUENCE, which featured BIBORA as the title track.

1. Don’t Worry, Be Happy (Title Track) – Click here for the full review for Don’t Worry, Be Happy. (7.5/10)

2. Cruel Love – I really enjoyed the sophisticated vibe of Cruel Love—it’s a smooth dance-pop track with a lot going for it. The vocals and rapping both feel polished and classy, and the melodies are catchy in a subtle, pleasant way. You can really feel the members’ emotions come through, which adds depth. The guitar is a constant throughout Cruel Love—it’s an alluring touch that holds everything together, even when other parts of the instrumental drop out. (9/10)

3. Just (그냥) – SF9 goes softer and more mellow, but all in a sensual way, in Just. I liked the venture into R&B, which just draws you in and captivates. The vocalists do a great job of bringing a mature, refined tone to the song, while the rappers add just the right amount of edge to keep things interesting and balanced. Just’s hooks are also catchy, making it a strong song from SF9. (9/10)

4. My Fantasia – FANTASY (the mini-album) changes gears with My Fantasia leaning into funky territory. It’s upbeat and energetic, a definite change in pace for this mini-album. The retro funky elements in the instrumental bring on so much texture, making this track exciting. The vocals and rapping are fine, though I found the melodies and hooks to be slightly lacking. (7.5/10)

5. Melodrama – If you want a chill track to kick back to, Melodrama might be the song for you. This alternative R&B track with retro touches just feels heavenly after my long day today. Everything, ranging from the brassy instrumentation, vocals, rapping and melodies, was all easy-on-the-ears. But I love how each of these contributed to Melodrama’s golden feel. (8/10)

Overall Album Rating – 8.2/10

[Review] Black Out – CHANYEOL (EXO)

June 6, 2025Posted in KPOP, ReviewsTagged Chanyeol (EXO), EXO2 Comments

It has been almost a year since CHANYEOL made his official solo comeback with his debut mini-album, BLACK OUT. Featured on the mini-album are the singles Black Out and Back Again. Today, I am finally getting around to reviewing Black Out, with the review for Back Again to follow soon in the next couple of days.

In Black Out, we get to hear CHANYEOL in a subdued pop-rock environment, with the instrumental leaning more towards an acoustic palette. Though the drumming did add a bit of energy. CHANYEOL’s husky tone is quite soothing throughout the song, and the melodies lend Black Out a mellow exterior. I also liked it when his vocals became emotive, such as during the pre-choruses, which gave the song depth. Overall, Black Out sounds nice and has all the ingredients for a solid song, but it doesn’t really stick. It’s pleasant in the moment, but it didn’t leave a lasting impression, which is a bit disappointing. I think with a bit more growth or variation in the track, Black Out could’ve been more engaging, and perhaps prompted me to write this review sooner.

The lyrics of Black Out depict the aftermath of heartbreak, with some lines and phrases describing feelings of being lost, lonely, despair, and longing. In the music video, we see CHANYEOL wandering and travelling around a city, experiencing those same emotions expressed in the lyrics. At a certain point in the music video, we see him holding onto the tape in the cassette player for dear life, as if he is holding onto the last remnants of his memories of life before the heartbreak. You can feel his desperation during these moments, which is a testament to his acting throughout the video. I also liked the dark and moody atmosphere of the video, which just sets the tone and some of the emotions of the music video.

Song – 7/10
Music Video – 9/10
Overall Rating – 7.8/10

[Review] Bad Desire (With or Without You) – ENHYPEN

June 5, 2025Posted in KPOP, ReviewsTagged ENHYPEN3 Comments

ENHYPEN returns today with their 6th mini-album, Desire: Unleash, and the title track Bad Desire (With or Without You). It is the group’s first Korean release since October 2024, when the group returned with a repackaged version of their ROMANCE: UNTOLD studio album, which was led by the singles XO (Only If You Say Yes), Brought Back The Heat and No Doubt.

Bad Desire (With or Without You) has so much unrealised potential—it feels like it was heading in the right direction, but never fully got there. The verses are great, with the pounding beats and striking vocals that really sell the R&B-pop vibe. The autotune is noticeable but used effectively, adding a cool, crunchy texture that enhances the members’ delivery in “Bad Desire” (With or Without You). NIKI’s husky voice is definitely a standout element in the song. Where the song stumbles is during the chorus. While Bad Desire (With or Without You) flows naturally from the verses and sounds good, it honestly felt more like a pre-chorus, and the real chorus never arrives. Bad Desire (With or Without You) also doesn’t evolve much in the second half—the same verse and chorus repeat without much variation, and the instrumental doesn’t build the way it could have. That lack of development holds back Bad Desire (With or Without You). Overall, I would say Bad Desire (With or Without You) is a decent track. I liked what it offered, but it clearly had a lot of room to be something more substantial and impactful.

The music video explores the idea that desire can be both alluring (good) and destructive (dangerous), with supernatural elements serving as an extension of ENHYPEN’s vampire lore that they revisit once again through this music video. Despite the music video being released 7 hours ago at the time of writing this review, I think a lot of the scenes in the music video are already or will become iconic. From the way the members fall between the heaven and hell clouds, to how HEESEUNG was revealed on that balcony at the start of the video, to vampire NIKI biting not-vampire NIKI, everything feels bold and cinematic in the music video. In addition to those “iconic” moments, I find the members’ visuals and the camerawork in this music video to be very striking.

The choreography for this comeback really stands out, particularly in how strikingly the members execute each move. I especially liked the quick, sharp flicks and the moody vibe they bring to the whole routine—it really matches the song’s tone. I wish there were a more iconic or standout moment to make the performance truly unforgettable, but Bad Desire (With or Without You) still leaves a strong impression.

Song – 7/10
Music Video – 10/10
Performance – 9/10
Overall Rating – 8.3/10

[Review] FREEZE – KickFlip

June 3, 2025Posted in KPOP, ReviewsTagged KickFlip3 Comments

Amongst the comebacks (i.e., SEVENTEEN’s THUNDER and Red Velvet – IRENE & SEULGI’s TILT) last Monday was KickFlip’s first comeback single, FREEZE. The new song is featured on their 2nd mini-album, Kick Out, Flip Now!. It follows their debut with the singles Mama Said and Umm Great – both of which I have yet to formally review. However, it is on the cards, so keep an eye out for these reviews. Until then, here are my thoughts on their new single.

FREEZE is a solid track with great energy, but the breakdown at the start of the chorus really throws things off. The verses are decent—nothing amazing—but they do the job, especially with KickFlip’s rappers doing their thing. I think FREEZE could’ve leaned into its upbeat vibe a bit earlier, especially during those rap sections. The pre-choruses do a great job of building up that pop-rock sound that KickFlip pulls off so well in FREEZE. But then the breakdown hits and totally kills the momentum. It has a bit of charm, sure, but it just doesn’t fit there. Luckily, the rest of the chorus bounces back with a strong, vibrant sound that could have worked perfectly following the pre-choruses. The breakdown returns in the bridge, but it feels more natural there, so it’s not a big issue. Vocally, the group really shines—the energy is high, the hooks are catchy, and the melodies are clean. If the song had been more cohesive and that breakdown had been placed better, FREEZE could’ve been a real standout.

I think SOOMPI describes the music video well – “playfully rebellious” feels like a very accurate description for both the song’s message and what we see in the music video. We see the group transition from school to their hangout spot at the skate park. We also see them enjoy their time together hanging out at night. The same description works well with the group, who are youthful and full of energy.

No surprises here – the performance complements the song well with its wholesome energy, super vibrant and upbeat flair. And I freaking like it for that! I do like how things slowed down for that breakdown, which adds a nice contrast and dynamic to the entire performance. But when the song picks up again, the members ramp up the energy and tone of the performance right back.

Song – 8/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 8.2/10

[Review] 2 Months – UAU (Dreamcatcher)

June 2, 2025Posted in KPOP, ReviewsTagged Dreamcatcher, UAULeave a comment

Back in April, it was announced that JiU, SuA, and Yoohyeon from Dreamcatcher would be forming a subunit. That became official last week when they debuted as UAU with their first single, 2 Months, and mini-album PLAYLIST #You Are You. Their debut came shortly after news that Handong, Gahyun, and Dami had left Dreamcatcher Company (but not the group), while JiU, SuA, Siyeon, and Yoohyeon are now focusing on solo projects for the time being.

Subunits are a great way for groups to explore new sounds, and that’s precisely what UAU tries to do with 2 Months. While Dreamcatcher is usually known for their rock-inspired tracks, UAU switches things up with a more mainstream blend of tropical synths and Afrobeats-style percussion. It’s all kept pretty subdued, creating a nice, groovy vibe—especially in the chorus. That said, 2 Months doesn’t really leave a strong impression. The chorus adopts a minimal, almost spoken delivery that feels somewhat flat and lacking in personality. That same minimalist style also emphasises 2 Months‘ short runtime. I do catch glimpses of the members’ charm in the verses, and the instrumental has a groovy flow (as already mentioned), but overall, it doesn’t do much for me. Overall, I am disappointed, especially knowing what these members are capable of from their Dreamcatcher work.

In the music video, we see a couple enter a photobooth. Throughout the music video, we see the relationship between the two progress in the photobooth, from shy touches to a shoulder grab. As for UAU, they proceed to transform the energy of the dull and classy lounge into a full-on party. At least, that is what I am thinking happened. I liked the little animation montage that occurs just before the second chorus. It was a nice touch to an otherwise standard music video.

The choreography is the most promising part of the UAU’s debut. While the music doesn’t give them much to work with (see my thoughts above about the music), I do like the sexiness they bring to the stage for this routine. It goes well with the tropical synths and Afrobeats-style percussion.

Song – 6/10
Music Video – 7/10
Performance – 8/10
Overall Rating – 6.7/10

[Weekly KPOP Chart] Week 4 of May 2025

June 1, 2025Posted in Weekly ChartsTagged SEVENTEENLeave a comment

Welcome to the next edition of the Weekly KPOP Chart posts. This is for Week 4 of May 2025, which spans 25 to 31 May 2025.

Like last week, I will get right to it.

What else am I listening to?

Each week, I spotlight a song not on the Weekly KPOP Charts that I have been listening to last week. This week, the song in question is SECRET’s I Do I Do.

Non-Korean Song of the Week

The Chart

SEVENTEEN’s THUNDER ranks in the top spot this past week! Congratulations to SEVENTEEN!

Pos.	Title	Artist	Status
1	Thunder	SEVENTEEN	(NEW)
2	DROP TOP	MEOVV	(▲ 5)
3	TILT	Red Velvet – IRENE & SEULGI	(NEW)
4	Poet \| Artist	SHINee	(NEW)
5	Never Ending Story	IU	(NEW)
6	HANDS UP	MEOVV	(▲ 17)
7	Fly Up	RIIZE	(▼ 6)
8	Good Thing	i-dle	(▼ 6)
9	Love Language	TXT	(▲ 3)
10	Maybe Tomorrow	DAY6	(▲ 5)
11	Countdown!	TWS	(RE-ENTER)
12	Wait On Me	KAI (EXO)	(▲ 4)
13	Don’t Say You Love Me	JIN (BTS)	(▼ 4)
14	Are You Alive?	tripleS	(RE-ENTER)
15	Adult Swim	KAI (EXO)	(RE-ENTER)
16	FREEZE	KickFlip	(NEW)
17	LOOSE	ENHYPEN	(▲ 1)
18	Broken Party	CHEN (EXO)	(RE-ENTER)
19	Girlfriend	i-dle	(▼ 5)
20	Come Over	LE SSERAFIM	(▼ 17)
21	1999	MARK (NCT)	(▼ 16)
22	I Feel Good	BOYNEXTDOOR	(▲ 3)
23	poppop	NCT WISH	(▼ 15)
24	GNARLY	KATSEYE	(RE-ENTER)
25	Hello Stranger	KWON EUN BI	(RE-ENTER)
26	Moon	ASTRO with Various Artists	(RE-ENTER)
27	Elevator	BAEKHYUN (EXO)	(▼ 23)
28	Bag Bad Back	RIIZE	(▼ 1)
29	Goodbye & Hello	VANNER	(RE-ENTER)
30	Ember to Solar	RIIZE	(NEW)

[Album Review] Fe3O4: STICK OUT (3rd Mini Album) – NMIXX

May 31, 2025Posted in Album Reviews, KPOP1 Comment

The next album to be reviewed is NMIXX’s Fe3O4: STICK OUT, the group’s third mini-album. This was released back in August last year, alongside the title track See That?. It features an additional five high-quality side tracks, which you can read more about, as well as my thoughts on them, below. Fe3O4: STICK OUT serves as the second instalment of their Fe3O4 series – the first being Fe3O4: Break from early 2024 and the third being Fe3O4: Forward from earlier this year (which I have yet to review – an album review for this mini-album is definitely on the cards).

1. See That? (별별별) (Title Track) – Click here for the full review for See That?. (7/10)

2. Sickuhh (ft. Kid Milli) – Building on the hip-hop vibe of the title track, Sickuhh takes it even further into the genre. NMIXX and Kid Milli team up through rap to deliver a super chic and sleek track that keeps that classic hip-hop bounce. Everyone’s flow was on point, and I really enjoyed the energy each member—and Kid Milli—brought to the song. The production was cool and solid, making Sickuhh a track that is hard to pass up whenever it comes on. (9/10)

3. Red Light Sign, But We Go – This next track sticks with a hip-hop vibe but leans more into electronic sounds. The instrumental is super bold and intense from start to finish, which makes Red Light Sun, But We Go feel really powerful. The rapping didn’t hit as hard as in the previous song, but the vocals in the pre-chorus definitely made up for it. I just wish the hook wasn’t so repetitive and chant-like, especially toward the end—it felt a bit too safe for such an otherwise daring track. (8/10)

4. BEAT BEAT – NMIXX leans into a more pop sound in BEAT BEAT. I really liked the energetic marching-style beat and the touch of edge in the choruses. Their vocals and rap parts were strong throughout, but what stood out most to me were the ad-libs at the end. Whilst the ad-libs were in play, I especially loved how the music kept driving forward while BAE and LILY kept the energy going with their powerful delivery. (9/10)

5. Moving On – Moving On has NMIXX trying out pop rock on the mini-album, and they really pull it off. It reminds me of the pop-rock from the 2000s that I grew up with. The band instrumentation sounds great and keeps the song engaging. The electric guitar in the chorus is a highlight—it adds a quick but powerful burst of energy. I also enjoyed the warm, bright vibe the members bring with their vocals. They sound refreshing, and this tone helps deliver the song’s uplifting message. A stronger hook could have made Moving On even better, though. (8/10)

6. Love Is Lonely – Wrapping up the mini-album is the EDM pop track Love Is Lonely. NMIXX’s beautiful vocals immediately pulled me in, and I couldn’t stop thinking about the song after my first listen. I loved the dreamy vibe they bring to the chorus, mixed with the subtle energy of the EDM pop beat. While the hooks and melodies feel a bit muddled at times, it doesn’t take away from how stunning the song is overall. (8/10)

Overall Album Rating – 8.2/10

[Review] DROP TOP – MEOVV

May 29, 2025Posted in KPOP, ReviewsTagged MEOVVLeave a comment

Cast your mind back a few weeks to when MEOVV pre-released the single HANDS UP ahead of their comeback. Well, two weeks after the release of HANDS UP, the group released their first mini-album, MY EYES OPEN VVIDE. It features the title track DROP TOP (the focus of this post), as well as their 2023 singles (MEOVV, TOXIC and BODY).

Admittedly, MEOVV doesn’t have much out at the moment. But the first track that caught my attention was TOXIC, and now DROP TOP is right up there with it. What both songs have in common is how amazing the vocals are. Every time DROP TOP comes on, I’m just in awe. SOOIN’s deep voice at the beginning instantly pulls me in, and the rest of the members sound so clear and stunning throughout. GAWON’s rap in the second verse is super crisp, and I love the extra punch they bring to parts like the chorus—it gives the song a nice lift. Now, I’ll admit, DROP TOP isn’t the most groundbreaking song. The instrumental has its moments – parts were atmospheric and calming. I enjoy the added oomph during the chorus, through the upbeat pop and rock elements. However, it also feels like something we have all heard before. As for the hooks, I thought they were kind of bland at first, but they’ve really grown on me and add some nice texture. All in all, I do wish the song had a bit more going on. But MEOVV’s vocals? Absolutely top-notch in DROP TOP.

The music video initially shows the members in confined spaces or weighed down in one way or another, yearning for freedom. As the music video progresses, we see the locations transition to open skies, and the members appear happier as a result. I do like how the camera becomes unfocused during these moments, or they are not your typical camera shots (in terms of the night vision). This speaks to the idea of not being confined to a single style or being bound by the strict, defined four walls of the screen. All of this aligns well with the song’s lyrics, which convey the message of living in the moment and embracing one’s individuality.

DROP TOP had an edge to it due to the instrumentation, so adding a bit of choreography made sense. I liked that it wasn’t an intense routine—it let the members focus on singing live. The moves were light and relaxed, and the rest of the routine was just MEOVV vibing with the music. This setup really suited the song.

Song – 8/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8/10

[Review] Poet | Artist – SHINee

May 28, 2025Posted in KPOP, ReviewsTagged SHINee1 Comment

Never did I expect we would hear all five members of SHINee again in a new song. I am sure there are numerous songs that the late JONGHYUN had written and recorded as part of SHINee and as a solo artist that will never see the light of day. But to hear him so clearly in SHINee’s latest song, Poet | Artist, is definitely a treat. The new song forms part of SHINee’s first-ever single album of the same name, which was released to celebrate their 17th anniversary together.

Described as an electro-pop song, Poet | Artist is a pleasant listen. There is a fair amount to appreciate in the new song. Let’s start with the most notable element of Poet | Artist – JONGHYUN himself. I liked that he could be heard substantially throughout the song, such as alongside his fellow members in the chorus and ONEW in another part. It showcases their chemistry and how well SHINee complement each other. He has a solo moment in the bridge, where he scat-sings. The vocal processing in the bridge was interesting, adding a modern flair that complements the rest of the electro-pop instrumentation. Whilst on the topic of instrumentation, it was nicely upbeat and robust, but I did wish it had gone further. Obviously, not to the extent that would detract from Poet | Artist‘s intention. The other members showcase strong vocals themselves throughout Poet | Artist. What I also liked is how they added a dose of sentiment and nostalgia throughout Poet | Artist without it gearing towards overly emotional territory. I did feel that Poet | Artist‘s hooks and melodies felt a bit tight, and I wish both were more relaxed. Overall, a nice and pleasant song from SHINee that showcases the group’s bond as a five-member unit.

The music video for Poet | Artist feels relatively simple, but it sends a lovely message alongside the song. I liked the pastel and golden hues of the music video, which, to me, give the music video its ‘artist’ side. These colour palettes also evoke a nostalgic and sentimental feel, which complements the song’s vocals quite well. In the video, we see the members receive letters that pull them together to celebrate their time together. I also liked how they continue to pay homage to JONGHYUN in the video, particularly at the end, where they all jump up and reach for the sky. Both the letters and the final scene feel quite poetic and symbolic.

SHINee recently performed Poet | Artist at their recent fan meeting over the weekend. From the fancam I watched, I appreciated the incorporation of artistic waves and other movements that complement the upbeat nature of the song. I also like the little groove they have together as a group during the chorus. Some refinement in terms of synchronisation, like in the music video, would have made the routine even more impressive.

Song – 8/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8/10

[Review] TILT- Red Velvet – IRENE & SEULGI

May 27, 2025Posted in KPOP, ReviewsTagged Red Velvet - IRENE & SEULGI3 Comments

It has been five years since Red Velvet – IRENE & SEULGI made their debut as Red Velvet’s first subunit with Monster. Yesterday, the pair returned for the first time with their second mini-album and title track of the same name, TILT.

The new song Red Velvet – IRENE & SEULGI goes down the club route, but it opts for a subdued vibe. An interesting dynamic, but I am willing to give TILT a chance. For the most part, the song does well. We are presented with an intriguing set of verses that captivate the audience and build suspense leading up to the chorus. I particularly like bass, which is a consistent asset throughout TILT. I liked the elegance brought on through the piano in the pre-choruses, which contrasts with the Tilt’s club energy and creates more of that interesting dynamic. Both IRENE and SEULGI do exceptionally well, vocally, in the song. I love the deeper tone that SEULGI starts TILT with, while IRENE utilised her breathy tones well in the second verse and TILT‘s pre-choruses. Unfortunately, the chorus was a let-down. TILT had good momentum towards that chorus, and I enjoyed how TILT continued the bass-heavy beat with the addition of atmospheric synths. But the softer spoken repetition of the song’s title as the hook just didn’t have that same oomph as the rest of the song. I wish the hook were more robust to give TILT a stronger centrepiece, and potentially edgier to reflect the club energy that TILT does well to encapsulate and extend its appeal.

I really liked the minimalistic aesthetics in the music video. It creates and builds up an intriguing atmosphere that makes me want to know more about it. According to the album’s Wikipedia page, TILT “explores the theme of mutual growth in a relationship, not as a contest of winners and losers, but as a journey toward achieving balance together.” And you can see this through how they hold onto each other when paired up, and through some of the imagery throughout the video, such as the yin and yang. Also, fun fact – the porcelain version of the members frightened me (but that should be no surprise, given porcelain dolls do give me the creeps).

From what I can see in the music video, the choreography for this comeback is logical and makes perfect sense. I enjoyed the tilting moves during the chorus, and I liked how they changed things up for the final chorus. I also appreciate how the concept of “balancing together” is reflected in the routine.

Song – 8/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 8.5/10

[Review] THUNDER – SEVENTEEN

May 26, 2025Posted in KPOP, ReviewsTagged SEVENTEEN3 Comments

It has been 10 years to the day since SEVENTEEN kicked off their careers with Adore U. Since then, the group has embarked on a very fruitful career, with multiple album releases (some of which in recent years have been million-album sellers), world tours, and performances on world stages (like Lollapalooza Berlin Glastonbury Festival in 2024). To coincide with their 10th anniversary, the group has released their 5th studio album, HAPPY BURSTDAY, and the title track, THUNDER, today. It is their first release as a group since LOVE, MONEY & FAME (ft. DJ Khaled), the return of BSS with CBZ (Prime Time), the debut of their new subunit HxW (HOSHI x WOOZI) with 96ers, and WONWOO’s military enlistment last month. However, WONWOO and JEONGHAN (who enlisted last year) are also featured in this comeback.

THUNDER is an EDM-based club dance track. From the first second, THUNDER aims to deliver with its bold and dynamic instrumentation. And I can say, they were successful at doing just that. Without a doubt, THUNDER is one of the tracks that will hype up the crowd and maintain that energy to the song’s end. While I am pretty satisfied with how the song turned out, I can’t help but think about what THUNDER could have been like had it been longer. The song officially clocks in at 2:44 minutes, which isn’t bad. But because of its high energy, you can feel the shortness of the song more vividly. As for the members, I was impressed with their vocals and rapping for most of THUNDER. The pre-choruses were well done, while the rapping gave the song an extra kick. The first part of the chorus was catchy and quickly became addictive, thanks to S.COUPS, VERNON, HOSHI and JUN’s delivery of the hook. But I am just not convinced by ending with DK’s softer vocals. Faltering at the end didn’t feel right for such an energy-packed, robust song like THUNDER. I wish they had gone out with a bang (of some kind) instead.

I am not entirely sure what the video’s concept is, but I am glad they are partying throughout the music video. This matches up with the song quite well. There is also a psychedelic theme going on. The underground concept they went with for this comeback looks very urban and cool. Also, every member looked amazing throughout the video. I guess the ending with DK on the gurney shows how explosive SEVENTEEN can be, with the heart monitor showing the line blowing up.

Even after 10 years, SEVENTEEN’s synchronisation has never let up, and their performances have consistently impressed. In THUNDER‘s routine, they do it again by showcasing their impeccable synchronisation and impressing me with their dynamic and energetic flair. I like that the routine has a little wild side, which makes the choreography refreshing. The opening to the chorus (the ‘ALO, ALO‘) part was super cool and is definitely my pick for the highlight of the entire dance.

Song – 8.5/10
Music Video – 8/10
Performance – 10/10
Overall Rating – 8.7/10

[Weekly KPOP Chart] Week 3 of May 2025

May 25, 2025Posted in Weekly ChartsTagged RIIZE2 Comments

Welcome to the next edition of the Weekly KPOP Chart posts. This is for Week 3 of May 2025, which spans 18 to 24 May 2025.

I had a massive day that has consumed most of my energy. So, once again, I will get right to the charts.

What else am I listening to?

Each week, I spotlight a song not on the Weekly KPOP Charts that I have been listening to last week. This week, the song in question is B.A.P’s 1004 (Angel).

Non-Korean Song of the Week

The Chart

RIIZE’s Fly Up ranks in the top spot this past week! Congratulations to RIIZE!

Pos.	Title	Artist	Status
1	Fly Up	RIIZE	(NEW)
2	Good Thing	i-dle	(NEW)
3	Come Over	LE SSERAFIM	(▼ 2)
4	Elevator	BAEKHYUN (EXO)	(NEW)
5	1999	MARK (NCT)	(▲ 11)
6	Stunner	TEN (NCT)	(▲ 13)
7	DROP TOP	MEOVV	(▲ 4)
8	poppop	NCT WISH	(▲ 15)
9	Don’t Say You Love Me	JIN (BTS)	(▼ 5)
10	CHEST	JUST B	(RE-ENTER)
11	Chocolate	BAEKHYUN (EXO)	(NEW)
12	Love Language	TXT	(▲ 5)
13	WANT	SOLAR (MAMAMOO)	(RE-ENTER)
14	Girlfriend	i-dle	(RE-ENTER)
15	Maybe Tomorrow	DAY6	(▼ 9)
16	Wait On Me	KAI (EXO)	(▲ 12)
17	O-RLY?	NEXZ	(NEW)
18	LOOSE	ENHYPEN	(▼ 4)
19	FOREVER	RE:WIND	(NEW)
20	Push Down	TRENDZ	(NEW)
21	Starry Night	AIMERS	(NEW)
22	Hello Tomorrow	The Wind	(NEW)
23	HANDS UP	MEOVV	(▼ 15)
24	Kick Start	AMPERS&ONE	(RE-ENTER)
25	I Feel Good	BOYNEXTDOOR	(▼ 22)
26	For Real?	TNX	(RE-ENTER)
27	Bag Bad Back	RIIZE	(RE-ENTER)
28	CINEMA	LEE KNOW & SEUNGMIN (Stray Kids)	(▼ 13)
29	Tap Clap	APINK	(RE-ENTER)
30	ATTENTION	Big Ocean	(NEW)

[Review] Elevator – BAEKHYUN (EXO)

May 22, 2025Posted in KPOP, ReviewsTagged Baekhyun (EXO), EXOLeave a comment

Monday was a big day of releases, with BAEKHYUN also returning to the music scene with his 5th mini-album, Essence of Reverie. The single Elevator is the mini-album’s title track, following the pre-release Chocolate released last week. His previous comeback was Pineapple Slice in September 2024, featuring on his fourth mini-album Hello, World, which I have yet to review (but can confirm it’s coming).

I can hear what people mean when they describe Elevator as another version of Candy (a single BAEKHYUN previously promoted in 2020). Like that song, BAEKHYUN leans into his genre of choice (R&B) and keeps it simple. Elevator features likeable grooviness and a decent pop beat that moves the song along. I did enjoy the subdued percussion and atmospheric touches of the instrumental. BAEKHYUN’s vocals are definitely Elevator‘s highlight. It was nice to hear his vocals again after so long, and the ad-libs at the end came off quite smoothly. But I wish the melodies were more riveting. There was some sleekness and vibrancy to Elevator‘s melodies, but I put this down to BAEKHYUN’s vocals and delivery. Instead, I got a standard and safe feeling that doesn’t scream excitement. Overall, I would describe Elevator as ‘simply pleasant’. As said previously on the blog, pleasantness can be a double-edged sword as it could be code for boring. And I felt like Elevator had fallen victim to just that on this occasion. Plus, knowing that the same artist pulled off a similar song in the past (i.e., Candy – as established at the start of this paragraph) doesn’t bode too well for the new song.

The lyrics liken the desire for someone to fall in love with you to an elevator going up, with the lover at the destination floor. The only problem is that you have no idea what that floor is, which forms the basis of the music video. In the video, BAEKHYUN notices a mysterious lady in the elevator. He doesn’t make a move, but is drawn to her. From then on, he has consistently been thinking of and looking for her. Eventually, he reaches her and successfully moves to be with her, as shown at the end of the video. I like how his shirt says ‘I DID WHAT LAST NIGHT?’, implying other things happened overnight. I liked the animation that is interwoven throughout the video, as well as how great BAEKHYUN continues to look in his 30s.

Like the song, the choreography fits in well with the music. Based on what I can see in the music video, the routine embraces the beat well and showcases BAEKHYUN’s charismatic energy, which he carries over from previous dance performances. While I am not sold on the song, I think I can be on the dance for this comeback.

Song – 7/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 7.5/10

[Review] Good Thing – i-dle

May 21, 2025Posted in KPOP, ReviewsTagged i-dle1 Comment

After rebranding from (G)I-DLE to i-dle earlier this month and pre-releasing the single Girlfriend, i-dle is officially back with their 8th mini-album, We Are. Leading the mini-album is the single Good Thing. It is their first release since July 2024’s Klaxon and their 7th mini-album, I SWAY.

To me, Good Thing is an underbaked version of their top hits. The instrumental behind Good Thing has so much potential and is its best asset, with the synth work and 8-bit sounding reminiscent of second-generation KPOP. The infusion of rock elements was a great way to make Good Thing feel very much in i-dle’s wheelhouse, but I wished the song explored more of this. Perhaps make the song even more electrifying. But it is ultimately the song’s hooks that don’t offer much in terms of robustness and dynamism that let Good Thing down. I liked how they carried their usual sassy feel into the chorus, but the hooks themselves didn’t spark any excitement. Also, “I heard your good thing” isn’t too great of a line. Aside from that, the rest of Good Thing is okay. Their rapping and vocals were nice. YUQI’s rap in the second verse is solid, while the pre-choruses were strong segments from the vocalists. While I don’t usually agree with autotune, I think it fits in with the instrumental of Good Thing and gives off a good effect. Overall, Good Thing has promise but undelivers when it matters the most.

The music video for Good Thing was a blast to watch. While I am not entirely sure what message the group is trying to say through their lyrics, the mix of constant fighting and then vibing with one another actually makes for a fun video. My favourite part involves MIYEON on the train, where she gets her hair pulled by MINNIE and pushes YUQI off the train. As to what this could possibly mean, my best guess (and I want to emphasise that this is a guess since I don’t understand the lyrics) is that the “constant fighting and then vibing with one another” dynamic represents their toxic relationship with a former lover, with the lyrics coming off as sarcastic and making fun of their past lover.

The choreography for this comeback is fantastic. Quite sure I have mentioned this about them in the past, but I love how their routines exude confidence, boldness and sexiness. They are a powerful group, and their choreographies have consistently shown this. The only part that I felt could be cleaner and smoother is the start of the instrumental break at the end.

Song – 7.5/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 8.3/10

[Review] Fly Up – RIIZE

May 19, 2025Posted in KPOP, ReviewsTagged RIIZE3 Comments

After their pre-release Bag Bad Back two weeks ago, RIIZE is officially back with their first studio album, Odyssey. Leading the new album is the title track Fly Up. It is their first Korean release since their Combo comeback in September last year.

From the very first second, Fly Up attracts my attention through its upbeat and fast energy. It felt almost like the music you would expect to hear when accompanying a jive dance, just slightly more paced than your usual jive music. I loved how expressive RIIZE were with their vocals and rapping, which contributed to the liveliness of Fly Up. It also helps that the hooks were catchy and earwormy. The all-in-one ‘Fly Up‘ rings in my mind even after the song ends. SHOTARO’s rapping in the second verse was solid, while SOHEE’s high note was a perfect peak for the song. The only missing element I wished for was a deep tone to ground the song slightly, particularly in the chorus. The beats weren’t enough, and I think this would have created some nice contrast in the broader song. But aside from that, Fly Up is still a superbly fun song that has me tapping my foot along from the first listen.

Just like the song, the music video for Fly Up is super fun. I liked the musical-like concept with all the dancers dancing around the members as they sing along to the song, almost like High School Musical (just without the cheesiness and bad acting). It just heightens the energy and makes the video extremely enjoyable. I was extremely nervous watching the sweaters tied around the members’ waists, but somehow (perhaps sewn on for safety precautions), they stayed on the members. Memories from primary/elementary school have come rushing back, with the number of times sweaters or jumpers would loosen as I just walked.

It should come as no surprise that I also liked this comeback’s choreography. It was everything the song asked for – upbeat, packed, fast and vibrant. I loved how the members never let up throughout the routine (based on what I saw in the music video), which reminds me of that intensity and continuous nature of the jive dance. The jumps and footwork look promising, and the body waves at the start of the final chorus catch my attention because they are incredibly smooth in the fast-paced routine.

Song – 9/10
Music Video – 9/10
Performance – 10/10
Overall Rating – 9.2/10