[Album Review] WITNESS (2nd Mini Album) – ALL(H)OURS

My first review for ALL(H)OURS was for their comeback single, SHOCK. In that review, I mentioned that I would review their debut track (and potentially mini-album) in the future. I still haven’t got around to that. But in a fitting style, ALL(H)OURS’ first album review is for the mini-album that features the title track SHOCK—their second mini-album, WITNESS. It was released in July 2024 and features a total of five songs.

Overall, I found the mini-album a consistent release, showcasing an EDM and hip-hop sound profile throughout most of the release. For a new group to whom I haven’t really dove into yet, this is a decent showing from the new group. More recently, ALL(H)OURS released their 3rd mini-album, Smoke Point, which features the tracks Graffiti and Gimme Gimme. I haven’t reviewed these as well. But at the very least, a review for Gimme Gimme is on the cards.

Until then, here are my thoughts on WITNESS.

WITNESS Album Cover

1. WITNESS – ALL(H)OURS kicks off their mini-album with the instrumental track WITNESS, kickstarting the release with a powerful rave-like track. It doesn’t hold back and has the adrenaline coursing through your body. I find it refreshing because we don’t hear all that many rave-like tracks in KPOP, though I admit it isn’t for everyone. It isn’t my usual go-to form of EDM. But on this mini-album, knowing what comes after, WITNESS does a good job of launching right into the rest.   

2. SHOCK (도깨비) (Title Track)Click here for the full review for SHOCK. (9/10)

3. PSYCHO MANTRA – The group leans towards an aggressive and abrasive sound profile in PSYCHO MANTRA. There are a few other sides of ALL(H)OURS that I will touch on in a second, but these two are the ones that I remember most vividly from the song. The aggressiveness comes out during the chorus when the rappers go shouty, and the abrasiveness comes through via the EDM/rock-influenced instrumentation and distorted vocals that form part of the background. We get some sleekness and smoothness from the vocal line, but it is very short-lived since the rappers get the limelight in PSYCHO MANTRA. Overall, it’s a cool song. (8/10)

4.’Bout That Issue – ‘Bout That Issue showcases both the vocals and rappers in a more balanced manner than the previous song. And from this, I can tell that ALL(H)OURS has a strong line of both. We also hear much more of that hip-hop genre in this song since the instrumental isn’t overwhelming. I actually appreciate that a lot, considering the song before this one. I find ‘Bout That Issue to be intriguing thanks to that vocal melody in the chorus. There is something very familiar about that I cannot pinpoint where I have heard it before. I also like the “’Bout That Issue” repetition that forms the song’s main hook. (8/10)

5. Blah BlahBlah Blah gets the EDM and hip-hop balance just right. It also gives us some dramatic percussion/drumming, which makes the song cooler. I did think the vocals and rapping could have been stronger in this song. The members’ delivery didn’t hit the spot for me and they kept their styles very safe. Had they gone further, I think Blah Blah would have been a killer track. (7/10)

Overall Album Rating – 8/10

ALL(H)OURS’ teaser image for WITNESS

[Album Review] Metamorphic (1st Studio Album) – STAYC

I am fully aware that STAYC made their comeback more recently, and a song review for BEBE is coming your way in the not-so-far-distant future. But until then, here is my review of their 1st studio album, Metamorphic. Released in July 2024, Metamorphic features 14 songs (slightly longer than the average studio-length album), including the title track, Cheeky Icy Thang. Metamorphic is a decent album with a mix of strong and fair songs. Keep reading to find out my thoughts on the individual songs that make up Metamorphic.

Metamorphic Album Cover

1. Twenty – STAYC kicks off the album with a formidable alternative R&B number. I liked the drumming in this one and the crisp vocals that give Twenty that power. Whenever I say I want oomph in a song, the direction the vocals went in this song is exactly what I am looking for. There are 2 downsides to Twenty – that it is very noticeably short, and I wished the instrumental was a bit more robust to prevent it from feeling as stagnant as it did. (8/10)  

2. Cheeky Icy Thang (Title Track)Click here for the review for Cheeky Icy Thang. (7/10)

3. 1 Thing1 Thing is a very familiar sound for STAYC. It has the signature fun and brightness from its electronic pop instrumentation and STAYC’s delivery. Its chorus attracts my attention, thanks to its sassy delivery and how straight-shooting the members sounded. The bridge brings delicateness to the song before a dynamic and fun electronic instrumental break comes into play. (8/10)

4. Give It 2 MeGive It 2 Me is a decent pop R&B track. But I feel like the autotune is heavy, and their vocals are rather piercing (in a not-so-good way). The highlight is definitely SIEUN’s rapping, it gives us some reprieve to the autotune and piercing vocals. But besides that, Give It 2 Me doesn’t speak to me as much as the other tracks on the album. (7/10)

5. Find – Next on the album is Find, a unit song by SIEUN, SEEUN and J. Find features neat and delicate vocals from the trio. The rapping brought some nice contrast, which I liked. The acoustic vibe of the instrumental is also lovely and different, especially as it is mixed with trap beats throughout the song. Some stronger melodies and catchiness would have helped lift Find to a new level. (7.5/10)

6. Let Me Know – STAYC revisits the pop genre in a pure manner in Let Me Know. It is quite a pleasant song. I liked the tempo of the instrumentation and the members’ singing in this one. I feel like that short ending sequence of the choruses, where the instrumental turns slightly atmospheric, and J ends with her “Let Me Know … Let Me Know” lin, has the potential for something more. I wished the song explored that potential. (8/10)

7. NadaNada brings a bit of hip-hop to the album. This differs from what I have heard so far, so it interested me. The pre-chorus is just something that gets me each time I listen to the song, while the instrumental was unexpectedly playful with the percussion. It makes Nada feel a little nursery rhyme-esque, contrasting with the song’s message about feeling nothing after meeting the person of their dreams. (8/10)   

8. Fakin’ – Starting off the second half of the album is SUMIN and YOON, through their unit track Fakin’. The song is another pop track, with stunning vocals from the pair to make it an engaging number. I liked the simplicity of this combination and how easy it was to get into. Stronger hooks to make it more memorable would have sealed the deal for me. (9/10)  

9. Roses – ISA is the only member to go solo on the album. Roses is a R&B number with a very intriguing instrumentation. The background has all sorts of effects, but it never feels overdone. ISA sounds quite good throughout the song, but stronger hooks and melodies could have improved the song further. (7/10)

10. Beauty BombBeauty Bomb is one of the stronger songs on the album. The bubbly R&B (perfectly described by The KMeal) is quite fun, which is one reason why I find it so catchy. That ‘Doo Doo Doo’ in the chorus is hooky, as well as the ‘Blow my mind…’ lines that follow later on in the choruses. What I also like about Beauty Bomb is that it showcases STAYC well. Pleasant vocals and nicely contrasting rapping helped make Beauty Bomb engaging for me. (9/10)

11. Gummy Bear – The start of the verses for Gummy Bear, made up of trap beats and the swirly electronic synth, was interesting, to say the least. The rapping that pairs with this backing was fine, but the background is wacky. As the song progresses, I enjoy the rest of Gummy Bear. It develops into a feel-good pop song that feels pure and straightforward. I like how the vocals come off in this segment. The pre-choruses are another strong example of STAYC’s vocals. So, it begs the question of why we needed that start to even begin with, especially since the rest of the song is quite good. (8.5/10)

12. Stay WITH Me – STAYC visits the pop-rock genre through Stay WITH Me. The song is for their fans, and the lyrics are written by STAYC themselves! While it sounds good, and I liked how the rapping pairs up with the instrumentation, I wished I could say the same about their vocals. The vocalists could have been louder to match up with the energy of the pop-rock instrumentation. Stronger melodies, as well, would have helped them embrace the pop-rock better. (8/10)

13. Flexing on My Ex – The pop rock is definitely punchier and the members sound superb (and can be heard over the instrumentation)in Flexing on My Ex. We do lose some momentum as we get closer to the chorus, but this does help the centrepiece feel more impactful and prolific. (8/10)

14. Trouble Maker – The final song of this long album (not complaining here!) is Trouble Maker. It was such a fun and energetic song to end with. It literally makes me want to get up and dance (or cringingly dance along in my chair if you want a real-time update as I write this review). I love the song’s encore energy and the brass elements in the background. The expressiveness and bright vocals also make it a winning song. Pity is a short one. (10/10)

Overall Album Rating – 8.1/10

Teaser image for Metamorphic

[Album Review] VirtuouS (10th Mini Album) – Dreamcatcher

The next album up for review is Dreamcatcher’s VirtuouS. This is the group’s 10th mini-album and was released in July 2024. It is led by the title track, JUSTICE, and features an additional four songs. This album release follows their VillainS (title track OOTD) comeback from November 2023, the first part of their ‘VersuS‘ duology. Overall, VirtuouS is a powerful mini-album, with consistently strong songs across the board. This earns it a recommendation stamp from me (as you can see at the end of the post).

More recently, for Dreamcatcher, it was announced that Handong, Gahyun, and Dami were leaving their company, but it was confirmed that they remained in the group. In addition, JiU, SuA, and Yoohyeon will form a unit, while Siyeon will start a band. All these announcements are intriguing, and I can’t wait to see what the future holds for each member of Dreamcatcher, though I hope there will be regular group comebacks, as well.

VirtuouS Album Cover

. Intro: 7’Dreamcatcher’ – Opening up this mini-album is an instrumental track. This one starts off captivating with the piano, before slowly developing into the very familiar rock sound that Dreamcatcher is known for. The journey to get to the rock sound was beautiful. When the track realises the rock sound, it is powerful and impactful. A stunning opener.

2. JUSTICE (Title Track)Click here for the full review for JUSTICE. (9/10)

3. STΦMP! – With a title like STΦMP!, you expect the song to have some heft. And we got just that. With Dreamcatcher at the helm, it is no surprise that STΦMP! fully embraces a powerful rock instrumental. The “Stomp Stomp” chant at the start of the chorus is definitely the song’s highlight, and you can feel the group’s command on stage now during the chorus. Their vocals are powerful and impressive in this one. (10/10)

4. 2 RINGSRight off the bat, 2 RINGS doesn’t mess around, launching the audience into a punk rock sound. I want to take a moment to acknowledge the guitar work in 2 RINGS, as it was an astounding element and adds so much momentum to the song. Dreamcatcher also doesn’t mess around with their delivery. Once again, they sound very powerful and exude a lot of attitude and sass in this number. Personally, I do feel like they could have stepped up all elements in the final chorus to really round out the song. But what we did get was already outstanding. (9/10)

5. Fireflies – Final song on the album is Fireflies. Hearing the piano and balladry direction of the song was quite a shift from what is on this mini-album. But this ‘shift’ is not a bad thing. Dreamcatcher whisked me away with Fireflies, with beautiful instrumentation and stunning vocals and harmonies. Those harmonies, especially at the end, make the final moments of this mini-album so emotional. Fireflies has everything I love in a ballad. (10/10)

Overall Album Rating – 9.5/10

Teaser image for VirtuouS

[Album Review] WALK (6th Studio Album) – NCT 127

It has been over a month since I posted my last album review to focus on the 2024 KPOPREVIEWED Awards. With that out of the way, I can finally return to the forever growing backlog of albums. First up is NCT 127’s 6th studio album, WALK, which was released in July 2024. It features 11 songs, including the title track, Walk (which I nominated for Best Rap or Hip-Hop Song in the 2024 KPOPREVIEWED Awards – unfortunately, it didn’t win, but it was my personal choice). This is the first album not to feature TAEYONG in the promotions, as he (at the time, and still is) enlisted in the military. But he did feature in the songs! This is also the last album to feature TAEIL, who was removed from the group soon after the album’s release.

With Walk leading the charge for this studio album, it was a definite positive sign for what would come on it. Two songs got perfect ratings from me, while a few almost got there as well! This made WALK good enough to be a recommended album. Continue reading to find out my thoughts on each song.

WALK Album Cover

1. Intro: Wall To Wall – Nowadays, a two minute and 30 second intro track is pretty much a full-fledged track. Despite that, NCT 127 maintains that Wall to Wall is an intro track. Wall to Wall features an atmospheric instrumental that combines an organ with hip-hop influences. In combination with an amazing instrumental, there is an equally amazing set of vocals and passionate rapping from the members to kick off the album. (9/10)

2. Walk (삐그덕) (Title Track)Click here for the full review for Walk. (9/10)

3. No ClueNo Clue emphasises the two sides of NCT 127. It starts with some cool rapping from TAEYONG and MARK, before we revert to smooth vocals from the vocalists. No Clue continues this pattern of cool rapping and smooth vocals for the remainder of the song, even in the chorus, to create a very unskippable hip-hop track. (9/10)

4. Orange Seoul (오렌지색 물감)Orange Seoul is quite a fun number, joining jazzy instrumental elements with some strong vocals and rapping. This sounds like a great soundtrack for walking down the street in a very good mood. I liked Orange Seoul the most when the members and the instrumentation get super expressive. It is hard to pass up. (9/10)

    5. Pricey – Grooviness hits you from the very first second in Pricey, setting up the song for success. Alongside it was some cool piano work and hip-hop elements, which add a lot of buoyancy. The continuous flow and delivery by the members were other amazing aspects of Pricey. Altogether, another good song. (8/10)

    6. Time CapsuleTime Capsule sees NCT 127 slip into mid-tempo territory with this R&B/hip-hop track. But this is not something to look down on – Time Capsule is a stunner. The smoothness of the track was fantastic, and the rapping was nicely balanced to give us that hip-hop flair without becoming overbearing. Ultimately, the vocals won me over and made me come back for more. (10/10)

    7. Can’t Help Myself (영화처럼) – Another stunning track comes in the form of Can’t Help Myself. Again, it is the vocals that floors me. The ad-libs in this one are phenomenal. I originally thought the “I can’t, I can’t help myself, I can’t, I can’t help myself no oh” lines were a little abrasive. But they have grown on me and give Can’t Help Myself some texture that allows it to be different from other vocal-centric tracks on this album. (10/10)

    8. Rain Drop – We return to the R&B and hip-hop mix we heard earlier in the album in Rain Drop. But Rain Drop is much lower in tone and is sleek. I like how atmospheric the instrumental was and how it felt like the jazzy music that matches a rainy day. The rapping also adopts a low tone approach, which was very cool. The vocals were lovely, and I love HAECHAN’s incline in the bridge. I am in two minds about the shouty “I can hear you, my rain drop yup” line that breaks up the song. On one hand, it is a pretty memorable aspect of Rain Drop. On the other hand, it is a bit jarring (relative to the rest of the track). (8.5/10)

    9. GasGas taps into trap side of electronic music, combining it with hip-hop elements. This track feels very NCT 127. While I appreciate the latter, I am not a massive fan of the former. I also find the repetition of the song’s title to be very bone-dry. It is still a well-conceptualised track, and I like how it showcases that bounce synonymous with hip-hop. I also liked how they took the energy to the next level towards the end with that dynamic changeup. (7/10)

    10. Suddenly (서서히) – The penultimate track on WALK is Suddenly, which takes us back to the R&B side of the album. The instrumental makes Suddenly a nice track. I like the mix of acoustic guitars, dynamic piano and refreshing percussion. We are also treated to some brassy elements in the chorus and some trap elements later on that form the instrumental break. The vocal and rapping work and the paced delivery of the chorus are also quite refreshing. A lot to like in Suddenly. (8.5/10)

    11. Meaning of Love (사랑한다는 말의 뜻을 알아가자) – The final song on the album is Meaning of Love. It is a cute and sweet song from the group. Probably a bit of a mismatch when you compare it to the rest of the album. But Meaning of Love isn’t a terrible song by a longshot. I like the upbeat vibes from the more acoustic instrumentation in the background and the build-up that the track features. The vocals were very nice, particularly the husky tone the rappers used in the song. (8/10)

    Overall Album Rating – 8.7/10

    WALK Teaser Image

    [Album Review] ATE (9th Mini Album) – Stray Kids

    Stray Kids made their comeback in July 2024 with their 9th mini-album ATE. While I have reviewed the tracks that had a music video a while back before I took my break, I have yet to review the full mini-album until today. ATE features the title track Chk Chk Boom and 7 side tracks (including a remix of the title track). It follows on from their 2nd studio album, ROCK-STAR, and the lead single LALALALA.

    Once again, Stray Kids pulled off another strong mini-album release, with most tracks being unskippable. ATE is undoubtedly another highly recommended mini-album of the group. Read on to see if you agree with me!

    ATE Album Cover

    1. MOUNTAINSClick here for the review for MOUNTAINS. (10/10)

    2. Chk Chk Boom (Title Track) – Recognising how much the song has grown on me, I have decided to bump up the rating for Chk Chk Boom by a full point. Click here for the original review for Chk Chk Boom. (8.5/10)

    3. JJAMClick here for the review for JJAM. (9/10)

    4. I Like ItI Like It raises a few red flags within its lyrics. It expresses the idea of liking someone but not wanting to fall in love with them. Despite the red flags, I Like It comes off as catchy and cute thanks to its pop roots. The “Ooh, I like it, ooh, ooh, I like it, like it” hooks are super addictive. The combination of the trap outro and HYUNJIN and FELIX’s spoken version of the hook adds a sexy flair to the song. (9/10)

    5. RunnersRunners is an epic all-English track. It starts off with SEUNGMIN’s heavenly vocals over what I think is soft traditional instrumentation before FELIX’s deep vocals and beat grounds the track. This opening combination is memorable and makes me look forward to the song each time. The other members do an equally amazing job and ends up captivating me each time. The drill, drum and bass elements in Runners create some really nice textures in the background, while the choruses bring in a cyberpunk-esque energy into play. (9/10)

    6. Twilight (또 다시 밤) – No matter how many times Twilight plays, I don’t remember much of it. Maybe it is because I am very used to Stray Kids with their loud and bold music nowadays and not through a mid-tempo ballad. That being said, it is still a good song with a beautiful piano instrumentation. Each member delivers the track splendidly, and the song has some good melodies. It just wasn’t a compelling listen from Stray Kids for me. (7/10)

    7. Stray KidsClick here for the review for Stray Kids. (9/10)

    8. Chk Chk Boom (Festival Version) – See above for my review for Chk Chk Boom.

    Overall Album Rating – 8.8/10

    ATE Teaser Image

    [Album Review] ROMANCE: UNTOLD / ROMANCE: UNTOLD -daydream- (2nd Studio Album / Repackaged Studio Album) – ENHYPEN

    It is time to review ENHYPEN’s 2024 album releases – ROMANCE: UNTOLD and ROMANCE: UNTOLD -daydream-. The former was released in July 2024 and features the title track XO (Only If You Say Yes), the secondary promotional track Brought The Heat Back, the English version of the title track (featuring JVKE) and 6 side tracks. The album was then re-released as the latter in November 2024, featuring 2 new tracks, including the title track No Doubt. This series follows their ORANGE BLOOD album release in November 2023.

    Altogether, the ROMANCE: UNTOLD series is a very strong showing from ENHYPEN. Both title tracks are great, and the side tracks have been fantastic to listen to. Most tracks were unskippable in my books, and this has helped make the albums standout releases of the past year. The rating wasn’t high enough to be eligible for Best Album in my KPOPREVIEWED Awards, but definitely notable enough. Continue reading below to see if you agree with me.

    ROMANCE: UNTOLD Tracks

    Romance: Untold Album Cover

    1. Moonstruck – Kicking off the studio album is Moonstruck. This is a R&B number that features a sensual vibe from the members. I remember thinking this opening track was sluggish, but Moonstruck has grown on me since. I enjoy it quite a lot now. The “Just the two of us, moonstruck” line in the chorus is memorable. I also like the infusion of rock towards the song’s end. (9/10)

    2. XO (Only If You Say Yes) (Title Track)Click here for the full review for XO (Only If You Say Yes). (8/10)

    3. Your Eyes Only –The mid-tempo beat reduces the appeal of Your Eyes Only. But its the members that win me over. HEESEUNG’s “You & me, yeah” in the first verse and JUNGWON’s equivalent line in the second verse (in its entirety) were memorable moments. The other members brought solid vocals to the song, particularly JAKE and SUNOO, who shared the choruses. The “Ya Ya … Ya Sugar talk” hook and the “Read more” refrains were also quite catchy. (9/10)

    4. Hundred Broken Hearts – We move into upbeat R&B territory in Hundred Broken Hearts. The synths and the autotune vocal processing used in the song give off old-school vibes that make this song attractive. I did wish there were more memorable elements apart from the instrumentation and nostalgia the song brings. (8/10)

    5. Brought The Heat BackClick here for the full review for Brought The Heat Back. (8.5/10)

    6. ParanormalParanormal introduces drum ‘n’ bass into the album. While this brings some refreshing notes to the R&B heavy album, I wished the song tapped more into the grungy guitars-like synths (?) that it uses in the background. It is a missed opportunity to have them in Paranormal, but not used effectively. The members’ vocals are good in this track but would better suit a grungy or more substantial rock-influenced song. (7.5/10)

    7. RoyaltyRoyalty sees the guitars as the instrumental’s forefront. The guitar riffs opt for a contemporary vibe. And in combination with the rest of the instrumentation, Royalty feels summery and beachy. SUNOO is the standout member in this song, particularly with how he starts the song. The choruses opt for a shoutier motif, the loudest we have heard from the members in the album. But as a mechanism to get your attention, it works effectively and I find myself vibing with Royalty. (10/10)  

    8. Highway 1009Highway 1009 is another pleasant track that hits the right spot. The track features a pop instrumentation that sounds clear and crisp. The same thing can be said about the vocal work that ENHYPEN outputs. The best part of Highway 1009 is the chorus, which has a stunning melody that makes the track standout and brings a smile to my face. (9/10)

    9. XO (Only If Your Say Yes) (ft. JVKE) (English Version) – Refer to my review for the Korean version of XO (Only If You Say Yes) above.

    ROMANCE: UNTOLD -daydream- Tracks

    ROMANCE: UNTOLD -daydream- Album Cover

    1. DaydreamDaydream does have a separate track video (embedded below), but it features three-quarters of the song. The actual song is only 2 minutes long, so I am unsure why the video limits the song further. Anyhow, Daydream is definitely an intriguing song. A prominent presence of whispery raps makes the track engaging and complements the lowkey minimalistic bass instrumental. The track does build on these whispery vocals to fuller volume vocals, but those are definitely not the main star. I liked the balance Daydream finds in all of this while maintaining that alluring uniqueness. (9/10)

    2. No Doubt (Title Track)Click here for the full review for No Doubt. (8/10)

    Overall Album Rating (Romance: Untold) – 8.6/10
    Overall Album Rating (Romance: Untold -Daydream-) – 8.5/10
    Overall Album Rating (Combined) – 8.6/10

    [Album Review] RIDE or DIE (3rd Mini Album) – EVNNE

    EVNNE’s 3rd mini-album, RIDE or DIE, is the next album chosen for review on the blog. In case you missed it, it was released in June 2024 and follows their 2nd mini-album from earlier in the year (Un: SEEN, led by the title track UGLY). This mini-album features a total of 6 songs, including the title track Badder Love, the English version of the title track and 4 side tracks. Overall, it was a decent release, but it didn’t surpass their debut mini-album. Continue reading to find out if you agree with my thoughts.

    RIDE or DIE Album Cover

    1. Badder Love (Title Track)Click here for the full review of Badder Love. (7/10)

    2. I ❤ U (I Love U)I ❤ U is a light-hearted and fun track that brings out EVNNE’s youthfulness. I like the R&B motif the song featured, which contributed to a refreshing tone. The delicate vocals and melodies were nice and wispy. The rapping helped ground the song and give it a fun side. (8/10)

    3. XO – The guitars in the background kept XO tangy, while the fast-paced beat propelled the song forward. But this fast-paced beat felt unnecessarily rushed, and I wished the producers had toned this down. It literally felt like someone had accidentally pressed fast-forward on the song. But aside from that, XO has one of the mini-album’s most memorable lines – “Tell me, yes, no, choose, XO”. The way it delivered and came off was bold and impactful. (8.5/10)

    4. 2X (2배속) – Completely changing pace is 2X, which slows down the mini-album considerably. The R&B instrumental is more acoustic and is just a stunningly beautiful backdrop. The melodies in 2X have that swaying effect that I love in ballad-like songs, while EVNNE’s vocals were dreamy and lovely. (8/10)

    5. Boom Bari – We go down a soft hip-hop direction for Boom Bari. The presence of the baby sound was odd, to say the least. The song brings back that light-hearted tone from the second track. But it makes the song more carefree and lazier, creating another fun vibe. The simple shouty hook emphasises that fun nature and is quite catchy. The last “Boom Boom” in the hook is attached to some bolder beats, which I thought was intriguing and is my highlight of the track. (8.5/10)

    6. Badder Love (English Version) – Refer to my review of the Korean version of Badder Love above.

    Overall Album Rating – 8/10

    RIDE or DIE Teaser Image

    [Album Review] I SWAY (7th Mini Album) – (G)I-DLE

    (G)I-DLE made their comeback back in July 2024 with their 7th mini-album, I SWAY, and the title track KLAXON. This could have been their final comeback, as they were in the midst of renewing their contracts with CUBE Entertainment at the time of the mini-album’s release. And in the past, the group has been open about their displeasure with their company. So there was a possibility of not renewing with their company. But as good news, (G)I-DLE confirmed they had renewed their contracts with the company at the 2024 Melon Music Awards. Thus, there will be more (G)I-DLE music coming our way in the future!

    Back to I SWAY, the mini-album is on the shorter side, with just four songs (including the title track). These side tracks made for a strong mini-album release, whereas the title track was forgettable. I SWAY follows the release of 2 (their second studio album) and their Super Lady comeback from January 2024.

    I SWAY Album Cover

    1. Klaxon (클락션) (Title Track)Click here for the full review for Klaxon. (7/10)

    2. Last Forever – I really like how pleasant Last Forever is. This pop song features touching vocals and hearty melodies from the members. It is super easy on the ears, straight forward and simple. And while the song is the shortest track on the album, it always feels satisfying and fulfilling. (9/10)

    3. Bloom – The first thing I notice in Bloom is its dreamy motif, which makes Bloom sound so heavenly. If that wasn’t enough, then the instrumentation’s retro touch and pleasant upbeatness would have won me over. And if that weren’t enough, the amazingly perfect and airy vocals from (G)I-DLE would have. I don’t see how I could have avoided the attractiveness of Bloom. (10/10)

    4. NeverlandNeverland falls into the realm of a ballad. Again, I like how straightforward and unfiltered their vocals and rapping felt in this track. The acoustic instrumentation is just stunningly beautiful. As mentioned above, had (G)I-DLE chosen to not renew their contracts with Cube Entertainment, Neverland (titled after their fanclub) could have been the group’s final track. And that would have made the song bittersweet. Just a food for thought for a moment. But as also mentioned above, the group has renewed their contracts and will be continuing forth together to bring us new music. (10/10)

    Overall Album Rating – 9/10

    I SWAY Teaser Image

    [Album Review] This Man (1st Single Album) – JEONGHAN x WONWOO (SEVENTEEN)

    SEVENTEEN launched their second official subunit in 2024, consisting of members JEONGHAN and WONWOO. JEONGHAN has since enlisted in the military, while WONWOO is busy on tour with the rest of SEVENTEEN. The pair dropped their first single album This Man (the focus of this review) and the title track Last Night mid-June 2024. The single album also consist solo tracks from the pair. Overall, a definite strong single album. I hope to hear more from JEONGHAN x WONWOO (otherwise known as JxW) in the future, though this might not happen for a while.

    This Man Album Cover

    1. Last Night (어젯밤) (Guitar by Park Ju Won) (Title Track)Click here for the full review for Last Night. (9/10)

    2. Beautiful Monster – JEONGHAN’s solo song is Beautiful Monster, which is a mid-tempo R&B number. JEONGHAN’s honey-like and velvety vocals describing himself as a monster is quite ironic to me. But aesthetic wise, it was an intriguing choice. JEONGHAN makes this number engaging. He brings a delicate feeling to the mix that emphasises the ‘beautiful’ aspect of the song’s title. (8/10)  

    3. Leftover (휴지통) Leftover is WONWOO’s solo song and it is a stunning yet heart-wrenching ballad. I will admit that I have always had a soft spot for WONWOO’s singing. Leftover is good evidence why (if I ever needed to prove why). The emotions he poured into Leftover makes the entirety of the song captivating to listen to. His raspy vocals are amazing in this song and I really liked the moments where he puts some oomph behind his vocals. (10/10)

    Overall Album Rating – 9/10

    This Man Teaser Image

    [Album Review] Cosmic (7th Mini Album) – Red Velvet

    Red Velvet returned in June 2024 with their 7th mini-album, Cosmic, after a 7-month hiatus from their previous comeback (Chill Kill in November 2023). The mini-album features the title track of the same name as the mini-album and five additional side tracks. The mini-album was re-released in September 2024 to include the special single, Sweet Dream, to commemorate their 10th year together. Today, I am finally getting around to reviewing the full mini-album. Overall, Cosmic was a strong mini-album, fitting for both Red Velvet’s style and discography. Continue reading to see if you agree with my thoughts on both the Cosmic mini-album and its individual songs.

    1. Cosmic (Title Track)Click here for the full review for Cosmic. (9/10)

    2. Sunflower – Red Velvet kills it in Sunflower. It is dance pop track, which boasts stunning vocals from the members and awesome EDM instrumental that gives the song so much oomph. The melodies and hooks make Sunflower so addictive and vibrant. I found it very hard to pass this track. (10/10)

    3. Last DropLast Drop revisits Red Velvet’s velvet side. I enjoyed the smooth R&B pop instrumentation, which helped make Last Drop feel drifty. The all-member vocals in the chorus make Last Drop stunning, while everyone holds their ground extremely well. The spoken words that form part of the bridge were also a nice addition. (8/10)

    4. Love Arcade – We return to the ‘red’ side of Red Velvet in Love Arcade. They turn the bright and cuteness dial a fair bit. The instrumental is fun, sometimes feeling like a cute arcade game and music box. The vocals were lovely and added a very youthful energy to the song. The bridge concentrates the cute instrumental detailing – a great direction for the song. Though, I think there is opportunity for the bridge to be more prolonged and intense to give some extra oomph. (9/10)

    5. BubbleBubble is a nice song. The track features a mid-tempo synth-pop instrumentation. While I find everything likeable, I notice Bubble just doesn’t get as much attention as the other songs on the mini-album from me. I put this down to the melodies, which feel typical and standard compared to the rest of the mini-album. (7/10)

    6. Night DriveNight Drive is also another nice song. But there is a difference between Night Drive and Bubble. What ultimately wins me over are vocals – I think Red Velvet sounds better in Night Drive. WENDY’s high note and ad-libs are stunning, and the members just sound wholesome when they sing together in the choruses. The R&B instrumental is quite atmospheric and dreamy. Night Drive felt like you were lying on the ground and looking up at the night sky filled with stars. (9/10)

    7. Sweet DreamsClick here for the full review for Sweet Dreams. (8/10)

    Overall Album Rating – 8.6/10

    Cosmic Teaser Image

    [Album Review] Summer Beat! (2nd Mini Album) – TWS:

    TWS:’ Summer Beat! is next up for an album review. This is the rookie group’s first comeback and second mini-album since their debut in January 2024 with plot twist. Summer Beat! was released back in June and features the title track If I’m S, Can You Be My N?, the pre-release single hey! hey!, and four other side tracks. Like my comments on yesterday’s album review, the start of Summer Beat! was strong and promising, while the mini-album gets slightly weaker towards the end. Had this part of the mini-album been better, I would have definitely recommended Summer Beat!. Continue reading to see if you agree with me.

    Summer Beat! Album Cover

    1. You+Me=7942 (너+나=7942) – Opening up their second mini-album is a short yet dynamic single. You+Me=7942 has a sing-song melody in its chorus that reminds me of a nursery rhyme. While commonly seen as childish, the robustness of the synth instrumentation ensures the song is everything but that. The instrumentation is fun in its own right, and the combination with that melody comes off as playful. The upbeatness and vocals/rapping make sure You+Me=7942 is a solid opener for the mini-album. (9/10)

    2. If I’m S, Can You Be My N? (내가 S 나의 N 되어줘) (Title Track)Click here for the full review for If I’m S, Can You Be My N?. (9/10)

    3. hey! hey! (Pre-Release Track)Click here for the full review for hey! hey!. (9/10)

    4. Double Take – It appears I missed the brief promotion of Double Take, which has its own performance video. It shows a completely different side to TWS, opting for more of a hip-hop motif. It is a funky track, and I have a boogie whilst listening to the song for this review. The “Double Double” hook is very catchy. The only problem I have with the song is that it doesn’t fit the rest of the mini-album. It sticks out (but not necessarily in a positive way). (7/10)

    5. KEEP ON (내가 태양이라면) – Pleasant guitars mellows out the synth-pop KEEP ON. I quite enjoyed the light-hearted nature of the song, as well as the nice vocals from TWS. I don’t have much to say about the song other than it is pleasant. For KEEP ON, I mean this positively. (8/10)

    6. Fire Confetti – The final song on the mini-album is Fire Confetti. It continues the mellow sound that was visited in the last song. Once again, Fire Confetti has some nice and pleasant vocals from the group. But it features an upbeat mid-tempo instrumentation that feels easy-going and relaxing. Fire Confetti is a nice song to ease out the mini-album. (9/10)

    Overall Album Rating – 8.5/10

    Summer Beat! Teaser Image

    [Album Review] NA (2nd Mini Album) – NAYEON (TWICE)

    Next up on the album review front of the blog is the review for NAYEON’s second mini-album – NA. This was released back in June 2024, headlined by the single ABCD. Six other songs feature on the mini-album. In my view, NA is a strong mini-album, even though it did weaken towards the end. But this mini-album consolidates NAYEON’s potential as a solo artist. Read on and let me know if you agree with me.

    NA Album Cover

    1. ABCD (Title Track)Click here for the full review for ABCD. (9/10)

    2. ButterfliesButterflies is an all-English track, tapping into R&B pop territory with a trap-based instrumental. It is an excellent track with a solid beat and vocals from NAYEON. The only thing I wish for in Butterflies is for the instrumental volume to be toned down in the chorus. This will allow us to appreciate NAYEON in Butterflies more. I felt the trap elements, particularly during the follow-through, were a tad overwhelming to my liking. (8.5/10)

    3. Heaven (ft. Sam Kim)Heaven is a mature yet contemporary R&B track. Both NAYEON and Sam Kim work extremely well with one another on the track. It would have been nice for Sam Kim to have a larger feature in this track because he really rocked his part. Between the vocal blending between the two in the choruses, their solo moments and Sam Kim’s backing vocals, Heaven is quite a heavenly track. (9/10)  

    4. Magic (ft. Julie of KISS OF LIFE) – NAYEON turns to a funkier motif in Magic. The track is a fun and bright upbeat pop song, thanks to the brass, pan flutes and bold beats. It definitely feels summery, and I can’t help but have a boogie when Magic appears on my queue. Julie (from KISS OF LIFE) features in Magic, serving us some really cool raps. Magic is also quite catchy, thanks to the hooks and the all-English lyrics. (9/10)

    5. HalliGalli – Produced by AKMU’s LEE CHANHYUK, HalliGalli is the first song since the title track to feature Korean lyrics. It is another song I can’t help but dance to when it appears in my queue. The house beat and squeaky synths make it a fun track, which makes sense since the song is based on a card game of the same name. The entire chorus (the main portion and the follow-through) is super addictive, and NAYEON’s high note just pops. Because of this edge, HalliGalli is a 10/10 in my books. (10/10)

    6. Something – For me, Something was a blur. I don’t remember much of it. Even when writing this review, I had to sit down and really pay attention to Something to write about it. It features a fast-paced garage beat, and I liked the guitar work in the background. The bridge provided some good reprieve from the fast-paced nature of the song. I also appreciate the ear-wormy hooks that Something featured. (8.5/10)

    7. Count It – NAYEON taps back into R&B for the final song on the album. Her vocals, Count It’s melodies and parts of the instrumental opt for a dreamier vibe, which I enjoyed. But it would have been a successful song had it not been for the clangy and clunky percussion. This disrupted the song’s dreaminess and potential ‘smooth’ nature. (7/10)

    Overall Album Rating – 8.7/10

    NA Teaser Image

    [Album Review] RIIZING/RIIZING: Epilogue (1st Mini Album/1st Repackaged Mini Album) – RIIZE

    RIIZE debuted in 2023. But it took them almost a year to release their first mini-album, RIIZING, in June 2024. Yup, this review is most definitely long overdue. Amongst some new songs, the mini-album was led by their hit Boom Boom Bass and the pre-release single Impossible. The mini-album also featured the singles Love 119 (an early 2024 release) and Talk Saxy and the full version of Siren (both of which are 2023 releases). The group followed up RIIZING with a repackaged mini-album titled RIIZING: Epilogue and the addition of the single Combo. As this review should have been posted months ago, let’s get right into it!

    RIIZING mini-album

    RIIZING Album Cover

    1. Boom Boom Bass (Title Track)Click here for the full review for Boom Boom Bass. (9/10)

    2. SirenSiren was originally revealed in a performance video introducing the world to RIIZE in 2023. At the time, the song was only about 1 minute and 17 seconds long. A full version of Siren is included in this mini-album, expanding to about 2.5 minutes. It is a 90s hip-hop style with boom-bap-style drums and strong bass riffs. All of this makes Siren quite upbeat – a constantly on-the-toes feeling and serves as a good introduction to RIIZE’s style and performance skills. Constant appearances on my playlists and recommendations have also made Siren a catchy number. (9/10)

    3. Impossible (Pre-Release Track) Click here for the full review for Impossible. (9/10)

    4. 9 Days – What I liked in 9 Days is the bright dance-pop energy in the choruses. This was a memorable aspect of the song – it was super catchy and addictive. The verses and other parts of 9 Days were good, with solid vocals and rapping from the members. But they were not as compelling as compared to the chorus. (8/10)

    5. Honestly – We get a smooth R&B pop track in Honestly. It is nice to hear a softer side of the group, and I appreciate the warm vocals that RIIZE bring to the song. However, between the dreamy synths and the trap beats, the instrumental is plain for my liking. (7/10)

    6. One KissOne Kiss is a mid-tempo pop track with a really pleasant instrumental. It is described as having “majestic strings” and “powerful drums” (according to the article that the Wikipedia page of the album had sourced). The pleasantness can be extended to the song’s melodies and hooks, which exude a comforting feeling and are easy on the ears. One Kiss is a very approachable single overall. (8/10)

    7. Talk SaxyClick here for the review for Talk Saxy. (6/10)

    8. Love 119Click here for the review for Love 119. (8/10)

    Riizing: Epilogue Mini-Album

    RIIZING: Epilogue Album Cover

    1. Combo (Title Track)Click here for the full review for Combo. (9/10)

    Overall Album Rating – 8.1/10

    RIIZING Teaser Image

    [Album Review] ZOMBIE (5th Single Album) – EVERGLOW

    Support your favourite KPOP artists, songs and performances in the 2024 KPOPREVIEWED Awards by clicking here to vote today!

    Welcome to the new year! Happy 2025 to all! I am still on my break and will be back at the end of the month to post some new reviews. But for the time being, I have pre-written some album and song reviews that should be scheduled for release. But I ran out of time and have been trying to get them ready when I have a strong internet connection. EVERGLOW’s 5th single album, ZOMBIE, led by the title track of the same name are one of those album reviews I wrote ahead of time. This single album was released back in June 2024.

    PS. Sorry if this post looks a little awkward. I am also posting this from my phone and not my laptop.

    ZOMBIE Album Cover

    1. ZOMBIE (Title Track) – Click here for the full review for ZOMBIE. (7/10)

    2. ColourzColourz brings an explosion of colour and energy to the single album. If you have being reading my blog for some time, you can probably guess (from afar) that Colourz was going to be my favourite, particularly since this was the style of EVERGLOW I was looking for. The energy didn’t need to be as bright as it was for me to like it, but I do appreciate it in Colourz. I love the combination of the brass and hip-hop influences in Colourz. The shouty delivery of some lyrics was also well-suited for the song. (10/10)

    3. BACK 2 LUV – Toning it back is BACK 2 LUV, which goes for softer tone instrumentally. There is still a heavy beat to the song, but BACK 2 LUV is incredibly subdued in comparison to the previous song. The song features good vocals from the members. I liked the cutesier tone the chorus has, but there are some other moments in BACK 2 LUV that give the members a chance to show off some of their own vocal colour. SIHYEON and MIA’s vocals in the bridge was amazingly blissful, and I might revisit BACK 2 LUV a few more times after this review just for this bridge. (9/10)

    Overall Album Rating – 8.7/10

    ZOMBIE mini-album teaser image

    [Album Review] Kep1going On (1st Studio Album) – Kep1er

    Kep1er’s first studio album, Kep1going On, is up for a review today. It is their first Korean studio album release since their debut in 2022. It features the title track Shooting Star, as well as the Korean versions of their Japanese title tracks Grand Prix and Straight Line. Kep1going On is also the last album release from Kep1er to feature Kang Yeseo and Sakamoto Mashiro, who did not renew their contracts to continue as part of Kep1er and subsequently made their quick debut under the new group MADEIN.

    Kep1going On is not the most amazing release ever, but it is honestly what I had expected Kep1er to release. They did blow me away with Shooting Star and one other side track on the album (continue reading to find out which song that is). Following Kep1going On, the group returned as a seven-member ensemble with Tipi-Tap (which I have yet to review).

    Kep1going On Album Cover

    1. Last Carnival – I wished Last Carnival was a full track and not an intro track. The atmospheric tone and soft EDM instrumentation were amazing. Kep1er’s vocals were stunning throughout, and the pop melodies were a fantastic lead into the title track that follows. (9/10)

    2. Shooting StarClick here for the full review for Shooting Star. (9.5/10)

    3. CuriousCurious is a decent R&B pop song. I liked the energy that most of the track featured and the vocal work in this one. It feels very lovable and cute-sounding, without going overboard in that department. My only gripe is that the chorus should have built on the momentum that came before it. The chorus could have been a little brighter, as well. This would have made Curious more appealing. (8/10)

    4. Flowers, Flutter, Your Heart – Kep1er leans more into the R&B territory with Flowers, Flutter, Your Heart. I will admit that the song is more typical. But I really liked the violins in this one. I also enjoyed how engaging both the members and melodies were in the song. Still, Flowers, Flutter, Your Heart is a good example of how doing something really well speaks more volume. (8.5/10)

    5. Double Up!Double Up! changes up the momentum of the mini-album by featuring a groovy deep house instrumentation. And I am digging the instrumentation! I can’t help but have a mini dance when Double Up! comes on. It just has a great party energy that is hard to deny. The trap moments also work well in this song. A stronger hook and melodies could have really boosted the song to 10/10 territory. What we do get is catchy enough, but I think Double Up! could been perfect had these been fleshed out more. (9/10)

    6. PUSH BUTTON – I can see PUSH BUTTON being an addition to Kep1er’s lineup of Japanese singles. It has potential to outperform their previous singles, especially if there are improvements to the song. PUSH BUTTON has the mature vibe heard in their Japanese tracks, is more approachable and has a decent ring. It is a bit more elementary and noticeably lacks oomph, but these are the improvements that could see PUSH BUTTON exceed expectations sets by their previous Japanese singles. (8/10)

    7. PROBLEM – The 90s retro vibe in PROBLEM sells me this track. Since the album’s release in June, PROBLEM has become my favourite. I enjoyed all aspects of it – vocals, rapping, instrumentation, melodies and hooks. I particularly thought Huening Bahiyyih and Xiaoting’s lines in the verses were amazing. I also enjoyed the R&B turn in the bridge by Chaehyun and Mashiro. A definite recommendation. (10/10)

    8. Dear Diary – Given its position on the album and the fact it is titled Dear Diary, I am not surprised that the track is of a slower motif and is dedicated to their fans. The track has a nice, overall. The R&B instrumentation is touching and soothing, while the vocals were appreciatively delicate. Even the rapping was well-thought out and incorporated into the fan-dedicated song. (8/10)

    9. Grand Prix (Korean Version)Click here for the review of the Japanese version for Grand Prix. (5/10)

    10. Straight Line (Korean Version) – I made promises to review Straight Line before, but never got around to it until today. I personally liked Straight Line as a track. But there is a lot going on, and I can see why many people may think the song is overwhelming. It is a blend of genres and influences – Latin-influences, hip-hop, R&B and probably a few more. While the track attempts to hold itself back from being overwhelming by keeping the vocals and melodies ‘consistent’, the sheer number of changes the song go through doesn’t help. That being said, there are some good moments in Straight Line. So, perhaps the producers should have stuck to a just a few style (or each separately) to help Kep1er shine. (7.5/10)

    Overall Album Rating – 8.3/10

    Kep1going On Teaser Image

    [Album Review] 1 to 3 (3rd Mini Album) – SUHO (EXO)

    SUHO’s 1 to 3 is the next album on the reviewing block. He returned with the mini-album in May this year with the title track of the same name. It also features the pre-release of Cheese (which featured label mate WENDY from Red Velvet) and 5 other side tracks.

    One of the things I realised upon reviewing SUHO’s album is how rock-focused it is. We are not just speaking of the more traditional forms of rock we often hear in KPOP, like pop rock. Instead, SUHO ventures into alternative and indie territory throughout the album, which is always intriguing and exciting. SUHO does such a good job that I recommended 1 to 3 to those looking to satisfy their rock cravings.

    1 to 3 Album Cover

    1. MaydayMayday softly opens the mini-album, speaking to the idea of looking for someone you thought was on the same path as you. The song taps into the alternative rock genre, with the official description describing it as a ‘dreamy psychedelic’. I liked how approachable Mayday is with its soft aesthetic, easing us into the mini-album. The song’s soft nature also applies to SUHO’s vocals, which are so delicate. But this delicateness gives us that emotion the song’s message wants to convey. (8/10)

    2. 1 to 3 (점선면) (Title Track)Click here for the full review for 1 to 3. (9/10)

    3. Cheese (치즈) (ft. WENDY from Red Velvet) (Pre-Release Track)Click here for the full review for Cheese. (8/10)

    4. Wishful ThinkingWishful Thinking is an intriguing song. The verses feature some groovy yet hushed vocals that appeal to me instantly. But then comes brief and harsh guitar work that shocks the system and breaks up those hushed vocals. The second time it shows up, it generates momentum towards the chorus. But when the choruses comes, SUHO returns to hushed vocals but also makes sure to give it a beautiful twist by smoothing out the melodies. The song doesn’t maintain any particular momentum until after the second chorus, where Wishful Thinking starts to wrap up and ends abruptly (which you may know is not my ideal way to finish a song). (9/10)

    5. Moonlight – SUHO continues his exploration of rock with an indie number. Moonlight is a refreshing song for a few reasons. His vocal delivery is very different yet fun, compared to the other songs. The melodies and energy are more cheerful, which had me vibing along. He opts for a ukulele as the primary instrument, which is a unique choice. Moonlight isn’t my usual cup of tea, but I liked it nonetheless. (8/10)

    6. Alright Alright (ft. Giriboy)Alright Alright brings funky rock to the mini-album. And the funkiness and catchiness of Alright Alright makes it a hard song to turn away from. The instrumental gives me surfer vibes, ideal for someone looking to kick it back at a beach this Summer (like me). SUHO’s light yet fulfilling vocals are amazing, and GIRIBOY’s rap fits in perfectly. (10/10)

    7. Zero Gravity (무중력) – Wrapping up this seven-song mini-album is Zero Gravity, another alternative rock song. The first verse had me thinking the song was leaning into the balladry side. Beautiful instrumentation and vocal work here. But Zero Gravity picks itself up once it gets to the chorus and maintains that energy into the second verse. Both the instrumentation and SUHO’s vocals remain beautiful and approachable. I really liked the flow of the chorus, which felt like an OST to me, and the passion the bridge exudes. (10/10)

    Overall Album Rating – 8.9/10

    SUHO’s teaser image for 1 to 3