Many comebacks are kicking off the new week. While I have checked them all out, I must prioritise my favourite release from the bunch—YEJI’s Air. This is YEJI’s solo debut single and is featured on the same-name mini-album. YEJI is also the first member of ITZY to officially go solo with this release. We last saw ITZY through their GOLD / Imaginary Friend promotions (the latter I just reviewed last week).
Yup, out of all the releases that dropped today, YEJI’s Air is the one that caught my attention most strongly. It wasn’t the first or second release I checked out, but it is the one that remained in my mind long after, prompting me to write its review first. So, what aspects of Air caught my attention? Well, I put it down to the combination of Air‘s synth-pop instrumentation and the catchy hooks. The synth-pop got right to business and didn’t mess around. I really appreciated it that. There was also a touch of electric guitar in the bridge and the song’s final moment. I like how it added a dash of edginess to the music and channels the momentum Air had built. The beat also made the track quite compelling and pulses it along. As for the hooks, they have been beyond addictive. The “Air air air, all my air” line has been repeating in my mind since the first listen. As for YEJI, I liked how fresh her delivery made the song feel. You could also feel how vibrant and passionate she was. And this pays off quite well, with the chorus feeling bold and enticing. The verses were a tad bland from her part, but that is only a small detail. Overall, Air is a very good song and kicks off the week in a positive manner.
One thing I wanted in the song was some charisma from YEJI. But I held back on that suggestion, as charisma doesn’t need to be delivered in song format. Instead, it can be a visual element. And YEJI delivers it flawlessly in the music video. It is exuded a fair bit throughout the video but is most profound in the choreography shots. I like how the video has an odd side (see YEJI’s walk from the couch before tripping over a log, and the wacky pose we see her in at the start and end of the video) through how the shots were captured and edited (I presume). In addition to being memorable and different, it follows well with the song in the sense that it is refreshing. I also liked the idea of the crash scene, with YEJI laying on the bonnet – symbolising how YEJI’s breath is taken away by the person she is singing about.
As expected from ITZY’s main dancer, the choreography does not disappoint (from what I can see in the music video). While charisma and confidence are definitely exuded, I like how the routine has both a refined and fun energy (though the latter might be due to the music video). My favourite part is the back-bending move before the song wraps up. The sexy hand drag over her body was a very close second. While we do not see all of the routine, I am sure the rest live up to those expectations.
Song – 9/10 Music Video – 9/10 Performance – 9/10 Overall Rating – 9/10
It has been over a month since I posted my last album review to focus on the 2024 KPOPREVIEWED Awards. With that out of the way, I can finally return to the forever growing backlog of albums. First up is NCT 127’s 6th studio album, WALK, which was released in July 2024. It features 11 songs, including the title track, Walk (which I nominated for Best Rap or Hip-Hop Song in the 2024 KPOPREVIEWED Awards – unfortunately, it didn’t win, but it was my personal choice). This is the first album not to feature TAEYONG in the promotions, as he (at the time, and still is) enlisted in the military. But he did feature in the songs! This is also the last album to feature TAEIL, who was removed from the group soon after the album’s release.
With Walk leading the charge for this studio album, it was a definite positive sign for what would come on it. Two songs got perfect ratings from me, while a few almost got there as well! This made WALK good enough to be a recommended album. Continue reading to find out my thoughts on each song.
WALK Album Cover
1. Intro: Wall To Wall – Nowadays, a two minute and 30 second intro track is pretty much a full-fledged track. Despite that, NCT 127 maintains that Wall to Wall is an intro track. Wall to Wall features an atmospheric instrumental that combines an organ with hip-hop influences. In combination with an amazing instrumental, there is an equally amazing set of vocals and passionate rapping from the members to kick off the album. (9/10)
3. No Clue – No Clue emphasises the two sides of NCT 127. It starts with some cool rapping from TAEYONG and MARK, before we revert to smooth vocals from the vocalists. No Clue continues this pattern of cool rapping and smooth vocals for the remainder of the song, even in the chorus, to create a very unskippable hip-hop track. (9/10)
4. Orange Seoul (오렌지색 물감) – Orange Seoul is quite a fun number, joining jazzy instrumental elements with some strong vocals and rapping. This sounds like a great soundtrack for walking down the street in a very good mood. I liked Orange Seoul the most when the members and the instrumentation get super expressive. It is hard to pass up. (9/10)
5. Pricey – Grooviness hits you from the very first second in Pricey, setting up the song for success. Alongside it was some cool piano work and hip-hop elements, which add a lot of buoyancy. The continuous flow and delivery by the members were other amazing aspects of Pricey. Altogether, another good song. (8/10)
6. Time Capsule – Time Capsule sees NCT 127 slip into mid-tempo territory with this R&B/hip-hop track. But this is not something to look down on – Time Capsule is a stunner. The smoothness of the track was fantastic, and the rapping was nicely balanced to give us that hip-hop flair without becoming overbearing. Ultimately, the vocals won me over and made me come back for more. (10/10)
7. Can’t Help Myself(영화처럼) – Another stunning track comes in the form of Can’t Help Myself. Again, it is the vocals that floors me. The ad-libs in this one are phenomenal. I originally thought the “I can’t, I can’t help myself, I can’t, I can’t help myself no oh” lines were a little abrasive. But they have grown on me and give Can’t Help Myself some texture that allows it to be different from other vocal-centric tracks on this album. (10/10)
8. Rain Drop – We return to the R&B and hip-hop mix we heard earlier in the album in Rain Drop. But Rain Drop is much lower in tone and is sleek. I like how atmospheric the instrumental was and how it felt like the jazzy music that matches a rainy day. The rapping also adopts a low tone approach, which was very cool. The vocals were lovely, and I love HAECHAN’s incline in the bridge. I am in two minds about the shouty “I can hear you, my rain drop yup” line that breaks up the song. On one hand, it is a pretty memorable aspect of Rain Drop. On the other hand, it is a bit jarring (relative to the rest of the track). (8.5/10)
9. Gas – Gas taps into trap side of electronic music, combining it with hip-hop elements. This track feels very NCT 127. While I appreciate the latter, I am not a massive fan of the former. I also find the repetition of the song’s title to be very bone-dry. It is still a well-conceptualised track, and I like how it showcases that bounce synonymous with hip-hop. I also liked how they took the energy to the next level towards the end with that dynamic changeup. (7/10)
10. Suddenly (서서히) – The penultimate track on WALK is Suddenly, which takes us back to the R&B side of the album. The instrumental makes Suddenly a nice track. I like the mix of acoustic guitars, dynamic piano and refreshing percussion. We are also treated to some brassy elements in the chorus and some trap elements later on that form the instrumental break. The vocal and rapping work and the paced delivery of the chorus are also quite refreshing. A lot to like in Suddenly. (8.5/10)
11. Meaning of Love (사랑한다는 말의 뜻을 알아가자) – The final song on the album is Meaning of Love. It is a cute and sweet song from the group. Probably a bit of a mismatch when you compare it to the rest of the album. But Meaning of Love isn’t a terrible song by a longshot. I like the upbeat vibes from the more acoustic instrumentation in the background and the build-up that the track features. The vocals were very nice, particularly the husky tone the rappers used in the song. (8/10)
There have been a few debuts this year, and I haven’t covered any of them on my blog yet. That is until today. Hearts2Hearts is the first newly debuted group I am picking up for a review. The group comprises 8 members (Carmen, Jiwoo, Yuha, Stella, Juun, A-na, Ian, and Ye-on) and they are SM Entertainment’s latest female group (the company’s first since aespa). Their debut single, The Chase, was released almost 2 weeks ago.
Right off the get-go, The Chase is pleasant and soothing. The elements, particularly melodies, exude calmness and smoothness. But there are risks with this style, and The Chase fully realises some of these risks. The Chase is an empty track and it doesn’t have much for me to ‘grab’ onto. The smoothness I mentioned earlier helps glide the song along. But unfortunately, nothing sticks. The hooks or melodies were not compelling, and I missed the chorus several times because of how hollow it sounded. From what I can tell, the members sound okay on both the vocal and rapping front. But, I wish the material was more interesting so that we can appreciate each member individually. Finally, The Chase is supposed to be a debut song. But when compared to other debut tracks we have heard in the past, The Chase is underwhelming. To be honest, this soothing style would have made for an okay side-track. But as a debut track, this isn’t a good start for Hearts2Hearts, mainly since I have forgotten the track. The only thing that attracts my attention towards the group is that they are from SM Entertainment. I am willing to give Hearts2Hearts another go, but hopefully it is with a bolder track.
The music video accompanying The Chase also doesn’t connect with me. But I am not sure if this is more so the song speaking rather than the actual video. However, since they are paired up, it is difficult for me not to find the visual material boring. The music video has a few things going for it, though. I liked the mysterious vibes that the video started off with. However, I wished the entire video wasn’t just mysterious vibes, which raises more questions for me. The members look great (especially the chic look they don while in the lobby location), and I liked the flowy vibes the music video exudes. But there isn’t much else to remember the music video by.
The performance is good. It fits the dreamier motif that The Chase goes for in the song. I did like the circle formation they made towards the end of the performance. But aside from that, there isn’t anything that memorable in the performance.
Song – 6/10 Music Video – 7/10 Performance – 7.5/10 Overall Rating – 6.6/10
In addition to GOLD, ITZY also released a music video for the single Imaginary Friend. Today, I will finally get around to reviewing this additional title track from their GOLD mini-album released in October 2024.
ITZY changes things up with Imaginary Friend. Instead of the usual dance tracks that they are known for, they opt for a softer melodic R&B approach in Imaginary Friend. The contrast between their usual style and Imaginary Friend is very intriguing and striking to me, and this makes the track stand out. Instrumentally, Imaginary Friend features vintage pop guitars and band percussion that give the song a lot of bite despite being a softer sound. I also really like the rock tinge we get more of in the post-chorus hook, which just gives the song more oomph. What makes Imaginary Friend even better is the fact that the melodies and vocal work are actually compelling. Stunning vocals and melodies are a definite drawing point in my books, and Imaginary Friend features both. The vocal processing was also amazing and well used to help make the vocals feel etheral. In terms of effect the song had on me, Imaginary Friend is actually quite stilling. Every time the song popped up on my playlist or queue, I find myself pausing with whatever I am doing and actually listening to the song to really enjoy and connect with it. That usually happens with ballads and similar songs, but Imaginary Friend is a special track.
The following is what I got out the music video. We see two forms of the members in the video. We first see the members as students, struggling to get through the harsh social conditions of the school environment. And these social conditions manifest into physical injuries. Later on, we see the members run through darkness, stuck in a circle and trying to avoid shadows that are out to get them. Quite sure we could generalised to scenarios where people may struggle and who find themselves in a dark place. The second form of ITZY we see is through the choreography shots, where they appear more gracefully as if they are guardian angels. At one point, they also wear white outfits that make them look like angels. When we see the choreography shots, they coicinde with comforting lyrics about being an imaginary friend and protecting the person so they can dream. To me, this represents a form that can bring hope and comfort to those in a dark place.
Even in a graceful motif, the choreography still manages to incorporate the signature “crown” at the start and end of the routine. I liked the balance between soft and sharpness in the routine and how they managed to make the choreography fit the song (which I have described as very soft). The little bit of intensity we get in the post-chorus rock instrumental sequences is also well-crafted, giving us a little more oomph to ensure the entire routine is engaging.
Song – 10/10 Music Video – 9/10 Performance – 9/10 Overall Rating – 9.5/10 [updated on 26 April 2025 due to calculation error]
ZEROBASEONE makes their grand return today with the new single BLUE and mini-album, BLUE PARADISE. It follows the pre-release single Doctor! Doctor!, which I will be reviewing soon. The new mini-album is the group’s first Korean release in 6 months, following their CINEMA PARADISE mini-album (album review coming) andGOOD SO BAD comeback in August last year. The group has also been busy in Japan with releasing their Japanese debut mini-album PREZENT last month and a new single NOW or NEVER.
But today’s post focuses on BLUE. BLUE is a pleasant alternative pop song that follows GOOD SO BAD quite nicely. The pleasantness comes from the airy and buoyant melodies, the underlying guitar we hear very clearly when the synth work is stripped away during the pre-choruses, and the refreshing synth instrumentation in the choruses. ZEROBASEONE’s vocals bring brightness to BLUE, giving it sweetness and a wholesome feel. Most of the song was enjoyable, and I liked it a lot. However, some parts in BLUE haven’t won me over yet (who knows what some more repeats of BLUE may do). The first is the way the chorus ended. It felt abrupt and sudden. A post-chorus would have helped offset this. The second is the rapping, which is a loss opportunity, in my opinion. While what we got in BLUE wasn’t bad, it played too safely with the pleasant trajectory. Listening to it closely, I wonder how a bit of roughness could have given the rapping some additional personality and oomph to make it even more memorable amongst the pleasantry vibes BLUE had throughout the song. Thirdly, the hooks don’t feel as established as they could be. BLUE is definitely more reliant on melodies given the song’s pleasant and vocal focus, but I wished the hooks were a little more enticing.
A clear blue sky symbolises a good day, and the members recall the fond memories of meeting someone special on that good day in BLUE‘s lyrics. The music video shows bright and beautiful days with clear blue skies throughout the video. Some of it is virtual, some is real life – all show us the consistent message of how good these days are. Even in some of the indoor shots, you can definitely get a sense of how blue the skies are by watching the good moods the members are in. Altogether, it’s definitely a feel-good video. As a small side note, the choreography scenes in the virtual world (i.e., the street with the changing buildings) reminded me of their Feel The POP music video from last year.
The choreography opts for a more flowy and airy approach, which works well with the song. Nothing that memorable, though the scarfs were a nice touch. I do want to point out that I didn’t notice how shouty the vocals were in the chorus until I watched the performance. But I am not disappointed by it. The shoutiness gives BLUE some character (more so than the audio version), and it was well-controlled and felt piercing in a good sense.
Song – 8/10 Music Video – 8.5/10 Performance – 8/10 Overall Rating – 8.2/10
JISOO made her long-awaited return to the music scene last week with the single earthquake and her first mini-album, Amortage. It is her first release since her solo debut in 2023 with Flower. In addition to the new music, JISOO has been busy with a new K-drama Newtopia. She will also regroup with the rest of BLACKPINK for a comeback and world tour later this year. So, keep your eyes out for more JISOO shortly!
earthquake starts off sleek and tense with low tones before building into a nice dance track. The instrumental brings in a slight grooviness and a hefty dance beat as it develops. Part of me thinks the combination is plain and straightforward, but I also believe it made earthquake sound more compelling (especially when compared to Flower). It also gave earthquake some dynamic flair, contrasting with the song’s monotonous melodies. But these melodies aren’t necessarily a bad thing. JISOO handles them well, especially the “da da da” post-chorus hook and the “It hits me like an earthquake” opener line to the chorus. I think they are the most memorable aspects of the song and have been on repeat since Valentine’s Day (the day earthquake was released). JISOO also flourishes in the pre-choruses, where her vocals are the strongest. I can’t think of anything bad about earthquake, and I find it to be a definite improvement from her solo debut.
I really enjoyed the music video. JISOO looks very stylish and fitting for the song. Essentially, this comeback is about how someone’s ex dropping back into that person’s life will shake it up, just like an earthquake. The music video shows her being interrogated by an officer from the Department of Heart Security (cameo by Cha Seung Won). But she gives in, blowing up the interrogation room (which also takes out Cha Seung Won). I like the explosions in the video, which feels cool and works well with the song’s title. JISOO also looks very cool in the driver’s seat of that sports car.
I also enjoyed the performance for earthquake very much, especially the aesthetics given off. The performance has some memorable moments, such as the vibrating dancers at the start, the serious post-chorus clicks and arm swings accompanying the first and last post-chorus hooks, and the sharp arms at the start of the second post-chorus sequence. JISOO also shows off her charisma throughout the performance, which adds to the performance.
Song – 9/10 Music Video – 10/10 Performance – 9/10 Overall Rating – 9.3/10
I am bouncing around time at the moment. Reviews for songs last week, newer releases from this week, and now 2024 releases I have yet to review. In the lead up to the release of their 4th studio album, Dream()scape, in November 2024, NCT DREAM pre-releaed the single Flying Kiss. This preceded the single When I’m With You, which served as the title track for Dream()scape.
Flying Kiss is an alright song. It is quite a pleasant track overall, but also rather plain. I am glad it wasn’t the title track for the album. I blame the trap elements and hollow synths in the instrumental for that, as well as the verses. There were soft beats and a harp at the start. But these weren’t enough to make Flying Kiss compelling to me. Similarly, the verses were also not compelling and rather forgettable. Flying Kiss does get better when we reach the choruses. The relatively fast-paced delivery is actually charming and gives Flying Kiss a uniqueness. It also picks up Flying Kiss, which was much needed after the plain verses. The bridge also fairs better than the verses, with a strong velvety and dreamy flair exuded by the vocals. I also enjoyed the abruptly pierce change in momentum with the “I Just Wanna” change up. JENO and CHENLE’s delivery was awesome and gave impact, and it was a great way to get back to the chorus. Finally, the spoken ending line to Flying Kiss by JAEMIN stands out. Somehow it feels bold and distinct from the rest of the song, thus ending the song on a memorable note.
Like the song, Flying Kiss‘ music video was also alright. Some of it was shot using the same set as the train’s inside we saw in When I’m With You. But there was also other scenes that gave off a noticeable dreamy vibe to match the song. I liked their styling and how sweet it made them look, on brand for a group known for their youthful and bubbly charms when they first started. Definitely a nice throwback there. But there wasn’t anything exactly memorable that really makes me want to go back and revisit the video often.
The dance for this release opts for a softer and more pleasant vibe, which works well with Flying Kiss‘ instrumental. I liked how they gave the routine a kick during the chorus, which is also when the song picks up. But nothing memorable, once again. NCT DREAM themselves did look very sweet on stage and appear to really enjoy the performance, so that is something.
Song – 7.5/10 Music Video – 7/10 Performance – 8/10 Overall Rating – 7.5/10
Returning after their first comeback since their amazing Bye My Monster and Beautiful Shadow mini-album last year is ONF. Their new release is the first part of their 2nd studio album ONF: My Identity, which dropped yesterday. It is led by the single The Stranger – the focus of this post.
The Stranger brings us back to 2021, with ONF’s mammoth year of releases. It all began with Beautiful Beautiful, which I described as ‘wonderfully energetic and [having an] exciting retro profile’. The Stranger follows that description, channelling a funky flair from the get-go and throughout the song’s entire length. The momentum that The Stranger builds up is exciting, making the chorus one to look forward to. And with their powerful vocals in play, ONF does not disappoint! Particularly in the central aspect of the song, their excellent vocal work gives The Stranger some extra punch and weight. But that isn’t the song’s best part. That honour goes to the post-chorus hook (i.e., the “Stoop-di-bap…“). Short and brief, but it caught my attention and is so catchy. The bridge is probably The Stranger’s most questionable segment. Ienjoyed the first half, where the song levelled up through the harsher instrumental. But the second half, where the background to WYATT’s rap was ‘stripped away’, feels like a lull in the song’s dynamic momentum. But aside from that minor moment, The Stranger is still a top-notch song for ONF.
The music video shows the members investigating the bright figure we see at the start of the video. As the video progresses, we are given hints of who this figure might be. But unsurprisingly, it turns out to be the members themselves. I wished there was a plot twist to the mystery rather than something predictable. I also want the video to be bolder and present a wow factor. Something like the futuristic world setting in the Beautiful Beautiful/Ugly Dance/Goosebumpsseries could have done the job.
I like the handguns and the swinging arms that make up the choruses’ choreography. The changes in formation keeps it fresh. I also really enjoyed the cascading move alongside the second pre-chorus. Overall, the routine is not as dynamic as I hoped to really complement the funky flair and energy. But the constriction does allow them to showcase their stable live vocals.
Song – 9/10 Music Video – 7/10 Performance – 9/10 Overall Rating – 8.4/10
A more recent comeback belongs to EVNNE, who returned last week with the new single HOT MESS. The new song serves as the title track of the group’s 4th mini-album of the same name. This HOT MESS comeback follows their June 2024 comeback with Badder Love and the mini-album RIDE or DIE.
HOT MESS introduces us to a new side of EVNNE via an entirely new and distinct sound. As mentioned in their Badder Love review, EVNNE is a group that I associate with a bold and bombastic sound. HOT MESS turns EVNNE’s discography onto its head (in a good way) with such a goofy and colourful song. I did notice a childish flair, which usually concerns me. But I like how the song’s producers control it so that HOT MESS does not feel cringy (the case for a lot of childish-sounding songs). I really enjoyed the pop-rock tinge the instrumental had. It is on trend and brings an interesting retro flair to the HOT MESS‘ dynamic. The percussion and synth work also contributed to the HOT MESS‘ fun-filled nature. I also like how the upbeat nature of HOT MESS comes off naturally. The members all sound great in the song. If I were to pick, the vocals in the pre-choruses and JIHOO’s raps in the second verse were the best of both deliveries. The hooks are repetitive but catchy. The “I’m a mess” is quite effective and a good introduction to the choruses’ melodies (which I also greatly enjoyed). If I were to critique HOT MESS, its short length limits its potential. While HOT MESS is all good, iteasily could have packed extra punch. But frankly, there was not enough time to explore that potential.
As expected with a fun song, the music video features more colour than what I am used to for EVNNE. But it isn’t exactly a vibrant set of colours. There are darker tones and shades used in the video, commonly used for a boy group to illustrate their toughness in a light-hearted video. It also lends well to the song’s harsher pop-rock influences. In the midst of the fun, the members represent worker ants because of the marching the start and the underground setting. And these worker ants also bake cakes. Their cakes are popular, but EVNNE is a ‘hot mess’ whilst baking and serving the cakes to their customers. At one point, they were throwing handful of cakes at their loyal fanbase. Though, I am sure it more so for portraying the fun and quirkier concept they were going for.
The choreography sees the group bring forth a very playful side of themselves. There were a lot of smiles and fun moments throughout the entire performance. The energy EVNNE puts into their delivery and exude from the performance is infectious. I don’t think anyone can help but grin widely while watching EVNNE perform HOT MESS.
Song – 8/10 Music Video – 8/10 Performance – 8.5/10 Overall Rating – 8.1/10
CHUNG HA is back telling us not to stress in her latest single, STRESS. I should have tuned into the release during the week and listened to CHUNG HA. After all, stress is not good for one’s health. STRESS is the lead single from CHUNG HA’s 5th mini-album, Alivio, which dropped this week. It is her first release since last year’s special single, Algorithm.
STRESS (the song, not the response) feels right for CHUNG HA. The funky elements and house beats are not new for CHUNG HA or KPOP. But it is definitely her familiar territory. I like the ’90s vibe of the song, particularly when STRESS‘ bridge resembles a Vogue-esque feel. The dynamic energy that drives STRESS forward is also a highlight. CHUNG HA sounds really good in the song, as well. However, I wished the material was a little more engaging. When I listen to STRESS, I can feel the potential for the hooks and melodies to be engaging and unique. But what we got weren’t. While STRESS‘ hooks were admittedly somewhat catchy, they were also very plain and lackluster. The exact same thing can said about the melodies. That is the biggest deterrent for me really enjoying the song, but STRESS’ instrumental is its savior for me.
The music video for STRESS is stunning. From CHUNG HA’s visuals, her outfits, the elegant gallery-like location, everything looked top notch! I think that gallery location was also featured in TXT’s Over The Moon‘s video. I like how the other scenes not in that gallery location also adopted a similar vibe and looked artistic. The message of ‘don’t stress’ was shown well in the music video. Some of the people doing yoga (or struggling to) were the stressed individuals, who we later see adopt CHUNG HA’s mantra of getting up and dancing it out.
I like the mixture of voguing and playfulness in the choreography. The former fits in well with the 90s vibe that STRESS has going on. The latter definitely infuses more of CHUNG HA’s style. This combination makes for a fun and flirty routine, enhancing the song’s message and giving it an alluring persona.
Song – 8/10 Music Video – 9/10 Performance – 9/10 Overall Rating – 8.5/10
Out of the releases released while I was on break, I was most excited for GOT7’s long-awaited return. I have been looking forward to sitting down and reviewing the lead single, PYTHON. It is the title track from their 13th mini-album, WINTER HEPTAGON, which dropped in January. We last saw GOT7 as a group in 2022 through their 12th mini-album GOT7 and the single NANANA.
PYTHON features a very subdued trap-based instrumental, serving as the backdrop to showcase the group’s affinity for the hip-hop genre. There is also this harp-like synth recurring in the mix that feels quite calming and soothing. Altogether, PYTHON‘s instrumental is very low-key and minimalist, yet also chic and stylish. Also, it somehow doesn’t come off as repetitive to me. When the instrumental brings in some new elements, like the broad vibrating synth in the pre-choruses, these elements really pop. And I quite like that contrast. Another aspect of PYTHON that made it a great release was the vocals. I really like how expressive some of the members were (i.e., YOUNGJAE and YUGYEOM). On the flip side, I like how some other members were lowkey (i.e., JAY B, JACKSON and MARK). It is an interesting dynamic that actually showcases the members well. JINYOUNG does a great job in the pre-choruses, smoothly giving PYTHON some momentum. I also enjoyed PYTHON‘s darker tones, a side of GOT7 that I have previously enjoyed. We have BAMBAM to applaud for that, who was one of the producers behind PYTHON. Unfortunately, I do have a complaint to make, and it is about PYTHON‘s very short length. PYTHON sometimes feels like it wraps as soon as it starts, and I don’t find this satisfying. Overall, it’s a great song from GOT7, but something longer would have been appreciated.
As mentioned above, PYTHON has some dark tones, which were brought to life well in the music video. The song speaks to how the hold someone has on them is like a python’s grip, preventing them from moving on. That’s why we see the members stuck in the same location in their solo shots at the start. For example, JINYOUNG is walking in one spot, and YOUNGJAE is unable to leave the chair surrounded by microphones. Even on the plane (a form of transportation to move people), the members wear the same stylish black suits as in their earlier solo shots. This shows us they are ‘stuck’ in this form. In the latter scenes, the members escape the ‘hold’ and don more casual wear. But we see BAMBAM getting pulled back into the plane and black suit because the python’s grip is too firm at the end. This suggests someone has a strong hold on them, just like a python’s grip. In amongst the above, the music video cleverly incorporates elements from GOT7’s older music videos. I noticed the plane from their Flight Log series, the airline service trolley that JACKSON throws in their Hard Carry music video and the members lying down in a circle from theirYou Calling My Name era.
The choreography looked quite cool. I liked how they utilised the beats well to showcase the hip-hop style. The start of the chorus brings in imagery that looks like the python fangs and the AHGASE (GOT7’s fanclub’s name) hand sign. JINYOUNG’s solo moments in the pre-choruses are my highlight for the routine.
Song – 8.5/10 Music Video – 9/10 Performance – 8.5/10 Overall Rating – 8.7/10
Another song released while I was on vacation was BSS’ (SEVENTEEN’s Boo Seungkwan, DK and HOSHI) CBZ (Prime Time). It is the title trackfrom the unit’s second single album, Teleparty, which dropped in early January. CBZ (Prime Time) is BSS’ first comeback since their massive hit Fighting (ft. Lee Young Ji) from 2023 and their unit debut, Just Do It, in 2018.
All of BSS’ title tracks have been fun and always contain a positive message. CBZ (Prime Time) continues that tone and messaging. This time, the fun side of CBZ (Prime Time) comes from the instrumental’s jazzy elements. It made for quite a dynamic and funky piece. As for the positive message, CBZ (Prime Time) speaks to the idea that youth is not an age, but rather a mindset. The Korean title of the song is also a ‘Cheers’ acronym in Korean. The Korean title also means ‘jeans’, which is an element that the music video features (more on that in the next section). As for the other elements that make up CBZ (Prime Time), there is much to like in the song. I really enjoyed the expressive nature of the members’ vocals. A fun instrumental doesn’t necessarily guarantee a fun song. The vocals are a definite factor in helping bring life to the song, and CBZ (Prime Time) features an engaging delivery from the trio. The hooks were fantastic and got the song stuck in my mind after several listens. My only concern for the song is its longevity. Based on what I have seen, CBZ (Prime Time) doesn’t have the same pull on the Korean charts and social media as Fighting did. Regardless, it is another fantastic song by BSS.
As mentioned earlier, the music video visually conveys a few of the messages. With the youth mindset, this is done via the choruses, where the members have fun. They take the office workers to the pub while also partying it up at the end. The members also hand out jeans to bring that alternative meaning to the Korean title into the choreography. They make it the uniform of having fun, which makes sense, given jeans are more casual than office wear or school uniforms. The music video also features cameos from some Korean actors like Uhm Jung Hwa, Gal So Won, Jung Young Joo and Moon Sang Hoon.
Hands down, the best part of the choreography is when they launch into the final chorus. The dance challenge for this comeback may have played a part in this, but it was the most memorable section. Elsewhere in the performance, a fair bit is going on. I like how jumpy the dancing was – it probably feels like a workout. I also enjoyed how they integrated the idea of youth being a mindset and showed off their jeans in the routine.
Song – 9/10 Music Video – 9/10 Performance – 9/10 Overall Rating – 9/10
In my review for REBEL HEART, I mentioned my plan to review the second title track from their 3rd mini-album (IVE EMPATHY) soon. Well, ‘soon’ has arrived. The second song is titled ATTITUDE, and it dropped with the rest of the mini-album on Monday this week.
My first impression of ATTITUDE was that it could have used a little more sass or attitude. There are definitely moments in ATTITUDE that give off this tone and energy, like the song’s main hook (sampled from Suzanne Vega and DNA’s Tom’s Diner and the rapping in the second verse. But I wished ATTITUDE went further, as it would have given the song more oomph and further impact. Elsewhere in the song, I enjoyed the instrumental’s dance beat and funky disco undertones. I liked the idea of the ascending notes in the final lines of the pre-choruses – breaking the note was a good idea. I also appreciated them in the choruses, even if it did get slightly unpleasant. On the topic of the choruses, they had good flow and melodies, but the vocals were plain to me. The most questionable element of ATTITUDE was the bridge. I agree ATTITUDE needed a change-up, but I wonder if a relatively toneless shouty delivery was the best way to go about it. Overall, ATTITUDE was a decent song. It is not as strong as their best tracks, but still worth a listen.
Based on the lyrics, the music video shows the members as inhabitants of the ‘Loveless society’. But they know that their time in this location is short. I like the confidence they exude, particularly in contrast to the other inhabitants of the society. Their outfits and styling were very pretty, showcasing their beautiful looks. I also like how the members do their own thing rather than following the norm. Overall, a great video to watch.
Like the song, I felt the choreography could have used more sass and attitude. There were a lot of bright smiles and moves, which was all great. I wished there was more balance with some other sides of the group they have shown before in the routine. For example, when YUJIN stood on top of those desks in the music video. That would have taken the choreography to the next level and worked well with the message behind ATTITUDE.
Song – 8/10 Music Video – 9/10 Performance – 8/10 Overall Rating – 8.3/10
Apologies for the lack of reviews this week. Jet lag caught up with me and work got me tired.
One of the releases that came out while I was on vacation was IVE’s single REBEL HEART. It serves as one of the title tracks for their (at the time) upcoming 3rd mini-album IVE Empathy. As of Monday this week, the second title track, ATTITUDE, and the mini-album itself were released. A review for ATTITUDE will be posted soon. IVE Empathy follows from their IVE SWITCH mini-album and HEYA/Accendio comeback in April last year.
I remember listening to REBEL HEART while on vacation and thinking it was a great song, minus one part. REBEL HEART begins with a rock tinge instrumental that develops into a bombastic sound that reminds me of their I AM single from 2 years ago. I like how the members channel and complement the rock sound, sometimes almost turning the song into an anthem. I do acknowledge the chorus is repetitive, but it is also very simple and catchy. The “So you can love me, You will never be never be never me…” definitely makes for an addictive hook. REBEL HEART does falter when it comes to the “Na Na Na” part in the bridge. This moment turned a strong and empowering song into something childish. At least, WONYOUNG and LIZ’s vocal follow-up picked REBEL HEART back up and made the song slightly mature again. Overall, REBEL HEART is a strong first release from IVE Empathy. This makes me excited for their now-released second track, ATTITUDE.
The music video for REBEL HEART features the members rebelling against society but staying true to themselves. After all, they are ‘rebels in their hearts’, and the song’s lyrics express solidarity with those who rebel. The group and ‘friends supporting friends’ scenes reflected the latter message. GAEUL and LIZ were probably the easiest rebels to spot in the video. GAEUL opted for activities like graffiti and hanging out in abandoned buildings. LIZ didn’t attend school on school days and was seen walking in the opposite direction of her peers. The other members’ portrayal of rebels was a little more subtle. REI wore an outfit that made her standout in public. WONYOUNG was an unhappy bride, while YUJIN took part in activities that did not fit the stereotype for her gender. The hardest to make out was LIZ’s portrayal of a rebel, who I guess is representing those who want to make a living through social media rather than other ‘typical’ jobs.
The choreography for REBEL HEART was good. I don’t mind the routine we got. But it could have gone for something punchier, as some moves didn’t fit the song’s rock vibe. It felt more focused on being youthful and pretty than taking advantage of that rock sound.
Song – 8.5/10 Music Video – 9/10 Performance – 7/10 Overall Rating – 8.4/10
MARK was originally due to make his solo comeback with his first album this month. But the long-awaited solo return of MARK was unfortunately delayed to April instead. To keep those waiting in anticipation for his solo release, MARK released the single titled Fraktsiya. It features LEE YOUNG JI, who had a successful run this year. This single release follows MARK’s other solo singles, which include Child, Golden Hour and 200.
MARK is well known for his rapping skills, which he has displayed through the abundance of songs he raps in. His rapping in SuperM’s Jopping springs straight to mind. But we have yet to come across a solo song from MARK that really showcases his rapping skills to the same degree. That is until Fraktsiya. It is a rap-based hip-hop track featuring a fast-paced and pulsing instrumental that exudes a dynamic yet lowkey energy. The details in the instrumental give off a prickly feeling, heightening the song’s excitement. MARK and LEE YOUNG JI were super punchy with their delivery through Fraktsiya, which I thought should be commended. Further, MARK’s flow throughout Fraktsiya does not let up and has me vibing along to the song. The same can be said about LEE YOUNG JI. But her style and rapping also bring a brighter-like tone element to Fraktsiya. But the song’s best part is when the pair rounds out with the shoutier “I’m so curious“. That was a great peak to accumulate towards and to end Fraktsiya with. Overall, this track excites me for what will come from MARK in April.
According to Google’s AI, Fraktsiya is the romanisation of the Korean word 쁘락지 (meaning ‘spy’). MARK and LEE YOUNG JI essentially rap about being spies in their respective ‘worlds’ – MARK being KPOP and LEE YOUNG JI being K-Hip-Hop. The video takes on a darker concept than usual for MARK. We see him as a spy in the first part. We then see him in the KPOP world, out of place and calm in the chaos as the staff prepares for a photoshoot. When LEE YOUNG JI appears, she appears out-of-place, as well. She wears a jacket with a touch of green on a green carpet, while everyone else is dressed in black suits on the white background. It was a cool video overall.
Song – 9/10 Music Video – 8.5/10 Overall Rating – 8.8/10
Stray Kids made their comeback in July 2024 with their 9th mini-album ATE. While I have reviewed the tracks that had a music video a while back before I took my break, I have yet to review the full mini-album until today. ATE features the title track Chk Chk Boom and 7 side tracks (including a remix of the title track). It follows on from their 2nd studio album, ROCK-STAR, and the lead single LALALALA.
Once again, Stray Kids pulled off another strong mini-album release, with most tracks being unskippable. ATE is undoubtedly another highly recommended mini-album of the group. Read on to see if you agree with me!
2. Chk Chk Boom (Title Track) – Recognising how much the song has grown on me, I have decided to bump up the rating for Chk Chk Boom by a full point. Click here for the original review for Chk Chk Boom. (8.5/10)
4. I Like It – I Like It raises a few red flags within its lyrics. It expresses the idea of liking someone but not wanting to fall in love with them. Despite the red flags, I Like It comes off as catchy and cute thanks to its pop roots. The “Ooh, I like it, ooh, ooh, I like it, like it” hooks are super addictive. The combination of the trap outro and HYUNJIN and FELIX’s spoken version of the hook adds a sexy flair to the song. (9/10)
5. Runners – Runners is an epic all-English track. It starts off with SEUNGMIN’s heavenly vocals over what I think is soft traditional instrumentation before FELIX’s deep vocals and beat grounds the track. This opening combination is memorable and makes me look forward to the song each time. The other members do an equally amazing job and ends up captivating me each time. The drill, drum and bass elements in Runners create some really nice textures in the background, while the choruses bring in a cyberpunk-esque energy into play. (9/10)
6. Twilight (또 다시 밤) – No matter how many times Twilight plays, I don’t remember much of it. Maybe it is because I am very used to Stray Kids with their loud and bold music nowadays and not through a mid-tempo ballad. That being said, it is still a good song with a beautiful piano instrumentation. Each member delivers the track splendidly, and the song has some good melodies. It just wasn’t a compelling listen from Stray Kids for me. (7/10)
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