Category: KPOP

[Review] Ice Cream – YEONJUN (TXT)

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Six months on from his solo comeback with No Labels: Part 1 (yet to be reviewed) and the single Talk To You, YEONJUN has made another return in the midst of summer with No Labels: Part 2 and the single Ice Cream. His solo comeback also follows TXT’s comeback from earlier this year, 7th Year: A Moment of Stillness in the Thorns, and the single Stick With You (which was picked as one of my favourite tracks from the 1st half of 2026).

Based on GGUM and Talk To You, I became excited upon hearing the announcement that YEONJUN would be making a summer comeback. The season of energetic and dynamic releases would be a prime opportunity for YEONJUN to flourish as a solo artist. But upon hearing Ice Cream, I don’t think that opportunity was fully realised. There were some likeable aspects of Ice Cream. The groovy bass in the background and the vintage drums were strong elements of the new song. I also really liked YEONJUN’s raspy vocals in the chorus and the grittiness that it gave the track. I also think the Ice Cream hook in the chorus was good (it reminds me of Robin Thicke’s Blurred Lines), but it could have been more substantial. I also feel like the rest of Ice Cream could have included more substance. The rest of the song is sparse, and the song was too short, thus a blur and having not much else to remember it by.

Ice Cream likens the push-and-pull of a relationship to the icy treat, where things can get ‘romantic’ when together but kept ‘cool’ when apart. The music video sees YEONJUN and the female character flirt with one another, with the world around them disappearing, freezing or slowing down when the pair bump into one another or interact with one another. The frozen ice cream at the start depicts how their relationship has not yet started, but the melted ice cream at the end of the video shows that the pair’s relationship in the video had created some heat. I quite liked this music video and concept, overall.

YEONJUN’s stage presence and flirtiness are showcased throughout the performance. These work well as part of the comeback, as seen in the music video. The choreography is definitely a very cool performance to watch. I liked his and the dancers’ energy, particularly the fluidity of the legwork in the post-chorus sequence on the stage.

Song – 6.5/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 7.5/10

[Review] So Good – KIHYUN (MONSTA X)

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KIHYUN is back with his first solo release in four years! The main vocalist from MONSTA X made his solo debut with VOYAGER in January 2022 and returned promptly the same year with Youth. After that, he enlisted in the military and was discharged in February 2025 before returning to music through MONSTA X’s N the Front comeback last year. Earlier this week, he returned with his second solo mini-album, Borderline, and the title track So Good.

With VOYAGER and Youth being some top-notch solo work, and knowing what KIHYUN is capable of with his vocals through MONSTA X’s releases, I had some high expectations for So Good. And as expected, KIHYUN delivers with the new song. So Good is a rock ballad. The instrumental opts for soft rock elements during the verses, and it knocks it out of the park by amping the background during the choruses. I found the way KIHYUN’s vocals soared during the choruses (relative to the verses) and at the bridge to be stunning and captivating. Elsewhere in the song, it was so easy to get lost in his voice. Something that So Good does well is its length. It’s short, sharp and sweet. Yet, its execution has me coming back for more.

According to Soompi, So Good is about trusting your instinct in a world that pressures you into expectations and norms, and that by trusting one’s instinct, life becomes liberating. In the music video, we see KIHYUN surviving in a dystopian world that used to be Earth. The video begins with KIHYUN lying in front of a crashed spaceship (as if he had been flung out of it). The expectation is that he would just give up, but after feeling his emotions, he moves on until he reaches a mountain of clothes. While I am not sure what the clothes mean, he dreams that there are better things at the top or on the other side of the mountain. However, the cartoon, which represents those societal expectations and norms, tries to stop him from climbing the mountain. But he pushes on and makes it to the top, where he thinks he finds water. But in reality, the mountain rumbles and pushes him away. In that moment, the video shows how liberating it is to trust your instinct, just like what the song’s lyrics suggest. I am not exactly sure if my interpretation is correct, particularly the ending. But this is my theory at the moment. Let me know if you have other ideas.

Song – 9/10
Music Video – 8.5/10
Overall Rating – 8.8/10

[Review] Gimme Dat Love – i-dle

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Since their rebrand as i-dle last year, the 4th-gen female KPOP group has been busy with the release of We Are (their 8th mini-album; album review incoming) with the title track Good Thing, their 4th world tour Syncopation, and the release of their first English single, Mono (ft. skaiwater). Earlier this week, i-dle made their second comeback under their new brand/name with their 9th mini-album, We Made, and the title track Gimme Dat Love. The group also pre-released Crow, which I will make sure to review soon.

I hope one day, i-dle will return to a fuller and in-your-face sound that they had under their (G)I-DLE days. That was my first impression upon listening to Gimme Dat Love. It is i-dle’s attempt at a sultry vibe, with sparse Latin percussion to give Gimme Dat Love some oomph. While they do deliver on that front, Gimme Dat Love‘s execution was not. Instead, their new song feels remarkably empty. You could describe the song as minimalist, but I feel like that would be justified if a minimalistic aesthetic were felt and heard. I don’t get that from Gimme Dat Love, however. The verses didn’t grab much of my attention, which was a major problem at the start (there wasn’t really much incentive to continue listening to the song other than the sultry vibe), and the anti-drop in the choruses took away any momentum that the decent string-featuring pre-choruses had built up. When it came to their delivery, Gimme Dat Love lacked substance and appeal. While the “Gimme dat love, love, love.. love” hook was striking in its own way, it was also incredibly dry and unexciting.

i-dle dials up the heat in the music video. From a hot summer’s day to a hot shower and sauna, we see the members mingle with other people throughout the video. There is definitely a lot of passion within the groups of people the members hang out with. Given the current summer season, the sultry sound identified above and i-dle’s willingness to show off a mature side, this music video makes logical sense, particularly since Gimme Dat Love is about attraction to one another.

The choreography for this comeback is probably the best aspect of this comeback, in my mind. As mentioned before, the chorus is striking in its own way musically. But on stage, it was the most striking aspect of the performance. Elsewhere, the routine feels sensual in a refined way. The intensity of the outro looked a little odd without much of a beat to it. But it was appreciated, so it infused some more oomph into the song.

Song – 6/10
Music Video – 8/10
Performance – 8.5/10
Overall Rating – 7.1/10

[Album Review] No Genre (4th Mini Album) – BOYNEXTDOOR

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It was previously alluded to be posted by the end of June, but the album review for BOYNEXTDOOR’s No Genre has finally arrived just a few days after the end of June. No Genre is their 4th mini-album, released in May 2025, and features 7 songs. This includes the title track I Feel Good, the English version of the title track, and their earlier 2025 hit, IF I SAY, I LOVE YOU. No Genre was a particularly strong showing from the group, demonstrating their ability to handle a variety of styles and sounds compellingly.

ICYMI – BOYNEXTDOOR returned recently with their 1st studio album titled HOME and the title track VIRAL.

No Genre Album Cover

1. 123-78 – Starting off the mini-album is the vintage pop number, 123-78. Despite being about a breakup, with the song depicting the members as just dumped, 123-78 is somewhat comforting and upbeat. I really liked the brass elements and the golden, retro vibes that song exudes. The vocals and tinge of rapping in 123-78 fit the vintage pop/retro era really well, showcasing the members’ versatility with music styles and tones. (10/10)    

2. I Feel Good (Title Track) – Click here for my full review of I Feel Good. (9/10)

3. Step by Step – What a pleasant number. While Step by Step didn’t instantly grab my attention like other songs on the mini-album, I still enjoyed it. The song’s groovy, funky city-pop underlay was really nice, and I liked how smooth and stunning their vocals made Step by Step sound and feel. The ending, however, was too abrupt for my liking, and that thought still stands even after a year. (8/10)

4. Is That True? (장난쳐?) – Is That True? is an easy-going, carefree pop track, with its lyrics wishing the best to a former partner who has moved on with someone else. The members’ vocals were quite nice, and I do feel like they were genuine with their message behind the lyrics. Otherwise, that easy-going and carefree tone would not have made much sense. I also really liked the beat and the bounce of the song. It was hard not to do a little dance to the song because of it. (9/10)

5. Next Mistake – Next up is Next Mistake, an R&B track with a glitchy and techno instrumentation. This is honestly quite a cool and unique combination. I liked how BOYNEXTDOOR and their producers for this track didn’t shy away from either side of the song. Again, Next Mistake features some really nice vocals and rapping from the members, especially the falsettos in the choruses. (8.5/10)  

6. IF I SAY, I LOVE YOU (오늘만 I Love You) – Click here for my full review of IF I SAY, I LOVE YOU. (8.5/10)

7. I Feel Good (English Version) – See my full review of I Feel Good above.

Overall Album Rating – 8.8/10

BOYNEXTDOOR’s teaser image for No Genre.

[Review] Lemon Tang – Hearts2Hearts

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After going viral earlier this year with the track RUDE!, Hearts2Hearts made their comeback a couple of weeks back with their second mini-album and title track of the same name, Lemon Tang. Seems like lemons are all the rage this year for the female groups of SM Entertainment.

Despite being released for almost two weeks now, Lemon Tang has yet to evoke much from me. A brief listen to the song can tell you that Lemon Tang is a cute, vibrant summer comeback song. I totally realise that. But for me, Lemon Tang lacks substance. The song’s hooks and melodies haven’t reeled me in, and the instrumentation has been pretty unimaginative (sans that piano ripple at the start and beginning of the final chorus). Thus, I don’t remember much of the song. I also feel like Hearts2Hearts delivery was pretty flat despite Lemon Tang being noticeably vibrant and bright in nature. Besides that, I don’t have any other thoughts on the song to share. Though ‘not much’ is pretty much a consistent thought I have about the song. Maybe more listens to Lemon Tang could remedy that.

The music video sees the members on a tour bus. Along the way, YE-ON spots an attractive guy who is transporting lemons somewhere. The lemon truck gets into an accident with a van, forcing the bus to stop. For some reason, the tour guide and the members get off, with everyone on the bus continuing on their trip. Guess the members made it to their destination. From there, they visit a seaside town for their trip and a lemon farm, where YE-ON musters the courage to make contact with the attractive guy from earlier. Though she embarrasses herself right after handing the lemon to the guy by tripping. Plot-wise, I think the music video starts strong, but becomes very disconnected soon after. Though everything was cutesy, vibrant and bright as you expected from listening to Lemon Tang.

That last sentence pretty much sums up my thoughts on the stage performances, as well.

Song – 5/10
Music Video – 7/10
Performance – 7/10
Overall Rating – 6/10

[Special] KPOPREVIEWED’s Personal Favourite Songs from the 1st Half of 2026 & more

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One of the first posts I post each year to begin the second half of the year is a short list of my personal favourite songs from the year thus far.

In addition to the usual list of my favourite 10 KPOP songs from the first half of 2026, I have also listed:

  • two songs from the November – December 2025 period I personally liked (given songs from those months tend to lead into the new year), and
  • three non-Korean songs by Korean artists (as I have not been able to acknowledge that aspect of KPOP much recently).

Don’t forget to let me and everyone else know what your favourite songs are so far this year in the comments below!

Favourite KPOP songs from November to December 2025

Prepare to be surprised….

Favourite non-Korean song by a KPOP artist so far this year

Favourite KPOP tracks of the year so far

[Review] singasong – V8 (SEVENTEEN)

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SEVENTEEN is at the point in their careers where some members need to enlist in the military. So the number of members currently actively promoting is dwindling, making it hard to promote as a group. Thus, SEVENTEEN have been focusing on unit activities more recently. SEVENTEEN have successfully launched BSS (which is now inactive, given HOSHI has enlisted), JxW (made up of JEONGHAN and WONWOO, also currently inactive), HxW (HOSHI and WOOZI, also inactive), CxM (S.COUPS and MINGYU) and DxS (DK and SEUNGKWAN). Yesterday, SEVENTEEN debuted their latest unit, V8 (VERNON and THE8), with the single singasong and their eponymous mini-album, V8.

singasong delves into electronic and hyperpop. I thought it was a pretty decent track and enjoyed it on my first listen yesterday. singasong had a catchy and very hummable hook and a fun video game vibe from its background to remember it by. I also feel like there was enough of a club beat to give singasong some much-appreciated oomph. But the new song isn’t perfect – singasong is repetitive, which places it in a neutral state of flow. I also wish VERNON and THE8’s vocals were not as low-key as they were. It was an interesting choice, and I do realise that they played to their strengths by keeping themselves low-key and processing their vocals the way they have. But the song needed some variety, and the pair are overpowered by the background many times throughout the song. But overall, I think the stronger aspects of singasong help overcome the weaker aspects, which is why I enjoyed the song nonetheless.

The music video sees VERNON and THE8 being carefree and hanging out with their peers and each other. This reflects well with the lyrics, which are about ‘charging forward without hesitation, embodying the spirit of youth breaking free from rules and limitations’. From the start, we see the pair break away from the idea of Korean music at that club and the karaoke set. Things get wild and unexpected from there, with the pair embracing it all to represent the lyrics visually.

Shuffling is back! Personally, to me, this dance style feels rather dated, given that it was big whilst I was growing up. But certain trends will re-emerge (for better or worse – shuffling has already made a few comebacks since then), and I can see V8 bringing it back again by simply promoting this routine. Their movements across the stage, whilst shuffling, made the routine look very cool.

Song – 8/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 8.2/10

[Album Review] ECHO (2nd Mini Album) – JIN (BTS)

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JIN’s 2nd mini-album, ECHO, is next up for an album review. Released in May 2025, ECHO features 7 songs, including the title track Don’t Say You Love Me. This particular mini-album comes 6 months after JIN released his first mini-album, HAPPY, which featured the title track Running Wild.

ECHO is quite adventurous, exploring multiple genres. Each song on this 7-track mini-album was different to each other. Thus, making JIN’s release exciting to listen to. There are a few 10/10 songs on here, and the rest of the mini-album was also of a similar quality. Another ‘no skippable’ mini-album. Continue reading to find out what I thought about each song.

ECHO‘s album cover

1. Don’t Say You Love Me (Title Track) – Click here for my full review of Don’t Say You Love Me. (8/10)

2. Nothing Without Your Love – JIN pours his heart out in Nothing Without Your Love as he sings fondly about the missing piece in his life. The track takes on Brit-pop, which has a spacious yet atmospheric flair to it. Throw in JIN’s vocals (that just goes hand-in-hand with the genre) and that already mentioned outpour, and you have a stunning track that is hard to pass up on. (9/10)

3. Loser (ft. YENA) – JIN changes gears through Loser with a fun pop-punk track, featuring the always bubbly YENA. Both work well with this style and each other to create this awesome track that ended up being one of my favourite side tracks of 2025. Their chemistry is one of the things I remember the most about the track. I particularly liked it when they were echoing on another or alternating between each other (depending on which part of the song you were at). Loser’s energy was fabulous and super addictive, and I really liked how catchy the track was. (10/10)

4. Rope It – JIN delves into the country genre with Rope It. This was another fun song and a definite blast to listen to, especially since it wasn’t expected of JIN. I liked how infectious the energy is, which always makes me want to boogie when the song appears on my playlist. (8/10)

5. With The Clouds (구름과 떠나는 여행) – With The Clouds sounds like 2 songs stitched into one. The first is a vibrant up-tempo rock track that has a crisp, refreshing tone. The second is another rock track of a slower melody, which brings out an emotive tone from JIN. I like the way the song melds into one, but it did require a bit of getting used to to really appreciate the track. It is different and unique (though not unheard of), so props to JIN and the producers for experimenting within With The Clouds. (8/10)

6. Background – JIN’s emotions pour out in this pop ballad. I really liked the rock/band elements in Background, which adds so much and appreciated oomph to elevate JIN’s vocals. I remember finding it easy to get lost in the melodies, emotive vocals and instrumental when it was first released. Over a year on, it still has that pull and appeal. (10/10)

7. To Me, Today – I really enjoyed the momentum that the chorus builds into alt-rock To Me, Today. It takes the song into soft head-banging, foot-tapping territory and feel-good vibes that just work really nicely with JIN’s vocals. I also liked the punchy “The One” in the background of the chorus. It adds a playfulness to the song that works nicely with where the alt-rock lands in the track. (9/10)

Overall Album Rating – 8.9/10

JIN’s teaser image for ECHO

[Review] BAD – ATEEZ

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It has only been a couple of months since Adrenaline and ATEEZ’s 13th mini album, Golden Hour: Part 4. But yesterday, ATEEZ returned with the next instalment of their Golden Hour series (Part 5) and its lead single, BAD.

BAD incorporates Brazilian Funk to infuse some fun and to pull in current trends into ATEEZ’s discography. After all, it is summer, and such energy (when done right) can make the song feel synonymous with the hot season. The start is ear-catching thanks to the Brazilian Funk. But the song then barely barely moves on from its beginning, keeping BAD‘s instrumental similar throughout its verses and choruses. As a result, BAD feels empty and dull. BAD only steps it up in the final chorus, adding more bass to make the ending feel more pronounced. While appreciated, it is too late in the song to spark much excitement. As for the chorus, the monotonous repetition of the song’s title only adds to BAD‘s dullness. There have been times where the delivery works, but with BAD‘s already empty feeling, the monotone and repetition didn’t help as much. The members’ delivery was good, overall. Their rapping was decent, and the vocal moments, when they finally appeared in the bridge, had potential. Again, it was a pity we had to wait that long to get to something appealing.

Unlike the song, I enjoyed the music video. It sees the members confront their lover, who appears to have played multiple people (including the ATEEZ members) in the past, making them fall in love with her. Her finger is full of wedding rings, and we see some members on dates with her, while other members catch on or discover her scheme. Later on, she uses her charm on other people to hypnotise them into helping defend her, rivalling the members in the courtroom. We see a great montage of everyone (including the accused lover herself) performing ATEEZ’s choreography, before walking out of the courtroom with a ‘not guilty’ verdict. But in an unexpected twist, an epilogue video uploaded after the music video dropped, shows WOOYOUNG succumbing to the hypnosis, just like everyone else who defended the accused lover. Assuming Part 5 follows the same promotional agenda as their past releases, we might get treated to a second music video for a follow-up single from the mini-album to connect to the broader Golden Hour lore.

The choreography for this comeback is on par with their other routines. There is definitely a sensual vibe in the routine, especially the chest pops at the end. There is also a subtle, powerful quality that works well with ATEEZ’s alluring performance style and makes the routine even better.

Song – 6/10
Music Video – 8.5/10
Performance – 9/10
Overall Rating – 7.4/10

[Review] RUN IT – Stray Kids

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In a flurry of announcements earlier this week, Stray Kids confirmed that their upcoming comeback will be in August with their 10th mini album, THIS & THAT, a new pre-release single RUN IT would be unveiled later in the week (today) and plans for a world tour that shares the same name as the mini album and starts in July. Today, I will be reviewing RUN IT, their first major release since Do It and DIVINE from the end of last year.

RUN IT sees Stray Kids focus less on the electronic sound that they have been promoting over the past couple of releases and focus more on the anthemic and melodic side of music. This anthemic side felt as if Stray Kids were rallying the troops for their next release, which is a different way of hyping up the crowd for the upcoming release. The brass elements and militaristic percussion style really complement this idea as well. The chanty aspects of the chorus pull everyone together to be as one, fitting for the ongoing World Cup. RUN IT also features a more prevalent focus on vocals. Whilst very nice sounding (FELIX and LEE KNOW’s bridge moment, as an example), I will admit that some of the vocals do feel overly soft for the broader feel of RUN IT, which holds the track back and softens the powerful potential of the track. RUN IT really feels strongest during those anthemic chants and through HAN and CHANGBIN’s rapping at the end. I really appreciate the oomph that the rappers give in the song’s final moment, and their transition from one another was quite seamless.

RUN IT appears to build on the traditional concept that DIVINE‘s music video flourished with and combines it with an army-building concept (going back to the idea of ‘rallying the troops’). The black-and-white contrast of their outfits and the dancers’ outfits probably represents differences between people, and it’s through Stray Kids’ confidence and leadership that brings everyone together as one, per the ending of the video. I also enjoyed the artistic side of the music video, which brings out a whole different vibe and pace from their usual style and concept.

Like all of their choreography, Stray Kids impresses with this one. On this occasion, they really embraced a powerful and intense side to showcase their confidence and drive that they express in RUN IT‘s lyrics. I do wonder how they will bring everything together on stage, but I am definitely hoping for each member to have a solo moment as shown in the music video. That is most likely enabled by how the music video is set up, but that would be a cool stage concept, especially for Stray Kids. I am most excited for FELIX and LEE KNOW’s solo moments during the bridge.

Song – 8.5/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 8.8/10

[Review] IF I SAY, I LOVE YOU – BOYNEXTDOOR

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I deeply apologise for how long (1.5 years, if you are curious) it has taken me to review what is BOYNEXTDOOR’s biggest hit to date. In my sad excuse of a defence, I was on holiday when it was released and came back to a massive backlog of reviews – one of which was this track, which ultimately got lost in my unsuccessful attempt to catch up. Released back in January 2025, IF I SAY, I LOVE YOU ended up becoming a big hit, particularly for a male KPOP group in 2025. IF I SAY, I LOVE YOU also featured as part of BOYNEXTDOOR’s NO GENRE mini-album that was released in May 2025 (led by the single I FEEL GOOD). This review also flags the incoming album review for NO GENRE, which will be released later this month.

ICYMI – BOYNEXTDOOR most recently returned with the single VIRAL and the pre-release track ddok ddok ddok from their 1st studio album, HOME.

While IF I SAY, I LOVE YOU is an upbeat dance pop song, the song lyrics focus on the bittersweet events following a breakup and the desire to confess even though it might be too late. BOYNEXTDOOR’s tone and take on such a sensitive and vulnerable time in the song is rather playful, which is why the song is so intriguing. Even without the context of the lyrics, that playfulness and brightness from the song still transcend to the audience. Another charming point of IF I SAY, I LOVE YOU is its simple and straightforward melodies and hooks. Both elements were easy on the ears and catchy, especially the chorus. But for me, after an entire year of hearing the song, the most appealing and memorable aspect of IF I SAY, I LOVE YOU is the funky electric guitars that follow the chorus. This section alone consolidates everything I have described about the song thus far and adds a touch of vibrancy to emphasise its light-heartedness. And the members’ delivery of IF I SAY, I LOVE YOU has really cemented BOYNEXTDOOR’s sound.

My theory about the music video is that TAESAN get a second chance at confessing his love to his crush. But only after he mistakes another person for his crush and gets knocked out by a snowball. In between being knocked out and waking up from the incident, we see what life looks like without his partner, aligning with the lyrics. He becomes secluded from the world, staying at home and trying to keep himself busy. Throughout the video, he (and the members, who aren’t physically there with him – they appear to be part of his personality) is reminded of the love and memories with this crush. From there, he wakes back up in the snowfields and seizes the opportunity to confess to his crush (correctly) this time.

The performance was fittingly playful and bright to match the upbeat tone of the song. I liked the energy the members put behind both their live performance and choreography. It wasn’t enough to earn a nomination in the 2025 KPOPREVIEWED Awards, but it was still a worthwhile watch.

Song – 8.5/10
Music Video – 9/10
Performance – 8.5/10
Overall Rating – 8.8/10

[Album Review] DUH! (8th Mini Album) – P1Harmony

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The next album up for review is P1Harmony’s 8th mini-album, DUH!, released in May 2025. It features 6 tracks, including the title track that shares the same title as the mini-album. To me, this is a no-skip album release. Every song on the mini-album was, and still is, satisfying to listen to and enjoy (even over a year since its release). A definite recommendation from me. Continue reading to find out what I thought about each song.

ICYMI – P1Harmony recently made their comeback with the title track UNIQUE and their 9th mini-album of the same name.

DUH! Album Cover

1. DUH! (Title Track) – Click here for my full review of DUH!. (9/10)

2. Pretty Boy – Opening with Latin-influenced beats and some cool bass, Pretty Boy follows on nicely from the title track. This combination in the instrumental made for a very fun and exciting piece, with a catchy chorus to really make it appealing. I also enjoyed the band flair that comes in during the bridge. I also liked how P1Harmony’s style is infused into the track. Their vocals and rapping throughout Pretty Boy felt very crisp and fresh. (9/10)

3. Murmur – Bass is retained with Murmur delving into more of a funky old-school hip-hop motif. The beat in this one was cool and a total vibe. I really liked the rapping in this one. The rappers are in their element in Murmur. The same can be said about the vocalists. (8/10)

4. Flashy – P1Harmony takes into upbeat rock territory for Flashy. The rock elements make this a very electrifying song, while the ‘I’m feeling flashy, flashy, flashy” line in the chorus was very addictive. I also enjoyed the rapping and vocal lines that follow that hook in the chorus. It packs some grit in the centrepiece, which helps make the entire chorus memorable. (9/10)  

5. Over and Over – The brass in Over and Over makes this hip-hop track fun and exciting. To me, Over and Over is the quintessential P1Harmony. All the members sound natural throughout Over and Over, and this song really reminds me of their best past title tracks. While the chorus is chanty of the shouty variety, it actually has a neat ring to it, to the point that the chant keeps playing in my head ‘over and over’ again. That pun was fully intended. (10/10)

6. Work – Everywhere I turn for this album, everyone is raving about Work. And I can see why. The instrumental for this track is super interesting and fun, leaning into groovy club territory, house beats and intriguing synths. There is also an experimental edge to Work that keeps us on our toes. The vocal and rapping delivery was super unique in this track, with the autotune and slightness working in the song’s favour. It was a wild ride, and I am on board with everyone else about this song. (10/10)

Overall Album Rating – 9.2/10

P1Harmony’s teaser image for DUH!

[Weekly KPOP Chart] Week 3 of June 2026

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Welcome to the latest Weekly KPOP Chart post for Week 2 of June 2026, covering 14 to 20 June 2026. Not much to update you on again, so let’s get right to the usual segments!

What else have I been listening to?

Each week, I spotlight a song not on the Weekly KPOP Charts that I’ve been listening to. This week was a SPICA-filled week, so I have to link my favourite SPICA song from their discography, Tonight.

Non-Korean Song of the Week

Each week, the top-ranked non-Korean Song on the Weekly KPOP Chart is spotlighted (as this is an area I haven’t been focusing on as much on my blog lately). The non-Korean song from the past week is JACOB’s (from THE BOYZ) SLOW DANCING.

The Chart

ONF’s Open The Door claimed the top spot on the charts this past week. Congratulations to ONF!

Pos.TitleArtistStatus
1Open The DoorONF(NEW)
24 FlowersMAMAMOO(▼ 1)
3DDI RO RIMEOVV(RE-ENTER)
4Do Your DanceRIIZE(NEW)
5ddok ddok ddokBOYNEXTDOOR(▲ 25)
6Baby FlowertripleS(RE-ENTER)
7SuddenlyI.O.I(RE-ENTER)
8AtmosSHINee(▼ 2)
9BOOMPALALE SSERAFIM(▼ 2)
102 LOVESTAYC(NEW)
11Crowi-dle(NEW)
12TOP 5ZEROBASEONE(▲ 7)
13VIRALBOYNEXTDOOR(▼ 11)
14In Between SeasonsN.Flying(NEW)
15SLOW DANCINGJACOB (THE BOYZ)(▼ 1)
16PERMISSIONTAEMIN (SHINee)(RE-ENTER)
17LaybackJAY B (GOT7)(NEW)
18Dream With UsTWS(NEW)
19EVERLOVEPark Jinyoung (GOT7)(▲ 4)
20BUMPABIBI(RE-ENTER)
21FLY!IDID(RE-ENTER)
22WDA (Whole Different Animal)aespa ft. G-DRAGON (BIGBANG)(RE-ENTER)
23CPRB1A4(RE-ENTER)
24MmchkNEXZ(RE-ENTER)
25GirlSOYOU(RE-ENTER)
26AuroraPARK HYUN KYU(NEW)
27DON’T HOLD ITJUNGHOON(NEW)
28Run To WinDRAGON PONY(NEW)
29TNTCORTIS(RE-ENTER)
30MOYAKay Park & LNGSHOT(RE-ENTER)

[Review] DDI RO RI – MEOVV

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As promised in MEOVV’s album review for MY EYES OPEN VVIDE, here is my review for MEOVV’s latest comeback single, DDI RO RI. This song, along with their 2nd mini-album titled BITE NOW, was released at the start of the month. This release follows BURNING UP from October 2025 and is yet another MEOVV release that I have not gotten around to reviewing (but will do soon).

I am in two minds about the new track. I actually liked the idea of sampling Johann Sebastian Bach’s Toccata and Fugue in D Minor. MEOVV really captured the sinister and suspenseful aspects of the classical piece well in other elements of the comeback. However, I don’t think the same can be said about its presence in DDI RO RI. Its presence at the start and throughout the song serves to attract attention. But its continued use is just lacklustre and unexciting. I thought the hip-hop-centric verses were boring. But the pre-choruses were very much the opposite, amping up the song and creating nice momentum towards DDI RO RI‘s chorus. The vocals here were really nice. Unfortunately, the chorus opts not to continue the momentum, repeating the sample in a repetitive loop and revisiting the bland hip-hop motif from the verses. As for the bridge, I liked NARIN’s vocals here, but the part felt unnecessarily rushed. It leads into the outro chant, which is my favourite part of DDI RO RI. The instrumental seems to layer the vocals over the repetitive loop of the sample and trap elements. It isn’t bad, but I wish there was a bit more hype and oomph to the outro. A lot of DDI RO RI was missing sparks to do the Toccata and Fugue in D Minor sample justice.

I am very impressed with the music video. The visuals look as if you had front row seats when they were filming the video. The ‘vampire in the attic/basement’ medieval concept goes nicely with the Toccata and Fugue in D Minor sample, which is commonly associated with Dracula. It also shows their rise from being hidden figures to the public eye quite well. There is also an unnerving side to the video that makes it quite intriguing to watch. I am mainly talking about the parts where the members appear with very plastic-looking makeup and silver hair, which definitely adds to that whole attracting attention aspect of the comeback. The same can be said about that whole montage at the end alongside the outro’s chant, where the silver hair look also makes an appearance.

On the stage, the group’s serious and charismatic visuals work really well alongside DDI RO RI. They also encapsulate those sinister and suspenseful elements from the song’s sample quite nicely to showcase their intensity and confidence in the routine.

Song – 6/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 7.3/10

[Review] Open The Door – ONF

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Back in February 2025, ONF made their comeback with Part 1 of their second studio album, ONF: MY IDENTITY, led by the single The Stranger. Pitching a Part 1 usually means there would be a subsequent part. But when it came to their November 2025 comeback, ONF return with a completely different sound to usual in Put It Back, and with their 9th mini-album, UNBROKEN, confusing everyone as we were expecting Part 2 of their second studio album. The sound change was due to ONF’s long-term producer, Hwang Hyun, being absent from production. But upon departing WM Entertainment earlier this year, the group has rejoined forces with Hwang Hyun under KI Entertainment to release Part 2 of ONF: My Identity and the title track Open The Door.

With ONF working with Monotree (Hwang Hyun) again, you know that they are in safe hands. And this is evident in their new song, particularly when it comes to its chorus, melodies and the familiarity of the members’ vocals. It all feels perfect for ONF and feels like a solid addition to their discography. Open The Door sees ONF bring in some rock intensity into the fold and the producers cleverly use it to their advantage to intensify parts of the track (like in the intro, outro and chorus). If I wanted anything more to Open The Door, it would to just hit it harder with the rock sound. The use of the “Door Door Door” echo as part of the instrumental in the intro and outro was quite interesting. I also enjoyed the simplicity of the “Open the Door” hook, which was quite memorable for me. The Latin in the bridge was a surprise, but served as a nice vocal interlude from all the members. And talking about vocals, we have to acknowledge the amazing outro, which literally ends with a high note from the members. Open The Door was a definite return to form for ONF, and like most ONF songs, I liked this one, as well.

The video makes perfect sense in the context of the song and its lyrics, and I also liked the encouraging messages it seeks to convey. The lyrics of Open The Door encourages listeners to ‘open the door’ and embrace the unknown beyond the door in our minds, particularly when you are in a dark place. The music video sees the members suffering from their inner demons and being confined by their own minds, before seeking to open the door to discover what sits on the other side. In the process, they escape and are able to destroy their inner demons.

The intense rock moments in Open The Door lends well for the performance, with the members able to show off with some intense choreography in the intro, pre-choruses, choruses and outro. I really liked the domino effect at the start of the routine and there are subtle door references to look out for in the routine, such as knocking and turning the door knob moves. Very relevant!

Song – 9/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 9/10

[Review] Do Your Dance –  RIIZE

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RIIZE kicks off the week with their new single Do Your Dance and their 2nd mini-album, II. It has been over 6 months since their last release, Fame, and over a year since their studio album Odyssey (featuring the title track Fly Up). An album review is coming up for that album, but first, my thoughts on the new single.

Unfortunately, Do Your Dance doesn’t garner a positive reaction from me. Production-wise, I think the electronic background is the song’s strongest (and only) asset. There was so much potential to it. And yet, the opportunity was not seized. Amongst the dynamic and intense synth work, you can hear the hip-hop influence throughout the song, with the instrumental break really concentrating that influence in a straight-forward manner. The buildup during the pre-chorus was amazing and created some heightened suspense that just didn’t go anywhere. Beyond Do Your Dance‘s instrumental, I don’t like the rest of the song. The lack of melodies, the monotonous and repetitive “Heads, Hips, Shoulders, Toes” chant that is intended to be the song’s primary hook yet sparks nothing, and the fact that the members are stripped of any individual character to all sound the same. There is some potential for the chorus to catch on, but the way I have described it in this review makes it looks bleak. I am honestly not sure what the producers were thinking for Do Your Dance.

On the opposite side of the spectrum, the music video for Do Your Dance looks really cool. In case you didn’t notice, here were some impressive moments from the video that I noticed: the ‘hallway’ set folded out to become the stage for the first chorus; the spinning transition between the first chorus and second verse (flawless); the wavy platform during the second verse (innovative); the lead-up to and the transition between ANTON and SOHEE between the second verse and chorus; the jump transition into the dance break and the pyrotechnic waterfall at the end (which contrasted nicely with the rest of the set and the members still standing out during this sequence).

Another thing RIIZE nailed in this comeback is the choreography. There was sharpness, intensity, synchronisation and chemistry between one another, all of which made this routine really worth checking out. Alongside the song’s disappointing chorus, I liked how the moves were paced with the chant and still somehow made sure that it remained balance with intensity. The hip-hop dance break was also awesome. Once again, RIIZE really killed it with their choreography.

Song – 5/10
Music Video – 10/10
Performance – 10/10
Overall Rating – 7.5/10