Category: Reviews

[Review] Bubble Gum – NewJeans

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In the midst of the ongoing dispute between Min Hee Jin (the CEO of ADOR – the home of NewJeans) and HYBE Corporation (including Bang Si Hyuk), NewJeans is moving ahead with their May comeback. This comeback will feature two songs – Bubble Gum (which is the focus of this particular review with the music video dropping yesterday) and How Sweet next month. The group is also due to release two new Japanese original singles in June. Bubble Gum also marks their first release since their Get Up (which features Super Shy, Cool With You and ETA) comeback from last year.

Bubble Gum serves as both the soundtrack for a Japanese shampoo commercial and a side track for NewJeans’ upcoming How Sweet release. While I do not review commercial music often, I am interested in the latter. And as a side track, Bubble Gum is a decent release. It definitely is not ‘title track’ material, with the overall airy and breezy profile of the song feeling too delicate for my liking. The song features groovy beat and retro elements that grounds Bubble Gum to a degree, but I find the rest of the song (i.e., vocals, melodies, hooks) to be a bit too feathery. Don’t get me wrong, everything works in harmony with one another and is executed well across the board. I also like the flute-like piece that we hear in the background of the verses. But I am unsure of the song’s longevity given all of the lightness going on within Bubble Gum (and the ongoing dispute is definitely taking attention away from the new release – for me, at least). There were definitely some attempts to ‘ground’ the song further, with some deeper vocals at certain parts and the paced rap-sing vocals (which was the exact ending I was hoping for). But again, I only come out of Bubble Gum remembering the higher pitched (sometimes falsetto) vocals and flowy melodies. Overall, I do like the song, but I am not sure how long I will be replaying Bubble Gum.

The music video sees NewJeans hanging out and having fun with one another. To complement the song’s breezy sound profile, NewJeans takes a trip to the beach. Keeping true to the ‘retro is making a comeback’ concept, some of the video (including the intro and outro shot of Hyein and her bubbles) is shot in a home video style. It is an aesthetic that I didn’t like as much when it first appeared in KPOP, but NewJeans does it well. I also like the call back to old technology that appears throughout the video, such as the VHS tape, the camcorder and that old computer. On the modern side, we see one of the members hold an iPhone and the members carry their official light stick.

Song – 8/10
Music Video – 8/10
Overall Rating – 8/10

[Review] FUEGO – THE NEW SIX (TNX)

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THE NEW SIX smashed it with their last comeback (Kick It 4 Now), so I am excited to see what they are offering in their latest comeback that occurred on 20 March 2024. The new song is titled FUEGO and is the first comeback where THE NEW SIX has a full line-up in over a year, with Junhyeok returning from his hiatus.

THE NEW SIX trades out the retro that made Kick It 4 Now shine and opted for a more bombastic sound in FUEGO. While the former comeback was a hit out of the park, this new release isn’t. FUEGO falls into the more generic side of male group music nowadays. But it is not bad. The instrumental features a bass house sound that feels angsty and intense. The anti-drop actually hits hard in the chorus and makes for a bold central piece. Pity it is something else that weakens the chorus for me – more on that in a moment. The vocals in the verses were good. The melodic charm of the former comeback is definitely gone, but the vocals still manage to hold themselves well in FUEGO. I must give a commendation to Junhyeok and his vocals in the pre-choruses. His vocals delivery adds charisma and power of FUEGO. The rapping also feels brings an edgy dynamic to the song. I found the rappers’ delivery to be very clean and polished in FUEGO. There was a bit of shouty motif at times in FUEGO, but I felt they came in at the right times to drive up the song. Now, I did mention something earlier that weakens the chorus for me, and it is the one element that I haven’t mentioned yet – the hooks. While the instrumental in the chorus had club-banger potential, the hooks cancelled that out that potential. They felt boring, uneventful and dragged the energy that the instrumental was trying to get across to the audience. If I had one wish for FUEGO, it would be the members’ parts in the chorus were expanded (and not limited to 3 lines) and they are given some lively and exciting material to heighten the energy of the chorus and thus FUEGO.

Watching it a few times for the purposes of this review, I can see why I never really returned to the video following its release. There just wasn’t anything in the video that is memorable. Primarily set in a tunnel and on a wooden stage surrounded by doors, nothing really sparks in this video. We do get some additional backgrounds for the members’ closeups in the video. But nothing spectacular. For a song with the Spanish word for ‘fire’, there is also a lack of fires in this video. I am not expecting the place to be burning down (though there is a lot of precedent to that in KPOP music videos). But I expected a bit more flames than the few isolated CGI flames throughout the video.

The routine for FUEGO is one where the members kept on moving with little to no breaks in between each move. This drives up the intensity of the routine and kept the dynamism up high in the choreography. The dance routine also made sure the hooks didn’t get in the way of a good performance. There wasn’t a key moment to remember in this routine, but I liked the members’ style and charisma. Parts looked very sleek, especially the side way movements in the second verse and the forward movement that kicked off the second chorus.

Song – 8/10
Music Video – 5/10
Performance – 9/10
Overall Rating – 7.3/10

[Review] Midas Touch – KISS OF LIFE

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As mentioned in my last KISS OF LIFE review for Bad News, this is one of the groups we all got to watch out for. And their latest comeback a couple of weeks back at the start of the month proves just that once again. The new single is titled Midas Touch and is featured on the group’s first single album of the same name.

Taking us back to the late 90’s/early ’00s pop era (think Britney Spears) with Midas Touch, KISS OF LIFE delivers another smashing track. The instrumental is just one of the highlights of the song. They touch on a very nostalgic period of pop and hip-hop music video for me. The combination feels very robust and dynamic, with the swinging beats and squirl synths coming together to make a very flirtatious and rousing backing for Midas Touch. The members makes Midas Touch super engaging with their singing and rapping. The way they deliver the verses and pre-choruses felt very elaborate and classy, which boosts up the song to a higher level. As for the choruses, the members infuse a little bit more of that flirty energy into their vocals to make the sing-talk melodies and hooks super catchy and addictive. The combination of the instrumentation and sing-talk in the chorus in Midas Touch‘s chorus is very hard to get out of my head. The bridge was a very nice switch up that feels effortless and clean, with the ‘Brace Brace‘ and usage of whistles being a direct homage to the 90s hip-hop era. The bridge is then followed up with a really clean high note from Belle. The final chorus also sees a small extension to give Midas Touch to fully conclude in a satisfying manner. All of the above is a lot to achieve in such a short period of time, and I agree with the comments that say Midas Touch is a prime example of how a song that spans less that 3 minutes can still feel fulfilling and complete. I think we can move from ‘KISS OF LIFE is a group to watch out for’ to ‘KISS OF LIFE is permanently on my radar’ thanks to Midas Touch.

Midas Touch is a reference towards the Greek mythology of King Midas and how he turned things he touched into gold. But instead of gold, whatever the members touched in the music video turned into stone. Now, there is a reason for that. Turning people into stone represents the grip and charm the members have on these people. And to further to support the idea of turning people into stone, we we actually see some Medusa (the Greek mythological creature that turned whomever that makes eye contact with her into stone) imagery around the members at around the midpoint of the video. So the concept of the video is a very reimagined version of the story of King Midas and Medusa. I really like the elaborate CGI setting they have going on. I also really enjoyed the stunning looks the members’ had donned in the video.

The choreography for this comeback is great! I really like the swinging motions they have going on in the chorus and the routine is super cool to watch as a whole piece. I also like their chemistry with one another on stage. It really makes the whole routine feel cohesive.

Song – 9/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 9/10

[Review] SWEAT – ZEROBASEONE

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ZEROBASEONE is due back in a couple of weeks on 13 May 2024 with their second comeback (mini-album titled You Had Me At Hello) since their debut last year. Ahead of the new comeback, ZEROBASEONE pre-released a single yesterday to tease us with. The single is titled SWEAT and marks the beginning of an early Summer. We last saw ZEROBASEONE through CRUSH in Korea and (more recently) through YURA YURA in Japan.

SWEAT is a solid pre-release track, though it does lacks a ZEROBASEONE personality. SWEAT doesn’t feel like it falls on a spectrum with the two extremes being In Bloom or CRUSH. However, I do think it is a bit on a pleasant side of another spectrum, which isn’t a bad thing. I do think SWEAT could have been more robust in its house-based instrumental to drive up the energy and excitement. Maybe that could have given SWEAT a ZEROBASEONE feel. That being said, SWEAT does still have a beat and kick to it that made it enjoyable and chill. The song displays a good showing of vocals from the members, though nothing mind-blowing to really attract attention. That was delegated to the catchy hook which got my attention at the first pass when I checked out the track yesterday. Interestingly, the producers opted to not include a rap sequence. I think SWEAT could have benefited from a punchy and edgy rap sequence to, once again, drive up the energy and excitement even further. Wrapping up my thoughts on the song, it looks like SWEAT could have been more. But as it is, it is fine track.

While there is a music video for the release, the title of the video categorise it to be more of a ‘SPECIAL SUMMER VIDEO’. They definitely got the Summer bit down, with an overall very sunny music video that sees the group perform on stage at a beach, in the middle of a long road surrounded by breezy long grass and during a shower, and in a field with a sunset background. I also like the easygoing and chill vibes of the video. In addition to all of that, I am sure fans are enjoying the plentiful closeup of the members in the video.

Released a couple of hours after SWEAT, the performance video on the M2 YouTube channel was actually quite engaging thanks to the camera angles and how the members made a connection with the camera at these angles. As for the choreography, there was a slight sensual vibe to it, which interestingly didn’t make it into the music video. Other than that, a solid routine.

Song – 8/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8/10

[Review] Little Light – DOYOUNG (NCT)

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It is a new week. And that comes with new comebacks and debuts. Kicking it off this week is DOYOUNG’s solo debut with the single Little Light and his first studio length album YOUTH. DOYOUNG becomes the fifth member of NCT after TAEYONG, MARK, TEN and JAEHYUN to have some sort of a solo career outside of their NCT works, which spans across NCT, NCT U and NCT 127 discography. If I also read correctly, we will be expecting more NCT solo works this year. We already have TAEYONG’s TAP and TEN’s Nightwalker (which I have yet to review) this year, and JAEHYUN is preparing a solo album himself.

But today’s focus is on DOYOUNG’s Little Light. The track is described as a band song with powerful guitar riffs (according to SOOMPI), which is an accurate description for Little Light. I would have also thrown in a ‘refreshing’, ‘revitalising’ and/or ‘uplifting’ descriptor into the mix when describing Little Light. When I first heard the song, I thought how nice some strings would have been in the background (particularly at the end of Little Light) and that led me to think of LUCY’s work (a South Korean band that I have reviewed before who is known for their use of strings in their band tracks). It turns out that Little Light is co-written by Cho Won Sang from LUCY! As for DOYOUNG, he sounds really nice. Not only does his vocal tone showcases those extra descriptive words I mentioned at the start of this section, I like how he presents himself throughout Little Light. There is a bit of a range with some some powerful notes, high notes and even some falsetto. Each were well used and at the right time, furthering Little Light as a captivating track. I do wish there was a bit more consistency within the melodies in Little Light to make it feel more cohesive. But as it stands, Little Light ticks off many boxes for me, especially the idea of it being a band track with a refreshing vibe.

The lyrics to Little Light talks about how a little light can lead someone to their hopes and dreams . Certain lines of the song speak about how it needs to be lit, is it can be the dimmest light you can ever find, or even be a star in the sky that is miles away etc. It is all quite clever imagery and presents to us the idea that little light can be something different for all of us. In the video, DOYOUNG goes searching for his little light, which he does come across a number of times. He goes chasing after it, but he loses sight of it just as many times as he spots it. But as it is his little light, it does come back to him to lead him forward. DOYOUNG went through windy conditions at one point, and also trips and grazes his face/hand. At one point, he almost gives up on his search. All of this represents the tribulations and journey we all must go on that is life. But in a happy ending, he finds his light and follows it to a hidden area that has even more little lights. While not shown, these lights somehow take him home. But before we think it all a dream, DOYOUNG notices his hands (and we can see his face) are still scraped, which alludes to the fact that journey he went through the previous night (i.e., life) still occurred. I also notice that the little light in the video is green in colour, which is also NCT’s colour. And I have a feeling that all those little lights that become one big light might be reference to the NCT fanclub. I also enjoyed the scenery and the aesthetic of band instruments behind him in the scenes where he is singing into a microphone. What a stunning backdrop.

Song – 9.5/10
Music Video – 9/10
Overall Rating – 9.3/10

[Review] Everything – JONGHO (ATEEZ)

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Over the last few weeks, I have been reviewing the solo and unit tracks from ATEEZ’s The World EP.Fin: Will that had an accompanying music video. Thus far, I have reviewed HONGJOONG & SEONGHWA’s MATZ, YEOSANG, SAN & WOOYOUNG’s IT’s You and YUNHO & MINGI’s Youth. That leaves JONGHO, who was the only member of the group to have a solo track on the studio album. The song is titled Everything. With the review completed, I can finally turn my attention to the album review – which will be posted tomorrow!

Once again, it should come as no surprise that the main vocalist of a group has gone down a balladry route for their solo track. But with JONGHO at the helm of Everything, you can definitely tell that this one is going to be an amazing one. Everything sees JONGHO and the piano start off quite soft, aligning with the lyrics that tells us that he is beginning to remember his former lover again (and on a regular occurrence). Once he approaches the chorus, the lyrics reflects his struggle with his inactions in the past and his soaring vocals in this part signifies the passion he personally feels that he would have done things differently in the past. The instrumental remains fairly neutral here. For the second verse of Everything, we get a bit more to the instrumentation and we hear JONGHO reflect how the unsuccessful relationship has affected him. We get another run at the chorus, before JONGHO really picks it up with some stunning high notes and oomph to his vocals. The lyrics here tells us he really wants to get back with his former lover. The power and emotion behind his vocals in this part tells us that he is very willing to do anything to get what he wants. But the final moments of Everything (and this interpretation also aligns with what we see in the music video – more on that in a moment) brings the story-telling to a semi-sharp ending, probably with the realisation that while his partner was everything to him, it won’t be that way anymore. Everything is definitely quite captivating and I liked how his lyrics told us a story. You can also definitely feel the emotions from his vocals and delivery. My only hesitation about the song is that the melodies aren’t as prevalent. But another great ballad for JONGHO and ATEEZ.

Similar to the song above, the music video shows us how JONGHO wants to do more in the past with his now ex-lover. At the start of the video, we see him alone, remembering about his former lover. He wanders to places where he has fond memories of her and can’t bring himself to go home. We then see his memories of the relationship and the subsequent breakdown of the relationship. The storyline and emotions in the video peaks as the song does with JONGHO’s final chorus of Everything. As mentioned above, the song finishes finishes semi-sharply (i.e., no instrumentation and final word from JONGHO). In the video, we see the partner’s presence disappear into the darkness and JONGHO only remaining at the end. From there, post-music, we see JONGHO sit around by himself and everything that gave him good memories (i.e., the basketball ring and their home) alight, which probably represents the reality that those memories shouldn’t linger but be forgotten (or else he would not be able to move on). It is a good video and I like how it works in tandem with the song and lyrics.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

[Review] Impossible – RIIZE

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At the start of the month, RIIZE dropped a comeback schedule that spans for more than 2 months, leading towards their first mini-album release, RIIZING. The first release as part of this schedule was the full-length version of Siren (which they unveiled as part of a pre-debut performance video) on April 3. The second release as part of this schedule comes today (April 18) through the form of the single Impossible. After Impossible. we are getting three side-tracks on April 29, followed by fan-cons in May and early June before the mini-album release on an unspecified date in June. So RIIZE are going to be very busy in the coming months. And I have been busy preparing my thoughts on Impossible for you.

Impossible is a dance pop track that actually comes off as quite pleasant. I don’t have anything negative to say about the song, with ‘pleasant’ being the simple one-word summary for this track. And to avoid any doubt, I mean it in a positive manner. Impossible features cool house beats and rhythm. The backing also features a variety of synth work, which brought some nice detailing to the mix. Throughout Impossible, you can hear some equally-as-cool squeezy-like synthesiser sounds in the background. Not exactly sure how to describe them, but they feel like someone took a synthesiser and squeezed the synth sound out of it. Towards the end, we get a splash of retro synths, which made for a nice ending to Impossible. The RIIZE members themselves comes into the song with a light approach to the song. Their consistent vocal work here definitely made the song enjoyable for me, and works well with the constant flow of bright and dance energy that the instrumental brought to Impossible. The only element I think Impossible is missing is a touch of some heavy. Presently, the overall tone of Impossible feels very light and this could make the song easy to miss. A hint of some something heavy would have helped ground Impossible and create an even more balance energy. Nothing too hefty or utilised too much, as that could throw out the entire balance of Impossible. But overall, Impossible is a really good song from the onset.

Keeping to the lightness of Impossible, the music video sees the members dance about and having some fun hanging out with one another. This just makes everything simpler and works well with the straight-forwardness of the song. The downside of this approach, however, is that there isn’t much else to the video. There were a few serious stares from some of the members throughout the video, so I wonder if this is just the beginning of something more as part of the bigger comeback.

The choreography for this release looks like a work out. The consistency of the song’s rhythm keeps the members constantly moving and there really isn’t much of a place to take a break. What stands out with the routine even more is the impressive footwork and leaps the members take during the chorus. Not only does that reiterate the workout descriptor of the choreography, but it also plays into the recurring lightness that I have mentioned throughout this review.

Song – 9/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 8.7/10

[Review] Earth, Wind & Fire – BOYNEXTDOOR

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We are now mid-week, but I am finally making a start on the comebacks that occurred at the start of this week. BOYNEXTOOR is one of the artists that did so, and they returned with the single Earth, Wind & Fire. The new single forms part of the group’s second mini-album, How?. An English version of the song also features as part of the new mini-album. This is their first comeback since the release of But Sometimes and WHY… last year.

BOYNEXTDOOR goes down a very playful route for Earth, Wind & Fire. This playful route revisits a dynamic that the group kind of touched on in one of their debut singles, One and Only. A major difference between the two songs is that Earth, Wind & Fire goes even further along in the playful department. This is particularly highlighted to us following the fun yet repetitive chorus (more on this in a second), with the sped-up line post-chorus. The chorus itself is already quite playful via its melodies, and the addition of the post-chorus sped-up line reiterates that even further. I can also see it potentially attracting attention and keeping Earth, Wind & Fire in your mind, even after it wraps. The chorus could have been better had it had more to it. It did end up being quite repetitive and this may have implications on continuous repeats of the song. I would imagine the repetitiveness might dull everything else going in the song or has been set up. To me, the most lacking sequences of Earth, Wind & Fire are the verses. The opening verse was okay with some interesting vocals, but there wasn’t anything that pinged me as interesting or worth mentioning, As for the second verse, the rapping and vocals we got didn’t feel like it fit with the rest of Earth, Wind & Fire. But the pre-chorus lines and trajectory serves as a nice ramp up to the song’s highlight. I also like the retro direction the bridge had. Overall, I appreciate the fun energy and unique elements in Earth, Wind & Fire, which keeps me around.

Backing up the playful song is the music video. And this video is definitely wild and a quirky journey. Earth, Wind & Fire is about the feelings of how the person someone love can be their whole world like the elements of earth, wind, and fire. These are definitely represented in some form in the video. But the song also highlights how love is like nature one can’t control, which we can see represented in the video via the imagery of the wild weather events in the sets. I quite enjoyed the addition of the sped-up choreography scenes to accompany the sped-up sequence of the song, as well as the in-built lyrics to help us (loosely) decipher that they are singing in that sequence. These two elements definitely adds to that playful nature really well.

Keeping the playful vibes alive is the choreography, which I really enjoyed to watch. They really carried the energy through the entire performance – both in the choreography and their chemistry on stage. It was so fun to watch and become engage in. I also found a down-to-earth side to the choreography, which furthers that engagement I just mentioned. I also find it astounding that they are also doing the sped-up sequence live, which adds intensity to the mix. Definitely can’t wait to watch more of this group performing this song on stage!

Song – 7.5/10
Music Video – 8,5/10
Performance – 10/10
Overall Rating – 8.3/10

[Review] Youth – YUNHO & MINGI (ATEEZ)

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As previously flagged, I am gearing up to review ATEEZ’s The World EP.Fin: Will. But I will be reviewing the unit and solo tracks that has an accompanying music video released in January of this year first. So far I have reviewed HONGJOONG and SEONGHWA’s MATZ and YEOSANG, SAN and WOOYOUNG’s IT’s You. Today, I will be reviewing YUNHO & MINGI’s Youth.

Out of the four side-tracks that I will be reviewing from the The World EP. Fin: Will album, Youth is the most recognisable track of the bunch. There are a few elements within Youth that has made the song stay with me since its release in December. The most profound element is the song’s melodic flow. I find that the melodies in Youth bring out a nostalgia factor that ultimately makes the song so comforting and inviting to listen to. Further to that, the combination of MINGI’s raspy vocals and YUNHO’s crisper tone makes the melody feel so soothing to listen and ring out even louder after the fact. This definitely helps makes the song catchy and memorable. The hooks also help out with this memorable factor of Youth. The second element that stands out to me is the instrumental. It opts for a softer tone that I wished ATEEZ explores a bit more. I feel there is potential for the group to delve into this sound further. The combination of the melancholy piano and subtle sprinkle of brass, alongside the comfortable band instrumentation, just re-emphasise all of the descriptors that I have already mentioned for Youth. Even the rapping from MINGI was well balanced and I liked his presence in the song.

Youth is about the struggles that one experience at a young age and how it was tough yet under-played by adults who think they know better. And in the music video, we see both MINGI and YUNHO come to terms with their struggles. MINGI’s character’s struggles appears to be with other people – the societal struggles, based on how he is always surrounded or is with someone wearing a black mask. In a later scene, we see a shadow of MINGI with arrows in his back, representing the various ‘shots’ people have taken at him. YUNHO, on the other hand, is by himself for majority of the video and I think that represents a more personal and internal struggle. The broken car might represent his attempts to get away from it all. In the end, the video ends with their house (for MINGI’s character) and garage (for YUNHO’s character) burn down and we see them run away with one another, suggesting that their friendship has helped them move forward from the struggles. Aside from the plot, I like the warmer hue of the video, which enhances all of the above that I mentioned about the song.

Again, no formal performance video for this song release. So I am relying on the snippets that are in the music video and a fan-cam of the performance from their concert. The performance actually looks quite nice. Just like the other elements of the comeback, the performance also came had a comforting vibe. The suits the pair donned made the stage look more sophisticated and was probably to highlight the fact they are at a more mature stage of their lives now, and I really liked the jazzy interlude I saw the pair perform as part of their stage. I also think YUNHO shined with this performance, with his cool solo moment in the bridge.

Song – 8.5/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.3/10

[Review] C’est La Vie – CRAVITY

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Keeping to traditional, CRAVITY has returned to the stage with a follow-up release to February’s Love or Die. Also released as part of the group’s 7th mini-album, EVERSHINE, is the track C’est La Vie, which the group will be promoting as the second single from the mini-album. Yesterday, the group dropped the music video for C’est La Vie, which has prompted today’s review post.

For me, I thought C’est La Vie was one of the more mellow and plainer dance tracks off EVERSHINE (from what I can remember when I checked out the mini-album). So it is interesting to me that it was chosen to be the follow-up single for EVERSHINE. Presently, I don’t have a clear pick for what could have been a better pick (I will need to revisit the album to decide that). But C’est La Vie would not have been my first choice. There are some elements in the song give C’est La Vie some edge, such as the consistently pounding beat and the rougher post-chorus sequence that follows the chorus. The pre-chorus has a blissful vibe to it, and the accompanying rap surprisingly pairs well with said atmosphere. But aside from thaose aspects, the rest of C’est La Vie felt ordinary and doesn’t really speak to me as much. I think the chorus could have been bolder and defined and the verses didn’t have much going aside from that pounding beat I already mentioned. As a whole piece and considering my thoughts on the song above are quite balanced, I find myself indifferent to C’est La Vie.

The music video appears to be influenced by stories such as Peter Pan (via the presence of the kids and CRAVITY, whom I think are a version of the Lost Boys in the video) and Howl’s Moving Castle (via the presence of the older lady in the video, who turns into a Miyazaki anime-styled older lady giant that looks similar to the Witch of the Waste). Both of these stories touch upon the idea of life, which is fitting for a song titled after the French translation of the phrase ‘Such is life’. I like the fun and chaos that is brought around by the little kids and CRAVITY in the music video, especially at the start. At the peak of the video, TAEYONG and one of the young kids come together to take down the anime-style giant lady, and return the giant to her original form – the older lady we see earlier in the video, whom we see again at the end of the video with the kid.

The choreography looks good, based on the snippets that are included in the music video and a fan-cam I found of their performance at their fan-con. Their synchronisation during the first pre-chorus made that sequence looks cool, and I liked the intensity they give off during the post-chorus sequence.

Song – 7/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 7.5/10

[Review] Bye My Monster – ONF

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ONF makes their comeback today with their latest single Bye My Monster and their 8th mini-album, Beautiful Shadow. This is ONF’s first comeback since their Love Effect comeback in October of last year.

From the very first listen, I was already blown away with Bye My Monster. For me, it was the crafting of the two sound profiles, at first sounds distinct, but comes together so well in the end to create a stunner. The first verse gave me Moscow Moscow vibes (an infamous song from ONF’s arsenal), thanks to the presence of the Rachmaninoff’s Symphony No.2 sample. And that same vibe re-emerges each time the classical sounds reappear in the song. The chorus introduces a hint of rock to the mix, which helps makes the choruses feel explosive and gripping. All throughout these two distinct sound profiles, the group showcases their vocals so well. The timing of their vocal delivery was really complementary to the style of music in that moment and helped heighten the associated feelings you get from the two styles. Bye My Monster very quickly peaks when the two sound profiles of classical and band/rock join forces in the bridge. This combination isn’t anything new, but Bye My Monster found the sweet spot between the two to give us that intensity. Hyojin and E-Tion’s high note was incredible. Following the rush of intensity, the group pans between each other to give us a softer side, with falsettos and the re-emergence of the classical touch. The only other thing I have yet to mention is the rapping. That step-up in the second verse was rather interesting. To me, it feels a little mismatch for this song, but I don’t hate it. Maybe a few more listens to Bye My Monster will help warm me up to it. But overall, another top-notch piece.

Just like the song, the music video for Bye My Monster is a stunner, as well. The visuals and post-production in this video is at its A-game. The scene that made me go wow was the explosion clouds o on the tall building in the background during the choreography shots for the second chorus of the song. The song itself warns that love, in this instance, had created a monster within the members. We see the members realize what has become of them. Wyatt’s eyes and the acting by some of the other members portrayed this well. Hyojin’s character is surrounded by a dark cloud that I presume signifies the transition to a monster. Through the other scenes involving the other members (and the choreography shots), we see the members observes their angelic forms (white suits). But they know deep down that their monster form (black suits) is the end result. While the ending was a little cryptic and could be open ended, I think Hyojin hold hands with his angelic form in the dark clouds, which backs my theory they knew they were always going to be monsters – that they were always one. That’s my theory – I would like hear what yours is.

The performance for this comeback (FYI – the group has already performed the track at their recent concert, so I watched a few fancams for this section) finds a balance between the gracefulness of the classical music and the more hard-hitting moments of the song. And this balance makes for a great performance. The verses were the more interesting moments in the choreography. In the music video, they looked quite cool, so I can’t wait to see them better through the weekly music shows.

Song – 9.5/10
Music Video – 10/10
Performance – 9/10
Overall Rating – 9.6/10

[Review] PLUTO – Xdinary Heroes

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Xdinary Heroes made their comeback way back in October 2023 with Break The Brake and the mini-album Livelock. Since then, the band was awarded the Best Band Performance in the 2023 KPOPREVIEWED Awards. I am preparing to review the mini-album (one of the last album reviews for 2023 for now, so I can make a start on 2024 albums). But in order to do this, I will need to review second track from the mini-album that got the music video treatment – PLUTO.

I am trying to rack my brains and remember if I actually have listened to Livelock at all since its release. And I am not sure if I have. I put that down to being overworked and stressed throughout 2023. And if I did listen to the album, I am utterly disappointed in myself for not remembering a song like PLUTO. PLUTO is by far on of Xdinary Heroes’ best tracks thus far. Xdinary Heroes tackles an almost pure pop-punk track head on, giving us a very refreshing and impactful side-track on the mini-album. The pop-punk direction that PLUTO heads in is definitely head-banging worthy. The vocal work is superb, for the most part. Jungsu and Jooyeon sound so blissful in PLUTO, especially when we get to the chorus where they push themselves vocally and the rock instrumentation surges us forward. This momentum feels fitting, as the song’s lyrics expresses the feeling that there is nothing in between another, even if they might be as far apart as the distance between Earth and PLUTO. Now, there is a caveat in the vocal department. I am not a fan of Gaon and Ode’s rapping. The change-up here didn’t feel needed, felt awkwardly executed, and didn’t add any value to the song. Their vocals (even Ode’s autotuned singing) was fine. It is just the rapping that gets to me. Other than that, PLUTO would have been a perfect song.

I wished the music video was a more than just the band performing PLUTO in a room. It feels incredibly plain, despite the camera work and lighting helping make the video feel a little more dynamic to complement the song. Despite that, I think the video highlights that head-banging potential that PLUTO has. Also, Gaon in those shorts and boots was a little distracting for me. His legs are fine, it was more so the combination of the two. 😀

Song – 9/10
Music Video – 6.5/10
Overall Rating – 8/10

[Review] IT’s You – YEOSANG, SAN & WOOYOUNG (ATEEZ)

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Back in March, I flagged that I would be review the unit and solo tracks from ATEEZ’s The World EP.Fin: Will studio album ahead of the album review, as each of these track got the music video treatment. I had reviewed HONGJOONG and SEONGHWA’s MATZ before completely pausing these ATEEZ reviews. But they are still on my radar to review. Today, I will be focusing on YEOSANG, SAN and WOOYOUNG’s unit track IT’s You.

IT’s You taps into R&B and I am all for it. It isn’t the most memorable track from the album, but like most R&B tracks, IT’s You is charming. The sensual vibes come through the instrumental quite well, and the this particular trio of ATEEZ members executes it well. Most of their vocals are sultry and seductive, which I find complements the R&B nature of the song quite well. SAN in particularly stood out for me as his vocals help bring the smoothness to the song. Nothing else really caught my attention that I could really remember after the fact. But if I had to pick what got close to also being memorable were the chorus melody, the suspenseful interlude we get after the first chorus and the whispery delivery of the bridge. It is just these elements didn’t go far enough and stay with me after the song wrapped. My biggest qualm about the IT’s You is the autotune at the start in YEOSANG’s opening verse. He handles vocals well, as demonstrated later in the song, so I am not sure if the heavy autotune was needed. Also I am not convinced that the autotune added anything to IT’s You, noting the rest of the song was delivered with vocals that were far less autotuned.

Set in an alleyway, the music video does a good job of complementing the smoothness and R&B tones of the song, yet maintaining that edginess that the ATEEZ always manages to infuse into their outputs. The smoothness comes thought via the editing, with the transitions giving off that smooth and fluidity. The R&B/sensual tones comes through the limited range of solo shots and the more dominantly featured choreography shots. There honestly isn’t much to the music video, but it works well as a visual representation of IT’s You.

As mentioned above, sexiness came through the music video via the visuals, with a large part of that being the choreography. YEOSANG, SAN and WOOYOUNG executed sensual vibes and tones quite well, making it a riveting performance. Their solo moments were also quite good. My only question is why didn’t the trio get a performance video, as well. They deserve one!

Song – 7.5/10
Music Video – 7.5/10
Performance – 8/10
Overall Rating – 7.6/10

[Review] Beautiful MAZE- DRIPPIN

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DRIPPIN makes their first comeback in a year, returning with their newest single Beautiful MAZE and their 4th single album of the same name. I thought I pick up this comeback and review it now while close its official release date, rather than repeat what I did with SEVEN SINS (i.e., wait a good lengthy 7 months to review the track). Also, the group is currently promoting without Changuk, who is sitting out for medical reasons.

Beautiful MAZE is good, but it isn’t great. It is pleasant and enjoyable. But it also a ‘safe release’. It keeps close to itself and doesn’t expand into anything that memorable in the end. For a group who can definitely handle dynamism, Beautiful MAZE feels a little lackluster. Nothing comes off as memorable in its instrumental. You don’t really remember much from this department once the song wraps up. Only did I really pay attention to Beautiful MAZE did I register the fact that I liked the sprinkling of the synth pop in the background of the new wave genre. That being said, playing it safe and going with a softer toned instrumental does give DRIPPIN the opportunity to focus more on the melodic side of delivery, which helps makes this track ‘pleasant and enjoyable’ as I had already pointed out. The rapping in the track also went with a similar motif, opting for a somewhat softer demeanour. Altogether, this helps create a fluid track. I just wished that was something more to Beautiful MAZE to give it roughness and edge. Something interesting to sink our teeth in. It could have easily been an instrumental sequence somewhere in the song that could have briefly changed up the song and that the group could have used for a dance break.

The lyrics of Beautiful MAZE expresses the emotions associated with relationships and breakups as like being in a maze. And we see the members go through a rollercoaster of different emotions throughout the video. But the display of those emotions are rather subtle, and so the music video just looks like a casual video of the members hanging out together. I particularly liked the second set of the choreography scenes, with the way the drone camera pans around them. I also like the editing of the video where images of the members flash before us rapidly, just prior to the final chorus.

Dance-wise, while the song does go with a softer tone, the group still manages to make the song appear lively on stage. They also did tap into their delicate side to execute the choreography and ensure it complements the song, whist also showing some energy to the performance.

Song – 7/10
Music Video – 7.5/10
Performance – 8/10
Overall Rating – 7.4/10

[Review] Deja Vu – TXT

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Also making their comeback at the start of the week was TXT with their 6th mini-album titled Minisode 3: Tomorrow. Leading this mini-album is the title track Deja Vu. This new release follows on from TXT’s October 2023 comeback with Chasing That Feeling and The Name Chapter: Freefall.

New song Deja Vu takes us down a more emotive route, with the new song relying less on instrumentation and flair to connect with the audience. Instead, Deja Vu relies more on the members’ delivery and melodies to convey their emotions and message of the song. And by extension, I feel that Deja Vu‘s rock elements (amongst the trap) in instrumental aids in that as well. It becomes more noticeable and profound the more you listen to Deja Vu, particularly in the later parts of the song. Despite the harmonious intent of the song’s elements, I do think that Deja Vu isn’t their strongest release to date. We have heard TXT pour emotions (of some form) into their comebacks in the past but they were successful as they had some form of a punchy demeanour (e.g., 0X1=LOVESONG (I Know I Love You)). I find that to be a missing element in Deja Vu. Instead, the production of Deja Vu to be more of a seamless construction – continuous and consistent. This isn’t a criticism of Deja Vu, however. I find the seamless nature of the trap and rock elements makes the song its own thing. I just think Deja Vu needs a bit more character (and have said character flow onto other parts of the song) to really take it to the next level and be more memorable.

The song’s lyrics “express how [someone wants to] reunite like promised in the past, describing the moment of reunion as deja vu” (taken from SOOMPI). And in the music video, we see the members convey the feelings and desire of wanting to reunite with someone in their past. From the looks of it, the determination to reunite, the feeling of being lost and the anticipation of the reunion were some feelings explored by the members in the video. I also like how in one of Heung Kai’s scene part way through the video, it looks like he was knocked back, which may depict the times in which a reunion was in sight, but wasn’t fruitful for one reason or another. I liked how the video’s colour palette also plays into the emotional side

The emotions are definitely conveyed well in the performance for Deja Vu. That was my main takeaway from watching the performance. My favourite aspect of the routine has to be the rock coloured dance break we get, where Yeonjun does an amazing high kick spin. Best part of the routine, in my opinion.

Song – 7.5/10
Music Video – 8/10
Performance – 8.5/10
Overall Rating – 7.9/10

[Review] Voyage – Geenius

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Despite still being in January 2024, my time machine takes me back a few weeks to 5 January 2024 to review Geenius’ debut digital single Voyage. Geenius is a 5 member female group (consisting of Yeyoung, Sion, Mika, Zoe and Andamiro) under HOMe.

As a debut song, Voyage sets up Geenius quite well. The first impression I got out of Voyage is that the song features some really nice vocal work, which definitely complements other parts of the song. The instrumentation for Voyage takes on that upbeat yet dreamy form of pop, and the vocals contribute towards that dreamy motif via their melodies and smooth vocal work. I really liked the cheerfulness and hopeful vibes you get from the song, which brings both a smile and comforting feel to Voyage. Voyage also features a bit of rapping, which I thought was a decent effort. Reflecting after the fact on Voyage, I do think there could be some improvements to make it more memorable. Until I picked up the song for review, I didn’t remember much of it. While the melodies were good, the hooks for Voyage were somewhat lacking. The instrumental could have also been more punchy, and the producers could have leverage that to help make the song more catchy. But as a whole. Voyage was a fair debut track and does a decent job of introducing us to Geenius. Cannot wait to see what else this new group has to offer in the future.

The song lyrics talk about escaping reality and going on an overnight “voyage” with a loved one to one’s dream. And in the video, we see the members go on a voyage themselves, with Zoe sketching the place the group goes to into her book at the start of the video. Part way through the video, someone takes the book from Zoe whilst she is asleep, alluding to the fact that her loved one (i.e., the other members) made Zoe’s dream the destination. That is my interpretation of the video. Aside from that, I thought the video was quite nice visually and very high quality for a unknown company. This definitely showcases the members well.

The choreography for this debut is also quite nice, just like the song and music video. I did like the ‘prettiness’ that the routine exuded. I particularly enjoyed like the post-chorus sequence, where the members used their hands to represent a star going over their heads. It was cute and looked memorable in my books.

Song – 8/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8/10