[Review] Promise – DOYOUNG (NCT)

Similar to JUNGWOO with SUGAR the other week, DOYOUNG also made a comeback the day after beginning his military service on 8 December 2025. The new single, titled Promise, follows his second studio album, SOAR, led by the single Memory.

Unsurprisingly, DOYOUNG offers Promise as a ballad, a parting gift for his fans while he goes on hiatus to express his gratitude for the love and support he has received. Given his past work, I trust DOYOUNG to deliver an engaging ballad. And he does just that in Promise. The vocal performance in this one is spectacular. DOYOUNG is a formidable vocalist, and so such a performance is definitely within expectation. I particularly liked how his vocals build in Promise, helping create the engaging song as hoped. The melodies were charming, and I liked how they gave Promise some variety, avoiding becoming an overly consistent ballad that just repeats the same elements a couple of times and then calls it a day. As for the instrumentation, the backing is more typical of a ballad, with piano, strings, and percussion. But it complements DOYOUNG by building alongside his vocals. Overall, Promise is a beautiful ballad which I am sure fans and listeners will find comforting.

The music video centres on DOYOUNG returning home (presumably after an extended absence), rediscovering an old houseplant, setting it aside, and then going on with his life. One rainy day, he hears something fall to the ground outside and discovers the houseplant there. He takes it back inside, realising that he has taken it for granted, and begins to look after and care for it. That includes drawing some eyes on the pot (cute) and bringing it around with him as he goes on about his daily life. When it comes time for him to leave again, he realises the conditions will be harsh for the plant, so he builds a contraption to control the plant’s climate. The plant gifts him a flower, which he puts on a ring and takes on his adventures outside the house. At the end, he returns home with the plant, and another flower is in bloom. I think the parallels between the houseplant and his fans throughout the video are apparent, particularly at the end, when his fans will be waiting for him upon his return from military enlistment.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

[Weekly KPOP Chart] Week 2 of June 2025

Welcome to the next edition of the Weekly KPOP Chart posts. This is for Week 2 of June 2025, which spans 8 to 14 June 2025.

I took the week off from the blog to recuperate and get re-settled into my routine after being back at home for a while (I have been living in a different city for the last couple of months). Hence, this post is almost a week late.

The usual posting schedule will resume tomorrow. I have a lot of albums and songs to get through, so please be patient while I work my way through them.

Non-Korean Song of the Week

Each week, the top-ranked non-Korean Song on the Weekly KPOP Chart is spotlighted (as this is an area I haven’t been focusing on as much on my blog lately). The non-Korean song of the past week is KATSEYE’s GNARLY.

The Chart

DOYOUNG’s MEMORY ranks in the top spot this past week! Congratulations DOYOUNG!

[Review] Memory – DOYOUNG (NCT)

Making his solo comeback yesterday was DOYOUNG, with his second studio-length album titled SOAR and the title track Memory (안녕, 우주). This new release follows his official solo debut with YOUTH and the single Little Light, which earned him nominations for Best New Male Soloist and Best Album in the 2024 KPOPREVIEWED Awards.

Cast your minds back to Little Light. The debut track was described as “a band song with powerful guitar riffs”. The new single, Memory, leans further into this sound profile, incorporating more rock energy and drive. This makes the heartfelt song more prolific and intense, which elevates its appeal to a whole different level. Memory also benefits from DOYOUNG’s sweet yet powerful vocals, which complement the rock energy and contribute to the song’s drive. The combination of rock energy and intensity, paired with DOYOUNG’s vocals, in Memory is captivating. The melodies flow beautifully, which contributes significantly to the stunning output that is Memory. Put these pieces together, and I think the best way to describe Memory is “straight-forwardly pure”. I couldn’t find any faults in the song, so it earns a perfect rating from me.

Memory speaks to the hope that even as time passes by, the memories we make will remain forever. In the music video, we see DOYOUNG live a very sterile life. That is until he spots a dead bird. He tries to ‘delete’ the memory of the dead bird. But the memory of the dead bird breaks through and recurs in his mind, leading him to remember memories of a dog he once had. And while the immediate memories he remembers first are the passing of his dog, we later see other happier memories of when his dog was alive. In the end, he considers formatting his memory (i.e., deleting everything to start afresh). However, I think the post-title screen suggests that he chose to preserve those memories with his dog, keeping them forever, as the lyrics express. I liked the touching story within the music video, as well as the summery yet emotional vibes being portrayed. The glitchiness at the start, which was part of the video, did catch me off guard. It made sense conceptually, but I don’t think it added much value to the broader video. Similar comments can be made about that giant creature in the sky.

Song – 10/10
Music Video – 9/10
Overall Rating – 9.6/10

[Album Review] YOUTH (1st Studio Album) – DOYOUNG (NCT)

Another album review today (standard transmission of song reviews will resume tomorrow and into the weekend). This time, it is for DOYOUNG’s debut solo album, titled 청춘의 포말 or YOUTH. This was released in April and features 10 songs, including the title track Little Light. DOYOUNG is the 3rd member to have an official solo release in NCT, following TAEYONG and MARK.

YOUTH is a remarkable album that shows us a few styles of music, all intersecting with one another through DOYOUNG’s heavenly and stunning vocals. There are literally no bad songs on this album, making it one of the highest-ranked albums of the year thus far. A definite recommend to anyone who is looking for a new artist to delve into.

청춘의 포말 (YOUTH) Album Cover

1. Beginning (새봄의 노래) – Beginning (not an exact reference to the song) the album is a stunner. Beginning (the song) is a beautiful track that starts soft and delicate. As it progresses, it builds into a powerful track that captivates you. The piano is the song’s best part, with the recurring riff being so lovely. DOYOUNG vocals follow the same trajectory as the instrumental and add to that captivation, making it hard to skip this opening song. (10/10)

2. Little Light (반딧불) (Title Track)Click here for the full review of Little Light. (9.5/10)

3. From Little Wave (나의 바다에게) – Rock infuses into the album through From Little Wave. From the start, I liked how DOYOUNG controlled From Little Wave, turning what arguably sounded like strong rock elements into a soft song with his vocals. However, as the song progresses, the rock takes over. But it doesn’t overwhelm DOYOUNG’s vocals, which remain the song’s focal point. Another great song with a strong trajectory. (9/10)

4. Time Machine (ft. TAEYEON (SNSD) & MARK (NCT)) – Of all the tracks on the album aside from the title track, there was a lot of anticipation of Time Machine. After all, it features DOYOUNG, TAEYEON and MARK – all big names from SM Entertainment. I love how dreamy the track was, with beautiful acoustics as part of its mid-tempo instrumentation. All three members sound amazing, but it was best at the end with their harmonies and DOYOUNG and TAEYEON’s ad-libs. (9/10)

5. Serenade (내가 됐으면 해) – Another dreamy vocal track from DOYOUNG. This one taps into R&B and has this jazzy vibe to it. I love how soothing his vocals are on this track at times and how warm the track sounds. However, this song is on more of the typical side than the others on the album. But it still liked how Serenade sounds nonetheless. (8/10)

6. Rewind (끝에서 다시)Rewind is the type of ballad you must close your eyes to and just let DOYOUNG take you away. I don’t think there is any other plausible way to appreciate the song. The best way I can describe Rewind is using a painting analogy – the piano-only instrumental would serve as a blank and smooth canvas that makes paint easy. In contrast, DOYOUNG vocals (which were so raw and emotive) would serve as the brush strokes that make up the painting on the canvas. Rewind was truly a beautiful listen. (10/10)

7. Warmth (온기) – Ironically, I get chills listening to Warmth, from DOYOUNG’s vocals which are breathtaking in Warmth. He is a lot breathier in the song, making his vocals feel silky and smooth. I also enjoyed how his vocals build in the song. The classical instrumental is really beautiful itself. Another amazing ballad to earn a 10/10. (10/10)

8. Lost In CaliforniaLost in California plays with dynamics, which makes it an interesting song. Lost In California goes almost grungy in the choruses, but the verses are much softer. The bridge takes a balladry turn. DOYOUNG perfected the transitions between each, ensuring the song stays cohesive despite each section being distinct. The launch between verse and chorus was impactful, while he tapers the end of the grungier choruses with a wispy, memorable tone. I also love how he delivers the “Dream in” and the “Leave here” in the outro. (10/10)

9. Rest (쉼표)Rest is quite likeable thanks to its pop melodies and the overall energy exuded from the song. The band instrumental is quite refreshing and upbeat, while the electric guitars help give the song some zing. I find it a bit standard compared to the string of songs preceding it, but still a good listen. (8/10) 

10. Dallas Love Field – Closing out YOUTH is Dallas Love Field, which delves into the pop rock subgenre. I liked how passionate and vibrant DOYOUNG’s vocals were throughout Dallas Love Field. At times, I thought DOYOUNG slipped into a dreamy demeanour, which was an intriguing direction for an upbeat pop-rock track like Dallas Love Field. I loved it when the backing vocals came into play, and DOYOUNG moved into ad-libs territory. I just wished he finished the song by easing out and not being abrupt as it was. But it’s a wonderful end to the album nonetheless. (9/10)

Overall Album Rating – 9.3/10

청춘의 포말 (YOUTH) Teaser Image

[Special] KPOPREVIEWED’s Personal Favourite Songs from the 1st Half of 2024 & more

One of the first posts after 30 June each year is my ‘Personal Favourite’ post. Each year, to help round out the first half of the year, I post a list of my personal favourite songs from the 1st half of the year. As we are now in July 2024, it is time to post my personal favourite songs from the 1st half of 2024 (with a few extra tidbits).

For this year’s post, I am following what I did last (and the year before that) year, as I quite liked how that turned out. In addition to the usual list of 10 songs (which are in no particular order and not related to my reviews as songs do grow immensely on me) for the first half of 2023, I will also be posting two songs from the November – December 2022 period I personally liked and 3 non-Korean songs (i.e. English, Japanese etc.) by Korean artists that caught my attention so far this year. So without further delays, here are the list of my personal favourite songs of the year thus far (in no particular order, of course).

From November – December 2023

Personal favourite non-Korean songs of 2024 thus far

Personal favourite KPOP songs of the year so far (January – June 2024)

[Weekly KPOP Chart] 4th Week of April 2024

Welcome back to another Weekly KPOP Chart post for the 4th Week of April 2024. I managed to publish one extra review then usual this week. Not exactly what I was hoping for, but it is still something. The upcoming week is looking to be jam packed with multiple new releases from SEVENTEEN, IVE, SOLAR (from MAMAMOO), Xdinary Heroes, YOUNITE, The KingDom (formerly KINGDOM), HYUNA and a whole heap more. I am hoping to cover as much as I can this week. But as previous similar posts, all of that will come once I post the Weekly KPOP Charts for this past week.

Throwback Song of the Week

Each week I pick a song from the past to feature in this segment. It is recognition for the fact I listen to more than just the currently charting songs. And revisiting these songs are truly a blast from the past. Plus, I am hoping that this segment introduces new listeners to some great songs that I have enjoyed from my many years of listening to KPOP. Following the theme of hitting hard as per the last few weeks, the song that did it for me this week is KARA’s Mamma Mia from 2014.

Non-Korean Song of the Week

As my focus on this blog is primarily on KPOP songs, I draw attention to a particular song that isn’t in the Korean language in this part of the Weekly KPOP Chart post. That song is the top ranking non-Korean song on each Weekly KPOP Chart post. The past week’s non-Korean song of the week is V’s FRI(END)S, which I am hoping to review sometime in the near future. It ranks in the 11th position this week.

The Charts

DOYOUNG’s official solo debut single Little Light is the top song for the Weekly KPOP Charts for the 4th Week of April 2024. Congratulations!

PositionSong TitleArtistChange
1Little LightDOYOUNG (NCT)(NEW)
2ImpossibleRIIZE(▲ 2)
3FUEGOTHE NEW SIX(▲ 61)
4Bye My MonsterONF(▼ 3)
5RooftopYooA (OH MY GIRL)(▲ 33)
6Bubble GumNewJeans(NEW)
7Wish You HellWENDY (Red Velvet)(▲ 15)
8Midas TouchKISS OF LIFE(▼ 1)
9SWEATZEROBASEONE(NEW)
10SUPERWOMANUNIS(▲ 54)
11FRI(END)SV (BTS)(▲ 53)
12SHEESHBABYMONSTER(▲ 52)
13NectarTHE BOYZ(▲ 1)
14No PressureNOMAD(▲ 50)
15DandelionSEUNGKWAN (SEVENTEEN)(▲ 48)
16Deja VuTXT(▼ 11)
17Earth, Wind & FireBOYNEXTDOOR(▼ 15)
18Youth2YouthEPEX(▼ 6)
19Officially CoolBang Yedam & Winter (aespa)(▲ 50)
20WHY?Stray Kids(▲ 49)
21SmoothieNCT DREAM(▼10)
22MagneticILLIT(▼ 12)
23SIRENRIIZE(▲ 41)
24WISHNCT WISH(▲ 40)
25Flower RhythmARTMS(▲ 39)
26Want You BackSEVENUS(▲ 24)
272 PROUDApl.de.Ap, Sandara Park (2NE1)(▲ 28)
28TOMORROWYong Junhyung(▲ 36)
29Because There Is LoveIsaac Hong(▲ 6)
30I’m ReadyCHUNG HA(▲ 34)

[Review] Little Light – DOYOUNG (NCT)

It is a new week. And that comes with new comebacks and debuts. Kicking it off this week is DOYOUNG’s solo debut with the single Little Light and his first studio length album YOUTH. DOYOUNG becomes the fifth member of NCT after TAEYONG, MARK, TEN and JAEHYUN to have some sort of a solo career outside of their NCT works, which spans across NCT, NCT U and NCT 127 discography. If I also read correctly, we will be expecting more NCT solo works this year. We already have TAEYONG’s TAP and TEN’s Nightwalker (which I have yet to review) this year, and JAEHYUN is preparing a solo album himself.

But today’s focus is on DOYOUNG’s Little Light. The track is described as a band song with powerful guitar riffs (according to SOOMPI), which is an accurate description for Little Light. I would have also thrown in a ‘refreshing’, ‘revitalising’ and/or ‘uplifting’ descriptor into the mix when describing Little Light. When I first heard the song, I thought how nice some strings would have been in the background (particularly at the end of Little Light) and that led me to think of LUCY’s work (a South Korean band that I have reviewed before who is known for their use of strings in their band tracks). It turns out that Little Light is co-written by Cho Won Sang from LUCY! As for DOYOUNG, he sounds really nice. Not only does his vocal tone showcases those extra descriptive words I mentioned at the start of this section, I like how he presents himself throughout Little Light. There is a bit of a range with some some powerful notes, high notes and even some falsetto. Each were well used and at the right time, furthering Little Light as a captivating track. I do wish there was a bit more consistency within the melodies in Little Light to make it feel more cohesive. But as it stands, Little Light ticks off many boxes for me, especially the idea of it being a band track with a refreshing vibe.

The lyrics to Little Light talks about how a little light can lead someone to their hopes and dreams . Certain lines of the song speak about how it needs to be lit, is it can be the dimmest light you can ever find, or even be a star in the sky that is miles away etc. It is all quite clever imagery and presents to us the idea that little light can be something different for all of us. In the video, DOYOUNG goes searching for his little light, which he does come across a number of times. He goes chasing after it, but he loses sight of it just as many times as he spots it. But as it is his little light, it does come back to him to lead him forward. DOYOUNG went through windy conditions at one point, and also trips and grazes his face/hand. At one point, he almost gives up on his search. All of this represents the tribulations and journey we all must go on that is life. But in a happy ending, he finds his light and follows it to a hidden area that has even more little lights. While not shown, these lights somehow take him home. But before we think it all a dream, DOYOUNG notices his hands (and we can see his face) are still scraped, which alludes to the fact that journey he went through the previous night (i.e., life) still occurred. I also notice that the little light in the video is green in colour, which is also NCT’s colour. And I have a feeling that all those little lights that become one big light might be reference to the NCT fanclub. I also enjoyed the scenery and the aesthetic of band instruments behind him in the scenes where he is singing into a microphone. What a stunning backdrop.

Song – 9.5/10
Music Video – 9/10
Overall Rating – 9.3/10