Similar to JUNGWOO with SUGAR the other week, DOYOUNG also made a comeback the day after beginning his military service on 8 December 2025. The new single, titled Promise, follows his second studio album, SOAR, led by the single Memory.
Unsurprisingly, DOYOUNG offers Promise as a ballad, a parting gift for his fans while he goes on hiatus to express his gratitude for the love and support he has received. Given his past work, I trust DOYOUNG to deliver an engaging ballad. And he does just that in Promise. The vocal performance in this one is spectacular. DOYOUNG is a formidable vocalist, and so such a performance is definitely within expectation. I particularly liked how his vocals build in Promise, helping create the engaging song as hoped. The melodies were charming, and I liked how they gave Promise some variety, avoiding becoming an overly consistent ballad that just repeats the same elements a couple of times and then calls it a day. As for the instrumentation, the backing is more typical of a ballad, with piano, strings, and percussion. But it complements DOYOUNG by building alongside his vocals. Overall, Promise is a beautiful ballad which I am sure fans and listeners will find comforting.
The music video centres on DOYOUNG returning home (presumably after an extended absence), rediscovering an old houseplant, setting it aside, and then going on with his life. One rainy day, he hears something fall to the ground outside and discovers the houseplant there. He takes it back inside, realising that he has taken it for granted, and begins to look after and care for it. That includes drawing some eyes on the pot (cute) and bringing it around with him as he goes on about his daily life. When it comes time for him to leave again, he realises the conditions will be harsh for the plant, so he builds a contraption to control the plant’s climate. The plant gifts him a flower, which he puts on a ring and takes on his adventures outside the house. At the end, he returns home with the plant, and another flower is in bloom. I think the parallels between the houseplant and his fans throughout the video are apparent, particularly at the end, when his fans will be waiting for him upon his return from military enlistment.
Song – 9/10 Music Video – 9/10 Overall Rating – 9/10
Ahead of his upcoming military enlistment in December 2025, JUNGWOO has made his solo debut with the single SUGAR. This is his first music release in over a year – his last was through his participation in NCT 127’s Walk studio album. Since then, NCT 127 embarked on a world tour, Neo City – The Momentum, which ended back in May this year.
For me, I found SUGAR to be a decent listen despite the unfavourable lead-up to the release. The less-than-a-week notice of the release and lack of marketing didn’t build much hype for the song, and SUGAR lacks standout features. But SUGAR still had enough to feel and sound sweet and pleasant. JUNGWOO’s vocals bring the sweetness to the table, while SUGAR‘s melodies and the subtle grooviness in the instrumental were the pleasant aspects of the song. The rapping in the second verse was a neat addition to the mid-tempo track. There is also a refreshing tone and foot-tapping upbeat nature that makes SUGAR feel more suited during the summery periods, and would have been a likable hit had it been released during that period. But irrespective of its release date, SUGAR is still a nice listen overall.
The music video sees JUNGWOO visit the dentist, after which he indulges in sugary treats – so much so that he turns into a working piece of art. Talk about trajectory! But upon reflection on the lyrics, there is probably more to the video than what meets the eye. The sugar most likely represents his fans. He enjoys being in their presence (i.e., he is the centrepiece of the artwork) and they bring him comfort (i.e., the scenes where he is enjoying the lollies and soft drinks). The dentist appointment can be seen as his military enlistment – a period of time where he can’t be with his fans (i.e., the sugar), with the subsequent scenes about him eating the sugary treats and the artwork also doubling up to represent his hopes that, following his military enlistment, he would be able to continue making sweet memories with his fans.
For the performance, I really liked the bubbly and bright energy he brings, personality wise, to the routine. It makes the whole routine feel comforting, familiar and enjoyable, which I am sure JUNGWOO’s fans like. There is a bit of a mature/sensual vibe behind some of the moves – these appear primarily in the second half of the chorus, and I enjoyed kicks that follow.
Song – 8/10 Music Video – 8/10 Performance – 8/10 Overall Rating – 8/10
Just four months after dropping their 5th studio album, Go Back to the Future (led by the singles BTTF and CHILLER), NCT DREAM re-enters the KPOP scene with another release, making this one of the busiest years yet! Their new mini-album, Beat It Up, features the title track of the same name. It also follows the solo debut of HAECHAN with CRZY in September this year (who follows MARK’s solo debut earlier this year, as well).
From the first listen, I found myself digging Beat It Up. It is a powerful and bold hip-hop track that boasts several prolific aspects. The first thing that really jumped out at me is the ‘Beat It Up‘ repetition in the background. While the thought that it might become annoying briefly crossed my mind, by the end of the first listen, I was really digging the repetition, both texturally and in its clean execution, as well as a catchy hook. Beat It Up also features some really cool rapping sequences. Both JENO and JAEMIN started the song off strong, but MARK’s sequence in the second verse really hit hard. The MARK and JENO combination as the pre-chorus before the second chorus was also a neat peak. It wouldn’t be an SM Entertainment song without some truly melodic vocals, even in a hip-hop song like Beat It Up. The vocals in the first pre-chorus and second verse really helped smooth out the bold energy, while the stripped-back bridge (a classic SM aspect) was beautifully executed by HAECHAN, CHENLE and RENJUN. JISUNG effortlessly pulls us right back into the hip-hop energy to lead us into a satisfying end to Beat It Up. Oh, and I haven’t yet spoken about the instrumental, which is full of ‘bold kicks and strong bass sounds’ (SOOMPI describes the song well, so I have borrowed their description of Beat It Up). It definitely delivers in impact and boldness.
Like the song, the music video definitely showcases NCT DREAM in a very cool limelight. The video opens with band-aids or minor scratches on the members’ faces, representing the scars they have received as part of their journey. Throughout the rest of the video, we see the members potentially engaging in heated moments with the actors in the background, a two-car head-on collision, numerous mangled bikes, crashing buildings, and a boxing ring match, all of which could explain the scratches and bruises. However, despite these, the members proudly display them as if they were battle scars and evidence of their hard work in achieving their current status. The scenes with the crashing buildings and the car collision floating in the sky (with MARK hanging onto a tyre and JISUNG/JENO in the car seats) were quite impressive moments in the video. The wiping transition at the start of the video (see the feature image for this post) was also very bold.
The boxing and punching references make sense for a routine to a song titled Beat It Up. While I am not sure if they make it into the choreography, the freestyle scenes throughout the music video also fit in well with the concept and the hip-hop nature of the song. But it is the routine for the final chorus that has me most excited. It seamlessly blends references and freestyle energy into one and serves as a really excellent closer to the dance.
Song – 9/10 Music Video – 9/10 Performance – 9/10 Overall Rating – 9/10
At the start of last month, NCT WISH made their second comeback of the year with the mini-album COLOR, led by the title track of the same name. In the lead-up to the release of COLOR, NCT WISH also pre-released the single SURF and released a music video for the side track BABY BLUE. I will definitely review SURF in the future, but I haven’t made up my mind regarding BABY BLUE yet. Their last comeback was poppopfrom earlier in the year.
Following my review of poppop, I am happy to report that it really grew on me. I hope that will be the case for COLOR. Similar to my initial comments on poppop, I find this new song to be an okay release. As such, I am not overly excited about it. But no matter how many times I have listened to the song since its release, I find it hard to see myself ever being excited about it. This is probably why this review has taken over a month to write. Some positive aspects of COLOR contribute to the song’s likeness. The clangy, synth, and percussive instrumentation give COLOR impact and help deliver some punches alongside the melodies/hooks. At the same time, the members’ delivery, layering and energy add life and an upbeat quality to the song. The “Bring out the colour” hook was also catchy. However, I feel that something holds back the dynamic potential of COLOR. Going back and forth over the song, I think the combination of the above made COLOR a little too hefty for my liking. If the producers had found a way to loosen up the song, making it feel lighter, I think this could have made COLOR more dynamic and appealing. I also wish the melodies were a little more grabbing.
The music video for COLOR is quite colourful, but it is done in a way that feels natural and tasteful. The colourful aspects aren’t in your face, but you can tell they are there. I really appreciated that. I also liked the art gallery theme in the music video; that part of the video was very fun. Energy-wise, the music video also felt youthful, ideal for NCT WISH’s appeal. It was great, overall.
As for the performance, I thought it looked good. The footwork and handwork during the chorus add complexity, and I liked the subtle intensity of the moves that accompany the song’s “Bring out the colour” hooks. Both definitely looked cool. Overall, I felt the routine matched with the hefty nature of the music, and the intensity adds some interesting dynamics to the performance.
Song – 7/10 Music Video – 8/10 Performance – 8.5/10 Overall Rating – 7.6/10
Song – Music Video – Performance – Overall Rating –
As of yesterday, HAECHAN has become the 7th member of NCT to make his solo debut, following TAEYONG, TEN, DOYOUNG, JAEHYUN, YUTA and MARK. HAECHAN’s solo debut comes in the form of a studio album, TASTE, led by the single CRZY. More recently, HAECHAN has been busy promoting as part of NCT DREAM through their BTTF and CHILLER singles, which form part of NCT DREAM’s 5th studio album, Go Back To The Future.
HAECHAN is most known for being the main vocalist of the NCT subunits he is part of. And so, it should be no surprise that his solo debut title track shows off some of his vocals. His tone is consistently refreshing throughout CRZY, complementing the R&B pop dance genre that CRZY delves into. That being said, I do feel like the material within CRZY could have done more with his vocals, especially on the melodic front, which felt plain in CRZY. I do appreciate the smoothness and sleekness of his vocals and the melodies that we did get. But it wasn’t exactly the amazing material I had expected from a main vocalist. CRZY does give us a different side to HAECHAN that we don’t usually hear much of – some rapping. I appreciate that this is something different for HAECHAN, and it gives us something more to talk about. Instrumentally, I liked how upbeat CRZY got via the rhythmic guitar and percussion. It definitely made CRZY feel cool and suave.
CRZY is about the influence someone you are attracted to can have over you. In the music video, that person is likened to a piece of art that HAECHAN find in an art gallery. At first, we see HAECHAN admire it and then graffiti the art gallery around it, showing the influence the art (or someone) can have on him. By the end of the video, the art piece itself is replaced by another (representing that the someone mentioned earlier has left his life), and leaves HAECHAN wondering what life could have been like had that someone stayed in it. I liked the concept of the art gallery, and it speaks to the fact that art (in whatever form) can be powerful and influential to the point that it can affect people.
I wasn’t really sure what I was expecting on the choreography front for CRZY. So I guess I can say I was genuinely surprised by how good HAECHAN pulled it all off. Though considering that he is part of NCT DREAM and NCT 127, which are known for their dance performances, should this really have been a surprise? Anyhow, I really enjoyed the smooth moves that HAECHAN and the dancers pull off during the chorus, while the term ‘crazy’ was slightly elongated. The MJ influence was also unmissable, and I love how controlled those spins were throughout the routine.
Song – 8/10 Music Video – 8/10 Performance – 9/10 Overall Rating – 8.2/10
It has almost been a year since JAEHYUN made his solo debut with his 1st studio album, J. Leading the 8-track album is the title track Smoke, an English version of the title track, as well as the pre-release singles Roses and Dandelion. As usual, links to the full reviews and music videos for the highlighted tracks, as well as my thoughts on four side-tracks and their audios, can be found below. J is very much an R&B-centric album, with all songs practically finding roots in the genre in some shape or form. While consistent, it does feel a little repetitive as it progresses. But that doesn’t mean the album is not of high quality and shows JAEHYUN’s passion for the genre.
Since the release of J, JAEHYUN also released a single titled Unconditionally (yet to be reviewed) in October 2024, before enlisting in the military the following month.
3. Flamin’ Hot Lemon – Continuing on with the R&B vibes is Flamin’ Hot Lemon. This all-English track is quite straightforward and smooth, despite having a pronounced beat. As for JAEHYUH, his deep vocals bring forth a sensual and evocative tone to the song that is quite alluring. I wished there was a bit more to the song, but it is fine as is. (7/10)
The official audio for Dandelion can be heard here.
5. Completely – This track is a ballad, and it is a stunner. Two elements stand out to me. The first is the piano instrumental, which is just beautiful. The way it dominates the background is so striking to me. The second is JAEHYUN’s vocals, which I can only describe as heavenly throughout Completely. His falsettos just feel so light. The melodies didn’t necessarily jump at me at first, but I love how captivating they get as I really settled into the song. (9/10)
6. Easy – Easy stays within the R&B genre, but gives off more of an alternative vibe. I liked the ripple-like synth that consistently played in the background, while the soft trap beat served as a good accompaniment. JAEHYUN’s vocals are nice throughout. But the chorus caught my attention. The “Easy come, easy go” and “Playin’ hot, playin’ cold” line is actually quite an earworm for me. (8/10)
7. Can’t Get You – After many straightforward R&B numbers, Can’t Get You is appreciably refreshing and is my personal pick for J’s hidden gem. JAEHYUN maintains the vibey and mature nature commonly associated with R&B, but mixes it up with jazzy and tropical elements that elevate this track above many of the others on the album. I love the backup vocals and am a sucker for the brass solo. JAEHYUN is also very alluring. I liked how he tapers some of his lines, and how much he gives to the ad-libs at the end. (10/10)
8. Smoke (English Version) – See my review for Smoke above under track 1.
NCT DREAM’s 5th studio album, Go Back To The Future, is due to drop on Monday. However, ahead of that release, NCT DREAM has unexpectedly dropped the music video for BTTF, the first of two title tracks for this comeback. The second title track, CHILLER, will be released next Monday, along with the rest of the album. This release is the group’s first in 8 months, and follows on from their 4th studio album Dreamscape (which I have yet to review).
For me, there was a lot to enjoy in BTTF. What I like most about the new song is bombastic instrumental. It makes for a lively and exciting backing piece. I haven’t had the song on full-blast just yet, but you can tell immediately that BTTF would be amazing at that volume. I enjoyed the synthwave that simmers in the background for most of the song. There is also a satisfying crunchiness to BTTF. The second pre-chorus also serves up a cool rock-inspired ramp-up to the chorus. The members themselves build upon the energy from the instrumental with powerful rapping and strong vocals that elevate BTTF to the next level. This impressed me throughout BTTF. Admittedly, some parts, such as the chorus, were of a shouty nature. But I say that the shoutiness works, as it gives the impression that the members are riding the energy from the instrumentation. While I do like the hooks that BTTF have to offer, there wasn’t one singular hook that stands out as the song’s primary hook. I think had BTTF had this prominent and singular hook, this would have elevated BTTF even further.
Inspired by the film Back To The Future, the music video sees the members travel through time to the past, where we see them interact with their past selves (i.e., HAECHAN passing on the hoverboard to his past self). Talking about hoverboards, I did like how the reporter asks them about the hoverboards from 2016 at the end of the video, which is a reference to the hoverboards the members incorporated into their debut choreography for Chewing Gum. Their debut date, July 25, is also referenced in the music video as D-DAY on the calendar. I also liked the futuristic and electrifying elements of the music video, which was all very cool post-production.
While the comeback hasn’t happened just yet, the group has already performed BTTF at the launch of their 2025 world tour. I did check out one of the fan videos uploaded to X. From my observations, the choreography looks super intense and powerful, matching the energy and dynamism of the song. I did like the slowed down moments, which coinicides with the pre-chorus vocals, and how they contrasted with the rest of the routine.
Song – 8.5/10 Music Video – 9/10 Performance – 9/10 Overall Rating – 8.8/10
Making his solo comeback yesterday was DOYOUNG, with his second studio-length album titled SOAR and the title track Memory (안녕, 우주). This new release follows his official solo debut with YOUTH and the single Little Light, which earned him nominations for Best New Male Soloist and Best Album in the 2024 KPOPREVIEWED Awards.
Cast your minds back to Little Light. The debut track was described as “a band song with powerful guitar riffs”. The new single, Memory, leans further into this sound profile, incorporating more rock energy and drive. This makes the heartfelt song more prolific and intense, which elevates its appeal to a whole different level. Memory also benefits from DOYOUNG’s sweet yet powerful vocals, which complement the rock energy and contribute to the song’s drive. The combination of rock energy and intensity, paired with DOYOUNG’s vocals, in Memory is captivating. The melodies flow beautifully, which contributes significantly to the stunning output that is Memory. Put these pieces together, and I think the best way to describe Memory is “straight-forwardly pure”. I couldn’t find any faults in the song, so it earns a perfect rating from me.
Memory speaks to the hope that even as time passes by, the memories we make will remain forever. In the music video, we see DOYOUNG live a very sterile life. That is until he spots a dead bird. He tries to ‘delete’ the memory of the dead bird. But the memory of the dead bird breaks through and recurs in his mind, leading him to remember memories of a dog he once had. And while the immediate memories he remembers first are the passing of his dog, we later see other happier memories of when his dog was alive. In the end, he considers formatting his memory (i.e., deleting everything to start afresh). However, I think the post-title screen suggests that he chose to preserve those memories with his dog, keeping them forever, as the lyrics express. I liked the touching story within the music video, as well as the summery yet emotional vibes being portrayed. The glitchiness at the start, which was part of the video, did catch me off guard. It made sense conceptually, but I don’t think it added much value to the broader video. Similar comments can be made about that giant creature in the sky.
Song – 10/10 Music Video – 9/10 Overall Rating – 9.6/10
Continuing with the supposed SM Entertainment theme is my review of poppop, NCT WISH’s latest single from their new mini-album of the same name. It follows after Dunkshot and Steady from their 1st mini-album, Steady (all of which I have yet to review).
I found poppop to be an okay song. There were aspects that I didn’t enjoy, while there were parts that I liked. The chorus appears to be the most decisive part of poppop, and I completely get why. Launching right into rapping was very unexpected, and the vocal processing applied to the members’ shouty rapping voices in the chorus made the centrepiece feel obnoxious. But this choice of vocal processing was more widespread than just in the chorus, and made most of the other rapping sequences throughout poppop feel subpar. But not all rapping in poppop was disappointing. I don’t feel the same way about poppop‘s final chorus, where all the members do their shouty rap to close out the song. This part felt dynamic, and the vocal processing was less prominent than in earlier parts. I also liked the monotonous “pop, pop, pop” hook in the song, which followed the choruses. This just added a slight deep tone to the song, which offset the bright and bubbly tone of the rest of poppop. The vocal parts in the song were also a strong aspect, but better melodies would have enhanced the song’s quality. And while not as affected, they didn’t escape the vocal processing mentioned, and certain parts still sounded off.
The music video shows SION making a move on someone he has a crush on via message. However, after spending time with the other members of his group, he is almost late for the date. He makes it in time, with the other members running after him and wishing him luck. It’s a cute video, and NCT WISH does a good job of showcasing their youthful charm in the video. Talking about charms, the bubbly charms that appear throughout the video, and to SION once he gets confirmation that the other person is interested, contributed to the cuteness aspect of the music video. Though the scene associated with the second half of the bridge took an odd turn, with what I can assume was (but probably isn’t) the members sacrificing one of the charms for a successful date.
The performance for this comeback was quite good. Again, I enjoyed the “pop, pop, pop” move that accompanies the song’s hook, and I also liked the routine that closed out the song. The end is where the routine really picks up and really puts NCT WISH’s skills and talents on par with the rest of NCT for me.
Song – 7/10 Music Video – 8/10 Performance – 8.5/10 Overall Rating – 7.6/10
Last month, TEN (from NCT and WayV) returned to the stage with his second solo mini-album and title track of the same name, STUNNER. It is his first solo release since his official solo debut last year with Nightwalker (which I never got around to reviewing) and, the mini-album, TEN.
STUNNER is a great R&B pop number that shows off TEN’s mature vibe. The latter is definitely the track’s strongest asset, and the producers definitely took great advantage of this. His vocals and rapping were really nicely done. In addition, I liked the groovy sound profile that comes with STUNNER, which is another reason I found the track to be quite appealing. This just melds so well into the R&B pop genre and TEN’s style. But as the song progressed, I would have liked a little more to the instrumentation. By the time we got to the end of STUNNER, the instrumental sounded the same as everything that proceeded before we got to that bit and felt neutrally geared. Given this is TEN, a likely solution could have been the incorporation of an edgy instrumental break that keeps to the R&B motif, which then could have doubled as a dance break. But where STUNNER felt stagnant, certain parts of the song made up for it. The start of the pre-choruses, when the vocal lines were packed in, were an instantaneous highlight that caught my attention from the first listen. The simply spoken repetition of the song’s title in the post-chorus hook was also super catchy. Overall, STUNNER falls slightly short of being a stunner, but definitely had the potential to reach that status.
The music video sees TEN play a man with a magnetic charm that no one can resist. Everywhere he goes, the people around him are physically drawn to him. Even in the inanimate objects in his home have a hard time copying with his magnetic charming and are also drawn to him. It was quite a cool concept. But while the concept was cool, I did think the visuals could have been a little more complementary to the sound profile of the song. Mature yes, but I felt the music video really understated the groovy nature of STUNNER.
Through his stage performances for STUNNER, I could see TEN’s stage presence and chemistry with his dancers. This made for a strong and captivating performance, which is already powerful thanks to the defined body waves and sharp movements that make up the routine.
Song – 8.5/10 Music Video – 8/10 Performance – 10/10 Overall Rating – 8.7/10
SM Entertainment has been teasing MARK’s solo debut album since what felt like forever. The album was announced in May 2024, with the intentions to release the album in February 2025. But it was later announced that the album would be delayed to April 2025 to “ensure a better quality”. Since the announcement last year, MARK released three singles – 200, Fraktsiya ft. LEE YOUNG JI and +82 Pressin’ ft. HAECHAN. All these singles are included on MARK’s debut studio album, The Firstfruit, which is led by the single 1999.
MARK’s 1999 (and the rest of the album) has been out since Monday. But don’t take the time it has taken me to write this review as an indicator towards my thoughts on 1999. I have been really enjoying 1999 since my first listen. The fantastic blend of grand orchestra, funky guitar, brass sounds and whistling with the modern soft beats drew my attention from the get-go. It sounds like there is a lot going on in the background, but they all came together to create such a cool and unique instrumental backing. MARK impresses with his vocals in 1999. The melodies that come through during the chorus helps make 1999 smooth and velvety, overall. This gives 1999 a very unique style and I just love that. The chorus ends up being such a strong drawing point of the song, for me, thanks to the catchy repetition hook ‘99 yeah 99‘. I would gladly replay the song to just listen to the chorus. His rapping in 1999 is great, though it isn’t as memorable as compared to the vocal work. Even his rap-speak motif was more memorable than his actual rapping sequences. The end of 1999 is also a rather weak moment of the song. I do like how it attempts to give 1999 its last hurrah and close out the song in an a dynamic and energetic manner, but I felt the rapping here and instrumentation was a little muddled. Had 1999 closed out with a stronger, bolder and satisfying end and MARK’s raps were memorable throughout the song to the same level as his vocals were, 1999 would have been the near-perfect song.
My best guess of what is going on in the music video involves MARK traveling back in time to 1999 when it all started for him (i.e., his birth year). I am assuming he goes back to show the world what they are currently have to offer. And he brings all of his music (including his own debut studio album) to help him make his mark. I like the different MARKs we see in the video, from the time traveling MARK who is the main show, 1999 VJ MARK who helps spreads the news, and Fraktisya MARK who is flying the UFO/hockey puck. I also like the little inclusion of Canada MARK and New York MARK, which speaks to his birth country and childhood.
The blend of different instruments lends well to an interesting performance piece. I like the start of the routine, with the dancers emerging from behind MARK in a contemporary fashion. The chorus routine looked very cool. I liked how clean the execution was, and I am digging the “99 yeah 99” move (especially when it involves moving around the stage, as it just depicts the smoothness so well). I am also impressed with the footwork involved, particularly during the final sequence of 1999.
Song – 9/10 Music Video – 9/10 Performance – 10/10 Overall Rating – 9.2/10
MARK continues to tease his upcoming solo debut album, which has now been confirmed to drop on 7 April 2025 and be titled The Firstfruit. The first release from this forthcoming album was Fraktsiya (ft. LEE YOUNG JI) from December 2024. And now, MARK is back with a new pre-release single +82 Pressin’, which features fellow NCT member HAECHAN.
+82 Pressin’ is a hip-hop track with abundant textures and superb delivery from the pair. While the influences were ordinary, I enjoyed the upbeat instrumentation, which keeps +82 Pressin’ dynamic and energetic throughout. The textures made the song “crunchy” and enjoyable. As for the pairing, both MARK and HAECHAN did a fantastic job in their own areas of delivery – MARK with rapping and HAECHAN with vocals. However, HAECHAN’s raspy vocals stood out more to me. But their chemistry is undeniable, especially during the parts where they come together. This should not surprise anyone, given their long history together. But what I thought was cool and made +82 Pressin’ even more intriguing was that they dabbled in each other’s motif (i.e., MARK with vocals and HAECHAN in rapping). It is not a new thing for them, but it is a memorable highlight of +82 Pressin’. The chorus was catchy, but I wished there was a more pronounced hook to remember the song by. I also would have liked them to break the song’s confines and show off more. These would have taken +82 Pressin’ to the next level for me.
Interesting that three reviews in a row, I have assigned a 10/10 for the music video scores. It has been a week of awesome music videos, apparently. In the video for +82 Pressin’, we see MARK and HAECHAN work together to fight crime. But when they encounter the female character, HAECHAN becomes brainwashed and turns on MARK. MARK continues his mission and fights the mobsters working for the female character. He succeeds against the mobsters but barely gets away from the female character before he is executed by his former crime-fighting partner. My recap here probably does not do justice to the actual storyline in the video, so I recommend you check it out. I did like the Sin City influence the video had going on, with the grayscale motif and retention of the red colour. The red colour is a key detail to note, as when HAECHAN is turned, his shirt collar goes from grayscale to red. However, it is back to grayscale at the end, so maybe HAECHAN has been against MARK all along?
+82 Pressin’ was performed on MCountDown last Thursday. It was a fantastic performance. The hip-hop influence was a no-brainer given the song, but I liked how it came through in the routine. MARK and HAECHAN looked very natural throughout the performance, despite my initial thoughts that HAECHAN might look awkward in this form. Their moves, particularly their footwork, were super cool, and their chemistry (once again) made it engaging to watch.
Song – 8/10 Music Video – 10/10 Performance – 9/10 Overall Rating – 8.8/10
It has been over a month since I posted my last album review to focus on the 2024 KPOPREVIEWED Awards. With that out of the way, I can finally return to the forever growing backlog of albums. First up is NCT 127’s 6th studio album, WALK, which was released in July 2024. It features 11 songs, including the title track, Walk (which I nominated for Best Rap or Hip-Hop Song in the 2024 KPOPREVIEWED Awards – unfortunately, it didn’t win, but it was my personal choice). This is the first album not to feature TAEYONG in the promotions, as he (at the time, and still is) enlisted in the military. But he did feature in the songs! This is also the last album to feature TAEIL, who was removed from the group soon after the album’s release.
With Walk leading the charge for this studio album, it was a definite positive sign for what would come on it. Two songs got perfect ratings from me, while a few almost got there as well! This made WALK good enough to be a recommended album. Continue reading to find out my thoughts on each song.
WALK Album Cover
1. Intro: Wall To Wall – Nowadays, a two minute and 30 second intro track is pretty much a full-fledged track. Despite that, NCT 127 maintains that Wall to Wall is an intro track. Wall to Wall features an atmospheric instrumental that combines an organ with hip-hop influences. In combination with an amazing instrumental, there is an equally amazing set of vocals and passionate rapping from the members to kick off the album. (9/10)
3. No Clue – No Clue emphasises the two sides of NCT 127. It starts with some cool rapping from TAEYONG and MARK, before we revert to smooth vocals from the vocalists. No Clue continues this pattern of cool rapping and smooth vocals for the remainder of the song, even in the chorus, to create a very unskippable hip-hop track. (9/10)
4. Orange Seoul (오렌지색 물감) – Orange Seoul is quite a fun number, joining jazzy instrumental elements with some strong vocals and rapping. This sounds like a great soundtrack for walking down the street in a very good mood. I liked Orange Seoul the most when the members and the instrumentation get super expressive. It is hard to pass up. (9/10)
5. Pricey – Grooviness hits you from the very first second in Pricey, setting up the song for success. Alongside it was some cool piano work and hip-hop elements, which add a lot of buoyancy. The continuous flow and delivery by the members were other amazing aspects of Pricey. Altogether, another good song. (8/10)
6. Time Capsule – Time Capsule sees NCT 127 slip into mid-tempo territory with this R&B/hip-hop track. But this is not something to look down on – Time Capsule is a stunner. The smoothness of the track was fantastic, and the rapping was nicely balanced to give us that hip-hop flair without becoming overbearing. Ultimately, the vocals won me over and made me come back for more. (10/10)
7. Can’t Help Myself(영화처럼) – Another stunning track comes in the form of Can’t Help Myself. Again, it is the vocals that floors me. The ad-libs in this one are phenomenal. I originally thought the “I can’t, I can’t help myself, I can’t, I can’t help myself no oh” lines were a little abrasive. But they have grown on me and give Can’t Help Myself some texture that allows it to be different from other vocal-centric tracks on this album. (10/10)
8. Rain Drop – We return to the R&B and hip-hop mix we heard earlier in the album in Rain Drop. But Rain Drop is much lower in tone and is sleek. I like how atmospheric the instrumental was and how it felt like the jazzy music that matches a rainy day. The rapping also adopts a low tone approach, which was very cool. The vocals were lovely, and I love HAECHAN’s incline in the bridge. I am in two minds about the shouty “I can hear you, my rain drop yup” line that breaks up the song. On one hand, it is a pretty memorable aspect of Rain Drop. On the other hand, it is a bit jarring (relative to the rest of the track). (8.5/10)
9. Gas – Gas taps into trap side of electronic music, combining it with hip-hop elements. This track feels very NCT 127. While I appreciate the latter, I am not a massive fan of the former. I also find the repetition of the song’s title to be very bone-dry. It is still a well-conceptualised track, and I like how it showcases that bounce synonymous with hip-hop. I also liked how they took the energy to the next level towards the end with that dynamic changeup. (7/10)
10. Suddenly (서서히) – The penultimate track on WALK is Suddenly, which takes us back to the R&B side of the album. The instrumental makes Suddenly a nice track. I like the mix of acoustic guitars, dynamic piano and refreshing percussion. We are also treated to some brassy elements in the chorus and some trap elements later on that form the instrumental break. The vocal and rapping work and the paced delivery of the chorus are also quite refreshing. A lot to like in Suddenly. (8.5/10)
11. Meaning of Love (사랑한다는 말의 뜻을 알아가자) – The final song on the album is Meaning of Love. It is a cute and sweet song from the group. Probably a bit of a mismatch when you compare it to the rest of the album. But Meaning of Love isn’t a terrible song by a longshot. I like the upbeat vibes from the more acoustic instrumentation in the background and the build-up that the track features. The vocals were very nice, particularly the husky tone the rappers used in the song. (8/10)
I am bouncing around time at the moment. Reviews for songs last week, newer releases from this week, and now 2024 releases I have yet to review. In the lead up to the release of their 4th studio album, Dream()scape, in November 2024, NCT DREAM pre-releaed the single Flying Kiss. This preceded the single When I’m With You, which served as the title track for Dream()scape.
Flying Kiss is an alright song. It is quite a pleasant track overall, but also rather plain. I am glad it wasn’t the title track for the album. I blame the trap elements and hollow synths in the instrumental for that, as well as the verses. There were soft beats and a harp at the start. But these weren’t enough to make Flying Kiss compelling to me. Similarly, the verses were also not compelling and rather forgettable. Flying Kiss does get better when we reach the choruses. The relatively fast-paced delivery is actually charming and gives Flying Kiss a uniqueness. It also picks up Flying Kiss, which was much needed after the plain verses. The bridge also fairs better than the verses, with a strong velvety and dreamy flair exuded by the vocals. I also enjoyed the abruptly pierce change in momentum with the “I Just Wanna” change up. JENO and CHENLE’s delivery was awesome and gave impact, and it was a great way to get back to the chorus. Finally, the spoken ending line to Flying Kiss by JAEMIN stands out. Somehow it feels bold and distinct from the rest of the song, thus ending the song on a memorable note.
Like the song, Flying Kiss‘ music video was also alright. Some of it was shot using the same set as the train’s inside we saw in When I’m With You. But there was also other scenes that gave off a noticeable dreamy vibe to match the song. I liked their styling and how sweet it made them look, on brand for a group known for their youthful and bubbly charms when they first started. Definitely a nice throwback there. But there wasn’t anything exactly memorable that really makes me want to go back and revisit the video often.
The dance for this release opts for a softer and more pleasant vibe, which works well with Flying Kiss‘ instrumental. I liked how they gave the routine a kick during the chorus, which is also when the song picks up. But nothing memorable, once again. NCT DREAM themselves did look very sweet on stage and appear to really enjoy the performance, so that is something.
Song – 7.5/10 Music Video – 7/10 Performance – 8/10 Overall Rating – 7.5/10
MARK was originally due to make his solo comeback with his first album this month. But the long-awaited solo return of MARK was unfortunately delayed to April instead. To keep those waiting in anticipation for his solo release, MARK released the single titled Fraktsiya. It features LEE YOUNG JI, who had a successful run this year. This single release follows MARK’s other solo singles, which include Child, Golden Hour and 200.
MARK is well known for his rapping skills, which he has displayed through the abundance of songs he raps in. His rapping in SuperM’s Jopping springs straight to mind. But we have yet to come across a solo song from MARK that really showcases his rapping skills to the same degree. That is until Fraktsiya. It is a rap-based hip-hop track featuring a fast-paced and pulsing instrumental that exudes a dynamic yet lowkey energy. The details in the instrumental give off a prickly feeling, heightening the song’s excitement. MARK and LEE YOUNG JI were super punchy with their delivery through Fraktsiya, which I thought should be commended. Further, MARK’s flow throughout Fraktsiya does not let up and has me vibing along to the song. The same can be said about LEE YOUNG JI. But her style and rapping also bring a brighter-like tone element to Fraktsiya. But the song’s best part is when the pair rounds out with the shoutier “I’m so curious“. That was a great peak to accumulate towards and to end Fraktsiya with. Overall, this track excites me for what will come from MARK in April.
According to Google’s AI, Fraktsiya is the romanisation of the Korean word 쁘락지 (meaning ‘spy’). MARK and LEE YOUNG JI essentially rap about being spies in their respective ‘worlds’ – MARK being KPOP and LEE YOUNG JI being K-Hip-Hop. The video takes on a darker concept than usual for MARK. We see him as a spy in the first part. We then see him in the KPOP world, out of place and calm in the chaos as the staff prepares for a photoshoot. When LEE YOUNG JI appears, she appears out-of-place, as well. She wears a jacket with a touch of green on a green carpet, while everyone else is dressed in black suits on the white background. It was a cool video overall.
Song – 9/10 Music Video – 8.5/10 Overall Rating – 8.8/10
Moving back to the start of the week, NCT DREAM also returned with their fourth studio album DREAMSCAPE, led by the single When I’m With You. The album also features the pre-release single Flying Kiss (yet to be reviewed on the blog) and their first English track Rains In Heaven. DREAMSCAPE is not to be confused with their DREAM()SCAPE mini-album from earlier this year (led by Smoothie).
Compared to their previous comeback, When I’m With You is a bright and vibrant track. At first glance, the brightness made it feel like When I’m With You could have been a song from earlier in their career. But with where they are at (and this was definitely obsered), the new song has a mature focus and delivery. But there is a distinct difference between When I’m With You and the tracks from their earlier days. When I’m With You is a house-based electronic song with both a 90s and disco-pop tinge. I quite like this blend of styles as it has nostalgia, and it served as a solid upbeat base to the song. NCT DREAM’s vocals are good throughout When I’m With You. I like how melody-driven the song is and how well each member did on their own. When they come together for the chorus, When I’m With You felt wholesome. That being said, there were raps in the song and the sequence at the end of the song was very punchy. But while it sounds like it is all praises for the song, I also feel When I’m With You is too safe of a song for NCT DREAM. It lacks innovative or uniqueness that would help distinguish it from its competition, and this is that distinct difference I observed when I made that comparison to their earlier works. NCT DREAM was definitely known for a youthful and fresh sound when they started out. But I also associate an outgoing charm to them back then. In When I’m With You, I don’t feel it as much. The melodies in When I’m With You are ordinary at best, and they felt limited in their delivery. Had there been more dynamic melodies, or more substantial raps, or even allowed to flourish more vocally, these would have done wonders to When I’m With You.
The video shows the members depend on one another and working as a team to resolve their problems. The toy train set on the train represents the train they are on (how Inception is that?). Renjun’s apple drops onto the toy train tracks, causing the train to brake hard. Puzzle pieces and water go flying on the train, which become obstacles the members must overcome in their dreamscape (confirmed at the end when JAEMIN wakes up from his slumber at the end of the video) later on. But they work together to dodge the heavy puzzle pieces, reboard the train, get the train running again, and escape the carriage filling up with water. This is a slightly different interpretation of the lyrics of the song, which portrays the complicated emotions as one becomes irresistibly drawn to someone in the “DREAMSCAPE.” (taken from Soompi). The video just represents that someone as each other.
The all-smiles aspect of the performance helps makes the song come off a lot more vibrant and energetic. It also continues that youthful charm that NCT DREAM has long been associated with the group since their debut (as already mentioned).
Song – 7.5/10 Music Video – 8/10 Performance – 8/10 Overall Rating – 7.8/10
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