[Album Review] abouTZU (1st Mini Album) – TZUYU (TWICE)

If you don’t remember from last year, TZUYU made her solo debut last year with the single Run Away and her debut mini-album aboutTZU in September. She was the third member of the group to embark on solo promotions, following NAYEON and JIHYO. While the title track didn’t really hit the same as her other members’ title tracks have, the rest of TZUYU’s debut mini-album does. I highly encourage you to check out the mini-album if you haven’t yet.

Also, keep your eyes out for an upcoming song review for fellow member CHAEYOUNG, who will be the fourth member of the group to officially go solo with her debut studio album, Lil Fantasy Vol. 1, dropping next month.

In the meantime, here are my thoughts on each song that featured on abouTZU.

abouTZU Album Cover

1. Run Away (Title Track)Click here for Run Away’s full review. (7/10)

2. Heartbreak in Heaven (ft. Peniel of BTOB)Heartbreak in Heaven is an unexpected all-English pop song. It sounds quite pleasant and enjoyable in the moment. Although it sounds nice, I would have enjoyed Heartbreak in Heaven more if it had a bit more substance. It is a rather light song, which doesn’t bode all that well in the memorable department. The instrumental feels a little bare. TZUYU’s vocals were rather linear in terms of trajectory (though we did get some range from TZUYU), and Peniel’s featuring felt too constrained in the bridge. (7/10)

3. Lazy Baby (ft. pH-1) – If the previous song and Lazy Baby were battling for best collaboration on this mini-album, Lazy Baby will take the win. And it takes the win as best track on this mini-album. It has so much more character and energy that makes it super enjoyable in the moment and remains vividly in your mind even after the song wraps. The funky old-school vibes make Lazy Baby super fun. The same can be said for TZUYU’s vocals, which have a significant impact and oomph. pH-1 follows through with dynamic rapping, and I love when the pair come together in the song. (10/10)

4. Losing Sleep – At first, I didn’t think much of Losing Sleep. But repeating the song for writing this review was quite interesting. I actually quite like the single. Losing Sleep brings on the summery vibes that reflect the season in which the mini-album was released. TZUYU sounds quite mature in the song, and I liked this side of the TWICE member. The bouncy synth, featured consistently throughout the song’s tropical instrumental, doubled as a great textural element. The “Losing sleep over you” is very catchy and memorable, as well. And the high-pitched autotune vocals in the bridge brought interesting flair. (8/10)

5. One Love – I would have liked One Love more if it leaned slightly more into the pop-rock sub-genre. I really liked the direction of the song, especially the fun, light-hearted vibes in the verses, and the extent to which it went down the pop-rock path. But I keep on wondering what if it had gone bolder or pronounced with the pop-rock. I think it would have sounded awesome. TZUYU sounds heavenly in the track, especially in the chorus. She really suits the sound, which makes me wish there was more of it in the song and mini-album for TZUYU to really explore. (9/10)

6. Fly – TZUYU ends her debut mini-album with the pop-ballad Fly. I feel like this could have been on the soundtrack of a Disney movie. It just sounds beautiful. From the dreamy piano, strings and orchestral touches in the instrumentation to TZUYU’s vocals, everything was stunning and breathtaking. I love Fly so much that I’m giving it a 10/10, which is definitely the definition of ending on a high note in review land. (10/10)

Overall Album Rating – 8.5/10

TZUYU’s teaser image for abouTZU

[Weekly KPOP Chart] 2nd Week of September 2024

Welcome back to another Weekly KPOP Chart post! This is another short post today, as I have some more chores and adulting to complete today. Some of today will also be spent working on some posts for scheduling during the week. So, let’s get going—here are the Weekly KPOP Charts for the 2nd Week of September 2024.

Non-Korean Song of the Week

As this blog focuses primarily on KPOP songs, I want to draw attention to a particular song that isn’t in Korean in this part of the Weekly KPOP Chart post. That song will be the top-ranking non-Korean song on each Weekly KPOP Chart post. Last week’s highest-ranking non-Korean song is KATSEYE’s Touch. It is in the 6th position this week.

The Charts

TZUYU’s Run Away is the top song on the Weekly KPOP Charts for the 2nd Week of September 2024. Congratulations to TZUYU!

PositionSong TitleArtistChange
1Run AwayTZUYU (TWICE)(▲ 22)
2CRAZYLE SSERAFIM(▲ 1)
3Nice GuyBOYNEXTDOOR(NEW)
4Pineapple SliceBAEKHYUN (EXO)(▲ 1)
5Is This Love?Moon Byul (MAMAMOO)(▲ 68)
6TouchKATSEYE(▲ 36)
7GOOD SO BADZEROBASEONE(▼ 3)
8Tell My MommaKARD(▲ 52)
9Nutty NuttyBAEKHO ft. JESSI(▲ 64)
10Chk Chk BoomStray Kids(▼ 9)
11ComboRIIZE(▼ 2)
12CuriousUNIS(▼ 1)
13Save MeXdinary Heroes(▲ 60)
14DangerousBOYNEXTDOOR(▼ 8)
15Pump Up The Volume!PLAVE(▲ 29)
16ClassifiedOH MY GIRL(▲ 32)
17ATE THATYOUNG POSSE(▲ 56)
18My WayKATSEYE(▲ 48)
19SmokeJAEHYUN (NCT)(▲ 1)
20Sweet DreamsRed Velvet(▲ 35)
21See That?NMIXX(▲ 4)
22OFF ROADONEWE(▲ 51)
23O-HEBANG YEDAM(▲ 50)
24Why Not?NOWADAYS(▲ 25)
25My TypeLee Seung Hoon (Hoony – WINNER)(▲ 48)
26RosesJAEHYUN (NCT)(▲ 15)
27Ice CreamJEON SOMI(▲ 20)
28WaitHyolyn(▲ 23)
29Melt DownDAY6(▼ 27)
30beat drumONEW (SHINee)(▲ 21)

[Review] Run Away – TZUYU (TWICE)

Today, TZUYU made her solo debut with the new single, Run Away, and the mini-album Aboutzu. She is the third TWICE member to make her solo debut, following fellow TWICE members NAYEON (who recently returned with ABCD) and JIHYO (who debuted as a solo artist last year with Killin’ Me Good).

Run Away starts with TZUYU’s vocals and a simple piano riff. This opening sequence was rather intriguing, as there was a subtle emotional touch that grabbed my attention and had me waiting for more. The song then brings in a pounding beat, evolving into a disco-esque pop number once the chorus is reached. This trajectory was very entertaining, which made Run Away‘s instrumental a strong aspect of the new song. It is relatively simple for its style, yet also punchy and addictive. Strangely enough, I enjoyed the clean hollow drum beats at the 0:44 and 1:58 marks of the song. Very specific, but I thought it was worth mentioning. Unfortunately, nothing else stood out in the song. While I liked the opening sequence in terms of TZUYU’s vocals, they stayed in the same gear for the most part. This ultimately made Run Away feel flat and remarkably lacking in the character department. That emotional touch I mentioned is still present throughout the song, but there wasn’t any differentiation or variety in her vocals, effectively reducing that to nought. We did get a slight change in vocals during the pre-choruses, but this needed to be expanded to other parts of Run Away to make it more interesting. And because of the flatness, the melodies and hooks just didn’t stick out. I also hoped for a bridge and flair from a potential final third chorus. But those didn’t eventuate, as well. If it weren’t for the opening sequence and instrumental, I wouldn’t revisit Run Away as much.

In the song’s lyrics, TZUYU gives the person she is interested in a chance to ‘run away’ before entering a relationship with her. She sings about how once they are infatuated with her, she will show a different side of herself that only they will see. Whether this is a K-drama plot about a cold person opening up and falling in love, or the start of a creepy movie, we will never know. In the video, we see TZUYU show two sides of herself. The first is a more loving side of herself, while the second is a colder and more sinister version of herself. Depending on how you interpret the video – these can be two potential sides of TZUYU that the person could come across, or the video is recounting the events of TZUYU alluring the guy in the video into loving her before she reveals her proper darker side. Either way, it is an exciting premise that leaves an open ending. As for the choreography scenes, I liked the contrast in how they showed more elegant sides of TZUYU in the gown and on the red carpet. This probably adds some extra depth and backstory to TZUYU’s character – you never know which version is on our screen.

I often comment on facial expressions regarding this aspect of the review. They can make or break the performance. For today’s Music Bank performance, I felt TZUYU’s facial expressions were stiff and robotic, which affected the actual vibe of the performance. I hope it is nerves and that she becomes more comfortable performing the choreography, as the routine has a cool, sensual vibe that looks good. It just needs swift flow from the leading performer.

Song – 7/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 7.8/10