Last week, it was reported that the Girl’s Day could be disbanding after reports of individual contracts for each Girl’s Day member would be ending in 2019, starting off with Sojin’s next month. The articles I read seemed to all highlight that each member is looking at different directions but there could be a possibility to continue as Girl’s Day in the future. Whatever the final decision is, it is going to be a daunting few weeks or months for fans (including myself, as I am a massive fan of their releases) but I am sure they will receive full support from fans. But let’s move along to the topic of this post, an album review for their second studio album, Love, released back in 2015.

1..With Me – Starting the album is With Me, which I can describe as a tango-pop track. It is also one of the few songs that I will forever enjoy for multiple reasons. Firstly, everyone says Minah carries the group with her vocals and without Minah, the group will be forgotten. But this song is proof of Sojin’s ability. Her husky falsetto was perfect for this track. However, it is a little disappointing that both Hyeri and Yura were constricted to only one section each. Secondly, can you imagine a performance for this? I would be in awe. I really liked the tango instrumental, which is definitely very appealing, and it really grabs your attention at first notice (making it the perfect album opener). (9/10)

2. Ring My Bell (링마벨) (Title Track) – Click here for the full review of Ring My Bell. (8/10)

3. Macaron (마카롱) – Macaron has a very strong retro swing sound to it, which felt very vibrant and upbeat. As a result, I quite enjoyed it. The saxophones just added an extra layer of appeal. I thought the song was relatively sweet sounding, which goes well with the title of the song. I like how their vocals aided in that and stood out over the already quite loud and energetic instrumentation. Pity that they didn’t promote this song, as I think this would have been an amazing performance to watch, combining the cutesy nature of Girl’s Day that they started off with and the sexy nature that they are known for now. (8/10)

4. Come Slowly – Come Slowly was the pick for the secondary promotional song (i.e. the song that some artists perform alongside their title track during comeback week). It was a decent song and I thought it showcased all their vocals. Usually, groups tend to go with more traditional emotionally driven ballads of the slow nature to showcase their vocals. This is also quite slow but there was a certain level of brightness to the song, which I appreciated. However, the instrumental was very consistent, and this resulted in a very dry song that I got bored of. (6/10)

5. Top Girl – The verses for this song gave me strong memories of songs that I used to hear growing up. The blast of techno from the chorus was amazing. I really like Minah’s ab-libs throughout the song, which added a nice vocal touch to the already electronic-heavy sound. I also liked how each member had lines scattered throughout, which was a decent attempt to level out the line distribution between the members. The only problem with this song is that it needed a rap, which was missing. (8.5/10)

6. Darling – Click here for the full review of Darling. (9.5/10)

7. Whistle (휘파람) – I thought the electronic whistle in the instrumental was very addictive. And it makes complete sense for the title of the song. Vocals were superb for this song, especially since it is coming from each member (and everyone had a fair chance to be heard). What also makes this song even better is that is has a rap sequence, which I have noticed is missing in some other songs in this list. I think out of all the songs, this has to be their simplest yet. But simple tends to go a long way when it is done right and this is exactly what is happening here. (9/10)

8. Look At Me – As many of you may know, I am a complete sucker when it comes to orchestral instrumentals. Throw a violin in there and I will love it. This song is a testament to that. The verses didn’t feel orchestral, however. But as the chorus and the start of the song had that appeal, I loved it. I thought the vocals were nice. Sojin and Minah were at the forefront as always. I liked how simple yet addictive the melody of the chorus was. I also liked how Yura’s rap was tweaked to fit into the boundaries of the song. But my favourite bit has to be Sojin’s bridge, as it was a subtle yet magnificent peak. (10/10)

9. Something – Click here to read the full review of Something. (9/10)

10. Timing – While all the previous b-side songs have been all familiar (i.e. I fondly remember each of them), I didn’t recognise this song. But for a Summertime song (which was the time it was released in), it was extremely fitting. I really like the energetic vibes from the electronic instruments and their vocals bring a very nice level of brightness that you cannot avoid. It is, however, missing a rap sequence, which I think would have suited the song. (9.5/10)

11. I Miss You (보고싶어) – Click here to read the full review of I Miss You. (7/10)

12. Show You – We return to that slightly slowed down sound for Show You. Like in Come Slowly, I am not much of a fan of this song. I thought it was probably their weakest on the album yet. Overall, it isn’t too bad. There is some showing of vocals in the song. I personally don’t get why this song had rap-speaking, while other more upbeat songs screamed for a rap sequence. The instrumental is nice but it was passable. Not much else to say about the song, unfortunately. (5/10)

13. Hello Bubble – Hello Bubble was not included in any albums (besides this one of course!). It was a promotional single for a company called Hello Bubble, who specialised in hair dyes. Despite that, it was still a good track. I just found the chorus to be very weak. It played towards Girl’s Day’s strengths, but it felt like any other typical CF promotional single. As a result, the song isn’t really in-your-face or that upbeat compared to normal album tracks, making this a perfect song to advertise your product to. I do remember having a phase of being addictive to the song but that has long gone and I really cannot see myself getting back into this song. (6/10)

Overall Album Rating – 8/10