I begin this new week with an album review. And over the next few weeks, you will see more album reviews posted during the weekdays in another attempt by me to get across the backlog of albums I personally want to review. The focus of this post is Kep1er’s fourth mini-album, LOVESTRUCK! which was released back in April this year. Leading the mini-album of five songs is the title track Giddy.
Interestingly, Kep1er has been very consistent with their album releases, with my way of making that determination is by comparing the album ratings I give at the end of each mini-album. All of Kep1er album releases have leaned towards the generic side, with the presence of a great odd track or two. LOVESTRUCK! appears to be a bit of an outlier though, with the lead single off this mini-album holding back the rest of the mini-album, and the side tracks each making more potential than the title track. Let me know if you agree with this (and my individual thoughts on each song below).
1. Giddy (Title Track) – Click here to read the full review for Giddy. (5.5/10)
2. LVLY – LVLY is a definite improvement from the title track. I really like instrumentation of this track, which makes the track dynamic and a fun listen. The reggaeton approach to the song’s beat makes for an intriguing and cool track. The presence of the more electrifying synths later on was super cool, and I enjoyed the touch of Latin that features in the background. As for the members, they bring a matureness to the track that felt very well executed, and the hooks/melodies were catchy. The track does not feel like Kep1er one bit, but I appreciate the step-up it brings. (8/10)
3. Back to the City – When I listen to Back to the City, I really like how I can imagine myself listening to the song whilst driving in the city, which I am sure is the intention behind Back to the City. The 80s synths were incredibly light but also makes the track very pleasant and upbeat. I also like how the track flows, gliding from start to finish effortlessly. The rapping works in tandem with the instrumental to be a bouncy component of the track. The vocal work was very warm and I like how it all brings a smile to my face when I listen to the track. Back to the City is easily the best track of the mini-album. (10/10)
4. Why – Kep1er steps into R&B territory with Why. I liked the 90s synths and touch that feature in the track, and the vocals make it an appreciable listen. There were also some good hooks in Why, as well. I just feel like the track feels safe and lacks something punchy to take to the next level. (7/10)
5. Happy Ending – Happy Ending closes out the mini-album, and takes us into coffee-shop territory. It is a little more upbeat than usual coffee-shop tracks, but the instrumentation could easily blend into such a setting without much eyebrow raises. Kep1er’s vocals and rapping in this track are probably the most interesting showcase from the group on this mini-album (and probably their discography thus far). They really nail the higher pitch/falsettos/lower registers that were all present in the song, which proves to me that they have a lot more to offer than what is shown in their title tracks. (8/10)

