kpopreviewed

[Review] HWAA – (G)I-DLE

January 13, 2021Posted in KPOP, ReviewsTagged i-dle2 Comments

Please accept my apology for drip feeding you the reviews like this. Today, we are covering another comeback that occurred on Monday of this week. (G)I-DLE made their comeback with HWAA and the mini-album, I Burn. This release follows their DUMDi DUMDi comeback that occurred back in August of 2020. Since the August comeback, the group has been busy with their Japanese comeback, their return as part of the K/DA lineup and an online fanmeet.

The first thought that popped into my head while listening to HWAA the first time was that this new song reminded me of HANN quite a bit, a previous single by the group. And I guess this was based on the atmopsheric approach that the songs share in common. But HWAA is a little different, as (to me) it has a bit of an edge thanks to the more upbeat instrumentation that the song ended up developing towards. I also find that the more intense moments of the song come during the verses, which is slightly different to HANN’s chorus approach when it came to that atmospheric vibe. And as we have that atmosphereic mindset in play, I was also slightly convinced that the group was going to pull an Oh My God styled chorus, which I personally would have been down for. I specifically note this, however, as I have recently found that I seem to be in the minority of people who actually enjoyed the Oh My God comeback. Obviously with that supposed general consenus, something similar would probably have made HWAA less palatable. I am hoping that this is more satisfying for other listeners to actually appreciate the effort that (G)I-DLE has put in for this song/comeback. I personally enjoyed the chorus, but wished there was something more than the HWAA harmonisation to give it that extra oomph. The rest of the vocal work in the song is superb, especially with Soyeon’s vocals at the start of the song and rapping in the second verse. It is however disappointing to hear that Shuhua only got four seconds of lines in the song. The biggest flaw for me with this song was the ending. Too abrupt for my liking. Overall, HWAA was a great song, though the ending was the biggest let down. And such an ending stays with you.

The music video was very aesthetic and stunning to watch. To me, this would rival any YG Entertainment music video. And this is saying a lot given how I am always amazed at the quality of their videos and the grandness of their set design. HWAA consisted for really beautiful and captivating set designs. The icy landscape with the dying tree in the background, Soyeon’s birdnest, the oriental styled walling and the moonlight garden were just so good. I also find their outfits and visuals stunning. Stealing my attention right away is Yuqi’s haristyle and those dresses with flowery patterns on them. The song doesn’t necessarily suit those dresses, but they work extremely well in that moonlight garden setting.

Hand motions and arm work heavily dominate the choreography. It is commendable how graceful they make the all those motios look during the pre-chorus vocal moments, matching with the music. And I really like how robust they make it look during the chorus, giving it energy and intensity to also match with the music at those parts. Essentially, they are doing the same thing but making it go both ways.

Song – 8/10
Music Video – 10/10
Performance – 9/10
Overall Rating – 8.8/10

[Review] MY TREASURE – TREASURE

January 12, 2021Posted in KPOP, ReviewsTagged TREASURE5 Comments

Also making their comeback yesterday was TREASURE. For those who missed the second half of 2020, TREASURE made their debut with BOY back in August and made comebacks with I LOVE YOU and MMM. And with these releases under their belt, the newest male group to the YG Family have been sweeping the rookie awards of this ongoing award season. They are also my pick for best rookie of 2020 (hint hint). This comeback with a full length album and (I guess) the title track, MY TREASURE, was originally hinted to be a December release. But their company made the decision to delay it slightly to allow the members focus on more special performances which they are performing at award shows and end of year music festivals. But as we are now in mid-January (and YG delivered on their promise), we are here today to check out MY TREASURE.

I personally find TREASURE to be a very interesting group, given their company’s background. MY TREASURE doesn’t conform to anything that YG Entertainment is known for. I had that inkling through their earlier releases. But MY TREASURE seems to confirm that TREASURE is going in a different direction to what the roots of the company were based on. The new song itself is very cheerful and vibrant in a pop music manner, which works extremely well with the uplifting nature of the lyrics. I feel that the company/members ultimately chose this song as their comeback track for these characteristics. It definitely brought some light back into our lives after such a hard year. I appreciate this greatly and think the effort pays off, as the song does make you want to smile as you listen to it. I also really like the warm feeling the song gives off thanks to the brass- and string-based instrumentation, particularly during the chorus. Another positive aspect of this song is that with this style, more of TREASURE’s vocals are showcased. I definitely enjoyed this as well, as it really allowed TREASURE to show more of that side of their music. The rapping was still quite good, giving the song some much needed oomph and additional intensity. The hooks were catchy and memorable. But while this upbeat and pop sound is fantastic, I just wished there was more to the song. At the moment, MY TREASURE feels like it could have been pulled off by any other male group. I just wanted a bit more personality and indivduality, adding to what we saw in their earlier works from last year. I also wonder where TREASURE would go from here and how this more pop-centric sound would alter YG Entertainment’s portfolio. But it still a great listen, nonetheless.

With such uplifting lyrics and such a vibrant sound, it was clear that this music video would be along the lines of that bright and cutesy style. I am glad that the members didn’t get dragged into a cutesy concept, as that would be a bit much for me (as always). ‘Bright’ would be the best term to describe the song with. There is a lot of smiles in this music video, and also frowns being turned upside down. I also liked the splash of colour in their sets, making this a really pleasant video to tune into. The video does take a slightly serious turn, showing a lonely child, students taking exams in a very harsh environment and a child blocking their ears from hearing their parents arguing. But we see their hearts shine, showing us that they will shine through the hard times no matter what.

Like the music video, the performance was definitely bright and vibrant. But I will be honest, there isn’t much else to the performance. I didn’t find any moves that were captivating or worth mentioning. You could blame the song, but I felt the creative minds could still manage to find somehow one-up their MMM and other performances.

Song – 8/10
Music Video – 9/10
Performance – 6/10
Overall Rating – 7.9/10

[Review] What I Said – VICTON

January 11, 2021Posted in KPOP, ReviewsTagged VICTON3 Comments

VICTON is officially back with their first studio-length album since debut. Titled Voice: The Future is Now, the group launches right into promotions with What I Said as the title track. This comeback was originally scheduled for early December, but the members came into close contact with a person with COVID-19 days prior to their comeback. ‘The company, Plan M Entertainment, decided to postpone the comeback to allow the members to quarantine and ensure that they all had a clean bill of health (which fortunately, they did) for promotions. This follows Mayday, which was released in June of last year and Han Seong Woo’s solo debut with Sacrifice.

What I Said continues the Latin trend that has been going around the industry for the last few years. While this would definitely elicit a groan and a eye roll from some (which does include me), What I Said manages to stand out with the more energetic nature of the instrumental. I think it is better described as an explosion of energy, thanks to the layered instrumental of brass and thumping percussion. The song features a powerful dance pop vibe in the song, which really helps distract me slightly from the Latin influence that is undeniably there. And if you know me, I do like my vibrant pieces of music. So that really enhances What I Said for me. The members do a really good job of matching this vibrancy. From their vocals to the rapping, everything was definitely popped out at me. I liked how their vocals and rapping added an edgy vibe, which fits in with VICTON’s matured profile that they opted for in 2020. I also liked the energy they channeled through the vocals and rapping, giving the song some more power in another form. The hooks of the song made the song even better, giving it that memorability factor that I always looking for in these song. I did find the second verse the most interesting, with the start of verse reminding me of the ‘I Like It Like That‘ sample which was made recognizable most recently through Cardi B’s I Like That. Hanse’s rapping and Chan’s solo moment right after were very captivating and extremely intense. Overall, What I Said might be a bit cliché in some regards. But this is easily overlooked with everything else that VICTON pulls out of the bag.

Personally, I am not exactly sure if the music video sets have much meaning. They look quite extravagant, sleek and definitely something that feels like it was thought out. Furthermore, I am quite sure they reflect parts of the lyrics. But I just can’t seem to pinpoint the exact meaning or message behind the music video. I am always interested in reading theories, so feel free to comment any below that you may have figured out or heard from other viewers/fans. But I can say that the sets are stunning (as already touched on). The camera work looked cool and the video highlighted the visuals of each of the members. I also like their outfits in this video, especially those black jackets and gold detailing.

While the choreography is a great representation of all that energy, intensity and power that I mentioned in the song review section of this post, I felt the choreography was lacking depth and dynamism. I just wanted more with this choreography, something to make me go wow. The synchronization was good, but it just wasn’t paired with jaw-dropping moves that would have enhanced their performance even more.

Song – 8.5/10
Music Video – 8/10
Performance – 6/10
Overall Rating – 7.9/10

[Album Review] One-reeler Act IV (4th Mini Album) – IZ*ONE

January 10, 2021January 10, 2021Posted in Album Reviews, KPOPTagged IZ*ONELeave a comment

Album reviews for 2021 will continue per the usual schedule next month. In the meanwhile, album reviews will be coming out spontaneously as I complete them. I want to wrap all the album reviews for 2020 this month, whilst also publish the album reviews for January 2021 releases, so I don’t fall behind on them like I did so at the end of 2020. This will also allow me to focus on some of the other posts in January such as the end of year charts and the announcement of the 2020 KPOPREVIEWED Award winners. But more on that in the future. This post focuses on IZ*ONE’s fourth mini-album, One-reeler Act IV, which was released at the start of December 2020. It features the title track Panorama and five other songs on the mini-album, so let’s check them out. Let me know what you think of them down in the comments section below.

1. Mise-en-scène – Mise-en-scène follows the same music formula as the rest of their other title tracks. The song starts off in the pop realm and slowly develops into a dance track with a very abrasive drop in the chorus. What Mise-en-scène manages to do well to differentiate itself from the rest of their previous works is the more electronic profile and detailing in the song. This adds so much different texture and helps makes the song standout. (9/10)

2. Panorama (Title Track) – Click here to read the full review for Panorama. (9/10)

3. Island – Island is surprisingly what I had expected. It is a cute number confirmed by their vocals and the twinkling effect at the start. But the group manages to put an IZ*ONE spin, bringing that abrasive instrumental I mentioned earlier into the song. That being said, Island is not just noise and it turns out to be a very strong song altogether. I really like the different directions the song does go in, which helps elevate the song’s appeal and prevents it just sounding like an amped up cutesy track. (8/10)

4. Sequence – IZ*ONE tones back the energy of the instrumental ever so slightly in Sequence. The funky and retro instrumental isn’t as rough as the previous tracks. But the song does still have that heightened texture to it, though I would describe it as more sleek in comparison to their other songs. I really like what they did with the chorus, adding more to it as it progressed along. I felt this really made their vocals pop during the chorus, which helped made the song more enjoyable. (9/10)

5. O Sole Mio – At just a glance, I thought it was just another house dance track. Literally, if you blink (whatever the equivalent for hearing is), you would miss the Latin flair hidden behind the house influence. I personally like this ‘touch of Latin’, as the Latin trend has become overused in my books now and I am slowly getting tired of it (though, I do keep my mind open to other clever uses of the trend). Just the house influence does make O Sole Mio sound typical and cliché. The song also sounds like it opted for a ‘touch of matureness’, which I attribute to some of the vocals. The rapping was also a nice addition. (8/10)

6. Slow Journey – Slow Journey is group’s most held back sound on the album, opting for a pop ballad sound. It is very nice, though I wished they removed some of the percussion and disc scratching. It distracted me from the sweet vocals and really bright acoustic guitar work. Otherwise, I reckon the song would have been more delicate and sweeter sounding. (7/10)

Overall Album Rating – 8.3/10

[Weekly Chart] 1st Week of January 2021

January 10, 2021Posted in Weekly ChartsLeave a comment

And now we move onto 2021. We are already a week down with another slow week in the KPOP industry. Elsewhere though, the week was quite eventful and filled with shocking surprises. But this is a KPOP blog, so we will focus on the former. The good news is that we are expecting many comebacks this upcoming week, with majority of them occurring tomorrow. These include the return of (G)I-DLE, TREASURE, VICTON and the debut of T1419. It is going to be an intense day tomorrow. But before we can proceed, we shall reflect upon the past week that was the 1st Week of January 2021.

New releases of the week

As mentioned earlier, it was a slow week in KPOP. We saw comebacks from Jeong Sewoon and MCND, which I have reviewed. There were a few additional comebacks including Hong Eunki’s (former member of Rainz) comeback single, ON&ON, AB6IX’s collabroative remix single Fallin’ (Adrenaline) with Why Don’t We, another single (Luxury Big House) from BOYHOOD (Nam Donghyun), and A.C.E’s Fav Boyz (Favourite Boy (Goblin)) remix with Steve Aoki and Thutmose.

Non-KPOP release by a Korean artist

I want to give a shout out to songs that are described as non-KPOP, but are by someone with roots in the Korean music industry. So I will be dedicating a segment in the Weekly KPOP Charts posts each week to the showcase the non-KPOP song that I was tuning into for that week. For this week, I have been returning to Chungha’s Dream of You with R3HAB. It will be featured in an upcoming International Song Review segment.

The Charts

And here we are, the main centrepiece of the Weekly KPOP Charts segement, the charts. Congratulations to TWICE’s Cry For Me surprise single release for coming out on top of the charts for the 1st Week of January 2021. For more of the charts, see below!

	3rd Jan – 9th Jan 2021
	Title	Artist	Status
1	Cry For Me	TWICE	(▲ 7)
2	In The Dark	Jeong Sewoon	(new)
3	Life Goes On	BTS	(▲ 26)
4	Panorama	IZ*ONE	(▲ 2)
5	Crush	MCND	(new)
6	BUMP BUMP	WOODZ	(▼ 5)
7	Black Mamba	aespa	(▲ 8)
8	Chandelier	BRANDNEW YEAR 2020	(▲ 31)
9	I’m Cold	Kim Sung Kyu (Infinite)	(▲ 2)
10	Last Piece	GOT7	(▼ 8)
11	Mmmh	Kai (EXO)	(▼ 8)
12	MAGO	Gfriend	(▼ 8)
13	Resonance	NCT	(▼ 6)
14	Idea	Taemin (SHINee)	(▲ 14)
15	Just Can’t Stop Loving You	Jang Hyun Seung	(▼ 2)
16	Amusement Park	Baekhyun (EXO)	(▲ 2)
17	90’s Love	NCT U	(▼ 8)
18	Forbidden Island	Ha Sung Woon	(▼ 6)
19	Given-Taken	ENHYPEN	(▲ 1)
20	Hop In	Uhm Jung Hwa ft. Hwasa (Mamamoo)& DPR LIVE	(▲ 19)
21	Switch To Me	Rain & Park Jin Young	(▲ 18)
22	Breath	GOT7	(▼ 17)
23	Camellia	Jukjae & Hyuk (VIXX)	(▲ 16)
24	Teddy Bear	NATTY	(▲ 10)
25	Better	BoA	(▼ 8)
26	30 Seconds Might Be Too Long	Jun.K (2PM)	(▲ 11)
27	What Do I Call You?	Taeyeon (SNSD)	(▼ 6)
28	So Bad	STAYC	(▲ 11)
29	Then, Now. Forever	CN BLUE	(▼ 10)
30	BBUYSEO	ONEUS	(▼ 6)

Leaving the charts this week

The following songs have wrapped up their nine week run on the charts and will be removed to make way for new songs:

Forbidden Island – Ha Sung Woon
MAGO – GFriend
Idea – Taemin (SHINee)
So Bad – STAYC
Teddy Bear – NATTY
Tears of Chaos – E’LAST
Pit-A-Pat – Junsu (JYJ)

[Weekly Chart] 5th Week of December 2020

January 10, 2021Posted in Weekly Charts3 Comments

Wait? 2020. Wasn’t that 10 days ago? Well, yes. It was 10 days ago. But as I was on my break, I wasn’t able to post the Weekly KPOP Charts segment for the 5th and final week of 2020. Hence, it will be posted today, before we get into 2021 any further. The 5th Week of December, which consisted of the dates 27th December to 2nd January (inclusive), consisted of a lot of food eating, time with the family (though very limited due to the re-introduction of restrictions), a lot more mask wearing and the New Year Countdown. It also consisted of the first two days of the new year which reminded us that 2020 is still lurking around us. But there is still hope for 2021, with many more days in the year to come! For this post, I will be going through the Top 5 breakdown and straight into the charts after that (aka. a quick one post).

Starting from the bottom of the Top 5 for the 5th Week of December 2020, we have GOT7’s pre-release single Breath. In the fourth position, we have GFRIEND’s answer to retro, MAGO. In the third position, we had Kai’s solo debut single, Mmmh. In the second position, we had GOT7’s Last Piece, which remained steady from the previous week. And in the first position this week, we have WOODZ’s Bump Bump! WOODZ’s single came out on top, as I spent a lot of the 5th Week of December playing some of my favourites directly and Bump Bump was one of those songs. For more of the charts, scroll down below.

	27th Dec 2020 – 2nd Jan 2021
	Title	Artist	Status
1	BUMP BUMP	WOODZ	(▲ 12)
2	Last Piece	GOT7	(=)
3	Mmmh	Kai (EXO)	(▲ 16)
4	MAGO	Gfriend	(▲ 4)
5	Breath	GOT7	(▲ 18)
6	Panorama	IZ*ONE	(▼ 2)
7	Resonance	NCT	(▲ 14)
8	Cry On Me	TWICE	(▲ 18)
9	90’s Love	NCT U	(▲ 16)
10	Love Killa	MONSTA X	(▲ 26)
11	I’m Cold	Kim Sung Kyu (Infinite)	(▲ 11)
12	Forbidden Island	Ha Sung Woon	(▲ 26)
13	Just Can’t Stop Loving You	Jang Hyun Seung	(▼ 3)
14	Show Your Love	BTOB 4U	(▲ 10)
15	Black Mamba	aespa	(▲ 2)
16	GOTCHA	Park Ji Hoon	(▲ 25)
17	Better	BoA	(▼ 16)
18	Amusement Park	Baekhyun (EXO)	(▼ 9)
19	Then, Now. Forever	CN BLUE	(▲12)
20	Given-Taken	ENHYPEN	(▲ 22)
21	What Do I Call You?	Taeyeon (SNSD)	(▼ 18)
22	MMM	TREASURE	(▲ 6)
23	AYA	Mamamoo	(▼ 18)
24	BBUSYEO	ONEUS	(▲ 19)
25	SALUTE	AB6IX	(▲ 7)
26	Christmassy!	The Boyz	(▲ 20)
27	Ready or Not	MOMOLAND	(▼ 20)
28	Idea	Taemin (SHINee)	(▼ 13)
29	Life Goes On	BTS	(▼ 2)
30	Work It	NCT U	(=)

Songs that left the charts at the end of the 5th Week of December 2020 are:

Love Killa – MONSTA X
SALUTE – AB6IX
AYA – Mamamoo
GOTCHA – Park Ji Hoon
Dancing Cartoon – BOL4
Red Lipstick – BOL4
MMM – Treasure
The Melody – Super Junior
ACCIO – Berry Good
Got That Boom – SECRET NUMBER
Bad Blood – DAHYE

And that is it for the 2020 Weekly KPOP Charts! The next Weekly KPOP Chart segment post will be for the 1st Week of January 2021 and that will be posted later today!

[Review] Crush – MCND

January 9, 2021Posted in KPOP, ReviewsTagged MCNDLeave a comment

MCND makes their comeback, just a few days after the group kicked off their musical career with their pre-debut single Top Gang one year ago. They later debuted in 2020 with Ice Age, and returned with Spring and nanana later in the year. On the Thursday and Friday that just passed, the five member male group from TOP MEDIA returned with Crush and their third mini-album, MCND Age.

Since their debut, MCND has managed to show more and more of their skillset to me through their main title releases. And it seems like Crush continues momentum with another pretty good song for me at least. Their new song has this playful persona especially when it came to the song’s chorus, which helped made the song appeal to my taste and make it likable. It is a little masked, however, which allowed the group’s hip-hop roots to flourish a bit more and help it be consistent with the rest of their discography. I am not troubled by this though, as Crush still comes out to be a really enjoyable song for me. The instrumental has this really nice energy profile throughout the song. From the looping guitars to the conisistent snare beats to the synths employred throughout Crush, everything comes together really tightly. I really liked the dance break section that formed part of the bridge, which felt like a brief reset before the song brought back the chorus in a more amped up and chanty fashion. Their vocal delivery was also quite good. It might have been a dull move when paired with other instrumentals. But the deep rap-speak delivery of the lines in the chorus worked really well and added that playful persona that I mentioned before. The ad-libs were also quite nice, giving the song some flair at the end. Altogether, a great listen from MCND.

Aside from choreography shots and closeups, the music video to Crush doesn’t have much else to it. But despite the basic formula, I did enjoy the various sets that the members shot those scenes in and the different angles/confined places that were used helped make the music video feel a little more creative. I do question some elements. The closeup shot of one of the members in a tanning bed doesn’t seem like a great message to send out to the audience (I come from a country where those are banned because they are dangerous and not great for one’s health). The whole final set of scenes where the members perform ‘outside’ with hot air balloons floating in the background made no sense and felt like a random addition. The hats worn by two members in those scenes were also horrendous. Who ever thought that pink fluffy hat in particular was good really needs to have a long think about themselves. But apart from those questionable elements, it was a good video.

With a song such as this and great energy being one of the highlights, it is expected that the choreography would carry through the same energy levels. And they do just that. The song’s playful nature also carries over, making it quite en enjoyable stage. The members’ smirks and smiles add another layer of appeal to the performance. That dance break we get at the end was another highlight of the choreography.

Song – 9/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.5/10

[Weekly Chart] 4th Week of December 2020

January 6, 2021January 7, 2021Posted in Weekly ChartsLeave a comment

As you may know, I decided to take a break over Christmas and New Years. This meant that I wasn’t able to post my usual Weekly KPOP Charts on Sundays over this break and hence wrap up 2020. But I still kept my records and I will still be posting the Weekly KPOP Charts for both the 4th and 5th week of December 2020 in the coming days. Today, I will be posting the Weekly KPOP Charts for the 4th Week of December, with the dates ranging between 20 December to 26 December. For these two charts, I will only do the Top 5 breakdown, post the charts and recap the song leaving the charts for that week.

Strating from the bottom of the Top 5 is Mamamoo’s AYA, which rose into the fifth position from the 31st position last week (3rd Week of December 2020). IZ*ONE’s Panorama falls slightly into the fourth position. Taeyeon’s solo comeback, What Do I Call You?, rises into the Top 5 and sits in the 3rd position, while GOT7’s Last Piece also dipped slightly and fell into the second position. The victorious song of the 4th Week of Demember 2020 was BoA’s Better, the title track that marked her 20th year in the industry. Congratulations BoA! For more of the charts, scroll down below.

	20th Dec – 26th Dec 2020
	Title	Artist	Status
1	Better	BoA	(▲ 5)
2	Last Piece	GOT7	(▼ 1)
3	What Do I Call You?	Taeyeon (SNSD)	(▲ 15)
4	Panorama	IZ*ONE	(▼ 2)
5	AYA	Mamamoo	(▲ 26)
6	Tears of Chaos	E’LAST	(▲ 31)
7	Ready or Not	MOMOLAND	(▲ 13)
8	MAGO	Gfriend	(▲ 7)
9	Amusement Park	Baekhyun (EXO)	(new)
10	Just Can’t Stop Loving You	Jang Hyun Seung	(▲ 18)
11	A Book In Memory	ONEWE	(▲ 14)
12	Pit-A-Pat	Junsu (JYJ)	(▲ 38)
13	BUMP BUMP	WOODZ	(▼ 1)
14	30 Seconds Might Be Too Long	Jun.K (2PM)	(▲ 22)
15	Idea	Taemin (SHINee)	(▲ 7)
16	Jasmin	JBJ95	(▲ 39)
17	Black Mamba	aespa	(▼ 3)
18	I Can’t Stop Me	TWICE	(▲ 6)
19	Mmmh	Kai (EXO)	(▼ 12)
20	So Bad	STAYC	(▲ 27)
21	Resonance	NCT	(▼ 8)
22	I’m Cold	Kim Sung Kyu (Infinite)	(▼ 12)
23	Breath	GOT7	(▲ 9)
24	Show Your Love	BTOB 4U	(▼ 21)
25	90’s Love	NCT U	(▼ 20)
26	Cry On Me	TWICE	(▲ 14)
27	Life Goes On	BTS	(▼ 8)
28	MMM	TREASURE	(▼ 11)
29	Jungle	CIX	(▲ 22)
30	Work It	NCT U	(▲ 14)

Songs that left the chart this particular week included:

I Can’t Stop Me – TWICE
Work Hard – DKB
Blue Hour – TXT
Jungle – CIX
Nostalgia – DRIPPIN’
Siren – P1Harmony
Jasmin – JBJ95
+HWA+ – CL
Run Away – Mino

The Weekly KPOP Charts for the 5th Week of December 2020 will be published in the coming days. And then we can start looking at the 2021 charts!

[Review] In The Dark – Jeong Sewoon

January 6, 2021Posted in KPOP, ReviewsTagged Jeong Sewoon1 Comment

Finally…. The first song review of 2021! And the honour of kick starting the reviews for 2021 belongs to Jeong Sewoon, the first artist from a major company to make their comeback in the new year. About 6 months ago, Jeong Sewoon made his comeback with the first half of his first studio album, 24, and the title track Say Yes. It has been incredibly quiet since that release. Today, the soloist finally returns with the second half of his first studio album and the title track, In The Dark.

While the last title track had a cheerful tone to it, In The Dark opts for a little more matureness and seriousness. This doesn’t effect the upbeat nature of the song, as the acoustic guitars that make up In The Dark‘s background is incorporated with band percussion to give the instrumentation some bounce to it. I quite like this, as the energy is very straightforward and consistent. Usually, I use these descriptors to highlight them as flaws. But In The Dark uses them in a very appealing manner, so it is definitely a highlight of the song. Another highlight has to be the husky vocals that Jeong Sewoon employs in this song. They blew me away and made the song a lot more captivating to listen to. It just bring so much texture of the song, particularly for the chorus. And it is the main selling point of the song that makes me want to go back to the song each time it wraps up. Unfortuately, I do have one issue with the song. I was expecting the ending to be somewhat different to the rest of the song to really bring it all home and blow me away completely. Whether that was through amped up vocals (or some sort of high/long note or ad-lib) or maybe different instrumentation routes, I wouldn’t mind. I just thought the ending called for something more. But aside from that, In The Dark still manages to blow me away.

While In The Dark sounds more mature and serious, the lyrics are unexpectedly quite uplifting. It reassures fans and listeners that being ‘in the dark’ is okay and that ‘you will shine’. He also offers tips of ‘hold your head up high’ and ‘bring back the mindset that you started with’ whilst in the dark. What does this have to do with the music video? Well, majority of the video is Jeong Sewoon in the dark. I interpreted his face in some parts to be worrying and scared. But we see him have a boogie and dance around, making the most of his time in the darkness. It is clear he is showing that while the dark is scary, he can hold his head up high and shine with his smile. And if he can do it, you can as well!

Song – 9/10
Music Video – 10/10
Overall Rating – 9.4/10

[Album Review] Border: Day One (1st Mini Album) – ENHYPEN

January 5, 2021Posted in Album Reviews, KPOPTagged ENHYPEN2 Comments

I know I promised the restart of reviews yesterday, but I decided to delay that to focus on some other stuff for the blog. I will restart the reviews tomorrow when the first 2021 release officially drops and I will then return to writing some other 2020 reviews. In the meantime, I hope the next album review suffice. The artist at the focus of the album review is ENHYPEN, who made their debut at the very end of November with Given-Taken. The song was featured on the group’s first mini-album, Border: Day One, which has sold over 300,000 copies since its release. Given-Taken faired pretty well, so let’s see what I thought about the rest of the mini-album.

1. Intro: Walk The Line – There are some vocals in the Intro track, which lands itself on the reviewing block. Honestly, I don’t have much else to say aside from that Walk The Line sets the tone for this mini-album. The music itself is quite atmospheric. It, as a whole piece, pretty much felt like a marching band was following them as they embark on their journey as artists. The members also sing ‘Walk The Line’ in Italian, which isn’t a language we see at all in KPOP. Definitely a good start to the mini-album. (9/10)

2. Given-Taken (Title Track) – Click here to read the full review for Given-Taken. (8.5/10)

3. Let Me In (20 Cube) – Let Me In a lot less serious compared the title track. It actually taps into a more vibrant sound, which I find appropriate for the youthfulness the group brings to the industry. To me, the song is a solid dance track that features a hint of a reggae beat. The vocals are nice, though I felt that they could have reduced the autotune that filtered their vocals. Just a personal preference of mine. I also did think the song needed a more substantial rap sequence. Ni-Ki teased us with his really deep voice, but I wanted more of that in the song. (8/10)

4. 10 Months – 10 Months continues the upbeat and vibrancy from the previous track. It is a fun number with a bouncy instrumentation. To me, it wasn’t a really interesting track. It was a nice listen and I did enjoy the energy that came from it. But I wanted more from the group in this song in terms of vocals and rapping. I also wanted more robustness and dynamism from the producers. The only interesting moment(s) worth mentioning was the unique (and possibly fancy) way the members sang ‘Love’, which sounded like ‘La-Uve’ (6.5/10)

5. Flicker – Flicker was a song previously performed on the I-LAND. Though this version is at a higher pitch and felt a bit faster than what was performed on the show. The instrumental was definitely texturally interesting, with its use of guitars and other synths. The members also sound more promising in Flicker than the other side track, though the excessive autotune could have been reduced. Listening to this song (and taking in account my thoughts from the songs above), the group aligns better with a mature and serious tone. It just seems to click better and felt more nature for me. (8/10)

6. Outro: Cross the Line – The outro track doesn’t feature any vocals per say, so I won’t include it in final album rating score I usually give. But I have to make a few comments about it. It is so creepy. The voices of the kids in the background were chilling. The European (possibly French? roots) instrumental influences were very haunting. And this was all followed by rock version of the Phantom of the Opera’s most iconic tune. Hopefully, this outro is teasing us with what is to come. I would totally be game for this.

Overall Album Rating – 8/10

[Album Review] Travel (10th Mini Album) – MAMAMOO

January 3, 2021Posted in Album Reviews, KPOPTagged MAMAMOOLeave a comment

Welcome to my first post of 2021! The first few posts come in the form of album reviews that I was meant to schedule over my break, but ultimately forgot to do. I have just returned from my break (back to work as of tomorrow with song reviews coming your way) and have decided to quickly post these album reviews as soon as possible, as I don’t want to really be holding onto these album reviews which would delay the 2021 album reviews (which I would like to avoid). First up is Mamamoo’s Travel, the group’s 10th mini-album since their debut almost seven years ago! The mini-album features the pre-release track Dingga (which performed better than the title track) and the title track, AYA. The mini-album also contains other songs which is why we are here today. Let’s check out these other songs as well.

1. Travel – Travel opens up the mini-album with an extremely pleasant pop track, one that I will gladly listen to whilst on a road trip/holiday (whenever we can next do that). In addition to making me dream about a holiday, the song has this layer of nostalgia, which I find to be very soothing and likeable. I really like how the members vocals compliment the pleasantry nature of the song. Usually, I prefer Mamamoo with their power vocals. But it was a good call to leave that approach behind for this song. Moonbyul does bring a bit of a kick through her rapping lines at the end of the choruses, which helps change up the song slightly without causing major disruption to the song. (9/10)

2. Dingga (딩가딩가) – Click here to read the full review of Dingga. (9/10)

3. AYA (Title Track) – Click here to read the full review for AYA. (6/10)

4. Chuck (척) – When I first saw the title Chuck, all I could think of was Seventeen’s Chuck. Seventeen’s Chuck was definitely very memorable and impactful. However, I was confident that Mamamoo wouldn’t pull a Seventeen styled Chuck, so I was intrigued with the song. What Mamamoo ended giving us was a pretty robust track. I really liked the striking nature of the instrumental, from the repetitive beat in the chorus to the wooden xylophone-like tapping in the post-chorus. The intro gave me Blurred Lines vibes, just a lot more classy. Mamamoo’s vocals were amazing in this song. I love the tease of the powerhouse vocals during the opening moments of the chorus and the energy they bring to the chorus. I also enjoyed the alternating Chuck that they simply speak during the post-chorus hook. (10/10)

5. Diamond – Diamond was an unexpected track on this album and for the group. It takes on a sensual vibe that is quite alluring to listen to. It is also quite refreshing, given that this isn’t Mamamoo’s style of music. However, they nail it. I really liked the elongation of some of their words, dragging it out as if they are teasing us with their vocals. And the way they vocally spell out the word Diamond was quite interesting. Both Hwasa and Wheein really flourished, given their vocals fitted this style. Moonbyul’s signature rapping is brought back in this song and she blends in perfectly into this song. My only issue with this song is that it just didn’t go anywhere. (8/10)

6. Good Night (잘자) – It doesn’t help that I am writing this review past midnight. The first section (and ending of Good Night) is putting me asleep. Not because it is boring. But rather, these sections of Good Night appears to sound like a ballad and features piano that felt almost like a sleepy tune on Spotify. The song then suddenly changes into a café style music by incorporating some percussion and energy, and it slowly builds from there. I am unsure why though this was necessary. As the song builds, we get more and more (and it ends with a high note from Solar). Definitely no longer a sleep tune. But that complaint aside, the song definitely sounded good and everything was well executed. (8/10)

Overall Album Rating – 8.3/10

[Album Review] 回:Walpurgis Night (3rd Studio Album) – GFriend

December 30, 2020Posted in Album Reviews, KPOPTagged GFriendLeave a comment

GFriend is nominated for Best Female Group, Best Female Group Performance (for Apple), Best Outfit (for Apple) and Best Concept (for their Temptation Concept for Apple) in the 2020 KPOPREVIEWED Awards. Click here to support GFriend and your other favourite artists of the year.

GFriend returned with their impressively catchy MAGO at the start of November, which was released as part of their third studio album, 回:Walpurgis Night. There are a few major points about this studio album that are very important to note before we crack on with the review of the album tracks. The new album marks the end of the group’s 回trilogy and also features their last two comeback tracks, Crossroads (released back in February of this year) and Apple (released in July of this year). Labyrinth, which was a side track that attracted a lot of attention this year was also included in the studio album, alongside seven other new tracks. And without anything further, let’s move onto the review!

1. MAGO (Title Track) – Click here to read the full review for MAGO. (9/10)

2. Love Spell – Love Spell opts for a pop rock vibe. I adore the guitars in this song, which give the song a grungy edge and a 90s persona. The members themselves make the song sound a lot sweeter. I also find it a nice balance between pop rock and GFriend (though part of me would have loved to see them go full on rock or even punk rock, which Love Spell hinted towards). (9/10)

3. Three of Cups – Staying within the pop realm, Three of Cups opts for a city pop vibe or a 70s disco vibe. This style really gives the opportunity for the group to do something light, which their airy vocals reflected quite well. There were also some catchy moments in the song that made Three of Cups appealing. (9/10)

4. GRWM – Based on what I can gather, GRWM stands for ‘Get Ready With Me’, a term used to describe vlogs that shows the morning activities as you get ready for the day. What I like about this pop song is GRWM’s instrumental felt grounded and tighter than the previous tracks. I did feel their vocals could have followed that same feeling, but instead they felt overly light for such a heavy instrumentation. As a result, it felt slightly mismatched. Only slightly, but noticeable still. (8/10)

5. Secret Diary – Secret Diary is the first the three unit tracks on this album. This was brought to you by SinB and Yerin. It was nice track to listen, with good vocals and a likeable instrumental. Pleasant at best, as I have recently been saying. It just didn’t really feel memorable as it could have been with catchier hooks. (7/10)

6. Better Me – Better Me features Umji and Sowon, an interesting pair. Vocally, I wasn’t sure how the song would turn out, given that these two members aren’t exactly known for their vocals. But I think Better Me was more than a pleasant listen. The song has this subtle Latin vibe to it and they both sounded quite clear. I also liked how they pushed themselves for this song, which ultimately paid off. I find Better Me as the better of the three unit tracks. (8.5/10)

7. Night Drive – I expected a bit more from Eunha and Yuju, if I was being honest. They are both known for their vocals, so I expected something exciting for them. But instead, the pair went down the cliché route by opting for really soft R&B track that comes off like a ballad to me. That being said, the two did show off some vocal flair by effortlessly going into falsetto mode for some of the song. I also find their vocals compliments the song’s soft approach, which helps give off a slightly polished feel. (7.5/10)

8. Crossroads (교차로) – Click here to read my full review for Crossroads. (7/10)

9. Apple – Click here to read my full review for Apple. (9/10)

I am not able to find the Walpurgis Night audio of Apple. I will update the video link once I do.

10. Labyrinth – Click here to read my song review for Labyrinth. (10/10)

11. Wheel of the Year (앞면의 뒷면의 뒷면) – The final song on the album, following the three songs the group has previously released, is Wheel of the Year. It opens up with a consistent piano tune. The song builds to incorporate other classical and band instrumentation to develop the song into a a really strong pop sound. Once again, the vocals are quite light, airy and smooth, but I felt they were fitting for this song. There was also some really nice melodies. The song also features a bunch of catchy moments, especially as the song starts to pick up momentum. It is definitely an excellent pop track to end both the album and trilogy. (10/10)

Overall Album Rating – 8.5/10

[Review] Across the Universe – D-CRUNCH

December 29, 2020December 22, 2020Posted in KPOP, ReviewsTagged D-CRUNCHLeave a comment

Vote now before the 2020 KPOPREVIEWED Awards polling page closes on the 31st of December. Click here to be taken to the page.

The next review is for D-CRUNCH, who made their comeback back in October with Across The Universe. D-CRUNCH may be an unfamiliar name to some as they are from a very small entertainment company, Ai Grand Korea (they were previously signed to All-S Company, but have since left that company). I have previously reviewed their Stealer single. But that is from 2018 and so I too need a refresher on who D-CRUNCH are. They are a nine-member male group (consisting of Hyunho, O.V, Minhyuk, Chanyoung, Jungseung, Dylan, Hyunwook, Hyunoh, and Hyunwoo) who made their debut in 2018 with Palace. They then made their comebacks with Stealer (also in 2018), Are You Ready? (in 2019, not reviewed), Pierrot (earlier this year, not reviewed) and now Across The Universe.

To me, Across The Universe has this dramatic flair and a seriousness to it that makes the song appropriate for an action movie, especially in the chorus. I’m thinking a chase scene that has us on the edge of our seats. But back to the song. I find Across The Universe‘s EDM direction to be quite dynamic and full of energy. At first listen, it might just sound like a bunch of noise. And I actually noted down that I wanted to hear something more thrilling and exciting. But after many listens since October, I can safely say that the song had all of that on the instrumentation side of the song. I also liked the use of the marching band and piano in the pre-choruses, which really helped add some flair and different energy throughout the song (i.e. it wasn’t just EDM and synths all the time). And an EDM track like this is definitely full of intensity. But note that I only specifically mentioned this about the instrumentation. My wishing for something a little more thrilling and exciting is still applicable for the vocal work and rapping in this song. I wanted it to be as dynamic as the instrumental and at the moment, it felt a little one dimensional (though the fast rapping sequence in the second verse was definitely a highlight if I focused on the song and was not casually listening to it). As a result, I didn’t find much of their input to be memorable, aside from the ‘Across The Universe‘ line they sing in heavy autotune just prior to launching into the chorus. They do build on their vocals to match the instrumental, which was a plus. But majority of the time, the instrumental felt like it overpowered the vocals and rapping. I also wished the chorus had more of a hook, rather than relying on just the abrasiveness of the EDM. Sometimes it works for me, but other times (like Across The Universe) it doesn’t.

There isn’t much to the video aside from choreography and close ups. There was a bit of a segregation between members for a small part of the video that I wished they could have explored a little more. But it seems like they are friends and aren’t actually enemies. I am not entirely fond of the sandy set. It looks like a backyard. But I did like how they redid the lighting to make it appear like two different sets. The better set of sets (for my personal tastes) are the darker ones, such as when the members were dressed in silky blue outfits in front of the diamond-like structure or white outfits in front of the graffitied wall.

I really like the intensity and energy behind their moves, which matches with the intensity and dynamic nature of the music. I just wished the way they got into formation wasn’t just walking. Maybe incorporate some movements to make getting into formation and hence the entire performance appear more robust.

Song – 7.5/10
Music Video – 7/10
Performance – 8/10
Overall Rating – 7.5/10

[Review] SO BAD – STAYC

December 28, 2020December 23, 2020Posted in KPOP, ReviewsTagged STAYC1 Comment

Vote now before the 2020 KPOPREVIEWED Awards polling page closes on the 31st of December. Click here to be taken to the page.

It is time for another review for a newly debut group. This time, we are covering a female group who is garnering a lot of attention. According to Wikipedia, this six-member female group received 2.4 million views within 24 hours of their music video release on the 12th of November. And their single album, Star To A Young Culture, sold over 10,000 albums within the first week – the first female debut to do so this year. Massive feats for a newcomer. STAYC, for those who don’t know, is the first female group to be produced by Black Eyed Pilseung under High Up Entertainment, who is extremely well known in the KPOP community for the many chart topping hits they have produced previously (TT and Roller Coaster to name a few). The member lineup consist of Sieun, Seeun, Sumin, J, Isa and Yoon.

STAYC’s debut single is titled SO BAD. But the song isn’t so bad itself. My first impression of the song was that I noticed the song had a recent APINK (I’m So Sick era onwards) vibe. To make sense of this, I did some research and STAYC’s producer, Black Eyed Pilseung, actually was the producer of those APINK songs. Go figure! It will be interesting to hear if this song was previously directed to APINK’s discography (but was rejected), as this is a common event that occurs in the music industry. Though the more I listen to SO BAD, the more I get the impression that this song was reserved just for STAYC. Firstly, I felt the instrumental was more relentless compared to APINK’s work. The retro instrumental’s bubbly effect just felt like it was continually coming at us and never felt like it took a breather. Secondly, I feel the members really do a good job of putting their own spin. It felt like there was a fair bit of attitude in the song, which is courtesy of their vocals. I quite like this, as it is this element that gives the song some oomph and drive, which really helps strengthens the song. I particularly like the pre-chorus and chorus sections of the song, which had the most energy and colour in the song. I also really enjoyed the whole bridge section, which had really satisfying high notes and showed off more vocal power. The group’s rappers’ voices are surprisingly deep, but I was totally digging their parts. I would love to hear more of them in their songs Overall, SO BAD lives up to the hype that they have generated. I just wonder if they can continue it with their subsequent comebacks.

I personally am not a fan of the video. While the editing was good and the quality was amazing for a small company, I just felt the sets were a bit typical. It looks like a mash up of different music videos put together. That aside, the group’s visual game is evidently strong, with their closeups blowing me away. They looked really stunning.

Their choreography was actually quite good. There isn’t really a killer move, however, though I was impressed with their introductory sequence that opened the song. It was different, but there was a nice formation and had this interesting aura to it.

Song – 8/10
Music Video – 6/10
Performance – 8/10
Overall Rating – 7.4/10

[Album Review] Woops (2nd Mini Album) – WOODZ

December 27, 2020December 24, 2020Posted in Album Reviews, KPOPTagged WOODZ2 Comments

WOODZ is nominated for Best New Male Solo in the 2020 KPOPREVIEWED Awards. Click here to support WOODZ and your other favourite artists.

Next up on the album review list is WOODZ’s Woops, which features his latest title track Bump Bump. WOODZ restarted his solo career earlier this year with an awesome title track and mini-album. With such praise, it was a pity I didn’t pay attention to his earlier solo works. But I won’t make the mistake for his future releases, such as this one. For more about this mini-album and to see if he replicates the same level of impressiveness, continue reading below.

1. Trigger – The country rock influence at the start of Trigger was a complete surprise. It will either reel you in (which was the case of me) or it will deter you from listening to the album. Sadly, there is no in between given its individualistic charm. Surprisingly, WOODZ fits the sound really well (though I will admit I hate the dragged out ‘Yee-Haw’ he does). As the song progresses, we get more of a rock influence coming into play, which really amped up the song for me and gave it more of an interesting note. I also love the energy that comes from the final moments of the song. (10/10)

2. Bump Bump (Title Track) – Click here to read the full review for Bump Bump. (10/10)

3. On My Own – With both his title tracks in mind, On My Own is definitely quite a change up. Vocally, I really enjoyed On My Own. WOODZ really shows off his vocals here, with his voice portraying fragility and emotions extremely well, over an instrumental that primarily centers around acoustic guitars. He also manages to show both of these elements in his rapping. I just wished he didn’t sing in his usual tone, which felt ill-fitting for this song. But everything else he did was amazing. (8/10)

4. Thanks To – Thanks To opt for tropical influences for its instrumentation. It definitely enables Thanks To to go down two routes. The verses felt pretty chill, while the choruses a bit of an upbeat kick. Either route was fine and I liked how the song managed to find a balance between the two. I liked how he also didn’t sing in his usual tone for this song. The way he sang complimented the chilled and relaxing vibes of the song. (8/10)

5. Sweater (ft. Jamie) – Sweater warms up the listener up with this old school Winter vibes. The way the guitar sounds and that distant bell in the instrumentation helps bring those Winter vibes to life. WOODZ, once again, showcases his vocals in such a soothing manner. Jamie, who is already an established vocalist, joins in to help convey the warmth of the song. They also gives us some really beautiful harmonies that just makes the song better. (9/10)

6. Tide – Tide is a soothing ballad that captivates with a mix of classical and band instrumentation. The instrumentation is a nice mix and a really paced backdrop of this song. It also shows more of vocalist WOODZ, which he has already showcased throughout this mini-album. But Tide does more than just that. I mean, check out that stunning high note at the end of the song. It definitely felt like a signature on a contract. A final statement to prove to whoever doubted that he couldn’t sing. (10/10)

Overall Album Rating – 9.2/10

[Album Review] Never Gonna Dance Again: Act 2 (3rd Studio Album) – Taemin (SHINee)

December 24, 2020December 23, 2020Posted in KPOPTagged SHINee, Taemin (SHINee)1 Comment

Taemin is nominated in Best Male Soloist and Best Male Solo Performance categories in the 2020 KPOPREVIEWED Awards. Click here to support Taemin and your other favourite artists.

Taemin previously made his comeback in September with Act 1 of his Never Gonna Dance Again series, one half of his third Korean studio album since his solo debut. That section of the album was headlined by Criminal and 2 KIDS. In November, Taemin returned with Act 2 of Never Gonna Dance Again (the focus of this album review post), which features the title track Idea. There are eight other tracks on this album, so let’s move the album review along. I am super excited!!

*Never Gonna Dance Again: Act 2* Album Cover

1. IDEA (이데아) (Title Track) – Click here to read the full review for IDEA. (6/10)

2. Heaven – While Heaven isn’t as instrumentally intense as IDEA, it doesn’t mean that this song was no less than epic. There are two elements that really hone into that epic atmosphere. Firstly, Taemin’s breathy vocals. They were impressive and definitely were jaw dropping, particularly when it came to his ad-libs towards the end of the song. The second element has to be the choir backing in this song, which gives off an haunting vibe as well as the epic vibes. (10/10)

3. Impressionable – Impressionable’s instrumental feels appropriate for the Halloween season, resembling a spooky tune. But with Taemin at the helm of this song, you know that this was done so intentional to be aesthetic. And it does come off that way in retrospect. I wanted to say that there was a playful spooky tone to Impressionable, but it seems to disappear into thin air as we progressed along the song. Taemin’s vocals have this vibrating effect to them, which gives off creepy vibes. I also like he does some rapping and rap-speaking in this song, which go hand in hand with one another in this song. (9/10)

4. Be Your Enemy (ft. Wendy from Red Velvet) – I felt excited for this song, given that it was the only collaborative track on this album. And it features Wendy from Red Velvet, who has been appearing here and there during her recovery from injuries. But Be Your Enemy doesn’t really go anywhere in a musical sense. It is a pretty stagnant song, with a pop instrumental that minutely builds upon itself by the time it wraps up. Taemin’s vocal side does shine and Wendy’s feature (although brief) compliments the main star of the album very well. (7/10)

5. Think Of You (안아줄래) – Think Of You was a nice change of pace, going for a more upbeat dance feel. I really like funky roots of the song, which gives the song some life. It is subtle though which aids in refinement and doesn’t throw us another song that follows the retro trend explicitly. I really like the use of vocals in the background, which gives more texture and an interesting note to the song. (8.5/10)

6. Exclusive (Korean Version) – Exclusive was previously released as a single as part of Taemin’s third mini-album in Japan. It is a very abrasive dance track, especially when we get to the final moments of the chorus. It contrasts strongly with the smoother verses, courtesy of Taemin’s vocals. It is memorable, aesthetic and epic all in one. (10/10)

7. Pansy – Pansy is one of Taemin’s answer to a ballad on this album. I thought that this was a stunning song, partly thanks to the soloist’s vocals. It is the type of ballad that you have to stop what you are doing and close your eyes to listen to full appreciate the song. The way his voice is carried throughout the song is also a ride. I enjoyed the ‘My Oh My…’ melody, which was one of the most memorable sections of the song. The epic and dramatic percussion we get at the end caps off the song in a very ethereal manner. (10/10)

8. I Think It Is Love (사랑인 것 같아) – Following Pansy is another ballad. I Think It Is Love is a bit different however. It starts off like a typical ballad, but the chorus makes way for a more powerful instrumental centrepiece. The entire song comes together extremely well and left me stunned once it wrapped. The ending is the best bit, with Taemin singing alongside backing vocals that are harmonizing with him to amplify his delivery to give the end of the song another epic touch. (10/10)

9. Identity – The final song on the album is Identity. This one is a bit of a rollercoaster in many senses. The song starts off slow, almost like a ballad. But it slowly builds. I was blown away by Taemin’s ‘Oohs’ during the first instance that you can tell the song was slowly building. We are then introduced to Taemin’s eerie of the word “Bass”, before we at launched right into the dramatic and theatric approach of the chorus. It doesn’t last for long, with Taemin going back into the same gear in which provided us with the slow start and ‘Oohs’ to end off the song and album. Another perfect song, if you ask me. (10/10)