Category: KPOP

[Album Review] REBOOT (2nd Studio Album) – TREASURE

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As mentioned in my last review for TREASURE last week (i.e. the kaboom version of their side track B.O.M.B), I would be posting an album review for REBOOT this weekend. And here it is! REBOOT dropped at the end of July with BONA BONA as the lead title track. Ahead of the comeback, TREASURE also dropped the until track MOVE, which is also featured on this album. In total, 10 songs feature on the album.

As the name of the album alludes, REBOOT kicks off a new era for TREASURE and I think the studio album really shows that. Some of the songs, especially in the beginning, holds true to that. While some other songs do fizzle out towards to the end. But nonetheless, REBOOT shows a promising future for TREASURE. Let’s hope that YG Entertainment doesn’t get lost (again) with what to do with TREASURE and ‘reboot’ them again.

REBOOT Album Cover

1. BONA BONA (Title Track) – Click here to read the full review for BONA BONA. (8.5/10)

2. I Want Your Love – The element that wins me over in I Want Your Love is the instrumentation. The dance pop track features some really cool club beats and synths that reminds me of the music from ‘00s that I grew up on. The vocals and rapping were very solid efforts from the members. The vocals, particularly during the pre-choruses, also carry the same nostalgia. I really like the whispery underlay in the bridge, as well. I think a more memorable hook would have made I Want Your Love the ideal song. What we got was pretty good in itself, but it just lacks that really ear-worming effect. (9/10)

3. Run – When I hear Run, I find it very hard move away from the song. Run takes us down a very energetic rock path that has me bouncing along. Honestly, the energy that the members convey is enough for me to rate Run a 10/10. I also like the addition of electronic synths to give Run some zing, and a really cool and clangy hip-hop second verse. Their vocals and rapping were superb, pretty much keeping up with the dynamic tempo that the track was running (Ha!) at. That anthem bridge and high note at the end was really great, as well. (10/10)

4. MOVE – Click here to read the full review for MOVE. (9/10)

5. G.O.A.T (ft. Lee Young Hyun of Big Mama) – The first unit track on the album is by the rap unit (Choi Hyunsuk, Yoshi and Haruto). The energy in this track is very show-stagey, which I am digging. The brass elements emphasises this further. I like the playful and dynamic approaches to the delivery which the rappers adopt,, which makes G.O.A.T a very fun and playful listen. The anthem chorus was perfectly executed by the members. Lee Young Hyun from Big Mama features on this track and she comes in towards the end. Her vocals and adlibs just effortlessly fitted into the rap-centric track, carrying us off in the end alongside the rappers in another head-banging end to the song. (10/10)  

6. Stupid (멍청이) – All members return for Stupid. The upbeat energy is toned by a small bit to make way for this vocally centric track. The track still pounds away with a heavy beat, but it also features some really nice acoustic guitar riffs in the background. Other than that, Stupid steers into pop energy territory, which comes off it was nostalgic, as well. It reminds me of some previous works by done previously by other YG Entertainment groups like iKON and BIGBANG. Unfortunately, the hooks aren’t there in comparison to the other songs on ahead of the track and I felt the drumming was little heavy handed, particularly when we entered the bridge of Stupid. (7.5/10)

7. The Way To (어른) – The vocal unit (Jihoon, Junkyu and Jeongwoo) stays on to perform The Way To, taking us down a balladry path. It is a beautifully orchestrally instrumented ballad, paced in a way that allows you to take everything in the track all in. You can feel the emotions behind the members vocals. I did think the melodies were slightly underbaked, with the vocals feeling “quite short” in terms of being drawn out to matched the pace of the ballad. But still a lovely listen. (7/10)

8. Wonderland – Summery beats and energy comes back into play alongside all of the members in Wonderland. While the track is a decent listen, I think Wonderland is my pick for the album’s plainest track. Everything in the track, from the instrumentation to the vocals/rapping, felt very ordinary. I also don’t feel much of TREASURE’s usual energy in the song. (7/10)

9. B.O.M.B – I reviewed the kaboom version of B.O.M.B already, so I will be taking my rating of that version to implement in this review. I also did make some comments on the album version of B.O.M.B in that review, so click here to read the full review of the kaboom version of B.O.M.B. (8/10)

10. Lovesick (병) – The final track on the studio album is Lovesick. It was previously featured on the group’s 1st Japanese mini-album, which was released last year. It is a wholesome and dreamy track to finish on. Lovesick features a simple instrumental, melodies and hooks – all of which makes it easy on the ears and is a nice way to ease out of the album. I can imagine having this track on the background, while staring outside the window and taking in the prettiness of a bright day. (8/10)

Overall Album Rating – 8.4/10

REBOOT Teaser Image

[Review] Talk Saxy – RIIZE

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RIIZE just made their debut with Memories and Get A Guitar at the start of September. It hasn’t even been two months on, but the newly debuted group from SM Entertainment has returned with their first comeback single, Talk Saxy.

I really do want to like Talk Saxy. After how much I enjoyed Memories and Get A Guitar, I had high hopes for RIIZE. But despite the listens I have given Talk Saxy since its release earlier today, I cannot seem to form a positive impression towards the song. Talk Saxy features (quite appropriately) saxophone riffs and 808 drum sounds in its instrumental. And boy, does it not shy away from using that brass. But as much as I love myself some brassy elements in my songs, the saxophone feels distorted at times in Talk Saxy and this makes the central instrumental element come off as scratchy. It isn’t all bad, but it could have been better. The 808 drum sounds was a nice accompaniment to the saxophone and gave Talk Saxy some much needed oomph. I also think there are some guitar riffs in the pre-choruses, but I might be mistaking that for even more saxophones (I hope I am not). I do think Talk Saxy could have used a bit more in the instrumental department to give the track some flair. A prime example is more piano in the bridge to accompany the smoothness of the vocals (and lack of the brassy element). Another thing that I noticed was the uninteresting chorus. Both the rapping and vocals in the chorus felt bland. It is like the producers removed all of the members’ own style and charms to create a chorus that could be executed by anyone in the team. But by doing that, the producers also created a soulless central piece. On the flip side, I found the members’ personality and style to be so much more prevalent in the verses. There was some good moments in terms of delivery in the verses, but it all disappeared when we entered the chorus parts of Talk Saxy. And that pretty much dulled the song for me.

The music video feels as simple as the song’s make-up was. For me, the music video felt very focused on the bright lights that made up the words “Talk Saxy” in the background and the members wearing baggy old school shirts that reminds me of hip-hop from the 1990s. It is definitely a good and trendy look. The use of lighting on this set to either show the members or their silhouettes was pretty cool idea, as well. But the rest of the music video (i.e. the gigantic speakers and focus on the colour red in the members’ outfits) just fizzles out and becomes a distant memory. I wished there was more balance.

The choreography for this comeback is quite good. I like the ‘Kick It‘ part of the choreography and also the prancy-like style they go for in the outro of the song. I also enjoyed the bouncy nature and the wide arm movements they had going on in the middle of the routine.

Song – 6/10
Music Video – 7/10
Performance – 8/10
Overall Rating – 6.7/10

[Review] B.O.M.B (kaboom Ver.) – TREASURE

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TREASURE returned last week with a gift for their fans. B.O.M.B is a side track off TREASURE’s second studio album REBOOT, which was released a few months back. As a bit of a teaser for this coming weekend, a full album review post on REBOOT will be coming your way. But ahead of that, I wanted to review the new version of B.O.M.B, otherwise known as the “kaboom version”. In other TREASURE-related news, the title track off REBOOT is BONA BONA, which also dropped alongside the album.

Had I gone forward with just the album review, B.O.M.B (the side track version) would have been described as “a really pleasant pop track from the ’00s”. I would also made specific comments on the dreamy instrumentation and the really smooth melodies that made the song pleasant. I probably also would have said something about the catchy hooks, in addition to the melodies, particularly around the choruses. The ‘kaboom version’ of B.O.M.B retains all of that, but adds more to the instrumentation to give it liveliness and energy. And honestly, this does help make the song feel more fun and energetic, which I think would have been well received by their fans. Whether all of it was necessary is a different matter up for discussion. I am definitely on board with the brass and extra bass that was added to the song. However, I felt the bomb dropping and explosion sound effect and the inclusion of a hip-hop dance break was cringy and embarrassing. But even while I feel this way about these specific elements, they didn’t detract from B.O.M.B whatsoever, and everything that was the side track version of B.O.M.B is very much still there. So overall, the side track version of B.O.M.B is probably my preferred version, but I don’t mind the kaboom version, as well.

We didn’t get a music video for this kaboom release, but rather a performance video. As such, I will be combining both the video and performance components of the release together. The hip-hop concept that they went with for this comeback makes sense for TREASURE, but I am not entirely sure about the song. But at least they keep it casual and don’t lean too much into it. We do get some closeup of the members, and a dance battle break that the members keep lighthearted and fun. As for the choreography, I find it to be quite good. It suits the group and the song in many regards. The choreography and energy feels youthful, which fits in with the members. The key moves during the chorus felt cutesy, which goes hand-in-hand with the lyrics which is about how one’s crush makes them feel giddy and alive.

Song – 8/10
Music Video / Performance – 8/10
Overall Rating – 8/10

[Album Review] 13egin (7th Mini Album) – INFINITE

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INFINITE made their grand return in July 2023 after a five year hiatus due to military enlistments and their departure from Woolim Entertainment. The mini-album, titled 13egin, also celebrates their 13 years career, which has definitely been fruitful over the years particularly in the 2010s. 13egin features a total of five songs, including an introductory track and the title track New Emotions. Like some other albums that I have been reviewing lately, 13egin has a fundamental issue of featuring the weakest track as its title track. Don’t get me wrong, I am glad to hear INFINITE in any form after so long (and hope that they continue to regularly release new music as a group into the future). I just think there are other songs on the mini-album that could have served as a better title.

13egin Album Cover

1. Intro: 13 – This introductory track really got me excited for what is to come on the mini-album. The mysterious piano and suspenseful interwoven vibration synths leads into some groovy guitar and synth work. The strings that come into play in the latter parts of 13 throws me back to some of Infinite greatest works, which have involved strings in some way. No vocals, so no score. But damn, 13 was amazing!

2. New Emotions (Title Track) – Click here to read the full review for New Emotions. (7/10)

3. Time Difference (시차) – It seems like Time Difference is the more liked track on the album from what I can see online, and I completely agree with the public here. I really like how the track doesn’t require any powerful or dynamic elements (which is usually what I look for) to really sell the track. Instead, Time Difference features really pleasant atmospheric vibe, with its trendy synth line. I like the small additions to the song, which are well placed to maintain a consistent grooviness to the song. The members’ vocals are really well done, bringing a touch of brightness and a refreshing melody to the track, whilst all keeping aligned to that pleasantness mentioned above. (10/10)

4. I Got You – I Got You opts for a more upbeat pop number, yet the beats, string and synths elements in the instrumentation do continue the pleasantness that we heard in the previous song. The members do another amazing job in I Got You with their vocals, especially with how dreamy they made the song feel. In some cases, I liked the crispness the members themselves added to the song. Everything comes together to create a summery vibe that felt very clean and fresh. (9/10)

5. Find Me – The mini-album ends with a ballad, which gets me excited. INFINITE is one of the groups that I look to for amazing ballads. But rather going down the purely classical orchestration backing that INFINITE has done multiple times before, Find Me features some atmospheric synths and band instrumentation. However, the track does maintain the beautiful sound of the piano, which makes this track quite fulfilling. Once again, the members’ vocals are beautifully delicate and dreamier than in the last track. (9/10)

Overall Album Rating – 8.8/10

13egin Teaser Image

[Album Review] MY WORLD (3rd Mini Album) – aespa

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MY WORLD Teaser Image

After holding onto a draft for the album review for aespa’s MY WORLD for quite a while now as I was due review the album’s pre-release single separately ahead of the album review, I have decided to forgo those plans and post the album review now instead. MY WORLD is the aespa’s 3rd mini-album, led by the single Spicy, the pre-release single Welcome to My World and four additional side tracks. aespa’s vocals are a recurring element I comment on throughout the album, with their showcase of skills in this department being consistently superb throughout the album. MY WORLD also becomes my highest rated album this year. Find out why I thought so positively of the mini-album down below.

MY WORLD album cover
MY WORLD Album Cover

1. Welcome to My World (ft. nævis) – This alternative pop track is so dreamy yet has such a haunting vibe, both of come together to create an impactful and memorable piece. Part of this is thanks to the vocals, which I give two strong thumbs up for. Like come on, the harmonisations are so beautiful and breath-taking. The instrumental also contributes to that dreamy and haunting vibe, as well. The orchestral sequence at the ending makes for such a cathartic ending. Despite it being a more vocally centric track, Welcome to My World still manages to incorporate some synths into its backing. Nothing too crazy that disrupts or destroys the delicate nature of Welcome to My World, but just enough to make it feel like it could be branded as an aespa track. An easy 10/10, in my opinion. (10/10)

2. Spicy (Title Track) – Click here to read the full review for Spicy. (9/10)

3. Salty & Sweet – Salty & Sweet starts off in a very bold manner, going for a darker and edgier vibe. The members do a really good job with channeling these vibes into their delivery, creating a very riveting and impactful track to listen to. The bass, beats and synth work in the instrumentational also has this trippy energy to it, making Salty & Sweet a very intriguing listen. (9/10)

4. Thirsty – Thirsty is another great showcase of vocals from aespa. Their vocals are just so sleek and captivating throughout this side track (if they hadn’t been yet in the other side tracks). Thirsty also revisits the dreamy vibes heard earlier in the first track of the mini-album, with their vocals also exuding this. The rapping felt so clean, as well. The instrumentation is basically your standard R&B backing, but the members really do take it to the next level. (9/10)

5. I’m Unhappy – I’m Unhappy is much more straight-forward track, in comparison to the other side tracks on this mini-album. The bouncier beat and bass in the instrumentation is quite consistent and felt playful. The squealy synth was a nice touch in cutting through this consistency. The vocal work and rapping felt uncomplicated. But nowhere along the way do I find I’m Unhappy to be a bore. It was all very interesting and another strong side track from the group. (9/10)    

6. Til We Meet Again – The final track steps away from synths and into acoustics and simple band instrumentation. The acoustics of this track creates a very warm and inviting atmosphere, while their vocals (which have been top notch throughout the mini-album) makes us stay with their comforting aura. Til We Meet Again also revisits another aspect from earlier on in the mini-album – stunning harmonisations that just felt like icing on the cake. (8.5/10)

Overall Album Rating – 9.1/10

MY WORLD Teaser Image
MY WORLD Teaser Image

[Review] God of Music – SEVENTEEN

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Kicking off this week is SEVENTEEN, who returns with their 11th mini-album SEVENTEENTH HEAVEN and the title track God Of Music. Once again, SEVENTEEN has exceeded expectations by breaking records with the new mini-album, including becoming the most pre-ordered album release in KPOP industry once again. This is SEVENTEEN’s first comeback since their 10th mini-album FML (lead by the singles Super and F*ck My Life) and their first Japanese compilation album ALWAYS YOURS (lead by the single Ima – Even if the World Ends Today –.

Punchy feel-good energy is how I would describe God of Music. SEVENTEEN’s new song does not disappoint in any department, with the song making me do a bit of a boogie within the first listen. More repeats of the song since its release has me practically up and dancing. The liveliness of God of Music is thanks to the soul funk genre that the group went with. Plus God of Music had some extra lively elements that really helped enhance the energy and brightness of the song, such as the electric guitar riffs in the pre-choruses, the brass detailing in the background and that retro synthesizer riff in the instrumental break. The vocals and rapping are very strong in this track, both matching the energy that is coming off the instrumentation without much trouble. They blend with one another in the song, making everything feel super cohesive and strengthening the song further. The vocals in the pre-chorus propels God of Music forward in a manner that just sounds and feels so dynamic. The chorus itself features a really nice bright melody in the first half and then follows up with the punchy and catchy “Kung chi pak chi kung kung chi pak chi yeah” line. The verses themselves had some really nice rhythm and I liked the anthem-like direction that had going towards the end. Everything in God of Music melds together so well in the track, creating a super energetic and blastful song that feels just right.

The music video begins by setting the scene of a world where music has somehow disappeared. But this same world has SEVENTEEN in it, who reintroduces music into society. The song itself is an ode to music, celebrating how it can bring everyone together no matter where or who you are. We see music reach different life forms in the music video (from humans, ants, DJ donkeys and snails – the slower dragged out form of the music when the snail appears at the end of the video made me laugh). We also witness music reach people in different locations, including what seems like an urban American city, to the grassfields in the countryside and to the hospitals (which is a clever way of featuring S.Coups, who is sitting out most of the promotions to recover from a surgery). The bridge scene where SEVENTEEN and the crowd are marching across at the end was epic. Needless to say, the music video really matches up with the music and appropriately spreads the positive message in a fun and bright visual format.

We only get to see a small portion of the choreography in the music video. But from what I did see was a very lively and fun routine that pairs well with the music. I wish I can say more than that, but that is only what is on offer at the moment. Given that this is SEVENTEEN routine, I am willing to bet that the rest of the choreography will be fantastic, as usual.

Song – 10/10
Music Video – 10/10
Performance – 9/10
Overall Rating – 9.8/10

[Album Review] KILL MY DOUBT (7th Mini Album) – ITZY

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Kill My Doubt Teaser Image

For me, ITZY feels like they are the underdogs in KPOP at the moment. ITZY’s mini-albums have been a mixed bag for me and many others lately. It is interesting to note that the scores I personally been giving their album releases have been continually going down each time I review them. And so, I do hope that ITZY can turn things around and dispel the misconceptions about them to the KPOP industry. I am happy to report that KILL MY DOUBT does reverse the trajectory ever so slightly, and I hope this is a sign that their album outputs will improve, to the point they will release an album that will smash and changes people’s perception of them as artists. KILL MY DOUBT, released in July, features the title track CAKE, pre-release tracks BET ON ME and None of My Business and an additional 3 sides track, taking the total number of songs to 6.

KILL MY DOUBT Album Cover
KILL MY DOUBT Album Cover

1. BET ON ME – Click here to read my thoughts on BET ON ME in the combined review of BET ON ME and None of My Business. (7/10)

2. CAKE (Title Track) – As I had predicted, CAKE has grown on me a fair bit since I reviewed it. As a result of this, I have decided to bump up CAKE‘s song rating by 0.5 full point. My other thoughts on the song do stand, however. Click here to read the full review forCAKE. (7.5/10)

3. None of My Business – Click here to read my thoughts on None of My Business in the combined review of Bet On Me and None of My Business. (6.5/10)

4. Bratty (나쁜 애) – For me, Bratty is the mini-album’s most skippable song. First impression had me thinking that the track goes for a playful arrangement with its unique instrumentation. However, the more I listen to it, the less so does Bratty sound this way to me. The reason for this is because Bratty sounds quite linear, which didn’t bode down well in the long run for me. The members give Bratty some nice vocals, but they didn’t offer anything melodic or catchy enough to be get the song stuck in my head. (6/10)

5. Psychic Lover – Psychic Lover appeals to me with its pop rock influenced chorus. The energy from the central sequence of Psychic Lover feels pleasantly electrifying and exciting. The buildup during the pre-chorus was amazing, as well. My only wish for Psychic Lover is that the vocals followed through with the energy and stayed in this energetic form. This easily could have taken the song to the next level. ITZY kind of gets there at the start of the choruses, but the energy from them fizzles out as the choruses progresses, flatten its potential. (8.5/10)

6. Kill Shot – The shortest song by far is Kill Shot. And this is its biggest flaw. The electronic synths give such a dark, edgy and cool vibe to the song. ITZY themselves carries this edgy and cool vibe through into their whispery and low tone delivery. The song also manages to incorporate a ‘Ring around the rosie’ melody, which an unexpected development in the song. But it keeps it interesting, aligning with the rest of what we heard. I just wished Kill Shot was longer. (8.5/10)

Overall Album Rating – 7.3/10

KILL MY DOUBT Teaser Image
KILL MY DOUBT Teaser Image

[Review] Good Enough – CHANYEOL (EXO)

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Making his return as a solo artist today is EXO member CHANYEOL with the single Good Enough. This is CHANYEOL’s first solo song since Tomorrow in 2021 (which I hadn’t review yet). I have previously reviewed some of his previous solo tracks, such as SSFW and Nothin’, the latter being featured as part of EXO-SC’s first studio album, 1 Billion Views.

To me, Good Enough is straight-forwardly pleasant. Nothing more and nothing less. Sometimes that can turn into a bore, but Good Enough does enough to bring a smile to my face. Not necessarily a massive grin, but a faint smile. But I appreciate that, no matter how small that effect is. In addition to that, Good Enough‘s comes together to elicit a further comforting and warming effect, which helps it become an enjoyable listen overall. The background of the song is rather chill, with it embracing light and atmospheric synths. The beats are well paced and the synth detailing brings out a buoyant vibe. CHANYEOL’s vocals sound so nice in Good Enough. His slightly more hoarse voice gives Good Enough some texture to keep the song weighted. The melodies make CHANYEOL’s vocals mellow out and make the song easy to listen to. I also find them to be quite catchy, getting a few listens out of me already since its release just a few hours ago. Overall, I think it is needless to say that I quite liked Good Enough and welcome the comfort it brings.

Good Enough‘s music video could potentially be passed off as another music video for EXO, with fellow members CHEN, KYUNGSOO and BAEKHYUN featuring alongside CHANYEOL. The song features the message of “It’s okay, you’re good enough,” to those chasing their dreams who may experience anxiety and uncertainty (taken from SOOMPI). And as comforting as those words are, the video sees CHANYEOL hang out with his fellow members in an equally as comforting manner. I like how the three members help CHANYEOL deliver the hook of Good Enough in the video, by starting off the line and then have CHANYEOL finish it off each time. I also found the mini head bops to be endearing element in the video. I also like how they genuinely show off their friendship in this video.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

[Review] STRANGER – SUNMI

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After over a year’s absence from the KPOP scene (partly due to a world tour), SUNMI has officially returned with the single album and title track, both sharing the name STRANGER. This is her first release since Heart Burn last year.

STRANGER is a peculiar song. The music video for STRANGER makes it more profound, but the song on its own is quite segmented into very discrete verse, pre-chorus and choruses portions that all sound alike to the ‘next’ alike portion. Essentially, STRANGER is a hybrid of three different songs mashed into one. One song correspond to the verses/bridge, which very much feels like SUNMI’s typical work. It has an alluring and sensual vibe that we all know SUNMI is super capable. Nothing new springs from this sound, but I liked the revisit to this side of SUNMI, which she is definitely queen of. I like the deep descending synth at the end of each half of the verse. The second song can be heard in the pre-choruses of the song, where the tone shifts (but not that far from the verses) to become more upbeat and have a vibrant feel. It is a little more typical with its pop sound, adopting a somewhat reggae motif. The third and final song of STRANGER is the chorus, which to me, is undoubtedly the more iconic part of the STRANGER. That is expected of the chorus, but the way STRANGER is set up makes it even more so. We get a spoken delivery in the chorus and I found it to be catchy instantaneously. The striking piano feels very appropriate background for both the concept and the current Halloween holiday that is fast approaching. In matter of fact, striking is how I would describe the chorus. While I don’t mind the three “songs” from one another, my issue is that STRANGER doesn’t feel connected. I know that is the point of the song, but it feels too disjointed and very apart to be considered one song. I wish there were better transitions (or more precisely, transitions to begin with) to give STRANGER a cohesive nature, somehow.

I am a big fan of spooky season of Halloween. And the concept for this comeback just hits the spot. I think there is more than just Halloween tropes in this music video, however. To me, I think the music video kicks off with the idea that SUNMI is an author, who crafts the spooky story within the video. Essentially, we have SUNMI’s story character build a Frankenstein version of herself from a version of herself who dies from a lightning strike. But she forgets one bolt (love the relatable look SUNMI gives at this moment), which leads the Frankenstein version of herself to run away with the creepy guy in the woods. SUNMI story character follows them to get her creation back, which she does successfully. But the story gets out of hand, with some comedic moments like the filming of the music video with the Frankenstein version of herself as the main star. Also, the mansion in the story ends up going up in flames (which prompts the pages that SUNMI wrote her story on to also catch on fire). But the story ends off heavy breathing from SUNMI story’s character and the pose struck by Frankenstein SUNMI, which appears to be a play on the whole ‘ending fairy pose’ that all KPOP performance must end with nowadays. Adding more to the comedy of the video is the credits scene where Frankenstein SUNMI who becomes a maid finds the missing bolt, inserts it into her ear, and makes it sound like some earphones being activated/turning on. A fun and well timed concept.

The choreography complements each of the three songs I mentioned above and looks amazingly executed. We have sensual vibes during the verses, some bounce during the pre-chorus and very sharp movements to match the striking piano in the choruses. Altogether, the performance gives SUNMI great opportunity to show her many sides, performance skills and charisma all in one performance.

Song – 7.5/10
Music Video – 10/10
Performance – 10/10
Overall Rating – 8.8/10

[Album Review] EXIST (7th Studio Album) – EXO

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EXO made their long awaited comeback in July with their 7th studio album EXIST. And it is finally time to review EXIST. This latest album is EXO’s first album in two years (Don’t Fight The Feeling was their last album release) and follows a hiatus whilst the EXO members completed their military enlistments and focused on solo endeavours. That being said, EXO is still not yet complete as it is a 7-member comeback only, with KAI enlisting in the military just prior to EXIST‘s release (but he is featured on the album vocally and through the pre-releases). EXIST consist of nine songs in total, including the title track Cream Soda and two pre-release tracks Let Me In and Hear Me Out. My thoughts on the songs are below, as usual.

EXIST Album Cover

1. Cream Soda (Title Track) – Click here to read the full review for Cream Soda. (9/10)

2. Regret It – Regret It falls into R&B pop territory, for the most part. I really like the groovy underlay in the beginning, ending and post-chorus sequence of the song. It is a rather profound aspect of the track and adds a further layer to the R&B pop number. I very much like the chorus for this track. The vocals and pop melodies make it so straight-forward, yet give it so much oomph. Both Sehun and Chanyeol give Regret It a lively bounce with their rap sequences throughout the song. Overall, a very nice listen. (8.5/10)

3. Hear Me Out (Pre-Release Track) – Click here to read the full review for Hear Me Out. (8/10)

4. Private Party – The beginning of Private Party gives the track a classy and sleek vibe. But that isn’t what Private Party is about. Within seconds, the track transform into a punchy upbeat number, with trap beats and a hip-hop vibe coming into play courtesy of the rappers. As the track progresses, Private Party involves some very interesting and bold detailing in the instrumentation which adds colour and character to the track. The chorus was catchy, the vocals are solid, the rapping keeps that upbeatness alive. Private Party is very much a party I would like to go to. (8/10)

5. Cinderella – Cinderella is my pick for best song on this album. The harmonisation, the instrumentation, the melodies and hooks. Cinderella had it all for me. Everything was addictive, and the song very much remains just as addictive even months after it was released. I highly recommend you check out this number. (10/10)

6. No Makeup – EXO delves even further in No Makeup. Again, the harmonisation with the backing vocals in No Makeup is amazing and serves as a highlight within the song. The rest of the track has a fairly straightforward and mid-tempo R&B instrumentation, and the vocals elsewhere in the song are just as charismatic and sleek. The second highlight of the song comes during the bridge when the instrumental was stripped away, leaving just the vocals. That was a very strong moment for the track. The rapping at the end was nice addition and gives No Makeup a satisfying end. A very sexy track, overall. (9/10)

7. Love Fool – This is my personal preference talking here, but I am not a fan of the breakdowns following the choruses. It just cuts the flow of the otherwise solid song. I don’t like the vocal groans in the background of these breakdowns, as well. Sehun’s rapping is fine. I just don’t think it is the time and place in this song for it. Elsewhere in Love Fool, we do get a more typical instrumentation, but the vocals do take Love Fool to a new level. Pity the song is laced with the breakdowns. (7/10)

8. Another Day – Another Day is such a bright and poppy track. I love the feel-good nature that the vocals exhibit. And boy, the vocals just really grab at you from the get-go. The instrumentation was interesting, with the distorted scratches in the background of the verses being the main driver of this intriguingness. But somehow it works and doesn’t come as grating as it seems. The snappy percussion makes Another Day into a bright and bubby track. I quite liked this track. (9/10)

9. Let Me In (Pre-Release Track) – Click here to read the full review for Let Me In. (8/10)

Overall Album Rating – 8.5/10

EXIST Teaser Image

[Review] Golden Hour – MARK (NCT)

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NCT LAB is a series of solo songs by the members of NCT that don’t necessarily fall under of the works of their entire group or units. The series began in 2022 under SM Station, but was confirmed earlier this year to run as its own project. The first single, Child, was by MARK. But I have not gone back to review another NCT LAB song since then. Today, I am picking up the NCT LAB releases once again, beginning with song reviews for the 2023 releases and then returning to the 2022 releases at a later date. And it all begins back with MARK and his solo track, Golden Hour.

Golden Hour sees MARK bring together hip-hop, grungy rock guitar, familiar drumming that reminds me of Diplomacy’s Silver Lake Queen, a hint of elevator music and Gordan Ramsay references? The first three goes hand-in-hand with another, and all five elements comes together to create an eventful track. Golden Hour starts off with the three elements (hip-hop via MARK’s rapping, which I will touch on later, grungy rock guitar and drumming). But mid-way, the track transforms briefly into punkish rock, before the bridge adds in elevator-esque piano riffs to the background, following which Golden Hour returns to the three elements it began with to complete the circle. This all made it a dynamic listen. MARK himself is super expressive throughout Golden Hour, delivering a range of styles – rapping, singing, a combination of both and speaking throughout the track to match the different moments in the instrumentation and show some range. His flow was very good throughout Golden Hour and the hooks were catchy. As mentioned earlier, Golden Hour also includes lyrics that appear to diss Gordan Ramsay. But prior to the song’s release, MARK himself confirmed that he only mentioned GR and that Golden Hour was not a diss track (though GR himself did respond to MARK in the most GR way possible). Rather, MARK drew upon the interaction between a fan of his and GR, who apparently told MARK’s fan to break up with her boyfriend for cooking eggs terribly. The funny twist is that the image GR reacted to was actually MARK’s cooking from a TV show. Apart from those moments, the lyrics also bring out a much more mature version and the adult in MARK. I will let you work out what that means. But overall, there is fair bit happening in Golden Hour and it amounted to something worthwhile.

Per the song’s influence being around MARK cooking eggs, the music video also revolves around eggs and cooking, as well. We see flashes of the cooking references, but a lot of egg imagery and smashes throughout the video. In addition to eggs, there is a real edgy vibe that MARK does a good job of showing in the music video. He shows it in a loose and freestyle manner, but still makes sure it fits the grungy style that the song aims for. The stylists did a really good job on their part as well, keeping the brown jacket constant throughout the video. The continuous presence of the brown jackets allows the viewers to keep a constant an image of MARK in their mind, even after the video has ended.

Song – 8/10
Music Video – 8/10
Overall Rating – 8/10

[Double Review] BET ON ME + None of My Business – ITZY

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Ahead of their comeback with CAKE earlier this year, ITZY released two music videos for two side tracks off their Kill My Doubt mini-album – BET ON ME and None of My Business. Long overdue, but I am finally reviewing the two side tracks in this double review post ahead of the album review for Kill My Doubt which I am looking to post next week.

Neither BET ON ME or None of My Business are of bold title track material that ITZY always promotes with. Instead, I found both side tracks to be quite subdued, each in their own way for ITZY’s standard. While subdued tracks can be good, I find both these tracks to be very much on the generic side. BET ON ME is my personal favourite of the two. BET ON ME is just a lot meatier in my opinion, which I put it down to the pulsing beat in the background and melodies with a bit more bite to them. That being said, however, BET ON ME needs a bit more substance to it to take it to the next level. Otherwise, the generic comments I made at the start pretty much stand firm in this track. Maybe the chorus could have used a more effective and catchy hook and the vocals could have been more developed. None of My Business is a lot smoother in terms of melodies and had some catchy hooks, which I do like. Their vocals sound pretty nice in this track, and I appreciate how the rapping cuts through the melodies and prevents the song from becoming too repetitive. But the biggest problem I have with None of My Business is the sluggish instrumentation, which results in the energy of the track to be subpar. Released in the midst of the Summer season, None of My Business reflects that in a tropical sounding and mid-tempo backing. It does the job, but it is also very paced, feels draining and made me lose interest in the track quite quickly. Overall, it is clear that both tracks are lacking, and as such were not my favourite songs off Kill My Doubt.

The music videos for both BET ON ME and None of My Business fairs better than the songs themselves. BET ON ME‘s lyrics feature a message of believing in yourself, and we see that in the video. Each member is isolated or isolating themselves from the world throughout the video. But at the end of the video, we see each member one-by-one run come together to run away from the feeling and towards the light at the end of the tunnel – the brighter outcome that they desire. I like the grey tone featured throughout the music video. But like Stray Kids’ DLC, I wished there to be more colour as the members come together at the end, just to give a better expression of hope. However, on the flip side, they are still in that tunnel and so the grey filter does still stand on that side of the tunnel. As for None of My Business, the video opts for warmer colours and the members wear appropriate outfits to match the summery vibe the song had going on. The rest of the music video is rather simple, comprising of close up and choreography shots, so there isn’t much else for me to mention.

The choreography for BET ON ME was quite good. I liked how each member had a moment with the dancers and the routine during the outro to the performance. On the other hand, I feel like the subdued nature of None of My Business weakens its choreography, which felt already felt minimal and lacks energy from the members.

BET ON ME
Song – 7/10
Music Video – 8.5/10
Performance – 8/10
Overall Rating – 7.7/10

None of My Business
Song – 6.5/10
Music Video – 7/10
Performance – 7/10
Overall Rating – 6.8/10

[Album Review] Golden Hourglass (9th Mini Album) – OH MY GIRL

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OH MY GIRL made their comeback back in July of this year with their 9th mini-album, Golden Hourglass. It is the focus of this album review today. The mini-album features a total of five songs, including the title track Summer Comes. Golden Hourglass is another example of an album release where the title track was the weakest of all tracks on the mini-album, and the side tracks stood out more (and by a great deal). Further, if you have a desire to return to the warmer months (or are heading to Summer if you live where I am), I recommend that you should check out Golden Hourglass, which is very summery and upbeat. I also applaud Mimi, who is my pick for MVP on this mini-album, standing out in most of the tracks on the mini-album. There is a lot to like in Golden Hourglass, so have a listen to the tracks below.

Golden Hour Album Cover

1. Celebrate – If you ever want a very bright and poppy track that does not skimp on blastful energy, then Celebrate is the song for you. I just love the summery rush and energy that Celebrate provides. It is a track that genuinely makes me want to find a reason to celebrate by getting up and dancing along. The vocals from OH MY GIRL are also bright and bubbly. Even the rapping breakdown mid-way into the song felt right and adds some flair to Celebrate to keep it dynamic and fun. (10/10)  

2. Summer Comes (Title Track) – Click here to read the full review for Summer Comes. (7/10)

3. Queen B – I freaking love the tenacity and fun energy that the chorus of the Queen B exudes. The chorus is the primary reason as to why the song was stuck in my head for days when the album was first released. And now that I am revisiting the song for the purposes of this review, it is now stuck in my mind once again. Mimi’s rapping throughout Queen B was excellent, particularly in the second verse, as it cuts through the song very well and prevents the song from being overly repetitive. The high-pitched vocals during the pre-choruses were equally as nice, and also served a similar effect. (10/10)

4. Dirty Laundry – Dirty Laundry is actually quite a pretty song, when it comes to the choruses. I find that to be quite ironic. The “La La La Hoo” was very nice and easy-on-the-ears centrepiece. The vocalisation that brings that to life is definitely a successful aspect of the song. Mimi’s rapping is quite punchy, but I felt like it goes down a heavy-handed road that doesn’t quite match up with the rest of Dirty Laundry. I wished there was more balance. But Dirty Laundry was still a good listen. (8/10)

5. Paradise – For me, I like that Paradise brings out a different side of OH MY GIRL, whilst also keeping the usual profile of OH MY GIRL alive. OH MY GIRL have always had “pretty” songs, with the prettiness is a characteristics of the instrumentation or the melodies or vocals. And I feel like the chorus and melodies of Paradise maintains this side of the group quite well. But the post-chorus sequence led by Mimi gives off an edgier vibe, which I don’t register as much with OH MY GIRL. Both come together to create a strong and powerful track that I found to be quite enjoyable. I also like the brass in the instrumentation, which gives Paradise some flair and oomph. (9/10)

6. Miracle – The mini-album finishes up with Miracle, a sweeter and softer toned mid-tempo track. I like how upbeat and tropical the track was, which aligns it well with the rest of the mini-album. The vocals are comforting, the melodies were very nice and the track was easy on the ears, overall. The placement of Miracle at the end of the mini-album is smart, as it helps ease us out of from all the upbeat and summery energy that the mini-album is built around. (8.5/10)

Overall Album Rating – 8.8/10 [Updated due to missing song]

Golden Hour Teaser Image

[Review] In The Mood – Whee In (MAMAMOO)

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Whee In returned last week with her first solo studio length album, IN the mood. The title track off the album is titled In The Mood, as well. This is Whee In’s first solo release since last year’s Make Me Happy and D-DAY (which I never got around to reviewing).

In The Mood is a pretty nice track, overall. I would definitely describe this track as pleasant sounding and rather breezy, with the latter feeling very appropriate for the start of the Autumn season when the weather is still quite nice and enjoyable (just without the heat). In the Mood is described as being a medium pop song with R&B vibes, and that description succinctly sums up the song. I really like the subtle groove the track features overall, which makes it nicely upbeat. I also like how In The Mood is rather synth forward and how the beats are rather soft and chill as a foundation. As an example, the bridge features a deep wub wub synth, which I thought served as a nice brief alteration to the wider instrumentation and keeps In The Mood from falling into a consistent state. The ending of the music video also features an instrumental version of the song also highlights the presence of the synths quite nicely, as well as the pleasantness of the track. Whee In herself is very smooth throughout In The Mood, with the combination of her breathy vocals and falsettos being absolute charms throughout the song. The melodies were also quite nice and comforting to listen to. Overall, I quite enjoyed the likes of In The Mood.

As mentioned earlier, the track has this breezy-like vibe to it. And we do get a breezy shot of Whee In, whilst travelling with friends in the car. These are the most vibrant shots in the entire music video, and this alone made it them the most memorable shots in the entire video. Aside from the breezy shots, the music video also shows Whee In having a good time at a party, whilst listening to her own song through her headphones. Despite the party not hearing the song, the party becomes more alive and upbeat from the moment her headphones are on, compared to when she was not listening to her song. Elsewhere in the video, she is enjoying her life with a couple of friends or by herself. The choreography shots in the video were also quite good, as well.

The performance was nice. Obviously with Whee In, her focus was always going to be on her execution of live vocals and so the choreography was never going to be as involved to other artists’ performances. But what I saw matches up well with the pleasantness of In The Mood and her live vocals were stable throughout.

Song – 8/10
Music Video – 8/10
Performance – 7.5/10
Overall Rating – 7.9/10

[Review] Chasing That Feeling – TXT

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Also making their comeback this week/yesterday was TXT, who returns with their 3rd studio album The Name Chapter: FREEFALL. Leading the charge on their latest album is the single Chasing That Feeling. We last heard TXT on the Korean stage through their promotions of Sugar Rush Ride and The Name Chapter: Temptation, and more recently through their international collaborations with the Jonas Brother (Do It Like That) and Anitta (Back For More) – both of which are featured on The Name Chapter: FREEFALL, sans Anitta (the TXT version of Back For More is featured instead).

Chasing That Feeling is a pretty decent synth-pop track. It is rather straight forward and doesn’t miss a beat from the very moment it begins. It isn’t the perfect track, however, as Chasing That Feeling is missing one vital element – the climax. Every time I put the song on, I am hoping that there is a peak to the song, but it just never gets there. Instead, we get a pretty neutral and generic vibe in Chasing That Feeling as a result. And this is quite disappointing. Apart from that, Chasing That Feeling features a decent set of vocals from the members, with some clean melodies. Though some more powerful vocals could have taken Chasing That Feeling to the next level. The ad-libs at the end were pretty good, however. I like the splash of extra instrumentation for the chorus, which helps makes the central piece stand out more in this neutral piece. While the melodies are good, the song also lacks a hook to really get our minds to grab onto. In addition to the inclusion of a proper climax, more powerful vocals and meatier hooks, I would have liked to hear more interesting 80s synth pop tropes in the instrumental to give it some flair. While Chasing That Feeling definitely has the set up to be a strong song, more is definitely needed to get it there.

The music video see the members crashing into Earth (more specifically, a sewer) and chasing after these orbs of light separately. And while the members try very hard to chasing these orbs of light, the orbs ends up bringing the members together again (and whilst not shone, fuses into one). My guess that it shows the members are strongest when they are together and not alone, no matter where they are. Apart from the storyline, the music video also features some really cool post-production effects. The best of it is shown at the end where the buildings and roads undergo some alternative dimensional changes despite everything around the members also going on as normal. It gives off Dr. Strange vibes, which I personally think is one of the cooler Marvel movies out there.

The choreography, to me, is quite good. Sure, it probably isn’t their most memorable piece ever, but I like the fluidity of the movements and the smoothness of the overall routine. It is still a performance to watch, as it still shows off TXT’s performance skills. I like how effortlessly the routine goes with the music, which very much carries a similar vibe, as well.

Song – 7/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 7.8/10

[Review] Baddie – IVE

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IVE is one of the many groups and music acts that made their comeback this busy week in October. The popular female group returns with their 1st ever mini-album I’ve Mine and the title track Baddie yesterday, following two pre-release tracks – Either Way and Off The Record (both of which I reviewed earlier this week). This comeback follows on from the group’s promotions of I AM and their first studio album, I’ve IVE.

IVE has been successful with pop numbers since their debut, so I am unsure why they needed to stray from it. To me, their pop songs have been comforting and likeable, but also punchy and catchy. Sure, IVE can definitely explore other genres if they want, but the producers should ensure the song is fit for IVE. Baddie takes on a hip-hop style that I believe doesn’t suit IVE. When I listen to the song, I don’t get any sense of character or individuality from Baddie, and their delivery feels pretty generic overall. Sure, Baddie is successful in showing an edgier side of the group via the instrumentation. The instrumental break serves as a good example of this and is probably the most dynamic aspect of Baddie. The pelting synth in the post-chorus hook was also an interesting and bold addition to the instrumental, and another good example of edginess. And I am pretty satisfied with the vocal centric pre-chorus (however, I would have liked it more if the second pre-chorus wasn’t cut short). But everything else, from the vocals and rapping elsewhere in Baddie, to the chorus, to the hooks etc. all sound bland and uneventful. ‘Stuck in neutral gear’ is how I would describe Baddie. Honestly, I am not even sure if there is potential for Baddie to grow on me with even more listens. And that says a lot to me.

The music video is an odd one, given its concept. Essentially, IVE is causing havoc in the world for being “cat humans”. They supposedly cause all sorts of trouble, attract attention in public and scare people off. What is interesting is that at night, they come together to carry out some kind of ritual that awakens bigger cats. I would have liked to see more of the havoc, trouble and these bigger cats that they awaken throughout the video, as I think there could have been a decent story in all of this. But as the video is only 2:48 minutes long, the producers have to gloss over the details to fit it all in such a short time frame. A more profound edginess to the video wouldn’t have hurt and could have boosted that intention in the song as well.

The performance aspect of the comeback was okay. It isn’t a resounding yes from me, but it suffices. The performance does focus more on looking good, rather than showcasing anything edgy, which I think the song does calls for. I did particularly like Wonyoung’s change of expression and moves during her “I’m thriller, so villain” line. That was pretty cool highlight.

Song – 6/10
Music Video – 7/10
Performance – 7/10
Overall Rating – 6.5/10