[Album Review] INTERSECTION: BLAZE (3rd Mini Album) – BAE173

I jumped to May earlier, and now I jump right back to March as I am not just finished with the albums from that month just yet (PS. I have a somewhat ambitious plan to cover the last few months of albums, so keep your eyes out for more album reviews coming your way). The album for this review is BAE173’s 3rd mini-album, INTERSECTION: BLAZE, which dropped at the end of March alongside the title track JAWS. A total of five songs featured on the album, one of which is the instrumental for JAWS.

Given the title track, which is usually my first impression of the album, I did not expect the other tracks to swing into the pop realm. I expected a harsher, rougher and edgier album. As I mentioned below, I am not complaining about this unexpected swing given that I liked BAE173’s past pop releases and I am totally for them delving back into the genre. Read onwards for more of my thoughts on the album and the side tracks.

INTERSECTION: BLAZE Album Cover

1. Runnin’ – Dohyun opens up the album with a solo track. With BLAZE for the title of the album, this one hits the brief for being a blaze. It was a fierce hip-hop track, merged with EDM for the instrumentation. It was energetic and gave me a kick of energy to look forward to in this mini-album. Dohyun really worked it in this track and delivered Runnin’ without a hitch. Personally, not my cup of tea. But I can definitely imagine a lot of people enjoying this track, as there isn’t anything wrong with this introductory track. (8/10)

2. Annoyed (짜증나게) – Next up on the album is Annoyed. For those who may have missed my review for Loved You, I was an absolutely a fan of BAE173 pop direction. And I am so glad that they revisited that pop sound (even if it was just a brief tinge) in this song. Naturally, it is an instant favourite in my book. I would love BAE173 to venture down more of this pop path, especially since Annoyed pretty much summarised KPOP in a nutshell for me – that is the mergence of house and pop in one song. The house element really filled out the track, while the pop influence came through with the members’ vocals and melodies. I also really enjoyed the piano peeking out in background and giving off a twinkling like effect, and the falsetto-like approach the members brought to the chorus. (10/10)

3. JAWS (Title Track)Click here for the full review for JAWS. (6/10)

4. Not Alone (혼자가 아니야)Not Alone also ventures down the pop path. It is a lot softer compared to the three tracks preceding it and features a neat instrumentation that is quite upbeat and textured. The vocals and melodies are sweet sounding, while the instrumental adds a cheerfulness to the song. I find Not Alone quite suitable to be an OST for a drama, playing in the background of a sweet and heartwarming scene. It doesn’t draw my attention as did Annoyed, but it definitely what I wanted! (9/10)

Overall Album Rating – 8.3/10

INTERSECTION: BLAZE Teaser Image

[Review] JAWS – BAE173

Coming back earlier in week was BAE173, who returns after almost a year with their new single JAWS and mini-album, INTERSECTION : BLAZE. Very little has happened since their last comeback, Loved You, as far as I can remember. Let’s hope their next comeback is a quicker turnaround. But until then, here is my review for JAWS.

Loved You earned high praises from me thanks to the nostalgia it had. I ended the song section of Loved You‘s review with the statement ‘… putting them on the radar for new artists to look out for…‘. Well, I hate to say it, but I have since scrapped that thought. Not only didn’t they make a second comeback in 2021, they chose JAWS as their next main track. JAWS doesn’t really offer anything new to the music scene in KPOP. Their last comeback also didn’t offer anything new technically, but at least it had nostalgia. JAWS didn’t even have that. Instead, it is a very boring ‘noisy’ track. Emphasis is placed on the ‘boring’ part of that description, because it has such a profound effect on the song. For example, the intention of a song like JAWS is showcase the group in an edgy light. But the boring nature of the song just doesn’t let it get through. The synths are pretty lackluster. I noticed that the producers used the same main synth (the mechanical-like whirling) throughout the verses and chorus to different degrees, and then employed very typical trap and percussion to fill out the rest of JAWS. Not really groundbreaking or exciting stuff. The shouty nature of the chorus (and the chant half of the bridge) also don’t add much value to the song in terms of excitement or hype. As JAWS was a hip-hop song, it was quite heavily focused on the rapping. For the most part, the rappers sounded fine in the verses. A more dynamic instrumental would have helped enhance their parts. The vocal moments were the most promising aspect of JAWS, with those moments at least giving me something interesting to sink my teeth into. Overall, a disappointing comeback track.

Another video you can tell from afar was shot with a small budget. But I liked the simplicity of the video. The locations were good, and they played with the white background with coloured lighting and filters to make it feel different. I also like the application of the green colour to the background of the helipad. To make the video appear edgier, there were glitchy effects added post-production. I personally didn’t mind them. However, I felt the comic-like images they added to the video detracted from the goal and made the video seemed childish.

I liked the edgy vibe the performance gave off. along with the synchronisation of the choreography between the members. The intensity during the chanty half of the bridge was top notch!

Song – 6/10
Music Video – 7/10
Performance – 7.5/10
Overall Rating – 6.6/10

[Review] Loved You – BAE173

Next up on the blog are some reviews for releases from the last few weeks that I have not yet reviewed. First up is BAE173’s first comeback single, Loved You. This one in particular is one I really wanted find time to write a standalone review for, for a number of reasons. Firstly, this is the first time I am reviewing a BAE173 release. They made their debut earlier this year with Crush On U (which I have yet to review, I will definitely get to it soon!). Other reasons will become apparent as I review this release. But as this is the first time I am reviewing BAE173, I will need to provide a little introduction to the group. BAE173 is a nine-member male group under Pocketdol Studio, consisting of J-Min, Hangyul, Yoojun, Muzin, Junseo, Yongseo, Doha, Bit and Dongpyo. Members Hangyul and Dongpyo may be familiar as they debuted as part of X1 and later formed duo H&D, before disbanding to re-debut as part of BAE173.

What really excited me about Loved You when I first heard, and even now, it is how much it reminded me of Big Bang’s works. To be able to pinpoint that exact feeling is something that is extremely hard, given Big Bang’s vast array of songs under their belt. But as I, like many, miss Big Bang greatly, this puts Loved You in a very favourable light. What I also like about Loved You is that it is a satsifyingly cohesive track. It made for a good listen and nothing felt out of place for me. From the piano work we get in the pre-chorus, to the strumming of guitar in the background of the verses, to the simple instrumental break that we get as part of the bridge. Instrumentally, the song is quite sound and memorable for me. Sure, Loved You could use some improvements in the vocal department. I do admit that they are not as memorable as they could have been. In fact, one might describe their vocals and rapping as rather dull, especially for an instrumental as good as this one. But I think that thought might be a bit extreme as I felt the members were going in the right direction with what they had going on in Loved You. They just could have been a bit more energetic with their delivery in retrospect, especially as the rappers felt very subdued. I think Loved You could have really benefited from something that was more dynamic as this potentially uplifted the song to a whole new level. Overall, Loved You is a really solid song for BAE173, putting them on the radar for new artsists to look out for in 2021.

When I watch the music video for Loved You, I can’t help think that PocketIdol Studio is holding back an extended version. I feel like there is a more fulfilling story to be told, but it had to be cut down to fit the parameters of a music video (even though this one did go for a longer than usual amount of time). As a result, I don’t think I can really form a storyline. But I think there is enough to take a stab at a guess. It seems like the music video revovles around one member, as in one scene the members disappeared leaving only one behind. Similarly, there is one member lyring over his desk in the swimming pool, whereas evertyone is standing around him. My best guess is that the music video talks about the struggles of being alone. But I am not sure what the giant big cat and the flames around the members suggest. Maybe I will revisit this video in a Music Video Theory post (which I planning doing again in the future, but just don’t have the time to restart at the moment). I also like how the music video features an extended version of the song, which I think adds appeal to continually rewatch the video.

The performance that accompanies Loved You is pretty good. My favourite bit has to the be the instrumental break that features the performance’s dance break. Though brief, I felt that it really delivered and showcased the group’s performance skillset. Similarly, I felt the same with the rest of the performance. I just wished the rest was a little more memorable.

Song – 8.5/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.3/10