[Weekly Chart] 4th Week of December 2018 & Happy New Year!!!

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I just want to first start off by wishing all my readers a Happy New Year! Hope you have fun celebrating the departure of 2018 and the arrival of 2019. 2018 has been amazing and my blog has grown to new heights. I cannot express my gratitude enough for the successful year that has past. All my goals and beyond were achieved, so I thank you all for reading and visiting my site. I hope 2019 will be a bigger and better year for the blog and KPOP itself.

Welcome to the final Weekly KPOP Chart post for 2018. Another year has gone by and has passed. We have seen great releases in 2018. However, there were tragic losses and heartbreaking disbandments throughout the year. But let’s end the year on a more positive note with the presentation of the Best Song for the 4th Week of December 2018.

This will be my final post for 2018 and I will be returning in a few days to start writing reviews for the 2019 releases. Lots of more content will be coming your way, including more reviews, weekly chart posts, special posts and finally an additional day for album reviews each week! Woo!

But before we get to that, we must see which song/artist topped the charts for the final week of 2018.  That honour goes to WINNER with their latest single, MILLIONS. EXO’s Love Shot rises to the second position, while SEVENTEEN’s Getting Closer takes the bronze podium. Completing the summary of the Top 5 is 2 other male groups – DAY6’s Days Gone By and No Air by The Boyz.

For more of the charts, scroll down below.

23rd Dec – 29th Dec 2018
Title Artist Status
1 MILLIONS Winner (▲ 1)
2 Love Shot EXO (▲ 15)
3 Getting Closer SEVENTEEN (▲ 2)
4 Days Gone By DAY6 (▼ 1)
5 No Air The Boyz (▼ 1)
6 I Love You EXID (=)
7 Wind Flower Mamamoo (▼ 6)
8 Yes or Yes TWICE (▲ 14)
9 Miracle GOT7 (▲ 18)
10 Help Me NU’EST W (▲ 13)
11 Simon Says NCT 127 (▼ 1)
12 Turn It Up Laboum (▼ 5)
13 Whatcha Doin’ Yesung (Super Junior) & Kim Chungha (▼ 2)
14 Tempo EXO (▲ 15)
15 Spring Breeze Wanna One (▼ 6)
16 Beautiful Pain BTOB (▲ 8)
17 SOME (You”ll Be Mine) NATURE (▲ 21)
18 LOST N FOUND Lovelyz (▼ 4)
19 Hair In The Air Yeri (Red Velvet) & Renjun, Jeno & Jaemin (NCT) (▲ 15)
20 One Day Jiyeon (T-ARA) (new)
21 Truth TVXQ (new)
22 Blue Rose UP10TION (▼ 9)
23 RBB Red Velvet (▼ 2)
24 Lo Vie en Rose IZ*ONE (▼ 2)
25 Gone Lee Changsub (BTOB) (▼ 2)
26 SOLO Jennie (BLACKPINK) (▲ 2)
27 The Best Thing I Ever Did TWICE (▲ 13)
28 Blue Onew (SHINee) (▼ 2)
29 Not That Type Gugudan (▲ 4)
30 Paradise TST (▲ 2)

Songs leaving the chart this week are:

  • La Vie en Rose – IZ*ONE
  • Home – JBJ95
  • Miss You – Eric Nam
  • Like A Flower – N.Flying
  • N.E.W.S – 14U
  • Swamp of Despair – BLACK6IX
  • Paradise – TST
  • Tempo – EXO

See you all in 2019!

[Album Review] Mark (1st Mini Album) – Lee Changsub (BTOB)

BTOB is nominated for Best Male Group and Best Vocals. Support BTOB and your other favourite artists in this year’s KPOPREVIEWED Awards by clicking the link here. Voting closes tomorrow night, so make sure you vote!

The final review of the year comes in the form of an album review. Lee Changsub made his solo debut a few weeks back with Gone and listening to his debut mini-album (Mark), I knew I had to write an album review for it. And I will be straightforward with you, I love all the songs on the album. All the songs delve into the rock ballad side of music, which I really like. His album reminds me Kim Sung Gyu’s (from Infinite) work. But we are here for Lee Changsub and Mark.

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Mark Album Cover

1..Way – Starting off this album is Way, which is a soft rock ballad type song which actually got me interested in the album in the first place. This personally my style of songs that I tend to seek for in Western music. The best way to describe Way is that it is pleasant, perfect for a day that you want to just relax and chill. Changsub’s vocals are breezy and float on top of the music, which adds to that pleasant feeling that I have touched upon. It also has a very nice melody and hook, which has me coming back for more. (9/10)

2. SpaceSpace is similar to Way. However, it kicks it up a notch by adding more of that rock element into the song, which definitely adds character and substance to the song. I also enjoyed Changsub’s vocals in the song, which also kicked the song up to an even higher notch. To me, his vocals were versatile in the song, showing slowness when required and the ability to enter into high notes to give the song that needed climax. Overall, another amazing song from the soloist. (9/10)

3. Shelter – Departing from the ballad side of his music, Changsub opted for a rock song mixed with pop elements, which I thought was nice. It is a break from the rock ballad side, which was needed (or else the album would have been too heavy). Once again, Changsub’s vocals were spectacular. His ad-libs were extremely powerful, and I liked how he used them to extend the finale of the song, which I don’t mind because those ad-libs kept on adding to the song (rather than making lengthening it to drag out the time, which would have been unnecessary). (10/10)

4. Ever – All the songs on his album remind me of At The End. But I think Ever comes the closest to his previous solo single. Firstly, I enjoyed how husky his vocals were. But not only that, however, as the way he built up his vocals for the chorus was a winning component of the song. The instrumental was like any other on the album, so there really isn’t much to discuss Though, I thought an electric guitar solo would have added a nice touch and intensity to the song. I really like ‘Whenever… Wherever… Whatever…’ background vocals as well. (9/10)

5. Gone (Title Track)Click here to read the full review of Gone. (8/10)

Overall Album Rating – 9/10

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Mark Teaser Image

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[Review] Amor – BoA

BoA is nominated for the Best Female Choreography and Best Female Soloist categories for this year’s KPOPREVIEWED Awards. If you haven’t voted yet, click here to do so as closing closes in 2 days!

BoA’s busy year has yet to end with a brand new Japanese release. Amor was officially released on the 26th of December and a music video was dropped a week prior, allowing for this review to be written. BoA previously released One Shot, Two Shot and Nega Dola and more recently Woman in Korea this year. She also made her Japanese comeback at the start of the year with Jazzclub.

BoA is on board the Latin trend train that has basically taken hold of the KPOP industry this year. While BoA has yet to address this trend in her Korean release, Amor does it for her Japanese releases (and I think this is the first Japanese releases that I have heard given my small spectrum of JPOP to include a Latin influence). Amor doesn’t actually feel like it stems from an overused trend. Instead, there is an air of freshness that I actually like from the song. There are other influences in the instrumental that keep it interesting and very upbeat. But the aspect that I love the most about Amor is her vocals. She sounds standard during the verses but I love her slightly higher pitch during the pre-chorus and choruses. They made the song memorable for me. Overall, I quite like this song.

I thought the video was very standard. It just felt like any other music video released in Korea. There was a sense of elegance to the video due to the presence of BoA. But that was the only interesting vibe that I got from the video. Some of her outfits looked really good. Other outfits looked really odd and didn’t match the song whatsoever. There was a small plot (I think) to the video but that was covered up entirely by choreography shots.

Luckily, the choreography was good enough to cover the above. It is, once again, fitting for the song. I really liked her dance break, where she danced with the male backup dancer. I thought that was the best bit in the entire choreography, with everything else looking nice.

Song – 8/10
Music Video – 6/10
Performance – 7/10
Overall Rating – 7.2/10

[Review] Candle Light – NCT Dream

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We all thought wrong when we all thought that We Go Up was the final release before Mark’s graduation from NCT Dream. Yesterday, NCT Dream released an SM Station single titled Candle Light. But since Mark’s graduation has been confirmed the for the 31st of December, Mark is still present in the unit group for the new song release. The video does still allude to the impending event but that is something to talk about later on in the review.

Candle Light is best described as a mid-tempo ballad that conveys the message of wishing to be with someone. The song has this bright yet warming atmosphere to it, which can be attributed to the instrumental of the song. And hence, the message felt well suited for the style the song went with. The song is also a departure from their usual releases, which is more vocally centred this time around. This highlights the vocals of all the members, which isn’t something that we have experienced before. There was some rapping, which I thought was extremely fitting for the song.  It is a solid song but it lacks memorability, in my opinion. If they nailed that, it would have been a perfect song. But Candle Light is still pleasant sounding and definitely a nice way to end the year of KPOP.

The music video was very well done. The members are directing a music video in this music video. We see then struggle with a whole bunch of bloopers and technical issues. In the end, we are shown the ‘final product’, which featured all the members excluding Mark, alluding to his upcoming graduation in the coming days. The way he presents his rap, with all the members sitting in front of him (and one seat vacant) really hits home that this is happening. The video also seemed to be incorporate elements from NCT Dream’s previous releases including chewing gum (from Chewing Gum), mini cars (from My First & Last) and the word ‘Go’ (from Go). Definitely, a nice way to signal the end of a chapter for the unit.

Song – 7/10
Music Video – 9/10
Overall Rating – 7.8/10

[Album Review] Laberinto (7th Mini Album) – UP10TION

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UP10TION recently returned with their new single, Blue Rose, which was featured on the group’s 7th mini-album, Laberinto. Something that I have noticed with the UP10TION releases this year is that they tend to be of the pop nature (excluding their title tracks). And while the group’s pop songs tend to be standard, their latest album contains a few good tracks that I quite liked. Hence, why today’s album review is for UP10TION! Their album contains 7 tracks in total (with one intro that I have not included, as usual).

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Laberinto Album Cover

2. Blue Rose (Title Track)Click here to read the full review of Blue Rose. (7/10)

3. BurningBurning started off as a standard pop song. The first verse was quite plain and ordinary. However, the chorus added some funk and colour to the song, giving it a very interesting and satisfying appeal to the song. And from then on, the song felt lively, which is rather odd as I think they used the same instrumental for the two verses. The vocal work was nice, especially that refined note at the end of the bridge (that leads into the final chorus). I liked the rapping in the song, which really fitted in well without causing any issues to the flow of the song. (8/10)

4. Turn Up The Night – I thought Turn Up The Night was a decent track but I am not a fan of the repetitive chorus that they opted with. By the end of the song, I got bored with the song’s main hook. I think it is the other elements that made me like the song. The use of brass throughout the song was nice and gave the song a fun energy. The vocal work gave the song that explosiveness that added to that energetic vibe and the rapping gave the song the much-needed edge that rapping usually gives to songs. (8/10)

5. MidnightMidnight has a softer tone that leads nicely from the preceding song. It starts off as a standard pop song but it slowly builds up into a sweet yet refreshing sound. Despite that, the song does maintain that level of energy that allows it to have an accompanying choreography, which matches the UP10TION style that I associate with them. Once again, the instrumental was a pop song but it too incorporated some brass. (7/10)

6. Happy Birthday – No, this isn’t a copy of the infamous song we all sing to celebrate someone’s birthday. Instead, it just another standard pop song on this album. I have to say that the song was a little underwhelming, particularly around the drop to the chorus, which could have given the song a more dynamic vibe. Instead, it stays safe and it fails to really liven up the song. I think this is the weakest song on the album. Nothing really appeals to me and I am not blown away with the final product. (6/10)

7. With YouWith You is the closest song on the album that you can get to that mandatory ballad. It is still upbeat and takes on that pop route which doesn’t really make it feel unique or special. It does focus on the vocals of the members, which I think isn’t something we get all too often when it comes to UP10TION. There was some rapping and I thought those sections were appropriate for it. I also find the song somewhat fitting for the festive season, as there is a certain level of warmth to the song. (8/10)

Overall Album Rating – 7.3/10

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Laberinto Teaser Image

[Review] Truth – TVXQ

TVXQ’s The Chance of Love is nominated for Best Music Video in this year’s KPOPREVIEWED Awards. Voting closes in a few days, so click on this link and vote, if you haven’t done so yet!

TVXQ made their comeback today with Truth. The release and the mini-album, Chapter #2: The Truth of Love, is extra special as it celebrates the duo’s 15th year anniversary. It was actually 15 years ago this day that the group (a quintet) debuted with their single, Hugs. And while the group has a had many highs (including very well-known tracks and choreographies), they also had some lows. But the duo remained strong throughout its 15 years and hence why they are able to still release songs today. Here is to more releases in the future!

Truth is a jazzy R&B mix, which I think was quite pleasant overall. There weren’t any hard-hitting moments which I tend to think is great every now and then when it comes to an industry heavily reliant on dance and electronic music. It provides relief if you know what I am trying to get at. The vocals in this song are quite good. Both opted for some falsetto for some parts of the song, which I really thought was nice given the jazzy influence the song had. But it also matched the R&B side as well. I really like the kick the ad-libs towards the end of the song gave the final moments of the song, which prevented the song from becoming too repetitive. It does lack a promising hook and doesn’t hold my attention for long. But apart from that, it is a good song.

The music video I thought was okay. Not really the most captivating video I have ever watched. The quality was definitely there but the content wasn’t that compelling compared to their previous comeback earlier this year (The Chance of Love). The start of the video gave action-movie vibes that I thought was promising. But they went in a completely different route, which matched the song but left me disappointed. I did like their outfits and I thought that the dance element was well incorporated into the video – due to the jazzy nature of the song.

The choreography was nice. I thought it was well put together and really showed TVXQ’s dance skills at a mature level, which is appropriate for the song. It isn’t the most mind-blowing performance but it had a pleasant and smooth feeling to it.

Song – 7/10
Music Video – 7/10
Performance – 8.5/10
Overall Rating – 7.3/10

Merry Christmas from KPOPREVIEWED!

Today, it is just a very quick post to wish all my readers a Merry Christmas, filled with joy and laughter. I hope will be having a splendid time with their family, friends or whoever they are spending Christmas Day with this year.

To those who do not celebrate Christmas, I just hope you all have another wonderful day with whatever you are doing. Just because you don’t participate in the festive holiday doesn’t mean you get to miss out on all the well wish.

And as part of the holiday cheer, I have stuck all the Christmas songs released in 2018 into one playlist. Celebrate Christmas with your favourite artists! Press play and enjoy the festivities!

There are a few more posts lined up in the coming days, so don’t you worry. Reviews and album reviews will continue to be published in the coming days! Hope to see you then!

[Review] One Day – Jiyeon (T-ARA)

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Over the weekend, Jiyeon returned with a winter single release, One Day. This is Jiyeon’s first solo release since her solo debut 1 Minute 1 Second. It is also her first release since her and the members of T-ARA parted ways from their former company, T-ARA. As I stated in Hyomin’s solo comeback earlier this year, we haven’t heard much of the members or any news of a group comeback. There are some hopes with the court stating that MBK Entertainment does not have trademark rights to the group’s name and hence the girls are able to make a comeback under the name T-ARA if they choose to. But until then, let’s have a closer look at Jiyeon’s returning song.

Fitting for the Winter season, One Day takes on the ballad genre. It just isn’t the type of ballad where the vocalist is belting out high notes repetitively or emotionally presenting their story. Instead, Jiyeon’s vocals are much softer and delicate than any of the songs I have personally heard her sing. But it isn’t a fragile or emotional type of song. There is a hint of happiness and joy in her voice and in the instrumentation. I did think the instrumentation was a little overpowering at times, with it overshadowing her voices every now and then. I did like the opening to the choruses (‘Someday, One Day, Everyday‘). It was a very interesting hook in my opinion and probably the best sounding line in the entire song. It is not really my favourite type of ballad but definitely a nice song for the current climate in South Korea.

I think the music video was put together under short notice. It isn’t really one with high investment. It felt more like a photoshoot, compared to a music video. They did a good job of filtering the video to give it a golden appeal, which would add to a warming effect to the song and its lyrics. But other than that, there really isn’t much else to say about the video.

Song – 6.5/10
Music Video – 5/10
Overall Review – 5.9/10

[Album Review] Remember Us: Youth Part 2 (4th Mini Album) – DAY6

DAY6 is nominated for Best Band in this year’s KPOPREVIEWED Awards. Voting closes in 9 more days, so support DAY6 by clicking this link!

DAY6 made their retro comeback last week with Days Gone By. And once again, I have returned to have a closer look at the album in which Days Gone By is featured on (Remember Us: Youth Part 2). The mini-album is the continuation of their Youth series, which follows from their Shoot Me: Youth Part 1 and Shoot Me single release back in July of this year. Remember Us also features Beautiful Feeling, which was also another single release during the year (and I have provided some more background information when it comes to that song below).

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Remember Us: Youth Part 2 Album Cover

1..Hurt Road (아픈 길) – The album starts off with a ballad. Like any song that starts off an album, it has to be a good ballad as it is the first impression to the entire tracklist. I think the build-up in this song was done in a very nice manner. The vocals are at the forefront of the song and they do sound spectacular. But while Hurt Road does line up with other ballads DAY6 has released in the past, I thought the song was rather dry and forgettable. It just felt like a normal ballad and didn’t really have any outstanding factors that really make it suitable to be the first track on the album. (7/10)

2. Days Gone By (행복했던 날들이었다)Click here to read the full review for Days Gone By. (9/10)

3. Headache (두통)Headache is not a headache-inducing track, so don’t you worry. However, it is a more hardcore rock sound that DAY6 hasn’t really gone to yet. And I think, given the quality of this song, I would love to hear more of it. It is energetic and extremely dynamic. I thought their vocals were good in this song. They were slightly filtered to give the song an additional electrifying layer. While they kept the momentum going for most of the song, there was a pause to really amp up the final chorus. But I thought that just cut the flow. But other than that, an amazing song. (9/10)

4. 121U – We return once again to the rock sound. Just this one isn’t as hardcore as the previous song. It is also a style that I am used when I listen to rock music, so there is a sense of familiarity. The song starts off well and it builds up to an explosive and driven chorus, which left like it could have just kept on going. I really liked that edging effect that the instrumental gave us in the chorus. I felt like their vocals could have been slightly louder, as the instrumental did overshadow the vocals for the most part. I think the standout moment (aside from the chorus) was the bridge, where the vocals completely smashed it out of the park. (8/10)

5. So Cool (완전 멋지잖아) – To me, So Cool takes on the punk rock genre, with a lot of the elements and sounds in the song reminding me of the said genre. It isn’t pronounced, however. Instead, it goes for a subtler approach. I thought the vocals were nice, especially the falsetto during the verses. The rapping added a nice touch of edge to the song, which I think was needed as the song felt very linear in nature. I think the song could have been more energetic and gone for some interesting details in the instrumental. It is a satisfying song, but it felt held back for the most part. (8/10)

6. Marathon (마라톤) – Personally, Marathon is one of the weaker songs of the bunch. And it isn’t because it is a terrible song. Marathon has this feel-good vibe to it that makes the song feel bright and carefree. It doesn’t feel like it pushed boundaries and given how the songs so far have been more of the edgy type of something a little more energetic, I felt like this was a weak progression for the track list. The vocals were really nice, especially when everyone is singing together for the first section of the final chorus. I thought the bridge made the song feel a little too disjointed and the sudden ending was a miss for me. (7.5/10)

7. Beautiful Feeling – I think Beautiful Feeling would have been a better song to move onto from So Cool. Beautiful Feeling was released back in September for the fans in celebration of the band’s 3rd anniversary. I really liked the melody of the song. Sure, it didn’t push any boundaries and wasn’t edgy but you could feel their gratitude in the song. The vocal work of the song was amazing, with the featuring of Dowoon in the bridge being the highlight of the song for me, which makes the song more meaningful to fans and DAY6 themselves. (8.5/10)

Overall Album Rating – 8.1/10

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[Weekly Chart] 3rd Week of December 2018

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And we are fast approaching the end of the year. As you can tell by my cheesy and novice feature image, Christmas is literally right around the corner. And it is full steam ahead with preparations for the festive holiday, which is the reason why this chart post is a little late today. But nonetheless, it is here!

Taking the top spot of this week’s chart is Mamamoo’s Autumn comeback, Wind Flower. Following behind them is WINNER’s MILLIONS. DAY6’s Days Gone By rises from their debut spot last week to the third position, while No Air by The Boyz dropped from their silver podium to the fourth position this week. Finally, SEVENTEEN’s Getting Closer completes the top 5 for this week!\

For more of the charts, scroll down below!

16th Dec – 22nd Dec 2019
Title Artist Status
1 Wind Flower Mamamoo (▲ 10)
2 MILLIONS WINNER (new)
3 Days Gone By DAY6 (▲ 4)
4 No Air The Boyz (▼ 2)
5 Getting Closer SEVENTEEN (new)
6 I Love You EXID (▼ 2)
7 Turn It Up Laboum (▼ 6)
8 La Vie en Rose IZ*ONE (▼ 3)
9 Spring Day Wanna One (▼ 3)
10 Simon Says NCT 127 (▲ 6)
11 Whatcha Doin’ Yesung (Super Junior) & Kim Chungha (new)
12 RBB Red Velvet (▼ 2)
13 Blue Rose UP10TION (▲ 1)
14 LOST N FOUND Lovelyz (▲ 1)
15 Loved HIGHLIGHT (▼ 12)
16 Shoot Out Monsta X (▼ 7)
17 Love Shot EXO (▲ 5)
18 Gone Lee Changsub (BTOB) (▲ 2)
19 Genie Golden Child (▲ 8)
20 I Hate You HOTSHOT (▲ 20)
21 First Sight Heize (new)
22 YES or YES TWICE (▼ 14)
23 Help Me NU’EST W (▼ 4)
24 Beauitful Pain BTOB (▲ 12)
25 I Am YOU Stray Kids (▼ 13)
26 Blue Onew (SHINee) (▲ 2)
27 Miracle GOT7 (▼ 2)
28 SOLO Jennie (BLACKPINK) (▲ 2)
29 Tempo EXO (▼ 7)
30 One of Those Nights Key (SHINee) ft. Crush (▼ 1)

Songs leaving the charts this week are:

  • Shoot Out – Monsta X
  • I Am YOU – Stray Kids
  • Woman – BoA
  • Genie – Golden Child
  • Treasure – ATEEZ
  • Pirate King – ATEEZ

While I do plan to have another post for the Christmas holiday, I just want to quickly wish you all a Merry Christmas if you do not see that post as you may be spending time with family and friends. See you all again next week!

[Review] I Won’t Let You Go – GOT7

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GOT7 is kicking off 2019 with their promotions for their latest Japanese comeback single, I Won’t Let You Go, which is featured on the group’s 3rd Japanese mini-album (which shares the same title). GOT7 was previously in Japan earlier this year to promote THE New Era. Like the usual promotional schedule for Japanese releases (I honestly do not know why this is the case), the music video for I Won’t Let You Go was released this week and hence why I am reviewing it today!

I Won’t Let You Go is more in line with GOT7’s Korean releases rather than their Japanese releases thus far. All of their Japanese releases have been heavily doused in EDM, while this song feels like a typical dance track. But by doing this, the song allows GOT7 to focus on a vocally driven comeback, which I think they execute perfectly. The rapping itself is still good. But with both the vocals and rapping, you are able to sense the emotional side of the song. This is a new side for GOT7’s Japanese release. The dance instrumentation was rather typical. I didn’t find anything too outstanding about, besides the fact that the instrumentation chosen allows the song to be quite fitting for the more colder months that both Japan and Korea are experiencing. I do miss that edge that they had with their previous tracks, however, which I think could have levelled up the song and made it more appealing.

I read somewhere that there might be hidden messages in this music video, based on the placement of objects and the screens showing the bird (which represents the fans of GOT7). And I think it is highly likely that is the case. From the moment I saw the placement of those antennas, I knew something was up. But what that message is, I have no idea. What I can tell you is (and you probably can see for yourself) the music video is more emotional than ever. Their powerful dancing and solemn looks into the camera really sends off those signals. I liked the golden feel the video gives, which match perfectly with that emotional element and vibes from the song.

And as mentioned previously, the dance looks very powerful. In the music video, I see Jinyoung, Jaebum and Yugyeom have solo shots. Not sure if it I part of the video but I would like it to see each member have a solo moment as that would make the performance so much more impactful. Everything else that I saw in the video looked pretty cool as well.

Song – 8.5/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 8.5/10

[Review] Getting Closer – SEVENTEEN

SEVENTEEN is nominated for Best Male Group, Best Male Choreography and Best Subunit in this year’s KPOPREVIEWED Awards. There are less than 10 days to go for the voting period, so quickly vote and Support Seventeen by clicking here!

SEVENTEEN is back with a small teaser for their upcoming comeback (which has been tipped to occur early 2019). Getting Closer was unveiled to the public one week ago when SEVENTEEN performed the new song for the first time at the MAMAs in Hong Kong. This release and their upcoming comeback have been linked to their last comeback in South Korea, Oh My! and the mini-album You Make My Day, through the accompanying hashtag – #Prequel_YMMD. What this means will be revealed to us soon. In the meantime, let’s have a closer look at their new single.

I think just by listening to the song, you can get a sense that this is their edgiest comeback yet. I haven’t heard SEVENTEEN do a hip-hop infused dance track that is this angst before. They have gone close to it before but there was always a subtle immature vibe. Hence, I find this to be a great mix of that never-heard-before style and a mature side of the group. And due to the hip-hop side of the song, there is a heavy emphasis on the rappers in the group for this. I think that is great considering how they end up with the least lines in most of their past title tracks. That being said the vocals do a pretty amazing job at adapting to the changes and they fit in well. I thought the bridge was a good example of this. The instrumental was also great, giving a dynamic and powerful canvas for the group to stand on. I did have some issues with the song. The chorus felt underwhelming. The hooks weren’t as memorable as I hoped they would be. I also felt the song was too short and that the track was jammed into the 3 minutes span.

The music video seems to hint towards that connection between their previous comeback. The Rubiks Cube, for example, that Wonwoo plays a part in the choreography for Oh My! was seen on the table in this video, taking on a grey and silver appearance instead. I do question the number of clocks and their respective times in this video. Something is up and I can’t pinpoint what. Though, any question raised about the connections between the two releases will probably be answered in the upcoming comeback. The aesthetics fo the video made it powerful and bold. Also, the use of the shade black throughout the sets, the props and their outfits really give definition to their new concept, which I thought made it quite memorable.

Has SEVENTEEN ever disappointed us with a performance? I don’t think so. The start of the performance with Hoshi reaching out in front reminded me of EXO’s Wolf. But from that point forward, everything definitely takes a turn and SEVENTEEN amazes us with another powerful set of moves. I liked how sharp everything was during the chorus. But the dance break was definitely the highlight of the entire performance (especially when Jun jumps up!).

Song – 7/10
Music Video – 8/10
Performance – 10/10
Overall Rating – 7.9/10

[Album Review] The Only (3rd Mini Album) – The Boyz

The Boyz is nominated for Best New Male Group in this year’s KPOPREVIEWED Awards. Support The Boyz and your favourite groups by clicking here to vote.

A few weeks ago The Boyz made another comeback with No Air, making this the group’s 3rd comeback of the year (excluding the special single they released). No Air is featured on the group’s 3rd mini album, which has been titled as The Only. The Boyz is one of the rookies that stood out for me this year. With their amazing dance tracks and energetic choreography, I just had to jump on board and review another one of their albums. So, without any more waiting, let’s get to it!

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The Only Album Cover

2. No Air (Title Track)Click here to read the full review of No Air. (7/10)

3. Only OneOnly One is a pop dance track that utilises bass and a rolling drumming beat that really gives its addictive nature. On top of that, it also creates an energetic atmosphere that makes it appeal. It also doesn’t help that the hooks were also quite catchy, making this a track not to miss. I must admit that the drop for the chorus was typical, but the rest of the instrumental makes up for it. I thought the vocals were nice, but I really like the deep voice of whoever does the rap-speaking in the song. It goes perfectly well with the rest of the song and is my pick for the main highlight for the track. (9/10)

4. Lucid Dream (자각몽) – While I am sure the song can fit some classy choreography, there is a side to the song that makes it fit for a coffee shop or some boutique store where I live. It has an easy-going instrumentation that gives the song a golden feel. I did like the rapping in this song, whereas the vocals felt very standard. They were still good, so don’t take my comments the wrong way. Personally, I prefer their heavier dance tracks. But there is a certain level of appeal that makes me enjoy this one. (8/10)

5. 36.5° (Melting Heart) – Of course, it wouldn’t be a KPOP album without a ballad and Melting Heart is just that. It does zone into their vocals but it is extremely underwhelming, overall. The track is quite slow for my liking, even though I do enjoy a slow ballad from time to time. The instrumentation seems to take a slow jazz type of approach. To me, I think this is their weakest song on the album. It just doesn’t feel up to par with the rest of the song in terms of quality and I personally had a hard time getting into the track. (5/10)

6. 4EVER4EVER is what I had expected. Following the previous two songs, I was craving a dance track and The Boyz fulfilled my craving. The song has a thankfulness feeling to it, which I think it goes together with the lyrics which seem to be directed to their fans. The vocals were superb in this song, especially with the well-done harmonies. I liked the rapping, but I thought they could have took to the next level and delivered something that impacts the emotional walls of our minds. The instrumental was, once again, typical but I liked the drop for the chorus. I did think the chirping birds were a little odd but I don’t mind them. (9/10)

Overall Album Rating – 7.6/10

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[Review] MILLIONS – WINNER

Winner is nominated for Best Male Group and Mino is nominated for Best Rapper in this year’s KPOPREVIEWED Awards. To support Winner and Mino, click on the link here to start voting! Voting closes in 11 days!

While their official comeback isn’t until sometime in January of next year, Winner has dropped a new single at the request of many fans. MILLIONS was released yesterday as a special pre-release single ahead of their upcoming comeback. We last saw the group during their Everyday comeback earlier this year. Mino also embarked on his solo career with Fiance, which was released a few weeks back.

I think the first thing that really jumps out at me is the use of that tropical house influence. As much as I enjoy the genre, I agree with many people who say that is way past its trendy days and it is becoming a relatively standard sound. And with the past few Winner comebacks being of the tropical nature, it just feels like they digging too much into this rabbit hole. But besides that, I thoroughly enjoyed the song. I really liked the upbeat nature of the song. It does seem a little ill-fitting for the seasonal trend but they did a really good job at balancing out that upbeat nature for the Winter period. I also liked the drums in the instrumental. I think just by the bright nature of the song and the lyrics that you can make out, the song takes a refined romantic route, which was rather nice, in my opinion. I liked the chorus, which had a simple melody but their vocals made it very catchy and addictive in nature. The rapping was also quite nice. Not too much power, which goes back to that balance.

Once again, YG Entertainment delivers with another extraordinary music video. Fitting the brightness of the song, the music video adopts that bright factor with its colourful and vibrant sets. And the all-smiling Winner members made this video pretty much unforgettable. I think the concept is a lot more typical, given the stereotypical nature of KPOP but since WInner doesn’t focus on this style too much, it becomes memorable. I really liked the final set with the fireworks in the background. I thought was quite cool.

The dance is definitely another highlight of this comeback. I like what they are doing with their fingers during the chorus. Not exactly sure what it is meant to represent but it definitely fits the song extremely well. The rest of the performance looks like it is going to be extremely fun and energetic, which are factors that I personally like.

Song – 9/10
Music Video – 9.5/10
Performance – 10/10
Overall Rating – 9.4/10

[Music Video Theory] LOONAVERSE (Part 4) – Hi High

Beware that this is a very long post!

Welcome back to the fourth and final post of the LOONA music video theory. Previously, I have discussed the events associated with LOONA Odd Eye Circle (first post), LOONA 1/3 (second post) and LOONA yyxy (third post). And now, we will be continuing with the final part of their theory thus far, Hi High. I wish to reiterate that while I believe this is extensive, there are many aspects that I am unsure about and they could have a large impact on the theory. These are just my thoughts and the storyline that makes sense in my head to connect all the videos.

For these music video theory posts, I will be discussing each member’s music video based on the order I see fit (i.e. not necessarily the order in which the releases occurred). My own comments/thoughts will be shown in italics, while all other information will be shown in normal font. (i.e. what we can see visually from the screenshots/videos) Hopefully, this is not too confusing.

There is no emphasis on the animals in this video. Hence why I am not including the table in the post for this round.


Hi High Theory

Their music video seems to be the final video in the LOONAverse story but whether if that is true remains to be seen. Hi High shows us the reunion of all 12 members of LOONA, along with some recurring themes.

The members start off looking at the sky in the real world. And in the sky, it is the moon.

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All the members at this point have rejected Eden and need to meet up somewhere. The choice that LOONA makes is the moon. We see the moon starts off as a crescent, suggesting one member has already made their way up to. We are then shown ViVi running track and field once again in the same outfit as Love & Live, suggesting when she ran away, she ran towards the moon.

Note that the running action they perform throughout the video is like a run-up so that when they jump, they reach for the sky and slowly make their ascent up to the moon. This is clearly seen via Heejin’s jump at the end of the video. 

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We slowly see the members get together. Kim Lip meets with Choerry and they start running.

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Haseul and Yeojin, longtime friends, reunite in the grassy fields. They also start running.

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Hyunjin and Heejin meet each other.

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The OEC members previously meet with Olivia, who may be still be stuck in a part different world after being left alone by the rest of LOONA yyxy. They use their powers to transport Olivia to the same place, where she meets Yves and they share a smile with each other.

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Go Won and Chuu are wandering around the forest and in the background, you can tell they will meet Yves and Olivia. The four of them come together and start running.

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The final few members who we haven’t seen run yet, including Jinsoul, Hyunjin and Heejin, start running themselves. Everyone jumps and reaches for the moon, which I guess means they go to the moon – based on Heejin’s jump.

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Thus, this completes the reunion of LOONA and the start of their careers.


Or is it? 2 months ago, their company uploaded a reverse teaser. The events of Hi High was reversed! What does this mean? Did something prevent LOONA from getting together? Did Olivia’s evil side come through once again? Or does Yves have something more sinister planned?

Who knows? Until the next LOONA release will occur – To Be Continued.


And that completes my LOONAVERSE music video theory segment. Do you have any comments or alternative theories? Comment below! I would love to hear about them.

LOONAverse (Part 1) – Odd Eye Circle
LOONAverse (Part 2) – LOONA 1/3
LOONAverse (Part 3) – LOONA yyxy

Also check out the other music video theory posts, which I have linked in the first part of the LOONAVERSE theory series.

This also draws the music video theory to an end. I may return to do some more (or update some others) once we get more about the storyline. They are time-consuming but a lot of fun to research and write up. If you have any music video you want me to write about and enjoyed my theories, comment your suggestions down below!

[Music Video Theory] LOONAVERSE (Part 3) – LOONA yyxy

Beware that this is a very long post!

Welcome back to the third post of the LOONA music video theory. Previously, I have discussed the events associated with LOONA Odd Eye Circle (first post) and LOONA 1/3 (second post). And now, we will be continuing with the final LOONA unit, LOONA yyxy. I wish to reiterate that while I believe this is extensive, there are many aspects that I am unsure about and they could have a large impact on the theory. These are just my thoughts and the storyline that makes sense in my head to connect all the videos.

For these music video theory posts, I will be discussing each member’s music video based on the order I see fit (i.e. not necessarily the order in which the releases occurred). My own comments/thoughts will be shown in italics, while all other information will be shown in normal font. (i.e. what we can see visually from the screenshots/videos) Hopefully, this is not too confusing.

To begin the post, I have produced a small table that tells us information about each member. This will be referred to during the theory but I thought it would be a nice background for us to have before we dive right into it.

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LOONA yyxy Theory

new (Yves Solo)

Yves is probably the most important character in the LOONAverse. She shares the most connections with the other members and her character is the first to be seen rejecting Eden (the third world that makes up the LOONAVERSE).

The music video introduces the concept of the Forbidden Apple, which was eaten by Adam and Eve in the Garden of Eden (the original sin). And the way to reject Eden in this video is done in a similar fashion, you need to take a bite of the RED apple.

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Yves takes a bite of the apple, resulting in her rejecting Eden. Eden has the ability to think for itself, presenting those who live in its world with the person’s desires to keep them there. Eden probably knows of Yves potential in influencing the rest of LOONA hence why she is locked up in buildings and she is observed most of the time on stairs (away from people). But Eden will always fulfils a person’s desire and Yves wanted out, so Eden mistakenly produced an apple for Yves.

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We also see her influence on the other members. Partway into the video, we see Yves play the claw machine game, which is shown to have three coloured lights (the colours of the worlds in Choerry’s music video) and this claw machine basically represents the LOONAverse. However, only some of the members are present as she could only obtain a frog and penguin plushie (representing Yeojin and Chuu, respectively). When she grabs those toys, she grabs an apple instead, suggesting that she presented an apple to these two members.

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We also see ViVi on a date with Yves. This is why I see the guy in ViVi’s video as Yves. And for the date, they go roller skating. Yves presents an apple to ViVi, who must have eaten it. And it is from this point forward, she becomes a robot. Though there isn’t an exact timeline to that.

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We see a scene where she takes a swing at all the animals in the LOONAverse. This is clear that she will be tempting each member. But first, she needs to find the rest of them.

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And that is where Choerry comes into play, who catches an apple that Yves had dropped from above. Remember back to what I said about Choerry in the Girl Front music video. Choerry is finding other LOONA members for Yves. She found Hyunjin (the cat) and she also found Kim Lip (the owl), indicated on her map. I think Choerry is finding the rest of LOONA and presenting the apple to each member (i.e. Choerry was sent by Yves to find the other members).

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Heart Attack (Chuu Solo)

Based on Chuu’s video, you can tell she is very obsessed with Yves. In many ways, she looks up to Yves and wants to be like her. To the point where Chuu wears the same things as Yves, down to the same shoes.

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Chuu knows Yves like apples and throughout the video Chuu attempts to give her a green apple. Yves, on the other hand, does not like green apples as they do not fulfil the rejection of Eden. Only red apples will work. Hence the emphasis on the red aspect of the apples in Yves section.

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As the green apple does not work, Yves reject Chuu, who resents Yves for a short period. But since Eden gives the person what they desire the most, Chuu’s apple turns into red the moment she bites into it. This results in Chuu’s rejection of Eden. We then see a montage of Chuu and Yves partying and embracing each other.

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At the end of the music video, we see Chuu passed out outside the house. Haseul walks past and comes to her aid, waking Chuu up. Chuu’s response is rather weird. She just gets up and leaves. In the background, you can see the penguin and swan together on the window sill. Hence it is my belief that Chuu faked her fainting spell to help locate Haseul or draw her out so Yves can present the apple to her.

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One and Only (Go Won Solo)

Go Won spends most of her time running away from Yves and Chuu, who are working together. From the video, she doesn’t want to reject her version of Eden because her desire for power is too great, which lead to her being isolated and alone. She fears once she rejects Eden, she wouldn’t be able to control herself.

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After a while, she sits down and eats a pineapple, which I think Yves planted as the ‘red apple’. We are then shown Yves and Chuu sitting at the end of the table and eating red apples.

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Realizing what she had done, Go Won locks herself up and further isolates herself from everyone. But Yves walks in, crowning Go Won. She also hugs Go Won, which seems to tell her that she no longer needs to live alone and has friends.

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Egotist (Olivia Hye Solo)

Olivia Hye is the only member to not really live in the Eden universe. Her desires aren’t fulfilled in her video, which is what made me believe that Olivia is part of a different world. She may be living in the OEC world.

Based on the video, Olivia Hye has two sides. She wakes up on a bed of white feathers and looks up to see someone looking down at her from above.

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She slowly makes her way up there, to where the person was.

We then get confirmation that there are two sides of Olivia. The two sides are shown hugging each other on the mattress, showing that they are one person.

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But it takes a turn, with scenes of an evil Olivia (red eyes) holding onto innocent Olivia, who is hanging off the edge of the balcony. Evil Olivia lets go and innocent Olivia falls to her death (red feathers). I think the Mobius strip still applies to this storyline, hence why I theorize that she could be living in the OEC world.  At the very start of the video, we see one hand let another go, similar to the way innocent Olivia was let go by her evil counterpart (i.e. it repeats).

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And in order to break the loop, evil Olivia burns the mattress, along with innocent Olivia. Jinsoul makes an appearance in this video. My guess to Jinsoul’s presence is that Jinsoul told Olivia about the loop (there is a whispering scene) and how it could be broken.

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Heejin also makes an appearance at the end of the video. Remember Heejin failed to get to Yeojin and so has moved onto Olivia Hye and the rest of LOONA yyxy. What Yves and Olvia has done to themselves and the people around them needs rehabilitation, which leads onto the next video.

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love4eva (LOONA yyxy)

Based on the description of the video, Heejin brought Yves, Chuu, Go Won and Olivia Hye to fix their egos. Yves, Chuu and Go Won could be immature and have big egos due to their desires. Olivia Hye was brought in for obvious reasons, to rehabilitate her evil self.

The boarding school is extremely strict. But once a tempter, always a tempter. Yves break apart from the group to have fun outside. Chuu takes notices and quickly follows Yves temptation. Likewise, they tell Go Won and the trio have fun outside. Note how this is like what occurred in their solo music videos.

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They, however, are not as inviting to Olivia Hye, often avoiding her and leaving her out of the conversation. My guess is that they sense that she evil.

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Sometimes, Olivia follows the trio outside but cannot find them, leading to her evil side to come out – as seen by the way she stands outside in the forest.

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She also eats her apples, more than the other member to fit in and experience what the trio are experiencing (especially the One music video and the dance break). But this fails.

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In the end, Yves Chuu and Go Won managed to escape the school. Yves probably knows that the rejection of Eden has bigger implications down the line (i.e. their debut music video) hence why she left the school with her two friends.

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Olivia remained behind and successfully completed her training. She is now free to roam the world and rejoin the LOONA members.

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This completes my LOONA yyxy theory post. I will be posting the other theory posts very shortly, so stay tuned for that.

LOONAverse (Part 1) – Odd Eye Circle
LOONAverse (Part 2) – LOONA 1/3
LOONAverse (Part 4) – Hi High

The links will become available once the respective post is published.

If you have any thoughts you want to share or want to add some input into this theory, feel free to comment below!