Mamamoo isn’t back with a brand new comeback just yet! In fact, they will be returning towards the end of next week with the final instalment of their Four Seasons Project. But that doesn’t stop us from reviewing one of their past albums. Pink Funky was released back in 2015 and it features 6 songs in total, including the title track Um Oh Ah Yeah and the pre-release single, Aah Oop! (links to their respective reviews below). Um Oh Ah Yeah is also the very comeback that grew the group’s popularity due to their unique performances and the song’s very catchy nature.
1..Freakin Shoes – Freakin Shoes feels like an odd title but it actually makes a lot of sense. Essentially the song likens a pair of new shoes to a person’s crush. Simply, they need to be bought before they are off the market. It is a fun light-hearted song that leads onto the main title track quite nicely. The song features a variety of sounds and vocals from each member, showcasing their capabilities in this somewhat cutesy pop sound (though there seemed to a slight dash of hip-hop influence at the start). When I first re-listened to the song to write the review, I thought the instrumental during the chorus was similar to the later-released Aze Gag. I also thought this song was quite catchy with its chant-like and repetitive chorus. It isn’t overly repeated, which I think makes this track refreshing rather than annoying. (8.5/10)
2. Um Oh Ah Yeah (음오아예) (Title Track) – Click here to read the full review of Um Oh Ah Yeah. (9/10)
3. Sting (따끔) – While the first song deserved its popularity, Sting is the under-appreciated song on the album that deserves some love as well. It is a ballad about realising you still have feelings for a former lover despite thinking you have already moved on. Sting features amazing vocals that really make this song as amazing as it is. Wheein, Hwasa and Solar all do an amazing job with their voices in the song, especially during the bridge which really gave the song that powerful tone despite it being a emotionally driven ballad. If you like Mamamoo for their vocals, then this is the song for you. Moonbyul fans, unfortunately, Moonbyul didn’t have any lines in the version that is featured on the album. However, there are live performances with a special additional rap section, which I thought was fitting and nicely done. (9/10)
4. No No No (갑과 을) – No No No starts adding more funk to the album. It is quite energetic and bright, which I thought was rather fun. Penned by Moonbyul, the song is written to (or in regards) to her ex. It is all about her ex underappreciating back then but now (since she is popular and successful) that they have changed their attitudes about her. I like how the lyrics showcase a more confident side of the girls, which I think is quite appropriate given the background story of the lyrics. I quite liked the vocals of the members, including the rap sequences done by both Hwasa and Moonbyul. The chorus was quite groovy as well. I did notice some Esna influence in some sections of the song and this reminds me of Aah Oop! (8/10)
5. Self Camera – Self Camera takes on a soft R&B sound with some funk mixed into it. And like the first song, this one likens love to a camera. Once again, the vocals of the members stand out in Self Camera, especially in the final moments of the song. I also thought there was an easy-going tone with the song, which does slightly draw some attention to the song. However, I felt the song was weaker than the rest. I didn’t instantly standout, which seemed to be the case for the other songs when I think about it. However, it is still a nice song to listen to. (7.5/10)
6. AHH OOP! (아훕!)) (with Esna) – Click here to read the full review of AAH OOP!. (8/10)
Overall Album Rating – 8.3/10