For this next review, I will focus on a new release from this week, just so I don’t fall behind with the new releases whilst also reviewing past songs. But despite it being only one day into the working week, there are already quite a large number of songs to choose from to review. In the end, I have settled on CHEN’s Last Scene as the first release of the week review. Last Scene is also the title of his third mini-album and his first solo release since Shall We? in 2019. Originally scheduled for a 31 October release, Last Scene was postponed due to the tragic events in Itaewon during the Halloween weekend.
It comes as no surprise to me that CHEN once again delves into the ballad genre with Last Scene. And I love that he embraces the ballad genre each time. Ballads tend to get a bad rap, just because many find them boring, empty and commonly associated with a sad emotion (and no one likes being sad!). But I like them for a number of reasons. I won’t get into the specifics to why I personally like ballads as this would be a tangent from the review. But put simply, I love the idea of getting lost and taken away by ballads (and other slower types of songs). And I feel that CHEN and Last Scene does just that wonderfully. Listening to Last Scene, you can definitely hear how much of the balladry style showcases his vocals the best. The husky and raspy tones behind his vocals give the ballad such a mesmerizing element at the start, while his vocals just effortlessly drifted me away as the song progresses. The classical orchestral backing to Last Scene was just so enchanting and felt quite flowy. The violins were my favourite part of the instrumental and they really captivate my attention whilst listening to the song. However, the best part of Last Scene to me is the way in which CHEN’s vocals soared and followed the trajectory as the instrumental builds. It just gives body and intensity to Last Scene, and just allows the song to speak volumes.
The music video features Park Hae Soo, who for most of the video, is behind the wheel. Combined with CHEN’s vocals and the song itself, you could feel the heartbreaking emotion behind his facial expressions quite prominently. Between shots of Park Hae Soo driving, we see footage of his partner (for this music video) wandering on the beach and very much in an emotional state as well. Based on the lyrics, we can tell that the pair had broken up. Park Hae Soo does make the decision to return to the same beach, presumably to hopefully rekindle with his partner. But once he gets there, she is no longer there. This goes back to the idea behind the title of the song, that their last scene together had already passed and now everything is to fade away.
Song – 10/10
Music Video – 9/10
Overall Rating – 9.6/10