[Review] Cheeky Icy Thang – STAYC

After a string of successful title tracks on mini and single albums since their debut in 2020 (such as last year’s Teddy Bear, RUN2U and ASAP), STAYC has returned with their first studio album Metamorphic. Leading the charge on this album is the title track Cheeky Icy Thang.

Cheeky Icy Thang receives mixed feelings from me. I liked some parts of Cheeky Icy Thang, but other parts felt questionable (at best). Let’s start off with the positives of Cheeky Icy Thang. The electronic strutting instrumental had good drive and forward momentum. There was also this attitude to it, which I wished the song explored a bit more. This could have made Cheeky Icy Thang into something else. I also enjoyed the detailing in the background. This added a layer of the playful STAYC colour that we all know and enjoy, and also kept the backing as a compelling listen. Very brief parts of Cheeky Icy Thang, such as the second half of the verses, had this vibrancy from the members’ vocals, which adds more STAYC colour to the song. I am not exactly sure if it fits in, but considering the other weaker points Cheeky Icy Thang which I am about to speak to, I am labelling this vibrancy as a positive. I also find the concept of the some of the delivery to be quite good, such as the autotune that bridges the verses and choruses. Now onto the weaker parts of the song. The lyrics were definitely questionable and felt more like gibberish. “Whisky ring a ring ding dong” just doesn’t do it for me. While I did like some of the vocals and concept of some of the delivery (as mentioned above), the silliness of the lyrics made the delivery and execution awkward. The use of rap-singing felt overused in the song, as well. Lastly, the abrupt ending (and lack of a bridge and final chorus) meant Cheeky Icy Thang didn’t close in a satisfying way. Cheeky Icy Thang has its charms and it could be a matter of further listens to really have the song grab me. But for now, mixed feelings is the best way to describe my thoughts on the song.

While that the above is how I think about the song, the music video fairs a bit better. I liked watching the accompanying video to Cheeky Icy Thang. That strutting vibe that I mentioned above is reflected in the music video, when the members cause chaos behind the scenes at a modelling shoot. I think this is supposed to demonstrate a “cool” side of the group. Elsewhere, the chaos continues on outside on the streets. What I saw reflects the summery season with the bright sunlight, cheerful smiles from the members and a casual vibe. The music video was designed to be light-hearted and fit in with the dynamism of the song, which I personally think worked.

Choreography wise, it looked okay. I am not sure what would be a better way to show Cheeky Icy Thang in some dance moves, but I am not sure what we saw in the routine was that. I did like the part of the routine for the instrumental break, however. The ending pose is growing on me, but looked a little awkward at first.

Song – 7/10
Music Video – 8/10
Performance – 7/10
Overall Rating – 7.3/10

[Review] FOREVER – BABYMONSTER

Back in May, YG Entertainment announced plans for BABYMONSTER to return later in the year with their first studio album, and that a single would be released in July as a pre-release. Well, it is now July and YG Entertainment confirmed BABYMONSTER release officially dropped on Monday as promised! Hahaha… Remember those days? The pre-release single is titled FOREVER and follows on from the release of STUCK IN THE MIDDLE and SHEESH from earlier on in the year.

I am genuinely surprised with FOREVER, particularly when we hit the choruses. BABYMONSTER’s songs have not really pulled me in thus far, but FOREVER is the first to catch my attention and bring out a positive reaction from me (for the most part). The pop vibes in the chorus are different from what YG usually produces and releases for their artists. For the instrumentation, FOREVER‘s club-like background during chorus hits the mark, for me. The vocal work in the pre-chorus and choruses of FOREVER were nicely executed and further demonstrates that there is promise for the group. Even I received the rapping throughout the track positively. But while I do appreciate all of this, FOREVER does have a few issues that limits the song’s potential collectively. Firstly, I felt FOREVER was disjointed due to the various pauses between different segments of the song. If the song was ‘tighter’ on many fronts, I felt this would have made FOREVER more cohesive as one piece. Secondly, FOREVER suffers due to the presence of the not-so-innovative second verse. It isn’t the rapping that gets me (per my earlier comments), but rather it is the breakdown that has to accompany the second verse rap in every YG song. I don’t see the need to stick to a breakdown every single time. Surely, someone would have realized this by now. I also think this sequence features the same (or extremely similar) synths to what we heard in SHEESH, which confirms to me there is a lack of innovation at the company. Thirdly, not keen on the soft utterances of “Like I’mma live forever” and “Like I’mma like I’mma” in the background of the chorus. They felt needless and don’t add anything to the song. Overall, FOREVER is a refreshing turn for BABYMONSTER (and their company), but there are some issues meddling its overall potential.

With KPOP’s growing presence at the big fashion shows, we see BABYMONSTER get ready for one of them in the music video for FOREVER. And following that, they have fun in each other’s company, what is assume, is following that fashion show. I liked the classy yet modern looks they had on throughout the video, and the sets were pretty cool. However, I do feel like there is a slip in standards. YG Entertainment videos always scream out to me for its high quality, but I don’t feel that here.

FOREVER has one of those routines that looks goods and feels fitting for the song. But it didn’t have anything in it that really stands out.

Song – 8/10
Music Video – 8/10
Performance – 7/10
Overall Rating – 7.8/10

[Special] KPOPREVIEWED’s Personal Favourite Songs from the 1st Half of 2024 & more

One of the first posts after 30 June each year is my ‘Personal Favourite’ post. Each year, to help round out the first half of the year, I post a list of my personal favourite songs from the 1st half of the year. As we are now in July 2024, it is time to post my personal favourite songs from the 1st half of 2024 (with a few extra tidbits).

For this year’s post, I am following what I did last (and the year before that) year, as I quite liked how that turned out. In addition to the usual list of 10 songs (which are in no particular order and not related to my reviews as songs do grow immensely on me) for the first half of 2023, I will also be posting two songs from the November – December 2022 period I personally liked and 3 non-Korean songs (i.e. English, Japanese etc.) by Korean artists that caught my attention so far this year. So without further delays, here are the list of my personal favourite songs of the year thus far (in no particular order, of course).

From November – December 2023

Personal favourite non-Korean songs of 2024 thus far

Personal favourite KPOP songs of the year so far (January – June 2024)

[Special] KPOPREVIEWED’s Weekly KPOP Charts – Songs from July 2023 to June 2024

As we have already wrapped up another July to June period, here is a recap of a full year’s worth of Weekly KPOP Charts winners!

These are the song that topped the Weekly KPOP Charts segment between July 2023 and June 2024 (inclusive). These charts are decided me. As such, songs that I prefer rank higher as I tend to gravitate towards them more.

Normally, the same artists return to the top of the charts throughout the year. But I also tend to surprise myself when an unexpected artist rises to the top of the charts. There were a few surprises over the last year.

So let’s have this walk down memory lane and see who topped the Weekly KPOP Charts between July 2023 and June 2024


Small Talk – Kim Sung Kyu (INFINITE)
1st Week of July 2023

Cream Soda – EXO
2nd Week of July 2023

ISTJ – NCT DREAM
3rd Week of July 2023

Summer Comes – OH MY GIRL
4th Week of July 2023

DO or DIE – xikers
1st Week of August 2023

LIP GLOSS – THE BOYZ
2nd Week of August 2023
3rd Week of August 2023

Bubble – STAYC
4th Week of August 2023

Baggy Jeans – NCT U
5th Week of August 2023

Social Path – Stray Kids
1st Week of September 2023
4th Week of September 2023

Slow Dancing – V (BTS)
2nd Week of September 2023

Back For More – TXT with Anitta
3rd Week of September 2023

TROUBLE – EVNNE
1st Week of October 2023

Love Effect – ONF
2nd Week of October 2023

STRANGER – SUNMI
3rd Week of October 2023

God of Music – SEVENTEEN
4th Week of October 2023

Guilty – TAEMIN (SHINee)
1st Week of November 2023

CRUSH – ZEROBASEONE
2nd Week of November 2023

LALALALA – Stray Kids
3rd Week of November 2023
2nd Week of December 2023

WATCH IT – THE BOYZ
4th Week of November 2023

Sweet Venom – ENHYPEN
5th Week of November 2023
1st Week of January 2024

Crazy Form – ATEEZ
1st Week of December 2023

BORN TO BE – ITZY
3rd & 4th Week of December 2023


UNTOUCHABLE – ITZY
2nd Week of January 2024

No Weekly KPOP Charts for the 3rd, 4th & 5th Weeks of January 2024

Super Lady – (G)I-DLE
1st & 2nd Week of February 2024

Shopper – IU
3rd Week of February 2024

ONE SPARK – TWICE
4th Week of February 2024

Love or Die – CRAVITY
1st Week of March 2024

EENIE MEENIE – CHUNGHA ft. HONGJOONG (ATEEZ)
2nd Week of March 2024

Welcome To The Show – DAY6
3rd Week of March 2024

Smoothie – NCT DREAM
4th Week of March 2024

Deja Vu – TXT
1st Week of April 2024

Bye My Monster – ONF
2nd Week of April 2024
3rd Week of April 2024

Little Light – DOYOUNG (NCT)
4th Week of April 2024

But I – Solar (MAMAMOO)
1st Week of May 2024

MAESTRO – SEVENTEEN
2nd Week of May 2024

Supernova – aespa
3rd Week of May 2024
5th Week of May 2024

Accendio – IVE
4th Week of May 2024

Lose My Breath – Stray Kids ft. Charlie Puth
1st Week of June 2024

WORK – ATEEZ
2nd Week of June 2024

ABCD – NAYEON (TWICE)
3rd Week of June 2024

If I’m S, Can You Be My N? – TWS:
4th Week of June 2024

[Weekly KPOP Chart] 4th Week of June 2024

Welcome back to another Weekly KPOP Chart post. It is another late night post, so it is going to be a quick one so I can head off to bed for hopefully a less busy week. Not much else to update you on. So I am going to get right into the Weekly KPOP Charts for the 4th Week of June 2024.

Non-Korean Song of the Week

As my focus on this blog is primarily on KPOP songs, I draw attention to a particular song that isn’t in the Korean language in this part of the Weekly KPOP Chart post. That song is the top ranking non-Korean song on each Weekly KPOP Chart post. The past week’s non-Korean song of the week, once again (for the 7th week) is Stray Kids’ Lose My Breath (ft. Charlie Puth). It ranks in the 3rd position this week.

The Charts

TWS’ If I’m S, Can You Be My N? is the top song for the Weekly KPOP Charts for the 4th Week of June 2024. Congratulations to TWS!

PositionSong TitleArtistChange
1If I’m S, Can You Be My N?TWS(NEW)
2CosmicRed Velvet(NEW)
3Lose My BreathStray Kids ft. Charlie Puth(▲ 43)
4Armageddonaespa(▲ 50)
5Boom Boom BassRIIZE(=)
6ABCDNAYEON (TWICE)(▼ 5)
7Come Back To MeRM (BTS)(▲ 8)
8SABOTAGEKWON EUNBI(▼ 4)
9Shooting StarKep1er(▼ 2)
10Last NightJeonghan X Wonwoo (SEVENTEEN)(▼ 7)
11Celestial NightW24(▲ 9)
12TastyB.I(▲ 61)
13Supernovaaespa(▲ 34)
14SAINTDPR IAN(▲ 59)
15MarsDoh Kyung Soo (D.O – EXO)(▲ 58)
16AccendioIVE(▼ 10)
17My OneB.D.U(NEW)
18HEYAIVE(▲ 10)
19Girls Never DietripleS(▲ 10)
20WORKATEEZ(▼ 12)
21NectarBM (KARD) ft. Jay Park(▲ 40)
22Feel The POPZEROBASEONE(▲ 29)
23How SweetNewJeans(▲ 30)
24Inner DanceGlow (tripleS)(▲ 49)
25Strawberry RushCHUU(NEW)
26Give Me ThatWayV(▲ 47)
27Small GirlLee Youngji ft. Doh Kyungsoon (D.O – EXO)(▲ 46)
28ZOMBIEEVERGLOW(▼ 10)
29CheeseSUHO (EXO) ft. WENDY (Red Velvet)(▲ 44)
30EmptyChen (EXO)(▲ 8)

[Review] Strawberry Rush – CHUU

Another comeback that occurred this week was CHUU’s solo return with her 2nd mini-album and title track, both of which are titled Strawberry Rush. I thought I prioritise this comeback for two reasons. The first is because I missed out on reviewing her solo debut back in October last year (with her 1st mini-album and title track Howl). Given all that she (and the rest of LOONA) have gone through over the last few years, I think CHUU (and the rest of the other post-LOONA acts) deserve some attention. As such, I will be looking for opportunities to review other post-LOONA acts that have made comebacks and debuts this year. I will point out the second reason later on in the music video.

Strawberry Rush feels very CHUU-coded. It is fun, cutesy, bubbly and energetic – all words I would use to describe CHUU. If the intent of the song was to bring a smile to our faces, then Strawberry Rush is a success for me, at least! Though I am sure there are others that felt the same need to smile listening to Strawberry Rush. The synthwave instrumentation was light and breezy, which feels fitting for the summery season the audience in Korea is currently experiencing, as well as current trends. CHUU’s vocals fit into light and breezy motif effortlessly and held its ground throughout Strawberry Rush. However, I would have liked to hear something a little more interesting from her in the song. The melodies, and as a result her delivery, felt very linear and safe for most of the track. It is as if she is being held back. The energy Strawberry Rush exudes does mask this a lot. But really focusing in on the song for this review has made me realized that not everything in Strawberry Rush is as sweet as it is seems. Her high note is a good example of this ‘more interesting’ element, but that was quite later on in the song. It could be argued that her rapping in the second verse was ‘interesting’. But I felt it to be a little too awkward, even though I am going to admit that it is growing on me ever so slowly. The more I listen to Strawberry Rush, I can’t imagine the song without the rapping. But despite my desire to hear more from CHUU in Strawberry Rush, I am quite on board with the song as it is already.

I only got around to watching the music video today. And as I watched it, I recognized that the real-life background were quite familiar – it was shot in Melbourne, Australia! And that is the second reason why I wanted to review Strawberry Rush. I am always willing to give a shout out to Melbourne, which is where I grew up. I really like how the video really made the colours of Melbourne pop and showed off its casual side. Aside having a moment about where the music video was shot, I also appreciated the CGI monsters, the post-production and CHUU’s overall cuteness. If the song didn’t make you crack a smile, then this music video will.

As for the performance, it was just as cute and fun as you expect! I really liked the simplicity of the post-chorus sequence, with the wide spread arms and bouncing move. To me, that summed up the entire comeback extremely well.

Song – 8/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 8.5/10

[Review] Cosmic – Red Velvet

I know I haven’t posted over the last few days (work depleted all of my energy) but now we find ourselves at the end of the week. But I don’t think I can ‘end the week’ perse without reviewing Red Velvet’s latest comeback, Cosmic, which is both the title track and title of their 7th mini-album. Obviously, this review is just for the song, and I will definitely be returning to review the album some time in the future. Cosmic is the group first release since last year’s Chill Kill studio album and lead single comeback.

Elegant and soothing is what came to my mind when I first heard Cosmic on Monday. I wasn’t completely sold on it, at first, and I will speak to that in a moment. But repeat listens to Cosmic since its release has helped me realized that the track is indeed wonderful. Cosmic has this really enjoyable smooth flow to it, thanks to the members’ vocals and the song’s melodies. I honestly would not expected this from Cosmic‘s instrumental, which takes on a slightly more groovier texture and disco profile. But then again, Red Velvet have previously spun a unexpecting sound profile into something aesthetic (like Chill Kill and Psycho), and in the case of Cosmic, tranquil. The melodies themselves have a nice ring to them, and that gets the song in my mind even after it has ended. What I also liked about Cosmic is the spark of brightness the members bring to the song, whilst singing about a short-lived love-at-first-sight interaction. This brightness and the earlier mentioned flow propels the song forward for me, making it feel like it went somewhere. I also really enjoyed the harmonies and ad-libs that Cosmic had. A great song, overall.

But earlier I mentioned that I wasn’t completely sold on Cosmic in the first listen and part of me still feels that way. It stems from an inherent problem with ‘smooth songs’. Too smooth can make a song easily be passed over. Because I know what music Red Velvet puts out, I will always check them out (no matter the level of smoothness). I just not sure how this would go with the broader audience who don’t tune into Red Velvet as often, or know about Red Velvet whatsoever. As such, I feel like Cosmic needed a striking element. I am not sure what that would be, but it needs something aesthetic enough to fit in with the rest of itself and also really grip the audience at the same time.

As confirmed at the end of the video, the music video for Cosmic is inspired with Midsommar, a film about an American couple in a deteriorating relationship who are drawn into a violent cult in rural Sweden. Obviously, Red Velvet’s visual material doesn’t focus on the first part or the violence that featured in that movie. But the video does feature a similar cult from the movie. Flowers and the maypole are elements also taken from the movie. Additionally, we see a person fall from the sky and the cult members (including Red Velvet) pick them up and carry them to their base to be sacrificed (I think this is the case based on the placement of flowers on the eyes towards the end). Both the person who fell from the sky and Red Velvet seem interested in one another throughout the video. But as the song lyrics suggests, this is rather short-lived, given my theory that a sacrifice had to happen. Interesting video overall, as well as an interesting choice for a KPOP music video inspiration.

The choreography for this comeback is very pretty. The pace and moves all match the smooth drive that the song has, and focuses on an output of elegance. I also like how the performance was also very smiley, which shows off a great side of Red Velvet.

Song – 9/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 9/10

[Review] If I’m S, Can You Be My N? – TWS:

As mentioned two days ago, TWS:’ comeback was just around a corner. Titled If I’m S, Can You Be My N?, the new single dropped yesterday and formed part of TWS:’ highly anticipated first comeback with their second mini-album Summer Beat!. A pre-release single, Hey! Hey!, was released a couple of weeks back. I will return at a later date to review that track. For now, here are my thoughts on the title track.

If KPOP has taught me anything about Summer over the years, Summer songs usually stand out if they tick the following – the song is upbeat; full of energy; bright; and fun. If I’m S, Can You Be My N? definitely ticks 4 out of 4 criteria. This in itself already makes If I’m S, Can You Be My N? hold a lot of promise. But there is also a lot more to If I’m S, Can You Be My N?, such as its ear-catching hooks and its dynamic instrumentation that has a lot of musical details that increases its fun energy and brightness. The guitar and keyboard at the start and end of the song are examples of these details that bookmark either ends of the song in a very pop and colourful manner. The groovy backing elsewhere in the song also had this forward driving motion that pushed the song and made it go places. But that isn’t all that stands out in If I’m S, Can You Be My N?. TWS:’ youthful vocals are on full display throughout the track, which just suits the summery season so well. SHINYU’s rapping was also quite exceptional, fast becoming my favourite moments in the song. Overall, TWS: definitely delivered on expectations that was set via their debut mini-album and title track. I don’t think they have exceeded those expectations with If I’m S, Can You Be My N? (as such, I have gave the same song rating as I did with plot twist). But you can tell they put in a lot of effort for a successful comeback.

TWS: continues their schoolboy concept in the music video for If I’m S, Can You Be My N?. The video shows the members at (what looks like to be) hagwons – like an after school tutoring centre that South Korean students attend. We see the members also skip hagwons to hang out with one another, and also do other extra curricular activities like athletics (more specifically, high jump). This brings together two students who are opposite to one another – the studious and the sports player – with the members expressing their “heart-fluttering excitement about getting to know the numerous reasons why opposites attract” (taken from SOOMPI) in the lyrics. It was a vibrant and very colourful video, without a doubt intended to be suitable for the summery season.

The performance for this comeback is very dynamic and this made it very exciting to watch. Again, I applaud the fact they brought some youthfulness (and as an extension of that, some cuteness) to the routine. Their chemistry and the fact they are constantly moving definitely made it another strong routine that I am sure TWS: will continue to stand out with.

Song – 9/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 8.7/10

[Weekly KPOP Chart] 3rd Week of June 2024

Welcome back to another Weekly KPOP Chart post. Once again, apologies for the later than usual post. Not much to update you on, other than it has been on long week and I am still recovering from it. So I am going to get right into the Weekly KPOP Charts for the 3rd Week of June 2024.

Non-Korean Song of the Week

As my focus on this blog is primarily on KPOP songs, I draw attention to a particular song that isn’t in the Korean language in this part of the Weekly KPOP Chart post. That song is the top ranking non-Korean song on each Weekly KPOP Chart post. The past week’s non-Korean song of the week, Jung Kook’s Never Let Go, ranks in the 15th position this week.

The Charts

NAYEON’s ABCD is the top song for the Weekly KPOP Charts for the 3rd Week of June 2024. Congratulations to NAYEON!

PositionSong TitleArtistChange
1ABCDNAYEON (TWICE)(▲ 5)
2Badder LoveEVNNE(NEW)
3Last NightJEONGHAN x WONWOO (SEVENTEEN)(NEW)
4SABOTAGEKWON EUNBI(NEW)
5Boom Boom BassRIIZE(NEW)
6AccendioIVE(▲ 9)
7Shooting StarKep1er(▲ 22)
8WORKATEEZ(▼ 7)
9MAESTROSEVENTEEN(▲ 14)
10Fatal TroubleENHYPEN(▲ 49)
11One KissRIIZE(▲ 10)
12LOST!RM (BTS)(▲ 52)
13Virtual AngelARTMS(▲ 3)
14NowONEUS(▲ 8)
15Come Back To MeRM (BTS)(▲ 58)
16Never Let GoJung Kook (BTS)(▲ 22)
17CoinciDestinyWeki Meki(▼ 14)
18ZOMBIEEVERGLOW(▼ 13)
19SupernaturalA.C.E(=)
20Celestial NightW24(▲ 47)
219 DAYSRIIZE(▲ 52)
22HomeLim Young Woong(▲ 18)
23FXX OFFONE PACT(▼ 15)
24Pretty MobCSR(▲ 49)
25BloomingHan Seung Woo(▲ 36)
26RUSHJUNNY ft. BOBBY (iKON)(▲ 47)
27POM POM POMwoo!ah!(NEW)
28HEYAIVE(▼ 14)
29Girls Never DietripleS(▲ 19)
30FEELING LUCKYJackson Wang ft. BIBI(▲ 43)

[Album Review] Sparkling Blue (1st Mini Album) – TWS:

With TWS: making their comeback tomorrow (!), I thought I wrap things up related to TWS: debut back in January this year. And with their debut single plot twist and follow up single BFF reviewed, that leaves the album review. Now, I know I made promises to review the pre-release Oh MyMy:7s in the usual song review format. But after considering whether to write the album review or that review (and with their second mini-album in mind), I chose the former to keep things moving along. All three songs are featured on the mini-album Sparkling Blue, which also features 2 additional side tracks (taking the total number of songs to 5).

As a debut mini-album, Sparkling Blue is probably one of the strongest first steps I have ever seen. You have a super trendy title track that has attracted a lot of attention and resulted in a lot of fans. The side tracks on the album introduces us further to TWS: via a consistent wholesome and youthful manner. As such, Sparkling Blue has also become one of the strongest album releases of the year, thus far, in my books. The best bit of the mini-album is that it gets me excited for what is to come for the group. And excitedly, we won’t need to wait for long to find out.

Sparkling Blue Album Cover

1. plot twist (만남은 계획대로 되지 않아) (Title Track)Click here for the full review for plot twist. (9/10)

2. unplugged boy – Usually, an all-English song becomes part of a KPOP group’s repertoire later in their career. But TWS:’ all-English unplugged boy pushes this boundary by being present on this debut mini-album. unplugged boy is a really pleasant vocal track from the group. The instrumentation goes down an alternative pop route, with hints of playful and youthful vibe throughout the track. I really like the smoothness that the members and melodies work together to bring out in this song. Things just glide along in unplugged boy and I liked that effortless listening experience that the song brings about. (10/10)

3. first hooky first hooky turns up the upbeat dial a few notches. It is another pleasant side track from TWS:, but the track takes us down a groovy and retro-like motif with its synth work. Further to that, I really enjoyed the fact the members sang so fondly of playing hooky (skipping school) for the first time, that the rapping really captured the groovy vibes well and the “Maybe, I really wanna kick it with ya” is quite a catchy hook. But the best part of first hooky has to be its bridge. I always find Kyungmin and Youngjae’s vocals in this part to be so decadent. I just find the melodies in first hooky to be slightly weaker. But that is a minor drawback in what is another amazing side track. (9/10)   

4. BFFClick here for the full review for BFF. (8/10)

5. Oh Mymy: 7s (Pre-Release Song)Oh Mymy: 7s is actually the one song on the mini-album that feels like it channels modern and contemporary trends, resulting in a track that is more focused on its accompanying performance. Bouncy bass with percussive synth work was the dominant and most prevalent sound in Oh Mymy: 7s, but we also got some atmospheric backing for the pre-choruses, and fulfilling and brighter synth work following the choruses. The good thing is that they all meld together to create a cohesive track. The vocal work and rapping were good, but more riveting material have emerged since this pre-release track. The chorus probably is the most lackluster part of Oh Mymy: 7s. It sounded good the first time around and ended up catchy for a while. But on this occasion, repeat listens since January (on this occasion) have made it unexciting and bland. (8/10)

Overall Album Rating – 8.8/10

Sparkling Blue Teaser Image

[Review] SABOTAGE – KWON EUNBI

Next up on the blog (and finally moving away from Monday releases) is KWON EUNBI’s SABOTAGE. This new single is featured on her second single album of the same name, and follows on from her 2023 single The Flash.

SABOTAGE continues KWON EUNBI’s venture into club music. I liked the set up behind SABOTAGE and the groovy disco elements in the instrumental that gives SABOTAGE a very bright and poppy feel, ideal of the summer season. KWON EUNBI delivers the song to the best of her abilities – that must be acknowledged. All in all, I think SABOTAGE is an alright song. But there are a few aspects upon reflection that makes SABOTAGE feel awkward for me. The first has to be KWON EUNBI’s vocals. I don’t think she is at fault, however. For some reason, the producers pushed her vocals to be higher than what it needs to be. As such, KWON EUNBI sounded scratchier than usual. Not exactly sure what the intent is by doing this, as it doesn’t necessarily put her in a good light as a singer. As mentioned before, she does well enough but I can tell that she is pushed beyond her limits. The second aspect that makes the song awkward was the second verse. The energy in SABOTAGE was good before and after the second verse. But I am not entirely sure why it needed to lull via another one of those typical trap-based sequence. Sure, it gives SABOTAGE some variety, but it felt counter intuitive at the same time. Thirdly, I am not fond of the song’s shouty lines in the background of the chorus, the “Stop, wait, let’s go” in the first verse and the “This is sabotage” as the bridge between the first chorus and second verse. I personally feel they are out of place and have no clue what value of these lines are to SABOTAGE.

As with all KWON EUNBI’s music videos, her visuals stands out. If there is anything to take away from this video, it is just that KWON EUNBI is stunningly beautiful. Alongside all the visuals and choreography shots, this particular music video features a story. KWON EUNBI plays a character that is part of a group of friends who have a romantic interest with one another. But it gets real messy when KWON EUNBI catches two of her friends kissing, leading her to (possibly) end her friendship with them. The fourth friend also has romantic feelings for her, but she quickly shuts it down following what happened with the other two. That is what I got out of the music video. And if my interpretation is right, then KWON EUNBI’s character’s reaction is confusing (as she also had romantic interests in both of her friends).

As for the performance, this one was very good. I really liked how chair was incorporated into the first portion of the routine. I won’t spoil it for you, but she doesn’t exactly use the chair for its intended purpose. Lifting KWON EUNBI up at the end and having the chair continue to spin even after she finishes was an interesting way to end the routine. The rest of the choreography was well presented and showed off her skills as a dancer, as well. The dancers also looked good and performed well with KWON EUNBI.

Song – 7/10
Music Video – 8.5/10
Performance – 9/10
Overall Rating – 7.9/10

[Review] Badder Love – EVNNE

In true KPOPREVIEWED spirit, it is the end of the week and I am still reviewing the releases from Monday. The song in question up for review in this post is EVNNE’s Badder Love, the title track off the group’s newly released 3rd mini-album RIDE or DIE. This comeback follows the group’s January 2024 comeback with Un: SEEN and UGLY.

While their previous tracks (TROUBLE and UGLY) have been of a bold and bombastic motif, Badder Love sees EVNNE answer to the summer period that South Korea and other people in the Northern Hemisphere are experiencing. As for someone who likes the summer time more and is currently living in a part of Australia where it has been freezing lately, songs like Badder Love can be very appealing to me right now. For the most part, it does. Badder Love‘s instrumental is more of the pop variety, with nice pronounced guitar work right in the back and a refreshing set of synths. I like the more casual and carefree rush of energy that comes from Badder Love, which aids in making it a refreshing listen. As for the members, Badder Love gives the group an opportunity to show off a more melodic side, which is a fresh turn in their promotional material. I like the lightness that the members execute the song’s melodies with. Even the rappers of EVNNE join in with vocal parts, which was interesting. But despite listening to the song multiple times since it dropping on Monday, my initial thoughts on the song still stand – I wished there was more to Badder Love. More personality and individuality in some form could have made Badder Love even more compelling to listen to. EVNNE’s execution and delivery of Badder Love is fair, but also typical. It lacks that EVNNE factor and punch that I personally felt EVNNE had found in their earlier releases.

The music video description explains what the intent of the video is, leaving no room for misinterpretation. This whole mini-album supposedly “portray EVNNE’s reckless stance on love by using a phrase [RIDE or DIE], emphasizing the trust and loyalty of ‘together until the end’“. In the music video, we see the members as a group of friends who have taken up boxing together. They struggle with it in different ways, but are determined to reach their goals with one another. As such, we see the members consistently hanging out with one another despite of any regrets they may have about this journey. I liked the summery vibes that the video contains and that montage of the choreography shots at the 2:43 minute mark of the video looked very cool.

I liked how more fluid the performance felt, which gave off a more refreshing vibe to the choreography and complemented the song well in same regard. Their past performances have been more sharp and restricted because of the nature of the respective song. The inclusion of the love hearts was a cute element that works with the messaging of Badder Love, and I quite like the look of the stage as a whole when the members pull off their controlled wide arm movements in the chorus.

Song – 7/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 7.5/10

[Review] Last Night – JEONGHAN X WONWOO (SEVENTEEN)

SEVENTEEN only just returned with their compilation album 17 IS RIGHT HERE (headlined by their latest new single MAESTRO). The album also consist of unit tracks (split by their usual Hip-Hop, Performance and Vocal teams), which I am looking to review at a later stage. They have also been fairly busy holding concerts this year and been on tour throughout Asia. But the 13-member group continues to be active through a new unit JEONGHAN x WONWOO. This duo unit brings us the new single Last Night (which features guitarist Park Joo Won), which is featured on the single album This Man.

It has been a couple of days since the release of Last Night and that naturally gives me an opprtunity to take a few listens to the song. Through these multiple listens, I can confidently say I like Last Night. The song didn’t strike me the first time I listen to it, but subsequent listens have made realize how good the song actually is. The aspect I always notice first when I have replay the song is its instrumentation. The Latin influence of the guitar, the guitar work (in general courtesy of Park Joo Won), the contemporary synths and pounding bass (which becomes more prevalent in the chorus) just makes this track ooze so much charisma, sexiness and alluring energy. I also like how these instrumentals meld together so well in Last Night. They all had great chemistry with one another, and this sets up Last Night to be a good track. The combination of JEONGHAN and WONWOO backs all of that up. I wasn’t particularly sure what style of music the pair would be delivering, but I am happy this is what they arrived at. The whispery nature of their delivery throughout Last Night reiterates that alluring nature I already mentioned. On the flip side, the contrast between their vocals (JEONGHAN being a little more high pitched, and WONWOO singing/rapping in a lower tone) makes Last Night feel textured and gives off a natural perception of depth. WONWOO’s rapping in the second verse, in particular, always seems to hit the right spot each time when it comes on. The melody of Last Night is quite catchy, though I do think the instrumental does mask its fluidity. But that is only a minor detail, and it doesn’t really change the fact I am liking Last Night overall.

The music video was a bit confusing to me. But in the lead up to the release of the music video, JEONGHAN x WONWOO released an audiobook teaser, which gives you context about urban legend of This Man, as they call it. It is also a recount of what is happening in the music video. I recommend you check out this audiobook teaser and then the music video, as this package will help you understand the story JEONGHAN x WONWOO are portraying in the music video and saves me off writing a not-even-accurate interpretation of the music video (which I have done previously!). I honestly find the concept of an ‘audiobook’ teaser to be so cool, and wish KPOP music videos does this more. As for the actual music video itself, I really like the mysterious and intriguing vibes that come from the video. And once the story clicks, it is definitely a worthwhile watch.

Choreography-wise, it looked good. It felt artistic and brought out great chemistry between the pair. You could feel the subtle tension between the pair throughout the routine, which made the stage feel more compelling to watch. I also like how the routine builds in dynamic flair as it progresses, peaking at the end for the final chorus as a final rush to the end of the performance.

Song – 9/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 8.8/10

[Album Review] 2 (2nd Studio Album) – (G)I-DLE

As flagged last week, I have been gearing up to review (G)I-DLE’s second studio-length album, 2. A classic sign of that is when I review side tracks that got the music video treatment in close proximity to one another. In the case of 2, the two sides tracks that I reviewed in close proximity was the pre-single Wife and Revenge (a side track that (G)I-DLE released a music video post-release of the album). Sitting in between the two releases (in terms of chronology) is the title track Super Lady. The album also features another 5 songs (making it 8 songs in length), including the hit single Fate (which the group ended up promoting after it got popular in March – two months after the release of 2).

As you can see, this album is full of bold tracks from (G)I-DLE, which shows off their artistry and continues to show their ability to take on multiple music styles. I do also like how they continue their confident and powerful messaging in this album. This theme that is very consistent across their recent releases, such as in their previous Korean album release was last year’s I FEEL (which features the single Queencard).

2 Album Cover

1. Super Lady (Title Track)Click here for the full review for Super Lady. (8.5/10)

2. RevengeClick here for the full review for Revenge. (8/10)

3. Doll Doll continues the darker vibes that we heard in Revenge. While it is a good song with a further touch of grunginess in the chorus and a classic creepy feel to the verses, I am not exactly thrilled by it. The vocals were more typical. They did have a powerful aura to them. But I wished there are more melodies in Doll song, rather than the spoken motif that was consistently present throughout the track. The song also ends with the typical “La La La”, which was also how Revenge (i.e., previous song) ended. (7/10)

4. Vision – The consistent beat to Vision makes this song very addictive and cool. I liked how the elements of the song are backed up and how it gave Vision a lot of definition. The beats are backed up with some strong bass, while the vocals (during the choruses) are backed up with this low and subtle spoken utterance of the lyrics. The more upfront vocal work was very fluid, while the rapping is one of the best examples on the album. Altogether, a very alluring track that really stuck out at me when the album was first released and remained as one of my favourites ever since. (10/10)

5. 7Days7Days is a soft drum and bass track, which I found to be quite soothing and calming to listen to. Compared to the bolder sounds on the album, 7Days is easily forgotten. But when you return to listen to the album in full, its lighter presence does provide relief from everything else on 2. The softer instrumentation helps makes the song soothing and calming, but the members’ softer vocals also play a big part in this. They sound so light and delicate throughout the track, while the melodies sound very comforting and wispy. (8/10)

6. Fate (나는 아픈 건 딱 질색이니까) – Interestingly, Fate ends up being one of the bigger songs on the album alongside the title track, rising to prominence after a performance on Lee Hyori’s Red Carpet and through its It’s Live YouTube video. Fate itself ended up winning a triple crown on the weekly Korean music show Inkigayo and rose to the top of the Circle Charts in Korea (something the title track didn’t achieve). Fate is a funky pop-punk track that had reminded people (including myself) of the 00s era of JPOP. I quite liked the vocals in this track, which came off as very refreshing and vibrant to listen to. Vibrant is also how I would describe the instrumentation in Fate. We also get some interesting vocal colours from the members throughout the track, with a cutesy flair coming to my mind from all members. Some members, like SOYEON, gave Fate an interesting zing with their vocals. Overall (and just like everyone else), I was definitely captivated by the unsuspecting Fate. (10/10)

7. Rollie – Leading us towards the end of the album is Rollie. There is a fair bit to like in Rollie, such as the flow of the song to the trap beats to the husky vocals to the simple hooks that are quite addictive. I would have liked the producing team (which includes YUQI) to turn the dial up a notch to bring up the heat and make the song feel wow. Rollie just feels a little simple in its current form. I think the song demands a bolder feel, particularly for its self-confidence message, and the mature tone that comes off Rollie. It is still a great song as it is. (8/10)

8. Wife (Pre-release Track)Click here for the full review for Wife. (7/10)

Overall Album Rating – 8.3/10

2 Teaser Image

[Review] Boom Boom Bass – RIIZE

RIIZE officially started teasing the release of their first mini-album RIIZING way back in April of this year. They kicked it off with the full version of Siren at the start of April. Then followed the release of Impossible mid-April (which they promoted), and then followed up with the side tracks 9 Days, Honestly and One Kiss (released at the end of April – the former and latter I have yet to review). Two months on from the initial release, the group has released Boom Boom Bass as the primary title track from the mini-album.

While RIIZE has definitely explored funk before through the release of Get A Guitar and to a lesser degree in Talk Saxy (which is featured as part of the RIIZING mini-album), nothing has felt as concentrated as Boom Boom Bass. You get the funky and groovy vibes from the very first second and it stays present throughout the rest of the song. The guitar work in the background is definitely a highlight, as well as the pounding beat. Complementing that energy during the chorus is a bright pop energy that makes Boom Boom Bass even more likeable. Include a repetitive hook like the deep and low ‘Boom ba doom, Boom Boom Bass‘ and you have a song that is extremely hard to turn away from. Only just a couple of listens in and I can confirm that Boom Boom Bass has grown immensely on me, even though I was already enjoying the track from my first listen. The vocal work was vibrant and I liked the flair the rapping brought to the song. The ending sees the group get a little chanty, which I thought was a refreshing tone for the song. The only part within Boom Boom Bass that I am ‘umming and aahing’ about is the instrumental break. It obviously follows the momentum and trajectory that was built up prior to it, but it also felt too similar to the rest of the song. I think Boom Boom Bass could have been benefited from a little more flair to it. I didn’t feel that it seized the moment as well as it could have. But again, it wasn’t bad and it didn’t change the outcome of my final thoughts on Boom Boom Bass – that this is another great energetic song from RIIZE.

The music video begins with a mysterious guitar from outer space crashing into a music shop on Earth, causing massive chaos. I can only assume that everyone has heard and is searching for the guitar. While it isn’t shown, somehow WONBIN manages to grab hold of it. But as it is a mysterious guitar, it transports WONBIN back to outer space, only to come crashing down onto Earth once again. This time around, it makes the headlines. Throughout all the chaos and space travel, the RIIZE members still make the most of the situation and has fun throughout the events of the video. And this translates into a fun watching experience. For me, SOHEE had a strong grasp on me and stood out the most in the video.

Dance-wise, I think Boom Boom Bass has an awesome routine. The leg bounce movement that accompanies the main hook of the song looked very cool and brings a mature touch to the choreography. SHOTARO’s solo moment in the dance break was also very impressive – his performance skills are definitely on full display in that moment. And the energy the members deliver collectively at the end was fantastic.

Song – 9/10
Music Video – 8/10
Performance – 10/10
Overall Rating – 8.9/10

[Weekly KPOP Chart] 2nd Week of June 2024

Welcome back to another Weekly KPOP Chart post. Apologies for the later than usual post. Things got a little busier than usual today. As such, I have decided to remove the ‘Throwback Song’ segment from this week’s post to help speed things up on my end, as it is very late and I need to go to sleep for work tomorrow after posting this post. I have also pushed (G)I-DLE’s album review, which was to be published this weekend, to later in this upcoming week. It has been drafted, but in a Word document and not on WordPress’ editor for publishing. And of course, more song reviews this week. Until then, here is the Weekly KPOP Charts for the 2nd Week of June 2024.

Non-Korean Song of the Week

As my focus on this blog is primarily on KPOP songs, I draw attention to a particular song that isn’t in the Korean language in this part of the Weekly KPOP Chart post. That song is the top ranking non-Korean song on each Weekly KPOP Chart post. The past week’s non-Korean song of the week is, for the sixth week in a row now, Stray Kids’ Lose My Breath (featuring Charlie Puth) and ranks in the 9th position this week. I have linked the Stray Kids version down below.

The Charts

ATEEZ’s WORK is the top song for the Weekly KPOP Charts for the 2nd Week of June 2024. Congratulations to ATEEZ!

PositionSong TitleArtistChange
1WORKATEEZ(▲ 6)
2Supernovaaespa(▲ 9)
3CoinciDestinyWeki Meki(NEW)
4SPOT!ZICO ft. JENNIE (BLACKPINK)(▲ 8)
5ZOMBIEEVERGLOW(NEW)
6ABCDNAYEON (TWICE)(NEW)
7Feel The POPZEROBASEONE(▼ 3)
8FXX OFFONE PACT(▲ 58)
9Lose My BreathStray Kids ft. Charlie Puth(▼ 8)
10SING!BEWAVE(▲ 56)
11Give Me ThatWayV(▲ 3)
12KING KONGTREASURE(▼ 2)
13Let Me LoveUNICODE(▲ 40)
14HEYAIVE(▼ 1)
15AccendioIVE(▼ 12)
16Virtual AngelARTMS(▲ 50)
17BackseatHyunjun(▲ 49)
185!6!7!8!Nicole (KARA)(▲ 48)
19SupernaturalA.C.E(▲ 19)
20SAINTDPR IAN(▲ 23)
21One KissRIIZE(▼ 1)
22NowONEUS(▲ 34)
23MAESTROSEVENTEEN(▲ 2)
24BADTITUDEBADVILLAIN(▲ 42)
25How SweetNewJeans(▼ 1)
26BADVILLAINBADVILLAIN(▼ 20)
27Armageddonaespa(▼ 22)
28hey! hey!TWS:(▲ 2)
29Shooting StarKep1er(▼ 27)
30MoonlightNCT DREAM(▲ 36)