[Review] Chill Kill – Red Velvet

Red Velvet has made their return to the stage, almost a year on from their last comeback with Birthday and The ReVe Festival 2022 – Birthday. This time around, the group is back with their 3rd studio-length album Chill Kill, and the title track of the same name. Aside from a collaboration last Christmas with aespa and concerts earlier this year, it has been fairly quiet for Red Velvet. They did face contract negotiations as they are in their 7th year as a group, but the only news coming out of that is Seulgi re-signed with SM Entertainment. We haven’t heard too much about the future of Red Velvet, asides from the news of this comeback with Chill Kill.

I liked Chill Kill. It could be that being deprived of Red Velvet for so long makes the release more enticing (similar to how hunger can be a great seasoning for any meal). But I genuinely think that Chill Kill is a great song. I really liked the creepy and eerie beginning of the song and the atmosphere that it creates. The bass elements and detailing in the verses gives Chill Kill so much likeable oomph, while the vocals and rapping in the verses was very solid. The vocal and rapping combination, along with the intensification, in the pre-choruses makes the incline towards the chorus to be feel very familiar. The chorus interestingly brings a nice pop of colour, turning away from the atmosphere that Chill Kill started off with. The harmonies when the members sing together also brings forth that familiar sense that I just mentioned. I also like the splash of retro in the bridge, which was a nice change in sound. The thumping beat that accompanies the bridge was a nice touch and adds to the pop energy of the song, while the vocals were beautiful. Now the song isn’t perfect, and the high pitched flute-like synth in the chorus is a prime example of this. It is one of the unlikeable aspects of Chill Kill due to its unsettling nature. But thinking back to the roots of Chill Kill, I wonder if that was intentional. I am also not a fan of how the song suddenly fades away in the end. It feels incomplete and I wished the ending was more satisfying. Looking back at the entirety of Chill Kill, I also wish the song went deeper into the energies it exuded, by concentrating the creepy/eerie energy of the verses and the pop influences of the chorus, to really take it to the next level. Something felt missing from Chill Kill and I think it was that.

The music video for Chill Kill features the members being trapped in the basement and it looks like they were held captive by the man with no face in the picture. They try to entertain themselves to pass time, but try not to attract too much attention to themselves. One day, they hear a disturbance upstairs and Wendy (and after a while, the rest of the group) go investigate. It is unclear whether the man with no face dies during the disturbance, or whether Wendy has something to do it (given there was a short period of time in which she was alone upstairs and there is a scene where there is blood on her face). But what we do know is that the members discover the body. Determined not ruin their lives, the members hatch a plan to hide the body and crime scene. During the sequence of washing blood, cleaning the floors and rolling the body up in a rug, there are two members to look out for. Firstly, Yeri is seen detached from the group during the cleaning scenes. I think she realizes that Wendy might have something to do with the death and the members didn’t just stumble into a crime scene. If not that, I think stepping into the blood might give her some trauma and her becoming ‘detached’ by watching the TV is her way of coping with the situation. Wendy is seen breaking down a number of times, and she goes off by herself at one point (presumably to hand herself in and save the rest of the group). But Seulgi holds her back. And with the support of one another, they end up staying together. The members go out to buy gasoline to douse the body and house they are in (though, I did find it funny that the group took the bus with massive bottles of gasoline). After setting the place on fire and watching it for a bit, they run away. But they are later caught by the authorities (maybe someone noticed them on the bus =and reported it to the police). However, we do see the members stick together at the very end. Interesting music video and I love these darker concepts from Red Velvet.

The choreography that we do see in the music video looks quite good. Nothing really stands out. But knowing Red Velvet’s track record for their performances, I don’t think we need to worry about that – it would still be worth watching. The chorus routine matches up quite well with the pop sound of the choruses, and I like the smiling energy they have during this same sequence.

Song – 8.5/10
Music Video – 10/10
Performance – 8/10
Overall Rating – 8.9/10

[Review] Do It – Youngjae (GOT7)

Youngjae made his solo comeback last week with his first studio album and title track, both of which are titled Do It. Since his last review on the blog (2022’s SUGAR), Youngjae has gone a tour with following his 2022 mini-album that Sugar is featured on, released a digital single Err Day earlier this year (which is featured on the new album), and has been active in a musical and on his radio show.

Youngjae’s Do It is a simple and melodic pop track. It is simple to the point where there isn’t too much to say about the song, which can either be a good or bad observation. Since I am a fan of Youngjae’s, I will admit I lean towards the “good”. Do It is straight forward, easy to get into and feels like an extension of Youngjae’s bubbly and ‘boy next door’ personality that I have grown to associate with the artist. The instrumental was warm and inviting, featuring a slight groove that makes the background enjoyable. Youngjae, himself, offers a lightness to Do It via his vocals and melodies that makes it a pleasant and easy-on-the-ears listen (as already mentioned). The flow of Do It is also quite good. While everything I have mention points towards Do It being a very lovely song to listen to, I do find Do It to be quite quite reserved and safe. It barely strays away from how it starts. I wish Youngjae offered something with a bit more flair, especially since I do think that Youngjae has the potential to offer something else that isn’t too straight forward and simple. But nonetheless, Do It is still an enjoyable song.

While Do It is pretty safe and simple, the music video is much more than that. In the music video for Do It, we see Youngjae develop a crush on a waitress at the diner. He follows her out of the diner when she goes out to throw out the trash, but he is met with no one outside and a truck crashes into him shortly after. From there, we see Youngjae wake up in his bed (very much alive) and the calendar flip backwards, suggesting a Groundhog Day type of scenario. Throughout the subsequent scenes, we see Youngjae pursue the waitress in what looks to be romantic scenes (e.g., the infamous Tobey McGuire Spiderman catching his crush/lunch tray of food scene; putting headphones on his crush’s head like in that one romantic movie; shooting a zombie to save his crush from being bitten etc.). But they all end horribly in some form (e.g., Youngjae fails at catching the food and causes a mess for his crush to clean up/looks uncool; rocks up to the party with headphones in hand but finds crush is embracing someone else; crush was already bitten, turned into a zombie and ends up biting Youngjae), which all result in Youngjae waking up at the start of the same day. The only way out is to successfully catch the waitress’ attention. And in the end, we don’t really know if he was successful – though the ending is open ended. Other than that, the video shows off the bubbly and fun side of Youngjae, exploring different concepts and looks that all look great on Youngjae.

Every time I watch the performance for Do It, I found myself smiling. That bubbly (recurring word of the post!) and fun nature comes through the choreography, and Youngjae’s interaction with the dancers adds to that directly. I really like the set of moves at the start of the chorus (up until and including the body wave) – this sequence pretty serves as the key dance point of the routine.

Song – 8/10
Music Video – 9/10
Performance – 8.5/10
Overall Rating – 8.4/10

[Weekly KPOP Chart] 2nd Week of November 2023

Welcome back to the Weekly KPOP Charts, this time for the 2nd Week of November 2023. Thanks again for the patience this week after I recovered from preparing for the 2023 KPOPREVIEWED Awards (more on that below). But as you can see from yesterday, I am back to reviewing songs. And I am hoping to have restarted on album reviews from next weekend! But until then, more reviews are coming your way as my backlog gets bigger and bigger. But firstly, the Weekly KPOP Charts for the 2nd Week of November 2023.

ICYMI – 2023 KPOPREVIEWED Awards

So in the case you have not been tuning into the blog the last two weeks, I have launched the 2023 KPOPREVIEWED Awards with the ‘Coming Soon’ post posted on 1 November 2023. This was followed by the nominations across 36 categories in the Nominations Post on 5 November 2023, and finally the KPOPREVIEWED’s Choice (which is essentially my choice of winner under each category) post on 10 November 2023.

All is left is the launch of the annual fan voting period, which will be posted mid this week on the 15 November. During this period, you will be voting on who will be the official winners of each category, which I will be announcing the result of at the end of February 2024. So keep tuning in for the chance to vote!

Recap of the past week

In addition to the nominations and KPOPREVIEWED Choice for the 2023 KPOPREVIEWED Awards as mentioned above, I have also posted reviews for the following new releases: ZEROBASEONE’s CRUSH, Stray Kids’ LALALALA and aespa’s Drama.

Joining ZEROBASEONE, Stray Kids and aespa, we also saw the following new releases this week:

  • DEEP IN LOVE – GreatGuys
  • LIME (I’m So) – Baek Ah Yeon
  • Our Story – CMDM
  • Do It – Youngjae (GOT7)
  • Effortless – A.C.E
  • JUNK FOOD – OMEGA X
  • Bad News – KISS OF LIFE
  • AGASSY – Soojin
  • BANG! – WHIB
  • Fall In Love Again – P1Harmony
  • While I’m In Love – Hwang Chi Yeul
  • Miss You – Bang Yedam
  • EVERYBODY H8S ME – Suil (LUMINOUS)

Throwback Song of the Week

While digging through the last year of releases for the 2023 KPOPREVIEWED Awards. I rediscovered BoA’s Forgive Me, which I had originally gone to nominate for an award, but the other competitors in said category nudged BoA’s Forgive Me out. And due to the amount of listens I gave Forgive Me, it was natural for me to include it as this week’s Throwback Song (even if it was released a year ago!).

Non-Korean song of the week

Jung Kook’s collaboration with Jack Harlow, 3D, is this week’s top Non-Korean song of the week. It ranks in the 4th position this week.

The Charts

Congratulations to ZEROBASEONE and their comeback single CRUSH for debuting at the top of my Weekly KPOP Charts for the 2nd Week of November 2023. For more of the charts, keep on scrolling down below.

Pos.SongArtistChange
1CRUSHZEROBASEONE(NEW)
2Feel MeGolden Child(▲ 7)
3God of MusicSEVENTEEN(▼ 1)
4LALALALAStray Kids(NEW)
5TROUBLEEVNNE(▲ 6)
6Dramaaespa(NEW)
7BaddieIVE(▲ 16)
83DJung Kook (BTS) ft. Jack Harlow(▲ 47)
9Love EffectONF(▲ 7)
10HEARTRISNiziU(▼ 7)
11MANIACVIVIZ(▲ 4)
12Chasing That FeelingTXT(▲ 9)
13Sure Thing82MAJOR(▲ 57)
14INDEPENDENT WOMANeite(▲ 29)
15Psychowithus( 55)
16Fact CheckNCT 127(▼ 8)
17RINGOITZY(▲ 28)
18STRANGERSUNMI(▲ 52)
19Talk SaxyRIIZE(▲ 10)
20PUPPET SHOWXG(▲ 50)
21All My Life (Stray Kids Remix)Lil Durk & Stray Kids(▲ 49)
22Do ItYoungjae (GOT7)(NEW)
23BYOB (bring your best friend)Billlie(▲ 3)
24So I DancedDPR IAN(▼ 4)
25NEVERLANDNINE.i(▲ 45)
26X.O.XMoon Jongup(▲ 44)
27GuiltyTAEMIN (SHINee)(▼ 26)
28B.O.M.B (kaboom ver.)TREASURE(▲ 42)
29Kiss Me BabyE’LAST(▲ 3)
30Bad NewsKISS OF LIFE(NEW)

Songs leaving the charts

The following songs have wrapped up their nine week run in the charts system, and will no longer be on the charts from next week:

  • FLIRTING – mimiirose
  • So I Danced – DPR IAN
  • Back For More – TXT with Anitta
  • Star – DAWN ft. 10CM
  • Heart – DAWN
  • Foolin’ Myself – DINDIN
  • Sensitive – Loossemble
  • Blue – V (BTS)
  • For Us – V (BTS)

[Review] Drama – aespa

Also making their comeback yesterday was aespa, who returns for the first time since their Better Things single in August. Earlier in the year, it was their single Spicy and third Korean mini-album MY WORLD (both of which are nominated in the 2023 KPOPREVIEWED Awards). Yesterday’s return is with the single Drama and the same-named fourth mini-album.

Drama is probably aespa’s most serious and darkest release yet. And like most other aespa songs, the Drama falls into ther usual electronic dance sound, this time around paired with hip-hop influences and what is described as “an aggressive drum sound and sophisticated synth bass”. However, parts of Drama felt like it was being held back (more on this in a second). When I first heard of the song yesterday, I was super impressed with the verses of Drama. It made for a very good opening and had me sticking around for more. The members’ rapping (Karina’s fast “Ziggy Ziggy Zag, I’m new” was an instant standout line for me) and vocals were very well done, while the clanging synths instrumental felt alluring. As for the chorus, I am a bit disappointed with how plain the producers and members took it. It just felt expressionless and I wished there was character to Drama‘s choruses to it. I also felt the “Drama-ma-ma” and “Trauma-ma-ma” hooks to be a little unimaginative and it went on for one too many rounds, but I must admit they have potential to be ear-wormy moving forward. The bridge itself shows some really good vocals from NingNing and Winter, however I wished the instrumental wasn’t as paced as it was. It really dampened Winter’s high note. I also felt like the final chorus and outro was missing some added concentration in its instrumentation and intensity to signal the end of the song and give us an unforgettable ending. The vocals were all there, but (again) the instrumental felt like it was holding everything back. I wished there was more to Drama, just to make the song more satisfying and have a more energised chorus.

What a super cool music video. Drama has a lot going on, in terms of a plotline and amazing yet simple choreography shots that just give off so much impact. The consistent red on black makes re-emphasises the seriousness of the video and song. While I am not entirely sure what exactly is going on in the video, the video opens up with four intriguing rules that give off a sense to not trust anyone, even the other members from the looks of it. There is also an epic sword fight between the members during the first chorus sequence. As already mentioned, the choreography shots where the members are dressed in black, dancing on the red platform and surrounded by dancers was a very simple yet looked so effortless. The second verse showed a really cool montage of the members dancing (with the dancers) with nothing but pitch darkness surrounding them and the lighting purely focused on them. The outdoor dance location in the carpark with the cars going around them in circle was also an amazing set of scenes.

The performance looks pretty good, as well. I did feel like it was lacking a defining move, as nothing really jumped out at me with that potential. But I did like their more sensual focus in this routine, particularly with the abundance of slower and deliberate movements.

Song – 7.5/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 8.1/10

[Review] LALALALA – Stray Kids

Stray Kids is officially back with a brand new single titled LALALALA, which is the lead single off their 8th mini-album, ROCK-STAR. This releases follows from an already busy 2023 for the group, which has consisted of a studio-length album (headlined by the single S-Class, which has been nominated for multiple awards in the 2023 KPOPREVIEWED Awards), 2 Japanese comebacks (The Sound and Social Path – both of which has been nominated for an award in the 2023 KPOPREVIEWED Awards, as well), the continuation of their MANIAC world tour and their 5-STAR Dome Tour (just to name a few key event/releases).

For me, the standout moment in LALALALA is its chorus. It is definitely a continuation of the dynamic and bombastic energy that the group have continuously presented to the audience in their choruses over multiple songs. LALALALA‘s beat translates into foot-stomping energy (which goes hand-in-hand with the performance), while the chorus lines were short, snappy and hooky. The shouty delivery does mean the chorus forgo melodies, but I am not too troubled by it. But nonetheless, it is a sequence that I would gladly go back to. Similarly, the outro sequence, featuring Seungmin and Lee Know’s vocals and Bangchan’s falsetto, ends LALALALA extremely well. On the other hand, the rest of LALALALA just doesn’t feel memorable enough – this comment only comes after a lot of listens to LALALALA under the belt. Yes, the rest of LALALALA (i.e., the verses and bridge) has everything you expect when it comes to a Stray Kids title track, such as powerful rapping and the energy from these sequences never lets up. And I wish to emphasise that the verses and bridge are not bad in any way. But there just wasn’t anything new in these sequences, which made LALALALA feel plain by Stray Kids’ standards and leaves me disappointed with LALALALA. Great centrepiece, but LALALALA could have been better had the rest of the song done more.

Once again, the cinematography seen in the music video is amazing. Particularly, the drone shots at the end of the video were epic and showcases the scale that is LALALALA‘s music video when everyone from all corners of the video are performing LALALALA with the group. From what I can gather from Stray Kids’ reaction to the music video, it begins with the marching band kids (a recurring set of costumes in Stray Kids’ music video) we see throughout the video feeling four types of emotions on stage – anger, happiness, sadness and pleasure, represented by the Hanja characters (and probably all the different settings we see in the video). But as the video progresses, 3 emotions (anger, happiness and sadness) disappear, leaving only pleasure (‘rak’ as pronounced in Korean) behind, highlighting that the kids ultimately felt pleasure whilst performing on stage. Stray Kids’ themselves also theorised that the eight kids on stage are younger versions of themselves (by drawing parallels to their height), which then provides the meaning that Stray Kids feels pleasure whilst performing on stage.

Stray Kids really know how to put on a performance, and I feel that LALALALA‘s performance is testament to that. I really liked the vibration parts at the start the choreography and the foot-stomping in the chorus really channels the energy of LALALALA super well.

Song – 8/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 8.5/10

[Weekly KPOP Chart] 1st Week of November 2023

Welcome back to the Weekly KPOP Charts, this time for the 1st Week of November 2023. Sorry that this post is a week delayed. Hence, it is a super short post. ICYMI – the 2023 KPOPREVIEWED’s launched this past week with the nominations announced on 5 November and KPOPREVIEWED’s Choice on 10 November. Voting will begin on the 15 November 2023, so keep your eyes open for the post with the link to vote! Other than that, back to the usual transmissions of post from later today!

Recap of the 1st Week of November 2023

Here is a recap of what I posted:

  • song reviews for a new release (NiziU’s HEARTRIS, TAEMIN’s Guilty, VIVIZ’s MANIAC and Golden Child’s Feel Me),
  • song reviews for older releases (tripleS’ Rising), and
  • album reviews for TREASURE’s REBOOT.

Joining all those new releases above this week are the following songs:

  • Trust Yourself – Jeong Inseong (KNK)
  • X.O.X – Moon Jongup
  • ONLY FUN – XODIAC
  • Algorithm – Heejin (ARTMS)
  • YOUTH!!! – CATCH THE YOUNG
  • Screen Time – EPIK HIGH ft. HOSHI (SEVENTEEN)
  • Signal – Roa (Rocking Doll)
  • On My Youth – WayV
  • VROOM VROOM – Weeekly
  • INDEPENDENT WOMAN – eite
  • NEVERLAND – NINE.i
  • LIFE – Kim Feel
  • ROSETTA – pH-1 ft. MILLI
  • Standing Next To You – Jung Kook (BTS)
  • MEGAPHONE – CRAVITY

The Charts

Congratulations to TAEMIN and his comeback single Guilty for debuting at the top of my Weekly KPOP Charts for the 1st Week of November 2023. For more of the charts, keep on scrolling down below.

Pos.SongArtistChange
1GuiltyTAEMIN (SHINee)(NEW)
2God of MusicSEVENTEEN(▼ 1)
3HEARTRISNiziU(NEW)
4Screen TimeEPIK HIGH ft. HOSHI (SEVENTEEN)(NEW)
5AlgorithmHeejin (ARTMS)(NEW)
6VROOM VROOMWeeekly(NEW)
7YOUTH!!!CATCH THE YOUNG(NEW)
8Fact CheckNCT 127(▲ 10)
9Feel MeGolden Child(NEW)
10Top or CliffKim Sejeong(▲ 36)
11TROUBLEEVNNE(▲ 6)
12SomebodyD.O (EXO)(▲ 79)
13HeartDAWN(▲ 54)
14Love ItYOUNITE(▲ 2)
15MANIACVIVIZ(NEW)
16Love EffectONF(▲ 24)
17fBobby (iKON)(▲ 74)
18Listen To The SongPark Boram(▲ 73)
19VoyageKim Sejeong(▲ 31)
20So I DancedDPR IAN(▲ 71)
21Chasing That FeelingTXT(▼ 14)
22I Love My BodyHWASA (MAMAMOO)(▼ 8)
23BaddieIVE(▼ 10)
24C’monJINI ft. Aminé(▲ 9)
25You & MeJENNIE (BLACKPINK)(▼ 10)
26BYOB (bring your own best friend)Billlie(▲ 65)
27nothing butYoung K (DAY6)(▲ 2)
28Get A GuitarRIIZE(▲ 63)
29Talk SaxyRIIZE(▼ 23)
30Either WayIVE(▲ 25)

Songs leaving the charts

The following songs have wrapped up their nine week run in the charts system, and will no longer be on the charts from next week:

[Special] 2023 KPOPREVIEWED Awards – KPOPREVIEWED Choice

Welcome to the KPOPREVIEWED Choice post for the 2023 KPOPREVIEWED Awards! Today, you will find out whom I have picked from the nominees under each category of the 2023 KPOPREVIEWED Awards.

As there is a fair bit of categories to get through, I have split them over three pages under this post. You can find weblinks to the pages at the top or bottom of each page, or you can navigate to via the numbers at the bottom of each page.

On 15 November 2023, I will be posting the official link for you, the fans and audience, to begin voting. A reminder that officially begins at 12AM AEDT.

But until then, I present to you my/KPOPREVIEWED’s Choice of 2023 KPOPREVIEWED Awards.

Page 1 – Artist Categories (this page)
Page 2 – Performance, Visuals & Comeback Categories
Page 3 – Song & Album Categories

Artist Categories

Best New Group and Soloist Awards

Best New Male Group of 2023 Nominees: BOYNEXTDOOR, EVNNE, RIIZE, THE WIND, xikers, ZEROBASEONE

Best New Female Group of 2023 Nominees: EL7Z UP, FIFTY FIFTY, KISS OF LIFE, LOOSSEMBLE, ODD EYE CIRCLE, tripleS

Best New Female Soloist of 2023 Nominees: CHUU, JIHYO (TWICE), JINI, JISOO (BLACKPINK), MIJOO (LOVELYZ), ROA (ROCKING DOLL)

Best New Male Soloist of 2023 Nominees: JAECHAN (DKZ), JIMIN (BTS), Joohoney (MONSTA X), Jimin (BTS), Jung Kook (BTS), RM (BTS), V (BTS)

Most Underrated and Rising Star Awards

Most Underrated Artist of 2023 Nominees: cignature, CSR, LUCY, NMIXX, SECRET NUMBER, THE NEW SIX (TNX)

Rising Star of 2023 Nominees: DKB, CRAVITY, FIFTY FIFTY, H1-KEY, KWON EUN BI, XDINARY HEROES

Best Band, Rap and Vocal Performance Awards

Best Band Performance of 2023 Nominees: FTISLAND (for Sage), LUCY (for HAZE), ONEWE (for Omnipresent), ROLLING QUARTZ (for FEARLESS), W24 (for Voyager), Xdinary Heroes (for Break The Brakes)

Best Rap Performance of 2023 Nominees: AGUST D (BTS) for Haegeum, Dynamic Duo & Lee Young Ji for Smoke, J-HOPE (BTS) for on the street, MARK (NCT) for Golden Hour, RM (BTS) for Wild Flower, Stray Kids’ Rappers for S-Class.

Best Vocal Performance of 2023 Nominees: Ailee for I’ll Hold You, AESPA ft. Naevis for Welcome To My World, APINK for D N D, BIG NAUGHTY & Lee Suhyun (AKMU) for Hopeless Romantic, BTOB for Wind & Wish, LUCY for HAZE.

Best Subunit Award

Best Subunit of 2023 Nominees: BSS (SEVENTEEN), NCT DOJAEJUNG, NCT DREAM, MAMAMOO+, MOONBIN & SANHA (ASTRO), T5 (TREASURE)

Best Soloist Awards

Best Male Soloist of 2023 Nominees: AGUST D (SUGA – BTS), KAI (EXO), KANG DANIEL, KEY (SHINee), TAEYANG (BIGBANG), WOODZ

Best Female Soloist of 2023 Nominees: HWASA (MAMAMOO), JEON SOMI, JO YURI, KWON EUN BI, LEE CHAE YEON, SUNMI

Best Group Awards

Best Female Group of 2023 Nominees: (G)I-DLE, aespa, IVE, LE SSERAFIM, NewJeans, TWICE

Best Male Group of 2023 Nominees: ATEEZ, NCT, SEVENTEEN, STRAY KIDS, THE BOYZ, TXT


Page 1 – Artist Categories (this page)
Page 2 – Performance, Visuals & Comeback Categories
Page 3 – Song & Album Categories

[Review] CRUSH – ZEROBASEONE

One of the most successful debuts of the year (and in KPOP ever) has made their first comeback this week. Previously, ZEROBASEONE set records with their 1st mini-album Youth In The Shade, such as becoming the most pre-ordered debut KPOP album and being the first ever KPOP debut album to sell more than 1 million copies. This week, the group returns with their 2nd mini-album, Melting Point, and the lead single CRUSH.

CRUSH starts off strong, in my opinion. YUJIN’s smooth vocals to open up the song, TAERAE’s powerful line, RICKY and GYUVIN’s punchy delivery, JIWOONG’s slightly shouty rap line and MATTHEW’s sleek rapping all came together to create quite a first verse. I also enjoyed the the incline in the instrumentation towards the chorus. But things started to unravel when CRUSH opts for a descending melody to lead into the first chorus. I am not a big fan of the cluttering drum line that takes centre stage in CRUSH. While it is undeniably striking, it is also very jarring and detached from the rest of the instrumentation. The vocals also take on a shouty motif, which makes sense given the group has to channel the same energy in order to be heard over the drum line. But it also feels unimaginative. Somehow, the drumming does meld well into the second half of the chorus. While I do like the more melodic turn this half of the chorus takes, I do find it a bit plain and unexciting. If the song opted for a structure like the one final chorus but with a much stronger melody, I would have enjoyed CRUSH a lot more. The second verse comes along and features some rapping, but nothing as memorable as in the pre-chorus (which we do get a repeat of). CRUSH‘s bridge was a bore and there is nothing to remember it by. While CRUSH does attempt to do something bolder with the clanging drumline, that itself doesn’t sit well with me. And everything else, aside from the first verse and final chorus (albeit a strong melody), just didn’t feel memorable enough.

The music video is pretty cool. The post-production special effects, which made the members feel statue or art-like, definitively took the video to the next level. The cinematography of these same shots look super cool. ZHANGHAO’s shots at the start and end were without doubt the most memorable shots of the video, with the knight armory and sword in the rock. It made think of King Arthur and the Excalibur. I feel like there should be story in all of this, but I am not entirely sure. I wished the song had a similar effect.

The synchronisation makes for a very cool dance performance. I did wish the moves were sharper, just to give the performance a greater knife-edge impression. But it was a good routine, overall.

Song – 6/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 7.4/10

[Special] 2023 KPOPREVIEWED Awards – Nomination Announcement

Welcome to the Nomination Announcement post for the 2023 KPOPREVIEWED Awards! Today, you will find out whom I have nominated under each category of the 2023 KPOPREVIEWED Awards.

In total, 36 categories and the nominations associated with the categories, are announced today. As there is a fair bit of categories to get through, I have split them over three pages under this post. You can find weblinks to the pages at the top or bottom of each page, or you can navigate to via the numbers at the bottom of each page.

On 10 November 2023, I will be posting the KPOPREVIEWED (i.e., my) Choice of winners for the 2023 KPOPREVIEWED Awards. And voting will officially begin on 15 November 2023 at 12AM AEDT.

But until then, I present to you the nominees for the 2023 KPOPREVIEWED Awards.

Page 1 – Artist Categories (this page)
Page 2 – Performance, Visuals & Comeback Categories
Page 3 – Song & Album Categories

Artist Categories

Best New Group and Soloist Awards

Best New Male Group of 2023 Nominees: BOYNEXTDOOR, EVNNE, RIIZE, THE WIND, xikers, ZEROBASEONE

Best New Female Group of 2023 Nominees: EL7Z UP, FIFTY FIFTY, KISS OF LIFE, LOOSSEMBLE, ODD EYE CIRCLE, tripleS

Best New Female Soloist of 2023 Nominees: CHUU, JIHYO (TWICE), JINI, JISOO (BLACKPINK), MIJOO (LOVELYZ), ROA (ROCKING DOLL)

Best New Male Soloist of 2023 Nominees: JAECHAN (DKZ), JIMIN (BTS), Joohoney (MONSTA X), Jimin (BTS), Jung Kook (BTS), RM (BTS), V (BTS)

Most Underrated and Rising Star Awards

Most Underrated Artist of 2023 Nominees: cignature, CSR, LUCY, NMIXX, SECRET NUMBER, THE NEW SIX (TNX)

Rising Star of 2023 Nominees: DKB, CRAVITY, FIFTY FIFTY, H1-KEY, KWON EUN BI, XDINARY HEROES

Best Band, Rap and Vocal Performance Awards

Best Band Performance of 2023 Nominees: FTISLAND (for Sage), LUCY (for HAZE), ONEWE (for Omnipresent), ROLLING QUARTZ (for FEARLESS), W24 (for Voyager), Xdinary Heroes (for Break The Brakes)

Best Rap Performance of 2023 Nominees: AGUST D (BTS) for Haegeum, Dynamic Duo & Lee Young Ji for Smoke, J-HOPE (BTS) for on the street, MARK (NCT) for Golden Hour, RM (BTS) for Wild Flower, Stray Kids’ Rappers for S-Class.

Best Vocal Performance of 2023 Nominees: Ailee for I’ll Hold You, AESPA ft. Naevis for Welcome To My World, APINK for D N D, BIG NAUGHTY & Lee Suhyun (AKMU) for Hopeless Romantic, BTOB for Wind & Wish, LUCY for HAZE.

Best Subunit Award

Best Subunit of 2023 Nominees: BSS (SEVENTEEN), NCT DOJAEJUNG, NCT DREAM, MAMAMOO+, MOONBIN & SANHA (ASTRO), T5 (TREASURE)

Best Soloist Awards

Best Male Soloist of 2023 Nominees: AGUST D (SUGA – BTS), KAI (EXO), KANG DANIEL, KEY (SHINee), TAEYANG (BIGBANG), WOODZ

Best Female Soloist of 2023 Nominees: HWASA (MAMAMOO), JEON SOMI, JO YURI, KWON EUN BI, LEE CHAE YEON, SUNMI

Best Group Awards

Best Female Group of 2023 Nominees: (G)I-DLE, aespa, IVE, LE SSERAFIM, NewJeans, TWICE

Best Male Group of 2023 Nominees: ATEEZ, NCT, SEVENTEEN, STRAY KIDS, THE BOYZ, TXT

Best Overall Artist of 2023 – Grand Award

Once again, you will be help decide, in combination with my Weekly KPOP Charts, who will be awarded the ‘Best Overall Artist of 2023”. Think it like the Artist Daesang that is awarded at the end of the Korean award shows for the biggest and most successful artist of the year.

All you have to do is name 1 to 3 Korean artists in the voting form, once voting begins on 15 November 2023. It can be any artist from any category above, or another artist (provided they released music between 1 November 2022 to 31 October 2023) who you think is worthy of becoming the ‘Best Overall Artist of 2023’.


Page 1 – Artist Categories (this page)
Page 2 – Performance, Visuals & Comeback Categories
Page 3 – Song & Album Categories

[Review] Feel Me – Golden Child

It has been over a year since Golden Child’s last Korean comeback with the single Replay and the mini-album AURA. Apart from one Japanese comeback (CRAYON), the group has been fairly quiet. That was until yesterday, when the group released their newest single Feel Me and the single album of the same name. The group is currently down one member – this time being Y (who is carrying out his military enlistment), while the group did regain Daeyeol (who completed his military enlistment earlier this year).

Feel Me brings a very satisfying and enjoyable dose of rock to the table. It had me feeling the track from the very first listen I have Feel Me yesterday. I really like the retro profile that the rock elements in Feel Me has, which is a refreshing change to the ongoing rock presence that is happening in KPOP. Both the drumming and guitar work in the background just hits me in the right spot when I listen to the song, though I think more bite to the guitar riffs at the end of the song. Feel Me also features some atmospheric synths in the background, which complements the rock sound extremely well. All of the instrumental works hand-in-hand with the members vocals, which brings some really nice and crisp melodies to the song. All of this creates a very delicate atmosphere, yet also keeps Feel Me punchy and dynamic as you would expect from the rock genre. The rapping was nicely done, working towards the subdued nature of the rest of the song, rather than overpowering with an intense sequence. Come to the think of it, I also quite liked the contrast between the verses and choruses. The high note and electronic glitchiness that occurs in the lead into the final chorus was serves well as the peak of Feel Me. However, I wished this was backed up with some more prolific ad-libs to just give the final sequence a bit more edge. The wait that Woolim Entertainment made us go through was definitely unenjoyable, but I am glad that Golden Child was able to return with such a good song after this year hiatus.

Feel Me tells us the story of youth who have grown together, expressing the beauty of youth and a comforting message (taken from Soompi). And we see that in the music video, with the members hanging out with one another – having fun and also go through some hard times with one another. I also think the video highlights the concept of losing someone, which could be due to different circumstances, such as the members going separate ways. Someone on YouTube did point out that 2024 is Golden Child’s 7th year since their debut, which usually means contracts are up for renewal (though I am hoping this group continues on past 7 years). It is a good portrayal of the ‘coming of age’ concept, which I am sure everyone can really relate to in some way. The haziness of the video was a nice touch, as it makes us feel like we are reminiscing Golden Child’s story in this music video.

Choreography-wise, I like how it feels pretty breezy and not as intense. This complements the music extremely well. No move really stands out. But I have to admit, seeing them perform Feel Me hits differently. Solid performance skills and delivery definitely made Feel Me worthy of a few replays.

Song – 9/10
Music Video – 8.5/10
Performance – 8/10
Overall Rating – 8.7/10

[Review] MANIAC – VIVIZ

It has been fairly quiet from VIVIZ lately, with their last release being PULL UP from January of this year. The female group makes their comeback today with the single MANIAC, which is the lead single from their 4th mini-album, Virus.

MANIAC is another song to fall into the subdued trend that is happening in KPOP. But it falls quite hard into the trend, as I don’t feel there is much going in on the song. More on this in a second. Describing MANIAC as subdued is quite an interesting takeaway for me, given there are rock elements in the chorus that does help boost the profile of the song. I really like the crunchiness that these rock elements bring to MANIAC and being subdued with rock elements does bring an intriguing factor to the song. There is also a slight grooviness to the song, as well. But beyond that, everything else feels flat. The vocals felt very processed, and I am not sure if all of it was necessary. Furthermore, there isn’t much character to VIVIZ’s vocals, which also contributes to the flatness of the song. MANIAC also falls flat on the melody front, with nothing sparking any interest from me. There are some decent moments in the song which do speak to me, such as the opening hook of MANIAC‘s chorus and the flow of the bridge. But these only add up to making MANIAC an alright listen. I do hope that more listens do help me get into the song, as it has only been a few hours since MANIAC‘s release. But I am probably not going to hold my breath over that.

The music video does feel a lot more interesting, as it shows an alternative reality where VIVIZ, who are a band who has been through some rough times in this alternate reality, splitting up and going their separate ways. It starts with SinB stepping away with a solo career, then Umji leaves Eunha behind to do some travelling and Eunha ends with an office job. But the love the members have for each other bring them all back and their reunite in the end. I am not entirely sure if that is the real story behind the music video, as I can’t work find the meaning of the lyrics or the song’s message anywhere on the internet. But for now, my interpretation makes sense in my head and I quite like the story it is telling me. Aside from that, the colours in the music video look super nice and dreamy, which I think works well with the group.

The choreography for the comeback is pretty good. It brings out a slight sensual energy and fits in well with the song as is. I do hope that diagonal formation bit occurs on stage, as that formation used as a transition looks cool.

Song – 6/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 7/10

[Special] 2023 KPOPREVIEWED Awards – Coming Soon

It is my greatest pleasure to announce that the KPOPREVIEWED Awards is coming back for 2023!

Once again, it has been a crazy year of amazing songs, captivating performances and show-stealing comebacks from our favourite artists, including some who return after a lengthy hiatus – proving to the audience that they still got what it takes to thrive in this industry.

Below are the key dates for the 2023 KPOPREVIEWED Awards:

That’s right, voting this year reopens for a 2-month period. So there is plenty of time for you to think long and hard who you think is the best artist, which performance was the most stunning and which was your favourite song of 2023.

Just a quick side note: due to a holiday I am taking in January and February 2024, I won’t be able to finalise the winners until the end of February 2024. I know it is a lengthy wait and I do apologise for that, but this is in consideration of what happened earlier this year and the amount of time it took me to finalise the 2022 KPOPREVIEWED Awards after voting closed.

Anyway, important details below in terms of the eligibility period for the artists, performances and songs nominated (or can be nominated in terms of the Grand Award categories):

  • An artist is eligible for nomination provided they released a song between `1 November 2022 to 31 October 2023.
  • A song is eligible for nomination provided it was released between 1 November 2022 to 31 October 2023.
  • An album is eligible for nomination provided it was released between 1 October 2022 to 30 September 2023.
  • A performance is eligible for nomination provided it was performed between 1 November 2022 to 31 October 2023.

And with that out of the way, here are the categories for this year’s KPOPREVIEWED Awards:

Please note that the Blog related and KPOPREVIEWED Decided categories are not fan-voted categories and winners will not be unveiled until 29 February 2024.

So tune in on the 5 November 2023 to find out who is nominated this year in the 2023 KPOPREVIEWED Awards, which will be followed by the KPOPREVIEWED Choice on 10 November and then fan-voting beginning on 15 November 2023.

[Review] Rising – tripleS

tripleS is one of the debuts this year that I have yet to review on the blog. Today, I will finally get around to reviewing their March 2023 debut with lead single, Rising, from their debut mini-album Assemble. What makes tripleS an interesting debut is that the group is still expanding via the addition of new members to reach the group’s confirmed 24 member lineup. As such, throughout 2023, tripleS has seen the addition of new members to form new subunits – +(KR)ystal Eyes, Acid Eyes, LOVElution and EVOLution (I will be returning to reviewing these unit’s releases in the future). But as of today, 16 members have been announced as part of tripleS’ final lineup, with more subunits and new members on the way. tripleS’ debut back in March with Rising only features 10 of the members – Yoon Seo-yeon, Jeong Hye-rin, Lee Ji-woo, Kim Chae-yeon, Kim Yoo-yeon, Kim Soo-min, Kim Na-kyoung, Gong Yu-bin, Kaede and Seo Da-hyun.

Rising definitely heads in the right direction in terms of a being a standout debut track. While I didn’t pay too much attention to the track when it was first released, I did turn my head towards the debut track a few times since then. And those few times have managed to convince me that Rising is a likeable track. Rising‘s rhythmic groovy instrumental and beat is quite sleek and keeps the song moving along. It also gives off a subdued vibe to the dance pop track, which is very much on trend in the KPOP industry. The instrumental steers closer to the pop genre as we get into the chorus territory, and I liked the bright and boosted energy they manage to give off during this sequence. The “La La La” in the background is a catchy element that I am surprisingly not tired over despite it being repetitively looped. The instrumental sequence we get following the post first chorus and its flourishes keeps the dynamic energy going. The vocals and rapping from tripleS in Rising is very solid and that subdued vibe comes off in a charming manner through their delivery. But while I do like Rising, there are some flaws and lacking elements that ultimately holds back the track for me. The biggest flaw is that Rising‘s shortness, which I also see as a strength. I liked that Rising is filling, as it does have a fair bit to it in a short amount of time and doesn’t mess around with that. But at the same time, the shortness does mean there isn’t opportunity for Rising to do more, such as having a similar (but not the same) instrumental sequence following the final chorus. In addition to that, I feel like Rising also lacks a catchier centric hook and melodies that could have taken the song to the next level. But overall, a very strong debut effort that I honestly should have reviewed earlier.

The music video sees the group hang out with one another after the sun goes down to dance, watch dance performances with one another and attend a concert of their favourite artists (i.e., themselves). The video highlights Rising‘s lyrics well, which calls out society for saying they support the dreams of individuals, but ultimately looks down on the individual who want to be different. In the video, it is the group’s love for dance that people say they support, but the same people who gives them weird looks for pursuing that passion – such as the other school students at the bus stop. By extension, sneaking out at night probably alludes the members parents do a similar thing to them. But the video also does show that the members have each other and are connected with one other by their common dream. I also like how the video ends with how it started, with the members sleeping on the bus travelling home after a busy night.

The choreography is good, but I think it could have been better. The routine could have been more polished with better synchronisation between the members on stage. I also felt like the members were pretty focused on looking cool and serious, which resulted in the dance moves looking less powerful then what it could have been.

Song – 8.5/10
Music Video – 8/10
Performance – 7/10
Overall Rating – 8.1/10

[Review] Guilty – TAEMIN (SHINee)

After over a 2 year hiatus as a solo artist (due to his mandatory military enlistment), TAEMIN is officially back with a brand new mini-album and title track, both of which are titled Guilty. The last time we heard from TAEMIN (as a solo artist) is through his Advice comeback in 2021. More recently, following the completion of his military enlistment, TAEMIN did return as part of SHINee’s comeback HARD from earlier on in this year.

Haunting is how I would personally describe Guilty. And it does that from the very first second, thanks to the instrumentation. The mix of some low beats and orchestral elements makes Guilty super atmospheric and evocative. The orchestral elements also adds a striking component to the song, at the same time. This in combination with TAEMIN’s vocals creates quite a piece. TAEMIN captivates with his singing in Guilty. For the most part, he sings in a slow and dragged out manner. It feels sensual and sultry, which is a style that we know that TAEMIN does best. We also get some powerful moments from TAEMIN via high notes and some stronger and really heavenly vocal work at other points in Guilty. The second verse also features some rapping from the soloist, which fits in amazingly well, and some deep whispery vocals in the pre-choruses that adds to that haunting vibe that I mentioned at the start of this section. Guilty is also definitely well-produced, with a lot of thought put towards the planning of when the vocals or instrumental comes into play. This just makes Guilty even more riveting and captivating to listen to, overall. If I had to be critical about something, I would have like more memorable melodies. But honestly, the music and vocals take care of that side of things for Guilty anyway.

The music video features a zombie-esque storyline (how fitting for the day before Halloween). But rather than it being gory and another horror conceptualized music video (beware – there is still some of this, like the emerging hands that looks like it was going to bend his neck just before the first chorus, but we are shown soon after that TAEMIN is just jerking around like zombie and TAEMIN’s zombie bite mark which he digs his fingers into), there is actually more to the video than just brain eating zombies. The zombie virus shown in the video is compared to the idea of selfish love portrayed in the lyrics of Guilty, where it causing pain to the other person while claiming it as one’s own way of loving (taken from SOOMPI). It is definitely a different and unexpected take on something that is quite terrifying and it keeps it quite terrifying. TAEMIN’s acting in this video is superb, with the zombie-like jerking throughout the video and the emotions you can see on his face when he is stilled and thinking about his lover.

If what we see in the music video is the choreography (i.e., the jerky movements that we saw during first chorus), then this is going to be a routine that you do not want to miss. It feels very artistic and contemporary. The ‘arm under the shirt’ move brings a sensual vibe to the table, which I thought looks very cool. The rest of the routine that we did see in the music video also captures the music quite well. For now, I am giving it a 9/10, just because it is unknown what the entire routine will look like. But it can be an easy 10/10 should the stage performance for Guilty replicate all of what we see in the music video (and I will return to update the review accordingly if that is the case).

Song – 9/10
Music Video – 10/10
Performance – 9/10
Overall Rating – 9.3/10

[Review] HEARTRIS – NiziU

NIziU is JYP Entertainment’s resident Japanese female group, who made their debut back in 2020, following their formation through the survival program Nizi Project. Since then, they have released an abundance of title tracks, including Step and a Step, Take A Picture, Poppin’ Shakin’, Clap Clap, Paradise and Coconut. But today, NiziU makes their South Korean debut with the single album Press Play and the title track HEARTRIS.

HEARTRIS is a playful and cutesy synth-pop track that, from what I know of NiziU, suits the group quite well. If you haven’t noticed, the song’s title, HEARTRIS, is a play on the ‘Heart’ and the infamous ‘Tetris’ game. Parts of the synth work for this song resembles the 8-bit style of the background tune that you hear while playing a game of Tetris. But to suit the group and give it some modern zing, HEARTRIS‘ background is a lot poppier and much more colourful, which still works super well. We also get some cool piano-like work in the verses’ background and a dreamier motif that serves as the song’s pre-chorus. It is definitely a nice relief from the constantly energy that comes from the 8-bit styled instrumental. The vocal work HEARTRIS is super strong, working effortlessly to convey the cutesy melodies that are contained in this song. The rapping was also a great addition to the song, giving HEARTRIS a tinge of cool energy to make the song feel less ‘overly cute’. HEARTRIS‘ hooks are super catchy and addictive, as well. My favourite has to be the sing-song chanty “I’m coming down” post-chorus hook, which I honestly cannot get out of my mind. Overall, HEARTRIS is a very strong debut for the young yet seasoned group.

The music video sees the group following Felix (from Stray Kids), who is definitely known for his handsome looks. At first, I thought the group were following him because they had a crush on him, which is the path in which I would expect most KPOP music videos to go down. But instead, it turns out that they were following him for the blue teddy bear attached to his backpack. And Felix, well, he ended up falling into the manhole in the road. Guess it is not his day. Later on, it shown that the members have been busy, hunting for the teddy bears (and tricking countless people, at the same time) and have only one left to find. And that final teddy bear happens to go past their basement windows, which causes all of the members to spring into action to retrieve the bear (using whatever means necessary). Honestly, this was a very refreshing and lively take on a common KPOP music video trope, and makes for an interesting watch. I also like the anime version of the members and Felix.

The choreography for this debut is super cool. I really liked their use of angles in the routine, especially with the tutting we see towards the end. This angles is definitely the most recognisable part of the Tetris game, so it is a nice element to have in the choreography to connect the concept and the choreography together. The synchronisation and the members’ bubbly expressions, from what I can see in the music video, are also worth mentioning.

Song – 9/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 9/10


[Album Review] REBOOT (2nd Studio Album) – TREASURE

As mentioned in my last review for TREASURE last week (i.e. the kaboom version of their side track B.O.M.B), I would be posting an album review for REBOOT this weekend. And here it is! REBOOT dropped at the end of July with BONA BONA as the lead title track. Ahead of the comeback, TREASURE also dropped the until track MOVE, which is also featured on this album. In total, 10 songs feature on the album.

As the name of the album alludes, REBOOT kicks off a new era for TREASURE and I think the studio album really shows that. Some of the songs, especially in the beginning, holds true to that. While some other songs do fizzle out towards to the end. But nonetheless, REBOOT shows a promising future for TREASURE. Let’s hope that YG Entertainment doesn’t get lost (again) with what to do with TREASURE and ‘reboot’ them again.

REBOOT Album Cover

1. BONA BONA (Title Track)Click here to read the full review for BONA BONA. (8.5/10)

2. I Want Your Love – The element that wins me over in I Want Your Love is the instrumentation. The dance pop track features some really cool club beats and synths that reminds me of the music from ‘00s that I grew up on. The vocals and rapping were very solid efforts from the members. The vocals, particularly during the pre-choruses, also carry the same nostalgia. I really like the whispery underlay in the bridge, as well. I think a more memorable hook would have made I Want Your Love the ideal song. What we got was pretty good in itself, but it just lacks that really ear-worming effect. (9/10)

3. Run – When I hear Run, I find it very hard move away from the song. Run takes us down a very energetic rock path that has me bouncing along. Honestly, the energy that the members convey is enough for me to rate Run a 10/10. I also like the addition of electronic synths to give Run some zing, and a really cool and clangy hip-hop second verse. Their vocals and rapping were superb, pretty much keeping up with the dynamic tempo that the track was running (Ha!) at. That anthem bridge and high note at the end was really great, as well. (10/10)

4. MOVEClick here to read the full review for MOVE. (9/10)

5. G.O.A.T (ft. Lee Young Hyun of Big Mama) – The first unit track on the album is by the rap unit (Choi Hyunsuk, Yoshi and Haruto). The energy in this track is very show-stagey, which I am digging. The brass elements emphasises this further. I like the playful and dynamic approaches to the delivery which the rappers adopt,, which makes G.O.A.T a very fun and playful listen. The anthem chorus was perfectly executed by the members. Lee Young Hyun from Big Mama features on this track and she comes in towards the end. Her vocals and adlibs just effortlessly fitted into the rap-centric track, carrying us off in the end alongside the rappers in another head-banging end to the song. (10/10)  

6. Stupid (멍청이) – All members return for Stupid. The upbeat energy is toned by a small bit to make way for this vocally centric track. The track still pounds away with a heavy beat, but it also features some really nice acoustic guitar riffs in the background. Other than that, Stupid steers into pop energy territory, which comes off it was nostalgic, as well. It reminds me of some previous works by done previously by other YG Entertainment groups like iKON and BIGBANG. Unfortunately, the hooks aren’t there in comparison to the other songs on ahead of the track and I felt the drumming was little heavy handed, particularly when we entered the bridge of Stupid. (7.5/10)

7. The Way To (어른) – The vocal unit (Jihoon, Junkyu and Jeongwoo) stays on to perform The Way To, taking us down a balladry path. It is a beautifully orchestrally instrumented ballad, paced in a way that allows you to take everything in the track all in. You can feel the emotions behind the members vocals. I did think the melodies were slightly underbaked, with the vocals feeling “quite short” in terms of being drawn out to matched the pace of the ballad. But still a lovely listen. (7/10)

8. Wonderland – Summery beats and energy comes back into play alongside all of the members in Wonderland. While the track is a decent listen, I think Wonderland is my pick for the album’s plainest track. Everything in the track, from the instrumentation to the vocals/rapping, felt very ordinary. I also don’t feel much of TREASURE’s usual energy in the song. (7/10)

9. B.O.M.B – I reviewed the kaboom version of B.O.M.B already, so I will be taking my rating of that version to implement in this review. I also did make some comments on the album version of B.O.M.B in that review, so click here to read the full review of the kaboom version of B.O.M.B. (8/10)

10. Lovesick () – The final track on the studio album is Lovesick. It was previously featured on the group’s 1st Japanese mini-album, which was released last year. It is a wholesome and dreamy track to finish on. Lovesick features a simple instrumental, melodies and hooks – all of which makes it easy on the ears and is a nice way to ease out of the album. I can imagine having this track on the background, while staring outside the window and taking in the prettiness of a bright day. (8/10)

Overall Album Rating – 8.4/10

REBOOT Teaser Image