It is time to dive into another album. Today’s focus will be on Ong Seong Woo’s recently mini-album release, Layers. I am super excited to be reviewing this album for not other reason other than it is more recent album. I still have one other ‘older’ album to review, but after that, it is all April albums. I also am planning on bringing back the PARs (Past Album Review) segment, though I don’t know how regular that will be. But until I make a solid decision, let’s get stuck into today’s album review, which features both Ong Seong Woo’s We Belong (released in January 2020) and Gravity (released in March 2020).
2. Café (너를 위한 카페) – Café is a nice mellow pop song to listen to. There is an easygoing and soothing vibe in this song, which makes it extremely pleasant to listen to. It is definitely a song I wouldn’t mind sipping coffee to in a nice indie coffee shop. I also found the song extremely light and soft, which really goes hand-in-hand with Ong Seong Woo’s vocals. They are breathy and often in a falsetto direction, which was very appealing. Altogether, Café ended up have a golden-like and definitely a warming touch for fans to melt away to. (8/10)
3. After Dark (또, 다시 나를 마주한 채) – After Dark is a ballad that really pushes Ong Seong Woo’s vocals into the spotlight. He also sounds very breathy in this song. But he seems to throw more technique into the song, making it a fairly dynamic ballad to listen to. The instrumental is also another strong aspect of the song. Most ballads we think of take on board a classical or piano-centric background. But After Dark takes electronic synths to create a very slow yet delicate instrumental for this ballad. This has been done before by other artists, but it stills feel fairly unique to me. (9/10)
4. Bye Bye – As we continue down the tracklist, the songs just keep on getting better. One of the things that I wasn’t sure with Ong Seong Woo is which direction he would take his solo work in. And it seems like his default genre is pop, given this title tracks and now Bye Bye. This song has some hidden surprises, and this is one of the reasons why this song is so good. We are given autotuned vocals as soon as the song started. The chorus featured a very upbeat and bright instrumental, accented with a really cool hook consisting of the song’s title and brief mini pauses. The melody that his vocals encapsulates was also very appealing. The bridge throws funky saxophone synths that give the song some groove and interesting quirk, which all helped make Bye Bye extremely enjoyable. (10/10)
5. Guess Who – Guess You is the most experimental track on the album. I say that because the chorus was pretty much unexpected. I liked the classy vibes that the whistling or flute-like (along with that higher pitch vocals) infused into the song. The rest of the instrumental predominately featured really satisfying guitar work. I already touched upon Ong Seong Woo’s vocals for this song, but I liked how clean his standard vocal work is in this song. Throw in the deep ‘I Like It’ and ‘I Love It’ we get towards the ending and you have another really good track. (9/10)
Apologies for the lack of posts yesterday. I decided to take the night off and chill for a bit. But I will be posting the album review I had planned for yesterday, so I don’t fall behind any further. The artist in question is ITZY, who made their Wannabe comeback on the 9th of March. That means this album review is over a month late. Sorry again. But as I have saying a lot lately, better late than never. This is also my first album review for this high-achieving female group and my first impressions says I am very impressed. How so? Continue reading below!
2. Ting Ting Ting – IZTY continues the momentum that Wannabe had provided with Ting Ting Ting. And since the album’s release, I have been returning to this song (alongside Wannabe and a few others on this album) as it is so damn catchy and addictively energetic. The song features Oliver Heldens, who I am reading is a famous techno artist. I suppose he is the male voice that features during the chanting ‘La La La’ parts of the song, which was cool. I did notice a certain dull factor, when I compared this chanting section to the rest of the song. It was very minute but apparent to me. There is a bit of electronic influences in the instrumental, especially during the outro. But I am not sure if it is Oliver Heldens’ influence. The rest of the track seems to take on board a hip-hop type of profile, which I really enjoyed. (9.5/10)
3. That’s A No No – That’s A No No features an anthem-based sound, which helps drive the song to have an epic vibe. I like how the group doesn’t like they are messing around with the song. There is a very serious tone to it, despite it also being very catchy and addictive. I also thought hip-hop influences were very strong. The chorus has to be my favourite part, especially with Yeji and Lia’s lines in the chorus. With that being said, I give huge ticks to the vocal department in this song. The rapping was actually a miss for me, as I felt the trap influences in that section were too typical for my liking. But apart from that, fantastic song. (9/10)
4. Nobody Like You – Nobody Like You reminds me of the rock songs you would get from all those Disney shows in the past (back when Disney was in its prime). In addition to that nostalgia for me, the rock influences give off a head-banging vibe, which was very fun. There was a lot of other textures in the song, such as the heavy-thumping drums and some smoothness when they bring in the backing vocals to perform a choir-like backing. Both the rapping and the vocals were very pleasant, which is an odd term to describe a rock song of this nature. The members keep the song quite light and refreshing, which makes it a good song to keep returning to. (9/10)
5. You Make Me – I will be frank, I am disappointed with You Make Me. I thought the instrumental was interesting, as it hard a dirty type of hip-hop feel to it. And given it is a song with strong hip-hop roots, the rapping really shined in this song. Ryujin and Yuna really showed off their capabilities in this song. The vocals, on the other hand, was a hit and miss. The ‘You Make Me … Speechless’ is very memorable, without any doubts. The rest of the vocal work just didn’t sound good in this song. Sorry, but I had to say it. (7/10)
6. IDon’t Wanna Dance– I Don’t Wanna Dance is another pretty cool song from the group. The song, while there is decent melody and rhythm, actually isn’t a song that would automatically make you get up and dance to (relative to their other tracks on the album). It doesn’t have that appeal and the energy the song could have put on display was pretty much suppressed, which is why the song is interesting to me. But as mentioned, this doesn’t make the song terrible. The song still has the capability of having a performance and there would be an interesting chemistry in that regard. The rapping and vocal work in this song was also quite cool, which brought lightness to the song. (8/10)
7. 24HRS – We end the album with 24HRS, which is very different to the other JYP-based song titled 24 Hours. It is a fun track that brings together the some of the highlights of the album. The hip-hop vibes, the good vocal and rapping styles that I enjoyed on the album, the usage of chanting for the chorus, the addictive melodies. It had it all. It did end up being rather typical for some odd reason, as I didn’t really get much uniqueness from this song, in comparison to what else we have heard on this album. But it is still good. (8.5/10)
I take a break from the usual reviewing schedule to bring you the next album review (I know this isn’t Friday or Sunday, but it is a special album review). Over the last few weeks, AB6IX have been releasing music videos for each of their members. Each music video accompanies a solo track off the group’s latest digital mini-album, 5NALLY. I thought about how I wanted to review this as an album, or whether I thought I treat them as standalone releases. But then, I thought why not both. So I will be reviewing each solo track as I have been doing in Catch Up Reviews, combining the song, music video and performance reviews into one paragraph.
5NALLY Album Cover
Moondance (Jeon Woong Solo)
With all the members of AB6IX, I most unfamiliar with Woong as he is the new member of the group that we didn’t get to see prior to the debut of AB6IX. Moondance is a R&B track that packs a punch during the chorus. It starts out as a soft number, but quickly bring the thumping drums into the mix as the song builds to the chorus. The entire track becomes very dramatic in its sound and this allows for an amazing seductive dance sequence (more on that later). His vocals were superb in this song. Particularly, I draw your attention to the really low husky whispering tone we got for the bridge, followed a return to the chorus but with autotune to give the ending some texture. Altogether, the song definitely opens my eyes to Woong’s future as both a solo artist and as part of AB6IX. The music video is really aesthetically pleasing. I really liked the glowing moon the producers made Woong dance in front of, the furniture in the dark room with the floor covered in water and the really reflective dance floor. All these sets had a place in the video and were well utilized post-production of the video to make it extremely captivating. As hinted in an earlier sentence, Woong’s choreography for Moondance is quite seductive. I mean, Woong was grinding on the floor for like 30% of performance. When Woong wasn’t grinding on the floor, he did a damn well job on the performance, which used many smooth and fluid motions that made it look stunning. (9/10)
More (더 더) (Kim Dong Hyun Solo)
Kim Donghyun is one of the vocalists of the group and More shows off his vocals in a decent manner. I was caught off guard with Donghyun’s rap-speak section at the start of the second verse. Maybe something that could be used in some of AB6IX’s tracks? The pop song employs some synths to keep it modern and relevant to the current trends in the industry. But we aren’t talking about huge drops and heavy bass. Everything is kept relatively light and pleasant in this song, which reflect well with the sweet nature of the lyrics in the song. Come to the think of it, this is the polar opposite to what AB6IX releases, and I thought this was rather interesting. More had some good hooks that was pleasant, but none of them really grabbed my attention and this resulted into the song being easily forgotten. As for the music video, it looked very fluffy. And once again, it would be the polar opposite to any AB6IX’s music videos. Dressed in a pink suit and white turtleneck; hugging a teddy bear. I would never guess this would be a track from one of the AB6IX members. I did like ‘sets’ in the music video, namely the church and theater they performed in. They looked cool. The choreography was quite good. I liked chorus routine and how it matched up with the lyrics. Nothing that impressive but still pleasing to watch. (7.8/10)
Rose, Scent, Kiss (Lee Dae Hwi Solo)
Lee Dae Hwi is one of the more popular members of the group, given his time as part of Wanna One. One thing that Rose, Scent, Kiss highlights is the maturity behind his voice and an ability to go quite deep. Together, this made Lee Dae Hwi’s solo track stand out. The instrumental is very crunchy, which matches the texture that we get from his deep voice. The instrumental fuses trap and pop together in a rather typical way. But you can definitely hear the attitude behind it, which really helps draw further attention to this voice. I really enjoyed the Rose, Scent, Kiss whisper, which reminded me of fellow Wanna One’s member Park Ji Hoon’s 360. The music video opens up with Lee Dae Hwi’s monologue about moving between the age of 19 and 20. The rest of the music video was rather dynamic despite following the typical choreography and closeup formula. The dynamic nature of the video was thanks to Lee Dae Hwi’s captivating expressions during his closeup shots, the amazing set design, the flashing patterns in the background on the screen and the lighting throughout the video. I thought the choreography was great. I liked how Lee Dae Hwi is able to show off his own style in this performance and he isn’t afraid to show off some (what usually would be considered) feminine moves. (9.3/10)
Break Up (좋게 끝내) (Lim Young Min Solo)
Lim Young Min is the lead rapper in the group. But he also as an impressive set of vocals, which I don’t remember being used all that much in AB6IX’s tracks. Break Up takes on R&B, but it a lot more upbeat compared to R&B style that Jeon Woong opted for his solo track. Alongside his vocal work, his rapping is on point in this song. I did like the piano that made up part of the instrumental. It really help drive that emotional side of the song, which is all about breaking up. I just wish the song was a little more interesting. I wished the song didn’t stay overly consistent towards the end and I wished they added some sort of texture in addition to that high pitch synth that opened the song and appeared periodically. The brief pause at the end was going in that direction, but I wanted a bit more. The music videos seem pull elements from one another. Lim Young Min’s music video featured the water floor that Woong had in his video and brought along the cube structure from Lee Dae Hwi’s (Kim Dong Hyun’s music video featured the sofa and lampshade from Woong’s music video). But I liked how they managed to infuse some individuality to the music video, namely the phone booth, the use of the city imagery and the sports car. The choreography was good, but I wanted to see a bit more in the music video. There was a sensual side that Young Min was going for that was good, through the many body rolls. But that was all I could pick up from the stuff I saw for this track. (7.8/10)
Color Eye (Park Woo Jin Solo)
Alongside Lee Dae Hwi, Park Woo Jin is the other member that everyone knows of due to his time as part of Wanna One. Color Eye is probably your typical rapper solo song on a group album. The song delves into hip-hop and features both Woo Jin’s well known rapping style and the autotuned singing. To be honest, I found Color Eye to be a little lackluster in terms of suspense and was rather dull. There wasn’t much of a buildup to the song’s peak and it was fair too consistent for my liking. The instrumental was the more exciting bit, featuring a music box like sample, which gave off an eerie sound at first. I just wished they built upon this. The music video features that square screen that we saw in Young Min and Dae Hwi’s music videos. But this one flashes lights and patterns more aggressively. The post-production in this music video makes the video look very edgy and ‘dark concept’. I liked how they never really put Park Woo Jin into the spotlight, which does reflect well with the song. Park Woo Jin doesn’t seem to participate in the choreography, assumingly due to his injury. So I am going to forgo this part of the review for him. (6.8/10)
Kang Daniel has topped my Weekly KPOP Charts for the past two weeks with his new song, 2U. That song is featured on the soloist’s second mini-album, Cyan, which was released two weeks ago. I know there are other album releases which I should be reviewing released earlier than this album. But I couldn’t help but dive into this album first. I will get around to those albums in the next few album reviews. But in the meantime, here is my review for Kang Daniel’s Cyan.
Cyan Album Cover
1. Adulthood – Kicking off the mini-album release is Adulthood, which was released alongside Touchin’ in November 2019. It is a dance track with some R&B mixed into it, smoothing out the use of the island or house genres of EDM. I noticed that there was some very low rumbling in the background of this song, which stood out for some reason. Also the phone notification beeping that appeared now and then was pretty cool and related back to the lyrics of becoming an adult. Kang Daniel also seems to show off some vocal chops, going from falsettos to decent ab-libs. I also like how they incorporated his voice in the background of some sections. It helped bolden and define his vocals in a smart and neat way. (8/10)
3. Jealous – I swear that I don’t try to find a 10/10 song on each album (or give the best song on the album the perfect 10/10 ranking). But Jealous just falls neatly into the 10/10 category. The entire song capitalises on Kang Daniel’s husky vocals, which I am jealous of. The instrumental of the song is a wonderful mixture of peaceful piano sequences, interesting vocal filters and an upbeat electronic piece for the chorus. Everything comes together. Everything is very appealing and addictive. I just want to dive right back into the song as soon as it is over. One of the many signs that Jealous manages to show as a perfect song. (10/10)
4. Interview – Interview is a very smooth jazzy style track. The instrumental is very satisfying and it also features some piano as the icing on the ‘detail’ cake. The song has a really pleasant melody that really makes me want to dive back into it after the song wraps up. We get more of Kang Daniel’s husky voice in this song as well, which features throughout the verses of Interview. We lose the husky touch for the chorus, but it replaced with that smooth texture that the song already identifies with. We also get some rapping from the soloist, which I wanted more of. (9/10)
It has been a long time coming, but I finally getting around to reviewing IZ*ONE’s first studio album, BLOOM*IZ. It was released mid-February, but due to my poor time keeping, the album review is being published in April. As a result, I will be holding off on on future album reviews (excluding another one already scheduled for a later date) for album releases in February. This will allow for me to focus on March and April album reviews. Returning to our focus, IZ*ONE’s album features a number of unit tracks alongside the full group tracks. Some artists (especially those with many members) do this but it isn’t a common thing for so many tracks on one album to do this. Let’s have a deep dive into those tracks and more.
BLOOM*IZ Album Cover
1. Eyes – The opening song on any album should be captivating enough to engage the listeners. And I definitely think IZ*ONE nails this with Chaewon’s opening line. I just wished the rest of the album followed suit with this direction. For the most part it was good. But some moments really stuck out for the wrong reasons. I find the very low tone synth we hear at the start of each verse to be very odd selection for what is a very sweet song. The ‘Eyes On Me, yeah’ chant that the girls do at the start of the bridge/end of the song added an unnecessary child-like tone to the song. Even the high note just dissipated as soon it was unloaded. There were some good moments, such as the chorus and the rapping, but they just stayed in the shadows. (6/10)
3. Dreamlike– Dreamlike is performed by Yena, Sakura, Wonyoung, Hitomi, Hyewon and Eunbi. The track takes on board a synth-pop like instrumental and this reminded me of tropical house during the chorus. I have to say that the instrumental, particularly around the chorus, was not dream-compatible (like what the title suggested). But there was definitely a very refreshing and youthful tone to the song. For the verses, softness was the main theme. Their vocals fitted in very well, going for a light tone to compliment the refreshing ones I just mentioned. I also liked the smooth textures they introduced into the song. (8/10)
4. Ayayaya – Ayayaya featured the voices of Eunbi, Sakura, Hyewon, Chaeyeon, Chaewon, Minju, Nako, Yuri and Yujin. It is a catchy dance number that I really enjoyed listening to. I saw the performance of Ayayaya as part of their comeback showcase show and that made me a fan of the song. I liked the whistling and the synth-percussion, which gave the song have that upbeat feel. Their vocal work is a little lacking in this song, but it doesn’t get in the way of me enjoying the song. (9/10)
5. So Curious– In an earlier song, I mentioned how I didn’t like the child-like sounds that was incorporated. So Curious (performed by Yena, Chaeyeon, Chaewon, Minju, Nako, Hitomi, Yuri, Yujin and Wonyoung) was so full of this child-like tone that I cringed. But. Yes, somehow there is an exception to everything. So Curious ended up being so infectious and fun. The bubblegum-pop sound that the song went for was a success. I love how the song feels so tropical, fitting for the Summer season that Korea is about to enter. The marching drums in the bridge was a very nice twist to the song. (10/10)
6. Spaceship – Through Spaceship, we return to the full line-up of IZ*ONE. And the song had good rhythm and definitely a fast pace that is bound to attract some attention. Unfortunately, the lacked a strong hook to keep me around. While I understand cuteness is their main charm and the group does use it well in many songs, I find Spaceship to be a very typical application of this and doesn’t offer much in comparison to their unit tracks thus far. (7/10)
7. Destiny (우연이 아니야) – The first ballad-like song we get BLOOM*IZ is Destiny. And it is also the first full group song, apart from the title track, that I was hugely satisfied with. The song is not a slow ballad, as there is some pace in the chorus which helped make it stand out. The twinkling percussion, the drums and the violins really helped bolster the song. The electric guitar at the end was the icing on the cake for me. I also thought their vocals were very nice and sweet, which really helped sell this ballad to me. (8.5/10)
8. You & I – We are given double ballad treatment with the next ballad on the album following right off Destiny’s finish. You & I is more acoustic, featuring a simple guitar instrumental and the later incorporation of other instrumental. The song also enables for the focus to be purely on the group’s vocal work. And this was the obvious choice to show off that side of the group. My only concern is that the rapping component of You & I was unnecessary. But other than that, it was a good track. (8/10)
9. Daydream – Daydream is performed by a third of IZ*ONE, more specifically Eunbi, Chaeyeon, Minju and Yujin. And this was one of the standout songs on the album for me. There is a very sleek vibe in the song, which I thoroughly enjoyed. In addition to that, there is a subtle groove in the chorus, sticking out of this urban feel. The ending takes a bold turn, featuring textural synths, which were quite fun and different, making the song feel less ‘too consistent’. The line ‘Daydream ah!’ and ‘Don’t Wake Me Up’ for the chorus and post-chorus hook was definitely my favorite parts. (9/10)
10. Pink Blusher – Sakura, Hyewon, Nako, Hitomi and Wonyoung feature in Pink Blusher. Given the song’s title, I expected that the song would take a cutesy turn. No surprises (and spoilers) but I was right. I find that the song balanced on a very fine line between the cutesy sound and the cringy child-like sound that I already mentioned in this review. For the time being, I am happy to say that I perceive the songs falls on the cutesy sound, which in this case is totally fine. I really liked the rap speak section at the end of the song. If the song could be improved, I think strong hooks would have helped cement the song on the cutesy side of the line. (7.5/10)
11. Someday (언젠가 우리의 밤도 지나가겠죠) – Now, we are dealing with a quarter of the group (i.e. Yena, Chaewon and Yuri). This trio brings us the third ballad on the album and this is more so your expected ballad. It features that piano instrumental, which is later joined with violins and other instruments. Together, the track becomes a stunning piece of work. And the vocal line we have in this song show off their vocal capabilities, further extending that stunning impression that I just mentioned. (8/10)
12. Open Your Eyes – The final track on the album brings back all the members. It is one of those dance tracks (or songs in general) that really gives off a satisfying feel and this really helps brings the album to a decent close. The instrumental comes off as pretty dynamic and I liked the tempo at which it was at (it had that Goldilocks’ ‘just right’ feel to it). The vocals added a layer of refinement to the song. The only thing I thought they could have improved upon was, once again, a stronger set of hooks. But I was still happy with what the album closed off with. (8.5/10)
The next album to be reviewed is NCT 127’s Neo Zone, which was released a month ago on March. I am slowly catching up and hoping to move to some of the more recent releases over the Easter break while I (and the rest of the world) are stuck indoors. Neo Zone features the title track, Kick It; the song dedicated to fans, Dreams Come True, which was released back on the 27th of January (27/01); and the return of Jungwoo, who took a hiatus during the latter half of 2019. A recurring point I make in this review are about the group’s astounding vocals. Just a head up that things are going to get repetitive on that topic.
Neo Zone Album Cover
1. Elevator (127F) – Elevator is a great track to open the album. It features a bright tone and funky beat, which I thought was really cool. It also was not too heavy, making the track very approachable overall. It was very easy to fall into this track’s groove, as well. And I couldn’t help but continually replay this upbeat R&B song. The vocal work was pretty nice, but I think the rapping really gave it some definition, particularly Mark’s bridge. (9/10)
3. Boom(꿈) – Boom is not the same song as their fellow subunit’s song of the same title. Though I clear that up. Opening the track are some guitars, the track features stylish vocals. Even the rappers opted to sing in this dance track, which is slightly unusual. The instrumental that follows the opening guitar is a mixture of standard dance synths and subtle tropical house (for a change). The instrumental also incorporates some slow moments, which come off smooth and drags out the song in a stylish manner. The ‘Boom’ for the chorus was also rather memorable. (9/10)
4. Pandora’s Box (낮잠) – We get some jazzy R&B in Pandora’s Box. The chorus becomes a little more dance-intensive and featured a decent melody. What I thought was interesting with this song was they kept that jazzy R&B running throughout the background of the song. There were also impressive vocals all members, but Taeil’s section in the second verse, and (for obvious reasons) the ad-libs we get at the end of the song, somehow shines throughout the rest. The rapping was also another highlight of the track, bringing back old school KPOP rapping style. I also enjoyed how the song came to an end. (8/10)
5. Day Dream (白日夢) – The title of this song, Day Dream, already sounded like it was going to be a dreamy R&B. While listening to this song, I couldn’t help but imagine a golden haze shining on me, similar to like the sun shining on you as your stare out a window. I love how light this song feel, which is a different tone that we don’t get from NCT 127 (or any of NCT’s subunits) usually. The vocal work compliments this lightness, often opting for low tones or higher pitches. The chorus was very nice, as well. The only part I didn’t enjoy was the rapping, which disrupted the lightness for me. (7/10)
6. Interlude: Neo Zone– Not going to give this a rating as it contains no lyrics (and hence is just an instrumental track). But it isn’t just an instrumental track. It starts off as a classical piece. During this period, we are teased with a feeling of something dramatic is coming. And then, it turns into EDM. And we get that dramatic flair delivered in the song, which I thought was awesome!
7. Mad Dog (뿔) – Performed by just Taeil, Doyoung, Taeyong and Mark, Mad Dog is probably the most outrageous song on this album. Not outrageous in the sense that it is controversial or just downright terrible. But rather for its eclectic and crazy mixture of genres. The song is very much within the sphere of hip-hop. But we are greeted with hip-hop centered verses, a fitting (based on the title) aggressive chorus and a smoothed-out backdrop for the vocalists featuring in this track. (8/10)
8. Sit Down! – Continuing the hip-hop momentum that a subset of the group provided us in the preceding track, Sit Down! definitely delivers on the bold front with all the members. The instrumental may be a little more typical, but the way they prose the chorus makes it equally as aggressive (as the previous song). I just love the ‘Sit Down!’ that they literally shout at you. While the song may be built for more of the rappers to showcase their style, I found it very interesting that the song had really strong vocal moments throughout. (10/10)
9. Love Me Now(메아리) – We take a step back from the intensity front by focusing on an upbeat and bright EDM-track. And this is a good breather. There is also a very freeing feel to the song, which makes me want to get lost in its sound with multiple replays. Love Me Now brings forward more of the vocals that we heard in the previous song. I really like the opening lines to the chorus lines. It is catchy and refreshing, overall. (9/10)
10. Love Song(우산) – KPOP really loves their ‘Love Song(s)’, as we can all probably name an artist that has used Love Song as a title. NCT 127’s spin on the typical title is R&B and a story of a rainy day. The song continues to push forward with the vocals that I have been impressed with so far. I do find the melody in this song to be a tad choppy for my liking, but I can overlook that. What I can’t overlook is the rapping in this song. It doesn’t feel necessary at all and over complicated what should have been a simple song. (7/10)
11. White Night(백야) – White Night is a ballad. A typically sounding ballad, given its instrumental. But my usual comments apply to the song, in regard to the amazing vocal work that NCT 127 has brought to the album. The rappers also partook in the vocal work, but also tweaked their rapping to be fitting for the softer sound of the ballad. Also, big ticks on the harmony department, as that was something I noticed to be a strong point. (8/10)
12. Not Alone – I would consider the soft instrumental that sits in the background of Not Alone to be minimalistic. There seems to be changes in the use of soft synths and EDM for this song. But since it just sits in the background, it makes the vocals (yes, I am still praising them on this front) become magnified and so clear. Apart from the usual, I find the song to be blissful and peaceful. Definitely one to check out and hitting the replay button for. (10/10)
13. Dreams Come True – The final song on the album is a soft jazzy number dedicated to the fans. It was also released some time ago. The vocal work was stunning in this song (those harmonies during the chorus are just perfection) and the rapping (in this song) is well-justified. It isn’t the most mind-blowing song on the album, but it definitely nice to end the album on a positive and thankful note. (8/10)
It is time for another album review! And (once again) it an album that I should have reviewed a while back. I am talking about Dream Catcher’s very first studio album, Dystopia: The Tree of Language. It is definitely long overdue for the group as it has been four years since their debut (officially) and countless intense and unique comebacks. The album, released mid-February, features the title track Scream and 13 new tracks. Per usual, I will review all tracks excluding the intro, outro and instrumental tracks. Let’s get going!
3. Tension – The title gives us a little teaser of the tension and intensity the song will feature. And it blasts you with just that from the very first second in which the song started, opting for a predominately rock instrumental. For all you dedicated fans of Dream Catcher (otherwise known as InSomnia), this is something we all know is within Dream Catcher’s repertoire, given this is the style that they debuted and consistently pull out. But rather than being the same as the past songs, Tension manages to make it refreshing. The song features a change in the intensity throughout the song but manages to make it well balanced. There are also interesting vocal textures thanks to the use of autotune (Dami’s line just before the chorus is just perfect) or a more delicate backdrop (see the bridge). (9/10)
4. Red Sun – If you think the title track is amazing, wait until you have a listen to Red Sun. The song seems to go towards of a hip-hop based sound, which I think it is unfamiliar territory for the group. But it keeps that edgy sound that we know Dream Catcher for. But there is more to the instrumental than just hip-hop. It is haunting in some parts and employs trap synths in other parts. The vocal work brings very interesting and mature twist to the song, as well. The repetition of the title post-chorus and the overall aesthetics are very memorable. Red Sun ticks all the boxes for me. (10/10)
5. Black or White – As we go down this list, the songs get more interesting. There is no going back with this album. I love the thumping beat at the very start, the orchestral touch during the pre-chorus, the funkiness we got in the chorus (on top of the orchestral touch). In addition to that, I really liked how they autotuned the main hook to be part of the instrumental for the bridge. Their vocals and Dami’s rapping fitted right into the track, like a key and lock. Altogether, Black Or White is another mindblowing, addictive and very unique song. (10/10)
6. Jazz Bar – Like how the title suggest, the song delves into jazz. It is a very subtle groove to the song and its flows effortlessly from start to end. The melody was very pleasant and the chorus was satisfying good. Their vocals were very refined and delicate, matching with the jazzy nature of the song. But the real winner in this song has to be Dami. How awesome does she sound? Her nasally voice just works wonderfully in this song and has to be the best section of the song. (9.5/10)
7. SAHARA – We now return to a song with a rock touch (aka. the group’s roots). And it is a good song. But I don’t think it is as good as what we have heard so far. I found the verses to be forgettable for the most part. I did enjoy the rock rush the song had incorporated during its building up moments and during the chorus. Sadly, I also found the hook in this song to be rather weak. But I did enjoy their vocals and Dami’s rapping was pretty decent. As you can see, I would better describe as the song to skip on the album. (7/10)
8. In The Frozen – We re-enter the more interesting sounds on the album. In The Frozen starts off like any other dance track and it remains locked in that gear for majority of the track. It may sound like I am trying to saying it is typical, but I still liked it. There is an adventurous tone to the song, in my opinion. It just took its time to build up. But once we reached the final chorus, everything dropped (or should I say twist) and the entire song’s dynamic changed through the tempo, the incorporation of the song’s title and Dami’s ‘Limit no more’. This is pretty unique from other dance tracks, which once again brings another interesting song to the album. (9/10)
9. Daybreak (새벽) – Daybreak delves into the R&B genre. It seems like Dream Catcher is captialising on the number of songs by showing a lot of variety in their sound, yet still showing some of their roots in others. The instrumental has this deep yet striking beat, which reminds me of Red Velvet’s Be Natural (a song I felt was boring at first but has grown on me over time). The vocal and rapping work brings life to the song and adds a sense of refinement. The ending is one of those abrupt kinds, which I still don’t like. But overall, another nice song. (8/10)
10. Full Moon – Full Moon was a single for the fans by Dream Catcher, released back in 2018. As you can tell by the rock influences in this song, it is one of the many songs by Dream Catcher that I refer to when I talk about their roots in this review. This is one is a little more straight forward and doesn’t really do add to the sound that we are already familiar with. But this was released in 2018, when the group was still cementing their footing in the industry. I enjoyed the momentum of the song and remember head banging to it every time I had listened to it in the past. I also love the delicate ‘Full Moon’ ending to the chorus, which contrasts strongly with the rock sound that dominates the rest of the chorus. Great track, overall. (9/10)
11. Over The Sky (하늘을 넘어) – And here is another example of their roots, released in 2019 for their fans. The way this song starts off reminds me of many opening themes to animes. They literally throw you into the mix and they probably have no regrets. It is a little overwhelming at first, but you get used to it with multiple listens. Their vocals add more of a cheerful tone to the song and the melody/hook feels very pop-like in comparison to the rush of rock energy that we get in this song. But the two merges neatly with each other and sounds very decent, overall. (9/10)
14. Paradise (Siyeon Solo) (Pre-Release Track) – Not exactly sure if this was ever marketed as a pre-release track, but the final song on the album (even after the outro) Is Siyeon’s solo debut, Paradise. Paradise reminds me of old Western pop tracks and takes on an instrumental profile of a dance track through its use of EDM. But vocally, the song is steered towards the ballad domain. But it is not one or the other. However, the use of the dance instrumental gives it an engaging appeal, while Siyeon’s vocals are on full display in this song. I do feel this combination is rather safe and feel like the song would have been epic if the producers pushed in one or both regards. (8.5/10)
It is time for another album review (and I am in the process of drafting another one for Sunday!). As you can see I am busy catching on album reviews that I should have published weeks ago (major hint for the next album review). As you can also tell from the title, I will be reviewing Moonbyul’s very first mini-album release, Dark Side Of The Moon. It features the title track Eclipse, which was also released on the 14th of February 2020. Moonbyul has since wrapped up promotions for her solo release (which is another reminder of how overdue this album review is). So without further delay, here is my album review!
2. Mirror– When there is a choreography routine, the vocals and rapping are usually ‘reduced’ in KPOP to facilitate a flawless routine by the artist. And Moonbyul’s Eclipse is no exception, especially since the choreography was very powerful. Mirror, a song about the realization of the need to let go in a relationship, zones right into Moonbyul’s rapping and vocals, layered on top of a very soft and delicate R&B instrumental, filled with piano and synths to add definition to the song. I really liked how Moonbyul went into a higher tone for the end some of her lines. It really creates an interesting melody and also demonstrates more of Moonbyul’s range. Her rapping gave the song some edge and the way her rapping was packaged was perfect for the softer tone. (9/10)
3. ILJIDO– ILJIDO provides the album with a little more light-heart nature, which was definitely absent through the two songs preceding. From what I understand, the song is about wanting more in life. I find the song to be very well balance and I think Moonbyul’s huskier vocal tone was very fitting for this song. The song features another light instrumental and featured a jazzy instrumental break. Prominently featured in the instrumental are flutes and I believe they sampled Hwasa’s Twit, as the flutes here sound very similar to the latter song. I do think the song is a little safe and traditional, but it is still pleasing to listen to. (8/10)
3. Moon Movie– How awesome is Moon Movie? I am declaring this is the hidden gem of the album, even before we dive into the song. Kicking it off is a really alluring piano piece that replays throughout the song. The track’s beat is equally as alluring. The combination of all makes this track stand out in my opinon. As mentioned many times previously, I am not a major fan of the hip-hop genre. But Moon Movie delves into the genre in such an appealing fashion that I cannot help but enjoy it. Moonbyul’s rapping is so rhythmic and it just pulls you into the song even more. (10/10)
4. Weird Day (낯선 날) (ft. Punch) (Pre-Release Track) – We get a simple jazzy instrumental in Weird Day. It is then paired with the sweet vocals from Punch, along with Moonbyul husky vocal tone and soft rapping. And you effectively have created a really amazing track. The track shows how versatile Moonbyul can be, a key skill needed in the industry nowadays. The melodies are really nice and the track is very peaceful to listen to. The only problem, it goes by so quickly despite it going for 3:15 minutes. Other that, I liked this pre-release track (9/10)
5. Snow (눈) (Pre-Release Track) – We end the album with a ballad that was first unveiled in December. And this is a beautiful ballad that focuses purely on Moonbyul’s vocals. I like how Snow manages to incorporate some rhythm to the song, as if Moonbyul is rapping. The harmonies with the backing vocal really make this a strong track. I was going to say that the song feels very versatile, but the Winter theme kicks in later in the song in my opinion, which restricts it to only the Winter season. If it didn’t do that, I think I would have given the song a slightly higher rating. But it is still amazing nonetheless. (8.5/10)
It is finally time for me to sit down and knock out some album reviews that has been sitting on my to-do list. First up is for a comeback that occurred in early February, which means this review is almost 2 months late (really sorry for this). For those who may not remember this comeback, iKON returned with Dive at the start of February, their first comeback since the departure of B.I from the group. It was reported that the group had to re-record the album again and hence the comeback delayed to earlier this year. Let’s have a closer (and belated) look at the album.
i DECIDE Album Cover
1. Ah Yeah – Ah Yeah kicks off with a rolling marching drumbeat. It gives the song an epic lift-off. While there was a bit of dramatic flair to it, the song moved into more of a rock sound, which makes complete sense. More unexpectedly was that there was a perky melody and tone to the song, which I don’t mind. But I would have loved for the rock sound to add onto the dramatic flair we got. The group handled the song well, despite it containing parts that we all know B.I once filled. There were two parts that I didn’t enjoy. First the trap-like breakdown for the bridge. We all know how overused this is now and it is becoming more and more obvious with each song. And second, iKON keeps on pulling out the anthem card. It is becoming slightly overused and this might ruin the appeal that card has. (8/10)
3. All The World(온 세상) – We get a blast of 90s energy in this song at the very start, before the song settles for a pop sound. Everything in All The World is very vibrant and lively, a side of iKON that we get to see from time to time. The group’s rapping and vocal delivery really made this song feel so much more energetic and appealing to fans. And based on the comments from other listeners on YouTube, the song’s lyrics add to that regard, as well. Once again, they pull out the anthem card for the end. Here, however, it did feel like it made more sense and helped create a wholesome profile for the song. (8.5/10)
4. Holding On(견딜만해) – Following the same tone and energy as the previous track, Holding On brings in the vibrancy with some brass. Within the instrumental seems to be also some orchestral and classical instruments, all built to form an upbeat and playful track. This is a vocal centric track, containing no rapping sequences. The raspy vocals brought to you by Ju-ne and Bobby was an amazing texture. The ad-libs at the end were pretty good and I loved how the instrumental moulded around them. The chorus was catchy and definitely got me in a good mood (especially since the lyrics give empowerment to those who recently broke up). The song also pulls the anthem card out towards the end, but it was more for a backing rather than straight up singing the final chorus (as previously done in the above songs). (9/10)
5. Flower (너란 바람 따라) – The album ends with a song that is almost like a ballad. When I look at the lyrics of the song, I can’t help but think that iKON is paying homage to their former leader. Lyrics like ‘Hope your way is not painful, Hope you just smile happily’ strongly suggests that mentioned meaning. And I am sure this provokes tears in loyal fans of the group. I really like how the instrumental takes a slightly heavier tone, suitable for the song’s message, as opposed to following the upbeat tone that preceded the track. I also find the instrumental to be rather soothing with the acoustic guitar and violins and in despite the drum beat we do get. Vocally, the group did amazing and Bobby’s rap gave it that little push. (9/10)
Can you believe that I posted another album review on schedule? It sounds crazy. And another wish that has managed to come true is that Pentagon finally has their first studio album!!! It has been a wish that I (and many fans) have been look forward to ever since their early days and they have finally given us what we all wanted. The album is titled Universe: The Black Hall and this was released early February. The album features Dr. BeBe as the title track and also the Korean version of Happiness (a Japanese single they promoted last year) among other new songs.
2. Asteroid– The song opens up with this catchy squeaky disk-scratching-like synth that plays in my head even after the song finishes. The song, with a title about a large rock in space, does have this space-like vibe to it. What I really like is that the song isn’t that serious compared to Dr. BeBe, which means it isn’t as heavy as a result. The track has a decent dance backdrop and all these instrumental elements and characteristics make the song very appealing. The vocal work was also quite good, but I feel like the rap was the more dynamic out of the two. But either way, it made the song stand out. (9/10)
3. Shower of Rain – To me, Shower of Rain sounds like it is a title for a ballad. So, I was thoroughly surprised with how upbeat the pop track was. It started off with distorted sounds and slowly moved into a fulfilling and loaded instrumental. It peaks during the chorus and really helps give the song that bold effect. I love the way the song manages to strip itself down in the later parts and then return to the loaded sound right after. What also really surprised me was the vocals. I know Pentagon has good vocals, through some of their amazing works in the past. But Shower Of Rain has to contain of their best efforts yet. In additional to that, I liked the way they ended the song by getting everyone together to warn their partner to not leave them. (10/10)
4. Die For You – We get back into grungy and edgy side of Pentagon through Die For You. The instrumental takes on rocks, along with dance track synths. This sounds likes something we have heard before from other artists, but I feel like there is a sense of uniqueness to the song, based on how they layered the two sides of the instrumentation (i.e. the rock seems to come through and is not masked in any manner by the dance synths). The English in this track really stands out and really give off a sense of the dark side of the song. Vocally, the group stood out. But this time around, I thought the rapping was a little underwhelming, (8.5/10)
5. Talk – Pentagon brings out the acoustic guitar for Talk. They pair it with simple synths that give it a little more character that if they went just the guitar along. This keeps the song in line with the dance heavy tracks and ease us away with stripping the synths out completely. Vocally, the song was like a ballad and I thought there was a decent equilibrium that the group managed to strike between the raps and vocals. Both sounded good on their own and went well with the track. The track just didn’t feel like it up to par with the rest of the album. (8/10)
6. The Black Hall– I found The Black Hall to be a classy song when it first started. When the song’s main synths started to come in, I thought this classy vibe would be lost. But instead, the song manages keep the classy feel as it goes along. The vocal work is the main element that keeps this going, with its sensual styling. The way they dragged out ‘The Black’ felt so unique with their breathy voices. Going back to the instrumental, the synths ended up being very appealing. The bridge was also a standout part, as it built up quite fast and help give out a further rush of energy to the song. (9/10)
7. Worship U – While you could tell the song was going to be a dance track, the explosion of energy we got in the pre-chorus and chorus respectively caught me off guard as it just seems to come out of nowhere. And while that may be a recipe for disaster, that wasn’t the case of Worship U. The explosion of energy really helped make the song be addictive and bold. The delayed start to the final chorus made the ending feel so much more defined. I just wished the melodies and hooks were a lot stronger, which would definitely helped the song be more appealing. (8/10)
8. Zoom Up – The lyrics to Zoom Up seem to go in a sensual direction. I found that to be rather interesting. It is paired well with a very intense synth-heavy dance instrumental. It also used a traditional guitar of some sort at the start and end of the song, which I thought was a very peculiar highlight in the song. The vocal work and rapping sounded pretty good, though I felt like they had to compete in order to be heard. Furthermore, there wasn’t much of a separation to the chorus and pre-chorus, which I thought was odd. I was waiting for the chorus to come, but it never did. It wasn’t until I heard more of the song that I realized the Zoom Zoom Zoom Up part was the chorus. But it still works. (8/10)
9. Camellia – After so much upbeat tracks, we finally reach the ‘mandatory ballad’ zone of the album. First up is Camellia. It is a standard ballad in terms of instrumentation. It seems to incorporate a bit of slow rock in addition to the typical ballad nature of the song. But it is the type that makes you sway along to the music, which we know is my official criteria for a good ballad. What I think the group nails perfectly are their vocals. The melody and their delivery were very beautiful. The rapping as well was tweaked amazingly. Last time I felt strongly with a Pentagon ballad was Beautiful, which is still one of my favourite tracks from the group to this day. (8/10)
10. Someday – The second ballad on the album is Someday, which features the main vocalists of the group, Jinho and Hui. It is another beautiful track from the group. The duo relies on a typical orchestral sound for the ballad. But I like the way this wraps around the duo’s vocals in such a warm manner. While we are also mentioning vocals, both sounded spectacular. Each sounds so damn good on their own and their harmonies are really breathtaking. What makes this an even more special song is that the duo dedicated this song to their fellow members, making the meaning even more touching. (10/10)
I have been a little slow with the album reviews for the past few weeks. I apologise for this. Originally, I was planning on posting a series of album reviews this weekend. Bit I have dropped those plans due to another busy week which prevented me from drafting up multiple album reviews. However, I am sticking to the usual schedule of two album reviews, so keep your eyes peeled for them (this one being one of them). Today’s album review is for KARD’s latest album, Red Moon. The album features the title track of the same name and Dumb Litty, which was released last year.
Red Moon Album Cover
1. GO BABY – Kicking off KARD’s mini-album is GO BABY. With KARD’s tracks so far, I enjoy the intensity and explosive nature of their instrumentals, which make their deliver of lines and rap sequences feel so much more impactful and powerful. GO BABY is a step in the opposite direction. The instrumental is very tame and hence it lacks that same reach as their title tracks or my favourite b-sides tracks. The song has a decent melody and hook, but it just isn’t as memorable as their previous tracks. Even the energy suffers and this bores me. (5/10)
3. Enemy – We venture into new territory with the next two songs. The group splits and pairs with the member of the same gender, which I don’t think KARD has ever done before. Enemy is performed by Jiwoo and Somin, the female members of the group. The song opens with a very strong melodic hook, paired with a slight rock influence in the instrumental. Given that KARD’s main sound is hip-hop house, the song takes a few multiple turns, dropping both hip-hop and house separately into the track. And I thought this was a very cool sound. Jiwoo’s rap is definitely slayed, while Somin’s vocals shined. (8/10)
4. Inferno– Inferno is performed by the male members of the group, BM and J.Seph. And like what the title suggest, Inferno is a very intense and powerful hip-hop track. Both J.Seph and BM do not hold back in this track and I definitely like this side of the duo. It contains a growling chorus, which I think is very unique in the KPOP context. I also liked how they had different forms of line delivery, with the help of some autotune. But this helps keeps the song interesting. (8/10)
There is no doubt that BTS’ return is the biggest comeback of the year so far (or even possibly the entire year – and that might be saying something since we are only in February/March). The group’s fourth studio album, Map Of The Soul: 7, features a whole stack of new songs, their pre-releases tracks from January and the tracks from their 2019 Map Of The Soul: Persona mini-album (which features the title track, Boy With Luv). The group has already sold over 4 million copies world wide and have topped the domestic and international charts upon release, as they have been doing with many of the releases. Let’s see how good their latest album is this time around!
Map Of The Soul: 7 Album Cover
Tracks 1 to 5 can be found on the album review for Map Of The Soul: Persona, which I have previously reviewed. The song ratings I gave in that album review were not considered in the album rating (i.e. only new songs contributed to the this album’s rating).
8. Filter (Jimin Solo) – The first of the few solo tracks on the album belong to Jimin. There is a slight Latin feel to the song, thanks to both the melody that Jimin applies over the predominately acoustic guitar in the instrumentation. But rather than being in your face about, the song manages to keep it on the down low, which I thought was interesting. The song has a very smooth run and Jimin’s vocals seems perfect throughout the song. The song doesn’t reach a peak, however. I think that is the only issue with the song as it felt like it was stuck in the neutral gear. (8/10)
9. My Time (시차) (Jungkook Solo) – Similar comments about being stuck in neutral gear can be said about Jungkook’s solo track for majority of the song. But what My Time manages to do in its final chorus was change its gear and give the song a much-needed peak. Jungkook’s song falls under the genre of R&B, while the instrumental is given a modern feel with its synth basis. Jungkook’s vocals must also be applauded as he gives the song a very mature and captivating feel. I mean, look at the way he ended the song with his constant ‘ah’s and ‘ugh’s. (8.5/10)
10. Louder Than Bombs– I was already intrigued with Louder Than Bombs with just the title itself. I had expected a really pop and colorful track (for some unknown reason). But we got something a lot more interesting, much darker and captivating all at the same time. The thumping instrumental and the mysterious vibes we get from the song really draw my attention in. Throw in the higher pitch vocals from the vocalists and the very deep voices that the rappers channeled, you basically have a recipe that will make me return for more. The way the song built up was very subtle and occurred without you even knowing. This is one of the best songs on the album, I can’t emphasis that enough. (10/10)
12. Ugh! (욱) (RM, J-Hope & Suga) – The rap line is the focus in this song, and you can tell that it is going to be something on a different level. The energy that the trio manages to bring to this song with their line delivery and the hip-hop based instrumental really makes this track a strong one. Suga is fast becoming my favorite rapper of the group and his presence in this track really consolidates his position. However, that isn’t to say that RM and J-Hope were letdowns. They were equally as strong, and I enjoyed the part where they passed the baton to each other at the end. Also, the song became quite explosive at the end with all that gunfire. It drew the song to a close in a manner that really felt like icing on the cake. And it makes me want to see a performance this track, as I would suspect it to be lit! (9/10)
13. 00:00 (Zero O’Clock) (Jin, V, Jimin & Jungkook) – When you think of the vocal line of any group, you would expect them to be singing a ballad as it is easier to show of the vocals in that capacity. I guess the case applies even for BTS. But Zero O’Clock is no slow or depressing ballad. There is some light in this track, thanks to the member’s vocals. The instrumental also this inspirational vibe to it, which matches the song’s lyrics of hoping for a happier day. I thought the unit sounded pretty good, especially at the end when the song reaches the climax. The song also has a melody that makes we sway along, which makes it a good ballad in my opinion (as I have mentioned before). (9/10)
14. Inner Child (V Solo) – V, over the years, have been shaped to be the one with the most interesting vocals due to the huskier tone that he brings to the group. And that hasn’t been focused too much on in the past during the group tracks. His huskier voice definitely is full capitalized in this pop track. You know I love a good buildup and Inner Child has this. The chorus is fantastic, giving us that blast of energy that I think is so good. It makes the song feel so fresh and the feeling remains every time I play the song and when the chorus comes around. This is also one of the best tracks on the album and I highly recommend it. (10/10)
15. Friends (친구) (Jimin & V) – This is another track that has a good blast of energy during the chorus. And the way the instrumental manages to perfectly execute the explosive nature of the chorus makes it so addictive. It is a song that I get stuck on each time I listen to the ballad, unable to move to the next as I am so keen on replaying this track constantly. I just want to kick back, put this song on repeat and nod along to it. Jimin and V reflect on their friendship in this track, so there is a lighthearted and fun tone to it. At the end, when they bring the more inclusive feel to the song with the backup vocals, it just makes the song a lot more wholesome. (10/10)
16. Moon (Jin Solo) – With V, Jin is also an underrated vocalist. And I have mentioned this time and time again in past album reviews. Moon continues the album’s momentum with its energy. At the helm is Jin, which pushes his vocals in a manner that suits the song so nicely. The vocals lay on top of a upbeat beat and some guitar beat. It is a catchy number, with infectious energy. I just feel the instrumental drags it down a bit by being a little too consistent. It needed some definition. But it’s a good song from Jin, nonetheless. (9/10)
17. Respect (RM & Suga) – And we get more of the energy through RM and Suga’s collaboration track. The song throws you back to the 90s with its urban hip-hop beat and the many instrumental effects. The way they shout ‘Respect’ throughout the chorus is a very 90s thing, as well. They delivery is pretty good, with autotune weaving in and out of the song. The energy is also quite infectious, and I love how the energy rubs off on me. I mean, this is the track that you want to play while walking down the street on a good day (to make it better, obviously). (9/10)
18. We Are Bulletproof: The Eternal– The album takes a slight serious turn with The Eternal. It isn’t really a ‘happy’ track, as per the energy that preceded the track. But this one encapsulates where the members are at in their career. They are strong, they are bulletproof. And it all thanks to their fans, whom they thank in this track. This track displays amazing vocals and rapping, on top a very warm, trendy and dramatic instrumental. (10/10)
19. Outro: Ego (J-Hope Solo) – The album returns to its infectious and upbeat energy for the outro track. Performed by J-Hope, I love the fast incline to the fast tempo (and the fast tempo, in general) the song had. The entire track was 3 minutes, yet it felt only like one minute. It just makes the song so captivating and groovy. I find the outro track is also be very festival-like, especially in the last few seconds. Because why not end the album with everyone dancing along. J-Hope’s playful side also got to shine through in this track, with the upbeat nature being an excellent platform. (10/10)
No reviews today. But I thought it might be a good opportunity to get the album review that I am holding onto out or else everything else will be pushed to a later date (which screws with another break I am planning to have). The artist in focus today is LOONA, who returned with # and their latest title track, So What. This is the group’s first comeback in a year since Butterfly. The group did release 365 as a single back in December and this is also included as part of the album. For those who didn’t read my So What review, (spoiler alert) it is epic! So let’s see how the rest of the album fair.
3. Number 1 – The album is co-produced by Lee Soo Man, who some people may know as the SM Entertainment CEO. So, I was wondering if we would hear some influences of the big company on the album. Number 1 confirms this, with a song that is right up BoA’s alley. The entire time I was listening to the song, I could imagine BoA singing this R&B track, as well. And while this may sound like a good thing, some of you might not know that I am not really a big BoA fan (some of her tracks are good, others sound very plain). The plainness comes through in this track and this leaves me disappoint. I do find the vocals to be elegant and delicate in this song and there is a nice melody. But, not really enough appeal from the instrumental department, in my opinion. (6/10)
4. Oh (Yes I Am)– Another very typical instrumental. Oh (Yes I Am) attempts to exploit the trap genre of music that has been very dominant over the last few years. I think the chorus and pre-chorus are pretty good examples of fresh usage of the genre, given that the energy that does come from the song is very promising. Another way of thinking about the song is that it is pretty much a tamed and held back version of GWSN’s title track. This is also a really good set up for the rappers, who are given another opportunity on the album to shine. The genre’s usage in the verses, however, was very boring and I didn’t enjoy this part of the song as much. I thought the vocals were good, especially with the ‘Oh~’ that we get every now and then in the chorus. (8/10)
5. Ding Ding Dong – After Number 1 and Oh (Yes I Am), I was wondering when the album will start to infuse some energy into the album. And we get it through Ding Ding Dong, which is probably more of a cutesy and innocent sound. It does sound like the group is stepping back from their routes through this song. But I reassure, it is still a good song nonetheless. The instrumental contains a slight jazzy like touch, which is where the energy comes from. The rapping is very typical in this track for a LOONA track, but I guess that is because of the innocent side of the track. The vocal work is a strong point in this song, especially Chuu’s parts in the bridge, which I thought gave the song a really good peak. (7.5/10)
6. 365 (Pre-Release Track) – This pre-release track was released back in December 2019. It was a ballad, suited for the Winter season that we had just left. There is a warming feeling to the song, thanks to the piano and the vocal work of the song. There is also a few Christmas-related touches in the song. The chorus is probably the best part of the song, which is where I start to sway along to the music (those who have been reading my blog for a very long time would know what this means). It isn’t the strongest song on the album and I didn’t really think much of it when it was released. But writing the review now, I find it a nice track. (8/10)
Apologies for the random publishing dates for these album reviews. I expect all my reviews to normalize back to the usual days in the coming weeks.
GFriend have returned and took the past week by storm by taking the top spots of the Weekly Music Shows with their most recent comeback, Crossroads. Today, I will be looking at the rest of their album which is titled Labyrinth. Within the review, you will notice that they experiment with their sounds but stay relatively safe for their title track. More on that very soon (literally as part of the review of the first song on album). But I find that very interesting. Let’s see where their side tracks sit relative to the title track, Crossroads.
Labyrinth Album Cover
1. Labyrinth – In my Crossroads review, I mentioned that the group’s sound is becoming a little too consistent and this might be an issue if they were to keep to the same sound for their future releases. If we were to get a change in sound from GFriend, something like Labyrinth would be amazing. The start of the song reminded me of Fingertip, a previous title track of theirs. I really like the melodies in this song. Paired with a funky techno-like dance beat, the song is a great opener and track from the ladies, overall. All of this helps make the song extremely addictive and I keep on coming back for more. It is okay for GFriend to keep some of their influences in the track, as they did with the electric guitar during the bridge of Labyrinth. (10/10)
3. Here We Are – The verses in this song were very unimpressive. It was a pretty bland start and I was wanting to pass the song the first few times I was listening to the album. But it until the song starts building up during the pre-chorus that the song has a kick to it. And the kick delivered a pretty solid chorus full of harmonies and melodies that highlights the best of the group’s vocals. I find it a very wholesome song, where the group longs to return to the best moment of their past or dwindling relationship. The bridge brings out a new sound that we haven’t heard from the group, opting for a slight anthem-like vibe. (8/10)
4. Eclipse (지금 만나러 갑니다) – Here is another good change to the group’s sound. This one would be considered to be in more familiar territory, as it retains the group’s classical instrumentation. But they seem to add a little Latin influence into the mix. There were also moments that I thought the song had a ‘diva-like’ vibe to the song, which I would love to hear the group explore more. Regardless of the slight touch add to the song, I thought the energy coming from the track was very encapsulated. There was a rush to the song but it wasn’t necessary a rush that we would associate with in this era. The vocal work is quite nice in the song, even though it seems a little linear for the most part (Yuju helped recover this at the end, but I would have liked to hear more character throughout). (9/10)
5. Dreamcatcher – Dreamcatcher is a very soothing song, suitable for a song about dreams and how their partner/crush is recurring in them. I don’t think this is very new territory for the group, as there is an ongoing trend on this album regarding ‘new sounds’. The way the group does perform the song do give is a refreshing feel. Their vocals are also very delicate, which makes sense regarding the theme of the song, and I thought the song had really good hooks/melodies to help drive the song and make it even more appealing. (8/10)
6. From Me – The final song on the album is a ballad. No surprises there, as this is commonly the place for the ballad of the song. The way the song started, I thought that there was a chance that the song would not be a ballad given the heavy thumping beat. But the song develops in that direction regardless. One thing that does make this song very appealing to me is its acoustic guitar that builds on and on as the song progresses. I thought that was very cool. Their vocals shine in this song, as you would want with a ballad and I think their vocals get even better towards the end. So, it is another song to listen through all the way! (8.5/10)
Sorry about another day late album review. It was a bit busy yesterday, so I couldn’t finalize and publish it in time. But here it is now. The album that I had chosen to focus on this weekend was EVERGLOW’s Reminiscence. This is the group’s 1st mini-album since debut. For those who missed my song review, I was astounded by the explosion of energy for Dun Dun. So, it definitely got me excited for the rest of their album. I can give a short teaser to the album, which is pop. What does that mean? Continue to read to find out.
Reminiscence Album Cover
1. Salute – This is the KPOP that I loved so much back in the day. It is very energetic and bright, very different to the tough and charismatic side of the group that we see through their title track. However, at the very time, the song aligns with what we know of the group without a doubt. The song has this anthem like feel during the verses, while the chorus takes a really pop turn that I find so catchy and lively. The vocal work in this song is amazing. Definitely a standout on this album. I do feel that I cannot listen to this song repetitive as I would get tired of it, which is essentially the only flaw I can see in the song. But for now, I am loving it. (9/10)
3. Player – With EVERGLOW, the mini-album is expected to be loaded with intensity and toughness. But the first song and the last song on the album (read below) really goes against this expectation. Player doesn’t, which I think is a side-track that we can say was coming our way. The chorus is very intense, expressing that they are the main character/player. Definitely a unique show of confidence. There is a nice ethnic sample during the chorus, which we were teased with towards the end of Dun Dun. What I personally don’t like is the pop pre-chorus. It sounded very immature and lacked finesse that the rest of the song had oozing. (7.5/10)
4. No Lie– The verses in this song for some reason remind me of the pop songs that Western songs had during the ‘00s. The chorus, however, is more during this era. I do find it an odd mix of R&B and pop. But it works really nicely, and I do enjoy the song. It does lack boldness, which was heavily employed during the first two tracks of the song. There seems to be a slight foreign touch through the chorus, which I like. The song is rather catchy, which helps the song become very appealing. (8/10)
I have noticed my clear lack of Lovelyz album reviews. They always seem like a hit or miss to me. But hopefully that will change soon as I plan to revisit some of their albums, including the ones that I consider to be ‘miss’ from the past few years. Today, I thought I revisit an album from the group which includes Destiny, one of their more memorable title tracks. The album is called A New Trilogy, which was released in April 2016.
3. Fondant (퐁당) – As the title of the song suggests, Fondant is a very sugary song. It is definitely brings out their cute side that we don’t get so much in Destiny. What I do like about the song is that it isn’t overly sweet. It does feel like it goes in that direction, but the really cutesy moments are quite limited. The vocals parts are sung at a higher pitch than usual to give off that cutesy feel. But after all these years of reviewing, I have found that to be bearable at least. It is more of those saturated moments that gets me otherwise. There is a nice melody and everything is quite light, which are elements that I really enjoy. (8/10)
4. Bookmark (책갈피) – To me, Bookmark can be a versatile song. It has the slowness and calmness of the ballad, while the instrumental does feature enough for it to have a nice choreography. Despite this, Bookmark is showcased as a ballad based on a performance I found. I thought the instrumental was a very nice. As mentioned, it combines the best of both worlds. But the piano does shine very nicely. The vocal work in this song was also quite soothing, while the rapping was a surprised addition that worked well with the setup. (8/10)
5. 1 cm – Another cutesy track from the group. But this one has an 8-bit like sound in the instrumental, which I thought was unique and added to the cutesy side of the track. It also provided a really bright and vibrant energy that you can’t help but smile at. I also like how the song sounds very ‘Lovelyz’, fitting extremely neatly into their discography. I also liked the delay drop to the chorus and the harmonies in this section, which really helped provided definition to the song. (9/10)
6. Heart (Handle with Care) (마음 (취급주의)) – The song also has a second title, Dear You. This one adds a little more energy to the song with an upbeat instrumentation. Like 1 cm, Heart does a good job of fitting into Lovelyz’s discography. The verses and bridge have that really sweet and cutesy tone to it that we have all grown to associate with Lovelyz. The chorus does stray away from their sound, however. It doesn’t feel like a Lovelyz song during chorus. I am not sure why, but it might have to do with the way they all harmonized and sung together. There is a charm to this as well, as it really become addictive to listen to. I also love the addition of electric guitar to the final chorus, as that it what the song really needed. (9/10)
7. Baby Doll (인형) – The way the song started instrumentally, along with the filtered/autotune vocals, really made the song sound haunting. I am not sure whether this is their intention, but that is what I tend to feel when I hear a music box like sound. Another way to look at it is that the song sounded very elegant or fairytale-like, which might be the more appropriate direction of the song. The vocal work seems to support either interpretations and sounded amazing when you consider both viewpoints. It isn’t my favourite track on the album, but it is alright. (7/10)
KPOPREVIEWED 