The best selling and very popular rookie of 2023, ZEROBASEONE, made their first comeback in November 2023 with the mini-album MELTING POINT. This mini-album features the title track CRUSH and four additional side tracks (one of which shares the same name with the mini-album). After the success of Youth In The Shade, and the fact that they are (once again) breaking records with this album release, I just had to check out MELTING POINT in an album review post. And my thoughts on the overall album is simple – while the mini-album isn’t as strong as their debut one due to the title track, all of the side tracks on this album are quite good to check out.
2. Take My Hand – Drum and bass dominates the instrumentation and song of Take My Hand. It might be much for some, but I thought it was a really good way of pushing the song along. The members provide very crisp, clear and loud vocals to ensure they come off as striking and are heard over the dominant instrumentation. I feel like that there is some emotional weight to the vocals, which was also interesting addition to a dance/electronic track. Maybe better blending of the background and vocals would have helped make Take My Hand feel a little more cohesive, but it is still a good song. (8.5/10)
4. Kidz Zone – This pop rock song is amazing and was an instant favourite of mine. Kidz Zone is about wanting to be like kids forever, and so it features a very carefree vibe that you expect kids to have. But it is also nostalgic as it brought up some happy memories of childhood for me. Right from the get-go, I was impressed with ZEROBASEONE’s vocals in this. I personally thought the higher register gave the vocals a lot of character to match up with the carefree tone of Kidz Zone. The use of the choir in the chorus adds an extra layer of energy and brightness to the song that makes it very hard to put down. A definite gem on this mini-album. (10/10)
5. Good Night – The fifth and final song on this mini-album is a ballad, which should come as no surprise. But this is no typical ballad. Good Night has a very beautiful instrumentation. There is some complexity to it, thanks to the mix of synths and acoustic elements. I particularly like the twinkling effect that the piano gave Good Night, which gives off a dreamy effect in the midst of everything else. The vocals from the members are really nice as well, and the swaying melodies is very much there is Good Night. (8/10)
ONEUS made their second comeback of 2023 in September 2023 with La Dolce Vita (their 10th mini-album) and Baila Conmigo (the title of their latest single). It follows on from their May 2023 PYGMALION and ERASE ME comeback.
Their latest release is a little short, with a total of five tracks (one of which is the Spanish version of the title track). But there is one exceptionally great song on the mini-album that you must check out, based on my opinion. Read on to find out which song that was!
La Dolce Vita Album Cover
1. Intro: Begging You – The intro to La Dolce Vita happens to be the most modern number, with its use of electronic synths and processing of vocals. I really like Begging You’s glitchy approach to its chorus, which gives the track complexity and a fun vibe (something that doesn’t travel through to the rest of the mini-album). The rest of the vocals and rapping was quite nicely done. (8/10)
3. Simulation – Why Simulation did not get the attention it deserves beats me. This was indeed a masterpiece of a song. The dramatic piano piece that kicks off Simulation (and is featured throughout the song)just sets the tone for the song, leading Simulation down a melodramatic and epic direction. The rest of the production concentrates the intensity of Simulation. The members’ vocals and rapping contribute to bringing that dramaticism to life, while the melodies make it flow like a classical ballroom piece on stage. Altogether, you get a very aesthetic and unique track that seemingly only ONEUS can full off. (10/10)
4. Epilogue – Epilogue is a bit standard for my liking and I put this on the R&B instrumentation. I know following Simulation is a tall order to ask for, but one of the barriers that really prevents me from connecting with Epilogue was the incredibly plain instrumentation. At least the vocals carried the song, with the members showcasing a fair bit of emotional heft and they sounded very heartfelt. The smoothness the vocals were also commendable. (7/10)
5. Baila Conmigo (Spanish Version) – Refer to my review for Baila Conmigo above.
November also saw the return of aespa, who came back with the single and mini-album of the same name, Drama. This follows on from the very high standard set by aespa with their MY WORLD mini-album from May of last year. It also follows on from aespa’s all-English July Better Things single release, which is also featured on their latest mini-album alongside Drama and 5 additional side tracks.
As mentioned above, their previous mini-album set a really high bar. And while Drama doesn’t meet that high standard this time around, it definitely gets quite close to it. For more on the mini-album, see below.
Drama Album Cover
1. Drama (Title Track) – Originally, I said that the choruses for Drama was plain. But per usual, multiple listens after the review have resulted in me realising that the choruses are quite addictive and catchy. This means my thoughts on Drama will need to be tweaked (and I will do so in a future post). As for now, I have decided to bump my song rating for Drama from 7.5 to 9. Click here for my original thoughts on Drama. (9/10)
2. Trick or Trick – Trick or Trick continues the boldness charm that is present in the title track into this bass-heavy dance track. And some parts of the song actually help exceed the previous level of boldness, such as the striking hooks that the members deliver (e.g., “Now you see me, now you don’t”) and even the main grungy twinkling synth in the instrumentation. I really liked the overall intensity in this track and the powerful vocals we do get in this track. This potentially could have been title track material, had Drama not ended up being as ear-wormy as it did. (9/10)
3. Don’t Blink – For some reason, people have described Don’t Blink as ‘country-like’. While I do hear a tinge of that influence in the instrumentation thanks to the guitar riffs, the rest of Don’t Blink conforms more into pop territory. I did agree and liked with the vocal focus of the song, and the rapping featured in the bridge was very clean. The melodies and hooks were very simple, and the additional synths (particularly at the end of the song) was a nice touch. (8/10)
4. Hot Air Balloon – Deviating from the usual aespa serious style is the very bright and bubbly Hot Air Balloon. I find myself smiling when I listen to the song, just because the instrumentation just feels fun and amusing. I particularly like the crunchy textures in the midst of all the child-like and fun energy that is in Hot Air Balloon. Similarly, aespa’s higher pitched vocals follow the same train, and brings to us some memorable hooks and delivery styles. Out of all the side tracks on this mini-album, this one sticks out and for all of the right reasons. (10/10)
5. YOLO – I may sound like an old person here, but YOLO is one of the words that is the bane of my existence. You can imagine I wasn’t thrilled when I saw the title on the tracklist. But YOLO ends up being one of my favourite track on this mini-album. The pop-punk energy from the get-go is top tier and the members match this with ease with their bright and shouty delivery. The percussion comes down at the right moments to give off an epic tone. Everything feels full-on and practically remains in that gear for majority of the song, which admittedly is not for everyone. But it was mine and I thoroughly enjoyed YOLO (even if the title still irks me). (9/10)
6. You – Per usual, the final new song on the mini-album is their softest number. I am glad that the group didn’t go into ballad territory. Instead, they went towards a R&B motif and maintained that bright energy that they had channelled in the latter half of this mini-album. The orchestral instrumental is quite beautiful. As for the members and their vocals, they demonstrate why we should have them on their radar. Their vocal performance, just like in other songs on this mini-album, was truly captivating, and I liked their delicate and sincere tone. (8.5/10)
As you may already know, EVNNE recently returned with their first comeback since debut with UGLY. But before I come back from my break and review the UGLY comeback, I thought I take some time out of my hiatus to review EVNNE’s debut mini-album, Target: ME, which dropped back in September 2023. Headlining the mini-album was the single TROUBLE, one of the 6 songs that form part of the Target: ME mini-album. For a debut mini-album, this one is a very good one. The title track did get a little bump up in terms of its song rating (as perspective on songs do change over time and mine for TROUBLE definitely has), and the rest of the mini-album showcases a solid effort from the group. I am definitely looking forward to what is coming next from EVNNE (i.e., UGLY and the mini-album UN: SEEN). But for the time being (as I am still on a break), here are my thoughts on Target: ME.
Target: ME Album Cover
1. TROUBLE (Title Track) – My original song rating for TROUBLE was 7.5/10. Since my review, EVNNE’s TROUBLE has definitely grown me and some of my thoughts have definitely changed about the song as a result. I will address those changes in a different points. For now, I am bumping up the rating by 1 full point. Click here for my original thoughts on TROUBLE.(8.5/10)
2. Role Model – Old school hip-hop is alive in Role Model. The energy from this alone already sets up the song positively. In addition to the instrumentation, EVNNE pulls off this style extremely well. Both the vocals and rapping were very solid, with the rapping thriving in this old school hip-hop environment and the vocals brought a nice smoothness to the song. (8/10)
3. Pretty Thing – Still in that hip-hop gear is Pretty Thing. This time there is a much heavier dose of synths in the background. In the midst of that, there are some intriguing instrumentation detailing and delivery choices in Pretty Thing, which kept the song interesting to me. But the best bit of Pretty Thing is definitely the chorus that really is definitely bold (relatively to the rest of the song) and it has a very satisfying melody/bite to it. I wished the rest of the song was a little sharper. But other than that, a very strong side track from the group. (9/10)
4. Your Text – Introducing us to EVNNE in a groovy R&B motif is Your Text. It also moves us away from synths by going with a more acoustic instrumentation. The vocal work here is also quite good, and I like the interwoven rap-speak lines in the chorus. Overall, a pleasant track to put on in the background and enjoy. (8/10)
5. JUKEBOX – If you are looking for an upbeat track, don’t look further than JUKEBOX. JUKEBOX taps into a retro funk sound for its instrumentation, which is fun and energetic. The members do a great job of matching and showcasing this same energy and vibe. The “Na Na Na” proves itself to be an ear-wormy hook, as I find myself having a little boogie every time it appears in JUKEBOX. (9/10)
6. Even More – Per usual, EVNNE ends their first mini-album with a ballad in the form of Even More. Based on the lyrics, the song is about wanting to creating memories with their fans (who have been named ENNVE). The synth-pop instrumentation gives the ballad track another side and dimension, which I thought was cool. The melodies bring out a mini swaying effect and the members did a really nice job showcasing their vocals in this track. (8/10)
Making their comeback in November 2023 was Stray Kids. They returned with their 8th mini-album, 樂-STAR (ROCK-STAR), which features two versions of the title track LALALALA, the Korean version of Social Path (ft. LiSA) and 6 other side tracks. Interestingly, this latest mini-album from this highly popular male group ends up being one of the highest rated albums from last year on my blog. I had not expected this whatsoever. But I guess I should have at least considered it following the success and how much I personally enjoyed their last comeback with ★★★★★ (5-STAR) and S-Class. Continue reading to find out why I ended up rating 樂-STAR (ROCK-STAR) so high!
3. BLIND SPOT (사각지대) – BLIND SPOT is my favourite side track from the entire mini-album. I particularly like the upbeat and vibrant energy that comes from this track, thanks to the dynamic mix of EDM and (I think) rock. Throw in Stray Kids usually fast-paced raps and cool vocals, and you have a very lively and bold track to return to. The English lyrics at the end ring on in my head even after the song ends, which is thanks to the repetition and gets me wanting to return to the track even more. What I also felt was really successful about BLIND SPOT was its placement after LALALALA. Let’s just say that I repeatedly listened to BLIND SPOT a lot after listening to LALALALA (as I had somehow managed to maintain ROCK-STAR on my front page, and that is how kept finding the group for a Stray Kids fix). (10/10)
4. COMFLEX – COMFLEX is another punchy and dynamic track on the mini-album. This one feels a lot more serious, as it sends a message to Stray Kids’ haters that they are not afraid of their shortcomings. The chorus feels very loaded, as a result. I really liked the stomping/punchy start to COMFLEX’s chorus, along with the presence of rapping that goes down pretty hard. Actually, all of the rapping in the song goes down pretty hard. The trap elements and the powerful hollow synths in the chorus really gives this track a lot of character and aggressive energy. And finally, I am actually quite surprised by the balance of vocals and rapping in COMFLEX. (9/10)
5. Cover Me (가려줘) – Stray Kids turns towards emotions with Cover Me. You can really feel the emotions in two forms – the vocal work that features in the chorus and the guitar work in the same sequence. However, that doesn’t mean the rest of the song doesn’t deliver the same emotional output. The chorus is just where it sounds like the members hurt the most. SEUNGMIN’s high note (followed up by BANGCHAN’s) was spectacular, and were probably the best moment of Cover Me for me. All the other members did an amazing job, with Cover Me becoming a prime example of one of their best vocal-forward songs ever. (9/10)
6. Leave – Now, Leave does have a music video in the form of the SKZ-FLIX video that was published ahead of the comeback. I thought that might be more of a Music Video Theory post, however, which I still have plans to another iteration of. Leave features a more mellow acoustic instrumentation than any of the above songs. But like its predecessor, the emotions do come out Leave in plentiful quantities and the vocals are stunning. We do also get some rapping, which was also a nice touch to differentiate the more emotional songs on the mini-album. Personally, I found Leave to be quite a pleasant and enjoyable track. (8.5/10)
Returning in November last year was ENHYPEN with their 5th mini-album ORANGE BLOOD and the title track Sweet Venom (links to this below). The mini-album also features 4 side tracks and 2 addition versions of Sweet Venom (an English version and an English version featuring Bella Poarch). For this album review, I have left out the English version from the final rating, but have included a rating for the version which features Bella Poarch. Overall, ORANGE BLOOD is a consistent mini-album. This follows on from ENHYPEN’s BITE ME comeback from May 2023 and the mini-album DARK BLOOD.
Orange Blood Album Cover
1. Mortal – Mortal serves as the introductory track for the mini-album. But its 3.5-minute length makes it look like a full track. The track features a dreamy blend of R&B and pop for its instrumentation, some vocals courtesy of JAKE and SUNOO, and the usual narrations from each of the members in their primary language (Korean, English and Japanese). The narration itself speaks to the willingness to give up immortality to be with the one they love. It leads on from their vampire lore, where vampires are immortal. But in the case of ENHYPEN for ORANGE BLOOD, they are willing to give that power all up. (8/10)
3. Still Monster – Still Monster is a pop ballad. I find it to be an alright track. Everything in it, from the instrumentation to the vocals, was just fine and there isn’t anything wrong as far as I can see. I just cannot connect with the track in anyway. The post-chorus sequences, where the ‘Na Na Na’ comes in, is probably my most favourite parts of the track. (7/10)
4. Blind (멀어) – We re-enter retro territory with Blind, but it actually comes off as rather subtle in the final alternative R&B product. I really like the display of vocals from ENHYPEN throughout Blind, overall. But particular mention needs to go to the ‘Meoreo, Meoreo’ (‘Blind Blind’) and ‘Peodeo, Peodeo/Geodeo Geodeo’ is delivered in the choruses to finish the lines sung by the initialising vocalists. This is my favourite effect in the entirety of Blind, as it keeps the chorus quite grounded and feels quite clever. I do think the instrumentation could have used some sort of zest to it, just to give it more edge and unique colour. (8.5/10)
5. Orange Flower (You Complete Me) – To me, ENHYPEN is known for their dance tracks, which are either dark and/or intense. But occasionally, we get to hear a much lighter sound from the group, with the prime example of Polaroid Love coming to mind (featured on their DIMENSION: ANSWER studio album). Orange Flower is that equivalent on ORANGE BLOOD, where the members actually sound a lot sweeter and loving in their vocals. The upbeat instrumentation was enjoyable, allowing the entire track to exude a pleasant and feel-good vibe. (8/10)
6. Sweet Venom (English Version) – Refer to my review for Sweet Venom above.
7. Sweet Venom (ft. Bella Poarch) – I just wanted to give my two cents on this version of Sweet Venom (which is only featured on the digital versions of the mini-album). The main difference is that it features social media star Bella Poarch. I would have expected that the track be extended to feature Bella Poarch, not completely remove half of the second verse to make way for her. Her sultry vocals do match well with the groovy and sleekness of Sweet Venom (and her airy ad-libs were a beautiful complement). I am all for her featuring – it is clear as day that she works wonderfully with the members and the song. But I am sure it should haven’t been at the expense of the parts of the members. (8/10)
Red Velvet made their long awaited comeback after almost a year’s hiatus from the KPOP scene with Chill Kill in November 2023. Their last release was The ReVe Festival 2022 – Birthday mini-album, which was released in November 2022 and led by the title track Birthday. Chill Kill features a total of 10 songs, including another title track that shares the same name as its album. While the future of Red Velvet is a little questionable, given SM Entertainment’s complete slow down of promotions for the group during 2023 and the unknown status of each individual members’ contract (sans Seulgi, who was confirmed to have renewed her contract with the company earlier in 2023), Chill Kill provides a very good dose of Red Velvet. However, I do hope that SM Entertainment sufficiently promotes Red Velvet in the new year, particularly giving them group and solo promotions. So far, it has been confirmed that Wendy will be returning as a soloist this year. But more would be better!
2. Knock Knock (Who’s There?) – Knock Knock continues the mysterious and eerie vibes from the music video of Chill Kill, but in song form. And they do it so artistically and consistently. The percussion and beat felt like something sinister was brewing the background, while the strings and melodies in Knock Knock is a sample of Tchaikovsky’s ‘Dance of the Sugar Plum Fairy’, which is an ominous track in itself when you listen to it standalone. Throw in Red Velvet’s usual amazing vocals and this is definitely a standout song. As an added treat, stunning harmonies that adds suspense to the track is also present in the chorus. It was very hard to keep away from this one. (10/10)
3. Underwater– The age-old question reappears. Does Red Velvet still split their music into the Red and Velvet categories anymore? If they do, then Underwater is a clear addition to the Velvet side of their discography. It is an R&B track, with velvety vocals from the members. And they really nail this contribution to Underwater. I was very captivated by their vocals and harmonies, once again. I liked the presence of the bass and trap synths in the background, which helps amplifies and gives Underwater oomph. (9/10)
4. Will I Ever See You Again? – The synth-pop in Will I Ever See You Again? is amazing. At first, it was a very atmospheric introduction. But when we reach the chorus, the synth-pop literally raises it to 100 and creates a blissful and energetic piece that is hard to forget. The vocals had impact and Wendy’s ad-libs in the bridge and final chorus were spectacular. Another easy and logical 10/10 from me. (10/10)
5. Nightmare – We go back to the horror tropes in Nightmare. The verses in Nightmare are quite intense and creepy, while the chorus takes a brighter and almost-cutesy approach. It makes for an interesting blend that only Red Velvet can pull off. The instrumentation opts down the R&B path, with a strong dose of strings to really create that suspense in the verses, while the chorus features a twinkling background that exudes the brightness and cutesy nature already mentioned. The bridge was also a highlight, with heavenly vocals coming into play. (8/10)
6. Iced Coffee – We continue on with the R&B genre via Ice Coffee. This was a very nice and pleasant track. Not necessarily the big standout of the album, but hearing the members sing this one felt comforting and warming (even though they are singing about an iced beverage). (8/10)
7. One Kiss – Red Velvet goes in hard during One Kiss (relatively to any of the song above it). It is a dance trick with a very cool instrumentation, made up of the synth clap sound that goes through the track, and hefty beats and synths in the chorus. I like the power they put behind their vocals in this song and delivery they give in One Kiss, which makes the track very alluring and sexy. The bridge really re-iterates the latter. (9/10)
8. Bulldozer – The shortest track on this album is Bulldozer. I really like the deep and low rumbling or humming in the background of this track. The beat is super cool, and I really like the melodies to the vocal section of the chorus. I am not a fan of the ‘What can you break’ repetition that makes up the second half of the chorus. I felt like Bulldozer could have done without this. (8/10)
9. Wings – Opening up Wings is harmonisation, which flags good things are to come. And Red Velvet makes sure of this. Wings takes on an uplifting tone with this R&B track. The synths that make up the background was amazing. But the element that ultimately wins me over Wings are the vocals, which are stunningly beautiful. I am floored by how simple yet profound the vocals were in Wings. The end, where all of the instrumentation was stripped away, showcases how effortlessly good their vocals are. When there is instrumentation, the chemistry that comes about between the vocals and background is very harmonious. Another clear 10/10 for me. (10/10)
10. Scenery (풍경화) – The final track on the album is a ballad. No surprises here. And with a ballad as the vector, you can expect great vocals from the members in Scenery. I find myself closing my eyes, swaying along to the melodies and getting lost in the beautifulness that is Scenery. Their vocals are very delicate here, and acoustic guitar paints a very pretty soundscape. (9/10)
SEVENTEEN brings their A-game in some form whenever they make a comeback. For their October 2023 comeback with God of Music, their A-game came in the form of practically everything, including their 11th mini-album, SEVENTEENTH HEAVEN. For example, in addition to the title track. the three unit tracks that are featured on this mini-album were an absolute knock out. And these tracks collectively helped bump up the overall album rating for the album. Continue reading to find out what I also thought about the 3 songs on the mini-album that have yet to be mentioned, as well as what I thought about the home runs on this mini-album.
SEVENTEENTH HEAVEN Album Cover
1. SOS – SEVENTEEN starts off strong with SOS, an all-English pop rock track produced by Marshmello. The verses of SOS doesn’t necessarily have a tinge of rock to them, opting for a more EDM aligned backing. But things change in SOS once we get to the pre-chorus, where the synths are stripped away, some light guitar work comes into play and we see some really good vocal moments emerge. From there, the chorus features a heavier rock presence, as well as the raspier and rougher vocals that helps give off a grungier exterior. I particularly like how hard they go for the chorus, which takes SOS up a notch. The bridge was the lacking moment for me in SOS, as the inclining repetition of lines felt a little unpolished and muddy. (8/10)
3. Diamond Days – Diamond Days throws it back to Shining Diamond from their debut album thanks to the ‘Slippin’ into the diamond life’ sample the song features. This makes for a great start and end to the song, especially for fans of the group since day 1. Unfortunately, Diamond Days doesn’t really follow through with this beginning/end. Personally, I felt the chorus was the weakest link of the song. While the EDM instrumentation was dynamic and vibrant, the repetition of the same words ‘Dia-Dia-…-Diamond Days’ and ‘Diamond’ was quite one-dimensional and became a bore quite easily. The verses were more engaging, with the EDM instrumental exhibiting a subtle funky profile and meatier vocal and rapping deliveries are present in the verses. (7/10)
4. Back 2 Back (Performance Team) – We remain in EDM territory with Back 2 Back. Performed by the Performance Unit (which is made up of HOSHI, JUN, THE8 and DINO), I really liked the dynamic flair that Back 2 Back carried. There was a lot going on, but nothing disappointed. In fact, every part felt engaging in its own right. Even the vocals and rapping throughout the track was super prolific and addictive. You can definitely see the amazing performance that the quartet will undoubtedly put on with such a strong song like this. (10/10)
5. Monster (Hip-Hop Team) – We need to remember that this mini-album was released prior to Halloween, so Monster was actually highly appropriate at the time of SEVENTEENTH HEAVEN’s release. The Hip-Hop team (which consist of S.COUPS, WONWOO, MINGYU and VERNON) had amazing delivery throughout the track. I like the variety of playful rapping and vocals we get from the unit in this track, which works wonderfully with the eerie, creepy keyboard or piano melodies in the background (which to me actually sounds very familiar, but I just cannot seem to place where I remember it from). Their flow and energy are superb, and I liked the little details such as the screams we hear throughout. Best part, for me, has to the lower toned pre-chorus. (10/10)
6. Yawn (하품) (Vocal Team) – The Vocal team turns down the dial of this mini-album a lot with the ballad Yawn. To say it is a beautiful song is an understatement. We hear JEONGHAN, JOSHUA, WOOZI, DK and SEUNGKWAN show off their beautiful vocals in Yawn over an equally stunning classical instrumented backing. And this backing get better as the song progresses, evident by the building momentum, which ultimately peaks in the bridge. The melodies make me sway along to the song, which you know I love out of a ballad. In terms of intent, the working theory (from what I have read about the song thus far) is that WOOZI wrote Yawn for SEUNGKWAN, whose close friend (MOONBIN from ASTRO) passed away in early 2023. (10/10)
7. Headliner – The final track on the album brings the 13 members back together again. And it is a really nice sentimental track to end SEVENTEENTH HEAVEN on. The vocals and background harmonies were really well done, while the instrumentation takes on a pop-rock sound profile. I particularly like the idea of the latter, as it gives Headliner some bite as opposed if it had gone down the ballad route. The melodies were also quite calming and soothing to enjoy. (8/10)
KEY from SHINee made his comeback in September 2023 with his 2nd mini-album, Good & Great, another album title that shares its name with the title track from the mini-album. In total, 6 songs featured on this mini-album – all of which have now been reviewed in this album review post. Check them out below! Good & Great follows on from KEY’s promotions for Killer that occurred earlier in the year and SHINee’s 15th year anniversary comeback with HARD.
2. Can’t Say Goodbye – KEY goes down the funky and groovy direction with Can’t Say Goodbye. Retro synths were used to lead us down this path. And in combination with KEY’s vocals, which were really clear in Can’t Say Goodbye, you have a very nostalgic and enjoyable track. The instrumental break was really great, conforming with the retro groove and funk direction quite easily but also breaking up the song to not sound overly consistent. The deep percussion that leads into the final chorus was also pretty good at this, as well. (9/10)
3. Intoxicating – Continuing on that groovy direction is Intoxicating. It really embraces the grooviness, and does so with a more mature vibe, which I am totally digging. KEY nails the vocal component of Intoxicating, helping to bringing that mature vibe to life. I really liked how he soars in the chorus and his ad-libs in the final moments, which instantly takes the track to a whole new level. My biggest gripe about the song is that it felt a little too consistent throughout. I just wished there was something in Intoxicating to offset that. (8.5/10)
4. Live Without You – That deep vibrating sound in the back serves up an intriguing start to Live Without You. And if you know me, that attracts my attention. The verses add in a consistent percussive beat, but also a decelerating pre-chorus. Interesting indeed. Come to the chorus, we get some light guitar riffs and bubbly synths to the mix. And as a recurring theme, KEY showcases his vocal abilities once again, especially in the chorus. I also like how KEY opts for a lower register for the bridge. All of this makes Live Without You a moodier (relative to the other songs on this mini-album) and almost angsty track. (9/10)
5. CoolAs – CoolAs is a total vibe. I LOVE the delivery of CoolAs, with KEY casual vocals and the more spoken delivery of the chorus. It is bold without being bold. The instrumentation opts back to the groovy motif that we heard earlier on this mini-album, but it feels a lot more subtle but also concentrated. I can totally imagine a really sassy dance routine where KEY and the dancers have a straight face on, but their movements and body totally is taken over by the energy that comes from CoolAs. And it is done in a way that is not comedic or taken lightly. (10/10)
6. Mirror, Mirror – The final track on this mini-album is titled Mirror, Mirror. It is a track that KEY penned himself, and you can feel that with how raw his vocals get in this track. The instrumental takes on an R&B profile, and I enjoyed how peaceful this track feels following on the more energy filled tracks that we had before this one. I like how the melodies elicit that swaying effect here, as well, without trying too hard. (8/10)
Another NCT related review, once again. This time around, the review is for NCT 127’s 5th studio album, Fact Check, which was released in October 2023. The album features the title track of the same name as the album and an additional 8 songs. Since the release and promotion of Fact Check (both the title track and studio album), NCT 127 had an additional comeback in December 2023 with a special Winter single Be There For Me and began their 3rd world tour – Neo City – The Unity. Anyhow, onto the review aspect of this post for Fact Check. There are a number of good songs to check out below!
2. Space (무중력) – After the tightness from Fact Check, Space provides us with some relief with a much looser track. From the get go, I find it to be an ‘oh so dreamy’ track listen to and I am totally digging that. The vocals add to this by adopting a raspier and breathy output. I also have to draw your attention to the punchy ‘Space’ repetition in the choruses, with each coming at the most ideal times. The synths give Space a modern profile and rhythm, but the saxophone in the background ultimately steals the spotlight as it fades in and out for the chorus and gives off a classy vibe. Everything felt balanced and perfect. As a whole, Space felt very chill and relaxing. (10/10)
3. Parade (행진) – NCT 127 switches back to their usual energetic style and intensity with Parade. And they really make sure that we know by amplifying a lot of the components in the track. Parade features a shouty-like delivery, in some parts, allowing the rapping to become more dynamic and richer. Parade opts down the hip-hop direction, which also contributes to the amplification of the song and builds a very solid foundation for the song. As for the vocals, they did a really good job of contrasting with the rest of the song, keeping it from going too crazy and grounding it. (9/10)
5. Yacht – Yacht takes a more laid-back approach. The energy is all there, but things feel a lot less intense in Yacht. I have to admit that I find that brass-like synth in the chorus to be a little too scratchy for my liking. I wished that was toned down a bit, as it does have its charming point. But I felt like it overpowered the chorus a tad. The rest of the retro approach to Yacht was appreciable. I really liked the idea of the vocalists and rappers harmonising with each other, which adds depth to the song. However. I wished the melodies were a little more polished, especially as we lead into the chorus, to really get the full effect of that. (8/10)
6. Je Ne Sais Quoi – Je Ne Sais Quoi takes us back to NCT 127 territory with a hip-hop track. There is a lot going on in this track, especially with the contrast between the rapping and vocals. Moments of Je Ne Sais Quoi had me doing that slight bounce you do when you listen to a bop hip-hop track. Other parts saw the song smooth right out for the vocals to be showcased. It all makes for an interesting track. Nothing really sticks out as a sore thumb and the different parts all come out together quite cohesively. If you want to hear multiple facets of NCT 127, Je Ne Sais Quoi is a good example of that. (8/10)
7. Love Is Beauty (별의시) – As one of the longer tracks released in the KPOP industry this year, Love Is Beauty is a captivating number to listen to. For me, the most amazing aspect of this track has to be the stunning vocals that the members showcase. It is really hard to pinpoint a member who did exceptionally well when everyone did a spectacular job in Love Is Beauty. We do get some rapping in the song, but they were tweaked in a way that fits the mid-tempo nature of Love Is Beauty. The twinkling synths and instrumentation was a really nice touch to what easily could have been a more typical R&B release. (9/10)
8. Misty (소나기) – Again, amazing vocals are on full display in Misty. But that is something the members have already done a few times on this album. What really sets Misty apart from the rest is the abundance of harmonies throughout the track, as well as the really atmospheric and dreamy instrumentation. I found it extremely hard to put the song down or skip it once it started, knowing that the whole almost 4-minute track needs to be experienced in full to really experience Misty and that it should not be missed. (10/10)
9. Real Life – Finally, the end of Fact Check (the album) features the softer pop track Real Life. The instrumentation actually gives the track a lot of life and colour. I particularly like the orchestral-like approach to the backing, which helps give the track a slight epic feel. The vocals and rapping were well done, as well as the melodies, which I find myself swaying to. The repetition of “Real Real Real … Real Life’ was actually quite hooky and catchy. Overall, a neat song to end off the album on. (8/10)
After a single and single album release, MAMAMOO+ have finally released their first mini-album, Two Rabbits, in August 2023. It features the title track dangdang. I used to review most (if not all) of MAMAMOO’s album releases, so I thought maybe that should also be extended out to MAMAMOO+ releases, as well. While admittedly MAMAMOO+ releases have not been as compelling as their parent group releases, I still know that I will have a good time with anything related to MAMAMOO. As such, I will return one day to review their single album releases from earlier in the year which featured the single GGBB. But for now, here is my review on Two Rabbits.
Two Rabbits Album Cover
1. Intro: Two Rabbits (Intro: 두마리토끼) – It is a short intro to the mini-album, but the backing to Two Rabbits had good rhythm and a peaceful vibe, while Solar and Moonbyul did a really good job at complementing this with light playful and calming melodies in their vocals and delivery, respectively. It makes for a good start to the mini-album. (8/10)
3. I LIKE THIS – MAMAMOO+ keeps to the playful vibe in I LIKE THIS. We go down a jazzy and groovy direction with the instrumentation, which was quite engaging. They throw in some other elements into the mix to make it a fun sounding track, like addition of brass during the second verse and some funky synth work in the instrumental break/bridge of the song. What I also like in I LIKE THIS are Solar and Moonbyul’s light and delicate vocals, which I found to be super enjoyable. Moonbyul does step away briefly to amp up her delivery for the rapping in the second verse, but this made sense to complement the change in momentum that the background to the rapping had. Just like the title, I really liked this. (10/10)
4. Starry Sea (별이빛나는바다) – The vocals are the memorable aspect of Starry Sea for me. Both Solar and Moonbyul do an amazing job, especially in the chorus, where it was so easy to get lost in both of their powerful and delicate deliveries. Elsewhere, the melodies are stunningly beautiful and I found myself swaying along to these melodies. Starry Sea is also nicely instrumented with acoustic guitars, a light touch of synth and some saxophones at the very end of the song. The beach sounds were also a nice addition. (9/10)
5. Save Me(지구에 혼자 남게 된다면) – A few weeks prior to the release of this mini-album, MAMAMOO+ also pre-released the single Save Me. I had intentions to review Save Me separately, but it slipped from my mind. Anyhow, Save Me is a R&B ballad with stunning vocals and amazing rapping. These are just common synonyms to use when referring to anything MAMAMOO related! I like the retro vibes that come from the instrumentation. I didn’t expect as much synth work in this song, but it helped made the song feel fuller and added some intricate detailing to the backing. Overall, a very pleasant and mild release. (8/10)
LUCY made their comeback in August 2023 with their 4th mini-album, Fever. Today, I am finally getting around to reviewing Fever, which comes after finally getting around to reviewing the title track on this mini-album, Haze. 3 additional songs also feature on the mini-album. Altogether, Fever is definitely another top album from 2023, which is why I nominated it for Best Album of 2023 in the 2023 KPOPREVIEWED Awards. Unfortunately, the chance to support LUCY in the annual event has passed. But do check out why I nominated the album by reading this album review.
Fever Album Cover
1. Hot! (뜨거) – Hot! embraces a more energetic rock sound than usual. It doesn’t come as a surprise to me, as they had venture down the more usual sound that we hear from KPOP band. The addition of prolific guitars and slight presence of EDM also pushes the boundaries even further for LUCY in this song. Yet, they still keep true to themselves with the continuous presence of the violin and their signature vocals. Yet, the former was processed in a way for Hot! that allows it to fit in and feel part of the rest of the upbeat and lively initial track. (8/10)
3. Magic– What really stood out for me in Magic was the good time vibes. The entirety of this track had me smiling and doing a small bop in my chair. I really like the violin solo, which takes Magic on a jazzier direction. I also liked the use of the violin as accent within the background. Everything else, from vocals to melodies to the band instrumentation, came off as balanced and made Magic a super easy listen. (8/10)
4. So What (내버려) – The rock emerges again, but takes a heavier and grungier turn in So What. There is such a dramatic flair to the song that makes it so dynamic. The violin itself blends in so well. Adding to that are the solid and well-executed vocals from all of the members, with a particular mention to Sang-yeop who really kills it in So What. But all members, not matter if they contribute via the softer moments or as part of the chorus, added to the dynamism of So What. The chorus is also quite memorable, especially thanks to the melody that gives it drive and so much punchy character. All of this makes for another unforgettable track from the band. (10/10)
Golden Child’s November 2023 comeback with Feel Me came and went quite quickly. And that is quite disappointment given their last comeback (Replay & AURA) was over a year ago when Feel Me came out. But before we forget about said comeback completely, I will be reviewing the single album in which Feel Me is featured on and shares a title with. Feel Me (the single album) is very consistent release, with Feel Me (the song) and the single album’s addition 2 side tracks all earning the same song rating. Read more on each song below!
2. Blind Love – One of the things I really liked about Blind Love was the feel-good vibe and bright exterior that the instrumentation and members exudes from the track. It makes it become an enjoyable single. The instrumentation takes on very peppy pop sound that is super vibrant. I also like the slight groove thanks to the presence of the guitars. The vocals are very polished and the melodies are easy to listen to, both of which embodies that pop sound so well. (9/10)
3. Dear – We remain in the pop realm for the final track on this single album. It is quite an upbeat track and I can imagine a very cool dance routine to this track. What makes Dear a little different to the above tracks is that it has an emotional tingle to, which makes it a more heartfelt release. That being said, I do find myself smiling to the song each time I listen to it. I find all the members singing in the final chorus to close out Dear to hit it home, given some thoughts I have about Golden Child and their future. I think that might a topic of discussion for another day. (9/10)
The next album to be reviewed on the blog is TXT’s 3rd studio album, The Name Chapter: Freefall, which dropped on 13 October 2023. Featured on the album is the title track Chasing That Feeling, the TXT version of Back For More and TXT’s Summer collaboration with the Jonas Brothers, Do it Like That (all links to their respective reviews can be found below within the album review). Those three tracks are alongside 6 additional new tracks. As a whole, The Name Chapter: Freefall is another strong album from the group. There are some really good and strong songs on the album, so definitely check out this album. It might be one TXT’s most sold albums to date, but I think it deserves a bit more attention than what I think it got (which wasn’t much).
The Name Chapter: Freefall Album Cover
1. Growing Pain – The album kicks off strong with a rock track. Growing Pain is a metal-based hard rock track that has an energetic and intense vibe. The guitar work is definitely amazing, particularly during the bridge. The members do a decent job with their vocals in Growing Pain. They do suit the style, but I am describing their vocals as decent as I felt some parts were underbaked. The chorus also felt repetitive. I wished there were ad-libs or something to really give (at the very least) the final chorus that ‘last hurrah’ vibe. It could have really helped close Growing Pain out strong. (8/10)
3. Back For More (TXT Version) – I have previously reviewed Back For More (featuring Anitta). Most of my thoughts will carry over to the TXT version. Click here for the review of Back For More. (9/10)
4. Dreamer – TXT takes it down a notched with Dreamer, a paced R&B track. Everything in this track felt very standard R&B. But it is done so well that I find myself drifting away with everything in it. I did like the vocals in this track, with the members going with a higher and/or airer tone. In its own way and in the context of Dreamer, the vocals did feel rather bold. (7/10)
5. Deep Down (머리에솟아난뿔은나의왕관이었다) – Out of all the side tracks on this album. Deep Down is my favourite. It starts off quite atmospheric and maintains that aesthetic throughout the track. The chorus brings in a Jersey Club beat, but keeps it lowkey to match up with the atmospheric aesthetic I just spoke about. The members also match their tone and delivery to be at a similar level to create a cohesive and riveting club track. (10/10)
6. Happily Ever After – Happily Ever After is probably the most recognisable side track, given how much TXT and HYBE pushed it on their social media. It is undoubtedly a fun single, with the chorus and its lead-in being the most memorable aspect of the song (which you can thank TXT’s social media for). Happily Ever After also features a Jersey Club beat, but uses it in a way that feels bright and vibrant. Their vocals are also super sweet sounding and I liked how they maintained it at a light level. (8/10)
7. Skipping Stones (물수제비) – When I first heard the song, Skipping Stones took me back to DAY6 vibes. It might be the indie-rock approach that is taken in Skipping Stones, which in itself is an amazing backing piece. Even some of TXT’s vocals remind me of DAY6 (though the more you listen to the song, you find TXT’s colours coming through). I also like how it is super easy to listen to and enjoy, making it feel like a song you can easily put on repeat and listen to time and time again. (9/10)
8. Blue Spring – Blue Spring is another indie rock track. This time around, no one other than TXT comes to mind when I listen to this song. And it makes sense, given that this is a fan song for their fans (MOAs). I am loving the raspy vocals and the oomph the instrumentation carries. You can feel the heartfelt emotions behind their vocals, which I am 100% sure makes for greater emotional impact for both TXT and fans alike. (9/10)
STAYC’s POPPY is nominated for Best Non-Korean Song by a Korean Artist (Japanese). Support POPPY and your other favourite acts by clicking here to vote today.
Over the last month, STAYC’s Bubble has really grown on me. So much so, if I had a crystal ball to tell me of this growth, I would have nominated it for Best Pop Song in the 2023 KPOPREVIEWED Awards. Anyhow, this growth has led me to review the album in which Bubble is included on, TEENFRESH. It is also my first time reviewing a STAYC album. The mini-album features a total of 6 songs, including 3 versions of Bubble and 3 additional side tracks. Let’s see how the rest of the mini-album stacks up to the title track.
2. Not Like You – For Not Like You, I enjoyed the moodier tone (relative to Bubble) we get from the instrumentation. But while I did enjoy it, I wished there was more development in the song as it progresses. Not Like You suffers from a consistency issue for keeping to close to the moodier energy as the song went along, and I wished that had more to offer. The chorus, whilst fine now, dulls down each time I listen to the song. Even the end of the song sounds a bit too alike to the verses. On the flip-side, I think we get a great showing of vocals from YOON and ISA in the pre-choruses. (7/10)
3. I Wanna Do – We go down a contemporary R&B direction with I Wanna Do. Upon reflection, there isn’t anything innovative in I Wanna Do if you were to compare it to songs of a similar soundscape. But the vocals, melodies and nostalgia of the instrumentation is on point. And all of that makes it hard for me to turn away from I Wanna Do. (8.5/10)
4. Be Mine – Probably the most interesting track on this mini-album is Be Mine, which has a familiar retro pop vibe to it. The bounciness of the instrumental was quite a cool aspect of the song. The bright vocals do have a slight R&B tinge to it, whilst the hazy rapping in the second verse was very intriguing. All of this cohesive comes together to create a good side track on this mini-album. (8/10)
5. Bubble (English Version) – Refer to my full review on Bubble above.
6. Bubble (English & Sped Up Version) – Refer to my full review on Bubble above.
V is nominated for Best New Male Soloist in the 2023 KPOPREVIEWED Awards.Support V and your other favourite acts by clicking here to vote today.
First album review of the year belongs to V, who made his solo debut back in September with the mini-album Layover. Today, I will finally be reviewing that mini-album release. The R&B dominant mini-album consists of 6 tracks in total, including the title track Slow Dancing and piano version of the title track. And all other tracks, whether it was a pre-release (i.e., Love Me Again or Rainy Days) or not, has an accompanying music video. Unfortunately, time does not permit me to review all of the side tracks separately, so I have linked the music video down below in place of the usual audio videos I get from YouTube. With that little housekeeping out of the way, let’s move forward with the album review for Layover.
Layover Album Cover
1. Rainy Days(Pre-Release Track) – Starting off the mini-album is Rainy Days, which is a stunning song. The standout element of Rainy Days that I personally enjoyed has to be his vocals, which were very clear and comforting. I particularly like the deeper tone V takes in the second verse. It was unexpected, and adds some depth to the song. I also felt like I was drifting away with the melodies in Rainy Days. Finally, the R&B instrumentation was quite stilling and the rain sounds in the background felt just right. (9/10)
2. Blue – Blue features an old school form of R&B. While V’s husky vocals come into play and does appeal to me, I find the smoothness of the melodies in the chorus to be the more memorable element of Blue. The slightness of his vocals and the simplistic title repetition that makes up the chorus were also strong aspects of this song. (8/10)
5. For Us – For Us is probably the most dynamic R&B track of the album. It goes for alt-R&B vibes, with some cool synth work, fitting autotuned vocals in the first half. Mid-way, For Us has a slight change of pace following the sound of a tape change, which brings in nice piano and drumming in the latter half of the song. V, throughout For Us, continues to bring smoothness via his vocals. (9/10)
6. Slow Dancing (Piano Version) – Refer to my full review for Slow Dancing linked above.
KPOPREVIEWED 