[Album Review] Top Seed (3rd Studio Album) – Infinite

Another very long album review for you all. Infinite returned last week with their third album and I intended to publish this at the end of last week. A few things popped up which prevented me from doing so. Regardless, the review is completed and published for your viewing pleasure. I won’t write anymore due to the length of this review.

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Top Seed Album Cover

1..Begin (Intro Track) – Starting off the album is your Infinite styled mash-up between an orchestral piece and something similar to their title track. While I don’t tend to review the intro track to most albums, I have to say I really like the clashing cymbals in this one.

2. Tell Me (Title Track)Click here to read the full review of Tell Me. (7.9/10)

3. Synchronise – I am on the fence in regards to this song. It seems like the instrumental (particularly during the chorus) drowned out the vocals and it also felt overwhelming, Despite that, the rolling drum beat was nice and the transition between verses to the chorus was pretty good. I like the extension of the instrumental at the end of the song. The only other thing I am disappointed in was the lack of a rap segment, which felt expected. (6/10)

4. No More – I felt that this song wasn’t that interesting. Despite that, it had some elements which made it a decent song. It features great harmonies from the members. In regards to the previous songs, it is definitely nice to hear a song that is tone down. The vocals were nice and so was the rap sequence. (5/10)

5. TGIF (Dongwoo Solo) – This is first of three solo songs that featured on the album. The song does a good job at presenting the vocal and rapping talents of Dongwoo. I thought the chorus was really well done. The buildup to the bridge was nice but the instrumental break was too awkwardly placed and broke the flow of the song. (8.5/10)

6. Pray (Maetal’s Sorrow) (기도 (메텔의 슬픔)) Pray has a dramatic start to the song, which is something that drew me to it. The orchestral instrumental had an interesting tango twist to it. I really enjoyed the epic feel to it but I felt that the song could have used more powerhouse vocals to make it even better. (8/10)

7. Why Me (왜 날)– It is your typical ballad but I have to say that the vocals were on point throughout the song. In particular, Sunggyu stood out during his parts in the chorus. Once again, it is a great song to sway to, which makes it a good song in my book. (7/10)

8. Wind (분다) – Starting off the track are whistles along with some acoustic guitars, which draw your attention in. Once the upbeat chorus is unleashed, the acoustic guitar takes a turn and transition into electric guitars, which I thought was incredibly cool. The harmonies during the post-chorus were awesome. Sungjong shined the brightest, particularly in his part during the bridge. I particularly like this song a lot. (9/10)

9. I Hate – The rock-based song adds another genre to the album and they nailed it. And despite me liking the song, there isn’t much to comment on. The vocal work from each member is amazing here as well, but Dongwoo’s rough vocals fit the song so well. (9/10)

10. Reminisce (지난 날 ) (L Solo) – L has always had a great voice when I hear him in Infinite songs, so his solo work obviously put forwards his underrated vocals. And while it shows off his capable vocals, the song is rather plain for my taste. (6/10)

11. Love Song (고백) (Sungjong Solo) – Sungjong gets the honour of being the last member to have a solo song featured on the album. Love Song is like that Spring ballad that gets released each year. It has a very bright feel, accounted for by the instrumentals. And both vocals and instrumental complement each other really well. (6/10)

12. Begin Again – We began the album with Begin and now we must Begin (another chapter) Again. It is an upbeat song that has a really great chorus and the vocals (along with the harmonies during the chorus) just made so much better. (8/10)

Overall Album Rating – 7.5/10

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Top Seed Teaser Image

[Review] Going Going – Jang Wooyoung (2PM)

Jang Wooyoung will be back with a brand new solo mini-album in South Korea next week. Despite this, Wooyoung has dropped a pre-release titled as Going Going for the fans on Monday, which is why we are here today. Wooyoung has been active in South Korea for the past few years after 2PM went on a hiatus to allow the members to individually enlist in the military. I just haven’t got around to review any of his solo works since Sexy Lady in 2012.

Anyone called for a throwback to the 90s? Going Going is a track that is overloaded with all the same elements (e.g. disc scratching) and vibes as some of the popular music from the 90s. And in reference to my earlier review today, I still think this track could have been a great title track for the Summer months, due to its vibrant sound. But this is just a pre-release, so I guess we have to let that slide. The drums in this song is definitely a successful attempt at trying to get the song to stick in my mind. That bridge with the consecutive drums was definitely a highlight. His English lyrics did catch me off guard when I first listened to it, making me doing a double take back to check the lyrics to be sure I heard correctly. And while I did like the vibrancy of the music, I wasn’t sure about the chorus. It just felt a little plain, in comparison to some of the other parts of the song. I feel like the verses had a lot more colour when compared to the chorus. Great song, though.

Following that vibrancy, the video is clearly shot to make it fit that Summer season. I just don’t know why the video was hit with a dark or pale filter, which really felt unnecessary in my point of view. Some of the shots didn’t seem to have the filters, which was pleasing to watch. Besides that, I don’t think there was much else to the video to comment on.

Song – 7/10
Music Video – 6/10
Overall Rating – 6.6/10

[Review] Like Paradise – Kriesha Chu

The winners of the KPOPREVIEWED Awards 2017 have been announced! Check out who won by clicking here!

Time to review a brand new artist! Kriesha Chu is technically not a new artist, as she made her formal debut with Trouble last year in May. For those who are not familiar with Kriesha Chu, she came runner-up on KPOP Star 6, which aired in 2016 and 2017. Like Paradise is her first comeback and the title track off her first mini-album, Dream of Paradise.

Like Paradise is a decent song that introduces me to Kreisha Chu. The song does a feel a little bland, in my opinion. The song doesn’t really peak for me. Instead, it remains too consistent from start to end. That’s the biggest problem that I have with the track. The EDM chorus was very nice (particularly the launch into the chorus), with her vocals compliment the style. I just feel that this song would have done a lot better in the Summer months. The EDM and synths do give off a somewhat bright vibe. It isn’t like a particular sound can only exist in its stereotypical season but I personally do not think it works this time around. Her presence in the song did leave a strong impression on me and I am interested to see what else she has up her sleeves. Initially, it did take a few listens to get into (hence the delayed review). But now, I like it quite a bit and don’t mind it playing in the background if it appeared on my playlist.

Some of the shots looked quite nice in this video. I am always complimenting the drone shots when it comes to some of these videos that are set outside. The video also featured a little storyline. The two girls used to be best of friends. But after discovering they liked the same guy, their friendship turns sour despite their attempts to make it work. I feel like the part when they reunite seems a little unresolved. What happened to the dude? Did they both take a step back from him and this allowed them to be friends once again? Or did he step back because he was feeling troubled? The video doesn’t really say much in regards to this and I feel like it should have been addressed since that is a major part of the video. But overall, it was a nice video to watch.

The performance just lacks energy. I know she is trying her best to come to a compromise between singing live and take on the choreography. But I feel like the dance is weak, to begin with. I just don’t think the performance is interesting enough to watch.

Song – 6/10
Music Video – 7/10
Performance – 5/10
Overall Rating – 6/10

[Review] Grrr (Law of Total Madness) – Stray Kids

Have you seen the winners of the 2017 KPOPREVIEWED Awards yet? If you haven’t, feel free to click here to be transferred to see who won!

Last year, as an introduction to a potential upcoming boy group by JYP Entertainment, Stray Kids unleashed Hellivator. The group then went on to compete to see who would be able to debut later this year, with all nine members confirmed to debut at the end of the show’s run. Now, they are back with a pre-debut mixtape (in the form of a mini-album) titled as Mixtape and features the main track, Grr (Law of Total Madness).

If we want to talk intensity, Stray Kids is probably the group to talk about. From the very start, there is no holding back. Instead, the group just launches right into there. The song seems to be a mixture of rock and EDM, with elements poking out at you during certain moments throughout the song. You could say that the combination turns it into a mess but given their past track, it is clear that it was intentional and definitely adds to their portfolio. It does lack something that could have made the track more catchy, in my point of view. Maybe a chorus because I felt this song’s chorus didn’t have much of a presence due to the song’s style and rap-dominance. But it is still decent to listen to. Once again, the vocals are overshadowed by the raps. So while this is just a pre-debut, I am hoping to hear a few tracks that highlight the vocal capabilities of the group in the future.

The music video is essentially the performance of this song, throwing in some closeup shots of the member. Everything felt fitting for this music video, from the shaky camera work to the industrial background. So there isn’t much else to talk about.

But the key part of the video is definitely the dance performance. That level of intensity that you could hear from the song is seen throughout the performance. In my previous review for the group, I commented on their potential and this performance just cements that. I like the ‘running towards the camera’ during the chorus and the second verse rap where some of the members are lying on the ground (at 1:30) is pretty unique.

Song – 8/10
Music Video – 7/10
Performance – 9/10
Overall Rating – 7.9/10

 

[Album Review] The Hottest: N.Flying (3rd Mini Album) – N.Flying

 

This is my first N.Flying album review. When I first heard the highlight medley prior to the official release of the mini-album, I knew I had to sit down and review the album. This is their 3rd mini-album to date and titled as The Hottest: N.Flying.

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The Hottest: N.Flying Album Cover

1..And So, We (그러니까 우라) – Opening up the album is a track that felt so similar to an OST to a cheesy drama. The song overall, especially the chorus, felt very poppy. It was also quite bright and refreshing, similar to songs that you would get during the Summer season. It is a great song to nod along to, with great vocals and raps. For some reason, I really like how the song ended. It seems like your standard ending but I am somehow digging it. (8/10)

2. Hot Potato (뜨거운 감자) (Title Track)Click here to read the full review for Hot Potato. (8.6/10)

3. In The Back Alley (골목길에서) – The song opens up with a very serious rap sequence which did a good job at gaining my attention. Compared to the previous two songs, the level of energy is toned down, which provides some relief, since it could have been overwhelming. I thought the raps and vocals were well balanced. Despite the presence of the thumping drum beats, the song is soothing to listen to. The best part of the song would have to be the bridge, which gave the song its needed peak. The only downside to the song is the abrupt ending. (8/10)

4. I Know U Know – There are many elements of this song which I liked. I liked the guitar in this song. But more than that, I loved the build-up for this song. At first, I thought it was just going to be a ballad but it ended up turning into a pop song. The unexpected turns the song take do give it an appealing touch. The hollow electronic drum beats during the chorus were really nice. I also liked the high note at the end. (9/10)

5. The Best (이보다 좋을까) – Unfortunately, The Best seemed to be my pick for the least interesting song on this album. It opens up as a jazzy number and quickly turns into a pop band track. I thought the vocals and raps were nice. The chorus had a sweet sounding melody. Besides that, I don’t have much else to say about the song. (6/10)

6. Just This One Day (딱 하루만) – I think the one thing we must comment on in this song is the chorus. It was that rock sound that seemed to be missing from this album. When I first heard it, I was digging the head banging vibes. I like the scratching record which you heard throughout the raps sequences. The way the ad-libs were layered at the end gave the song a more appealing manner. The vocals were a little plain during the verses, but they contrasted nicely with the chorus. The only thing I am not keen on is the rap-speak during the bridge. (8/10)

Overall Album Review – 8/10

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Hot Potato Music Video Screenshot

[Review] Diamond Girl – MXM

Did your favourites win at this year’s KPOPREVIEWED Awards? If you haven’t checked out the winners yet, click on the link here to find out who ultimately won

MXM have made their return with Diamond Girl. This is their first comeback since their debut last year with I’m The One. For those who may have missed their debut, MXM is a duo consisting of Lim Young Min and Kim Dong Hyun.

Diamond Girl is an extremely funky track that gets you grooving along to it. It is super catchy, as you would expect with something so funky and retro. The instrumental consists of many components that give off that retro vibe, such as the high pitch synth (sounds like a traditional synthesizer sound) in the chorus (at 0:54), the many examples of brass and the good old cow bell. I also loved that coil sound at the end of the bridge. Not sure if you would say that is retro but it was definitely attention-grabbing for me. The repetition of the ‘Diamond Girl‘ feels so energetic. I thought the vocals were really nice. But once again, the raps stole the show for me. Particularly the raps that featured in the second verse. Overall, the song was really cool and definitely landing on my playlist.

For the music video, Diamond Girl seems to reference the pawnbroker whom in the main character that the MXM boys are trying to impress. She also gives out diamonds in exchange for their property. I guess they want to see her more so they gather everything they own to give to her. I also assume the video is set in space, giving they have flying cars and the freaking purple moon in the background at the end. The video was actually quite nice to watch and felt like it complemented the song. You could feel the chemistry they have together in this video, which makes it even better to watch.

I don’t have any specific comments regarding the performance of this comeback. I do like it a lot. It matches the energy from the song, which is a definite plus.

Song – 9/10
Music Video – 8/10 
Performance – 7.5/10
Overall Rating – 8.4/10

[Review] Don’t Leave – Block B

Zico from Block B was voted as the Best Rapper of 2017. To see who else was voted as the best for 2017, check out the results for the 2017 KPOPREVIEWED Awards by clicking here.

We last saw Block B with Shall We Dance and their mini-album, Montage, in November. At the end of 2017, it was announced that the group would return with a repackaged mini-album, titled as Re:Montage. The repackaged mini-album features 3 new songs, including Don’t Leave (the main title track), a solo song from Jaehyo and U-Kwon.

Don’t Leave is another ballad under Block B’s wing. And while it does sound quite rooted within its emotions, the song fails to capture my attention. It just doesn’t have anything that separates it from some of other songs that are currently being released. Shall We Dance grew on me with a few extra listens after writing the review for its uniqueness in terms of its sound, whereas Don’t Leave just feels very standard. That being said, there are elements of the song which I like. The instrumental starts off as piano-based but it progresses to have a band feel. It definitely has a grand feel to it.. Vocals are quite nice (harmonies were beautiful) but the best part has to be the raps. You can never go wrong in that department when it comes to Block B. The transition between Zico rapping and singing felt flawless and P.O’s segment at the end of the song was definitely the best part of the song.

The HD quality of this music video makes it feel so fresh and crisp. It draws me in when there isn’t much going on in the video. The post-apocalyptic feel that I got from the setting of the video reminds me of Love Song by Big Bang, especially Kyung’s walk along the beach. I do like the various camera angles that make the video feel artistic and aesthetic. The slowness of the imagery in the video does compliment the ballad and slower nature of the song.

[Updated] Despite it being a ballad, Block B manages to fit a choreography routine in. It didn’t feel necessary but nonetheless, it is actually very nice. I love the choreography during the post-chorus repetition moments of the song. Their hands flailing around doesn’t look in sync but it has a nice aesthetic, which is something I like.

Song – 6.5/10
Music Video – 7/10
Performance – 7/10
 [Updated]
Overall Rating – 6.75/10 [Updated]

2017 KPOPREVIEWED Awards – Results

**drum rolls please**

It is time to announce the winners of the 2017 KPOPREVIEWED Awards. This is the first year ever that you (the readers) got the opportunity to vote and pick out the winners of each category (excluding a few). Let me just start by saying thank you for all those who participated in the voting process, as you all made this possible.

This will be an EXTREMELY LONG post and it will be gif heavy so it may take a while to load up. If you have a slow internet connection (like me), you can still view the winners (along with the nominees if you missed the voting period/want a reminder) by clicking the link here.

The respective gifs for each category represent the winners which you voted for, while I have put down my pick for the category. I have opted to not do a commentary this year due to the already long length of this post.

BEST MALE GROUP DEBUT

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Wanna One

Author’s Choice – Wanna One


BEST FEMALE GROUP DEBUT

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Dream Catcher

Author’s Choice – Dream Catcher


BEST SOLOIST DEBUT

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Kim Chungha

Author’s Choice – Jung Sewoon


RISING STAR

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Monsta X

Author’s Choice – NU’EST W


BEST SUBUNIT

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SEVENTEEN Performance Unit

Author’s Choice – Gugudan 5959


BEST CO-ED GROUP

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KARD

Author’s Choice – KARD


BEST MALE SOLOIST

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G-Dragon (Big Bang)

Author’s Choice – Bobby (iKON)


BEST FEMALE SOLOIST

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IU
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Sunmi

Author’s Choice – Sunmi


BEST VOCALS

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BTOB

Author’s Choice – DAY6


BEST RAPPER

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Zico (Block B)

Author’s Choice – Bobby (iKON)


BEST JAPANESE SONG BY A KOREAN ARTIST

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One More Time – TWICE

Author’s Choice – One More Time (TWICE)


BEST COLLABORATION

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Honey Bee – Luna, Solar, Hani

Author’s Choice – Bye Babe (Chen & 10CM)


BEST CHOREOGRAPHY

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Don’t Wanna Cry – SEVENTEEN

Author’s Choice – Gashina (Sunmi)


BEST MUSIC VIDEO

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Peek-A-Boo – Red Velvet

Author’s Choice – You In Me (KARD)


BEST MALE GROUP

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B.A.P
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EXO

Author’s Choice – SEVENTEEN


BEST FEMALE GROUP

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Red Velvet

Author’s Choice – Red Velvet


BEST NON-TITLE TRACK SONG

Beautiful – Pentagon


BEST ALBUM

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Palette – IU (4th Studio Album)

And there you have it, the 2017 KPOPREVIEWED Award Winners. Congratulations to all! Hopefully, the artist’s that you picked came out on top and were victorious.

As for the BEST SONG OF THE YEAR award, it will be published in a separate post. For this year, the winning song will be the song that tops the End Of Year Charts (to be published on the 15th of January).
NOTE: YOUR VOTES MAKE UP 50% OF THE END OF YEAR CHARTS, WITH THE OTHER 50% CONTRIBUTED BY ME.

[Review] Secret Garden – Oh My Girl

Oh My Girl have made their return to the stage with Secret Garden, which also shares the same name as their latest (and 5th) mini-album. This is Oh My Girl’s first comeback after the departure of JinE, who was still included in the lineup prior to this comeback despite not participating in the promotions.

Secret Garden is actually a pleasing song to listen to. With just a few listens already, the song has managed to grow on me quite a bit. When I first heard a snippet of the song, I was wondering what happened to the aesthetic or energy filled song that we are used to hearing from Oh My Girl. But I guess I was too quick to judge. Secret Garden is orchestral influenced with its dreamy instrumental. With Oh My Girl’s twist, they added a slight presence of a band to make it more upbeat, suitable to incorporate a dance into their stages. The use of electric guitar during their dance break is quite nice, giving the song some variety rather than just the classical instrumentation. The instrumental particularly evokes nostalgia within me, but I cannot pinpoint where this nostalgia is coming from. Their vocals were extremely clear with this song, which makes the song feel so crisp. I liked their chorus but felt like they could have added harmonies to give it a grander effect. Overall, Secret Garden definitely adds to the group’s portfolio as another standout track, in my point of view.

If it weren’t for a particular YouTube comment on the video, I would have completely missed a major detail regarding the music video. It seems like the music video for Secret Garden includes various details that link the past music videos by Oh My Girl to the present video, which ties in nicely with the lyrics of the song. Essentially, what the song is about is one’s ‘Secret Garden‘, which is a reference to one’s imagination. And the entire portfolio of Oh My Girl music videos have been based largely on imagination. Hence we can see different items shared between the videos. The presence of the deer is a reference to Closer and the clouds outside the window reference Coloring Book, to just name a few. If it is the true intention of the imagery, the videos are clearly thought out and interestingly intertwined. I like the video for that fact.

Fitting nicely with the song is the graceful nature of the choreography. I like how some of the moves are fast and sharp, while others were quite slow and fluid. The best part would have to be the dance break, which like the song, gives the choreography a nice kick.

Song – 8/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 8.3/10

[Review] Tell Me – Infinite

Infinite has made their first return since 2016 with their latest mini-album, Top Seed. This particular album along with the title track, Tell Me, is the first to not feature Hoya, who did not re-sign with Woolim Entertainment last year during the contract renewal. Hence this is the first comeback for Infinite as a six-member boy group.

With the departure of a member, I wondered how the 6-member Infinite will differ from the 7-member Infinite. And the direction that Tell Me went in seemed to depart from that traditional Infinite sound. The traditional Infinite sound is much more jam-packed and intense. Tell Me seems to be a little more spaced out and doesn’t feel as intense, hence why I say it doesn’t conform to the past. It has a more pop-centred sound, which actually sounds nice. The song is quite catchy with the “luv, luv, luv’ post-chorus segment. The fast repetition of the ‘naega, naega’ during the chorus just rolls so effortlessly in the song, it has become the main highlight. I liked the instrumental which definitely gives off a different side of the group. All the members sound nice but I feel like their vocals are as strong as before. It might be the song style but I feel like a tighter set of vocals could have brought more of that intensity and Infinite-esque sound to the song. A similar comment could have been made regarding the rap. But overall, I am really digging this track.

Call me crazy but I am dubbing this as the ‘Infinite’ concept as basically what happens in the video just continues on and never ends. I think the storyline of the video is being stuck in that memory of a chance at love and having to relive that until you finally reunite. The video came out to be aesthetic with the various ways they displayed the concept, such as the never-ending blue triangle corners and the various upward camera angles for the choreography. Overall, it is pretty interesting and definitely eye-catching (in my point of view).

Despite the more spaced out song and less intense nature, we can’t talk about Infinite and not acknowledge the synchronisation between the members. They brought such knife-like moves back to the table, which I think is amazing. Not as impressive, I must admit, but still quite captivating to watch. Woohyun’s solo body roll in this performance is on point (big Woohyun fan here)!!!

Song – 8/10
Music Video – 8/10
Performance – 7.5/10
Overall Rating – 7.9/10

 

[Review] Hold Me – Eric Nam

There are a number of songs that were released in the last week of 2017, which I have not looked at yet. Eric Nam’s Hold Me falls into that week, dropping on the 27th of December. While the soloist has been active as a singer throughout the year (via a number of collaborations), it is his first solo track since 2016.

Hold Me is a ballad that tells his lover to continue to hold onto him, regardless of whatever he does. There is some warmth to the song, which makes it an ideal song to listen on a cold Winter’s day. This is partly due to the combination of instruments used in the instrumentation and the vocal work. They all work well together, despite being just there is a background. The main focus is on Eric Nam’s vocals. It doesn’t pierce the music in any way, but rather, is gracefully flowing over the top of the instrumentation. His approach to this song plays to his strength and doesn’t feel overwhelming at all. The way he says “Jebal” (Please in Korean) is extremely striking and powerful in my opinion. Furthermore, that section between the second and third chorus was my most favourite bit because it has momentum, something that the song was aiming to build up to (ever so slightly) from the very start.

There is not a proper music video for this track, from what I can see (and what actually popped up in my Subscription box). But rather the main visuals for the song is a video of the live recording filmed as a music video. The colour palette of the music video makes the video feel warm. I like how they filmed Eric with what seems to be a one-shot. But they manage to include various other shots of the guys in the background playing the instruments, which I guess gave the video a wholesome feel as well.

Song – 8/10
Music Video – 7/10
Overall – 7.6/10

[Review] Paint Me – Mamamoo

Despite still being in the first week of the year, we have already seen some amazing comebacks so far. Joining the growing list is Mamamoo with their new single, Paint Me. From what I can gather, this is just the start of what Mamamoo will be putting out this year. So if you are like me and barely made it through today’s song, I have major concerns for the year ahead. But nonetheless, let’s continue.

Paint Me is an amazing song. The very first second literally doesn’t hold back. Mamamoo’s vocals just come at you. Powerful yet beautiful. It is really intense and you barely know about it. I love how they go extra powerful during the first line of the chorus. It truly grabs your attention. The instrumental pace allows the song to become so flowy and melodic. It starts off with a piano and builds up to include a guitar and (I think) violins. It isn’t much but it is so damn impactful. But let’s return to the vocals for a second because there is a bigger elephant in the room that we have yet to address. Moonbyul put aside her rapping talents and allowed her vocals to shine. FINALLY. I have a soft spot for when these rappers sing in Korean. Their voices are so unique, it draws my attention. Here is a fantastic example of that and it just makes me love it even more.

And the music video is equally as beautiful. Each member looks stunning. I am not qualified in fashion in anyway or form, but each member looked like they are ready to walk the red carpet and receive some prestigious award. I love the boldness of the colours on the black and white. Even some of the other scenes where the light is shone brightly onto them from the back to the light strobes all about, they looked perfectly fine in all the scenes. It is a simple music video (when you think about it) but it works wonderfully.

Song – 10/10
Music Video – 10/10
Overall Rating – 10/10 

[Review] Hot Potato – N.Flying

N.Flying has returned with their latest single, Hot Potato and mini-album, The Hottest. This is the band’s first comeback since their return in 2017, The Real (which is one of my favourite songs from 2017). And following their concept for the last comeback, it seems like N.Flying is continuing on with their wackiness, given their title of the title track.

And N.Flying has done it again, with what seems to be another amazing track. It is super addictive to listen to, especially once the chorus kicks in. It has me rocking to it. It seems like N.Flying has found their sound, which is definitely that playful and bright sound which you don’t really hear when it comes to bands across South Korea. There were a few moments that I liked throughout the rock-based The first being the small rock sequence which Seunghyub raps to for the bridge. That was an amazing section of the song. The second part was that extra instrumental at the end, which felt more like a tease. Vocally, the song is on point. So are the raps, which I felt (besides the chorus) is a very strong element to the song. The ‘Hot! A Hot Potato’ line at the end of the post-chorus (at 1:11) is so damn good, it still rings in my head.

Playing to that wacky side, N.Flying plays a group with not much to do (i.e. unemployed bachelors). A lot of the time, throughout the video, is of the group imagining how their lives would be shaped if they were famous. Portable fans vs. helicopters, money vs. bills. The reality vs. expectation scenarios makes the video funny to watch. Some of the sets looked quite cool, particularly the ones where they are performing. The helicopter and red carpet were my favourites. Overall, it was a good video to watch.

Song – 9/10
Music Video – 8/10
Overall Rating – 8.6/10

 

[Review] Boom Boom – Momoland

Momoland has made their return to the stage with Boom Boom and their third mini album, Great! This is their third comeback to date, following their tracks such as Wonderful Love, Freeze! and Jjan! Koong! Kwang!For those who are not familiar with Momoland and want a taste of what they have to offer, check out their Asia Artist Awards performance, consisting of both Freeze and Wonderful Love. You will not be disappointed.

Boom Boom goes for a somewhat more mature sound with its instrumental and vocal work. It isn’t that bubbly and cutesy as their previous comebacks but it still manages to keep their bright and energetic sound. I am super addicted to the chorus of this song that just keeps on making me come back for more. But the most promising part of the song has to the be ‘Boom Boom’ in the post-chorus. The most unexpecting part of the entire track has to be the rap portion of the song, which breaks down into a few seconds of pure hip-hop sound. Unexpecting but it surprisingly works.  Besides that, the song fits neatly into the retro sound that KPOP is often known for. The song ticks all the right boxes for me and tries to be a little different, which is what I like about it.

To me, the video can be split into two. The first being your standard shots of close-ups and choreography, while the second part is their commercial concept, which I think could have been used in a better way. It doesn’t resonate with something that is memorable, so it doesn’t do a good job with its sale pitch. However, that being said, I thought they pushed with that somewhat more mature concept very well towards the end, when we see them in the suits. They all look quite good in their suits and it definitely gave the girls that mature feel.

I also enjoyed the choreography. It isn’t as out there as their past choreography which was more energetic and bubbly. The choreography for the chorus was perfect, with the tempo and overall feel met. They managed to throw in some moves that remind me of their fun side, which keeps them to their roots.

Song – 10/10
Music Video – 7/10
Performance – 8.5/10
Overall Rating – 8.8/10

[Review] Walkie Talkie – HINT

At first, I thought HINT was a newly debuted group gracing the stage with their first song. But after some research (aka. YouTube side recommendation bar), I have come to realize that HINT made their debut a while back (2012) under the name of TURAN. It wasn’t until last year with the release of Tang Tang Tang did they change their group name to HINT. Today’s focus will be on their recent track, Walkie Talkie.

Walkie Talkie falls within the ‘standard KPOP’ genre. And while we are always expecting something a little different with each release, it is always nice to have a look back once in a while. And honestly, the track could not have come at a better time. It is a cutesy song that has a catchy hook and beat. It doesn’t have me singing along, but I can’t help but gravitate towards the song today. The ‘Walkie Talkie‘ repetition was quite addictive.  The instrumental seems to fall neatly into the KPOP sphere (as previously mentioned) but it seems to incorporate some tropical house influence with that whistle synth. Overall, the sound is definitely bright, making it a stand out in the recent Winter weather dominated industry at the moment. Vocally, they sound pretty much like other cutesy girl groups. Not terrible but not jaw dropping amazing. I did like how they end the SOS by adding that effect on the song. 

Like the song, it is your standard cutesy music video. Unlike the song though, it just doesn’t have that fresh feel to it. HINT takes you to the beach in the video and arranging a nice picnic at some park. The colours are bright in the video, which compliments the overall vibes of the song. The choreography scenes were nice but it does suffer due to that standard look. I did find the onesies scene quite cute and would have like some more of that in the video.

Performance wise, I think their dance is enough for the song. It has that cute feel to it and definitely channels a decent amount of energy fitting for the song. The chorus made me smile with their arms flailing about and their faces all scrunched up into a smile.

Song – 8/10
Music Video – 7/10 
Performance – 7.5/10
Overall Rating – 7.6/10

[Album Review] Universe (6th Mini Album / 2017 Winter Album) – EXO

Welcome to the first album review of 2018 and we are starting off with the last major release of 2017. EXO returned on the 26th of December with their 2017 Winter album, Universe, which has become the fourth Winter album release of the band. The track has yet to be performed on any of the weekly music shows but was performed at the MBC Music Festival that occurred on the 31st of December. This album has caught me off guard with its high quality and has officially become one of my favourite releases of 2017. Scroll down and read the review to find out why I think so!

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Universe Album Cover

1 & 2. Universe (Korean and Chinese Versions)Click here for the full review of Universe. (10/10)

3. Been Through (지나갈 테니) – To me, this is the best song on the entire album. It grabbed my attention from the very start with its addictive nature and the overall aesthetics of the song. The vocals were really smooth, with some of the members using a huskier voice. The use of their voice has an added layer of percussion after the chorus added a nice touch and ‘o-whoo’ was oddly fascinating. The song had a nice launch into the chorus and it leaves you breathless. The instrumental was a show-stealer with its hollow effect and sounds. (10/10)

4. Stay – The song starts off like a ballad but it slowly builds up to something quite upbeat. In a way, this make the song unique because it still manages to hold back its energy and not overwhelm the listener with too much energy. The song has extremely strong chill vibes. The speed of the rap sequences contrasted with the mid-tempo pace of the song but I felt the autotune was unnecessary. The way the song ended with the ‘Stay’ sung by Suho, accompanied by the piano, was haunting but well done. (9/10)

5. FallFall features a guitar dominate instrumental. There were a few subtle synths thrown into the song around the rap part and they surprisingly fitted in well with the song. Once again, the vocals and raps were on point. The chorus was probably the main highlight of the song with its dramatic ‘Fall’ repetition (also my favourite part of the song). The addition of the ad-libs in the second and third choruses kept the song from getting too repetitive. (9/10)

6. Good Night – This is the least interesting song on the entire album. But that being said, it is still a decent song to listen to. It is a soothing ballad, with all the members singing and shining in the song. The ad-libs that were layered on top of the main vocals of the song gave the song a more artistic twist. (8/10)

7. Lights Out – EXO ends their album with the vocals of 4 members (Suho, D.O, Chen and Baekhyun). The song does feel a little stagnant as the instrumental doesn’t really develop in any way. However, the vocals were the main driving force of the entire track. The falsettos which made up the chorus really gave the song some character, while the slight use of the choir in the background made the song feel more intense and aesthetic. Overall, it was a breathtaking song. (9/10)

Overall Album Rating – 9/10

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Universe Music Video Screenshot

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