Tag: Leo (VIXX)

Yesterday saw the return of LEO, the main vocalist of VIXX, a group which we don’t hear too often nowadays. He returns with the title track Losing Game and the mini-album Piano Man Op. 9. This is LEO’s second solo release since completing his military enlistment in 2021. He did release a standalone single at the end of 2021 titled I’m Still Here, but I actually missed this release and have not reviewed it. His last review on my blog was for Romanticism and his mini-album Muse.

Losing Game is a decent track. I liked the different elements that make up Losing Game. But as the song progresses along, it felt just didn’t develop into much. Let’s start off with what I liked. Losing Game‘s R&B instrumental had this slow yet groovy vibe to it. It was subtle, but it was there. The piano that appears throughout the instrumental was deliberate to bring out the emotions behind Losing Game, while the crunchy percussion in the song adds some interesting textures to Losing Game so it isn’t too bland and brings some modern flair to the song. LEO’s vocals were very captivating for the most part and his singing style is well suited for the likes of Losing Game. This voice really shines during the bridge, when most of the instrumental was stripped away. I also enjoyed the opening melodies of the chorus, with the “Need you right here” being the one line that replays in my mind after the song completes. My only gripe about the song, as already mentioned, is that it lacks development. What do I mean about this? Well, the song sounds exactly like how it started. While sometimes it is a good thing, I felt Losing Game needed a climax or a peak. It held back and this didn’t really help make the song appealing as it could have been. I do think we in a direction of a pea when a guitar presence emerges from the instrumental just at the end of the bridge, and Losing Game would have been cooler to pick more of that guitar up for the final chorus. But it fizzles instead to the same chorus. Overall, decent comes to mind. But I am sure Losing Game could have been more proactive and taken to the next level had it not been held back.

Losing Game is about a relationship being one sided, and we do get that impression in the video. There is a female character in the video which we can see is in a relationship with LEO. But we don’t see her face often. And when we do, it is covered with a mask to suggest that she is hiding something. In the end, she runs away, leaving LEO behind. LEO obviously goes after her, but he can no longer find her, suggesting that she might have never loved him. I liked the melodramatic settings of the music video. LEO’s opened jacket look was a bit questionable in my opinion. I am on the fence on whether it matches the concept or not.

I actually liked the stillness that started off the performance. That never really gets much attention, so I thought I point it out for this review. There was some really good flow in the movements during the verses. And I like the body waves that opened with the chorus, complementing the sensual vibe that is brought to the comeback via the R&B instrumentation.

Song – 7/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 7.5/10

Second up on the reviewing spotlight is Leo, the main vocalist of VIXX. He has returned with his solo comeback mini-album, Muse, which features the title track Romanticism. This is his first comeback since the release of Touch & Sketch in 2017. I was prepared to write and publish this review alongside with SF9’s review yesterday but had to delay it due to the late release of the music video (I did watch the original but it disappeared before I got to review it).

The song starts off well. I liked the slow pace of the instrumental, which really drives that mature and sensual sound. The R&B instrumentation definitely set the mood. It was rather interesting how he delivered his lines. It felt like his lines didn’t fit in with the slowness of the track. But this isn’t a terrible thing as I thought of it as a nice effect. I think the chorus was classy and gave the song momentum. But from the bridge onwards, the song lost its flow and anything that managed to be showcased at the start disappeared. The final chorus, even though it recontinued the momentum, didn’t feel as impactful because of the derailment caused by the bridge. Leo did show good vocal work throughout the song but I felt the song could have used something more, like a rap sequence (I am not sure, but I continually heard Ravi’s voice in the background and low key expected some surprise featuring). So overall, I thought it was an okay track. Good at the start but a letdown at the end.

The music video was okay, as well. I did think it was bland and didn’t have anything captivating going on to be worth discussing. I did like the colour contrast between the warmer and colder colours in the choreography set. And I think the camera work in this video worked well with the instrumental. But other than that, I don’t much else to say about the music video.

I think the most likeable element of the comeback is the performance. The chemistry between him and the backup dancers made this performance stand out, sensual and more suspenseful, especially at the start. I liked that sudden burst of energy in the performance when it came to the chorus and I am sure fans enjoyed that pelvic roll.

Song – 7/10
Music Video – 6/10
Performance – 8/10
Overall Rating – 6.9/10

Leo is the main vocalist of VIXX and he has officially made his solo debut with Touch & Sketch. Leo joins a long list of solo acts whom have debuted over the past few years despite still being active as part of their groups. He is also an accomplished musical actor, as well. Touch & Sketch is featured as the title track on his first mini-album, titled appropriately as Canvas.

I personally expected Leo to go down the ballad route for this solo debut (which I really should stop doing because they never go down the ballad route). So it was a plesant surprise that he went with an upbeat song. But keeping with the aura that Leo has, the song features a decent melody during the verses. I am not too big on the verses because they felt slow, compared to the upbeat chorus which I liked a lot more. However, his husky vocals did give off a smooth vibe, which highlights the sensual nature of the song. I really like the lead into the chorus (I believe the lyrics are ‘Now I feel lips‘) and the small sequence of drums that feels like the gateway to a nice chorus. I like how the chorus goes and its catchiness makes the song quite memorable. While it isn’t Leo’s expertise, I would have liked a rap sequence somewhere in the song. As much as it feels cliche, it needed something more to give it some edge. But overall, Leo’s debut song was pretty cool.

I liked the music video because it shows a side of Leo that I have not seen. I know him to be the very quiet member from his debut days so to see him in this sensual lighting was a little odd for me. But it works well with that aura that I mentioned in the prior paragraph. He likens the idea of love to art, as you you have to be able to feel both to connect with it. I did find some of the editing a tad choppy for my liking, often passing over a scene very quickly. It could have been a lot smooth to reflect well with the song’s smoothness. But other than that, it was a good video.

The performance was good and fitted the song quite well. I like how the chorus had a certain level of fierceness, which gave the performance that edge that the song lacked. He looked super focus, which I guessed works well with the serious sensual nature of the song. And that sensual nature mentioned in the other paragraphs was felt strongest through the choreography.

Song – 8/10
Music Video – 7/10
Performance – 7.5/10
Overall Rating – 7.6/10