Time to knock off one of many reviews I should have written ages ago. As you can tell from the title, the focus of this review will be Kwon Eun Bi’s solo debut with Door (the title track) and Open (the mini-album). For those who do not know who this particular artist is, she is a former member and leader of the now disbanded project group, IZ*ONE (she was also part of the short-lived group Ye-A prior to Produce 48). Upon disbandment, Kwon Eun Bi returned to her home company, Woolim Entertainment, and made her solo debut as a solo artist at the end of August.
Door‘s most notable element has to be its instrumental. It is what stood out to me the most since its release. It takes on a jazzy electro swing sound that exhibits a cute bounce and a colourful tone thanks to its brassy elements. This isn’t necessarily a new sound/style in KPOP. But it has felt like it has been a while, and so Door actually comes off as quite refreshing and different. I liked the boldness of the instrumentation when it is vibrant, resulting in a dance track that pops out of the crowd. Me reviewing this way after its release might suggest otherwise, but I can assure that Door does stand out a lot thanks to this sound. Kwon Eun Bi’s vocals were quite nice throughout the song. I liked how she whispers the opening line to the choruses at a low tone. This combined with the delayed drop, makes it a very impactful and memorable element of the song. It does come second to the instrumentation, but not by far. The rest of her vocals and melodies were quite pleasant, and I quite liked the elegance her vocals exuded in Door. But before you think I am singing praises for Door and Kwon Eun Bi, I must admit that I have this really burning feeling within me that says Door is missing something. Personally, I don’t where this feeling is coming from and I am not too sure what this lacking element could be. I thought the instrumentation was great, her vocals/melodies were nice, and my go-to suggestions just don’t feel like they would fit in this song. But yet, Door just feels incomplete somehow.
Visually, I find the music video for Door to be quite stunning. It definitely highlights Kwon Eun Bi’s visuals and the classy styling of this music video (in terms of sets) was pretty cool. I found the entire ending sequence (i.e. the choreography scene with gold confetti falling down on the stage) to be quite memorable. Kwon Eun Bi’s stylist also managed to a fantastic job of showcasing Kwon Eun Bi in both elegant and cutesy spotlights. Personally, I am usually drawn to the classy side of things, but it is hard to not like the cutesy style in this video. I am also sure there is a story somewhere in this video, based on the bunny ears she wears. But I can’t figure it out.
For the performance, the choreography went with a more mature vibe, which was absolutely fine. But the choreographer kept it fun and vibrant throughout, just like the song. I also enjoyed the jazzy influences that the choreography had at the end as well. The most memorable aspect of the performance has to be the floating move, which was cool and unique.
Song – 9/10
Music Video – 8.5/10
Performance – 9/10
Overall Rating – 8.9/10