[Weekly KPOP Chart] 1st Week of March 2024

Welcome back for the Weekly KPOP Charts segment. I am hoping to draft up and post some new reviews over the long weekend where I live after it has been another less than busy week on the blog. So, I am going to make this a short introduction to get right to the charts and for me to move onto the next review for you! So without further ado, here are the Weekly KPOP Chart for the 1st Week of March 2024.

ICYMI – 2023 KPOPREVIEWED Awards – Winners Announcement

In case you missed it, I have officially posted the official winners to the 2023 KPOPREVIEWED Awards – the winners that you, the readers, voted for. Click here to find out which artist, song, performance and more were chosen as the victors of the 2023 KPOPREVIEWED Awards. (This will be the final plug for it in the Weekly KPOP Charts post).

Massive congratulations (again) to each winner this year!

Throwback Song of the Week

Each week I pick a song from the past to feature in this segment. It is recognition for the fact I listen to more than just the currently charting songs. And revisiting these songs are truly a blast from the past. Plus, I am hoping that this segment introduces new listeners to some great songs that I have enjoyed from my many years of listening to KPOP. The throwback song for this past week is EXID’s DDD from 2017.

Non-Korean Song of the Week

As my focus on this blog is primarily on KPOP songs, I draw attention to a particular song that isn’t in the Korean language in this part of the Weekly KPOP Chart post. That song is the top ranking non-Korean song on each Weekly KPOP Chart post. The past week’s non-Korean song of the week is NCT WISH’s WISH.

The Korean version of WISH is part of the Weekly KPOP Charts, but as the song has a corresponding Japanese version released at the same exact same time, I will be considering that in this segment (and for as long as the Korean version is part of the Weekly KPOP Charts).

The Charts

Congratulations to CRAVITY and their latest comeback with Love or Die for becoming the top release for the Weekly KPOP Charts for the 1st Week of March 2024.

PositionSong TitleArtistChange
1Love or DieCRAVITY(▲ 15)
2TAPTAEYONG (NCT)(▲ 12)
3GRAB MEAB6IX(▲ 58)
4Lovers or EnemiesCIX(▲ 24)
5NO MORE (MA BOY)SISTAR19(▲ 49)
6My GirlA.C.E(▲ 55)
7ONE SPARKTWICE(▼ 6)
8We Don’t Stopxikers(NEW)
9SlowlyI.M (MONSTA X) ft. Heize(▲ 52)
10ShopperIU(▼ 8)
11plot twistTWS(▲ 13)
12Yes or NoGroovyRoom ft. Huh Yunjin (LE SSERAFIM) & CRUSH(▲ 13)
13Hmm BOPHui (PENTAGON)(▲ 18)
14CloserWoo Jinyoung(▲ 47)
15WISHNCT WISH(▲ 2)
16UGLYEVNNE(▲ 17)
17Killin’ ItP1Harmony(▲ 39)
18Super Lady(G)I-DLE(▼ 9)
19Love Wins AllIU(▲ 10)
20Really Like YouGyubin(▲ 12)
21NOT OKAYATEEZ(▲ 40)
22STUPID IN LOVEMAX ft. Huh Yunjin (LE SSERAFIM)(▲ 31)
23WAY 4 LUVPLAVE(▲ 38)
24Good MorningYENA(▲ 6)
25DASHNMIXX(▲ 2)
26WheeeWHEE IN (MAMAMOO)(▲ 35)
27TOUCHIN&MOVINMOON BYUL (MAMAMOO)(▲ 34)
28Back In LoveKim Minseok (MeloMance) & Sam Ryder(▲ 33)
29C’MONSuper Junior L.S.S(▲ 32)
30DandelionSeungkwan (SEVENTEEN)(▲ 31)

[Review] We Don’t Stop – xikers

xikers made their comeback on the final day of the week with the single We Don’t Stop and their 3rd mini-album, House of Tricky: Trial and Error. It is their first comeback of 2024, after their debut with TRICKY HOUSE and first comeback DO or DIE.

There is a whole lot going on in We Don’t Stop and you never know where the song was going next. But despite being a lot, We Don’t Stop always revisits a common denominator in all its sequences – 90s hip-hop. And true to the song’s title, xikers don’t stop in We Don’t Stop. They constantly delivered throughout the track, particularly impressing me with their expressive rapping style. This, in combination with an ongoing rock influence in the instrumentation for We Don’t Stop, creates a promising start to the song and brings out an even more profound hip-hop influence. The chorus ends up being less memorable, with the instrumental overpowering the group’s delivery in a few regards. I wished this was not the case, as a more prolific chorus could have made We Don’t Stop unstoppable. The post-chorus soft ‘Break it, Break it down‘ was a really nice palate cleanser and provided some much needed relief from the robust energy that comes off We Don’t Stop, yet it doesn’t stray too far from the rest of the song. A heavier dose of synths come into the play in the second verse before the rock style comes back into the play for the chorus and bridge. Finally, We Don’t Stop ends with a slower paced but energy packed hip-hop anthem sequence, which really emphasised the 90s influence and formed a dramatic and impressionable end to the song. Yeah, a lot going on as I have already mentioned. But this lot is pretty great, minus a hiccup or two.

Just like in the song, xikers and the production team for this accompanying music video leans into the 90s hip-hop style strongly via the members’ outfits. There is also some cool set designs and some cool effects in the video (like the bouncing buildings in the second post-chorus sequence). Apart from that, it is a rather straight forward video that complements well with the song and the group’s youthful energy.

Two things stand out from this routine for me. The first is how fun it looks. This sells the choreography and reflects the energy of the song quite well. The second, which might also contributed to the first one, is the group’s expressions throughout the routine. They were really into it and made the entire choreography even more expressive and memorable, as a result.

Song – 8.5/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 8.5/10

[Review] Love or Die – CRAVITY

CRAVITY also made their comeback last week with their 7th mini-album, EVERSHINE, with the single Love or Die leading the charge. It is the group’s first comeback since their September 2023 comeback with Ready or Not and MEGAPHONE (which was promoted in November 2023). It also follows the group’s debut Japanese release Dilly Dally (which I will review in an International Songs Review post some time in the future.

If the opening moments of the Love or Die told me anything, it was that Love or Die was going to be a great song. And CRAVITY delivered on that. I will definitely admit that it needs improvement to become a perfect song, but Love or Die has a nostalgic pop rock sound that I enjoy. What I liked even more is that the producers kept that sound profile from start to end, and this makes a great example as to when consistency is a positive aspect of the track. The melodies in the chorus made the delivery so smooth, and this contrasted well with the roughness that the rock influence will always bring to a track like this. The post-chorus rapping really fits in well with the wider song and felt just right. However, I felt like I would have enjoyed Love or Die even more if the rock was prolific and bolder during certain parts, just to give Love or Die some extra oomph and energy. This could have taken Love or Die to the next level. Instead, we got a more muted execution with the pop rock in Love or Die. Now, there is nothing wrong with the muted profile. as it did an amazing job of bringing emotions to the forefront of the group’s vocals and rapping. But I don’t think it would’ve hurt for Love or Die to up the ante a tiny bit more.

Love or Die expresses one’s desire desire to either live or die on the basis of whether their lover is with them or not with them (respectively) after a breakdown in the relationship. The song did a good job of relating the second aspect of the lyrics to a nightmare and darkness. With that in mind, it makes sense the music video takes on a darker and moodier vibe representing the current state they are in and the decision they have to make, which works well with the grungier rock influence the song features. I particularly like how the producers of the video kept the music video from looking dated via the outfits. The outfits, and even the sets, somehow made it look refreshing. Not sure how, but that was the impression that came off the video for me.

I like the start of the performance where one of the members is lying on top of the legs of the other members. It was an interesting formation to begin with. Other than that, it is a fair performance. Nothing memorable comes out of it, but the stage performance as a whole definitely worked well with the song.

Song – 9/10
Music Video – 8.5/10
Performance – 7.5/10
Overall Rating – 8.6/10

[Review] TAP – TAEYONG (NCT)

My hypothetical time machine has taken us from January 2024 back closer to present day so I can cover TAEYONG’s first solo comeback since making his solo debut with SHALALA. TAEYONG’s new single, TAP, was released a week ago alongside his second mini-album of the same name.

TAP faces a similar issue to its predecessor (SHALALA) in that it is weak. It kicks off promisingly, with some heavy bass and strong delivery from TAEYONG. The brighter and pop-tinged instrumental kept the song upbeat and somewhat fun sounding. But TAP‘s main weakness becomes prevalent when we reach the chorus – it doesn’t feel like a chorus. Elements of it does make it a chorus, such as it is the repeated sequence that the song goes back to and that it has a good catchy rhythm to it (which serves well in place of a memorable melody, given it is a hip-hop song). But the central piece to TAP simply feels like an extension of the verses. There is no boldness, body or added definition to bolster it up and sell it as a main event for the song. In a way, just like SHALALA, it results in the song coming off as monotonous. But the other positive aspects of the song I have pointed out above does give TAP an edge, which in turn makes it a slightly better song than his debut.

The music video sees TAEYONG explore Japan, through what has been pointed out to be a parody of a famous Japanese TV show. We see the video set outdoors in Japan and TAEYONG experience the culture of traditional bathhouses and bedrooms, the arcade and even dango (a sweet Japanese dumpling). But this has caused some controversary with viewers who question why the music video needed to be set in Japan, given that this is a Korean release and not a Japanese release. For me, I feel like the music video is aiming to complement that fun side of TAP, but I can’t answer as to why it needed to be set in Japan.

The performance was actually quite laidback, which caught me by surprise. I was expecting some really complex routine. But what we got was much simpler. It doesn’t mean we were shortchanged however. TAP definitely had some tapping in there and I liked how he still managed to make that simpler routine fun and charismatic. It also helps that the styling for this comeback felt on point.

Song – 6/10
Music Video – 7/10
Performance – 8/10
Overall Rating – 6.7/10

[Review] GRAB ME – AB6IX

We go back in time again to a few weeks back in January 2024 to cover AB6IX’s latest comeback GRAB ME. it is the title track off their 8th mini-album, The Future Is Ours: Found. This is the group’s first comeback since May 2023 when the group returned with The Future Is Ours: Lost and the lead single LOSER.

For me, GRAB ME delivers in terms of oomph and intensity, delivering a purely dynamic dance track that really shoots the group back up to the front of the line. There is honestly never a dull moment in this track, with it firmly in the pop realm and the addition of guitar riffs adding a rock tinge to the song. That in itself is enough to GRAB ME (excuse the pun). The relatively softer opening verse promises great things in GRAB ME (which AB6IX delivers throughout the rest of the track). The pre-choruses strips it all back to relatively minimal style to give the incline to the chorus (and subsequent centrepiece) more impact. The bridge brings in a more hollow style of guitar riffs into play, which was a neat way to change the music without altering too much of GRAB ME to make way for it. Like most people, the change in tone during PARK WOOJIN-led post-choruses’ caught me off guard initially. But over multiple listens, I have grown to like the sequence and finds it adds a really nice contrasting energy that surprisingly doesn’t disrupt the momentum of the song. In terms of the members, the quartet did a very solid job and made sure their presence was known in GRAB ME by ensuring their vocal and rap delivery complemented the dynamic style of the song. Overall, GRAB ME is a great song and one I wished really got the group some deserving recognition.

GRAB ME expresses the group’s experience of moving forward even during the dark and unhappy moments in their journey together. Here are my guesses on what the different scenes represents. We see WOONG jump off a building onto PARK WOOJIN’s car (representing those darker moments) and DONGHYUN being surrounded by glitchy teddy bears and TVs (which my guess is a representation of the pressures of social media). But as the song lyrics go, they cannot imagine living a life without each other, and so we see WOOJIN joining WOONG in smashing the car with a bat, while WOONG joins DONGHYUN to smash the glitchy TV screens. The only member whom we don’t really see interact with the rest of the group is DAEHWI, who is tangled in caution tape and has fragile stickers on him. My guess is that his scenes represents that the lyrics aren’t just about AB6IX’s experience, but also how the message can be applied to the wider audience. That being said, we do see DONGHYUN searching for DAEHWI in one very brief scene later on. The only scene I am not sure about is WOOJIN’s scene where he is surrounded by water bottles. My initial guess are those bottles represents tears and sadness (?). By the end of the video, the group regroups together in the darkness and rain (unhappy moments) and enjoy each other’s company in that moment. The video also draws some elements from their LOSER video, such as the flowers and the burning car (which the members come together to burn in this video).

Boy, this routine looks tough and quite tiring, particularly when the members get to the chorus. This is undoubtedly GRAB ME‘s most upbeat sequence and I would think this is their most involved routine to date (which says a lot, given AB6IX’s repertoire of complex and powerful choreography). As such, the members and dancers’ efforts and determination shine in the execution of this choreography and should definitely be applauded. I particularly like the post-chorus sequence, which felt bold and complements well with the music.

Song – 9/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 9/10

[Weekly KPOP Chart] 4th Week of February 2024

Welcome back for the Weekly KPOP Charts segment. Apologies for a week of no reviews of any kind. I have been working hard to finalise and publish the 2023 KPOPREVIEWED Awards as mentioned in last week’s post. I was successful in getting that out, but that ended up taking a lot of my energy. Plus, I was thrown off after posting it by my failing and dying phone (which I had to get replaced). Anyhow, as it is still early in the day where I am, I am hoping to post at least one review alongside this post – the Weekly KPOP Charts for the 4th Week of February 2024.

ICYMI – 2023 KPOPREVIEWED Awards – Winners Announcement

In case you missed it, I have officially posted the official winners to the 2023 KPOPREVIEWED Awards – the winners that you, the readers, voted for. Click here to find out which artist, song, performance and more were chosen as the victors of the 2023 KPOPREVIEWED Awards.

Massive congratulations to each winner this year!

Throwback Song of the Week

Each week I pick a song from the past to feature in this segment. It is recognition for the fact I listen to more than just the currently charting songs. And revisiting these songs are truly a blast from the past. Plus, I am hoping that this segment introduces new listeners to some great songs that I have enjoyed from my many years of listening to KPOP. The throwback song for this past week is GFriend’s (almost) 7 years old release Fingertips.

Non-Korean Song of the Week

As my focus on this blog is primarily on KPOP songs, I draw attention to a particular song that isn’t in the Korean language in this part of the Weekly KPOP Chart post. That song is the top ranking non-Korean song on each Weekly KPOP Chart post. The past week’s non-Korean song of the week is (once again) TWICE’s I GOT YOU.

The Charts

Congratulations to TWICE and their latest comeback with ONE SPARK for becoming the top release for the Weekly KPOP Charts for the 4th Week of February 2024.

PositionSong TitleArtistChange
1ONE SPARKTWICE(▲ 1)
2ShopperIU(▼ 1)
3SPARKDXMON(▲ 13)
4UNTOUCHABLEITZY(▲ 7)
5I GOT YOUTWICE(▼ 2)
6EASYLE SSERAFIM(▲ 4)
7BFFTWS(▲ 46)
81 MINUTEYUGYEOM (GOT7)(▲ 45)
9Super Lady(G)I-DLE(▼ 4)
10All NightIVE ft. Saweetie(▲ 34)
11FAKE LOVEWEi(▲ 42)
12Graduation DayEPEX(▲ 41)
13Think AboutMoon Byul (MAMAMOO)(▲ 40)
14TAPTAEYONG (NCT)(NEW)
15Girls Of The YearVCHA(▲ 38)
16Love Or DieCRAVITY(NEW)
17WISHNCT WISH(NEW)
18VoyageGeenius(▲ 20)
19Let Me Go DownYuri Park ft. Emily Mei(▲ 34)
20EverythingJONGHO (ATEEZ)(▲ 33)
21VALENTINEPOW(▲ 32)
22If You Change Your Mind2AM(▲ 31)
23For YouHaebin(▲ 30)
24plot twistTWS(▼ 15)
25Yes or NoGroovyRoom ft. Huh Yunjin (LE SSERAFIM) & CRUSH(▲ 28)
26Wife(G)I-DLE(▼ 12)
27DASHNMIXX(▲ 16)
28Lovers or EnemiesCIX(▼ 10)
29Love Wins AllIU(▼ 21)
30Good MorningYENA(▼ 23)

[Special] 2023 KPOPREVIEWED Awards – WINNER ANNOUNCEMENT

Welcome to the final and most important post for the 2023 KPOPREVIEWED Awards – the announcement of winners to each categories!

Just a bit of a recap of what has happened thus far, I announced the nominees back in November 2023, after which fan votes were gathered to help determine the winners of most categories for a 2 month period (up until mid-January 2024). I did go on a break after that, but since returning from the break, I have been working extremely hard to finalise the counts and prepare this post.

As there is a fair bit of categories to get through, I have split them over three pages under this post. You can find weblinks to the pages at the top or bottom of each page, or you can navigate to via the numbers at the bottom of each page.

So without further ado (as I feel like I am posting this quite late), I present to you the official winners and honourable mentions (the nominee that placed second) of 2023 KPOPREVIEWED Awards – most of which are determined by you!

Page 1 – Artist Categories (including Best Overall Artist of 2023) (this page)
Page 2 – Performance, Visuals, Comeback & Blog-Related Categories
Page 3 – Song, Album, Popularity Categories (including Best Overall Song of 2023)

Artist Categories

Best New Group and Soloist Awards

Best New Male Group of 2023 Nominees: BOYNEXTDOOR, EVNNE, RIIZE, THE WIND, xikers, ZEROBASEONE

Best New Female Group of 2023 Nominees: EL7Z UP, FIFTY FIFTY, KISS OF LIFE, LOOSSEMBLE, ODD EYE CIRCLE, tripleS

Best New Female Soloist of 2023 Nominees: CHUU, JIHYO (TWICE), JINI, JISOO (BLACKPINK), MIJOO (LOVELYZ), ROA (ROCKING DOLL)

Best New Male Soloist of 2023 Nominees: JAECHAN (DKZ), JIMIN (BTS), Joohoney (MONSTA X), Jimin (BTS), Jung Kook (BTS), RM (BTS), V (BTS)

Most Underrated and Rising Star Awards

Most Underrated Artist of 2023 Nominees: cignature, CSR, LUCY, NMIXX, SECRET NUMBER, THE NEW SIX (TNX)

Rising Star of 2023 Nominees: DKB, CRAVITY, FIFTY FIFTY, H1-KEY, KWON EUN BI, XDINARY HEROES

Best Band, Rap and Vocal Performance Awards

Best Band Performance of 2023 Nominees: FTISLAND (for Sage), LUCY (for HAZE), ONEWE (for Omnipresent), ROLLING QUARTZ (for FEARLESS), W24 (for Voyager), Xdinary Heroes (for Break The Brakes)

Best Rap Performance of 2023 Nominees: AGUST D (BTS) for Haegeum, Dynamic Duo & Lee Young Ji for Smoke, J-HOPE (BTS) for on the street, MARK (NCT) for Golden Hour, RM (BTS) for Wild Flower, Stray Kids’ Rappers for S-Class.

Best Vocal Performance of 2023 Nominees: Ailee for I’ll Hold You, AESPA ft. Naevis for Welcome To My World, APINK for D N D, BIG NAUGHTY & Lee Suhyun (AKMU) for Hopeless Romantic, BTOB for Wind & Wish, LUCY for HAZE.

Best Subunit Award

Best Subunit of 2023 Nominees: BSS (SEVENTEEN), NCT DOJAEJUNG, NCT DREAM, MAMAMOO+, MOONBIN & SANHA (ASTRO), T5 (TREASURE)

Best Soloist Awards

Best Male Soloist of 2023 Nominees: AGUST D (SUGA – BTS), KAI (EXO), KANG DANIEL, KEY (SHINee), TAEYANG (BIGBANG), WOODZ

Best Female Soloist of 2023 Nominees: HWASA (MAMAMOO), JEON SOMI, JO YURI, KWON EUN BI, LEE CHAE YEON, SUNMI

Best Group Awards

Best Female Group of 2023 Nominees: (G)I-DLE, aespa, IVE, LE SSERAFIM, NewJeans, TWICE

Best Male Group of 2023 Nominees: ATEEZ, NCT, SEVENTEEN, STRAY KIDS, THE BOYZ, TXT

Best Overall Artist of 2023

Best Overall Artist of 2023 (#2 – #25)

2. ATEEZ
3. JIMIN (BTS)
4. SEVENTEEN
5. MONSTA X
6. TXT
7. NCT DOJAEJUNG
8. MOONBIN & SANHA (ASTRO)
9. fromis_9
10. tripleS
11. STAYC
12. NCT DREAM
13. Dreamcatcher

14. JIHYO (TWICE)
15. KAI (EXO)
16. Jung Kook (BTS)
17. TAEMIN (SHINee)
18. APINK
19. THE BOYZ
20. NCT 127
21. Red Velvet
22. TWICE
23. YENA
24. ZEROBASEONE
25. V (BTS)


Page 1 – Artist Categories (including Best Overall Artist of 2023) (this page)
Page 2 – Performance, Visuals, Comeback & Blog-Related Categories
Page 3 – Song, Album, Popularity Categories (including Best Overall Song of 2023)

[Weekly KPOP Chart] 3rd Week of February 2024

Welcome back for the Weekly KPOP Charts segment. Apologies for the delay in posting this one. I have been working hard on the 2023 KPOPREVIEWED Awards to post it at the end of the month, as previously planned. More on that below! And so is the rest of the Weekly KPOP Charts for the 3rd Week of February 2024.

UPDATE – 2023 KPOPREVIEWED Awards – Winners Announcement

Last week, I mentioned I may be pushing the 2023 KPOPREVIEWED Award into March. But good news, I am on track to deliver it on 29 February 2024 – this coming Thursday, my local time.

This does explain why I have not been posting since Saturday’s album review – I have been working on it intensively over Sunday through to today to get the bulk of the post ready. Tomorrow will be final touches before it goes live on Thursday. I don’t have an official time as to when it will be posted, so keep your eyes peeled for Thursday.

I am hoping to get a review into tomorrow, should time permit me to. But the focus will be making sure the winners announcement post will be ready in time.

Throwback Song of the Week

Yup, I am back listening to some older KPOP tracks. Last week’s throwback song was B1A4’s 2017 release A Lie.

Non-Korean Song of the Week

As my focus on this blog is primarily on KPOP songs, I draw attention to a particular song that isn’t in the Korean language in this part of the Weekly KPOP Chart post. That song is the top ranking non-Korean song on each Weekly KPOP Chart post. The past week’s non-Korean song of the week is TWICE’s I GOT YOU.

The Charts

Congratulations to IU, who’s latest comeback with Shopper, is the top release for the Weekly KPOP Charts for the 3rd Week of February 2024.

PositionSong TitleArtistChange
1ShopperIU(NEW)
2ONE SPARKTWICE(NEW)
3I GOT YOUTWICE(▲ 51)
4TOUCHIN&MOVINMoon Byul (MAMAMOO)(NEW)
5Super Lady(G)I-DLE(▼ 4)
6NO MORE (MA BOY)SISTAR19(▲ 48)
7Good MorningYENA(▲ 47)
8Love Wins AllIU(▼ 2)
9plot twistTWS(▼ 7)
10EASYLE SSERAFIM(NEW)
11UNTOUCHABLEITZY(▲ 43)
12STUPID IN LOVEMAX ft. Huh Yunjin (LE SSERAFIM)(▲ 42)
13Stuck In The MiddleBABYMONSTER(▲ 14)
14Wife(G)I-DLE(▲ 40)
15YouthYUNHO & MINGI (ATEEZ)(▲ 39)
16SPARKDXMON(▲ 38)
17STAYCHA EUNWOO (ASTRO)(▼ 13)
18Lovers Or EnemiesCIX(▼ 13)
19Love 119RIIZE(▼ 1)
20UGLYEVNNE(▼ 11)
21JACKPOTVANNER(▼ 18)
22REWINDB1A4(▲ 9)
23My GirlA.C.E(NEW)
24CirclesASTRO(NEW)
25Killin’ ItP1Harmony(▲ 21)
26Happy &n.Ssign(▲ 28)
27HolssiIU(NEW)
28Do Or DieDPR ARTIC ft. DPR IAN(▲ 26)
29Bam Yang GangBIBI(▲ 25)
30the different wayLEEWOO(▼ 7)

[Album Review] Expectation (2nd Mini Album) – D.O (EXO)

We continue to bounce around the past year through the album review segment. Today, I am reviewing D.O’s 2nd mini-album, Expectation – his first solo release since finishing his military enlistment and solo debut back in 2021. It also follows on from D.O’s participation in EXO’s long awaited comeback with Cream Soda earlier on in the last year. Expectation features a total 7 tracks – the title track Somebody, the pre-release track I Do and five additional tracks.

Just some overall impressions on this mini-album to hope entice you to check out the mini-album if you haven’t yet – it is a highly recommended one from me. In hindsight, it should have been nominated for Best Album of 2023. But as I reviewed it way too late, I missed that opportunity and have robbed D.O of a potential win in that category. Massive apologies! But do check out the mini-album and let me know which is your favourite track as I have a few on here.

Expectation Album Cover

1. Somebody (Title Track)Click here for the full review of Somebody. (9/10)

2. Wonder (기적) – I quite liked the upbeatness that Wonder featured. The indie pop sound came through so nicely, with the acoustic guitar being a really nice constant to keep the song grounded. The beat to Wonder is also definitely foot-tapping worthy. D.O’s vocals brings so much sweetness and cheerfulness to the table, and the melodies were just so captivating. I like the additions to the instrumental as Wonder went on, such as the claps we hear towards the end. These additions enhanced the cheerfulness and happy vibes that comes off the song, and made the indie track a little punchier so it wasn’t too consistent from start to end. Overall, a very easy-going and easy-on-the-ears listen that I personally enjoyed very much on this mini-album. (9/10)

3. I Do (별 떨어진다) (Pre-Release Track)I Do was released back in early September, around two weeks before the official release of Expectation. My thoughts on Wonder can be reflected on I Do just as well, but there are some minute differences that does set it apart from the latter song. Firstly, I Do feels a lot more simplistic thanks to its instrumentation. I felt we steered towards more straight-forward pop in I Do and the only main instrument that makes up the backing is an acoustic guitar (with some bass). Simplicity can be said about the melodies as well, which I felt became even more attractive and addictive the more I listened to the song. And finally, D.O vocals were just stunningly effortless in I Do. (10/10)

4. Lost – Packing a punch is Lost, which is probably my ultimate favourite on this mini-album. Lost conveys a much heavier dose of emotions given the lyrics focus on a breakup. But we are not talking ballads here. Lost is a pop track, with the chorus featuring thumping beats that drive the song forwards and a darker pop-rock-like motif that adds complexity to this mini-album. I feel like this could be his answer to a dance track and would love to see how he would present this to us on a stage. With his vocals, you can hear how he ups the ante with more passion and power when it matters the most to make this an impactful and unforgettable song. (10/10)

5. Ordinary Days (내일의 우리) – Every time Ordinary Days plays, I get lost in it. I just find myself getting whisked away with the paced nature of the instrumental, and D.O’s vocals serves as the perfect vehicle to take me away. Everything is definitely a lot more delicate in Ordinary Days, compared to the other songs, but this shouldn’t scare you away from thinking it is just another ballad or is too slow-paced for you. (9/10)

6. The ViewThe View was the song that spoke to me the least on this mini-album. But I still find it to be quite pleasant one. D.O’s vocals are still captivating enough to fall into, and I liked the indie coffee shop inspiration behind the instrumental outro that closes out the song. I just wished there was a bit more to the song, such as a more memorable melody. (8/10)

7. Lost (Acoustic Version) – While I don’t tend to make comments on alternate versions of a song in my album review, the acoustic version of Lost felt like needed to be spoken about. Even without the oomph from the instrumentation of the original, this version still manages to come off as stilling. And I love the raw and unprocessed nature of his vocals in this version. I won’t include a rating for it, but it is definitely on par with the original.

Overall Album Rating – 9.2/10

D.O’s teaser image for Expectation

[Review] ONE SPARK – TWICE

With TWICE’s pre-release single for their latest album release (their 13th mini-album, With YOU-th) now reviewed, it is time to turn to the big release of the day – TWICE’s comeback single ONE SPARK.

ONE SPARK is a good song, from my point of view. It feels sophisticated, classy and mature in a bigger picture sense. But unfortunately, the first and second run at the chorus flattens out the song. This feels rather disappointing given the edgy and impactful second half of the pre-choruses that leads into the choruses. The third and final run at chorus actually had a dynamic touch thanks to the added clapping effect and detailing to the instrumentation, which allowed it to feel more alive and satisfying to make up with the flatter effect. For me, the problem stems from the melodies and hooks in the centrepiece of ONE SPARK, which doesn’t have much bite to them. But they do set a good foundation to build upon to get to that next level. Had ONE SPARK featured stronger melodies and a more prolific hook in its earlier choruses, ONE SPARK for sure could have taken to the next level. Elsewhere in the song, the members executes ONE SPARK in solid fashion, with good vocals and brief touch of rapping just before the final chorus. Both MOMO and NAYEON had standout parts in this song, with MOMO’s edgy style coming through the first second half of the pre-chorus and NAYEON’s vocals to close out the song (without any instrumentation) was an interesting yet effective ender to the song. The dreamy parts of the pre-chorus, courtesy of MINA and TZUYU were a strong runners up. While the foundation of ONE SPARK is good and it succeeds at that bigger picture level, improvements can be made to make it even better.

The music video captures that sophisticated, classy and mature feel quite well. And I liked that initial impression from the music video. I like the idea of the elevator going upwards, with the numbers at the top of the elevator signifying their journey since debut to ‘timeless’. It pairs well with song’s lyrics, which highlights their never ending passion to get to that ‘timeless’ point in their careers. And the scenes scattered throughout the video amongst the elevator scenes shows the members together, further highlighting that their collective passion together is what got them to this point in their careers.

The choreography for this comeback is awesome. The music video definitely puts the best foot forward during each part of the song, but I am sure the rest of the routine is just as good. From what I could see, the routine in the verses look interesting, the first half of the pre-choruses felt graceful, the second half of the pre-choruses that ramps us up to the choruses felt edgy, the choruses themselves looked lively and definitely not flat like the song came off. The choreography associated with the final chorus itself looks exciting.

Song – 8/10
Music Video – 8.5/10
Performance – 9/10
Overall Rating – 8.4/10

[Review] I GOT YOU – TWICE

This might not be the TWICE review you were expecting to see today – ONE SPARK‘s is coming shortly after this one. But before I can review the title track from their 13th mini-album With YOU-th, let’s dive into the pre-release single, I GOT YOU, released earlier in the year whilst I was away from the blog. This latest comeback follows one from their SET ME FREE Korean comeback and Hare Hare Japanese comeback from last year.

Now, before we really get into the song, I GOT YOU is an all-English track, similar to last year’s MOONLIGHT SUNRISE pre-release to READY TO BE. And in previous years, I would have covered this in an International Song Review (ISR) post. But as you may also know, I have also been lagging behind greatly in that segment. So moving forward to help out with coverage, some songs that I usually would cover in an ISR will be lifted into a standard full song review post. This will be on an ad-hoc basis and will be determined in the moment.

Anyhow back to the song, I GOT YOU fits into the ongoing resurgence of retro that has been ongoing for a while now. More specifically, it is a modern take on 80s synthpop. To me, it doesn’t have anything special or unique within it that really makes it its own piece, But that doesn’t mean the synthpop backing to I GOT YOU isn’t enjoyable – it is. I also found it to be breezy and refreshing piece, great for a long road trip. I particularly liked how it had drive, which was particularly important given how soft all of their vocals and melodies were. The drive definitely helps moves things along and gives the track some life. Back on the vocals, the soft nature of their voices gives I GOT YOU a pleasant exterior, which also adds to the enjoyment of the track. I also liked how each members’ individual vocal tone and colour was featured in this track. No member was masked or processed in a way that takes away from their vocals, and I appreciate that. My only issue with I GOT YOU is the slightly muddled ending due to some of the ad-libs and extra bits going on in the backing. The added bits just makes the final chorus lose its crispness. But that is a super minor issue, in an overall lovely song from TWICE.

I GOT YOU is an ode from the group to each other, that they will always be there for one another. The music video sees the members sail through a storm, which probably represents hard times and rough patches throughout their careers. But during the storm, the members aren’t scared. Rather they are full of smiles and enjoying each other’s company. In the context of the storm/hard times/rough patches, some of the members are see in the lighthouse, helping the rest of the group navigating their way through the storm. Throughout the video, we see the members embrace each other and come together as a group in different scenes. You can definitely sense the simple enjoyment of being around one another, as well as the friendship and bond they share. Apart from the video’s meaning, I also liked the scenery throughout the video, from the boat scenes (when the seas are calm and the sky is stunning), the shoreline and the grassy fields with the flags flying high.

The choreography that we can see in the music video adds a little bit of complexity to the video, which helps offset the simplicity of everything else we see in the comeback. But on stage at their Mexico concert, where they performed I GOT YOU for the first time, there was no choreography. Pity, because in addition to be slightly complex looking, the routine actually looks like it brings a nice flourish to the release.

Song – 9/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 8.8/10

[Review] Shopper – IU

Last week, I reviewed one of IU’s pre-release singles, Love Wins All, from her newly released mini-album The Winning. Following that, IU released another single from her mini-album, Holssi, which I will return to review at a later date. But for this review, I will be focusing on Tuesday’s release of Shopper, which coincides with the official release of The Winning.

Shopper has a message of ‘do not stop until you get what you want in life, no matter what stands in your way’. IU makes it a bit more complex by likening the above to a shopping spree in a supermarket, telling us to not worry about our greed and what other thinks as we put things into the trolley. A rather interesting concept and analogy. To present this musically to us, IU brings her usual sweet sounding vocals into a electropop rock mix. I liked the guitar flourishes in the background, which helps add a retro touch to Shopper. What I also like is with such a positive message, the music is incredibly bright and felt rather celebratory to help us realise that uplifting message. The melodies were just graceful, and I enjoyed the echo line that ends off each line in the verses. The soaring chorus was truly wonderful and is bound to bring a smile to your face if you hadn’t already started doing so earlier in Shopper. I do think she could have gone a bit further towards the end to really give Shopper an end that didn’t sound like a rehash of the rest of the song. But as it was, the end was still quite satisfying enough to enjoy.

Opening up the video is a narration from DPR IAN (who also appears in the music video alongside IU), which focuses on a mysterious magical shop and questions who has placed magical items around the store for people to find and unlock their powers (‘Was it a god? A fairy? Or maybe a thief?‘). The story then shifts an auction, where IU steals a magical bat. She is chased after the guards, and later holds DPR IAN’s character hostage and forces him to go on the run with her. While it was a hostage situation at first, it looks like DPR IAN’s character ends up joining her the road (though I have a theory that she might have purposely picked him – he was the only character to not be distracted by the money she throws into the air at the auction to be distracted). Not sure where she is going, but I am assuming she has to use the bat in the right place (which she does to party-fy the music video), those whom help her along the way (i.e., the stall owner in the desert and DPR IAN’s character) are gifted with an invitation to the magical shop to find those items and unlock their powers. The ending does have a fun and cute vibe to it, which matches up with the song quite nicely.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

[Review] TOUCHIN&MOVIN – Moon Byul (MAMAMOO)

Moon Byul from MAMAMOO makes her return today as a solo artist after a year with her first studio album Starlit of Muse and the title track TOUCHIN&MOVIN. Ahead of the new single release, Moon Byul did pre-release the music video for Think About, which I have yet to review (and will get back to it at a later date). While she has not promoted as a solo artist in the last year since her 2022 Christmas promotions with PRESENT and CHEMISTRY, Moon Byul has been active as part of the MAMAMOO+ subunit alongside Solar.

Moon Byul delves right back into the funky and groovy with TOUCHIN&MOVIN. While the track is somewhat unexpected for MAMAMOO’s resident rapper (if that is where you are most familiar with Moon Byul), it isn’t anything foreign to Moon Byul – the solo artist, who has released something similar in the past in the form of LUNATIC (as an example – more upbeat than retro, but TOUCHIN&MOVIN is definitely a different sound that she continues on from the former release). Back to TOUCHIN&MOVIN, I really like the feel-good vibes and animated energy that the track effortlessly delivers in its instrumentation. Added to the funky guitar and groovy beats are brass and synths elements which does a whole lot, such as infusing even more energy, adds a cool edge and introduces punch into the song. Altogether, it was very hard not to feel all of the energy in its first release. I also like how Moon Byul doesn’t shy away from channeling the same energy through her vocals, which were quite consistent and grounded throughout TOUCHIN&MOVIN. It was definitely an engaging piece. The melodies had a nice ring and hook to them, which helps boost the memorable aspects of the song. There is only one thing I think could have potentially enhanced TOUCHIN&MOVIN and taken it to another level – a more substantial hook with more bite to it (to drive up the memorable factor even more).

If the brief was to keep it fun, light-hearted and simple, then this video takes the cake. Keeping to that is definitely on point for this song, and so it accompanies TOUCHIN&MOVIN well. For the entirety of the video, we see Moon Byul casually dancing to the song with her dancers, performing the track in some standard places like a restaurant and on a train. Personally, I wished there was a bit more to the video to make this aspect of the comeback more visually memorable.

Based on what I can see in the music video, the choreography looks fine. I do like how expressive the routine was. A more dynamic and longer instrumental break could have given Moon Byul and the dancers more material to work with in the routine, but what we got also looked quite good.

Song – 9/10
Music Video – 7/10
Performance – 8/10
Overall Rating – 8.2/10

[Review] EASY – LE SSERAFIM

Making their comeback today is LE SSERAFIM, who returns with their 3rd mini-album and latest title track, both of which are titled EASY. This comeback follows another successful year for LE SSERAFIM, who capped it off with the all-English hit and Overwatch 2 collaboration single Perfect Night.

Just like Perfect Night, LE SSERAFIM’s new song is a bit too consistent for my liking. EASY is pretty much a blur that I don’t really register much of, based on the few listens I have given the song ahead of this review. Before I know it, the song has breeze over my head and I am moving onto the next song without much thought. Not exactly the best outcome for any title track. The producers really needed to find a relatively striking element that fits the the current arrangement to really draw attention back to the song. We did get a muted flute-like sound and some really low and unsettling synth work just prior to the choruses, but neither of them struck me. Rather, both contributed to the blur. Similarly, the vocal work also added to the blur. I did think the group showed a solid effort in the song. But their vocal delivery was too light to anchor the song to our minds. It isn’t all bad news for EASY, as the additional listens I have given EASY for the purposes of this review did manage to allow me to register some aspects of EASY. I do appreciate the pleasantness and the easy going vibe that the group and their producers went for in this hip-hop/R&B track. The melodies might have an ear-wormy effect on me if I can give the song more listens. But the lack of anything stimulating in the track or anything to remember EASY by doesn’t really work in the song’s favour.

It was announced recently that one of the major broadcasting stations in South Korea (KBS) would be banning the broadcast of the music video for EASY, citing concerns due to the ‘risk of imitation’ (which attracted attention to its vagueness). Now, watching the video, I kind of agree with this ban (which I wish to reiterate is a rare occurrence). To provide some context, the song itself is about making life easier in tough situations. But there are scenes in the video that doesn’t really connect with the lyrical message of the song, such the dropping of a connected hair dryer into a water-filled bathtub and some representation that alludes to self-harm (the thorny rose vine that forms part of the swing that one of the members hold onto). I like to give the benefit of the doubt, but even I am left scratching my head on the meaning of these scenes. On a lighter note, I did like the darker atmosphere that the video had going, as well as the editing, which I thought was a cool aspect of the video.

Watching the stage performance for EASY, it is clear to me that the group is really good at engaging with the audience. The members really show an alluring and charismatic side to themselves whilst on stage. To match with the song, the choreography is light and rather smooth, while also striking a balance to keep up with the rhythm and beat of the song.

Song – 6.5/10
Music Video – 7/10
Performance – 9/10
Overall Rating – 7.2/10

[Weekly KPOP Chart] 1st & 2nd Weeks of February 2024

Welcome back for the Weekly KPOP Charts segment. It has a little while since the last one, which was posted before I went on an extended break for a holiday. But I am now back and ready to return to continue the segment!

If you remember back to the last one I posted (2nd Week of January 2024), I announced that the Weekly KPOP Charts for the remainder of January 2024 were to be cancelled and that I will bring back the segment from the 1st Week of February 2024. Unfortunately, that didn’t pan out as I hoped, so I have merged the 1st and 2nd Weeks of February 2024 together. But from here on out (until my next extended break, whenever that may be), the normal weekly transmission will occur.

Things will look a different as a result of the cancellation and merger, which I will explain down below. Let’s go!

UPDATE – 2023 KPOPREVIEWED Awards

If you remember a while back, I was hoping to post the winners of the 2023 KPOPREVIEWED Awards that YOU voted for by the end of this month. While I did work on it somewhat during my break, I don’t think I will hit that deadline, and may need an extra week or so. I will confirm next week how much more time I need. Apologies for the delay and I am endeavouring to get it done as soon as possible, soI can move onto even more exciting stuff for 2024.

The Charts

Congratulations to (G)I-DLE, who’s latest comeback with Super Lady has topped the Weekly KPOP Charts for the combined 1st and 2nd Week of February 2024.

For those who are wondering, the golden (NEW) represents songs that were released whilst I away and have no been part of the chart system yet. The purple (NEW) represents the songs that were already in the chart system before I went on break (I have put them down as ‘new’, as it would not be possible to compare to charts from 5 weeks ago).

PositionSong TitleArtistChange
1Super Lady(GI)I-DLE(NEW)
2plot twistTWS(NEW)
3JACKPOTVANNER(NEW)
4STAYCHA EUNWOO (ASTRO)(NEW)
5Lovers or EnemiesCIX(NEW)
6Love Wins AllIU(NEW)
7CurosityMIJOO(NEW)
8For YouHaebin(NEW)
9UGLYEVNNE(NEW)
10MIRRORSEVENUS(NEW)
11Back to ChristmasNINE.i(NEW)
12Graduation DayEPEX(NEW)
13HBD To YouCSR(NEW)
14Girls of The YearVCHA(NEW)
15Christmas DanceROCKY(NEW)
16VoyageGeenius(NEW)
17StrangerWeeekly(NEW)
18Love 119RIIZE(NEW)
19Burn UpDXMON(NEW)
20The Story BehindKyuhyun (Super Junior)(NEW)
21SarrSerri (Dalshabet)(NEW)
22EverythingJONGHO (ATEEZ)(NEW)
23PonytailKim Jae Hwan(NEW)
24MATZHONGJOONG & SEONGHWA (ATEEZ)(NEW)
25Go UpTRENDZ(NEW)
26TA-DA!LIMELIGHT(NEW)
27Stuck In The MiddleBABY MONSTER(NEW)
28I Love You Merry ChristmasJUST B(NEW)
29Find The SunlightYesung (Super Junior)(NEW)
30the different wayLEEWOO(NEW)

[Review] Lovers or Enemies – CIX

Also making their comeback whilst I was away from the blog is CIX, who returns after 8 months following the likes of Save Me, Kill Me and the mini-album OK Episode 2: I’m OK. Their newest comeback is with their first ever single album 0 or 1 and title track Lovers or Enemies.

Whilst subdued, Lovers or Enemies brings forward vocals, a funky sound to the group, and catchy hooks and melodies. It is honestly quite a fun track, which I have been going back and forth to ever since it was released. I find it very hard to put down. The funky and 80s retro undertones, thanks to the guitar and synth work in Lovers or Enemies, really gives the song such a fun vibe. The way it is kept subdued, however, was quite clever as it allows the group to deliver their vocals in a minimal (and what felt like an) effortless manner. Sure, opting for a more subdued sound in what easily could have been a more upbeat track (I can definitely here the potential for this direction in Lovers or Enemies) can have an opposite effect on the song, and CIX could have definitely been more expressive. But I felt that this technique kept the song interesting for more, and there was some character and personality to their vocals particularly when the song dips in the pre-choruses. Those were interesting and cool parts of Lovers or Enemies. BX’s rapping was very cool in the second verse and I like the contrast he brings to the song with his rapping. My major complaint is how short the song is. I honestly think the producers could have introduced a dance break to give Lover or Enemies some extra few seconds, but also it could serves us with some more oomph, honing right into the funky and retro synth affair that the song has going on. But overall, a really great song from CIX.

I find that the music video can be up for multiple interpretations. My initial thoughts on the video was that the female character was recreating robots of her lover (which, I guess, was a short-lived relationship and have now become enemies) and putting memories into the robots to make it look like they were lovers all this time. The members give her the choice of being lovers or enemies in the song’s lyrics, and she chose the former. I also felt the story could have been told from the perspective of the members, who are robots awaiting instructions from their creator to either be a lover or enemy. That explains a lot of the earlier scenes in the video where she is thinking about what to do with them, and why they it looked like they were still stuck on the manufacturing process.

While the song was subdued, I did like how they kept the choreography for this comeback quite upbeat. It was definitely a strong routine, overall. I also commend the group on how charismatic and alluring they looked and made the choreography looked.

Song – 9/10
Music Video – 9/10
Performance – 9/10

Overall Rating – 9/10 [Updated on 3 March 2024 due missing music video and overall rating]