[Review] FIRE – EXID

An artist whom we have not heard from for a while now is EXID. Their last Korean release was back in 2019 with ME & YOU, which followed the news that some members would be leaving their company at the time (Banana Culture) and an agreement between the members that EXID would go on hiatus to focus on solo endeavours. The group did remain active throughout 2020 in Japan, however. Last week, EXID regrouped to release the single album X and the title track FIRE to commemorate their 10th anniversary as a group since their debut back in 2012.

For those are not aware, I am a very big fan of EXID – even for releases that pre-dates their viral Up & Down. So to hear news that the group would be returning and releasing new music was quite exciting for me. However, FIRE is not like their any of their past hits. Instead, it slips back into pretty mediocre territory, which is slightly disappointed with. It would have been nice to hear music that reminisces over their past hits like Up & Down, Ah Yeah, I Love You etc. But given that this is their first release in three years, I am still pressing the replay button to the song. FIRE starts off with (and features prominently throughout) an ethnic influence, which I personally find to be a dated trend in KPOP. Hani and Elly (formerly LE) leads the charge into FIRE with an underwhelming interchange of vocals and raps. I wished their parts were more bolstered and defined, just to add some dynamism. Hyelin and Solji’s melodic pre-chorus comes next and this was by far the best part of FIRE. Then FIRE‘s chorus comes into play, which is is set up to be only instrumentation with the minimal lyrics. There isn’t anything wrong with this, but I felt a title like FIRE would have alluded to something more ferocious or electric. And I wished that the chorus, of all places, would have reflected this. At least the ‘Burning Up‘ sequence of the chorus does pick up the song to a degree to just add a bit of dynamic flair to the song. Junghwa’s main part occurs in the second verse. If you have not noticed from Hani’s vocal delivery (or the chorus sequences of the music video), FIRE is a mature comeback and Junghwa’s part really reiterates that. The amazing pre-chorus repeats, before we are taken to the 1st bridge, 1st half of the chorus and then 2nd bridge (which probably featured the cringiest set of lyrics in the song) and ending it all with the second half of the chorus (i.e. the ‘Burning Up‘ sequence), which helps end FIRE on a more dynamic note. Overall, FIRE is definitely not their best song ever. But it is still bearable and I would still take the song over no song any day.

As mentioned before, the concept for this comeback is sexy and mature. And this is a major selling point to the comeback in my opinion. The member’s visuals were charming and alluring throughout the video, and I am loving all of it. The only questionable element of the comeback is the prison location. I assume it was part of the producer/director’s vision for this comeback. Aside from that, I was burning for some fires in this video, probably due to the lack of energy I was getting from certain points in the video. This wish was fulfilled when that car exploded in the background. Some dynamic camera work at the end helped add energy to the video. I would have liked more, but what they did at the end was satisfying and fulfilling enough.

When it comes to EXID and their releases, you think of their key dance moves. If you were into KPOP in early 2015, you would know all about EXID’s Up & Down hip thrust move. And each subsequent comeback had a key move like so. FIRE does have that potential, with the hip movements in the first half of the chorus. I also quite liked the way the members were spaced out for the final sequence of the song, as it forces the camera to zoom out to capture everyone. And with the dancers circling Hani, Solji’s high note, LE’s vocals and Hani, Junghwa and Hyelin fast arm movements, it all comes together to look epic.

Song – 7/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 7.5/10

[International Song Review] BTS, Sunmi, Wonho, WayV & EXID

It has been a while since I have posted a review for non-Korean songs by KPOP artists. The last post was published back at the start of July and this mainly featured Japanese releases. With several KPOP artists releasing songs in English over the last two weeks, I thought it would be a nice to sit down and review them now, rather than wait a few weeks (as the original intention was to knock out a few other reviews from my ‘To Review’ list. Joining BTS, Sunmi, Wonho and WayV’s English releases from earlier in the year and EXID’s very recent Japanese release.

Dynamite – BTS

The first release to be reviewed on this list is also most recent release. Without a doubt, you probably have already checked out Dynamite despite it only being dropped yesterday. Dynamite is a funky pop track, tailored for the Western music industry. It is a fun and vibrant song that focus purely on the members’ vocals. Jimin’s high pitched vocals were amazing and even the rappers showed off their vocal capabilities effortlessly. It is super addictive, with the ‘Like A Dynanana‘ replaying constantly in my head. I have no problems with this track, given that they hit all the right notes and made it super appealing – not just to Western audience, but also the average KPOP listener. As for the music video, we are thrown back into pastel land and similar sets to what we saw in Boy With Luv. I don’t mind that we have a similar copy to a past music video, given the current global pandemic. I just don’t want it to be the default for BTS’ happy, energy filled and funky releases. The choreography isn’t a central piece of this comeback, but it looks fiting for the funky side of the song. It is a little different from what we get from BTS usually, but given the vibrancy of the song, it works like a charm. (9/10)


Sunmi dropped the unexpected music video for BORDERLINE earlier this week, as well. While the song has been known for a number of years now (Sunmi has previously performed BORDERLINE at her solo concerts and released its lyrics in 2019), the song has yet to be formally released. It seems like Sunmi is keeping this song to herself for the time being. BORDERLINE is a self-penned English track, that has this slow churning momentum that plays on the more sensual side of R&B. This is definitely new ground for Sunmi and it is nice to hear something different from her usual retro sound. The lyrics also zone into her personal stuggles over the years, making this an extra powerful song for her and her fans. Her vocal style were an excellent delivery mechanism for these lyrics, as you can hear how much emotions are behind the song. For me, it also made the song more thought-provoking. The music video is quite simplistic. Sunmi and her dancers are dressed in black and perform a very aesthetic interpretaive dance routine. The background was simply shadows projected into a wall. Everything was dark and it was hard to make out their faces, which I would say is suitable for the meaning behind the lyrics. Overall, a captivating and immenseful informal release of a song. (9/10)

Losing You – Wonho

Ahead of his solo comeback next month, Wonho pre-released Losing You last week as the start to his solo career. It is all in English, which is why it is being reviewed here instead of its own review post. Listening to the song the first around when it was released last week, I was speechless. It is a very emotional number, so prepare yourself. Lyrically, Losing You is all about him willing to putting another person (lover, friend etc.) ahead of himself regardless of the situation. Whether the song is directed to a former lover, his fans or to his former group members is all speculation, but damn these lyrics are definitely heartbreaking and very moving. The song is a R&B ballad, made up of the simple combination of piano and soft percussion. Wonho’s voice stuns and leaves me in awe. You can definitely hear the emotions behind his voice. I really like the extended ‘You‘ that features in the bridge of the song. The autotune seems unnecessary, but it is bearable. The music video is another dark video, but it was quite captivating to watch. Throughout this video, he is very emotional and lost. Every setting we see him in depicts the reflective road he took while he was on hiatus. At the end, we see two different scenes. Wonho standing in front of a car, telling us that he is still willing to sacrifice himself no matter what happens in the future. But we also see him standing in the midst of a sea of lights, which looks like mobile phones, suggesting that he will return to the stage soon (with the support of his fans, WENEE). (10/10)

Bad Alive – WayV

Despite being a subunit of NCT members, I have actually yet to review any WayV releases. That should hopefully change when I do a dedicated International Song Review post for just WayV and their 2019/2020 Chinese releases (some time in the future). In the meanwhile, WayV did release an English version of Bad Alive, one of the songs from their first Chinese studio album. And since that is a predominately English version (with some Korean and Chinese mixed into it), it has landed itself on this list for a review. Aside from the question marks that I would like to throw against the lyrics, Bad Alive‘s instrumental backbone definitely has a lot of potential. There are a lot of textural synths and high intensity in this trap-influenced piece. There also seems to be some hip-hop influence in the song as well. When it comes to their vocals, I feel that their voices are rather tame. I wanted more intensity and growls from the members to match the harshness and roughness of the instrumentation. What we got was decent, but not that powerful. I did like the layering, as that was differey. But amped up vocals and raps would have been appreciated. As for the music video, it is definitely overloaded with amazing visual of the members. The emphasis of red shows the fierceness of the members and I think that aligns with the image that I have come to associate with WayV through their most recent comeback in China. The sets were boxes, but they seemed fine in this video. The worst aspect has to be the white/gold jackets they wore over casual wear. They don’t go together. As for the choreography, powerful and masculine. Definitely going hand-in-hand with the fierceness mentioned before. (7.5/10)


The werid thing about EXID is that while they are considered inactive in South Korea, the group still needs to regroup for Japanese promotions as they are still under contract as EXID. This is a very interesting situation. But I am not complaining, since we get to hear more releases from EXID! B.L.E.S.S.E.D is an enjoyable pop track filled with a feel-good vibe. I like the slghtly jazzy vibe that the brass brings to the song. When the chorus comes into the play, there is a little kick to it and it feels like an cute anime OST, which adds to that enjoyable factor. I also like how all the member’s voices compliment the style choices. This also applies to LE, who is known for her nasally and harsh texture. But she fits into this song fine as her approach isn’t too serious, matching the song’s feel-good vibe. However, I do wish that some of the hooks/melodies that were just spoken/shouted in the chorus were more dynamic. I just wished they were a little more melodic and sung. The music video just shows the members doing some ordinary things while looking pretty. Nothing that really captivating and interesting to be honest. The group shots were nice, but that was essentially it to the music video. (7.2/10)

[Album Review] Street (1st Studio Album) – EXID

It is time for another PARs (Past Album Review) as it is a Tuesday and I have chosen EXID to be next group to cover. More specifically, the group’s first and only studio album (so far). Street is the name of their first studio album and this was released in June 2016. It features the title track, L.I.E, and the remixes of Hot Pink and L.I.E (which I have chosen not to review). More recently, EXID has gone on a hiatus after not resigning with their company. Each member has gone onto different companies in Korea, but the group has stated that they have not disbanded. So we could potentially see another studio album from the group in the future! But until then, it will be a bunch of PARs for EXID.

Street Album Cover

1. Don’t Want A Drive (데려다줄래)Don’t Want a Drive is a mid-tempo R&B number that eases us into the album. Given the group’s EDM direction for the title track, something easygoing and light would be appropriate to start off the album. The instrumental is very pleasant, despite being somewhat crunchy in texture. I really liked how Hyerin echoes the final section of the segment, easing us out of the song. I also found it interesting that Junghwa and Hani took the reins of the chorus, a role usually reserved for the main or lead vocalist of the group. Junghwa’s vocals do really fit in and give the chorus a bit of spark that would have felt over the top if Solji had stepped in, regardless of how good we all know Solji is. (8/10)

2. L.I.E (엘라이) (Title Track) – My original review stated that I was very disappointed with the track. Four years on, the song has definitely grown me. To the point where I will be bumping the review rating to a 8/10. Click here to read the (original) full review for L.I.E. (8/10)

3. I Know (알면서) I Know comes off with an upbeat tone, where the members ask why they are still with their partner despite the entire world around them telling them to leave. The song has this energetic presence, which really helped make the song much more appealing if they took it in the route of a ballad or R&B song. It utilises EDM synths to give it some life and texture. It isn’t dominant hook like how it is employed L.I.E and feels like artists would usually employ the style in a standard pop track. But it is still nice, alongside the catchy hooks and melody in this song. (8/10)

4. Hello (Hani Solo) Hello is a very jazzy-styled R&B track brought to you by Hani. As all solo tracks, the song is well designed for Hani’s voices. She doesn’t have the power vocals like other members in her group, but she can do a fair job on her own, as indicated by this track. What I really like about this song is its lightness and breezy nature. It is so light that Hani could effortless switch to a speaking style delivery of her singing, which I thought was a very cool aspect of the song. It isn’t a standout or memorable track, but it is definitely a nice song. (8/10)

5. CreamCream is a questionable song. Not for the music however, but rather the lyrics. I won’t go into details due as this is a studio album review, but I am sure that this caught the attention of fans back in the day for its possible sensual connotations. Apart from that, I thought Cream was a really good song. I like the vocal work which was very delicate. The instrumental featured a nice level of funkiness and was driven forward with a guitar which gave the song some class. The saxophone at the end also added a little more just before the song ended. The only thing I did not like was LE’s rap sequence, which felt very unnecessary. (8/10)

6. 3% (Solji Solo)3% thrives thanks to two elements. The first has to be Solji’s vocals. We all know her for her impressive display of vocals through many shows in the past. 3% doesn’t put forward her powerhouse vocals, however. Rather, it puts forward an excellent display of her vocals without going overboard with high notes or loud vocals. The other element that really puts 3% forward is the simple instrumentation. It is just acoustic guitars. It is a nice piece, but it also allows the focus to be squarely on Solji. (10/10)

7. Only One – The song Only One is actually a group version of Hani and Solji’s duet, Only One, which the released in 2015. What differentiates this version to the duet is that it feature a rap sequence by LE, which I think is suitable for the song’s upbeat electronic pop style that dominated most of the song. There were other parts of the song that the electronic pop doesn’t feature, replaced by a nice piano piece. The two styles merge nicely to form what we hear in Only One. I just feel that Junghwa and Hyerin just didn’t into the song as nicely as the song was made for Solji and Hani and I don’t think enough adjustments were made for the addition of these two other vocalists of EXID. (8/10)

8. Of Course (당연해) – The alternative title to Of Course is No Way. The song brings out the 80s flair with this song, with the instrumental featuring a dance beat, some funky sounds, synths and bass. I do think they went a little overboard with the bass in the song, especially during the transitional elements in the instrumental. But despite that, I found the song to be very catchy. I also enjoyed the energy that came from the song. I think the song could have benefited if the rapping was a little more powerful, which would have boosted the song in my opinion. (8/10)

9. Are You Hungry (냠냠쩝쩝) (Junghwa & Hyerin Duet) – The album takes a playful and fun vibe with the disco vibes in Are You Hungry. The vocal parts in the verse remind me of something that T-ARA would have released back in the day to follow up some of their weird tracks. The chorus reminds me a mixture of Nyan Cat (who remembers that? Or would I be showing my age with Nyan Cat?) and What Does The Fox Say?, two of the most annoying songs that have long past their prime. It is a catchy number and is definitely a song for the people who enjoy the wacky side of KPOP. For me, it brings a smile to my face every time I hear it. (7.5/10)

10. Like The Seasons (여름, 가을, 겨울, 봄)Like The Seasons is a group ballad. It was also my favourite side-track from the album when it was first released. The ‘Let the Rain, Snow Fall, Yeorum, Gaeul, Gyeuol Bom’ line in the chorus was very memorable. I find the song to be very flowy and suitable for almost all the seasons. There is something in the lightness of the instrumental that makes it refreshing for Summer, yet warm for Winter. I also really liked the harmonies in this song. (9/10)

11. GoodGood ends the album on a very upbeat note. I just found the song to be very linear in nature and didn’t really have much development as it progressed. The song just lacked that climax that would have helped give the ending a punch, as they had everything else there. The upbeat energy that comes from the track was very desirable. There were trumpets, drums and a 70s/80s synth influence, which makes the song fun sounding. The members all sounded good. It is just that lacked climatic moment that was needed. (7.5/10)

Overall Album Rating – 8.2/10

Street Teaser Image

[International Song Review] EXID, ONEUS, TWICE, MONSTA X, CIX

Welcome to the very first International Song Review post. This segment will replace the Japanese song review that I publish sporadically on Saturdays. The segment will also allow me to cover more of those Japanese releases, which was an issue I previously had (I used to post once a week and this would mean some releases won’t be reviewed until many weeks after – which is the case for all of the songs to be reviewed today). On top of that, I wanted to keep up with the KPOP advancement into the Chinese and Western music industries, a niche that I was not reviewing as I could not dedicate more time. By putting these all together, it saves time and it allows me to cover more songs. The artists I will be focusing on today include EXID, ONEUS, TWICE, MONSTA X and CIX.

Bad Girl For You – EXID

Bad Girl For You is a very different song from any of the Korean releases. The group’s Korean releases have this level of vibrancy that I feel is noticeable absent from this track. Instead, the song has this mature and sensual feel to it that I think is very suitable for EXID. I liked how the instrumental is very toned down and almost quite eerie. The chorus has a heavier beat to it, which offsets the song from becoming plain and boring. Their oval work complimented the style, which was definitely a nice fit to the song. I do find the use of that laser shooting synth a little random and doesn’t fit well with the rest of the song. The song may not seem much at first, but after many listens, you will be coming back for even more. For the music video, I liked the use of the 5 colours (green, blue, yellow, red and purple) in the background and how each colour is usually concentrated to a particular area of the set. It helps give the video a minimalist feel. The choreography is also quite nice but not really memorable.

808 – ONEUS

I think 808 is a smashing song. The sound of the instrumental was posed in a manner that really caught my attention. I love the strings that feature in the instrumental, along with the intense style they had adopted from their Korean releases. There is an epic vibe to the song, but they do it in a manner that masks it. You think you are getting another typical song, but you will be blown away by the song’s sound. The song is vibrant and definitely knows how to bundle a bunch of energy in a fashionable sense. The vocal work was good and the rapping gave the song a little more edge. The music video looks really artistic. I am not sure if these are music video sets or whether the group filmed their music video in some sort of modern art museum. It looked very cool. The performance looked good with cool moves. Just not memorable like EXID’s performance.

Fake & True – TWICE

I was blown away with Breakthrough when it was first release for its mature and edgy style, something that was a little foreign for the very pop-based and cutesy TWICE. And it seems like Fake & True continues the momentum and extends TWICE’s reach into this new territory. I thought the brass in the chorus was very nice and the rest of the instrumental was very energetic and vibrant in a way that suits the group. I also liked the synths that they employed throughout the song, especially for the dance break bridge. I did think the chorus was a little one-dimensional as it repeated the title of the song all throughout and felt a little awkward. The vocals were good but the rapping in this track was epic. It was also nice to see Mina as part of this November release, as well. The music video was pretty typical for TWICE but I thought it did a really good job of showing off their visuals. The choreography was also very nice and continued that mature vibe that I really enjoyed as part of their previous Japanese comeback.

My New World – CIX

My New World is CIX’s debut track into the Japanese music industry. It is also an extension of their KPOP works, with the group’s intense sound definitely channeled and presented in this song. I like how eerie and dark the song sounds. The dance style is very well suited for CIX, given that this is their title track style for their comebacks in the KPOP industry so far. I also like the kick of energy that the song gives during the chorus, which contrasts neatly with the shout-y style of vocal works. The rapping that dominates the second verse was also extremely promising and intense. I also like the piano that featured very quietly over the top of the dance instrumental. I think the music video shows the members on a new world. Other than that, I am not exactly sure if the video is showing anything else worth mentioning. Their dance sets looked really cool, with the floating stairs and the moving lights. The choreography is very intense and reconfirms that when it comes to the dance side of the industry, CIX might be a group to look out for.

Middle Of The Night – MONSTA X

The final song on today’s reviewing agenda is Middle Of The Night and it is also the very first Western song that I am reviewing on my blog (I am not including English versions that I have done reviews for in the past). Middle Of The Night is different from the rest song on the list as it is also an R&B track. A song that I can finally understand as well. Hahaha… I can really say much else but to tell you to check out this song below as everything felt flawless. It is one of those songs where the main complaint was that it was over so soon! The vocal work was superb from very member. I really love that Jooheon finally got to showcase his vocals that he previously showed off during a performance of Versace On The Floor. The music video was shot with every scene is interlinked with the previous and next scenes. I think that this was a really good way to show off the smoothness of the track. There is no choreography for this song, so this finishes the review.

[Album Review] WE (5th Mini Album) – EXID

As mentioned previously, EXID will be going on an indefinite hiatus after wrapping up promotions for their latest mini-album, WE. This is due to Hani and Junghwa not renewing contracts with their current company. However, despite this headline, the group have continually stressed that the group is not disbanding and that they will be continuing as a five-member group in the future. As this will be the group’s final mini-album for some time, I jumped on the opportunity to review the mini-album, which features 7 tracks, including an urban mix of their previous single, Lady, and the instrumental version of their title track, ME & YOU (Note that these two tracks will not contribute to the ‘Overall Album Rating’).

WE Album Cover

1..Me & You (Title Track)Click here to read the full review for Me & You. (8.5/10)

2. We Are – Reading the lyrics to this song, We Are is a song for the fans. The members thank their fans in the song and remind that ‘We Have Each Other’ no matter what. It is definitely touching and at certain times, you can hear some emotions behind their voices (particularly Solji’s part of the song). The song itself features an R&B influenced instrumental and a chorus that continually repeats the title of the song in a heavily autotuned fashion. I am not too troubled by this as it gave the song an interesting texture. But I do see how it does chip away at the emotive side of the song. Personally, my favourite part of the song is the ending, with each member singing one line to the outro. It is definitely a nice way to leave us for the time being. (8/10)

3. The Vibe (아끼지마) – Impact is delivered from the very first second with The Vibe. Hani starts off the song in a spectacular manner that I cannot stop replaying. And her vocal performance throughout the rest of the song is outstanding. Usually, Solji is the member that gets the attention for vocals. But Hani is the real winner in the song. The other members (including Solji) do display great vocals. And while I really like the bluesy feels of the song, I felt the song was lacking in the instrumental domain. Sure, a complex instrumental would have been detrimental to the song and hide the vocals in this track. But I think the one they stuck in The Vibe was relatively plain and almost bland (if it wasn’t for the vocals). (8/10)

4. How You Doin’ (어떻게지내) – This is probably my pick for best song on the album. How You Doin’ has a groovy beat that I cannot help but enjoy. The upbeat atmosphere was something missing on this album (excluding the title track), so I am quite appreciative of the energy it brings. Junghwa’s ‘How You Doin’’ repetition was addictive and hooked me onto the song. The vocals and rapping were amazing in this track, drawing me in from the start as well. Some of the members brought a husky tone to the song, which I really enjoyed. I personally do not think there is any disappointing second in this song, which is an excellent thing. (9/10)

5. Midnight (나의밤)Midnight closes out this album review, but it isn’t the final song on the album. Midnight has a pleasant tone to it. I cannot deny that. The song just doesn’t have any aspect that I think it is worth diving in for a second or third listen. In other words, I find it to be the weakest song on the album. The vocals were okay, but they don’t offer anything interesting, as per the other songs on the album. Likewise, the hooks weren’t strong or memorable enough. The ‘Bam Ba Bam’ was probably my pick for the highlight for the song but it just didn’t stick around for much due to the progression of the lyrics. (6/10)

Overall Album Rating – 7.9/10

WE Teaser Image

[Review] ME & YOU – EXID

EXID returns today!. If you haven’t heard yet, EXID will be entering an indefinite hiatus as Hani and Junghwa chose to not renew their contracts with their current company, Banana Culture. Despite the label changes, the group will be remaining together (just under various companies). But given how groups who are scattered between companies don’t make comebacks, it does look quite grim for EXID (even though they are still contracted in Japan as a five-member group and seem confident that they will be returning as a quintet sooner than later). But this means that this will be their last comeback for some time. And as an avid EXID fan, I am very saddened to hear this news.

Their latest title track is titled Me & You and I think it is another fantastic song to their portfolio. It is a little different (like I Love You) from their more popular hits like Up & Down and Ah Yeah. Firstly, the song seems to conform to trends in the industry nowadays. I am referring to their instrumental only chorus, which I thought was a really good beat drop. It particularly contrasted nicely with the more acoustic start and almost still-like verses. Secondly, I also liked how the song focused more on vocals/raps, rather than repetitive hooks. In particular, Hyerin managed to use her vocals that she built up during Solji’s absence in the song, which I was slightly worried that she would not be able to anymore. All other members sound really nice and LE’s rap provided a very appealing rush of energy and intensity. I like that buildup to the party-like and dynamically instrumented ending of the song, once again contrasting nicely with the verses of the song. It does cap off the energy well. Personally, I don’t find the song as catchy as their previous tracks. But I do predict that the song will become very addictive very soon (especially after writing this review due to my repetitive listens).

I think the contrast between the verses and the more upbeat chorus/ending was shown well in this video. The verses were highlighted by the use of black and white scenes, along with the lack of movements within the red sets (with the latter being very elegant looking). I thought the members looked very beautiful in their wedding inspired outfits during these closeup scenes. But the chorus and end take a turn by showcasing more of the choreography, shaky camera shots and the neon party outfits. Both are highly fitting with their parts of the song. I like the music video and thought it was rather cool.

Due to an injury, LE’s participation in the performance was quite limited. While this can’t be helped, I did miss her during the chorus. I really like the elegant nature of the choreography during the pre-chorus, before they get into the more intensive chorus. I thought the ending section was really cool and definitely the moves made the ending feel more bombastic.

Song – 8.5/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 8.8/10

[Review] I Love You – EXID

This is the comeback that I have been waiting for all week. EXID has finally returned, along with Solji who has been absent from group promotions for almost two years now! Welcome back Solji! Their comeback single is titled as I Love You and is their first comeback since Lady, which was released back in April. Since then, the group (with Solji) made their official Japanese debut with their hit track, Up & Down.

I Love You opens up with the most addictive hook of the year. I have no idea if I will find it annoying in the future, but at the moment, I am totally digging it. It is definitely attention-grabbing. The verses were good but there isn’t much to talk about. I like how the chorus comes into play. Both Hyelin and Solji have ‘louder’ sections with their vocals jumping right at you. It is unexpecting but it manages to fit in. To avoid being too repetitive, the song takes a change for the second verse, becoming a lot more techno-y and much sexier. I love Hani’s whisper that comes at the end of the verse, which I thought was another highlight of the song. I do think the Solji’s high note at the end clashed with the song, making the ending appear slightly messy. But other than that, I Love You is probably my next favourite song.

Hopefully, you did not gag throughout this music video. EXID did a lot of gagging, which seems a little odd at first. I had a quick look at the lyrics but they don’t really fit the gagging into the song. It seems like there is some sort of regret going on, as Hani changes the course of the video to prevent each member from gagging/throwing up by editing some footage, which allows everyone to spend a more enjoyable night. And the worst thing after a night out is the hangover in the morning! I liked the comedic effect the video touched on and the Elmo character in the background for some of the scenes. The music video was also very colourful, which I thought added to the atmosphere of the video.

And I love the choreography. The moves associated to the hook were simple and can potentially rival their Up & Down hip thrust that drove them to the top of the charts. It was also sexy and oozed confidence, which is right up EXID’s alley. I also thought it was rather interesting they staggered the same dance move in the middle of the song, which I thought was a nice effect.

Song – 9.5/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 9/10 

[Review] Lady – EXID

Making their first comeback of 2018 just a few hours ago is EXID with Lady. This is EXID’s latest comeback since DDD, which was released in November last year. EXID is still 4-members, with Solji sitting out of this comeback entirely due to health reasons. With not much else to say, let’s get right into this review.

Lady is a 90’s throwback song. The song features new jack swing instrumental which literally takes you back to that era. Despite retro being a very large aspect of the Korean pop scene, Lady was surprisingly fresh and interesting to listen to. It features great vocals and raps, which is usual for EXID. The song also managed to throw in a few ad-libs by Hyerin (just before the chorus), which has confirmed how far Hyerin has come since he had to cover for Solji. While it only has been out a few hours, there were a few things that I noticed to be potential flaws. The first being the chorus. Don’t get me wrong, it is melodic and a decent chorus. But it isn’t as strong or catchy as their previous title tracks. On top of that, the chorus would have felt more lively if the jump into it was more exciting and attracting. Instead, what we go made the song feel almost ‘one-sound’. It may take a few more listens to warm up to the chorus but overall, it was still a decent track.

Like the song, their fashion in the video is extremely ’90s. It is a trend that I am seeing amongst some idols nowadays, with the reemergence of baggy clothing. However, this video does it extremely well, with each member looking stunning (what else do you expect from EXID). Also liking the pixelated quality of the video, which is similar to the VCR or just normal boxed television you would get back in the day. Some of their transitions (such as the star and the slow motion is distinctively ’90s. It is a very cool video that suits the song very well and honestly, there is nothing to else to add to the video to make it feel more like the ’90s.

I even think some of the moves they included in the instrumental are directly related to the ’90s. While I don’t think it has anything to rival their past popular dances, it looked fun.

Song – 7/10
Music Video – 9/10
Performance – 7/10
Overall Rating – 7.6/10

[Review] DDD – EXID

EXID has made their return with DDD. This is their first comeback since Night Rather Than Day and their Eclipse mini-album. This is also their first comeback with Solji since she announced her hiatus due to health issues. However, despite featuring on the album and in the actual title track, she is not promoting alongside the group this time around, so fans must wait a little longer. But regardless, it is great to have her back with her group and (somewhat) in her element.

I personally think DDD is an excellent song. Yes, it feels similar to their past hits like Up & Down and Ah Yeah but it can stand alone. I really like how they surround LE’s rap with the vocals, something they did in Ah Yeah that blew my mind. That structure shows off some creativity. The good thing is that they haven’t done it with every single comeback since then, so it feels somewhat fresh. Plus the contrast between the high-pitch vocals and LE’s edgy raps add a nice appeal. The chorus takes a turn to standard pop while the verse felt more grungy and tough. But that also has a nice contrast with the upbeat instrumental that featured in the chorus. The vocals themselves are definitely another standout to the song, particularly the addition of Solji’s to the mix, which was definitely missed (but Hyerin has been doing amazing covering for the missing member). The best part of the song was the “Dul Dul Dul“. So catchy and addictive. It is up there with all my favourite EXID songs.

덜 (I know, I am including Korean in my review. This is a first.) is basically a slang way of expressing the shaking feeling you get when you are surprised or shocked (Source). And the way they managed to represent it in the music video is by coldness. It goes hand in hand. But the girls manage to take it all back to their sexy days (which started their fame in the first place) with this video. I pretty much thought this was a great video. Through the different camera angles (check out the see-through floor) and the cinematography throughout the video, you can see that this video is well-produced and put together. I love the concept and how all the members stand out in it. It does remind me of Up and Down quite a bit but with a different flare to it. 

The most disappointing part of the choreography is the lack of key dance moves. I don’t find anything that stands out as a moment that would make me think and say ‘this is the DDD dance’. It just felt ordinary.

Song – 9.5/10
Music Video – 9/10 
Performance – 6/10
Overall Rating – 8.65/10


[Album Review] Eclipse (3rd Mini Album) – EXID


EXID has returned with their newest mini-album. Unfortunately, the group is promoting as a quartet due to Solji’s hiatus. The group recently explained the meaning behind the name of their mini album, Eclipse, which you can click here to find out. This album sees the group attempt an entirely different and mature sound, that also shows a different side to the girls.

Eclipse Album Cover


1..Boy – Opening the album is Boy, a very different track from what I have heard from EXID (or any artist that I have listened to). I feel wrong for describing a track as ‘creepy’, but this description fits the opening of the song quite well. Once we enter the instrumental chorus, you will understand how good this track is. It is a little foreign, but once you get used to the track, you will love it. I must applaud the vocal work and LE’s rap. Their vocals, along with the emptiness of the instrument (which in this case, is another good aspect of the song) actually contribute to those haunting vibes I was talking about. LE’s rap always sounds the same to me, but yet they fit into any song that you throw at her. (8/10)

2. Night Rather Than Day (Title Track)Click here to view the full review for this title track (7/10)

3. How Why – Before starting these album reviews, I re-listen to the entire album (regardless of how many times I have already done so). The one track that stood out for me was this one in particular. I love the buildup that LE and Hyelin contribute to during the chorus before the beat drops, and the very catching instrumental sequence is brought into play. The song itself seemed to start off as a ballad, but as the song progressed, it seemed to become more upbeat and brighter. It is easily their best track on the entire mini album. (9/10)

4. Milk (Hani solo) – Time for the obligatory ballad on the mini album. This one seems to be mixed with RnB as well. While it does sound nice and the connection between milk and the lyrics are quite smart (like what everyone is saying), the song is an either a hit or miss. There really isn’t much that makes this song that captivating and was easily forgettable. Her vocals are quite nice. (5/10)

5. Velvet (L.E. solo) – It may not be my cup of tea, but Velvet actually sounds very good. It is a very sensual song and that already compliments the lyrics of the song. The instrumental also felt very smooth, further complimenting the sensual nature of the song. The chorus was also catchy. But there wasn’t enough for me there to really enjoy the track or fall in love with it. (6/10)

Overall Album Rating – 7/10


Night Rather Than Day Teaser Image


[Review] Night Rather Than Day – EXID

EXID has returned with a brand new song. Their latest mini album, Eclipse, is their 3rd mini album. Their title track for this promotional run is Night Rather Than Day. This is also their first comeback since their L.I.E promotions last year and their Chinese debut. Unfortunately, Solji will not be participating in promotions this time around due to her health. Hence why we see 4 members on stage and in the video instead.

For Night Rather Than Day, the group opted for a more retro sound, with a much smoother instrumental. Compared to their past songs, this one seems to be more subtle in nature. That being said, this change is nothing too concerning because EXID handles it amazingly. The question that remains is if EXID can handle performing without Solji, who is the powerhouse main vocalist of the group. Hence, probably another reason to why they shifted towards a more softer tone. Hyerin takes over the reigns of the main vocalist and as heard, she can take on the role with ease.  She might not be the powerhouse vocals we know from EXID, but with a more softer song, Hyerin does a pretty good job during the chorus and ad-libs. Talking about vocals, all members saw an increase with lines and each member did a decent job with their parts. The different tones that each member has give the song depth, which makes it interesting to listen to. The contrast between a low pitch to a higher vocal pitch was showed in the song. LE’s raps are pretty good, but the ending seemed a little awkward. The song was quite catchy. By the second listen and I was already singing along to the chorus.

The video is more on the boring side of the spectrum. There really isn’t a storyline or anything to talk about the video. Their past videos have all had things going on in them that make them worth talking about. Here, they are either on a rundown train, on the street dancing or in their rooms. Things I have talked about in the past, such as the use of coloured filters, cinematography etc., don’t really apply much to this video (from what I see). The closeups, which shows off their looks, are the only things that I remember from the video. But then again, those bold colour jackets are quite memorable, but I am not a big fan of them. I am just going to stop here (just trying ramble now).

The dance is quite good. However, there isn’t anything that is memorable about the dance. All of EXID’s dances have been memorable to date, so it does disappoint me a tad bit. I like it though, because there is a bit of cuteness in the dance, while still keeping things sexy as always.

Song – 9/10
Music Video – 4/10
Performance – 7/10
Overall Rating – 7/10


[Review] Honey Bee – Luna (f(x)), Hani (EXID) & Solar (Mamamoo)

Honey Bee is a cross-company collaboration, which features Luna (from f(x) – whose is under SM Entertainment), Hani (from EXID – who is under Banana Culture) and Solar (from Mamamoo – who is under Rainbow Bridge World). The producer of the song (Park Guen Tae) is under Mystic Entertainment and is the same producer/writer for Baekhyun and Suzy’s collaboration, Dream. 

Just by looking at the artists who participated in this song, you can definitely expect an amazing song which shows off the vocal abilities of each person. Sure, you may not expect Hani to be in that mix but she did a really good job of the song. She gave the song stability and kept the song grounded. Solar and Luna were exceptional in the song themselves but they kept making the song go higher and higher via their high notes. Hani’s vocals is sort of a platform to start at and as the other two hit the higher notes (starting from Hani’s level), it highlighted the high notes and allowed the song and vocal talents to further blow us away. The song itself uses a heavy dosage of saxophones, which gives off a nice jazzy vibe. I love the snaps in the song, as it was definitely needed to make sure the saxophones don’t dominate the song. The song does seem to lack something and it goes back to the vocals. The song needed something deep, either some bass or deeper tone. It just kept on getting higher, which in the past, I would have love. But since listening to more songs, I am starting to love songs with a much more darker or even gothic sound (I am referring to songs outside of KPOP here). It probably weird to want a deeper tone (probably just a phase) to accompany this song. It probably won’t work because it would just make the song feel standard. But what the girls have presented us with sounds pretty good and do showcase their vocals.

The music video is okay. It was shot in a bowling centre, which also showcases pool and possibly other games. Maybe it was meant to add to the fun vibes the song had going on. The girls each add their own charm to the video, in my opinion. Luna had a very mature yet charismatic gaze, Solar had a bright smile and Hani made the surroundings a lot hotter (and sexier if you didn’t understand what I meant). I liked the one shot video layout that featured for part of the video.  It was definitely lacked a lot and honestly, I thought it could have used a little more colour to match that fun and vibrant vibe. They didn’t have to go full on bright because it wouldn’t match the sensual nature, but a little more probably could have lifted the video from the darkness it suffered. But besides that, I don’t have much else to say about the video.

The dance is quite simple. A lot of hip snapping to the side and running on the spot. But in a more dancey way and not exercising/sweaty way.

Song – 8/10
Music Video – 7/10
Choreography -7/10
Overall Rating – 7.5/10

[Review] L.I.E – EXID

Last year’s hottest group is officially back. EXID has returned with their first ever full album in their 4-year career.

Big fan of the group, but when I listen to the song, it doesn’t blow my mind. I kind of go “meh” every time I hear it and just listen to it. It doesn’t have me head banging or bouncing around in joy. It isn’t as catchy (which they are known for) nor addictive.   According to some people Up & Down, Ah Yeah and Hot Pink sounded very similar, which I disagree with. This song sounds a lot weaker than any of their previous singles. I do have to say it is a great mash-up of the classy and electronic genres. There is definitely some class in the verses and chorus. As for the electronic additions, you can hear them in the instrumental break down. It is a little weird as it barely matches up, but it still manages to work pretty well. I personally liked them a lot, but yeah, it did make the song sound awkward. The vocals seemed to be held back. Not bad, but once again, I do miss that powerful vocal style. I do agree with many people and say that LE’s rap gave the song more meaning (and is probably one of the few reasons to why I would actually listen to the song). And if you cannot tell how I feel about the song so far: I am disappointed with it.

The music video is pretty nice to watch. It does fall a bit on the boring side, but I actually put up with it every time I listen to it. I just want to start off with the “sexual controversy” that the video had. Many people (netizens) have complained about the many sexual references made in the video.  The director responded with “it was deliberate” and that pretty much made my day. Anyway, those sexual scenes were probably my favourite parts of the video. Hani, seasoning the meat so suggestively and LE in that bathtub. OMG. The music video starts off with a couple checking into the hotel. It seems like the girls are searching for the guy, who probably from the title is lying to a lot of people. I love Hyerin in the black dress, who instead of picking petals off the flower, is ripping hair out of a Ken Doll. Their acting in this video is quite nice and very bright. I just felt something else in terms of the plot should have made the video more interesting. The guy exploding at the end was a little alarming and confused me quite a bit, but they should have included what happened in between, like “why did the guy explode?” and “how did that occur?”.

The dance was okay. Not as memorable as their previous dances. Loved the dance break but felt the chorus was a little lacking.

Final Rating – 6/10

Recap of Golden Disk Awards 2016 + Thoughts

Probably one of the biggest award ceremonies for music and also probably one of the most prestigious, the 30th Golden Disk Awards (GDA) was held on the 20th to the 21st of January 2016. The GDA was supposed to be held in China but was moved back to South Korea due to the recent earthquakes that occurred there just 1 or two weeks before the scheduled event. Even though many people were shocked and feared the award ceremony would be either postponed or cancelled, the ceremony went off without a single hiccup and was broadcast live in both Korea and China.

What I like about this particular awards is that is focuses on both the physical albums and downloaded songs of the year. In other words, more awards for everyone. It is also nice to see who excelled in what (hahahaha…). The digital awards were handed out on the 20th of January, while the physical album awards were handed out on the 21st of January. The award show on the first night was hosted by Jun Hyun Moo, Kim Jong Kook and Seohyun (SNSD). The second night was hosted by Jun Hyun Moo, Leeteuk (Super Junior) and Krystal (F(x)) I have recapped the award winners on the two nights below.

Disk Daesang (Album Of The Year) – EXODUS (EXO)
Digital Daesang (Song Of The Year) – Loser (Big Bang)
Disk Bonsang (Best Artist) – APINK, VIXX, F(x), BTS, CNBLUE, Jonghyun (SHINee), EXO, Beast, Super Junior
Digital Bonsang (Best Artist) – Red Velvet, EXID, AOA, Zion.T, Park Jin Young, Sistar, Taeyeon (SNSD), Kyuhyun (Super Junior), Big Bang, Girl’s Generation
Best New Artist – GFriend, iKON, Seventeen, Twice
Popularity Award – SHINee
Best Rap / Hip Hop – SanE
Best Rock – Hyukoh
Global Popularity Award – EXO
Best Group Vocal Award – BTOB
Best Solo Vocal Award – Jung Yonghwa (CN Blue)
Best Male Artist Award – Big Bang
Best Female Artist Award – Taeyeon (SNSD)
Next Generation Star Award – Monsta X

Once again, this wide spread of award winners seem to be more representative of main stream KPOP. Not that I am complaining. Most of the award recipients were similar to the Seoul Music Award 2016, however a lot more artists won in this ceremony, since their was more rewards. Not that I am being a hater or anything, but Kyuhyun’s bonsang award seems a little far fetched. From memory (correct me if I am wrong though), his song never charted high on the charts and likewise Super Junior barely makes an impact on the digital side of the music industry. So I am a little suspicious of how he managed to get an award for a digital bonsang. Saying that, he did sell a lot. Like a lot on the physical side. But beside that, I think it was a nice range of artists who won and I think it is accurate (as in which artists managed to shine the brightest in 2015).

I really need to think of ways to start off the different sections, but once again… I think out of the all the ceremonies that have already been broadcast (NOTE: I am typing this prior to the Gaon Chart Awards), GDA has the best performances. Why? Because many of the artists performed multiple songs and I really enjoy how some artists (or their producers) integrate different songs together. GFriend, Red Velvet, EXID, Seventeen and BTS had the best stages on the nights. Some artists performed some songs that were released in the past (in previous years, such as EXID’s Up & Down, VIXX’s Error, Sistar’s Touch My Body etc.), which I kind of liked, but, the songs were released last year… so maybe a little outdated. But overall, the performances, I think, were to a very high standard and pleased me (*points at myself* and *acting as the biggest critic of all time*).

Below are just the few performances that I found and slapped together in a playlist format in no particular order.

For a last minute change to the ceremony, it managed to do pretty well in my books. Awards, performances. Everything was just great. There is one more to go of this season’s award ceremonies, which will be coming out in the coming days. Until then, bye!!


Recap of Seoul Music Awards 2015 + Thoughts

The Seoul Music Awards is one of the award ceremonies held the year after for the year before. For example, the award ceremony for the 25th Seoul Music Award was held in 2016, but celebrates the flourishing artists of 2015. Understand yet? Well now that hard to understand concept has been dealt with, the 25th Seoul Music Award ceremony was held on the 14th of January 2016, in Seoul. It is said that this award ceremony is one of the most prestigious awards ceremonies for the year as it recognises the popular and talented artists of the year. Selection process for winners on the night are as follow: 20% mobile votes, 10% Popularity Polls, 40% music sales (both digital and physical album sales) and 30% judging panel’s scores. Only artists who released singles or albums in 2015 are eligible to win.

Like all ceremonies, a number of actors, actresses and other celebrities attended the event to give out awards. The night was hosted by Jun Hyun Moo, EXID’s Hani and Honey Lee. All artists that received the award on the night performed on stage (minus those whose awards were accepted on their behalf by label mates – Big Bang is who I am trying to refer to).

Just to recap the awards winners of the night:
Bonsang Awards – EXID, Red Velvet, Taeyeon (SNSD), VIXX, Yoon Mi Rae, Zion.T, BTS, EXO, APINK, Sistar, Big Bang & SHINee.
Best New Artist – iKON, GFriend, Seventeen
Performance Award – Hyukoh
Best Trot Award – Hong Jin Young
Best RnB Award – Sane
Best Ballad Award – BTOB
Best OST Award – Jang Jae In (performed with Wonwoo (Seventeen) on the night)
Male Dance Performance Award – Monsta X
Female Dance Performance Award – Ailee
Mobile Popularity Award – Kim Junsu (JYJ)
Hallyu Special Award – EXO
Record Of The Year (Digital Release) – Bang Bang Bang (Big Bang)
Record Of The Year (Physical Release) – Kiss My Lip (BOA)
Daesang Award (Best Artist Of The Year) – EXO

The Bonsang awards seem to be more representative of the mainstream KPOP this year. Finally, Seventeen get their Best New Artist award that I think they truly deserve. Most likely they got it for their record breaking album sales. And finally some people decided to pay attention to BTOB. I am not technically fond of their ballads in the past year, but hey, it looks like South Korea is finally paying attention to them. Ailee’s award is one I am not exactly sure of. I don’t think it was the best dance performance of the year. I think that belongs to a particular rookie who was present on the night as well. Regarding Kim Junsu, who was apparently not invited to the ceremony despite winning a key award on the night, there is some shady business going on. But hopefully, when this matter is resolved, justice for Junsu and JYJ will occur. 2015 was a step forward for them, with the introduction of the JYJ Law.

Ailee should not have been pestered for the cameras catching her “on her mobile”. The netizens make it sound like she was too busy texting another person or was too busy looking at pictures of food. Put simply, she was just downloading an app to support SHINee and was later seen supporting Boa. People should really see the bigger picture (or in this case, wait for it) before making a big deal out it. Also, Boa’s award. Even though it was nice to see her win something, I agree with a lot of people who say she got the award just because of her senior status. It was her 15 year anniversary and she probably wouldn’t have received any award for her album if she debuted later on. Also, Starship should not deprive Sistar of any chances to get on the stage. They looked like they really enjoyed being there and were probably excited for their first stage together in what seemed to be 6 months.

Performance wise, I actually did not pay that much attention to the performances in this ceremony. Some of them were disappointing to watch, while others just did not appeal to me or make me want to watch. All I am going to say is the few that I did manage to watch (mainly the first half) were okay. Just minus the introduction for EXID’s performance. That was shocking. Stand out was probably GFriend’s intro. While their fan chant came to a close second. I don’t why I feel that way regarding the performances, I just was not feeling it. For the past few years which I have been watching the SMA ceremonies, their performances are by far the weakest of all ceremonies. Below I have put a handful of performances that I could quickly find into a playlist from the night.

Well, that is it for my wrap up of the Seoul Music Awards 2016. Hopefully, next year is better. Less controversy and better stages required to make this an award ceremony that I can look forward to.


Recap of MelOn Music Awards 2015 and Thoughts

The MMA or MelOn Music Awards were held on the 7th of November 2015. MelOn does not refer to the fruit but rather the music chart and on-line music store in South Korea. It is held by LOEN Entertainment, which owns the music distribution company. The music award has its own unique criteria where it only calculates digital sales of artists in the past year and incorporate these sales with on-line votes of fans.

The following artists, groups and actors attended the ceremony: Big Bang, Yoona (SNSD), Hyukoh, Hyorin & Dasom (Sistar) (did not perform), Toy (did not perform), APINK, Zion.T, Sane, iKON, GFriend, Mad Clown (did not perform), Hong Jin Young, BTS, Red Velvet, EXID, Monsta X, Winner (did not perform). Actors, actresses and other celebrities attended the night as presenters.

The show on the night was hosted by Yoo Byung Jae and Seo Kang Joon. They were shortly joined by Lee Boo Yi, Kim Shin Young, Kim So Hyun & Irene (Red Velvet). The red carpet was hosted by Youngji (Former Member of Kara) and Seo Yuri.

Below are the winners on the night. Afterwards, I have left some comments regarding some awards:
Top 10 Artist – SHINee, Girl’s Generation, Hyukoh, Toy, Big Bang, Sistar, EXO, APINK, Zion.T, Sane.
Best New Artist – iKON & GFriend
Best Rap/Hip Hop – Mad Clown ft. Jinsil (Fire)
Best Ballad – Baek Ah Yeon ft. Young K (Shouldn’t Have)
Best RnB – Naul (Living In The Same Time)
Best Rock – Kim Sung Gyu (The Answer)
Best OST – Loco & Yuju (Spring Is Gone By Chance)
Best Trot – Hong Jin Young (Love WiFi)
Best Pop – Mark Ronson ft. Bruno Mars (Uptown Funk)
Best Male Dance – BTS (I Need U)
Best Female Dance – Red Velvet (Ice Cream Cake)
Best Folk – 10cm (Sseudam Sseudam)
Best Indie – Standing Egg ft. Wheein & Obroject Yundak (The Sunlight Hurts)
Netizen Popularity Award – Big Bang (Bang Bang Bang)
Hot Trend Award – Infinite Challenge (Yeongdong Expressway Music Festival)
Best Music Video – Park Jin Young ft. Jessi (Who’s Your Mama?)
Song Writer Award – Teddy
MBC Music Star Award – EXID
1theK Performance Award – Monsta X
Album Of The Year (Daesang) – EXODUS
Song Of The Year (Daesang) – Bang Bang Bang
Artist Of The Year (Daesang) – Big Bang

I personally think above is a fair spread for award winners. While I am not knowledgeable to comment on categories such as Best Indie and Best Folk, the rest show 2015 in its glory. Once again, I think Seventeen deserves the Best New Artist award and GFriend finally got what they deserved (it’s a good thing. Kind of sounded like I was hinting at something bad). Sistar and APINK’s Top 10 awards caught me off guard since they were quickly taken over by other artists on the digital charts and failed to be up to par with the other artists. I am glad to see Kim Sung Gyu win something for his album. It was really good.

And as per usual, there were performances that night from the groups who won awards. Performers included: Hyukoh, Big Bang, APINK, Zion.T, Sane, BTS, EXID, Red Velvet, Monsta X, iKON and GFriend. It would have been nicer to see some more artists who won from the night perform. I think best performance of the night was BTS with their cool jackets that had light coming off them. A very large portion of the show was dedicated to Big Bang, which had people talking. Sure, they won a lot of award, but I agree with majority of the audience. Big Bang’s performances just made it feel like one Big Bang concert. Sure, they won prestigious awards, but it just robbed the other artists of their night, who also put hard effort into making 2015 their year. Would have I gotten angry over the fact they turned the award show into a mini concert? No, but maybe they should have dropped one or two songs.

Overall, I think MMA15 was pretty fair. They had a large variety of winners (mainly because they have a lot of categories) and minus that small complaint regarding the performances, the show was great. Oh, but damn was the presentation of the awards cringe worthy. Probably this ceremony takes the award for  “Worst Presentation of Awards” award. Could have done it in a way where the presenters did not feel that ashamed of themselves.