Month: September 2020

[Album Review] Fame – Han Seung Woo (VICTON)

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Just under a month ago, Han Seung Woo made his solo debut with Sacrifice, which is the title track off his first solo mini-album, Fame. This mini-album is predominately R&B and each song is well crafted to show off the best of Han Seung Woo. In addition to this, the mini-album has won me over as a new fan and I cannot wait to hear more releases from him in the future. As you can tell, this is sounds like a very positive review. But do continue to read to see what I thought about each song!

Fame Album Cover

1. Fever – Fever starts off the album in a trendy fashion. It begins with a mellow introductory sequence, thanks to the acoustic guitars that opens the track. As the song progresses, we get more of a R&B dance track vibe. Traditional but still worth listening to. Personally, there is a strong sensual vibe in this dance track. On the instrumental front, there is a subtle level of grooviness that brings out the sensuality of the song. His vocals adds a sultry touch, as well. It is captivating to listen to (almost hypnotic in a way) and he knows when to add some vocal flair by amping his voice up for the chorus, yet maintaining that captivating vibe. An honestly great start. (8.5/10)

2. Sacrifice (Title Track) – Click here to read the full review of Sacrifice. (9/10)

3. Reply (답장해) – After a few serious and mature few tracks comes a lighthearted and playful Reply. Despite the change up in tone, Reply still sits within the realm of R&B, though its playful tone can pass the track off as a pop song as well. While the instrumental is straightforward, I really liked how the bass was used to bolster the beat, especially in the chorus. Han Seungwoo’s voice is commendable in this song. His singing and rapping vocals breathes life into the song and melodies, some of which came off as pretty catchy. (9/10)

4. I Just Want Love (원해) – We stay within the R&B genre for this track as well. But I Just Want Love starts off with a much bolder approach within its contemporary instrumental, which I really liked. The instrumental has a kick to it that really separate this song from the rest of its R&B counterparts on the album. For the chorus, I enjoyed how the background smoothed out, complimenting Seungwoo’s raspy vocals. While on the topic of his vocals, I Just Want Love showcases his silky vocals, whilst also giving some limelight to his rapping potential. I liked the edginess that his rapping brings to the second verse. To me, I Just Want Love manages to show all of his best sides and pairs it with an extremely likable instrumental. That is why I am calling it this album’s hidden gem. (10/10)

5. forest – The first thing that pops right out at me with forest is Seungwoo’s vocals. It is definitely hard not to notice the centerpiece and main driving force of the song. He sounds effortlessly good in this song, going from falsettos one moment and into a low tone the next. I liked how minimal the instrumental was, giving his voice that opportunity to shine. I also liked the message of this song as well, where he is asking his lover to rely on him for support during hard times, similar to a tree in a forest. In terms of its ranking relative to the other songs on the album, forest really lands itself on the high end. (9/10)

6. Child (철부지) – Surprisingly, Child is not a R&B song. It is more indie ballad than anything else. Once again, there are great vocals from the soloist itself. The instrumental is predominately acoustic guitars and a simple and paced drum beat. However, the song has some interesting effects as it went along, including a heavy (though barely audible) drum strike, some vocal filtering localized around one particular second of the song and additional filtering of the backing vocals to finish off the song alongside his ‘Oooohs’. Overall, it is a strong song, though I would have preferred some pleasant hooks to make the song more memorable. (8/10)

Overall Album Rating – 8.9/10

Fame Teaser Image

[Review] Goblin (Favorite Boys) – A.C.E

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Despite being active for over three years now, A.C.E has yet to breakout. I am certain that the group has built up a reputation that would surely intimidate other Korean acts based on the intensity of their music and the hardcore performances they pair with that music. Yet for some reason, they continue to be flying under the radar. It just leaves me perplexed and confused, given that I (and their fans) know that there is quality right here. Hopefully, that all changes with Goblin (Favorite Boys), which was dropped yesterday. It forms part of their fourth mini-album, HJZM: The Butterfly Phantasy, as the title track. It also features alongside the pre-release single, Stand By You, released back in July this year.

I really do hope that A.C.E has a breakthrough with this comeback. It is awesome! Goblin combines rock and hip-hop together to form a very intense atmosphere that is both captivating and thrilling to listen to. The rap-centric verses open up with a lot of sound effects embedded in the instrumental. The great thing about Goblin is that it doesn’t overdo it, and hence the amount of sound effects we have coming into the song is ideal. Enough to be a wow factor, but not so much to be ‘noisy’. Aside from the instrumentation, the rapping itself is definitely a highlight of this song. The rappers were extremely dynamic and impactful with their delivery. The pre-chorus is more vocal-centric and showcases the member’s vocals abilities. I really like the instrumental during this part, as it makes the song punchier and more epic. To me, the best part of the song is what bridge the pre-chorus/verse with the chorus. That line by Byeongkwan strikes at the right moment and launches us into a satisfying chorus. As for the chorus, the song amps it up but in a relatively refined manner (compared to their more robust and intense drops based on their earlier EDM releases). It is more melodic, as a result, but also thanks to the background crowd-like vocals that form part of the instrumentation. The members then follow up with a post-chorus ‘I’m a goblin‘ hook that prolongs the momentum and energy of the chorus which brings out that satisfaction. We get more vocals in the bridge and a subtle brewing background, before being thrown back into the chorus to close up the song. Everything works extremely well together in this song and this will, no doubt, make Goblin one of the best tracks of the year!

Another music video where the visual game is so strong! It was an expectation coming into this comeback, based on the aesthetic and stunning teaser images that the group had released for this comeback. I am not sure how Korean viewers and fans are reacting to the use of traditional outfits that the members were wearing. But I really liked the mixed between traditional and edgy in those outfits, completely skipping over the modern influence. For the other outfits we see them wear in the video, they seem be a mix of modern and edgy, compensating for that missing influence. I also really like the sets. The flashing lights seems a bit much as a viewer, but it seems like a logical style choice to reflect the intensity of the music video.

For the performance, I liked the aggressive nature of the chorus. It matches the song. And the same can be said about the rest of the performance. However, I felt that the members held back for their first performance, as they looked a tad stiff. I wished this wasn’t the case, as them letting loose and adding additional energy to their moves would have made this performance even better. But I would understand if they did so due to the constraints of performing live. I also felt the amount of dancers they had at the start seemed a bit much.

Song – 10/10
Music Video – 10/10
Performance – 9/10
Overall Rating – 9.8/10

[Review] HELICOPTER – CLC

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It has been a year since we last heard from CLC. The gap might be long for some, but I think they were worthy of a break after back-to-back comebacks last year with No in January 2019, Me in May 2019 and Devil in September 2019. Fans did grow a little wary with the massive gap (based on an article that I can no longer find), but they need not to worry as CLC’s HELICOPTER comeback was in the works. And this comeback officially dropped today!

Described as a trap and EDM powerhouse song, HELICOPTER throws us back into the edgy side of CLC that has helped popularised CLC over the past few years. If anything, HELICOPTER takes it up a notch, overpowering their previous comebacks. From the very start of the song, there was this suspenseful and thrilling feeling from the opening dramatic synths and opening lines (which ended up being the first half of the chorus). We are then handed over to Yeeun, who opens the first verse up with her powerful rapping voice (her rapping style is something that I really enjoy). We are then given more raps from the other members, before entering into an epic but steep incline to the chorus. The opening lines of the song reappear as the first half and we are given an extended vocal line afterwards, alongside an explosive and epic sounding instrumentation. While the English lines are quite catchy and the instrumental is quite captivating and exciting, I just wished there was more of an memorable tinge. To me, HELICOPTER‘s chorus failed to really feature dynamism and instead focused on theatrics and intensity (which I all believe to be different elements). The rest of the song followed with more powerful rapping, strong vocals and intense instrumentals. The bridge went with a stomping effect, which I gives thumbs up to. And HELICOPTER closes out with an intensified final chorus and Seunghee’s high note and strong ad-libs. Overall, a strong showing from CLC.

The quality of this music video is flawless. The post-production and editing was amazing and helped intensify the video to match the tone of the song. The sets were very modern and sexy. Their outfits were glamorous. Yes, the music video did adopt that choreography and closeup formula which I dislike. But the closeups were stunning and the choreography shots were very powerful. The lighting was perfect through the video and the touch of wind made everything looked so cool and powerful.

In addition to the video, CLC makes a statement with this performance. It is really powerful choreography routine that matches the tone of the song. I practically enjoyed all of the choreography. But if I had to pick a favourite part, it has to be the entirety of the chorus. I also applaud them as they were not afraid with showing some sensual sides within this strong routine.

Song – 9.5/10
Music Video – 10/10
Performance – 10/10
Overall Rating – 9.8/10

[Review] Tiger Inside – SuperM

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SuperM, the KPOP equivalent of the Avengers, was initially formed to be a project group for the Western music industry. Though, I am now confused about which audience this ‘super KPOP boy band’ is targeting. Two of their of main tracks under their belt so far, Jopping (their debut track) and 100 (the pre-release track the group just released a few weeks ago), are both predominately English. But as of yesterday, the group returned with another new pre-release single that is predominately in Korean, Tiger Inside, ahead of the release of the group’s upcoming 1st studio album, Super One (due for release at the end of September). Maybe this is a once-off Korean track from the group, or maybe their company has created new plans for this hugely popular group.

Regardless of whether the song is in Korean or English, I would still have reviewed it in some capacity, given its roots are well-embedded in KPOP. Tiger Inside also seems to have its roots well-embedded in SM Entertainment, as the song does feel like a EXO-NCT mashup. It has that experimental vibe that we get with NCT releases, but also a consistent manner like what we hear in EXO’s earlier releases. Tiger Inside is also more melodically driven, as it distances itself from the heavy use of EDM in their past tracks. The instrumental did end up stepping into a more typical dance territory, but still had a 2020-trendy, edgy and textural momentum that made it worth listening to. I found that to be an interesting elemental change up to their style and quite appreciate this, given that I found 100 to be a bit loaded, overwhelming and messy as I listened to more of it. I am glad that they didn’t overuse the growling in the background, which easily could have turned this song from powerful into cheesy if it was used too often. Moving to the members, great vocals and rapping, once again. Mark and Baekhyun really shined in this song, as per the past. This time around, Taeyong also pops in this song with his own sections. On the contrary, the hooks we get in Tiger Inside just did not pop and felt relatively weak. If they had stronger hooks, Tiger Inside could have been more memorable.

I felt the music video just didn’t contribute to the overall meaning of the song or comeback. The sets looked pretty random. For example, that entire white set with icicles coming from the top and bottom of the set didn’t make much sense to me. The other sets have tiger patterns and the classical orange and black combination, but these were pretty weak connections. Other than that, the members played the edgy part of tigers throughout their closeups by clawing and those intense closeups. That I quite enjoyed.

Based on what I could see in the music video, the choreography actually looks quite good. The start of the choreography (and music video) reminded me of EXO’s Wolf. There also seems to be some clawing in the performance that keeps it in-line with the supposed ‘tiger’ concept. But what I liked the best with the choreography was how powerful it looked, with and without the song in the background.

Song – 8.5/10
Music Video – 6/10
Performance – 9/10
Overall Rating – 7.9/10

[Review] Obliviate – Lovelyz

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It has definitely been a while since we last heard from Lovelyz. Their last comeback was in May 2019 with Beautiful Days. After that comeback, the last we heard from the group was via their participation on the TV show, Queendom, while Kei and Sujeong made their respective solo debuts. But after one year and four months from their last official comeback as a group, Lovelyz has finally returned with Obliviate, the title track off the group’s seventh mini-album, Unforgettable.

Obliviate steps away from the usual fantastical cutesy and innocent sound that we know and associate to the group. Their new song is a lot more mature and serious in sound, compared to any of their previous releases. It is an interesting change up. It might be a step into the more typical direction as Lovelyz has held their ground with their usual work for over 6 years now. But I enjoy a different sound once in a while. The song starts off with this interesting guitar sample. I cannot pinpoint what style the guitar is, however it does bring a hint of that fantastical sound to the song, meaning Obliviate isn’t too far from the group’s associated sound. We then enter a pretty standard first half of the verse. The song starts to pick up once we get to the pre-chorus, with the instrumental and vocals becoming quite extravagant. We are then led to a satisfying chorus. The extravagant pre-chorus preceding it alluded to a harder drop, so Lovelyz’s light approach with Obliviate was unexpected. But I quite liked it. It consolidated that mature sound noted earlier and the repetition of the title was catchy. The instrumental was mostly trap, though I did appreciate the bass that kicked in. The best part of the song follows right after the chorus (i.e. post-chorus hook). It was by far the catchiest moment of the song and I really liked the way they added a yearning tone to the ‘Down, Down, Stop It‘. Overall, Obliviate falls for some typical elements. But for the most part, it was extremely refreshing for the group.

The song is about forgetting a painful love. And the members portray that very well throughout the video. You can tell that the members had enough with remembering these painful memories and seek ways to forget about it. Another interesting theory is the video’s connection with Harry Potter. It makes sense, given Obliviate is also the incantation for the forgetfulness charm. We see the members hold various items including a ring and a book (or diary). At the end, we see these burning alongside a rose, thanks to a spell that the members recite, which an owl drops off to the members. Mijoo is also in a maze, similar to the maze Harry had to go through in the final Triwizard Tournament. Sujeong stands in a corridor with flying letters. The other members didn’t really fit into this theory, though you may have picked up on some other details. Or there might be a completely different theory to this video. As for the visuals, I really liked the darker atmosphere and the sets for this video.

The members in an interview said a sentimental concept for this comeback, rather than a sexy concept. However, I think the latter is a better description for the performance. I really like elegance of performance, which strongly aligns this comeback with their previous performances and concepts. However a number of the moves give off a sensual vibe, which is absolutely fine as well. Key examples include the post-chorus sequence and the second section of the final chorus.

Song – 8/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 8.5/10