Earlier this month, Kingdom: Legendary War began its run, pitting six well known and high performing male groups against one another for the throne. The Boyz, winner of the prequel season Road To Kingdom last year, is featured as one of these male groups. During the 2020 MAMA Awards, it was confirmed that Stray Kids and ATEEZ will be participating. And in January 2021, it was also confirmed that iKON, BTOB and SF9 will be joining the lineup. It was also confirmed that TVXQ (a name in the industry worthy of the Kingdom title without a doubt) will be hosting, but this was later reduced to just Max Changmin, as Yunho was involved in a scandal and was edited out as much as possible (and will not make an appearance in future rounds).
As I have reviewed part of Queendom and all of Road To Kingdom, I will also be reviewing the stages of Kingdom: Legendary War, recapping the high caliber performances from each round and also putting forward my thoughts on what the ranking should have been for that round.
Preliminary Round – 100 Seconds Performances
The preliminary round was performed way back in February by each of the groups and was live streamed to the global audience in preparation for the actual season. The reason for this was to allows fans to live vote and pick their favourite stage, which would subsequently give the winning group an advantage in the first official round.
The preliminary round had a number of rules. Firstly, the performance could only last 100 seconds (hence the name of the round). Secondly, the song chosen for the preliminary round had to be a song that received first place before. Thirdly, the performance order was chosen based on who the participants perceived to win this preliminary round. Who was expected to win performed last. They then chose the group who would perform first. The group who was selected to perform first chose who went second, and so forth until the performance order was decided.
I will be reviewing the performances based on who went first, and will be looking at song arrangement and choreography for this preliminary round.
Wave: Overture – ATEEZ
My guess regarding ATEEZ’s concept was that they just washed ashore. The start of the performance saw the members struggling, as if they were injured. The screens showed their ship being capsized (for whatever reason), which explained their “injuries”. ATEEZ then officially began their performance with dramatic flair thanks to the violins and Hongjoong spewing fake blood on the stage, surprising all viewers (including fellow participants). Wooyoung, Jongho and San literally comes at the camera with their aggressive choreography, before the camera switching to Yunho (and Yeonsang and Seonghwa as well) starting us with the pre-chorus of Wave. When we get to the ‘chorus’ of the song, Wave opts for the return of the dramatic flair with synthesized violins employed to intensify the performance, allowing ATEEZ to show off a more powerful routine fitting for Kingdom. I liked that choice. Aside from the fake blood, San delivers the performances most impressive move of all (i.e. the backflip). Unfortunately, it isn’t much compared to the other performances on this list. ATEEZ finishes their 100 seconds with San running up and climbing on top of the rest of the group, whilst carrying a flaming torch and officially signifying the start of the performance. ATEEZ’s performance was great and provided us with a taster to their performance skills. But I don’t think they lived up to the expectation that I had for them personally going into the competition.
Beautiful Pain (Choir version) – BTOB
Out of all the male groups participating on the show, BTOB is the outlier. While they started off as a dance group, the group has found success with their more vocal-centric songs, such as ballads like Beautiful Pain. So it will be interesting to see what BTOB brings to the competition. But if their 100 seconds stage is anything to go by, BTOB will be bringing a lot of competitive heat by sweeping their competitors off their feet with amazing and jawdropping vocals (as they did with this stage). Obviously, BTOB cannot continually play this card for all stages, so it will be what BTOB will do next. The stage starts off with Eunkwang, Changsub and Minhyuk harmonising (beautifully, I should add) with one another, bringing the choir component to the song. It then cuts to Peniel rapping his part of the song, before he joins the other three members at the microphone stands to bring out Beautiful Pain‘s signature melodies and harmonise with one another to bring their stage to a close. The best part has to be the flawless high notes that they incorporated into the stage. It is a beautiful stage and showed off BTOB’s strongest asset, similar to how the other groups do so with choreography. If BTOB can implement powerful choreography to their stages (which they will have to, given the repertoire of songs from the fellow competitors), they will become a force to watch out for.
Good Guy (The Glory) – SF9
Given the criteria set for the preliminary round, SF9 was limited to only one song – Good Guy, which clinched their first win on music shows in early 2020. Notably absent is Rowoon, who was watching from the sidelines due to an injury. The group kicks off their 100 seconds performance with a model walk, intimidating us (and the competitors) with their serious looks and the echoing of the Good Guy hook from the song. After their walk, the camera focuses on Chani and Youngbin (I think) who starts aggressively dancing to the EDM dance break, before the other members joining in. The performance then ends with SF9 going into the final chorus of Good Guy, but with a modified routine to match the altered instrumental that also has been intensified. Unfortunately, nothing stood out for me. I think it was a solid routine and stage to watch, but I wanted more. I do like this side of the group as their more electrifying songs and performances are what I stray towards, but I wished they retained more of the sensual moves from the original choreography, which would have made this performance more memorable. There was some grinding, but what is the harm of asking for more?
Miroh – Stray Kids
Stray Kids is the only group who did not specify that this stage involves an alternate version of their original song in the title. But this 100 seconds version of Miroh is very different to standard Miroh we heard back in 2019. The animalistic and aggressive vibes of this performance shows whoever is watching who is boss. The stage opens up with Hyunjin alone. But with some easy camera distraction, the entire group appears in front of you in a second. In the background, you hear Felix’s iconic deep tone repeating the anthem that dominates Miroh. A few spins and jumps later, the group then performs with knives over some intense electronic music. This adds a thrilling and cool element to the performance. While I am sure they are not the real deal, the knives held in their mouths and their glares really intimidates, engages, captivates and take this performance to the next level. Felix and Han then brings us back to back Miroh, which is then followed up by Changbin who raps his part of the song whilst holding a stick that sends sparks flying out. This was the performance’s highlight. The choreography for Miroh‘s chorus’s beat drop is replicated (with Chan throwing in a backflip), before the group’s vocalists brings back dramatic and animalistic (respectively) vibes. This is all done whilst the other members are craving their symbol onto the stage, which is the final image we see before the performance comes to a close. Overall, the performance makes a statement from the very first second.
The Stealer (Epic Version) – The Boyz
The Boyz have the advantage that they are familiar with what is expected of them. However, they only had one song to choose from for this opening performance. Dubbing their performance the ‘epic version’ of The Stealer, The Boyz really does live up to that name. The performance starts off with Juyeon and Hakyeon, in what seems to be the competition’s creepiest start yet. The opening line ‘Is it an addiction‘ is probably going to stay in my mind for some time. The rest of the members come running in, before the song is warped and we are lead into the second part of the performance. This section is more electrifying, opting for electronic dance elements in the background. It is also this part where Sunwoo delivers some lines and shows an upgraded version of himself as we have never heard him like this before. We also see some cool camera work whilst Sunwoo raps away, with two of the members lending their arms for some arm choreography. The Boyz then all return to the stage, with some of the members sliding effortlessly back into the performance. This is also the only part of the performance that resembles the original song (i.e. the utterance of ‘I’m The Stealer‘). Interestingly, The Boyz changes up the performance with a third part, changing to a classical arrangement, showing off graceful ballet moves before capping the performance with flying Juyeon. With an final stunt like that, it is clear that The Boyz are willing to do whatever stunt it takes to win the competition, raising the expectation for future stages.
Rhythm Ta (Kingdom Version) – iKON
To me, iKON’s presence on this show is a bit of a wild card. But it seems like everyone is expecting greatness from them, given that they selected iKON the group likely to win this preliminary round. I am not too sure what to expect, given that their performances are not really as iconic as the actual songs themselves. But that being said, I am looking forward to what they are bringing to Kingdom. They kick off their 100 seconds of Rhythm Ta with the line ‘iKON is back‘, before progressing to some bold choreography that exudes confidence to me. I really like how iKON stayed true to their roots with their elements. Sure, they brought in EDM like the other groups. But they infused it with hip-hop influences and energy, which pretty much sums up iKON’s music in a nutshell. They kick the energy to a higher notch with DK and Jihwan’s duo moment, before the rest of the members come together to continue the same momentum. All the while, the addictive repetition of Rhythm Ta plays in the background. The performance then incorporates some of Bobby’s rapping who enters the centre of the performance with a really high jump. This is then followed up with iKON’s favourite vocal sequence – anthem. I really like how comfortable and fun Bobby looks like he is having throughout the performance, which really reflects on the audience, as we see some of the reactions of the other competitors. It was a fun performance that shows of iKON’s skillset.
And the ranking is…
At the end of each round, the show will rank the groups according to a set criteria. For this round, the criteria was simply global fan voting.
On the left hand side of the table below, you will find the show’s announced ranking, which was announced over the the first two episodes. On the right hand side, you will find my personal ranking of each of the performances. As you can see, I agree with the first two rankings but have a slightly different opinion regarding the 3rd to 6th ranks.
Do you agree with me? Or do you agree with the show’s ranking? Or do you have a different order in mind? Let me know in the comments!
| Rank | Kingdom: Legendary War Official Ranking | KPOPREVIEWED’s Personal Ranking |
| 1 | Stray Kids | Stray Kids |
| 2 | The Boyz | The Boyz |
| 3 | BTOB | ATEEZ |
| 4 | SF9 | BTOB |
| 5 | ATEEZ | iKON |
| 6 | iKON | SF9 |
Next up: Kingdom: Legendary War Review – Round 1 – To The World
KPOPREVIEWED 
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