[Review] Strategy – TWICE ft. Megan Thee Stallion

Over the last two years, we have only observed TWICE making a Korean comeback once a year. So when the group released their With YOU-th mini-album (led by the single ONE SPARK) in February this year, I thought that was it for the group for 2024. However, the group surprised me with an accouncement of a comeback in December comeback back in October. The comeback, which occurred yesterday, is titled Strategy (both the title track and mini-album release), with the title track featuring Megan Thee Stallion.

After a couple of listens to Strategy, I have settled on the song being ‘alright’. It is a good song that strikes a balance through the various elements within it, but I am not blown away by it as past TWICE songs have previously been. I did like how Strategy brings out a mature sound from TWICE with its early 00s hip-hop influences and synth work. The instrumental is a big highlight of Strategy for me. The vocals are good, but I think there is opportunity for the members to be clearer. This would have lifted the song up in my books. As for Megan Thee Stallion’s part in Strategy, it isn’t jarring. Her music tends to be so for me. But in Strategy, she gives the song some edginess and oomph. Along those lines, I wished the rest of Strategy (i.e. TWICE’s parts) had some of this energy, as well. The closest we do get is MOMO’s part following Megan’s, just before those cowbells came into play (which was an instant turn-off for me). I also wished the melodies and hooks were more fleshed out. Strategy does have some foundation in this department, but what we got didn’t appeal to me as strongly as their past songs did. Perhaps some more definition could have been the answer to this.

The music video shows off the group’s alluring charms, which is all part of their plan to get the person they want as expressed in the lyrics. I really liked their styling throughout the video, which compliments the song well. But let’s be honest, the best part of this music video is Megan Thee Stallion’s presence. Featuring artists don’t always appear in their song’s respective videos for one reason or another. But to see TWICE and Megan Thee Stallion in the same video and room (I hope that was the actual case) was actually quite cool. I would have loved to see all the members with Megan (not just 6 of them), vibing along to Megan’s part. Though I suspect MISAMO’s schedules got in the way of making that possible.

Channelling the message of the song, I do like the confidence that the choreography exudes. I really like the chest pop and back kick during the song’s main hook, as well as MOMO and CHAEYOUNG’s part in the bridge (no matter how much I dislike those cowbells).

Song – 7.5/10
Music Video – 8/10
Performance – 8.5/10
Overall Rating – 7.9/10

[Review] LAST NIGHT – TREASURE

YG Entertainment promised when TREASURE returned earlier this year, KING KONG (the comeback at the time) would not be their only release this year. And as promised, the group returned with their new single LAST NIGHT yesterday.

LAST NIGHT leans into dance territory, swapping out their usual hip-hop influences for pop melodies. The track is bright, upbeat, and refreshing to my ears. It also has a feel-good energy that makes LAST NIGHT attractive. Vocally and rapping-wise, the members did a great job. I particularly like JIHOON’s fast-paced rapping, which added an interesting element to the middle portion of the song. LAST NIGHT’s hook (‘Ma ma ma my love’) was catchy. The pop melodies were good, and I found them easy to listen to (even as the instrumental blasts its way through). But there is also a side of me that feels the melodies are typical and plain. There could be more flair to make LAST NIGHT even more compelling. Apart from that minor wish, LAST NIGHT was an enjoyable song.

There isn’t too much to the video, but I like the straightforwardness this brings about. The music video shows the members coming together to watch fireworks after a day of having fun and hanging out with one another. Like the song, the video instils feel-good vibes and makes me smile while watching it. It also felt appropriately casual and light-hearted.

Based on what I can see in the music video, the choreography is simple and straightforward. LAST NIGHT doesn’t call for anything too complicated or difficult, so the routine feels fitting for the song. I liked the move that coincides with the hook, which embodies the already mentioned simple and straightforward mantra.

Song – 8/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8/10

[Review] CALL BACK – MINHO (SHINee)

A month has zipped by since MINHO made his solo comeback with the studio album CALL BACK and the title track of the same name. Today, I will finally get to reviewing the title track. This is MINHO’s first solo comeback since his formal solo debut with Chase in 2022.

Chase received a lukewarm review from me when it was released, and my review questioned whether that song was the ‘best foot forward for MINHO’. While it wasn’t mentioned in that review, I had always expected MINHO to release a dance track. CALL BACK seems to be the answer I was seeking. This pop song, which leans into chill R&B territory for me, was decently good. While it wasn’t as prolific or dynamic as I had hoped for, I appreciate the mid-tempo beat and pleasant instrumentation from the piano and guitar riffs featured in the song. His vocals are good and satisfying in CALL BACK. He doesn’t have the strongest set in SHINee, but he holds up well in CALL BACK. The ‘Will it be, Will it be, Will it be you?‘ hook was quite catchy, and I liked how his vocals carried that line. Similar things can be said with the rest of the choruses. The most disappointing aspect of CALL BACK is the lack of raps. We get some sing-rapping in the second verse, but it didn’t go as hard as we know MINHO could execute. Overall, CALL BACK is a better step in the direction I hoped MINHO would explore for his debut.

My take on the video is that MINHO is both waiting for and looking for the person he loves. In the lyrics, he is talking about his phone lighting up and he is hoping that person is contacting him. In the video, he searches for his lover amongst all the cars in the traffic jam. There is also references to him looking for his missing piece via the puzzle he is completing the video. The choreography scenes looked good. I liked how they weaved some of the choreography shots into the storyline. While it isn’t the best example of so, it is still a decent attempt of making everything feel connected.

As for the choreography, I liked it. But I don’t have much to say about it. I particularly enjoyed how MINHO and the dancers moved around the stage. It gave the choreography a cool flow.

Song – 8/10
Music Video – 7.5/10
Performance – 8/10
Overall Rating – 7.9/10

[Review] PINATA – A.C.E

It has been a while since I last reviewed a song from A.C.E. The last review was for Changer back in 2021. Since then, the group has enlisted in the military and made a comeback earlier this year with My Girl (which I have yet to review), albeit without Kang Yuchan, who was still enlisted while the group was preparing for the comeback. With Kang Yuchan part of this comeback, the group returned with their 7th mini-album, PINATA, and the title track of the same name last month.

A.C.E is no stranger to EDM (see their earlier singles, Cactus or Callin’, as examples of their venture into EDM). But while PINATA follows in that direction of music, its poor execution leaves me wondering what happened to A.C.E from back then. The EDM that PINATA has gone for lacks that memorable factor. Their previous tracks featured a piercing and dynamic form of EDM that created an unforgettable piece. PINATA retains the bombastic and powerfulness their previous takes on EDM always had. But in PINATA, there was no sharpness and a strong muddled feeling. Then, there was the shouty delivery in the chorus, which somehow felt flat and obnoxious. This was by far the most disappointing aspect of PINATA, in my view. The shouty delivery isn’t anything new, but at least it should be dynamic enough to give the chorus some life. The verses and bridge were decent, but they didn’t have much going on for me to remember the song by. The most impressive part of PINATA was the high note at the end of the song and the lead-up to that high note. But while it was a stronger part of the song, it was too late to salvage PINATA by then.

The music video was okay. The dancers give the music video a wow factor, as do the members during their sexier close-ups. But I do feel like there was a limited budget when watching this, especially since the dancers wore the exact same outfit in all of the choreography shots, regardless of whether the members changed outfits or the set/location changed. Also, I am not exactly sure what the connection is between the tactical gear the dancers donned and the member’s suits/corsets, etc. aside from looking cool. Yeah, it is cool to look cool. But for the sake of it, not really. I wished there was a little more variety regarding the dancers’ outfits.

The performance is the strongest aspect of the comeback, with the music lending well to a powerful routine that A.C.E pulls off in a controlled and intense manner. There were aspects in the music video version which I really liked, such as the lifting of the members at the end and the white powder the dancers spit out just before the second chorus. However, I understand those are complex actions to pull off on stage multiple days a week.

Song – 6/10
Music Video – 7/10
Performance – 8/10
Overall Rating – 6.7/10

[Coming Soon] 2024 KPOPREVIEWED Awards

Welcome to December, the final month of the year. In addition to being a stark reminder of how fast another year has flown by, around this time each year, I am officially announcing the reutrn of the KPOPREVIEWED Awards to celebrate the KPOP debuts, comebacks, performances, and artists that have graced our minds this year.

This year, the 2024 KPOPREVIEWED Awards, has been bubbling away in the background since October.

What does the 2024 KPOPREVIEWED Awards entail?

Like the last few years, the winners of majority of categories in the 2024 KPOPREVIEWED Awards will be decided purely by your votes! I have done the hard work of providing the nominations of who I think are the best in each category, but you will have the ultimate say from that list!

Best Song of 2024 and Best Artist of 2024 award winners will be decided based on fan nominations (you will be able to pick up to 3 songs and 3 artists each when voting opens) and my Weekly KPOP Charts. Both will be weighted equally (50% each).

More details regarding voting will be published when voting opens!

I will also be posting my personal choice in the KPOPREVIEWED’S Choice post.

When will it all occur?

Key dates for the 2024 KPOPREVIEWED Awards include:

  • Anouncement Post – 01 December 2024 (this post!)
  • Nominations Announcement – 10 December 2024
  • Voting Opens – 15 December 2024
  • KPOPREVIEWED’s Choice – 31 December 2024
  • Voting Closes – 31 January 2025
  • Winner Announcement – Late February 2025

What is the eligibilty period for the 2024 KPOPREVIEWED Awards?

  • An artist is eligible for nomination in any category (including Best Artist of 2024) if they had a comeback between 1 November 2023 to 31 October 2024 (inclusive).
  • A song is eligble for nomination in any category (including Best Song of 2024) if it was released between 1 November 2023 to 31 October 2024 (inclusive).
  • An album is eligible for nomination provided it was released between 1 October 2023 to 30 September 2024.
  • A performance is eligible for nomination provided it was performed between 1 November 2023 to 31 October 2024.

What will fans be voting on?

The categories your vote will decide include:

  • Best New Group/Soloists (Female/Male)
  • Best Subunit
  • Best Delivery (Vocal/Rap/Band Performance)
  • Rising Star
  • Most Underrated Artist
  • Best Non-Korean Artist in KPOP
  • Best Group/Soloist (Female/Male)
  • Best Group Dance Performance (Female/Male)
  • Best Solo Dance Performance (Female/Male)
  • Best Special Performance
  • Best ‘Return to Stage’
  • Best Stage Presence
  • Best Outfit
  • Best Concept
  • Best Music Video
  • Best Cover
  • Best Western Song By a KPOP Artist
  • Best Japanese Song by a KPOP Artist
  • Best Collaboration
  • Best Song per Genre (Ballad/Electronic/Pop/R&B/Rock or Band/Rap or Hip-Hop)
  • Best Remixed Version
  • Most Underrated Song
  • Best Album

You will also be able to nominate 3 artists and 3 songs to help determine Best Song and Best Artist of 2024. These votes will also help determine Most Voted Song and Most Voted Artist of 2024.

What will fans not be voting on?

Any catergory based on the blog and my Weekly KPOP Charts, as well as Best Side Track of 2024.

When will the winners be announced?

Some time in late February. I am unable to pick an exact date, as it will depend on a few factors (including how fast I can get through the count for Best Song and Artist of 2024 – these take the longest).

I will also be absent from the blog throughout January (trying to get some posts scheduled whilst I am away), hence why the voting period will end once I am back on board!

Come back on 10 December 2024 to find out the nominees of the 2024 KPOPREVIEWED Awards, and then on 15 December 2024 to cast your vote!

Make sure to follow me on Twitter (I know it is called X, but I still call it Twitter), Facebook and Bluesky (this is a new one for me!) for updates and reminders to vote. In the meanwhile, check out the blog for my song and album reviews!!!

[Weekly KPOP Chart] 4th Week of November 2024

Welcome back to another Weekly KPOP Chart post! It is going to be another quick one, as there is a special post coming later today which I would like to finish off and post, so stayed tuned for that later today. But I gotta run some errands beforehand (per my normal Sunday schedule). So let’s get to it!

Non-Korean Song of the Week

As this blog focuses primarily on KPOP songs, I want to draw attention to a particular song that isn’t in Korean in this part of the Weekly KPOP Chart post. That song will be the top-ranking non-Korean song on each Weekly KPOP Chart post. This week’s highest-ranking non-Korean song is MOEVV’s TOXIC, which ranks in the 11th position.

The Charts

TWS’s Last Festival ranks in the top spot on the 4th Week of November 2024’s Weekly KPOP Charts. Congratulations to TWS!

PositionSong TitleArtistChange
1Last FestivalTWS(NEW)
2Like A FlowerIRENE (Red Velvet)(NEW)
3Whiplashaespa(▲ 6)
4Ice On My TeethATEEZ(▲ 4)
5When I’m With YouNCT DREAM(▲ 2)
6No DoubtENHYPEN(▲ 5)
7TRIGGERTHE BOYZ(▼ 1)
8Over The MoonTXT(▲ 5)
9POWERG-DRAGON(▼ 5)
10Letter To MyselfTAEYEON (SNSD)(▼ 9)
11TOXICMEOVV(▼ 9)
12number one girlROSÉ (BLACKPINK)(▲ 60)
13Shhh!VIVIZ(▲ 3)
14UnconditionalJAEHYUN (NCT)(▲ 56)
15APT.ROSÉ (BLACKPINK) & Bruno Mars(▼ 1)
16LOVE, MONEY & FAMESEVENTEEN ft. DJ Khaled(▲ 8)
17DRIPBABYMONSTER(▼ 7)
18CALL BACKMINHO (SHINee)(▲ 53)
19Love BomberMoon Jongup
(BANG&JUNG&YOO&MOON)
(▲ 53)
20HOME SWEET HOMEG-DRAGON ft. TAEYANG &
DAESUNG
(▲ 44)
21AutomaticVANNER(▲ 51)
22MantraJENNIE (BLACKPINK)(▲ 1)
23PINATAA.C.E(▲ 40)
24GPTSTAYC(▼ 7)
25Cherish (My Love)ILLIT(=)
26I’ll Be ThereJIN (BTS)(▲ 41)
27CRASHJAY B (GOT7)(NEW)
28GOLDITZY(▼ 16)
29Supernova LoveIVE & David Guetta(▼ 26)
30DerreBIBI(▲ 42)