Casual reviews of KPOP songs, music videos & dances
Author: kpopreviewed
Hi, my name is Tony and I am the man behind the site, kpopreviewed. Currently an university student who wants to introduce people to KPOP and if you are already into KPOP, different groups and bands.
As promised, we will be re-focusing on some releases from the previous week. And I think we should start off with what I consider to be my most favourite release from the last week. WJSN made their return last Wednesday with Boogie Up, their latest title track from their very first special Summer album, For The Summer. The Chinese members of the group, Cheng Xiao, Mei Qi and Xuan Yi, remain absent for this set of promotions due to overseas schedules.
I wasn’t sure what I was expecting when it came to Boogie Up but I felt an overwhelmingly strong expectation for disappointment. I honestly do not know why that was the case, as I pretty much enjoyed all of their previous tracks. But rest assured, Boogie Up is a gem that I cannot stop replaying. It is a Summer track with a retro sound. I found the track to be quite fun-sounding, very energetic and had a fair amount of cuteness, which was all elements that made me smile and want to dance to the track. It is super catchy, especially with the ‘Boogie Boogie Up‘ hook in the chorus, which my mind begs me to continually replay for. I like how straightforward their chorus was, with only the vibrant instrumentation and hook at the forefront of the track. I liked the verses as they had a nice flow and melody. Vocally, the song is sound. Dawon really got an opportunity to feature more in the track, which made me even more happy (she has an interesting voice). Though, I felt like they could have gone with a little more kick for the rap sequence. Mainly to fit Exy’s voice more neatly into the track.
Like most Summer seasoned music videos (as I have been mentioning in the last few days), the music video shows the members having a lot of fun in the Sun and heat. With the sun shining brightly, vibrant colours and the fact that the music video is set on the beach, I think this has to be the best Summer themed music video thus far this year. Other than that, it is rather typical.
I thought it was a really good performance to watch. I really like the ‘Boogie Boogie Up‘ move they have at the start of the chorus. Thought it was very cute and fitting with WJSN’s more youthful image.
Song – 9/10 Music Video – 8/10 Performance – 8/10 Overall Rating – 8.5/10
As seen from my reappearance yesterday, I am back and ready to roll! And you may have noticed that I didn’t stick to the weekly post schedule for the past week, including the Weekly KPOP Chart post, which I have always published on Sunday. Things should return to the normal schedule over the weekend. But before I am able to ‘get back on track’, I need to post the Weekly Charts that I missed out from this past Sunday. It is, as you can tell based on the title/feature image, for the first week of June 2019.
Topping the charts once again this week is Oh My Girl’s The Fifth Season, which previously reached the topped the charts for the second week of May 2019. And as expected from last week, CLC edges closer with Me, to the top by sliding into this week’s second position. Last week’s reigning ‘Top Song’ was EXID’s Me & You, and they dropped down to the third position this week. GOT7 remains steady with Eclipse in the fourth week for the third week in a row, while Cherry Bullet’s Really Really returns to the Top 5 this week by completing the Top 5 for the week.
2nd June – 8th June 2019
Title
Artist
Status
1
The Fifth Season (SSFWL)
Oh My Girl
(▲ 2)
2
Me
CLC
(▲ 3)
3
Me & You
EXID
(▼ 2)
4
Eclipse
GOT7
(=)
5
Really Really
Cherry Bullet
(▲ 7)
6
Superhuman
NCT 127
(▲ 2)
7
Boogie Up
WJSN
(new)
8
Begin Again
Kim Jae Hwan
(▲ 2)
9
Run Away
Teen Top
(new)
10
Fun
Fromis_9
(new)
11
Beautiful Days
Lovelyz
(▼ 4)
12
No One
Lee Hi ft. B.I (iKON)
(▲ 2)
13
One Fine Day
Sandeul (B1A4)
(new)
14
Feedback
Ladies Code
(▼ 3)
15
Hollywood
AB6IX
(▲ 2)
16
Hold On Me
Nam Woohyun (Infinite)
(▲ 31)
17
Ah Yeah
Winner
(▼ 4)
18
Fancy
TWICE
(▲ 10)
19
Breathe
AB6IX
(▼ 17)
20
Twilight
ONEUS
(▼ 11)
21
Focus
Kim Dong Han
(=)
22
UNDER COVER
A.C.E
(▼ 16)
23
Runaway
Eric Nam
(▼ 5)
24
Spotlight
1THE9
(▲ 8)
25
Beautiful
TARGET
(▲ 4)
26
Picky Picky
Weki Meki
(▲ 14)
27
From Now
VERIVERY
(▲ 16)
28
Boy With Luv
BTS
(▲ 14)
29
Bet Bet
NU’EST
(▼ 14)
30
Bloom Bloom
The Boyz
(=)
Songs leaving the charts this week are:
Boy With Luv – BTS
Hocus Pocus – BVNDIT
Blossom – Eunha (Gfriend) & Ravi (VIXX)
Freesm – HASHTAG [Leaving Charts Early]
Man On The Dance Floor – Stephanie [Leaving Charts Early]
We have heard music releases from all the members of Wanna One since their disbandment, besides Ong Seong Woo and Kang Daniel. It seems like we will be seeing the latter artist sometime in the coming months, with promises of an impending debut. Things will change today as we move Ong Seong Woo to the list of music releases, who has been notably absent from the music scene since the disbandment. Technically, this isn’t a solo debut, but rather a special single release, joining hands with Pepsi, who recently kicked off their ‘The Love of Summer‘ project with Eunha and Ravi’s collaboration, Blossom.
Listening to the track, the song brought me back to memories of Wanna One debut track, Energetic. It had a similar beat and felt very nostalgic. It isn’t clear if it was meant to be intentional. But given how they managed to slide in the line ‘We Always Wanna One‘, it seems like they are doing it intentionally. However, it isn’t a direct copy of Energetic. This nostalgia was only present during the chorus of the song. The verses and its buildup, while it still follows the electronic dance pop style like Energetic, is quite different. I appreciate this difference to an extent, as I did find those sections to be quite bland in comparison to the chorus and didn’t really feel like it was contributing much. Seongwoo’s vocals were nice. I think he did a good job of making the song feel very dynamic with his vocals. The song does suffer from a linear nature as it sounded so alike from start to end. I feel like this could have easily been avoided with a rap sequence. But overall, ticks for a little throwback to memory lane.
I don’t know who in their right mind would drop food on the ground over images of a beach and ignore that array of fast food on the table. But I guess, Ong Seong Woo had to be completely bored out of his mind to do that. Hahahaha… But he solves that boredom by going to the beach to take images and join up with some friends to have a good time (a common theme in a lot of these Summertime music videos). I think it was a nice video. Of course, Pepsi was on full display, while the emphasis on the blue in the sea, sky and clothes was definitely noticeable. But they made it all balance by featuring a fair amount of yellow (through the sand and beach hut).
Song – 7.5/10 Music Video – 7/10 Overall Rating – 7.4/10
And I am back! Thank you for putting up with my disappearance. Without any more delays, let’s jump right back into the review grind! I thought I start with more recent releases and ‘work my way’ backwards. The first artist up is ATEEZ, who returned yesterday with WAVE and ILLUSION. As I will be trying to catching up on many reviews as possible, I have decided to review WAVE first and return to ILLUSION another day. We last saw ATEEZ through their Say My Name and HALA HALA promotions earlier this year in January.
WAVE features that tropical sound that is heavily overused by industry due to its perfect fit for the Summer season. And while that could be a good cue to start rolling eyes, the song does feature a number of great elements that really throws out that belief of being ‘another’ tropical house track. The first has to be the inclusion of ATEEZ’s intense style that we have seen from day dot for the group. While this isn’t as heavy or serious, I find the song having a good balance between their serious nature and the lightheartedness of the bright season. The second has to be the guitar, which I find really refreshing. It adds to the lightness of the track and really drives the song melodically, which isn’t something I found happening that much in their previous tracks. The vocals and rapping is the third element that makes me enjoy the song. The vocals add to the melody-driven side of the song, while the rapping adds extra texture to the song, which I find to be equally as enjoyable. Overall, WAVE is a nice track. Sure, it turns towards something typical but the group manages to make it one of their own.
When you think of the title WAVE, the first thing you will think of is the beach. And well, we get fairly close to a beach for this music video. While I think a small section of the video is set by a beach, the main ‘wave scenes’ we observe are along the coastline. And I think the coastline is at a place that has featured heavily in past music videos. On top of that, the video showcases the guys having fun at a local supermarket and at a skate park. Not exactly an eventful video when you watch it but definitely quite fitting for the song’s atmosphere and the season they are in.
If their past performances had intensity, then the accompanying choreography for WAVE has personality and character. All smiles throughout the performance, which is a little foreign for ATEEZ in my books. But I like how fun they make the dance, especially with those facial expressions and smiles.
Song – 8/10 Music Video – 7/10 Performance – 8.5/10 Overall Rating – 7.8/10
Making their comeback today is Teen Top with Run Away. As much as I enjoyed Teen Top back when they peaked with their more popular releases, I find that they have dropped considerably in the competitive climate of the KPOP industry. I don’t mean this in a bad way as I find their persistence to be a very motivating influence in my current life. But I cannot simply deny that Teen Top’s tracks are moving towards a ‘typical and mediocre’ description, which was the case for both of their title tracks last year. Let’s seen if they can change the description this time around.
I will get straight to the point. The song suffers the same issue. It is typical and mediocre. Best words for me to really described the song in a nutshell. There were some moments that did grab my attention but the effect did not last long. While I did like the burst of energy that the drop to the chorus gave us, I felt like the buildup towards the drop was quite underwhelming. Hence they couldn’t successfully extract the drop’s full potential. The track does have a beat suitable for the Summer season. It goes for a tropical house instrumental, which we all know is heavily relied upon during this season. I thought the vocals were nice but they don’t go that extra mile. Maybe some power vocals could have lifted the song up to a whole new level? It does sound like I am pointing out something good and then finding the bad in it. But that isn’t the case when it comes to the rapping. C.A.P sounds different. Not a bad different but a very intriguing good different. I personally thought his rapping was probably the song’s most dynamic point. It is clean and it diverts away from the rest of the track (in my opinion). Unfortunately, Run Away does have some negative and positive points but it is a fair track overall.
Music video wise, I thought it was rather colourful, which earns big ticks from me. The colourful nature of the video is also another fitting aspect of the Summer season. Other than that, I don’t have much else to say about the video. It is mainly made up of closeup shots of the members and choreography scenes. I felt like I have already poked their song enough, so to do that to another part of their comeback may rub off as if I have no soul and do not like this comeback at all.
I think the saving grace of this comeback is the performance. I think the best of the performance has to be the powerful chorus. It is fierce and definitely demonstrates that they are still capable of strong dance moves. I do notice some things based on their showcase performance. But I am hoping they are more one-off occurrences or because of the way the video is shot.
Song – 6/10 Music Video – 6/10 Performance – 7.5/10 Overall Rating – 6.3/10
Making his solo return yesterday was Sandeul with One Fine Day. It has been a while since we heard from Sandeul or B1A4 for that matter. The group went through some changes recently, with Jinyoung and Baro (the group’s most popular members) departing WM Entertainment (which leaves a very large question mark on top of the group’s name) and CNU’s military enlistment. Hence their lack of members has left B1A4 absent from the public. Sandeul’s last comeback was his solo debut, which occurred back in 2016 with Stay As You Are.
It is no surprise to me that that One Fine Day is a ballad. That is also no surprise, as well, coming from Sandeul, who is quite well known for his vocals in the industry. One Fine Day has a straightforward ballad instrumental, consisting of mainly piano which builds up to a climatic classical infused track. Based on that description, there really isn’t anything fresh or new about the track. The one thing does stand out is Sandeul’s voice for me. I find his vocals to be a little different from before and this becomes a drawing point for me. I find the melody to be soothing and I can feel some emotions creeping up on you towards the end of the track. As much as I think it is decent, the track does seem to drag on, mainly because it is 5 minutes long (which tends to be uncommon in the industry). Decent yes but I don’t think it will be a song that I would continuous replay due to its length. I feel like multiple listens will make this song extremely heavy on me and that wouldn’t be a ‘soothing’ feeling.
The music video falls in line with other relationship centred ballads. But it is one of those rare cases where the majority of the story is there and you don’t have to guess your way through it. Sandeul and the actress meet in a very empty theatre and their relationship blossomed from there. I find this to be a cute relationship and their interactions depict them as a genuine couple. I think along the way, their relationship does seem to become lost and they end up breaking up. While I think she tried to break up in a ‘clean fashion’, he does end up chasing after her, leaving her in tears. I also feel like the bus stop scene was after their breakup and they go onto one last bus trip into the sunset (she doesn’t smile when he smiles and he takes the bus back during the nighttime in tears). I think this indicates that he let her go but tried his best to be cheerful for her. Like these small details and thought it was a nice yet typical story.
Song – 7/10 Music Video – 8/10 Overall Rating – 7.4/10
Probably one of the biggest comebacks of last week was Lee Hi’s long-awaited return. And unfortunately, I missed it and delayed the review until today. Not to blame other people but I felt like if the comeback didn’t seem too sudden (Her teasers did come out of nowhere for me at least), I would have planned it into my agenda somehow. No One is Lee Hi’s first comeback since 2016 after the release of My Star. Since its release last Thursday, the song has topped charts all over South Korea, showcasing her power has remained the same despite an almost three-year break.
To me, No One starts off with a decent reggae beat. I did feel like the song did lose that particular colour that we normally associate with reggae as we progressed along with the song. While I think that sound compliments Lee Hi’s well-known vocals well, this ‘ loss of colour’ does make way for B.I’s rap feature. It gives the song a blast of intensity, which I think was much needed. Particularly after choruses that did not really seem to be captivating and were significantly underwhelming in my opinion. And it is because of this, I feel like the song hasn’t had the opportunity to stick into my head. It isn’t memorable and it doesn’t have me wanting to replay it. Based on what I have written, I think it is safe to say that I am not exactly into the song. The only thing (at this very stage) that has me interested is the fact that Lee Hi sounds like she curses in the song. ‘Officially’, I think she is singing a Korean word, but there is no doubt that about the presence of the ‘Shit’ in the song (even the English lyrics say so!). I am surprised about the lack of publicity or comments about this.
Not exactly sure what is going on in this video. But Lee Hi seems to be playing a cat with big dreams of falling in love and going on an adventure. While I do think the video is very YG, I felt the video to be extremely bland. I feel like the video is a good reflection of how expressionless Lee Hi’s face, as we have seen throughout her career. On top of that, we are treated to a lot of it throughout the video, as it did a good job of portraying some mystery. Lee Hi looks very pretty and mature in this video, which I think everyone is appreciating. I am not sure about B.I’s hair though. I did catch me off guard and looked messy (I talk from experience as I have a similar shaggy-like haircut as well at the moment).
From memory, Lee Hi doesn’t participate much in the choreography aspect of her performances. So it was nice to see her participate during the chorus. Though, it did seem obvious that she was more focused on live singing and not really perfecting the moves. As for the dance moves, I felt that they were quite bland, channelling the rest of the comeback.
Song – 6/10 Music Video – 6/10 Performance – 6.5/10 Overall Rating – 6.1/10
Welcome back to the Weekly Charts post for this week. As you can see, reviews this week from me were probably rarer than some group’s comebacks. Hahahaha… I have been just loaded with assignments from the university. And while I have wrapped some up, I still got a few to go on with. But I do have the week off, so I will try to do better this week. But then again, I should study for my exams…
Topping the charts this week is, once again, EXID’s Me & You. As this is their last song for a while, let’s hope they do not keep us waiting for long and that they can top charts with some new songs soon! Rising to the second position is AB6IX’s Breathe, the group’s formal debut track released last week. Oh My Girl’s The Fifth Season (SSFWL) and GOT7’s Eclipse remains steady this week in the third and fourth positions respectively. Finally, the final song in this week’s Top 5 is CLC’s Me, which I expect to rise further on next week’s chart!
For more of the charts, scroll down below!
26th May – 1st Jun 2019
Title
Artist
Status
1
Me & You
EXID
(=)
2
Breathe
AB6IX
(▲ 9)
3
The Fifth Season (SSFWL)
Oh My Girl
(=)
4
Eclipse
GOT7
(=)
5
Me
CLC
(new)
6
UNDER COVER
A.C.E
(▲ 11)
7
Beautiful Days
Lovelyz
(▲ 3)
8
Superhuman
NCT 127
(▲ 1)
9
Twilight
ONEUS
(new)
10
Begin Again
Kim Jae Hwan
(▼ 8)
11
Feedback
Ladies Code
(▲ 7)
12
Really Really
Cherry Bullet
(▼ 7)
13
Ah Yeah
WINNER
(▲ 8)
14
No One
Lee Hi ft. B.I (iKON)
(new)
15
Bet Bet
NU’EST
(▼ 2)
16
SSFW
Chanyeol (EXO)
(▲ 35)
17
Hollywood
AB6IX
(▼ 1)
18
Runaway
Eric Nam
(▲ 11)
19
Violeta
IZ*ONE
(▼ 5)
20
Unspoken Words
DAVICHI
(▲ 6)
21
Focus
Kim Dong Han
(▲ 20)
22
You’re My
Jung Daehyun
(▲ 10)
23
Dramatic
BVNDIT
(▼ 4)
24
Spring Again
Golden Child
(▲ 19)
25
You
Xiumin (EXO)
(▲ 25)
26
Kill This Love
BLACKPINK
(▼ 2)
27
Spring Memories
N.Flying
(▲ 24)
28
Fancy
TWICE
(▲ 3)
29
Beautiful
TARGET
(▼ 4)
30
Bloom Bloom
The Boyz
(▼ 10)
Songs leaving the charts this week include:
Violeta – IZ*ONE
Beautiful Goodbye – Chen (EXO)
Bom – BOL4
Stars Over Me – BOL4
Universe – Minhyun (NU’EST)
Kill This Love – BLACKPINK
You’re My – Jung Daehyun
Hopefully, I will be back this week with more reviews! Expect Lee Hi’s review to be published sometime today! But just in case, see you next week!
I think one of the most anticipated comebacks of this week is CLC. For those who don’t know I been enjoying what the female group for Cube Entertainment has been putting out. I also think CLC has finally found their style and are sticking with this very edgy concept, especially after the success of Black Dress last year and No from earlier this year. Me’s teasers look like it is going to be an exciting comeback. So let’s have a review of Me.
I think the most prominent and memorable section of the track is the very heavy yet deep beat drop during the chorus. It does remind me of 4Minute’s Hate. This, however, feels very in your face and explosive. I personally quite like it because listening to this track is a wake-up call in its own way. And it is definitely a development in CLC’s mature song collection. I really like the hook of the track (Beautiful, Beautiful Me), as well. I really like the vocal section of the track. The pre-chorus was also a personal favourite section of mine. Mainly because we get to hear more of Seunghee’s vocals (who has pretty much been hidden since CLC has taken this concept change). I also really enjoyed that rush of energy her section delivers. I think the song would have benefited from a heavier rap sequence. What we got was a little bland in comparison to the rest of the song (i.e. they could have used a different instrumental beat (possibly hip-hop) that really brings more intensity. I will rather be overloaded with intensity in a song like this than not overwhelmed. But that is just my personal preference. Overall, a very good track.
Unfortunately, I am writing this review with very little time on my hands. So I don’t have any time to really sit down and take in the video. And I definitely do not have time to interpret the video. Though, there is something aesthetic about the video, which I think make it a very pleasant video to watch (if you don’t factor in the edginess of the song). If you think about it, the video doesn’t feel quite edgy, especially after you strip the music away. There is a play on beauty in this video with the number of masks and Seunghee admiring that painting at the start. There also seems to be an emphasis on art in the video. This is just me putting a poorly understood theory out there though. Out of all the sets in the video, I think the one with the red paint stroke was the best. It is simple but definitely speaks volumes.
I feel like the choreography does tick the edgy box. But it falls short if they were going for something sensual (which I kind of got from the verses). The song doesn’t really offer them a chance to showcase a sensual side since it was jam-packed with energy and had loud synths. I did like the chorus moves but I feel like, overall, the routine one wasn’t up to par compared to No or Black Dress.
Song – 9/10 Music Video – 9/10 Performance – 7/10 Overall Rating – 8.6/10
Apologies for the lack of reviews once again. I have been very busy and I am making some time today to squeeze in two reviews to just not fall way behind on the new releases. Returning today is ONEUS, a new male group who made their debut earlier in the year with Valkirye. Hence, this is ONEUS’ first comeback ever since their debut and their new title track is named Twilight. In related news, ONEUS’s band counterpart, ONEWE made their debut a few weeks back with Reminisce About All.
I personally find Twilight to be a nice continuation from the group’s debut track. I just find that it lacks some energy when it comes to the verses, which result in them not being not as memorable as the other parts of the track. I did find the guitar-based instrumentation in the verses to be interesting to an extent. They do set a moody tone to the track, which I think is the element that keeps Twilight in line with Valkirye. The choruses incorporate a more upbeat and trap-like instrumental. I found this to be, obviously, the more dynamic section of the track. But it wasn’t the most memorable section of the track. That is awarded to the pre-chorus, that the song opens up with. The combination of the thumping in the background and the tiny bit of raspiness goes a long way. I also like how one of the vocalists and the rapper combine their voices together towards the end of the pre-chorus to create an ultra rough and impactful section of the song. That really stood out for me. The rest of the vocals and raps were quite good, as well.
I really like the building they shot the video in. While I am not always a fan of these classy styled buildings, the way the director shot this video really made the castle-like building stand out. It is absolutely a well-appreciated changeup, especially since they were in a box for their debut music video. I am personally not sure if there is a story embedded in the video for not. It seems like that is the case with how serious and how they interact with various components in the video. I see that they played the backflip card in the video and I thought it was a little cliche, especially how many male groups have a member (or two) capable of doing the exact same thing.
But the backflip did showcase some fierceness in the music video. And I feel like that fierceness was brought along to the choreography as well. I think the fast-paced section of the chorus is definitely a decent example of the fierceness. I also like that slow spin move that did during the bridge of the performance. That was quite cool.
Song – 8/10 Music Video – 8/10 Performance – 9/10 Overall Rating – 8.2/10
I will not be publishing any other album reviews this week as I won’t be able to find time to do so.
GOT7 made their comeback last week with another dynamic track, Eclipse. And knowing that I am a big fan of GOT7’s discography (as my previous album reviews), I am not going to delay listening to this album anymore. Spinning Top: Between Security & Insecurity is the group’s 9th mini-album to date and it features 6 songs in total (all of which I will review today!). The physical album also consists of the instrumental for the title track. Jinyoung, JB, Youngjae, BamBam and Yugyeom each had influence in the music or lyrics of certain songs on the album.
Spinning Top: Between Security & Insecurity Album Cover
1..1° – Starting off the entire album is 1°, which I am viewing as a very strong start. I find the song very captivating. The dramatic flair that the song introduces with their short violin-like effect is very appealing. The song does become a little traditional with its R&B tune, but I find the atmosphere to be quite uneasy, which I think goes hand-in-hand with insecurity message that the song had. I think what the song manages to do amazingly is showcase the vocals of the group. I was very impressed with all the members. I found Youngjae’s part in the first chorus to be very impactful. Changing from a whisper to loud vocals without any notice caught me off guard and I enjoyed that. The effect wasn’t the same for the following choruses (which was disappointing, but I now knew what I was expecting). I really enjoyed the rapping tone of the members as well. Overall, a strong start (as I mentioned earlier). (9/10)
3. The End (끝) – Following the very intense nature of ECLIPSE,The End opts for a more melodic and soft approach. I personally didn’t find the start of the song to be that captivating and it felt more typical than anything else. But within half a minute, I found the song developing into something intriguing. I would describe it to be very calming and dynamic, but these two words don’t really feel like they go together usually. Its melodic approach to the chorus is definitely an appealing aspect to the song for me. I really like that extra layer of instrumentation for the second half of the chorus, giving some more energy to the song. It was catchy and (once again) managed to showcase nice vocals and rapping. (9/10)
4. TIME OUT – I think TIME OUT could have been more appealing in the instrumentation domain. There is an intriguing factor with what they started off with, but I quickly got bored with this. There wasn’t much attempt to change it up, which I thought was a disappointing aspect. The vocals were pretty decent but that ‘TIME OUT’ shout just before each chorus felt very out of place, in my opinion. I do get the message of the song, but that shout felt more suited for a song with a more hyped up instrumental. But to speak of the song in a more positive light, I enjoyed its soft nature and liked how it continued break from the intense nature of the title track (I did need two songs to recuperate from its energy). (7/10)
5. Trust Me (믿어줄래) – Trust Me seems to edge us back into the intensity realm. And I think it did a wonderful job as it just doesn’t launch you right into dubstep or anything overwhelmingly intense. Instead, it incorporates what I think sounds like R&B into the mix. I really like the kick they give to the chorus. Not too upbeat and well balanced with the more uneventful style of verses. I think the song showcases their vocals and raps best. I am reading it as a ballad on other sites, but I thought it could have been a spin on a traditional pop track that you really enjoy. You know, the pop tracks that artists release that doesn’t require flashy choreography and sounds more typical than anything else (but is still good). (8.5/10)
6. Page – By having Trust Me before it, we can officially move to a very upbeat track without feeling like it was thrown out of nowhere. The upbeat track that GOT7 follows up with is Page, which I think it is a great club-music track. I thought it was quite fun, especially with Jackson and JB’s addictive launch into the song’s hook. I found this track to be very dynamic as a result of its upbeat combination. I did want the song to have more bass to be even more exciting and hyped up. But Page does a fantastic job of rounding out the album. And like the rest of the album, it features good vocals and rapping. (9/10)
Welcome back to this week’s Weekly KPOP Chart. Once again, it is going to be a fast one as it is another eventful day before the mad dash to the end of the semester. As you can tell, the number of reviews that I have been publishing lately have dwindled down. This is set to continue over the next few weeks as I prepare for last minute assignments and exams. I will be prioritising new releases while pushing back secondary or special music videos (such as the case for ONEWE, N.Flying etc). Also, I have decided to cancel album reviews for the rest of this week (GOT7’s album review will be published today!) so that I have time to finish my assignments.
Reaching the top of the charts this week is EXID’s Me & You, who will be going on an indefinite hiatus as previously stated in the song’s review and album review (the latter was published this week). A number of new songs made its way into the Top 5 for this week. The first is Kim Jae Hwan’s solo debut, Begin Again, which fell into the second position this week. Last week’s Oh My Girl’s The Fifth Season (SSFWL) dropped down two positions to the third position this week. In fourth and fifth position this week are other new songs from the week. Respectively they are GOT&’s Eclipse and Cherry Bullet’s Really Really.
19th May – 25th May 2019
Title
Artist
Status
1
Me & You
EXID
(▲ 3)
2
Begin Again
Kim Jae Hwan
(new)
3
The Fifth Season (SSFWL)
Oh My Girl
(▼ 2)
4
Eclipse
GOT7
(new)
5
Really Really
Cherry Bullet
(new)
6
Picky Picky
Weki Meki
(▼ 1)
7
Universe
Minhyun (NU’EST)
(▲ 13)
8
L.O.V.E
Park Ji Hoon
(▲ 22)
9
Superhuman
NCT 127
(new)
10
Beautiful Days
Lovelyz
(new)
11
Breathe
AB6IX
(new)
12
4:44
Park Bom ft. Wheein (Mamamoo)
(▲ 26)
13
Bet Bet
NU’EST
(▼ 2)
14
Violeta
IZ*ONE
(▼ 1)
15
Reminisce About All
ONEWE
(▲ 6)
16
Hollywood
AB6IX
(▲ 8)
17
UNDER COVER
A.C.E
(▼ 14)
18
Feedback
Ladies Code
(▲ 9)
19
Dramatic
BVNDIT
(▼ 7)
20
Bloom Bloom
The Boyz
(▲ 8)
21
Ah Yeah
Winner
(▼ 15)
22
Rain Drop
Soyou & Ovan
(▼ 7)
23
Hold On Me
Nam Woohyun (Infinite)
(▼ 21)
24
Kill This Love
BLACKPINK
(▲ 12)
25
Beautiful
TARGET
(▲ 1)
26
Unspoken Words
Davichi
(▼ 12)
27
Boy With Luv
BTS
(▼ 10)
28
Bomb Bomb
KARD
(▼ 21)
29
Runaway
Eric Nam
(▼ 19)
30
Sha La La
Pentagon
(▲ 2)
Songs leaving the charts this week are:
Miroh – Stray Kids
L.O.V.E – Park Ji Hoon
Awake – JBJ95
Bomb Bomb – KARD
Sha La La – Pentagon
I’m Home – Minho (SHINee)
Help Me – Block B Bastarz
From Seoul – Block B Bastarz
Thank you once again and I will see you all next week again!
Another big (and one that I am highly anticipating) comeback during the week that I, unfortunately, have yet to review. Cherry Bullet made their very first comeback with Really Really on Wednesday. Previously, the group made their debut with their very addictive and catchy Q&A, which I still replay (around) once or twice a week. Let’s see if the group can continue with what they left off with their new single, Really Really.
If I were to compare Really Really with Q&A (as that is my standard, given that they don’t have any other title tracks), the new single doesn’t really match or continue the momentum that their debut track had. But it did tick a few boxes. Really Really is another fun song in its own way. It is bright and bubbly, highly suitable for the Summer season once again. The vocal work was pretty good and the rapping was decent. The instrumental was a lacking aspect. While Q&A had a very powerful build-up (in my opinion), Really really had a lacklustre buildup. And because of that, I felt the chorus instrumentation wasn’t as dynamic as it could have been. I also felt that the chorus felt like a typical girl group release, as it didn’t have anything unique. Finally, I think the hooks could have been a little more powerful. I do feel like it is growing on me but ever so slowly. To sum up, Really Really is an okay song. It just didn’t fare well when compared to Cherry Bullet’s debut track.
What the music video continued with was the technological concept. Their debut music video had a futuristic video game concept embedded in it. Really Really opted for a video set more in the present but featured a lot of that electronic concept through the presence of augmented reality. And in a way, the video game concept continued on. Though, I guess their goal was to turn every heart into a cherry. The video also managed to incorporate some cuteness into it. While I do not enjoy this too much, I thought the song really allowed for the cuteness to filter through in a manner that didn’t feel overwhelming. After all, I did mention the song was bright and bubbly.
I did think the dance for this song was a little weak (For example, I thought the moves starting the chorus were a little slow and uneventful for the song). But watching it a number of times already, I am starting to think it is actually more fitting. Sure, I still like it to be a little more energetic and a little more powerful. But I can’t really think of the performance as any other way.
Song – 7/10 Music Video – 8/10 Performance – 7.5/10 Overall Rating – 7.4/10
The biggest news for NCT in 2019 thus far was the debut of their Chinese subunit, WayV. I do plan to go back to review their debut track at a later date, so watch this space. The next move from the mega group is the return of NCT 127 in South Korea. Today, the group returned with Superhuman, which they previously performed on Good Morning America back in April. The comeback track is featured on the group’s fourth mini-album, We Are Superhuman. This is also the group’s first comeback since Simon Says in Korea and Wakey-Wakey in Japan.
Based on the article by Soompi. the song is described as a ‘Complextro dance track with elements of EDM’. While my experience with music genres is quite limited, this is my first time hearing of this genre. So I think it would be safe to assume that this is the first of its kind in KPOP as well. Without the article. I would have described the song as a groovy EDM track with what seems to be a slight retro influence. I say this because the track felt something that SHINee would have released if they were still active as a group (Note – SHINee is currently in the army). It is right up the senior artist’s alley. Its unique style brings a mixture of different textures that allows the song to be very intriguing. I think the song does stand out vocally. I like how they push the vocals for the chorus, adding to the dynamics of the song. Also adding to this aspect are the raps. Like other NCT127 songs, the rapping does give the song some impact, despite the song already bring overloaded with a very memorable and punchy instrumental.
With its electronic style in its music, it is fair to assume that the music video would take a similar approach. Also fitting for the unit’s image is the fact that the video showcases a really edgy vibe. I think we could say it is their edgiest yet. I am not sure if everything comes together to form a story. Or if the video is just a bunch of solo shot and then choreography shots. I am leaning to the latter but there could be a slight possibility of the other. Watching the video, I felt the scenes built up with the music and this resulted in an awesome climatic ending.
To match the tempo and the electronic complexity of the track, the choreography had to be very powerful and complex. And NCT127 delivered in all aspects. I actually liked how they incorporated some sleek movements in their dance (i.e. the start and the start of each chorus). It was captivating and gripping in many ways.
Song – 9/10 Music Video – 8.5/10 Performance – 9/10 Overall Rating – 8.9/10
As mentioned previously, EXID will be going on an indefinite hiatus after wrapping up promotions for their latest mini-album, WE. This is due to Hani and Junghwa not renewing contracts with their current company. However, despite this headline, the group have continually stressed that the group is not disbanding and that they will be continuing as a five-member group in the future. As this will be the group’s final mini-album for some time, I jumped on the opportunity to review the mini-album, which features 7 tracks, including an urban mix of their previous single, Lady, and the instrumental version of their title track, ME & YOU (Note that these two tracks will not contribute to the ‘Overall Album Rating’).
2. We Are – Reading the lyrics to this song, We Are is a song for the fans. The members thank their fans in the song and remind that ‘We Have Each Other’ no matter what. It is definitely touching and at certain times, you can hear some emotions behind their voices (particularly Solji’s part of the song). The song itself features an R&B influenced instrumental and a chorus that continually repeats the title of the song in a heavily autotuned fashion. I am not too troubled by this as it gave the song an interesting texture. But I do see how it does chip away at the emotive side of the song. Personally, my favourite part of the song is the ending, with each member singing one line to the outro. It is definitely a nice way to leave us for the time being. (8/10)
3. The Vibe (아끼지마) – Impact is delivered from the very first second with The Vibe. Hani starts off the song in a spectacular manner that I cannot stop replaying. And her vocal performance throughout the rest of the song is outstanding. Usually, Solji is the member that gets the attention for vocals. But Hani is the real winner in the song. The other members (including Solji) do display great vocals. And while I really like the bluesy feels of the song, I felt the song was lacking in the instrumental domain. Sure, a complex instrumental would have been detrimental to the song and hide the vocals in this track. But I think the one they stuck in The Vibe was relatively plain and almost bland (if it wasn’t for the vocals). (8/10)
4. How You Doin’ (어떻게지내) – This is probably my pick for best song on the album. How You Doin’ has a groovy beat that I cannot help but enjoy. The upbeat atmosphere was something missing on this album (excluding the title track), so I am quite appreciative of the energy it brings. Junghwa’s ‘How You Doin’’ repetition was addictive and hooked me onto the song. The vocals and rapping were amazing in this track, drawing me in from the start as well. Some of the members brought a husky tone to the song, which I really enjoyed. I personally do not think there is any disappointing second in this song, which is an excellent thing. (9/10)
5. Midnight (나의밤) – Midnight closes out this album review, but it isn’t the final song on the album. Midnight has a pleasant tone to it. I cannot deny that. The song just doesn’t have any aspect that I think it is worth diving in for a second or third listen. In other words, I find it to be the weakest song on the album. The vocals were okay, but they don’t offer anything interesting, as per the other songs on the album. Likewise, the hooks weren’t strong or memorable enough. The ‘Bam Ba Bam’ was probably my pick for the highlight for the song but it just didn’t stick around for much due to the progression of the lyrics. (6/10)
AB6IX may have been part of that big Wanna One reunion week back in May, which saw Yoon Ji Sung, Bae Jin Young, Hwang Min Hyun (as part of NU’EST) return with music. AB6IX made released their pre-debut track, Hollywood, which left a lasting impression that particular week. And it was promised at the end of the music video for Hollywoodthat the group would make their debut on the 22nd of May. Well, that day has finally arrived (it was yesterday!) and the five-member group have officially debuted with Breathe.
As I said, Hollywood left an impression on me. Breathe definitely tries to make that same lasting impression but I am confident in saying that the song fell short of that goal. At least, it has for the number of listens I have given the track. The house track definitely has aesthetics, namely that very sleek drop that started off the chorus. It was groovy and definitely appealing. I personally thought that was a really cool aspect of the song. Likewise, I felt the rapping to be another great aspect. Woojin’s deep voice, in particular, was so fitting for the song. The vocals were also definitely another highlight for me. However, the song did feel underwhelming as a whole. I wanted the rush of energy. I wanted something to really make them stand out of the crowd. I wanted something that comes off Hollywood‘s high and really drills AB6IX’s name into my mind. This was good but it didn’t deliver on those desires I had for AB6IX.
I like the video’s edgy vibe. And I feel like the images we saw on the screen really gave off an urban vibe, which I think is equally as suitable for the track. I find the smokiness or the haziness in those scenes other than the choreography was very fitting for the song’s title. I like how it added an extra mysterious layer to the video (or was that just me). I enjoyed how they converge at the end together, which I think ties up the video nicely. I also like their dance set (the one shown in the featured image). Another set but quite cool looking.
I found the performance to be very captivating. I really liked how they linked arms with each other just before the chorus. I thought that was really cool and definitely unique. I have rewatched the performance from today a few times already and I keep on picking up something new each time. I also like the energy in this performance. Not too crazy and upbeat, as that would be mismatching with the song. Instead, it is more subtle.
Song – 8/10 Music Video – 8/10 Performance – 9/10 Overall Rating – 8.2/10
KPOPREVIEWED 