Casual reviews of KPOP songs, music videos & dances
Author: kpopreviewed
Hi, my name is Tony and I am the man behind the site, kpopreviewed. Currently an university student who wants to introduce people to KPOP and if you are already into KPOP, different groups and bands.
It has been almost a year and half since we last heard from LIGHTSUM on stage, with their last comeback being in May of last year with Alive (a comeback which I have not reviewed, as I pretty much forgot about its existence very quickly). Since then, LIGHTSUM reformed into a six-member female group (with the departure of Huiyeon and Jiah) and Sungah participated in recent Queendom Puzzle survival show (but was quickly eliminated). Today, the group ends their 1.5 year hiatus with their second mini-album and new title track, both of which are titled Honey or Spice.
I have decided to proceed with reviewing LIGHTSUM’s comeback for two reasons – so I don’t forget about the comeback entirely and I think LIGHTSUM deserves some attention from me (and in general). To me, they are practically the forgotten group of Cube Entertainment. And I hope Honey or Spice helps turns that around, especially since the song goes with a somewhat bombastic instrumentation. Some of the beats throughout Honey or Spice go for a more emphasised and bold touch, which I do find to be quite cool and it does potentially add some ‘spice’ to the song. But on the other hand, however, I do feel like it is quite overused in the chorus, and so the effect does become lost. The post-chorus “Honey Honey Honey Honey” and “Hurry, Hurry, Hurry, Hurry” sequence is probably my favourite part of the song. Its addictive and is a catchy hook. The “Follow me” start to the verses was also a likeable moment in the song. I like the atmospheric touch in the instrumentation to the beginning of the second verse. The rest of Honey or Spice does fall short however, with both the verses and choruses being practically unmemorable. The vocals and rapping don’t excite me in these parts, nor do the hooks and melodies have a similar hold on me as the post-chorus did. Overall, I welcome Honey and Spice‘s reintroduction of LIGHTSUM with a bolder sound, but the execution of the final product is just not there.
The group shows both a ‘honey’ (youthful, cutesy) and a ‘spice’ (mature) side to themselves in the music video. The video depicts a guy falling for the group, after he bumps into them and is given a taste of both sides of the group. It ends off with the guy humming to the LIGHTSUM’s new song, and I like that ending. It is a bit neutral, but it strikes a balance for the two sides of the group depicted in the video. I really liked how smooth and clever the way the song started in the video. The “Follow me” lines were definitely well utilised. Also, as a foodie myself, I really liked how they used food to depict the sweeter vs. fiercer side of the group. It is logical and makes complete sense.
The choreography for Honey or Spice was decent. I liked the chorus routine, but there really isn’t much for me to comment on in that part or the wider routine. The only thing I can say is that the choreography feels and looks like it suits the song, which you expect (or hope for, at the very least).
Song – 7/10 Music Video – 8/10 Performance – 7/10 Overall Rating – 7.3/10
Later this week, IVE will be making their comeback with Baddie. But before that, I have two of IVE’s pre-release singles (Either Way & Off The Record) that I need to review. I will doing that today. Either Way is the first pre-release single, which dropped on 25 September 2023. Off The Record is the second pre-release single, and was dropped on 6 October 2023. Baddie / Either Way / Off The Record follows on from IVE’s first studio length album, I’ve IVE, which featured the title track I AM.
Both Either Way and Off The Record takes on a subdued sound, something that IVE hasn’t really promoted with ever. I also find both releases to be the blandest IVE releases to date. They do both have their individual charms, however. For me, Either Way is the prettier of the two pre-release singles. And I put this down to IVE’s vocals and the melodies in the song, which the combination of sounds immaculate. There is something to the variety of melodies that the members do a good job of delivering in Either Way and the distinctly more nasal tone than usual. When it comes to the chorus, the song becomes more vibrant and profound, particularly thanks to Yujin’s contribution to the chorus. This boost the song up quite nicely, and helps add more variety in the song. The “I, I, I” and “My, My, My” hooks were pretty striking, as well. But apart from that, nothing else really stands out in Either Way. The slow and paced synths instrumental was interesting take on the balladry sound, but there isn’t anything memorable coming out of it. Maybe it is atmospheric when I think back on Either Way retrospectively, but that doesn’t come to me as a first impression.
Off The Record is the opposite – in the sense the song’s charm is actually the instrumentation and the vocals don’t do anything to me. The instrumentation for Off The Record is a lot punchier thanks to its underlying groovy vibes. Off The Record ends up settling for a mid-tempo upbeat nature, which I find to be quite pleasant. The bridge of Off The Record features an interpolation of The Cardigans’ Lovefool, which admittedly is the biggest highlight in both songs that I am reviewing today. Elsewhere in the song, the rapping in Off The Record was also quite well done, with the soft rap-speak motif adopted in the song quite fitting for the mid-tempo atmosphere and pleasant vibes I just mentioned. But as mentioned above, the vocals are the weak point of the song. I just didn’t find them interesting and I honestly have no memory of them once the song is over. It is quite disappointing, especially since Either Way proves they are capable of sounding beautiful.
Either Way‘s lyrics has the message that “we cannot be free from other people’s gazes”. For the most part, we see the members alone. But the scene with all the other members staring at Leeseo through the mirror was a very clever way of depicting the people’s gaze. This causes an internal struggle that leads them to isolate themselves from the rest of the world. In the end, the members come to term with this struggle and put it behind them in the decorated room. What I do find to be quite interesting is that the music video starts in that exact room with the gazes mentioned above, so I think that represents that this is a struggle the members feel on a day-by-day basis and gives meaning to the “we cannot be free” part of the song’s message.
The music video for Off The Record is a lot brighter and light-hearted. Essentially, we see the members confess their secrets during a late night slumber party to one another. And their secrets happen to be about the person they love, based on what I could make out from the video. But rather than being something quite innocent, which is what the video attempts to convince you of, the secret appears to be a bit more scandalous, with the members splitting up another relationship to be with the person they love. I am unsure if it was successful or not, but it was definitely a sinister and unexpected secret to see the members confess to.
Either Way Song – 7.5/10 Music Video – 8/10 Overall Rating – 7.7/10
Off The Record Song – 7/10 Music Video – 9/10 Overall Rating – 7.8/10
After a series of posts reviewing the side tracks from ★★★★★ (5-STAR), I am finally getting around to posting the entire album review for ★★★★★ (5-STAR) today. Slight apologies in the delay, as this was supposed to be posted on Sunday, but I become preoccupied with some personal stuff yesterday night. So I have rescheduled it for today instead. ★★★★★ (5-STAR) dropped in early June 2023 with S-Class leading a total of 12 songs. Many of the side-tracks, as mentioned above, have their own song review post as they had their own music video. But there are a few tracks that hadn’t received a music video, so my thoughts on throe songs are contained below. Overall, ★★★★★ (5-STAR) is a very positive and dynamic listening experience. One might even say – there is not a bad song on this album release!
Oh, as a side note, guess what officially announced last week – Stray Kids comeback for November 2023 with 樂-STAR (ROCK-STAR). So I most likely will be doing multiple Stray Kids review in the near future all over again.
★★★★★ (5-STAR) Album Cover
1. Hall of Fame (위인전) – Kicking off Stray Kids’ 3rd studio album is Hall of Fame. And it does so with a very bold approach. Felix’s lyrics “Shaking the industry, Quaking reality” actually sums up Hall of Fame quite succinctly, with the group making sure to do just that in its opening track. It brings together R&B and trap metal, the latter is actually a unique sound in KPOP as far as I can remember. The rapping works extremely well in the track, channeling the energy very well. The vocals were iffy in some parts, but powerful at other moments. (8/10)
3. ITEM – The fact that ITEM doesn’t have a music video is a massive mysterious for me. To me, ITEM is the most recognisable track following the title track. And it due to the aggressive nature of the chorus. It is BOLD, shocking to the core and just so damn memorable. The vocals help balances out the track, so it isn’t too much. I also like the piercing end of the vocal lines in the choruses, which helps its rise to the same level of the rapping. And the rapping had amazing flow and fire to it. The arcade-like sample in the background is also a memorable aspect of the song. (10/10)
4. Super Bowl– Super Bowl ended up having a music video, but as part of its Japanese release (but I will be passing that up to review Super Bowl in this album review post). On ★★★★★ (5-STAR), however, Super Bowl is an all-English track. From what I am reading, Super Bowl was the original God’s Menu. The whispery aspect of the song reminds me of ASMR, with cooking featured heavily as part of that trend. The rapping and all-member parts were very cool. The chorus is also quite iconic, given it features both whispery and all-member delivery that I liked in the track. (8.5/10)
8. Collision (충돌) – The final track that did not get a music video is Collision. But no music video is fine here, as the R&B track still manages to capture my attention with its jazzy vibes, saxophone feature and the vocal-centric approach. The rapping in the track is equally as good, but I think the jazzier sound helps the vocalists flourish in this song more so than the rappers. (8/10)
As mentioned the other day, if I am ‘going back in time’ to review a pre-release single that I hadn’t review yet, it is a strong indication that I am gearing up to review the album the song is on. With me reviewing Hear Me Out today (which was the second pre-release single on EXO’s EXIST studio album, following Let Me In), I can confirm an album review for EXIST is coming to the blog some time later this month. But for now, here is my thoughts on Hear Me Out.
When Hear Me Out is was first release in June 2023, I didn’t have much to say about the pre-release. It was enjoyable and pleasant, but there was nothing really to fan over, in my opinion. Three months on and I still don’t have much to say about Hear Me Out. In no way do I mean this is a bad or negative way. Hear Me Out is a rather straight forward chill R&B track. The instrumental has this subtle grooviness to it, which keeps the track mid-tempo throughout. The grooviness, which comes from the presence of the bass guitar in the background, gave the track some character. The members’ vocals sound velvety and smooth, while the rappers came off as easygoing in the song. The melodies were quite light and nicely done, and the lyrics conveys one’s honest heart to their prospective partner who is hesitating to open their heart for love (taken from Soompi). Overall, Hear Me Out is a fine pre-release and side track on the album.
The video shows the EXO members hanging out with one another. I am not entirely sure how the video relates to the song, but my best guess is that the group continues to hang out with one another until their prospective partners open their hearts to them. We see them tired, lowkey and literally just hanging about during the day, as if they are waiting for something. But as soon it is becomes night and there is no sign that something is going to happen, the members come together to play games, go bowling and even take pictures in photo booths. But if that is not the case, then Hear Me Out serves as an easygoing background track to the members having fun. Also, it is absolutely nice to see KAI one more time before he enlisted into the military and miss out on the Cream Soda comeback.
Song – 8/10 Music Video – 8/10 Overall Rating – 8/10
Another International Song Reviews post. This was supposed to be posted yesterday, but I was feeling very tired for some reason (like to the point where I could barely open my eyes at the grocery store, where there is a lot of stimuli that should have kept me awake). Decided to have a nap for an hour to write this post, but ended up over-napping to dinner. But I am feeling awake right now and ready to tackle the post, which will cover releases from JUN (from SEVENTEEN), TFN, Mark Tuan (from GOT7) and TXT and Jonas Brothers collaboration single! This post follows on from my review of Stray Kids’ Social Path (ft. LiSA), TXT’s pre-release single Back For More (with Anitta), Jung Kook’s newest release 3D (with Jack Harlow) and aespa’s Better Things.
PSYCHO – JUN (SEVENTEEN)
Language: Chinese Release Date: 4 July 2023 Release Type: PSYCHO (4th Digital Single)
JUN’s PSYCHO is an instant like for me and I found myself playing the song constantly to relive the amazing instrumentation, vocals and atmosphere within PSYCHO. The entirety of PSYCHO is very well executed by JUN and the producers, but the best part has to be the chorus. Firstly, the transition from pre-chorus to chorus is flawless. With the chorus, the rhythmic bass beats and the twinkling instrumental elements creates such an alluring and hypnotic effect that pulled me in for more. The combination also creates this haunting feeling which goes so well with the PSYCHO theme that JUN features as the concept for this comeback. The instrumental bridge serves as an extension of what we hear in the background of the chorus, with further work to it to make it edgier and more suspenseful. This leads into the outro where JUN uses his raspy tone in a shouty manner that sounds so good. PSYCHO is definitely one of the best songs of the year, in my books.
Whatever you think of JUN as part of SEVENTEEN, on-camera or behind the scenes, put that to one side. His acting in this video is so good, playing a psycho so well. The editing definitely helps, but props to JUN, who is also an actor (in case you didn’t know). In addition to his acting, JUN has his body on display throughout the video and looks amazing in all the outfits we see him in. The video ends on a very interesting note, with the car looking like it is going to run into him. Amazing editing here, as I don’t think JUN was actually going to be hit in the car. As for the choreography, I really like how that hypnotic vibe was carried through with the twirling finger in arm move. I also really like the idea of the exaggerated smile within the choreography and basically the rest of the routine. There might be enough for a dance performance nomination at the end of the year (hint hint).
After last year’s onslaught of multiple singles and releases, TFN has been very quiet in 2023. Prior to ICE CREAM‘s release, the group only released one single and one mini-album (both of in Japan) this year. Anyhow, what makes ICE CREAM super interesting is that it is a Spanish release, which to me felt like the next logical market for KPOP to expand into, simply because of the massive Latin influence KPOP had a few years back. Aside from the different language (which isn’t a first for KPOP believe it or not), I really like the pompous energy and beats in ICE CREAM. It makes for a super fun and dynamic listen. The brass elements adds to all of this, as well. The vocal and rapping work was equally as bombastic as the instrumentation, which isn’t a bad take on the song. They actually work well with the instrumentation. My only problem with ICE CREAM is that because it starts off and maintains the same energy throughout, the song does get repetitive towards the end. The instrumental break, which goes for a more dance approach to its instrumental – different yet fitting, does help cut the repetition. Altogether, ICE CREAM sounds like a song you would hear at a party. And given all within it, I wouldn’t mind celebrating to it.
As just mentioned, the music video is set at a poolside party, which is a fair call. That is where ice cream would taste best on a summery afternoon. It also looks like the pool is attached to a nice set of villas. The only time the setting changes is for the dance break/end of the song, where the daytime becomes night time and the villa becomes to the setting (not the poolside). Aside from that, the video features some fun closeups of the members. However, I wished there was more to the video. For the most part, the choreography could have been more dynamic and fun. Instead, we got pretty weak delivery from the members (I don’t know if they were tired or being cautious of something, but it looked like minimal effort was being put into the performance) and the moves that look like the choreographer had put together moments before the music video shoot. The most dynamic bit of the choreography was during the dance break, which looked cool. I wished the rest of the routine was just as dynamic and upbeat as the dance break.
Overall Rating – 7.4/10
Everyone Else Fades – Mark Tuan (GOT7)
Language: English Release Date: 1 September 2023 Release Type: Everyone Else Fades (Digital Single)
The newest release on this post is Mark Tuan’s Everyone Else Fades. As soon as I listened to this song, I knew I had to cover it on the blog in the near future! Well, I have elected that day in the near future to be today. For the most part, Everyone Else Fades fits within the R&B pop genre. But it is the presence of rock in the chorus, that I like the most in the track. It gives the preceding line to the chorus “Everyone else fades into the background” so much more impact and delivers some oomph to the track, which in turn helps the track resonates with the listener. Mark Tuan’s vocals throughout Everyone Else Fades felt very raw yet soothing, delivering a heartfelt message of being around a person they love and having the focus be on them. with everyone else fading into the background. The harmonies stay in my mind after the song finishes and the impact of the central line keeps on replaying in my head. It is definitely a relatable and meaningful song, and also an effective one, as well.
The music video features Mark Tuan and actress/model Davika Hoorne at the beach. Despite the video featuring both of them, I like how it was edited to ensure that Davika Hoorne was the focus, which helps emphasise the lyrics and its message. The lack of other people in the video also helps. Even Mark Tuan, who should have been the focus of the video given that it is his song, felt delegated to the background during those shared shots. Don’t come at me though, as the video does offset this with solo shots of Mark Tuan elsewhere in the video, and I would like to know the meaning off the floating papers, as I felt that was pretty intriguing elements during his shots. But overall, it is a music video that picks up the message and gives effect to it quite well.
Overall Rating – 9/10
Do It Like That – TXT & Jonas Brothers
Language: English Release Date: 7 July 2023 Release Type: Do It Like That (Digital Single)
Due to my massive backlog of songs to review, I hadn’t had a chance to review Do It Like That yet. This collaboration single between TXT and the Jonas Brothers (which I found to be quite unexpected pairing) is such a fun, light and fluffy listen, making it appropriate for the summery season where you don’t want something too heavy. Instead, Do It Like That is a very easygoing number that remains upbeat all throughout. I like the use of falsettos and bright tone to the instrumentation to maintain the song’s lightness. It actually took me a while to figure out that the different between the band and the group, they just sound so alike to me in Do It Like That. Not entirely sure if that is a good thing, but I wasn’t bothered by that. Overall, a neat collaboration between TXT and Jonas Brother.
The music video is fairly simple, with the Jonas Brothers playing their instrumentation whilst singing and TXT was dancing whilst singing, over white background. This to me matches the simplicity and lightness of the song. Anything more would have felt a bit too much for the song. The outfits worn by the two artists popped out over the white background, which was a nice effect to have in the video. It would have nicer to see TXT and Jonas Brothers interact with one another, but that would have only been possible had they come together to shoot the video (which was not the case). As for the choreography, the parts we did see in the music video (i.e. the chorus sequence designated for becoming a TikTok trend) is not complex by today’s standard. But it wasn’t until we saw the entire routine on their Lollapolooza stage did I fully realize how fun and lighthearted the choreography was. I quite liked it and how fitting it felt for Do It Like That.
Welcome back to the Weekly KPOP Charts, this time for the 1st Week of October 2023. Another short intro to get right into the post, as I have some posts to draft and schedule for this week. So I am going to get right to it with the Weekly KPOP Chart post for the 1st Week of October 2023.
Recap of the past week
It has been a busy week this past week. Here is a recap of what I posted:
Joining all those new releasesabove this week are the following songs:
Magic Hour – TOZ
Never Try To Look Back – Lee Jinsol
Synchronize – CNBLUE
F-R-I-E-N-D-S – FTSILAND
Paradise – Jueun (DIA)
WIND – Wony & Yeonseo – (We;Na)
FULL METAL JACKET – EPEX
You & Me – JENNIE (BLACKPINK)
Scented Things – Yesung (SUPER JUNIOR)
Sure Thing – 82MAJOR
How Was It – Kino (PENTAGON) & Fudasca lentra
I WANT THAT – (G)I-DLE
Don’t Go Insane – DPR IAN
Off The Record – IVE
Throwback Song of the Week
This week’s throwback song is a much more recent release, but as it isn’t part of the Weekly KPOP Chart system anymore, it becomes eligible to be part of this section of the Weekly KPOP Chart posts. The song in question is SHINee’s The Feeling, which coincides with the album review for SHINee’s 8th studio album, HARD (link above).
Non-Korean song of the week
Social Path, the Japanese collaboration between Stray Kids and LiSA, continues its reign as the top Non-Korean song of a third week on its run on the Weekly KPOP Charts. It ranks in the 4th position this week. There are a few more weeks ahead, so let’s see if it can get to a fourth week.
The Charts
Congratulations to EVNEE and their debut single TROUBLE for rising to the top of my Weekly KPOP Charts for the 1st week of October 2023. For more of the charts, keep on scrolling down below.
