[Weekly KPOP Chart] Week 2 of July 2025

Welcome to the next edition of the Weekly KPOP Chart posts. This is for Week 2 of July 2025, which spans from 6 to 12 July 2025.

My illness ended up lingering into this week, and so I didn’t get around to doing what I had set out to do for the blog. I am still recovering, though I am well enough to sit in front of a computer and start writing a few posts for the weekend and the week ahead. Got a few chores to run and errands to run, so let’s get right to the Weekly KPOP Charts.

Non-Korean Song of the Week

Each week, the top-ranked non-Korean Song on the Weekly KPOP Chart is spotlighted (as this is an area I haven’t been focusing on as much on my blog lately). The non-Korean song of the past week is ATEEZ’s latest single In Your Fantasy.

The Chart

fromis_9’s LIKE YOU BETTER ranks in the top spot this past week, for the third week in a row as well. Congratulations to fromis_9!

[Weekly KPOP Chart] Week 1 of July 2025

Welcome to the next edition of the Weekly KPOP Chart posts. This is for Week 1 of July 2025, which spans 29 June to 05 July 2025. Can you believe that this past week was the start of the second half of 2025?

You may have noticed that my ‘at a minimum’ plan for the blog didn’t come through this past week. That was because I was unwell throughout the week. I am all better now, so hopefully this is the week it starts and I can finally make a dent on my forever growing list of songs and albums to review.

ICYMI – Favourite songs from November 2024 to June 2025

Around 1 July of each year, I make two posts. The first lists (in no particular order) my favourite songs from the year thus far (plus a few additional songs), while the second lists the top songs from each Weekly KPOP Chart post over the past year. If you missed either of these posts, you can find them below!

What else am I listening to?

Each week, I spotlight a song not on the Weekly KPOP Charts that I’ve been listening to over the past week. I haven’t been doing this segment for the last couple of weeks because I haven’t had enough time to identify a track to feature. However, it is back now and I hope it stays for a long time.

This week’s song is a very recent song, but not one that I have included on the charts (as it is an K-Drama OST). It is HI-BOYZ’s When the Day Comes from the K-drama Resident Playbook.

Non-Korean Song of the Week

Each week, the top-ranked non-Korean Song on the Weekly KPOP Chart is spotlighted (as this is an area I haven’t been focusing on as much on my blog lately). The non-Korean song of the past week is Stray Kids’ Hollow.

The Chart

fromis_9’s LIKE YOU BETTER ranks in the top spot this past week once again! Congratulations to fromis_9!

[Weekly KPOP Chart] Week 4 of June 2025

Welcome to the next edition of the Weekly KPOP Chart posts. This is for Week 4 of June 2025, which spans 22 to 28 June 2025.

As I had hoped, I managed to post some new releases this week. But it wasn’t the amount that I wanted to publish (I am aiming for a post a day, at the very least), so I will work on that. I will also be focusing on some 2025 albums starting from this new week (the second half of the year). However, before I can do that, I need to release the Weekly KPOP Charts for Week 4 of June 2025.

What else am I listening to?

Each week, I spotlight a song not on the Weekly KPOP Charts that I’ve been listening to over the past week. I haven’t been doing this segment for the last couple of weeks because I haven’t had enough time to identify a track to feature. However, it is back now, and I hope it stays for a long time. This week, the song in question is IVE’s Kitsch.

Non-Korean Song of the Week

Each week, the top-ranked non-Korean Song on the Weekly KPOP Chart is spotlighted (as this is an area I haven’t been focusing on as much on my blog lately). The non-Korean song of the past week is SEVENTEEN’s Bad Influence.

The Chart

fromis_9’s LIKE YOU BETTER ranks in the top spot this past week! Congratulations to fromis_9!

[Review] LIKE YOU BETTER – fromis_9

During their last comeback with Supersonic, fromis_9 had an 8-member lineup. However, their contracts with Pledis Entertainment expired at the end of last year, and three members (Lee Saerom, Lee Seoyeon, and Roh Jisun) chose not to continue with fromis_9. The remaining 5 members decided to continue as a fromis_9, signing on with ASND and releasing their 6th mini-album, From Our 20’s, and the single LIKE YOU BETTER.

fromis_9 comes through at the end of the first half of the year with LIKE YOU BETTER. And even though it’s only been out for a little over a day, it’s already shaping up to be a hit for me. What I like about LIKE YOU BETTER in particular is its bolder and more in-your-face sound compared to some of their past releases. I loved the explosive chorus, the pop-driven melody, those shouty vocals that really boost the energy, and the super catchy but straightforward “I like you better” hook. I do think the second half of the chorus could’ve flowed a bit more smoothly from the first, but it still works. What I also liked in LIKE YOU BETTER is the pop instrumental. It’s super upbeat and feels refreshing, making it perfect for the summery season. The vocals are another highlight, particularly the layering of the bridge and the extra oomph they give to the final part of the song. The only downside for me was the rap part, which just didn’t quite fit with the rest of LIKE YOU BETTER for me. But that’s a small thing in what’s otherwise a fantastic track.

The music video features the group’s single suitcase being stolen, and they embark on a quest to retrieve it. But they also take advantage of the situation and make the most out of the trip. It is odd that the suitcase ends up in a claw machine, of all places, and is eventually thrown out by the members (though they do retrieve it for a change of clothes). I enjoyed the fact that they were outdoors and weren’t confined to a studio (as that was the case for some of their more recent videos), and I liked how the video embraces those summery vibes.

For the performance, I liked how the routine and the members themselves complemented the energy that the song exuded. I also liked how the audience embraced the liveliness, as this is a perfect song to sing along (or shout) to the hooks. I particularly enjoyed the moves that accompanied the second half of the chorus (i.e., the “Woahs“), as well.

Song – 9.5/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.8/10

[Album Review] Supersonic (3rd Single Album) – fromis_9

fromis_9 is gearing up for a comeback in June with a reformed lineup of 5 members (Song Ha Young, Park Ji Won, Lee Na Kyung, Lee Chae Young, and Baek Ji Heon), after it was announced that the group would not renew their contracts with Pledis Entertainment and that Lee Sae Rom, Roh Ji Sun and Lee Seo Yeon would be departing the group. It is time to review their last album release as an 8-member group ahead of the comeback. Supersonic (the single album) was released long overdue in July 2024, with the title track of the same name and 2 additional side tracks.

Despite the long hiatus between Supersonic and their previous album, Unlock My World, fromis_9 proved they were still on the ball with a chart-topping hit and 2 impressive side tracks. More on the songs can be found below.

Supersonic Album Cover

1. Supersonic (Title Track)Click here for the full review for Supersonic. (10/10)

2. Beat The Heat – The one thing that Beat The Heat could have done better is cohesion, as the rest of the track is pretty good. The single has a bit going on, but it doesn’t overwhelm. But those bridging moments are quite tight, and I wish they were a little more breathable. It maintains its upbeatness all throughout the song and sounds well-suited for the summery period in which it was released. I found the slightly descending melody in the first chorus quite abstract initially, but it grew on me over time. The group delivered everything else nicely. A great song, overall. (9/10)

3. Take A Chance – Beautiful vocals make Take A Chance a stunning listen. I enjoyed the contrast between the consistently beating instrumentation and the delicate melodies. And in addition to the beautiful vocals, I love how sweet and nostalgic everything came to be. It is a perfect song for a nice breezy day in Summer and the new chapter they are embarking on for each of their careers. (10/10)

Overall Album Rating – 9.7/10

fromis_9’s teaser image for Supersonic

[Weekly KPOP Chart] 2nd Week of August 2024

Welcome back to another Weekly KPOP Chart post! It also been back to my normal routine and work wiped me out mid-week (hence why I didn’t post for two nights). Hoping that won’t be the case for this week (though to be honest, there is a high probablity it will happen again). I have been preparing some extra posts over the last day and will continue to do so today to reduce the impact of work on my ability to write and post reviews – especially since I am very late on some aspects of the blog (Did anyone figure out where the time has gone? How are we already in August?). Anyhow, here is a simple Weekly KPOP Chart post for the 2nd Week of August 2024. Let’s go!

Non-Korean Song of the Week

As my focus on this blog is primarily on KPOP songs, I draw attention to a particular song that isn’t in Korean in this part of the Weekly KPOP Chart post. That song is the top-ranking non-Korean song on each Weekly KPOP Chart post. Last week’s non-Korean song is one of JAEHYUN’s pre-release singles, Roses. It ranks in the 4th position this week.

The Charts

fromis_9’s long awaited comeback with Supersonic lands in the top song on the Weekly KPOP Charts for the 2nd Week of August 2024. Congratulations to fromis_9!

PositionSong TitleArtistChange
1Supersonicfromis_9(NEW)
2Tell My MommaKARD(NEW)
3Chk Chk BoomStray Kids(▼ 2)
4RosesJAEHYUN (NCT)(NEW)
5JJAMStray Kids(▲ 1)
6Brought Back The HeatENHYPEN(▲ 7)
7DandelionJAEHYUN (NCT)(NEW)
8GoneBANG&JUNG&YOO&MOON(▼ 5)
9Strawberry RushCHUU(▲ 33)
10CosmicRed Velvet(▲ 12)
11JUSTICEDreamcatcher(▲ 54)
12MOUNTAINSStray Kids(▼ 9)
13SHOCKALL(H)OURS(▲ 4)
14CuriousUNIS(▲ 21)
15Don’tLEE CHAE YEON(▲ 50)
16WalkNCT 127(▼ 4)
17DiveYOON SAN-HA (ASTRO)(▼ 9)
18I Do I DoKARA(▲ 47)
19SUPERPOWERBLITZERS(▲ 46)
20Bye,ByeSons (F.Cuz)(▲ 45)
21Bloom(G)I-DLE(▲ 44)
22Klaxon(G)I-DLE(▼ 8)
23Tiger (New Flavour)n.SSign(▲ 42)
24DebutKATSEYE(▲ 20)
25TouchKATSEYE(▲ 1)
26CRUSHIVE(▲ 39)
27POM POM POMwoo!ah!(▼ 8)
28POSE!LIGHTSUM(▲ 37)
29My TypeLee Sunghoon (WINNER Hoony)(▲ 36)
30Te QuieroKISS OF LIFE(▲ 37)

[Review] Supersonic – fromis_9

It has been over a year since we last heard from fromis_9 through their #menow comeback and Unlock My World album. While a comeback for this group should have been sooner, it took one member (Chaeyoung) to complain publicly in May about their lack of comebacks for their company to announce the group’s comeback for this month. That resulted in the release of Supersonic, which is the focus of this review.

It took me two listens to fall for Supersonic. I acknowledged how good the song was on the first listen, but Supersonic hit really hard upon the second listen. It has been on repeat since. The instrumental is a relatively simple aspect of Supersonic. The pulsing Miami bass beats give Supersonic so much body, while the percussive synths are wonderfully light yet textural enough to give the track added vibrancy. One of the things that surprised me was how much I enjoyed the consistent instrumental. It was all very similar throughout Supersonic. Normally, I would have commented on how it negatively impacts the quality of the song. But the producers of Supersonic do just enough in that space to ensure it doesn’t feel that way. A good example is the backing of Jiwon’s part in the second verse. It ‘roughened’ the trajectory of Supersonic briefly, with Jiwon’s lines delivering her lines perfectly. Talking about delivery, the standout elements in Supersonic are the members, who were extremely charming throughout. Once Supersonic‘s chorus started, Supersonic felt like a fromis_9 song to me. DM flashed into my mind during my first listen, and it is always the first song that comes to mind when I think of fromis_9’s sound. The melodies of the two songs are different, but their delicateness is a common factor throughout both songs. The dragged-out words in the opening line of the chorus were done so well and emphasised a refreshing vibe in the song. Supersonic manages to also infuse a slightly edgier vibe to it, which was intriguing. Even the ‘Super Super, Supersonic, Supersonic‘ rap-speak hook was done so softly (which aligns with the idea of fromis_9’s sound being delicate) but yet so punchy simultaneously. Put all of this together, and Supersonic is a strong addition to fromis_9’s repertoire.

The video captures Supersonic‘s refreshing vibes extremely well. The slight breeze in the music video, the group’s casual attire, and the water explosions provide a sprinkle in the final set of choreography scenes. All of this just makes Supersonic an ideal video for the summer season. The members themselves look amazing throughout the video. I just kind of wished there was a bit more to the video. It just doesn’t feel complete to me. But truthfully, I am not entirely sure what the music video lacks.

Choreography-wise, I thought it was good. That delicateness that I mentioned in the song portion of this post felt reflected and worked nicely with the song’s vocals. The first move during the ‘Super Super, Supersonic Supersonic‘ part was somewhat familiar – NewJeans’ Super Shy came to mind. BUT fromis_9 took it in a completely different direction after that move, so don’t get me wrong. I also liked how the members ended the performance, standing in a singular line and walking off to the sides like models as the song finished.

Song – 10/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 9/10

[Album Review] Unlock My World (1st Studio Album) – fromis_9

fromis_9 debuted back in 2018 and it has taken them one full contract over a five year period to finally release their 1st ever studio-length album. Unlock My World was released in early June this year and features the title track #menow and 9 additional side tracks. For me, fromis_9 is a group who has released multiple underappreciated gems over their half-a-decade-long careers, with tracks like DKDK, Love Bomb (still one of absolute favourite tracks of all time) and DM under their name. I found this album to be full of these gems as well! 4 of the side tracks earned a 10/10 rating from me and the rest of the tracks also earning a high rating as well. Keep on reading to find out which 4 tracks got a 10/10 rating and my thoughts on the rest of the long time coming album.

Unlock My World Album Cover

1. Attitude – fromis_9 begins their first studio album with a 180° change with a darker and mature sound in the form of Attitude, which feels miles away from what we have heard from the group thus far. I really like how this track turned out. Alluring and very sexy sounding. I enjoyed the synth work in this track, giving Attitude so much texture to work with. This is smoothed out by the members’ vocals, which glides and moves the song forward. I also enjoyed the lower notes and tones the members adopted in the track. It is a hard to forget track on this album. (10/10)

2. #menow (Title Track)Click here for the full review for #menow. (8/10)

3. Wishlist – Jiwon and Chaeyoung come together to perform the first unit track on the album. Wishlist is a R&B all-English track. I like the messaging behind the lyrics – that you should not make yourself fit the ideals of another person (i.e., their wishlist) and that you should be yourself. The pair brings a vibrant tone to the mid-tempo R&B track, which helps makes Wishlist a bit more impactful. (8/10)

4. In the Mirror In The Mirror is a dance pop track that features Seoyeon and Nagyung. It brings back the darker tones that the album kicked off with. The synth work is very atmospheric in In The Mirror, which helps makes it a captivating listen. The vocals were very nice, particularly during the choruses where the melodies literally felt like you were drifting along. The rapping is also a stilling moment in the track. While In The Mirror doesn’t exceed the expectations of Attitude, it definitely up there as one of my favourite side tracks from the album. (10/10)

5. Don’t Care Don’t Care is one of tracks that really jump out with you instantly thanks to its groovy and funky synth work. It features Jiwon, Jisun, Seoyeon and Nagyung. With the tracks before it, I appreciate Don’t Care’s boldness and upbeatness, which is quite enjoyable. The beats do get bolder around the bridge (though the transition was a tad overwhelming). I like the members’ powerful tone and tenacity in Don’t Care, as well. All of this made for a strong listen. (9/10)

6. Prom Night – Saerom, Hayoung, Chaeyoung and Jiheon feature on the last unit track of the album. The pre-chorus was a very intriguing aspect of Prom Night and I liked the vividness of the bouncy aspect of the UK-garage synth-based background. But aside from that, Prom Night is the least interesting unit track to me. And it simply comes right back to the instrumentation, which I personally felt overpowered the members’ vocals in the chorus, sans that short push from Hayoung and Chaeyoung to rise above the instrumentation. (7/10)

7. Bring It On – Personally, I felt that Bring It On could have had a more vibrant pop instrumentation. I don’t think the R&B pop backing that Bring It On featured did the vocals justice. The hooks and melodies, and the vocals delivering them, were all catchy and a solid effort from the members. But the instrumentation wasn’t eventful as I wished for and turned an otherwise good showing into something bland and boring. (7/10)

8. What I Want – I will make the rating straight up. What I Want is another 10/10 track on this album. Everything in the track had me dancing along and there was never any weak moment. What I Want was a very interesting electro pop track that really caught my attention. The upbeat nature of the track was fun. The members’ vocals and delivery back it all in. I like the burst of energy in the chorus, which comes about by the combination of vocals and instrumentation, and that is my pick of highlight of the track. The hooks and melodies were all catchy and added to the fun listen. (10/10)

9. My Night Routine My Night Routine softens and mellows out the energy that precedes it with another R&B track. I like the jazzy vibe of the instrumental, as well as the bass. The vocals are pleasant. Altogether, My Night Routine comes off as dreamy. (7.5/10)

10. Eye Contact (눈맞춤)Unlock My World ends with a fun pop rock track that had me smiling throughout. I may have also danced along to this track as well. The energy of Eye Contact was very extremely likable and the members sound like they were having a blast. The inclusive parts where the members were singing together were my favourite and just made everything more wholesome. An easy 10/10 and great ender to this album. (10/10)

Overall Album Rating – 8.7/10

Unlock My World Teaser Image

[Weekly KPOP Chart] 4th Week of June 2023

As mentioned yesterday, today I will be posting the Weekly KPOP Charts post for the 4th Week of June 2023 (which just passed last week). And with this post out of the way, I will be back tomorrow to write reviews and some special posts that I mentioned in the Weekly KPOP Charts post for the 2nd Week of June 2023 (before I took some time off). Enjoy the charts below and check back tomorrow for a new song review!

The Charts

Congratulations to fromis_9 for rising to the top spot on KPOPREVIEWED’s Weekly KPOP Chart with their latest single #menow. For more of the charts, keep on scrolling down.

4th Week of June 202324th Jun – 1st Jul 2023
Pos.SongArtistStatus
1#menowfromis_9(▲ 4)
2Eve, Psyche & The Bluebeard’s WifeLE SSERAFIM(NEW)
3One & OnlyBOYNEXTDOOR(▲ 5)
4S-ClassStray Kids(▼ 1)
5Kick It 4 NowThe New Siz (TNX)(▼ 4)
6UNFORGIVENLE SSERAFIM ft. Nile Rogers(▲ 29)
7Wind & WishBTOB(▲ 20)
8Queencard(G)I-DLE(▲ 78)
9BOUNCY (K-HOT SPICY CHILLI)ATEEZ(▼ 3)
10Broken MelodiesNCT DREAM(▼ 6)
11BLUE MOONN.Flying(▲ 44)
12Like A Movie2Z(▲68)
13Don’t Call MeNINE to SIX (DKZ)(▲ 44)
14Shut OffFANTASY BOYS(▲44)
15LUCKY!KIM JAE HWAN ft. BOBBY (iKON)(▼ 13)
16ERASE MEONEUS(▲ 12)
17EpilogueJung Seung Hwan(▲ 69)
18The Wonderful EscapeU-KISS(NEW)
19JUMPP1Harmony(▲ 47)
20SOSKANG DANIEL(▼ 13)
21BONVOYAGEDreamcatcher(▲ 2)
22The FeelingSHINee(▲ 11)
23BITE MEENHYPEN(▼ 5)
24FREEDOMJOOHONEY (MONSTA X)(▼ 4)
25UiKON(▲ 1)
26Welcome To My Worldaespa (ft. nævis)(▲ 60)
27HARDSHINee(NEW)
28Let Me InEXO(▲ 6)
29SHALALATAEYONG (NCT)(▲ 57)
30Lime & LemonTVXQ!(▲ 21)

Songs leaving the charts

The following songs have wrapped up their nine week run in the charts system, and will no longer be on the charts from next week:

  • UNFORGIVEN – LE SSERAFIM (ft. Nile Rogers)
  • Welcome To My World – aespa (ft. nævis)
  • Ride or Die – Bang Yong Guk
  • Wind and Wish – BTOB
  • Star In The Sky – Roa & Ahri (Rocking Doll)
  • Purple Sky – WE US
  • Wonder – ASH ISLAND
  • Last Moments – ASH ISLAND
  • NUGU – Villain
  • Cherry Talk – +(KR)ystal Eyes (tripleS)
  • Heartbreak Club – Colde ft. Lee Chan Hyuk (AKMU)
  • Don’t Ever Say Love Me – Colde ft. RM (BTS)
  • U – iKON
  • HYBRID – MAX Changmin (TVXQ!), Ha Hyun Woo (Guckkasten)
  • My Love – CLASS:y

[Review] #menow – fromis_9

Making their return today is fromis_9, who we last saw through their Stay This Way comeback. Today, the group returns with their first ever studio-length album Unlock My World and the lead single #menow. This is also the group’s first comeback as an eight member group, following the departure of Jang Gyuri, who opted to focus on her acting career.

Once again, #menow continues the pleasant nature that we heard in both DM and Stay This Way. I do like the aesthetic this style brings, and how well fromis_9 is portrayed each of the three songs as they really do fit the style. The light vocals in #menow just smooths out the song and bring a carefree tone that is super appreciable and enjoyable. The instrumental has this extremely subtle grooviness that helps makes the track super upbeat without doing too much. Altogether, it is a neat song and super consistent. My issue with #menow is more so that this is their third run at the style. I am glad that the group and their company has found a niche that works for them. But I kind of want something more to the song that adds some unique to the song. Maybe a bolder element in #menow, like a strong hooker or a more memorable melody. I felt these were slightly underbaked retrospectively, given that I don’t remember too much of the song now that I have paused it to focus on writing my thoughts on the song. I am not expecting anything too crazy or over-the-top, as this would have ruined the pleasant and light nature of #menow. Balance is key, and I feel like #menow‘s producer could have struck that somehow to give #menow a bit more uniqueness. But still, #menow is still a clean-cut and enjoyable track.

The music video also has a similar carefree vibe to it. Given the song emphasis on being one’s self in the lyrics, it makes sense that there is a carefree element, as that is how you would see someone’s true self. In the video, we see two sides to the members. The first is when the members feel tired and sad. The video connects this feeling to when the group is under the limelight/on-stage, backstage or through the television (most likely to represent that they are always on-screen). The second side is where they are more cheerful and happier, occurring when the members hang out with one another and at slumber parties – environments where that are carefree and where they can act as themselves. I have a theory about the plane flying away, representing their desire to escape their current lives. But the runway we see at the end is incomplete, so the members learn that they can be themselves where they are, and not necessarily need to run away, But this final point abut the plane is currently conjecture and I am not 100% sure of my interpretation.

Choreography wise, it was a nice piece for the comeback. I like how they drag out the moves to match the delivery of the initial lines in the choruses. Apart from that, the performance is both flowy and pretty. The former fits in with the song quite nicely, while the latter matches the aforementioned aesthetic.

Song – 8/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8/10

[Special] Personal Favourite Songs from the 1st Half of 2022 + more

As already mentioned on this blog somewhere (most likely the Weekly KPOP Charts posts), we are officially in July 2022. And that means that an entire 6 months has already past. Per usual, a substantial number of KPOP releases have been released, many of which have been on repeat. Keeping to tradition in July, it is time to post a list of my personal favourite songs from the 1st half of 2022.

I am doing things slightly different this year. In addition to the usual 10 songs (in no particular order) for the first half of 2022, I will also be posting two songs from the November – December 2021 period, which were ineligible for the 2021 KPOPREVIEWED Awards due to the cut off date being in October. And I will be posting 3 non-Korean songs (i.e. English, Japanese etc.) by Korean artists that caught my attention so far this year. So without furtherado, here are the list of my personal favourite songs of the year thus far (in no particular order, of course).

From November – December 2021

Personal favourite non-Korean songs of 2022 thus far

Personal favourite KPOP songs of the year so far (January – June 2022)

[Review] Stay This Way – fromis_9

Making their comeback today is fromis_9, who returns with their new single Stay This Way and fifth mini-album, From Our Memento Box. This follows the group’s last comeback, DM, which occurred earlier this year and really stole my attention for many many weeks. The group was originally going to kick off promotions with a comeback showcase, but some members were unfortunately injured over the weekend in a car crash and the decision was made to cancel the showcase. It is currently said that the affected members do not have serious injuries, but it is currently unsure whether promotions can go ahead this week.

Stay This Way continues the pleasant nature that fromis_9 visited in DM. Majority of the song felt similar, and so Stay This Way thrives on the familiarity front – fitting for a song titled Stay This Way. Their vocals were super nice, and the melodies still had a bounce to them that made them enjoyable. I could also easily carry over DM’s description for the instrumental ‘a pop track with no frills, and is quite light, soft and pleasant (in a positive sense) as well‘, though I felt Stay This Way had a minute difference (more on that in a second). I am just glad that the producers have allowed fromis_9 to explore more of this pleasant style, since its suits them so well and DM proved to be a very successful for them. But there are differences between the song that makes Stay This Way its own song. One obvious difference is the presence of rapping, which I thought added a different dynamic to the pleasantries. But it is delivery in a way that is kept in line with the pleasant nature of the song. Is it the best rap performance? Not really. But it does the job and adds something else to Stay This Way, as already mentioned. Less apparent is the instrumental which I already mentioned to be similar. But I also felt that Stay This Way which had a slight kick to it thanks to what felt like a faster tempo to bring up the energy since it is a Summer release. The repetition of the song’s title was also a neat change and hook to the song, though unimaginative. Overall, Stay This Way carries on what I really enjoyed from their previous comeback but does what it needs to to be its own song.

Most of the video looks super fitting and logical given the current season the song is released in. I believe it also fits in with the lyrics of the song, as well. The members appear to having fun in the outdoors surroundings. When the members are smiling and look like they are enjoying the outdoors, the video felt natural. I believe the pale filter helps heighten this. However, there were moments when the members felt a bit forced, especially when they looking serious and throwing model looks at us during solo and unit shots. Not really the natural vibe there, to be honest.

Based on what I can see in the music video, the choreography for this comeback looks good. It seems like the chorus would be the most attractive point, as the chorus’ choreography parts drew my attention the most. I might return to this review and update it once a live performance happens.

Song – 8.5/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.3/10

[Album Review] Midnight Guest (4th Mini Album) – fromis_9

It is the weekend, so it is time for another album review. This album review is focused on fromis_9’s release from earlier in the year (you guessed it, another January release), Midnight Guest, which is the group’s fourth mini-album since their debut. The mini-album features the title track DM and four other new songs (including two unit tracks). Midnight Guest also serves as the group’s first album release after it was announced that the group would be exclusively managed by Pledis Entertainment (the home of SEVENTEEN, and former NU’EST members Minhyun and Baekho).

Midnight Guest is a pleasant album, and this was the reason why I picked it up for an album review. Furthermore, I really enjoyed DM as a title track and wanted to delve more into their side track. Have a read of my thoughts on the individual songs on the album, and leave a comment below on whether you agree with me.

Midnight Guest Album Cover

1. Escape RoomEscape Room starts off the mini-album in such an unexpected, but also exciting manner. Escape Room takes on a sexy R&B sound that is unexplored territory for the group. And fromis_9 definitely nailed this song. Hoping we hear more of fromis_9 in this style in the future. I enjoyed the slightly groovy nature of the chorus, and their smooth vocals definitely showcased their talents and capabilities. I would have loved to hear some rapping in this song, just to break the song’s consistency. (9/10)

2. DM (Title Track)Click here to read the full review for DM. (8.5/10)

3. Love is Around – The first unit track on the album, Love Is Round, features Lee Saerom, Song Hayoung, Jang Gyuri and Lee Chaeyoung. It takes the form of a ballad that is soothing and calming to listen to. It isn’t the most memorable track on this album, simply because it is soft ballad. However, at the same time, Love Is Around does have its merits, thanks to its soft ballad nature. The members sound really nice, while the instrumental was atmospheric and drifty, similar to what you expect with a lullaby. Altogether, it is warm and comforting to listen to. (8/10)

4. Hush Hush – The second unit track features the other half of the group (Park Jiwon, Roh Jisun, Lee Seoyeon, Lee Nagyung and Baek Jiheon). I found Hush Hush to be a pleasantly upbeat track. For this song, I use the word ‘pleasantly’ in a positive manner, as I quite enjoyed the song. While nothing in particular stood out within Hush Hush, I found there to be this happy energy and feel-good vibe to the song that helped it become appealing to me. (8/10)

5. 0g – Ending the mini-album is a city pop track. 0g takes on a slower profile, which is a nice way to ease out of this mini-album. The vocals in the song are silky and extremely pleasant (again, used in a positive manner), complementing the slower city pop instrumentation. Stronger and memorable hooks and melodies would have added an additional layer of appeal to the song. But overall, a good ending to this mini-album. (8/10)

Overall Album Rating – 8.3/10

Midnight Guest / DM Teaser Image

[Review] DM – fromis_9

The fifth (!) release from Monday to be reviewed is fromis_9 latest comeback single, DM, which is featured on the group’s fourth mini-album since debut (and their first mini-album release under Pledis Entertainment). DM follows the likes of fromis_9’s 2021 releases WE GO and Talk & Talk, with the latter earning the group’s first music show win in over three years.

DM is another song that I really enjoyed. It isn’t the most mind-blowing piece, nor is it fromis_9’s best work since their debut (Love Bomb still holds onto that title). But there is such as pure tone and crisp nature to DM that makes it so good. It is a pop track with no frills, and is quite light, soft and pleasant (in a positive sense) as well. If you want something that isn’t complicated, then DM is a song for you. What I quite enjoyed about DM is the vocals. The members really show a solid skillset in this song. I am particularly impressed with the chorus, as the vocals here really boosted the song up and brought a very nice sense of vibrancy to the song. The dolphin-like high note in the final chorus was another impressive moment and extremely shocking (in a good manner) detail to end DM with. The melody at the start of the chorus really captures your attention and helps kick off the chorus in a memorable sense. I also liked how DM pushes the group down a mature route (in comparison to their earlier works) without going dark or edgy, which helps the song and group come off as refreshing (as mentioned before). I do wish the rest of the song a more memorable tinge as well. Everything we did get complimented the chorus, but I feel something more could have been done in the verses, for example, to really take the song to the next level yet maintain the pleasantness of the song. Overall, DM is a strong yet pleasant song for fromis_9.

The music video for this release was good. The video consist of nothing more than a magnitude of closeup and choreography shots. But before you think I make the comment about the music video having just the common formula of closeup and choreography, I think it was intentional for this release. The song is not complicated, and as repeated many times already, takes on an pleasant and light tone. Hence, I feel the producers for this music video thought a simple and straightforward video would make the most sense to compliment the song. In addition to that, the group’s visuals were shown off and the sets looked nice. I liked how the colours in this video were not overly bold. Instead, they all had a pleasant tone, not too harsh or too light.

Same thing can be said about the choreography. It isn’t anything special or innovative, but the choreography we did get was pleasant as well (just like the other elements of the comeback). I did like the start of the chorus, where they move towards the camera in time with the opening melody (helps make the moment appear more memorable) and that hugging bit right at the end.

Song – 8.5/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.3/10

[Review] Talk & Talk – fromis_9

Earlier this week, fromis_9 made their surprise comeback with their new single, Talk & Talk. This is the group’s first comeback since We Go (from earlier in this year). It is also the first comeback for the group since transferring to Pledis Entertainment (the home of NU’EST and SEVENTEEN) after Off The Record (their original company) underwent an reorganisation. It is great to see that the group is more active and hopefully under Pledis Entertainment, they return more often to the stage with new releases. But until their next comeback, here is my review for Talk & Talk.

Talk & Talk is a satisfying new release that is enjoyable and pleasant. Unfortunately, it is simply just that and I think the song could have been more memorable (more on why I think this is case in a bit). Talk & Talk has a noticeable peppy tone thanks to the bright synths and tones throughout the song. This definitely brings a youthful touch to the song, which works well with fromis_9 image and style. The instrumentation for most of Talk & Talk is standard pop, but I like the 8-bit influence we get in the chorus. It was subtly present in the verses, but the concentration during the chorus really helped keep Talk & Talk refreshing and interesting. I am glad it wasn’t just a consistent sound throughout the song. The 8-bit effects gives the song a burst of likable energy to the song that brings out that enjoyable side of the song. I was also genuinely surprised by the member’s more laidback tone in the chorus, in a way that I am torn about whether I like it or not. While I do think this is the factor that only limits Talk & Talk in being a pleasant song, it was a shakeup that somehow manages to work. However, I still wish the vocals were more vibrant during the chorus, as this would have potentially taken the song to the next level for me. Likewise, I felt the same could have been done for the verses and the spoken delivery of the rapping (which was paced and felt stagnant in comparison to the rest of the song). When I am referring to the potential level of vibrancy for this song, I am thinking something along lines of the ad-libs in Talk & Talk. They just adds that extra burst of fresh energy to the song that felt perfect, and that is what I feel is ultimately missing in this song. Also, I felt that Talk & Talk could have used a better hook. The ‘Doo Doo‘ hook was good, but it just didn’t have that resounding memorable factor to it. Overall, Talk & Talk was still a decent song, however I think it could have been more vibrant and bolder with its sound.

You just can’t keep the members away from their phones in this music video, which makes appropriate sense given that the song is titled Talk & Talk. Anyhow, the music video is mildly distressing, which I assume was for humorous reasons. Flying ping pong balls that look like they could take out a person, over-boiled pots of water that sets off the fire alarm, and powerful jumping that causes one to fall from one floor to the next. But the most distressing moment was when the power went out and the members couldn’t continue their phone calls. Shocking… (Only joking). Like most summer music videos and fromis_9 videos is the amount of bright colours throughout. I also enjoyed the We Go tie in at the start. Overall, a pretty neat video to watch alongside to listening to the music.

There isn’t much to the performance for this comeback. Other than the usual, ‘it fits the music’ or the performance was ‘pleasant’, I don’t have much else to say about it. I did like the smoothness of the chorus and incorporation of the today’s version of how kids would represent the phone with their hands.

Song – 7.5/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 7.8/10

[Review] WE GO – fromis_9

It is time for another review for a release way back in May that I should have written much closer to the song’s release date. I am talking about fromis_9’s long-awaited comeback, WE GO, which dropped on 17 May. Definitely a long overdue review! This is the group’s first song in a while, with their last comeback being Feel Good (Secret Code) in September 2020. And over the last couple of years, fromis_9’s comebacks have become scarcer and less frequent. Since Love Bomb (my pick for the group’s most catchiest single yet), their comebacks have been an annual occurrence and this really disappoints me. They had a really optimal opportunity back in 2019 to continue the Love Bomb popularity, but that ultimately fizzed out after long hiatus. Hopefully, WE GO isn’t the group’s only single in 2021 and we get to hear more from the group soon!

It seems Summer returned earlier this year than what I have previously mentioned on this blog. Released in mid-May, WE GO seems to now be the first Summery song of year. But who knows, I might be reviewing another song down the track released even earlier that also fits Summery description. But let’s deal with that when we get there. WE GO takes on a simple pop sound that isn’t overcomplicated in both its structure and tone. For me, I think the best way to describe WE GO is pleasant. Pleasant is a good descriptor, but it could also be a bad one from my point of view. And I feel that this song tethers on that fine line that separates the good and the bad. WE GO isn’t a boring song. It has a nice melody and is easy on the ears. The vocals add a nice sweetness to the song. It also decent hooks that have potential to be catchy. I will also say that the song feels fun and refreshing, which is where the Summery description I mentioned at the start comes from. But on the flip side, pleasantry doesn’t necessary equate to being memorable. And this was the issue with WE GO. It just wasn’t memorable enough. Since the song’s release, I don’t think I have gone out of my way to actually search up the song. I also feel if the song was more memorable, then I would have ensured that this review was published much earlier, rather than a month and half later on. I think one way the song could have overcome this issue is with bolder instrumentation. I feel that would have peaked my interest a bit more and given the song a bit more heft in the memorability department. Overall, WE GO is a decent track, but also forgettable for the most part.

I really like the creativity behind the music video. The editing for this music video must have been insane. Essentially, we see a video being edited of fromis_9 imagining themselves on a holiday. It felt very relevant to current times, where we don’t have that freedom to travel. I really like when they changed various shots by changing the sky through the ‘editing’ we see. I also really like how relevant they made the video. Aside from just the concept, I liked how they used different frames (i.e. the editing tool, Zoom interface and Instagram) to transition the shots into each other. Pretty dynamic. The Facetime ringing caught me off guard (literally made me jump) each time I play the video, though it is a great tactic to get me refocused onto the video to watch the final chorus. I also see an emerging trend with the greenery and white platform that music videos use. It worked well here, given the boldness of the shot.

The choreography for this comeback was also nice. Not exactly the most spectacular, but definitely helped made the song feel a little more memorable (in a visual sense) when I watched the stage performances.

Song – 6.5/10
Music Video – 9/10
Performance – 7/10
Overall Rating – 7.4/10