Jimin (BTS) – KPOPREVIEWED

[Special] Winners for the 2025 KPOPREVIEWED Awards

February 18, 2026February 18, 2026Posted in KPOPREVIEWED Awards, SpecialTagged aespa, BABYMONSTER, BIGBANG, BLACKPINK, BOYNEXTDOOR, CHANGBIN & I.N (Stray Kids), CORTIS, G Dragon (BIGBANG), HAN (Stray Kids), Hearts2Hearts, HWASA (MAMAMOO), ITZY, IZNA, j-hope (BTS), Jennie (BLACKPINK), Jimin (BTS), JIN (BTS), KARD, KATSEYE, Mark (NCT), NMIXX, Red Velvet, Red Velvet - IRENE & SEULGI, ROSÉ (BLACKPINK), Stray Kids, TWICE, Wendy (Red Velvet), Xdinary Heroes, XLOV, YEJILeave a comment

Welcome to the final instalment of the 2025 KPOPREVIEWED Awards – the Announcement of Winners!

Just to recap what has been done so far: the nominees were announced, and voting opened mid-December 2025 for you to pick the winner across multiple categories; the announcement of KPOPREVIEWED’s Choice on 31st December 2025; and the voting closed mid-January 2026.

Since that last event, I have been working behind the scenes to prepare this post, including determining the Best Overall Song and Artist of 2025 (50% based on your fan votes and 50% on my Weekly KPOP Charts). And now, I am ready to present the winners of the 2025 KPOPREVIEWED Awards.

In addition to the images I have prepared for the announcement of winners, I have included the winners and honourable mentions (those who came second in each category) in the captions for each category, in case the images don’t load properly.

Also, in addition to announcing the Best Overall Song and Artist of 2025 today, I will also be posting the Top 30 songs and artists of 2025 on Saturday in a separate post. So keep your eyes out for that! But for now, the winners of 2025!

There are a fair number of categories to cover, so I have split them over three pages under this post. You can find links to the pages at the top or bottom of each page or navigate to them using the numbers at the bottom of the page.

Page 1 – Artist Categories (this page)
Page 2 – Performance, Stages, Visuals & Blog Related Categories
Page 3 – Song & Album Categories (including Best Overall Song of 2025)

Artist categories

Best New Artists of 2025

**Best New Male Group of 2025 Winner: CORTIS**
Best New Male Group of 2025 Honourable Mention: AHOF

**Best New Female Group of 2025 Winner**: **HEARTS2HEARTS**
Best New Female Group of 2025 Honourable Mention: KIIRAS

**Best New Male Soloist of 2025 Winner: MARK**
Best New Male Soloist of 2025 Honourable Mention: BEOMGYU

**Best New Female Soloist of 2025** **Winner: YEJI**
Best New Female Soloist of 2025 Honourable Mention: IRENE

Best Subunit & Best Non-Korean Artist in KPOP of 2025

**Best Subunit of 2025 Winner: Red Velvet – IRENE & SEULGI**
Best Subunit of 2025 Honourable Mention: CxM (S.COUPS & MINGYU)

**Best Non-Korean Group in KPOP of 2025** **Winner: KATSEYE**
Best Non-Korean Group in KPOP of 2025 Honourable Mention: &TEAM

Most Underrated Artist & Rising Star of 2025

**Most Underrated Artist of 2025 Winner: XLOV**
Most Underrated Artist of 2025 Honourable Mention: CRAVITY

**Rising Star of 2025 Winner: NMIXX**
Rising Star of 2025 Honourable Mention: izna

Best Delivery (Band, Rap & Vocal Performance) of 2025

**Best Band Performance of 2025 Winner**: **Xdinary Heroes for *Beautiful Life*.**
Best Band Performance of 2025 Honourable Mention: DAY6 for *Maybe Tomorrow*

**Best Rap Performance of 2025 Winner: JENNIE for** **like JENNIE**
Best Rap Performance of 2025 Honourable Mention: CHANGBIN (Stray Kids) for *BURNIN’ TIRES*

Best Vocal Performance of 2025 Winner: ROSÉ for *toxic till the end*
Best Vocal Performance of 2025 Honourable Mention: WOODZ for *I’ll Never Love Again*

Best Soloists & Groups of 2025

**Best CO-ED group of 2025** **Winner: KARD**
Best CO-ED group of 2025 Honourable Mention: ALLDAY PROJECT

**Best Female Soloist of 2025 Winner: JENNIE**
Best Female Soloist of 2025 Honourable Mention: TAEYEON

**Best Male Soloist of 2025 Winner**: **G-DRAGON**
Best Male Soloist of 2025 Honourable Mention: J-HOPE

**Best Female Group of 2025 Winner: TWICE**
Best Female Group of 2025 Honourable Mention: aespa

**Best Male Group of 2025 Winner: Stray Kids**
Best Male Group of 2025 Honourable Mention: ZEROBASEONE

Best Overall Artist

This award is determined by 50% of KPOPREVIEWED’s Weekly KPOP Charts and 50% of your fan votes.

Top 30 Artists of 2025 – coming soon

**Best Overall Artist of 2025 Winner: Red Velvet – IRENE & SEULGI**

Pages: 1 2 3

[Album Review] MUSE (2nd Studio Album) – JIMIN (BTS)

April 19, 2025Posted in Album Reviews, KPOPTagged BTS, Jimin (BTS)Leave a comment

JIMIN’s second studio album, MUSE, is the next album to be reviewed on the blog. It was released in July last year and features the title track WHO as well as the pre-releases Smeraldo Garden Marching Band and Closer Than This. This album was released after JIMIN enlisted in the military in December 2023, and as a result, no promotions for MUSE occurred. However, that didn’t stop it from rising to the top of Billboard’s Global 200 (a first for JIMIN) and remaining there for 2 consecutive weeks.

Overall, I would categorise this as a fair KPOP album. There are some decent and strong side tracks on the album, but the title track weighed the studio album down for me. My thoughts on WHO can be found in its own review (link below), while my thoughts on the other tracks, including the pre-releases, are included in this post below.

1. Rebirth (Intro) – It now strikes me as odd to see a track that goes for 2.5 minutes long and be branded as an intro track, since the length of actual tracks has dwindled down over time. Anyhow, the album begins with Rebirth, a very atmospheric instrumental piece that is heightened by JIMIN’s angelic vocals and harmonies with those in the background. I enjoyed the warmth and comfort that is exuded from Rebirth, both of which make for a beautiful start to the album. (9/10)

2. Interlude: Showtime – From the intro, we jump right into the interlude track. Showtime feels like a cheerful circus or local fair tune, and directly leads us into the next track.

3. Smeraldo Garden Marching Band (ft. LOCO) – One of the tracks I have unfortunately not reviewed in full is JIMIN’s Smeraldo Garden Marching Band, which was released as a pre-release track ahead of the release of MUSE and WHO (the title track). I wasn’t a fan of it when it was first released, but Smeraldo Garden Marching Band has grown on me over time. It is probably one of the most cheerful tracks I have heard from JIMIN in a very long time, but I appreciate the brightness and marching band tune that the song is based on. JIMIN’s vocals are quite calming, and the chorus melodies have become quite fun and catchy. However, I feel like LOCO’s presence was the weak link in the song. I have never enjoyed his featuring in this song and thought it was lacklustre at best. (8/10)

4. Slow Dance (ft. Sofia Carson) – Slow Dance is a really nice R&B song to just, well, dance slowly to. There is a beat to it, but Slow Dance still oozes a smooth and velvety vibe simultaneously. The guitar work and bass contributed to this, but I liked how pronounced these elements were in the background. JIMIN does a good job of balancing out Sofia Carson’s higher-pitched vocals. I did wish her solo bits had a bit more bite to them, though I really liked the falsettos she slipped into during her part. Both JIMIN and Sofia closed out the song in a very satisfying manner through Slow Dance’s final chorus and outro. (9/10)

5. Be Mine – We return to the Latin influences that dominated KPOP heavily a few years back with Be Mine. I find this single to be a pleasant number, thanks to both the beautiful guitar work in the instrumentation, the slightly hefty beat and JIMIN’s vocals. His vocals shone in Be Mine, particularly through the harmonies featured towards the end. The chorus is also quite catchy, which helps make the track more memorable. (8.5/10)

6. Who (Title Track) – Click here for the full review for Who. (7.5/10)

7. Closer Than This – So, I completely missed the fact that Closer Than This had a music video. It shows JIMIN writing the lyrics of this song, seeing some sites and some memories he has created as part of BTS and his solo career. As for the song, Closer Than This is a pleasant pop song, telling his fans not to worry and that he (and the other BTS members) will be back soon. Instrumentally, it is very standard. However, I really enjoyed JIMIN’s sweet vocals in Closer Than This, which made the message more effective. I also liked it when Closer Than This switched it up slightly to include the young kids’ vocals at the end. That got to me. (8/10)

Overall Album Rating – 8.3/10

[Review] Who – Jimin (BTS)

July 21, 2024Posted in KPOP, ReviewsTagged BTS, Jimin (BTS)4 Comments

Also returning yesterday was Jimin (from BTS). He is currently enlisted in the military, just like the rest of his group (except for JIN who recently finished his enlistment). But he joins fellow members Jung Kook, RM, j-hope and V who have released music whilst enlisted – a rare occurrence when dealing with military enlistments. Jimin’s new single, Who (an all-English track) is featured on his second studio album Muse. It follows on from the pre-release single Smeraldo Garden Marching Band (which I have yet to review), which was released at the end of last month.

Who could have been a great song. It was literally let down by one element. I will reveal what that was in a moment (though if you know me, you probably guess what it is). But let’s start off with the positive aspects of the song, which was literally everything else in Who. I really liked the instrumentation behind the track. The guitar brought great rhythm to the song, and the bouncy beat kept Who dynamic. The keyboard in the bridge was also a nice touch, providing a logical delicate moment as Jimin sings about his desire for a lover whom he has yet to meet. This instrumental combination (with the song’s melodies) reminded me of songs from the early 00s, such as those by Justin Timberlake. The synths gave Who a fair bit of texture. I particularly really like that descending flute-like synth that occurs during the chorus. The melodies had a nice flow to them and I liked the way Jimin’s vocals purposely pierce through the threshold. This allows him to keep his vocals upfront in both the song and our minds. Unfortunately, this is also where Who stumbles. Having Jimin’s upfront is not the issue here, but rather the excessive vocal processing that Jimin’s vocals go through. And since it was upfront, this places autotune at the very front of my mind. Instead, it brings very little substance to the song, felt particularly scratchy (especially when Jimin’s vocals go into those high notes) and undid some of the greatness that the instrumentation, the melodies and Jimin himself had put into the song. Had there been less autotune and more raw vocals, I think Who would have really hit it home and become a much bigger hit in my books.

I like the casual and urban vibes for the music video. The newspaper that we fly across the screen at the start of the video hints at the video’s concept of a Tornado of Love, which isn’t realized until towards the end of the video. Jimin is dressed very coolly as he dances and walks on the street, presumably looking for his love as expressed in the lyrics. I like how each female dancer is introduced into the video, matching with the lyrics “So many people to see“. I liked how the home video aesthetic comes through throughout the video video, also matching the era in which the song draws its main influence from. Finally, the Tornado of Love that appears at the end gives the video some explosive flair to end off the video and highlights his powerful desire to meet his lover. Altogether, I thought this was a great music video.

Unfortunately, with Jimin in the military, it is very unlikely we will be able to see a live performance for this release in the near future. I am quite disappointed by that, as what we do see in the music video definitely looks worthwhile to watch on stage. I commend his strong demonstration of his performance skills throughout his routine, with his moves looking very clean and smooth. We all know that he is a very capable dancer, but I liked how it was all showcased in this routine. I particularly like the chemistry he has with the dancers, which made the routine look very complete and satisfying to watch.

Song – 7.5/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 7.8/10

[Album Review] FACE (1st Mini Album) – JIMIN (BTS)

August 13, 2023August 15, 2023Posted in Album Reviews, KPOPTagged BTS, Jimin (BTS)1 Comment

Today’s album review focuses on JIMIN’s solo debut mini-album, FACE, which was released back in March of this year. As we all know, BTS is currently focusing on solo endeavours as they are near (or currently are) carrying out their military enlistments. And since that announcement, each member has been releasing solo music. JIMIN is the 3rd member to do so, with a mini-album that features the title track Like Crazy, the English version of the title track, a pre-release track titled Set Me Free Pt. 2, an interlude and two side tracks.

While the mini-album appears to be light on, FACE is pretty loaded with high quality tracks. The two side tracks I just mentioned both earn a 10/10 rating, while the interlude earns high praises from me. And if you remember my posts on the pre-release and title track, then you know my thoughts about those songs. But apologies if you don’t, as it has been a while since I put those reviews out. To see my thoughts on each song, including links to those two reviews, keep on reading below.

1. Face-off – Beginning the mini-album is Face-off, which is an edgier and grungier side of Jimin that feels very unexpected and different for Jimin himself. This doesn’t mean the song is bad. Rather, I think Face-off is a very strong song and gives off such a dark aura that just feels very compelling. The plucking synths and the trap-based instrumental was subtly intense, and Jimin’s vocals and delivery was very intriguing throughout Face-off. His delivery is also very emotionally charged, to the point where you can feel his anger and distrust. (10/10)

2. Interlude: Dive – Dive begins by rapidly reversing, before a simple knock on the doors signals the true beginning of this 2-minute instrumental track. I really like how sensory the track is. We hear an audience cheer as Jimin speaks on stage, then footsteps, then a car engine start and drive off, and finally the pouring and swallowing of water at the end. I presume this is all post-concert, with Jimin retiring back home for the day. All of these audible sounds occur over an atmospheric set of instrumentation, creating a unique interlude track.

3. Like Crazy (Title Track) – Click here to read the full review for Like Crazy. (8.5/10)

4. Alone – Alone goes for a softer pop approach. I found the track to be so captivating to listen to and a clear standout on this mini-album. From the very first moment, we hear delicate vocals. As the song progresses, more is added to the track. Jimin’s vocals become more defined with the addition of backing vocals and the instrumentation becomes more layered. That descending distortion at the end of Jimin’s vocals was another intriguing element on this mini-album, but it was a punchy and alluring aspect of the song. (10/10)

5. Set Me Free Pt. 2 (Pre-Release Track) – Click here to read the full review for Set Me Free Pt. 2. (7.5/10)

6. Like Crazy (English Version) – Refer to link above to the review of Like Crazy for my thoughts on the song. But the English version is still linked below.

Overall Album Rating – 9/10

[Review] Like Crazy – Jimin (BTS)

March 25, 2023March 25, 2023Posted in KPOP, ReviewsTagged BTS, Jimin (BTS)1 Comment

A week ago, Jimin released the pre-release single Set Me Free Pt. 2, ahead of the release of his solo debut mini-album. Yesterday, Jimin unveiled his highly anticipated mini-album, FACE, which is lead the by the single Like Crazy. He is the fourth member of his group BTS to release an official solo release since the announcement that the group would be taking a break to focus on solo endeavors and military enlistment. Recently, he collaborated with TAEYANG for VIBE, kicking the year off in style.

To me, Like Crazy is a lot more palatable then Set Me Free Pt. 2. Compared to the pre-release single, Like Crazy is a lot more contained and much more charming. No autotune is present to leave a sour aftertaste nor do I feel an overpowering instrumentation. Instead, Like Crazy opts for a synthpop instrumental, which is traditionally soft and light. I like this style as it is captivating and it has a drive to it, even though the instrumental stays pretty neutral throughout. One of the aspects of the instrumental that I really enjoyed was the instrumental break of Like Crazy, which really upped the retro dial and gave a logical but needed change to keep the song alluring. Jimin brings both a sexiness charm and delicate touch to the song via his vocals, which I brings that charming element to the song. He also turns the emotions up, particularly in the final moments of the song before the outro, which I quite enjoyed. The only thing I can see as lacking from Like Crazy was a good hook/melody. Without these, Like Crazy fails to come off as a memorable song. It is still a pleasant listen, nonetheless. But I think a substantial hook or melody would have only improved Like Crazy, taking it to the next level.

The music video had an alluring aesthetic which complements the song extremely well. The song is about being heartbroken, and using fun adventures to move on from the feelings of break up (taken from PinkVilla) and this is shown in a literal sense in the video. For majority of the video, we see Jimin heartbroken and coming to terms with his breakup. I really liked the muddy spew that comes out of the walls and the floor in these scenes, probably representing the coldness from the current state of his relationship, while the spewing motion represents the sudden onset of these developments. We then transition to the club scenes, where Jimin begins alone but slowly starts having fun with the people around him. I really liked the blue hue that the club scenes having, which is a colour that represents calmness and stability, which is what Jimin is looking for after the developments of his relationships.

[Updated] The choreography is quite artistic and shares a similar alluring aesthetic that the music video had. I liked how the routine takes that sensual vibe that I mentioned earlier in the review. Tad disappointed that retro instrumental break was featured in the choreography. Also, no move really stands out, so the I don’t see this becoming a memorable performance. But it is one still worth watching, especially since it Jimin has some really good chemistry with the dancers.

Song – 8.5/10
Music Video – 9/10
Performance – 8/10 [Updated]
Overall Rating – 8.6/10 [Updated]

[Review] Set Me Free Pt. 2 – Jimin (BTS)

March 17, 2023Posted in KPOPTagged BTS, Jimin (BTS)8 Comments

The next BTS member to branch out further into solo work is Jimin, who is due to return to the stage with his solo debut album next week. In the meanwhile, Jimin has pre-released the single Set Me Free Pt. 2 today alongside a music video as a teaser for his solo debut next week. Earlier this month, Jimin also released his previous solo singles Promise (from 2018) and Christmas Love (from 2020) through official streaming platforms to mark his impending return.

All of the members’ solo releases since it was announced the BTS would focus on solo ventures and enlist into the military have been quite promising, and this definitely helps raise the expectations for the subsequent solo releases from the members have yet to embark on that solo career. Jimin’s was no exception. However, upon listening to Set Me Free Pt. 2 today, I am on the fence as to whether Jimin lives up to that standard. There was great promise with the classical orchestrated and brass loaded introduction that created an intense, suspenseful and powerful atmosphere, setting up Set Me Free Pt. 2 very well. Then the autotuned vocals kick in. And this turns the song sour for me. I don’t understand the need to autotune his vocals in this manner. I can guess they are trying to keep the intensity and suspenseful tone whilst also making the song more dynamic, but it just doesn’t sound good. The same comments can be made during the return of the autotuned vocals in the second verse. When we are relieved from the autotune and we hear Jimin’s signature vocal tone in a more pure form, everything sounds so immensely better. I am sure they could have done with a less obnoxious autotune style, whilst also adding to the dynamic and intense sides of the song. The rest of Set Me Free Pt. 2 was pretty much solid. Jimin, on top of showing off his signature vocal tone that I mentioned earlier, really maintained the captivation with powerful vocals and falsettos. I particularly like the subtle spoken form of the song’s title in the background. It was barely audible, but it helps give Set Me Free Pt. 2 depth which in turns adds to the song’s epicness. I did feel like the instrumental did get overpowering in the chorus, which doesn’t exactly sit well with me. But I rather that than the autotune. Maybe it they toned it down a notch to not be as overwhelming, Set Me Free Pt. 2 would have earned a higher rating from me.

The music video was, without a doubt, epic. The wide angle bird’s eye view shot that captured the grandness of the start, the simplicity of the circular room, the cinematography was all so good. I did wish there was a few more steady solo shots of Jimin in the video. We did get a fair bit, but the camera was constantly moving, the dancers were constantly moving which gave the impression of a lot was going on and the large nature of the set made just a tad difficult to focus on the subject of the video (i.e. Jimin himself). I did like the sensual side that Jimin showed off in the video, and that part where the lights turned off and back on again to reveal Jimin all tatted up and his shirtless body on display underneath the jacket was a showstopper moment in the video. The ending, when the dancers moved away after dropping tatted Jimin, revealing a version of Jimin in a white sweater hints towards a possible connection with next week’s video. The only way to confirm this is to wait for next week’s music video.

Both Jimin and the dancers needs to be applauded when it comes to the choreography. There is an aesthetic that comes from the dancers that really helped give the video such a strong and epic vibe. The dancers did an amazing job, especially at the start when they clustered together and then panned out. Jimin showed off an artistic flair with his movement, encapsulating both epic and sensual vibes with his movements. Usually, they don’t go to together. But trust Jimin to successfully combine them. I really liked the use of circular formations throughout the routine, and that ending where Jimin is lifted up and dropped was one of the coolest finales in a long time.

Song – 7.5/10
Music Video – 9/10
Performance – 10/10
Overall Rating – 8.5/10

[Review] VIBE – TAEYANG (BIGBANG) ft. Jimin (BTS)

January 13, 2023Posted in KPOP, ReviewsTagged BIGBANG, BTS, Jimin (BTS), Taeyang (BIGBANG)4 Comments

It has been a while since we have heard from TAEYANG, with his last album release, White Night, being from 2017. Leading the album were the title tracks Darling and Wake Me Up. Since then, Taeyang had enlisted, got married to actress Min Hyo Rin and both of them had a child together (congratulations!). As for his singing career, things have been rather silent up until the end of last year when it was announced that Taeyang had decided to not renew his contract with YG Entertainment and went on to sign with The Black Label (a YG Entertainment subsidiary label). Now signed with a new label, TAEYANG announced his return to the stage through the release of VIBE, a collaborative single with Jimin (from BTS).

Now, the announcement of this single was quite a surprise. But it was a surprise that I was interested in seeing, given VIBE joins the forces of two of the biggest acts from the second and third generations of KPOP. VIBE definitely continues the idea of surprises, bringing forth an upbeat groovy ‘vibe’ that taps into retro and new jack swing influences. They help liven up the song and adds a fresh flair to the current KPOP industry. I also enjoyed the subtle presence of electric guitar towards the end of the song. It just gives even more refreshing at the end and helps bring everything in VIBE to a fitting and satisfying close. As for the vocal work, both TAEYANG and Jimin sounds really good throughout VIBE. I liked that TAEYANG doesn’t waste a second, starting off the song with a smooth R&B melody and sultry vocals. Once the instrumental kicks into gear, his vocals drives VIBE upwards and forwards, and he also brings a really vivid tone to the song that just kicks everything into gear. Jimin’s vocals in the second verse brings out a more innocent and young tone to the song, which contrasts really nicely with TAEYANG’s vocals. His higher pitch gave the song a bit of depth and adds to the dynamics of the song. The chorus, to me, was quite memorable thanks to the melodies and the energy both TEYANG and Jimin puts in. If I had to make some sort of complaint about VIBE, it is that I found the to be too short. I think more could have given and I would have enjoyed it just as much. Hopefully, we see more of TAEYANG in the near future!

When the video opens up and we sing TAEYANG shirtless, I was brought back to his Eyes, Nose, Lips days (back in 2014). That was a nice throwback. We then get both TAEYANG and Jimin, during their respective parts, fill the massive sets with their stage presence. Both TAEYANG and Jimin show off their sleek choreography skills (more on that later) and impressed me with how they carried themselves throughout the video. Watching them do their thing in this video was truly a vibe. I liked how there was the lowering of the stairs structure for TAEAYNG’s solo part and the lifting of a cityscape for Jimin’s solo part. These probably have some sort of meaning to TAEYANG or the song. It just isn’t apparent/obvious. But it was a simple addition to the song that felt aesthetic. When the pair finally came together in the second chorus to the very end of the video, they knocked it out of the park. Overall, I find this music video to be an example of simplicity done effectively.

As mentioned above, this music video shows off both TAEYANG and Jimin’s skills in the performance department. In TAEYANG’s case, he proves he still has what it takes to put together a riveting and skilled performance. I am unsure whether their solo parts were freestyle or actual choreography. Hopefully we find out through promotions (though I haven’t heard anything about that just yet). As for the chorus routine, that is all choreographed and I really liked the chemistry the two brought together when they performed together. The sharpness with their movements was very cool and memorable.

Song – 9/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 9/10