Tag: Xdinary Heroes

Xdinary Heroes returned last month with their 7th mini-album, LXVE to DEATH, and the title track ICU. This new release follows their July digital single, Fire (My Sweet Misery), which has yet to be reviewed, and their March mini-album release, Beautiful Mind, featuring the title track Beautiful Life.

For my constant desire for hard-hitting, intensely powerful and bold rock music, Xdinary Heroes is one band that I can rely on to deliver on this craving. And they have done it again with ICU. Right from the start, the band launches us into some awesome shredding electric guitars and pounding drumming, hallmarks of a great rock sound. What makes ICU even more so is simply the fact that the members never let up this energy, and it continues through to the end. Then come the members, who charmingly take us throughout ICU through some really prolific vocals and rapping. I also really like how they are confident enough to hit the high notes and scream and shout when needed throughout the song, giving ICU an even more engaging profile. And the melodies give ICU a memorable tinge, which helps make the song even more appealing. The ICU‘s bridge is probably the most memorable part of the song, kicking off with a heightened rock instrumental break and then moving into chanting that further hypes the song.

The music video sees O.DE being taken to the hospital in an unconscious state for whatever reason. My best guess is that the members (with him in on the plan, given they all appear behind the medical staff) purposely put him in that state, so they could all make their way to the big cat figure in the sky they love (or worship/believe in – but I am saying love because it looks like O.DE is also lovesick and has a locket of the members and the big cat around his neck). They almost make it to their destination, but O.DE’s locket chain breaks, and the cat becomes upset at that. Instead of welcoming the members, it shoots lightning from its paws, waking O.DE from his unconscious state and leaving him disappointed. I like how another version of the members play the medical staff, causing chaos throughout the video. The fun video ends with a shot of the van upside down underwater, with music still playing.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

Aside from their previous single, Night Before The End, I know I have yet to review any of their singles from their Open ♭eta series, which are featured on their 5th mini-album Live and Fall from October last year. I will get to them eventually ahead of a future album review post for Live and Fall. But more recently (end of March), Xdinary Heroes returned with their 6th mini-album, Beautiful Mind. Today’s review focuses on the lead single Beautiful Life.

Beautiful Life is a bold track from Xdinary Heroes. Right from the start (and throughout various moments of the song), Xdinary Heroes draws inspiration from the legendary rock band Queen. This in itself is an ambitious direction. And yet, they nailed it! Xdinary Heroes’ take on rock opera is infused with contemporary and modern rock influences, giving the nostalgic aspect of Beautiful Life a fresh spin. I quite liked the combination, and it feels very cohesive. I really like it when the song picks up and intensifies, it takes the song up a notch. And that is what I call an amazing rock song. Even the Queen-inspired moments of Beautiful Life were really stunning, and the vocals during those parts were really nice. Talking about the vocals, Xdinary Heroes were consistently strong throughout the song and I liked the raspy touch they add to the song. More prolific melodies and hooks in Beautiful Life would have benefited the song. While I appreciate Beautiful Life musically, I don’t recall much beyond the surface of the song. It is only when I really focus on the song, such as when writing this review, do I notice these elements. They do sound good, but they are not the exact stand outs Beautiful Life calls for.

The music video depicts a dystopian reality where Xdinary Heroes are hunted down for playing music. They go on the run, but are tracked down by the masked man and completely bashed up by them. Xdinary Heroes put up a fight, but they don’t win. Towards the end of the video, the masked men are revealed to be Xdinary Heroes themselves, and the ones playing music or being bashed are virtual forms of themselves. I am not entirely sure what this suggests exactly, but it appears they are protecting their right to play music by being part of the forces that are against it. After all, there is that say “if you can’t beat them, join them”. I really liked Xdinary Heroes’ acting and the make-up department for making the injuries appear very real. Definitely a cool video, and the music just makes it more dramatic and impactful at certain points.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

Xdinary Heroes returned with their fifth mini-album, LIVE and FALL, just under a month ago. The lead single is Night Before The End. This comeback follows their Troubleshooting studio album (which I have yet to review—but it is coming!), which is led by the single Little Things.

Night Before The End is an emotional rock ballad. While it is good, it isn’t great, and there are a few reasons for this. While the group hits the nail with the rock ballad genre, I miss the energy and unique flair that Xdinary Heroes have provided with their other comeback singles. I acknowledge that it would be challenging to merge the two while keeping true to both styles. But I think Xdinary Heroes would have found a way to pull it off. As such, Night Before The End does feel a little typical for my liking. Xdinary Heroes did a great job of showcasing the emotions and heartbreak behind the lyrics. Listening to the song in passing, it is hard not to notice the heart-wrenching delivery and passionate emotions the members poured into it. However, hearing something more memorable from Night Before The End would have been nice. It doesn’t necessarily detract from my praise of their vocals, but I think Night Before The End would have spoken louder had it brought on a memorable melody or line. Overall, Night Before The End is good, but it needed something more and/or individualised to make it great.

This is my go at interpreting the video, which I think brings both the heartbreak behind the song and the mini-album’s concept to life. The music video depicts the members as butterflies, representing the mini-album’s ‘live’ concept. However, the video also shows the butterflies burning up as they fly up while the members fall to the ground (the ‘fall’ concept of the mini-album). As shown in the video, the fall also represents falling out of the idea of love, which is mentioned in the lyrics of Night Before The End. This depicts the current state of their relationships, hence the heartbreak and sullen expressions of the members throughout the video. I like the band moments, mainly for the fire, representing the passion and emotion they put out there in my mind. Seeing additional light in the dark music video was also lovely.

Song – 7.5/10
Music Video – 8/10
Overall Rating – 7.7/10

Xdinary Heroes officially returned on Tuesday with their first studio length album Troubleshooting. Leading the charge on this new album is the title track Little Things (어리고 부끄럽고 바보 같은). This release is their first since October 2023’s Livelock (their 4th mini-album) and the single Break The Brake, which earned them a win for Best Band Performance in the 2023 KPOPREVIEWED Awards.

Little Things is Xdinary Heroes’ most straight forward rock title track since their debut. And I feel my comments on the song are relatively similar. Xdinary Heroes have promoted some wacky tracks and also some intense ones previously. But nothing feels as ‘simple’ or ‘safe’ as Little Things. There isn’t anything wrong going down this path (but it does come with its own flaws), especially when it invokes an early 2000s pop-punk nostalgia. If you have not yet caught on, this is the era of music that I grew up on. The nostalgia and execution of band’s vocal and instrumental delivery appeals to me. The punchiness of the instrumental is well-liked. I also liked the emotional tinge Little Things features. Xdinary Heroes really made sure that was heard from the get-go with the autotuned intro. I think the downside of going down the ‘simple’ and ‘safe’ road, and I do feel it as part of this release, is that Little Things feels inherently plain. The lack of innovation and excitement does hold it back slightly. But nostalgia and Xdinary Heroes’ ongoing consistent high-quality execution/delivery trumps in Little Things.

Little Things expresses the message to one’s younger self that no matter how lost you become, you will always find a way out of that lost feeling. In the music video, we see the members perform in a side-walk drain, representing their lost mindset. I am presuming the feeling of lost is liken to how we think certain items becomes ‘lost’ once you drop it down a sidewalk drain (as those items become hard to reach and it is difficult to recover them). In other close-up of the members, we see them alone and surrounded by darkness. Mid-way into the video, we see the drain closes in on the members and water/paper falls down, which might represent that pressure of ‘being lost’ on the members. However, in the end of the video, the members do escape the drain, which ultimately emphasises the message of the song.

Song – 8/10
Music Video – 8/10
Overall Rating – 8/10

Xdinary Heroes made their comeback way back in October 2023 with Break The Brake and the mini-album Livelock. Since then, the band was awarded the Best Band Performance in the 2023 KPOPREVIEWED Awards. I am preparing to review the mini-album (one of the last album reviews for 2023 for now, so I can make a start on 2024 albums). But in order to do this, I will need to review second track from the mini-album that got the music video treatment – PLUTO.

I am trying to rack my brains and remember if I actually have listened to Livelock at all since its release. And I am not sure if I have. I put that down to being overworked and stressed throughout 2023. And if I did listen to the album, I am utterly disappointed in myself for not remembering a song like PLUTO. PLUTO is by far on of Xdinary Heroes’ best tracks thus far. Xdinary Heroes tackles an almost pure pop-punk track head on, giving us a very refreshing and impactful side-track on the mini-album. The pop-punk direction that PLUTO heads in is definitely head-banging worthy. The vocal work is superb, for the most part. Jungsu and Jooyeon sound so blissful in PLUTO, especially when we get to the chorus where they push themselves vocally and the rock instrumentation surges us forward. This momentum feels fitting, as the song’s lyrics expresses the feeling that there is nothing in between another, even if they might be as far apart as the distance between Earth and PLUTO. Now, there is a caveat in the vocal department. I am not a fan of Gaon and Ode’s rapping. The change-up here didn’t feel needed, felt awkwardly executed, and didn’t add any value to the song. Their vocals (even Ode’s autotuned singing) was fine. It is just the rapping that gets to me. Other than that, PLUTO would have been a perfect song.

I wished the music video was a more than just the band performing PLUTO in a room. It feels incredibly plain, despite the camera work and lighting helping make the video feel a little more dynamic to complement the song. Despite that, I think the video highlights that head-banging potential that PLUTO has. Also, Gaon in those shorts and boots was a little distracting for me. His legs are fine, it was more so the combination of the two. 😀

Song – 9/10
Music Video – 6.5/10
Overall Rating – 8/10

Xdinary Heroes is nominated for a range of awards this year in the 2023 KPOPREVIEWED Awards, such as for Best Band Performance (for Break the Brake), Best Ballad (for Good Enough), Best Rock Song (for Break the Brake) and Rising Star of 2023. If you want to support Xdinary Heroes and your other favourite artists, songs and performance, click here to vote today.

I kick the week off with a review for another song that I should have reviewed when it was first released. Xdinary Heroes dropped their fourth mini-album Livelock and the lead single Break The Brake over a month ago. This latest release follows on from Xdinary Heroes’ April 2023 comeback with the mini-album Deadlock and the lead single Freakin’ Bad.

There is a reason to why I nominated Break the Brake for Best Rock Song of 2023 in the 2023 KPOPREVIEWED Awards. I just love how relentless the song gets when the rock really peaks in the chorus, which pretty much satisfies the rock craving in me. Break the Brake without doubt has a lot of head-banging potential behind it. The guitar work and drumming just feels so electrifying and energetic. The guitar shredding we get towards the end of Break the Brake was definitely very intense and cool, but I agree with the majority that the guitar solo was too brief. The synth work we get when the rock elements are stripped away adds an additional layer of cool energy and flair that makes Break the Brake unique. The groans in the background of the chorus also introduces a screamo-like vibe to the song, adding to the energy and intensity of the song. I do remember thinking the hooks were a little under baked when I first heard the song. But over a month on from its release, I find the hooks of Break the Brake (i.e., the “I’m gonna break the brake” and the “I want some more/gimme some more yeah” lines) to be super catchy. The rough vocals adds to the rock aesthetics and gives the song further texture. Break the Brake is an even more awesome song and highlights Xdinary Heroes trajectory as artists (which is also the reason why they are nominated for Rising Star of 2023).

The music video for Break the Brake sees another Groundhog Day situation, with the members again being prisoners (just this time they are being transported by train) and waking up again and again when the train goes straight into a massive dust cloud. Using the prisoner revolt as cover, the members show their determination in trying to survive the dust cloud and rescuing their instruments by ensuring the train doesn’t slow down as it approach the dust cloud (which kills them) and that they travel full speed out of the dust cloud to survive (and go to where the grass is very much greener). It is a pretty cool concept, but I must admit the CGI police car that speeds to catch up with the train was pretty bad. I also like how the video feels action-packed, which correlates well with the song.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

Joining their labelmates in having more than one music video for one album release is Xdinary Heroes. Part of their Deadlock mini-album from April this year is Good Enough and Dear. H, the mini-album’s fifth and seventh track respectively. Today, I will be reviewing both balladry tracks in this one post. Featured alongside these two side tracks is the title track Freakin’ Bad.

Good Enough is a captivating and emotional ballad, featuring both band instrumentation and piano/strings in the background. The former is throughout the entire track (which is expected for a band), but the latter is heard from the second verse onwards. Jungsu and Juyeon’s vocal work in this song is so enchanting to listen to. From the softer tones in the verses to the soaring vocals in the bridge, you can feel the emotional pull of Good Enough so profoundly. It is also very nice to hear some of the other members participate vocally in Good Enough as well. The swayable effect/melody you know I look for in ballads is very much present in Good Enough, and this is the result of the vocals and instrumentation working well with one another to create that captivation. I really like the powerful combination of the high notes and rock ballad instrumental sequence in the final seconds moments of Good Enough, creating such a memorable moment and felt very much like the icing on the cake for the song. It, and the final twinkling of piano, just closes out Good Enough in such a satisfying and deep manner.

Dear H. honestly caught me off guard when I first heard it. Once again, the song starts off like a an ordinary ballad, extremely peaceful and soothing. But the chorus really goes in hard with the rock instrumentation and Jooyeon’s soaring vocals was breath-taking. Interestingly, following the first chorus, Dear. H switches back to the simple ballad beginning and the vocals showed no sign of that powerful rock instrumentation that just preceded it. It does fragment the song, but it isn’t the end of the world. The good news is that this allows us to revisit the same incline and powerful punch that the first chorus served in the second chorus. This time is was taken on by Jungsu and it sounds blissful once again. Dear. H finishes off with soft balladry vocals once again, closing out the song in a full circle manner. Just like the composition of Dear H., its lyrics are also quite impactful, beckoning one to talk to about their internal secrets and feelings. Overall, a unique side track from Xdinary Heroes.

Both side tracks’ music videos are connected, which is largely why I put both Good Enough and Dear H. into one review. There is a nice theory in the comments by @aaaaareuok (see screenshot below) to explain the two videos and how there are two possible stories depending on which video you think goes first. So, based on that theory, I will adapt and explain what I think happened. To me, given Dear H. features the group in school uniform and the video is a little hazy, the events in Dear H.‘s video is like a memory. We see all the members as friends hanging out with one another in school, along with JunHan (who was absent from the Good Enough video due to illness and doesn’t make an appearance until the very end of Dear H., though he is featured off-screen as the person filming the members together/alone since he had the video camera in the end). They are happy, but obviously each had something weighing on their minds throughout the video. In Good Enough, the members are largely by themselves, signaling the possibility the members have drifted apart (though I think JunHan kept in touch with everyone, as we see the prespective of a video camera filming each member individually). Also, Good Enough‘s video isn’t hazy, which to me represents more of a modern day. Whatever is weighing on their mind eats at them in Good Enough. But JunHan most likely reunited everyone back to the beach (as per the ending of Dear. H‘s video, where we see six names etched into the sand and he recording isn’t hazy like the rest of the video) so that everyone can have that same good time they had back when they were in school. But that is just what I think happened in the two video and follows the below theory from @aaaaareuok. There could be alternative theories out there, and I would love to hear them.

Good Enough
Song – 10/10
Music Video – 9/10
Overall Rating – 9.6/10

Dear. H
Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

Xdinary Heroes made their comeback way back in April this year, but I am only getting around to reviewing the lead single from this comeback now. Again, apologies for the lateness of this review. Freakin’ Bad leads the charge as the title track, coming from the band’s 3rd mini-album, Deadlock. Following the release of Freakin’ Bad, Xdinary Heroes also released additional music videos for some side tracks off the same mini-album, and I have intentions to review those songs/music videos in separate reviews in the future. But as for now, here are my thoughts on Freakin’ Bad.

Freakin’ Bad didn’t make much of an impression on me when it was first released in April. It actually took a while for me to get into the song through multiple listens. But now, I find Freakin’ Bad to be an exciting rock track that feels very Xdinary Heroes. I like that Xdinary Heroes has managed to find a distinct sound with their unique vocals and energetic instrumentations, both of which comes together to give a quirkier sound to your usual band/rock songs. Freakin’ Bad definitely feels like something that only Xdinary Heroes can pull off. The band instruments bring a continuous 80s vibe to the song that feels very straight-to-the-point and forward. But what makes Freakin’ Bad even better within the instrumental realm are the solo/instrumental break sequences, like Ju Han’s guitar solo midway and the synthesizer and drumming at the end. Vocally, I do think the higher pitch the members are executing feels ambitious. For the most part, they pulled it off well and I am impressed with Jooyeon’s scream and the chanty sequence at the end of the song. (As a short tangent, that “If you seek it, why owe you” line doesn’t make much sense, but was a clever way to adding some ‘freakin’ bad’ language into the song). But some other parts felt a bit too screechy for my liking and felt unpalatable. Had Freakin’ Bad somehow refined those screechy moments but maintain the energy and dynamism of Freakin’ Bad, then this comeback could have been even more defining for the group.

The intense energy of Freakin’ Bad is transferred well into the music video with its more rough camera work and edgier concept. And I quite enjoyed this music video. In the video, we see the band getting caught in the mall for some unknown reason, before they are questioned and taken away to jail. On the way to jail, the band utilise their instruments and speakers to blow up the police truck to escape and run away. And while they do celebrate their successful jailbreak, the ending shows the members setting off the alarms once again, proving that they are up to no good once again. Plot-wise, I could have used a bit more detail, just to round it out a bit. But apart from that, I enjoyed how the members’ solo shots were effectively and efficiently weaved into the story without it feeling stop-start and that the video flowed super well, as a result.

Song – 8/10
Music Video – 9/10
Overall Rating – 8.4/10

Xdinary Heroes is nominated for Best New Male Group and Best Band Performance in the 2022 KPOPREVIEWED Awards. Support Xdinary Heroes, and your other favourite artists, songs, and performance by clicking here to vote today!

I guess if you are seeing a review for a side-track, you can confidently say that an album review is coming you way. In order to complete the album review for Xdinary Heroes’ 1st ever mini-album, Hello World, which was released back in July of this year (and features the title track Test Me), I need to review Strawberry Cake, a single from the mini-album that was selected for follow-up promotions. In terms of the album review, it isn’t scheduled until very early 2023. So keep your eyes open for that. But for now, here is another Xdinary Heroes’ review, this time for Strawberry Cake.

When you think of a song titled Strawberry Cake, you might think of something sweet or even potentially cute sounding. While that would be quite a stretch for Xdinary Heroes, who has ventured through the different styles of rocks since their debut, I was expecting something more along the lines of pop rock for this track (best of both worlds). Instead, Strawberry Cake delves into a punkish style of rock and spins the idea of a Strawberry Cake into a partner that acts sweet, but ends up being fake and a liar. I liked the paced lurching momentum the verses had, and the ramp-up to the chorus was clean. The chorus was a bit unexpected. With the shouty ‘Strawberry Cake‘ that kicked off the chorus, I expected the song to follow through with a robust and blastful punk rock piece. But instead, there is no drop and that expectation does not eventuate. Rather, we get an instrumental piece that serves like an anti-drop that we tend to find with EDM songs. It was an interesting flip and one that I find to help make Strawberry Cake come off as unique. Towards the end of the chorus, we do get into that blastful trajectory, but it doesn’t get too far, keeping in in-line with what Strawberry Cake has given us thus far. This ‘anti-drop’ like approach does allow the focus to be put on the members and their vocals. I really like the oomph and passion they put behind their vocals in this song, which speaks volumes and express the discontent and upset message behind the lyrics of the song. Overall, an unexpected twist to Strawberry Cake, but one that displays Xdinary Heroes’ creativity and individuality.

I understand that Strawberry Cake is just additional promotion for the group and doesn’t necessarily require a full fledged music video like the title track. But the difference between Test Me and Strawberry Cake‘s video is pretty night and day. Test Me had a video that was filmed with CGI technology, while Strawberry Cake was virtually empty. It is more of a performance piece than anything else. Strawberry Cake was shot in a train carriage, packing the group (and their instruments) into a very tight narrow space for all of the video. It doesn’t highlight the punkish sound that I mentioned nor does it add value to the side track. The video could have gone with a simple plot line featuring a relationship breakdown to aid the lyrics, or some sort of visual effect to really amplify the song’s sound/style. Just something to give the video Strawberry Cake a bit more body than just the group playing their instruments (though I appreciate the passion they are putting into the performance aspect of the video).

Song – 8/10
Music Video – 6/10
Overall Rating – 7.2/10

Xdinary Heroes is nominated for Best New Male Group and Best Band Performance in the 2022 KPOPREVIEWED Awards. Support Xdinary Heroes, and your other favourite artists, songs, and performance by clicking here to vote today!

After making a comeback in July of this year with Test Me, Xdinary Heroes made a slightly speedy comeback (relative to the period between their debut and their first comeback) with their latest single Hair Cut and the mini-album Overload. Just over a year ago, Xdinary Heroes made their debut with Happy Death Day, which earned them a few accolades at the recent MAMA Awards and nominations in the 2022 KPOPREVIEWED Award (where fan voting is still open).

Xdinary Heroes’ Hair Cut is quite a unique track, and I liked it for the most part. I appreciate the ambition this group has, exploring different areas of rock that haven’t really been approached by KPOP bands in the past. For Hair Cut, the band delves into a punkish form of rock. What they did in the first verse and pre-chorus was quite likeable. There was potential behind these segments and their delivery of these segments (i.e. vocals), and I enjoyed how Hair Cut ramps up to the choruses. But the trouble comes next. We are met with a low groaning ‘Get a hair cut’ repetition that was quite unsettling for me. We also get some scissor or knife sound effects, which didn’t add any value to the song. This all comes before a hard-hitting second half of the chorus, which is my preferred centrepiece for the song. But unfortunately, as a whole, the chorus pretty much disappointed me. The lack of cohesion, hooks that I was comfortable with or even memorable melodies upset the overall appeal of Hair Cut for me, and stuck out like a sore thumb. The chorus is then followed up with a rap verse, which was another miss element for me. The whole rap segment stripped out everything from instrumental to momentum, leaving Hair Cut bare and empty for a moment, and the whispery delivery itself (sorry Gaon) felt soulless. O.de’s contribution was fairly more promising, but that might because he was helping ramping Hair Cut back to mor enjoyable territory from quite a low point. The pre-chorus and chorus repeats, and my thoughts on both (positive and negative) have already been noted. The bridge portion of Hair Cut was a nice return to form and sounded solid. Then we go back to the not-so-good chorus. I was hoping they switch things up at this point, to give a satisfying end. But that didn’t eventuate. We did manage to get an instrumental outro, which I thought was decent. But with the mix feelings prior to this instrumental outro, it didn’t have a huge impact and swung me into liking or disliking the song. Overall, Hair Cut‘s chorus leaves quite an impact and not in a good way.

I am not one to usually negatively comment on members’ visuals. And I understand it is their concept for this comeback and all, but Xdinary Heroes really need to take advice from their own books and get a hair cut. This era is probably one they will regret in the future for the wacky and awful hair-do the members were forced into. I can already imagine the interviews consistently pulling up pictures from their Hair Cut days and the members expressing embarrassment over them. Aside from that, I do like their edgy profile, which works well with the punkish rock sound I mentioned earlier. I also like the use of the ‘scary fun-house’ location within the theme park, which seems to be JYP Entertainment’s go to location this year. As for the outro, I want to know what that ending means, with the police report being made and being reviewed. Potentially setting up for a future comeback? Who knows.

Song – 6/10
Music Video – 7/10
Overall Rating – 6.4/10