Year: 2018

[Review] Star – Yang Yoseob (HIGHLIGHT)

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After 5 years, Yoseob from HIGHLIGHT will be making his official return as a solo artist. The last time he promoted as a solo artist was at the end of 2012 with Caffeine. Fast forward 5 years and today Yoseob unveiled his pre-release track to his upcoming mini-album, which is due to be released next week. So, let’s begin the countdown to Yoseob’s return by having a listen to his pre-release track, Star.

Like most pre-releases, Star falls under the ballad category. Throw in Yoseob’s vocals and you do have a perfect pairing. And while I did think Star would become a little too straightforward with a consistent ballad instrumental, it did take an unexpected yet welcoming turn. We start off with a slow yet dreamy piano instrumental. From the second verse, the song starts to pick up. Not in a way where it turns into a pop song but rather there is a dramatic buildup with a very deep thumping sound, which resembled thunder. Then came in more classical instruments, which made the song sound so much better. I also liked it how his vocals were at the forefront despite the instrumental change-up, allowing the listener to focus on the vocals and not have it drowned out by the violins. Overall, I really like the ballad.

The music video is essentially a long walk in the snow. That is what Yoseob is doing, which goes well with the song. It just doesn’t work well on the memorability front. They shot at really pleasant places with great camera angles, which visually worked well as well. Besides that, I don’t much else to comment on with regards to the video.

Song – 9/10
Music Video – 6/10
Overall Rating – 7.8/10

[Review] Don’t Be Pretty – 14U

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14U made their debut last year in July and I somehow missed out on their debut. On top of that, I somehow missed out on their comeback, VVV, as well. But their second comeback, Don’t Be Pretty, will not be missed. Just some more background information regarding 14U. They are a 14 member boy group currently under BG Entertainment. From the profiles I am looking at, the group is also split into two units 14U-X and 14U-L.

Don’t Be Pretty is another standard KPOP song with its bright and pop feel. While its sound has been done before, for some reason, it manages to stick in my mind. I won’t say it is exactly catchy but it has a decent beat and the instrumental feels refreshing. The vocal work here is quite nice, pairing well with the instrumental. They aren’t the best sounding group out there but there were many great moments in which I thought their vocals were perfect for the setting the instrumental had created (such as the chorus). You don’t need power vocals to stand out and this seems to be a great example of that. However, while I do praise the song, there was a moment which felt extremely awkward. The way the raps were integrated into the song, particularly the first time around in the song, was quite bad. It just didn’t fit right and didn’t feel like it was mixed into the song well enough. But besides that, good song.

The music video has this cringe-worthy feel to it, which I cannot deny. The guys seem to be participating in this game show, which is a decent concept. The way they act in it just seems over-the-top and overly exaggerated. And then the ending, where she somehow gets trapped inside a burning building and one of the members rushes in to save her. Where is the world did that scene come from? They did a good job at showing that vibrant and bright atmosphere but the video was scrambled and confusing.

It seems like any group with a large number of members, who manage to stay in sync throughout their performance is going to get big ticks from me. And 14U is another group who falls under that umbrella. Their moves don’t seem impressive but due to the fact that they managed to stay in sync with each other is quite impressive. It is also great at showing off that bright atmosphere.

Song – 8/10
Music Video – 4/10
Performance – 7/10
Overall Rating – 6.6/10

[Weekly Chart] 1st Week of Feburary 2018

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I am racing to get this out just before midnight where I live. So let’s get this week’s edition of the Weekly Charts on the road! Joining the charts this week is CLC and Seventeen with their respective releases. It has been a relatively quiet week with the new comebacks and debuts. Mainly because Lunar New Year is fast upon us.

As we are speaking about Lunar New Year, I will (most likely) not be posting on Thursday or Friday this week due to the celebrations and traditions that I take part in. I don’t think there will be many new releases this week anyway because of the upcoming national holiday in South Korea and the Olympics. So if I don’t see you then, I wish you all a happy Lunar New Year full of health, luck, peace and joy.

Back to the charts, We have a new song on the top, effectively knocking out Sunmi’s Heroine from her hold of the top position after 3 weeks. Jung Sewoon takes out this week’s number 1 spot, while Chungha also rises to take the 2nd position. Seventeen’s Thanks also takes bronze this week, while VAV and Golden Child follow behind in fourth and fifth positions respectively.

For more of the charts, scroll down below!

4th Feb – 10th Feb 2018
Title Artist Status
1 Baby It’s U Jung Sewoon (▲ 5)
2 Roller Coaster Kim Chungha (▲ 16)
3 Thanks SEVENTEEN (new)
4 Spotlight VAV (▼ 2)
5 It’s U Golden Child (▲ 6)
6 Shinin’ Kim Jonghyun (SHINee) (▲ 7)
7 To Heart Fromis_9 (▼ 2)
8 Heroine Sunmi (▼ 7)
9 Paint Me Mamamoo (▲ 13)
10 Boom Boom Momoland (▲ 9)
11 NEGA DOLA BoA (▲ 17)
12 Tell Me Infinite (▼ 8)
13 Secret Garden Oh My Girl (▼ 3)
14 My Flower JBJ (▲ 6)
15 Love Scenario iKON (▼ 12)
16 Bad Boy Red Velvet (▼ 7)
17 Hot Potato N.Flying (▼ 1)
18 Diamond Girl MXM (▲ 5)
19 The Boots Gugudan (▼ 5)
20 Neverland Holland (▼ 8)
21 Grr Stray Kids (▲ 14)
22 Charm of Life Heechul, Shindong, Eunhyuk (Super Junior) & Solar (Mamamoo) (▲ 14) (Final Week)
23 Real Men The East Light (▼ 2)
24 Heart Shaker TWICE (▼ 9) (Final Week)
25 Hands Up B.A.P (▲ 9) (Final Week)
26 Universe EXO (▲ 5)
27 Wolf Baby TRCNG (=)
28 To The Sky CLC (new)
29 Days Without You Davichi (▼ 4)
30 Don’t Leave Block B (▼ 4)

Songs leaving the charts this week and will not appear on the charts starting next week are:

  • Charm of Life – Heechul, Shindong, Eunhyuk (Super Junior) & Solar (Mamamoo)
  • Heart Shaker – TWICE
  • This Christmas – Taeyeon (SNSD)
  • Ending Credit – Uhm Jung Hwa
  • Hands Up – B.A.P
  • The Night – Soyou ft. Geeks

See you all again, hopefully, a little earlier next week!

[Album Review] To. Heart (1st Mini Album) – fromis_9

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Once again, I am delayed with another album review. Fromis_9 made their formal debut with To Heart last month on the 24th of January. They previously made their first appearance on the stage of MAMA in Japan with Glass Shoes and that particular version of their pre-debut song is featured on the album. It is another relatively short review as it is a mini-album but I thought the album had a decent selection of songs that I wanted to write about. So without further ado, here are my comments on Fromis_9’s first mini album.

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To. Heart Album Cover

2. To Heart (Title Track) – Click here to read the full review for To Heart. (8.2/10)

3. Miracle (환상속의 그대) – The first thing that jumps out at me is the use of the EDM instrumental for such a sweet and cutesy song. Its use here is not overwhelming, allowing for the vocals to be heard clearly. The chorus did feel more pop but that isn’t really an issue. I like the slow down for the ‘dugeun, dugeun‘ (just before the chorus) and the ‘Love Me, Take Me, Kiss Me‘ lines at the start of the song. The only thing that I think would have made the track more memorable is a catchier chorus. This particular song relies heavily on the instrumental for both character and appeal. A more defined and catchy chorus would have made relieved the instrumental of that burden. (7.5/10)

4. Pinocchio (피노키오) – Suiting the title, there is a playful sound to it. The chorus did seem to divert towards a more tropical sound as well, which left me smiling. It actually thought it was a TWICE song before actually remembering whose album I was listening to. The instrumental worked well with the vocals and raps to make the song attention-grabbing. Sadly, I am not that keen on the bridge, as the EDM seemed to come out of nowhere, but it was still listenable. (7.5/10)

5. Be With You –Be With You is your standard pop song, though, for a second I thought they were going with a ballad from the very start. I like the no vocals section of the song and I thought it had a sweet feel to it. For some sections, it reminded me of 90’s KPOP such as Fin.K.LBesides that, there wasn’t anything that special about it. (6.5/10) 

6. Glass Shoes (유리구두) (MAMA version)  – Click here to read the full review for Glass Shoes. (8/10)

Overall Album Rating – 7.5/10

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To Heart Teaser Image

 

[Review] Electric Kiss – EXO

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EXO kicks 2018 off with their return to the Japanese market with Electric Kiss and their 1st full-length album, Countdown. The album contains all of EXO’s previous Japanese singles (Coming Over, Love Me Right ~romantic universe~, Drop That etc.) that they have unveiled during their concerts and other performances. Like their promotions in 2017, Lay did not participate in the comeback due to scheduling conflicts.

I love the instrumental to this track. It is the first thing that popped out at me when I first listened to the track, which had this heavy yet powerful feel to it. In a way, it is definitely really dramatic and it shapes the track into something spectacular. The instrumental asks for something rough and edgy, which is delivered through the vocals. I love the roughness of some of the member’s vocals, especially D.O’s, whom I think compliments the instrumental really well. Of course, the other members all sound often but I feel like D.O’s is a perfect example for this explanation. Per usual, Chanyeol’s and Sehun’s raps were on point in this song, catching me off guard with their raspy voices. Sure, there was definitely some editing to them but it is an electronic song, which makes senses. The chorus was definitely the main highlight of the song and I like how they approached it by inserting the ‘It’s going to be electric‘ line between each line of the chorus. And the bridge was also quite good. While this is just a Japanese release, if they were to come back with something like this in South Korea, I think they could even perform better than what they have already achieved.

I like the fast-paced nature and the flashy style they have gone for. It is really is fitting. I setting is also fitting, going well with the edginess that you can feel from the song. The video was quite good and had that cool factor to it, which went well with the song. I know this is rather short but that was the main comments which I wanted to make in regards to the video.

With the performance, I expected something with a whole heap of intensity. And while they did tick that box, I just don’t think the choreography as a whole was the best fit. I wanted something more to it which would have made me go wow. The formations and how they go into those formations were remarkable, especially during the chorus. Everything was quite sharp but it just didn’t seem enough to me.

Song – 9/10
Music Video – 8/10
Performance – 7/10
Overall Rating – 8.3/10

 

 

[Album Review] The Perfect Red Velvet (1st Repackaged Album) – Red Velvet

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Red Velvet has been promoting their latest song, Bad Boy, for almost two full weeks. And while it has taken me a while, I am officially here with a review for their repackaged album, The Perfect Red Velvet. There are three new songs on this repackaged album and they are reviewed below.

For any other songs from their Perfect Velvet album (tracks 2 – 6 & 8 – 12) can be found on the Perfect Velvet album review post (which you access by clicking here). These songs will have no effect on the ‘Overall Album Rating’ number given at the end of the review.

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The Perfect Red Velvet Album Cover

1..Bad Boy (Title Track) – Click here for the full review of Bad Boy. (8.7/10) 

2. All Right – Taking a complete detour from the title track is All Right. The song itself is quite bright and upbeat in comparison to the main track of the repackaged album. All Right is quite catchy and the atmosphere that comes off from this just makes you want to smile. The vocals were nice but the raps were the main detail I wanted to touch on. Without it, the song would have been repetitive and boring. So, the inclusion of the raps was a really strong point of the song. The instrumental break was equally as cool. (9/10)

7. Time To Love – The RnB song is actually quite nice. What I really liked about the song is the harmonies during the chorus, where all the members sing together. It gives the song a sense of warmth, which is something I like. The song itself reminds me of One Of These Nights, just with a better kick and melody to it. I also find the ending of the song quite nice, which might just be a first for me. It did take a few listens to actually get into it but once I did, I could not stop listening to it. (8.5/10)

Overall Album Review – 8.7/10

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The Perfect Red Velvet Teaser Image

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[Album Review] Faces Of Love (2nd Mini Album) – Suzy

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Unfortunately, last week I could not put out any album reviews due to it being a busy week. Now, with more time on my hand, I am aiming to get out 3 album reviews this week. Starting off this trio is Faces Of Love, which is the second mini-album release for Suzy, who is making her first comeback since her solo debut and the disbandment of Miss A.

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Faces Of Love Album Cover

1..In Love With Someone Else (다른사람을 사랑하고 있어) (Pre-Release Track) – Click here to read the full review for In Love With Someone Else. (8.4/10)

2. Holiday ft. DPR LIVE (Title Track) – Click here to read the full review for Holiday. (6.6/10)

3. SObeR – I have no idea why the title of the song is written in that manner. But besides that, SObeR has a really likeable percussion based instrumental. Yes, it gave the song its minimalistic vibe but it still makes it good. I like how the chorus is set apart from the rest of the song by adding just a few more instruments. The vocals throughout the chorus and the bridge were exceptional. More importantly, the changeup towards the end of the song saved the song more boredom caused by repetitiveness. I personally think this is a standout track for this mini-album. (9/10)

4. Bad X (나쁜X) – Bad X features an acoustic sound, which I think is quite nice. The chorus was a turn that I did not expect vocally but it sounds good. The vocals are quite nice but I am not a major fan of the final section of the song. The song is quite good when you listen to it as we go through the album but it just doesn’t really stand out on its own as a single. (6.5/10)

5. Sleep Well, For Me Too (잘자 내 몫까지) – The song felt like a lullaby with such great vocals from Suzy herself. It has a nice piano dominate instrumental but it just isn’t the most interesting song on this album. (6/10)

6. Broken Heart (서툰 마음) – It is another ballad. I like this track more than the preceding ballad because of the buildup that was present. This is solely due to her vocals, which she showed a nice spectrum of on this album so far. I feel like the song could have used a flowier instrumental or melody (which I only felt towards the end of the song. I did like the bridge the most but it felt too short for my liking. (7/10)

7. All Night (너는 밤새도록) – I liked the initial effects that were placed on her vocals, especially when they came into focus after a few seconds. Despite the upbeat feels that you get from this song, it is apparent that the emotions from Suzy are quite loaded, making it an interesting song. The ‘Na Na Na’ is a reflection of this. The harmonies in the track were great. (7/10)

Overall Album Rating – 7.2/10

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Faces of Love Teaser Image

[Review] Thanks – Seventeen

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2017 has definitely been a very big year for Seventeen, who made two major comebacks (Don’t Wanna Cry and Clap). They broke their own records with their album sales and released a bunch of subunit tracks for their second full-length album. As a sign of ‘Thanks‘, the group have returned with the repackaged or ‘director’s cut’ album of Teen, Age.

Thanks has this very epic feel with it, which fits in perfectly with Seventeen’s style. Seventeen has continuously blown me away and Thanks is no exception to this. There isn’t anything groundbreaking about this song but when such songs are done right, they speak volumes. The bass in this is purely amazing, giving the song a heavy beat which allows it become extremely addictive. The lead up with the two rappers did hype the song up to a drop but I was quite surprised when Woozi came in with no drop. It gave an interesting feel and the drop came (as if it was delayed). This perked my interest. Usually, I would be irked by the delayed drop but for some reason, it works really well in this track. I also think I have a special place in my heart for when Wonwoo sings, the ending of this basically has me fanboying. Overall, another amazing song by Seventeen once again.

It’s a great video to watch. A tad too dark for my liking, which was the only downside because I had a hard time recognising some of the members in the video. Moving along, the idea behind the video was something that I really liked. The video shows the ‘Behind The Scenes’ for the members, where you can find them in the makeup-room, recording studio, back hallfway or dance practice room. Out of all the scenes, my favourite was the scenes where all the members started dancing in their own areas (rappers in the recording studio, Hoshi in dance practice room), launching us right into the final chorus.

Once again, Seventeen does not disappoint with their performance. Though I am only looking at the parts of the music video, the chorus already looks epic and there is a very dramatic feel to it. I particularly like how they are set up at 2:20 and the movements that followed (See gif below). It looks amazing.

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Song – 10/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 9.5/10

[Weekly Chart] 5th Week of January 2018

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January has just flown by and we already are in February. It is a little scary. But don’t worry, it is still going to fun year (like they say – ‘time flies when you are having fun’). Welcome to the Weekly Chart posting for the 5th week of January 2018. Joining us on the charts today is VAV, Suzy, Rainz, Red Velvet, Gugudan and the Queen of KPOP herself, BoA.

But there is another Queen reigning on the charts and she isn’t moving from the top spot anytime soon. I am referring to Sunmi and her hit, Heroine. Following closely behind is VAV with Spotlight and iKON’s Love Scenario, which debuted on the charts last week. Infinite is staying within the top 5 for another week in the fourth place with Tell Me, while To Heart by Fromis_9 finishes of the top 5 for this week.

I was quite busy last week so there were no album reviews published. This week, however, to make up for this absence will be 3 different album reviews for you all. I am also hoping to get some other posts, reviews and artist profiles (see the menu above) out next week as well. Lots to do.

But in the meantime, I present to you this week’s chart!

28th Jan – 3rd Feb 2018
Title Artist Status
1 Heroine Sunmi (=)
2 Spotlight VAV (new)
3 Love Scenario iKON (▲ 13)
4 Tell Me Infinite (▲ 1)
5 To Heart Fromis_9 (▼ 1)
6 Baby It’s U Jung Sewoon (▼ 3)
7 Holiday Suzy (new)
8 Ending Credit Uhm Jung Hwa (▲ 23)
9 Bad Boy Red Velvet (new)
10 Secret Garden Oh My Girl (▼ 1)
11 It’s U Golden Child (new)
12 Neverland Holland (=)
13 Shinin’ Kim Jonghyun (SHINee) (▼ 5)
14 The Boots Gugudan (new)
15 Heart Shaker TWICE (▲ 18)
16 Hot Potato N.Flying (▼ 6)
17 Timeless NCT U (▲ 10)
18 Roller Coaster Kim Chungha (▼ 16)
19 Boom Boom Momoland (▲ 1)
20 My Flower JBJ (▼ 5)
21 Real Men The Eastlight (▲ 2)
22 Paint Me Mamamoo (▼ 8)
23 Diamond Girl MXM (▼ 16)
24 I Like You DAY6 (▼ 5) (Final Week)
25 Days Without You Davichi (▲ 3)
26 Don’t Leave Block B (▼ 15)
27 Wolf Baby TRCNG (▼ 6)
28 Nega Dola BoA (new)
29 Quit Jang Wooyoung (2PM) (▼ 7)
30 Turn It Up Rainz (new)

Songs leaving the chart (and will not appear on the charts starting next week) are:

  • Lip & Hip – Hyuna
  • The Little March Girl – Wendy (Red Velvet) & Baek Ah Yeon
  • I Like You – DAY6
  • Boy – The Boyz
  • Move – Taemin (SHINee)

So thank you for reading this week and I hope to see you all another time!!!

[Review] Timeless​ – NCT U

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As you can see for the past few days I have been catching up on a number of reviews which I had planned to do but kept pushing around due to not having enough time. But it always better late than never! Timeless, released two weeks back as part of the SM Station, is the last of these late reviews. It also marks the return of NCT U (in the form of three members – Taeil, Doyoung and Jaehyun), the only NCT subunit who did not have a comeback in 2017.

Timeless is a ballad that I will admit I overlooked when it first came out. However, I am glad I revisited the track after a little while because it truly is a really decent track to listen to. The vocals of each member, particularly those who handled the chorus, were mind-blowing. And that is why I keep on going back to this track now because it is so good. There wasn’t much harmony in the song but when harmonies did appear (particularly the high note at the end), it was so good. The melody was really flowy, which also attracted my attention. The instrumental was your typical ballad instrumental with the piano and strings but gave off that swaying effect, which I tend to comment on in these reviews. Overall, I am glad I returned to relisten to this track because it is definitely a good one.

The entire video was shot live. This time around there were not instrumentations in the background but only the members singing into the microphone. And for some reason, the live vocals were more noticeable than the other live video (performed by 10CM and Chen). It is a relatively simple video in both is visual appeal and style, which is something I tend to like.

Song – 10/10
Music Video – 9/10
Overall Rating – 9.6/10

[Review] Awake – Target

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A new group has made their debut on the stage. Target is a 7-member boy group under JSL Company. According to what I can find on the Internet, the group previously released a pre-debut track titled as Please Love Me, which was released 3 years back. Their debut track, Awake, was released last week.

To me, the song’s elements clash with each other, creating an awkward atmosphere. Awake started off a pretty dramatic classical instrumental, featuring some synths. But when the rap kicked in, the instrumental and rap just didn’t connect with each other. It just felt uncomfortable. The vocals were the only time that the song felt comfortable but even then, it was just too plain for my liking. I just felt that they could have gone for something more dramatic or attention grabbing during the chorus. The ending was nice, with the brief pause and high note. But overall, I felt the song was either not memorable due to its lack of momentum or it was memorable but for the disconnected start.

The music video isn’t bad. I am a little confused with the storyline though. The members seem to be in a coma of some sort (for some reason). One of the members seem to wake up from their coma and tries to wake up their friends after realizing something was wrong. That was basically what I got from it and I don’t know how or why they got into that position. The sets were one of those reused ones, which for some reason felt well used in this video (maybe it just fitted the concept). There was also a more dark and mysterious feel to the video, which I don’t think we see much nowadays.

The choreography for this was really cool. I really liked the section where some the members are lying on the ground (while the other half are standing) and then there was a really cool yet smooth switch that happens within a second with the three members in the middle (at 2:18 of music video).

Song – 4/10
Music Video – 6/10
Performance – 8/10
Overall Rating – 5.4/10 

 

[Review] Neverland – Holland

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Last week, we saw the debut of Holland, a new soloist in South Korea. He is currently garnering a lot of attention and support from fans and listeners for being the first openly gay KPOP idol, earning over 5 million views in just one week alone (which is really impressive for a debut act). While it is completely fine that he is gay, I am interested in what Korea’s response to the artist would be. But nonetheless, it is clear he has a lot of support already.

I personally don’t mind the song but if I were to be critical about it, I have to say it is rather stagnant. The song just felt flat from start to end and it doesn’t really develop into anything. Both the instrumental and Holland’s vocals don’t really do much to the song, which is why I put it on the backburner for a week to cover the other artists. It just doesn’t have that interesting factor. He does have a nice voice but the song just don’t showcase it. To me, the only reason why I still have this song in mind is that of his sexuality. Besides that, the song doesn’t have that memorable element like other ballads do. There was one thing that I did like that does leave an impression on me, however, and that is how he sings ‘Neverland‘ at the end of the chorus. But besides that, the song just isn’t for me.

You can tell how conservative South Korea is in regards to this issue because of the 19+ rating it was given. But I am not here to get political. I just personally do not agree with such a rating. The song definitely has an effect on the music video, with it not holding my attention for long. There was some development (which were the events building up to the kissing) but that doesn’t seem much of a highlight for me. But good for them.

Song – 5/10
Music Video – 4/10
Overall Rating – 4.6/10

[Review] The Boots – Gugudan

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Making their return to the stage with their latest single is Gugudan. They were previously on stage with Chococo, which was released in the second half of last year. This comeback, The Boots, also marks the return of Soyee, who had to sit out of the last round of promotions due to an injury.

Right off the bat, you would notice that the group had gone for a much more different sound. Gugudan has done mainly cutesy sounding songs with their previous comebacks. This time around, they opted to remove that cutesy element. While that does usually mean a mature sound, the producers have managed to keep that energetic and upbeat sound that you would also associate with Gugudan. I particuarly like the pre-chorus and the second verse. That being said, the other parts aren’t terrible. They just didn’t stand out as much. I did also like the grooviness of the chorus, which I think also had some funky elements to it as well. The chorus has potential to be addictive and catchy but I feel like the hook could have been more stronger. I did like the dance break as well, the saxophones definitely adding that funk side to the song. Overall, it is a decent song. I think it is a strong effort by the girls with a change in their usual sound.

I really like the modern and mature look they went for this comeback.  Even the sets were made to reflect this, which made the video feel as if it was by another artist. That chess set looks awesome and something I would buy to style an apartment (that one day I will hopefully own). I really like the effect post-production had placed onto the items of interest and the background images for that large screen was really cool. Overall, I like the video. It did feel like there wasn’t much in it to comment on but it was still a very stylish and cool video.

Great footwork in their choreography. I know it are just some swirls but they make it look complicated. The other standout part is pre-chorus, which pushed for that edgier side of the concept.

Song – 7.5/10
Music Video – 8.5/10
Performance – 8/10
Overall Rating  – 7.9/10

[Review] NEGA DOLA – BoA

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BoA is known as the Queen of KPOP, proven by her massive portfolio of releases Korea. In the past few years, her promotions in South Korea have dwindled to only a few singles as part of the SM Station releases, most notably Camo (released last year). But after 3 years of no music promotions in Korea, BoA is back with her latest single, NEGA DOLA.

NEGA DOLA is a dance track that mixes electronic synths and a Latin twist to the song, which ends up giving the song a lot of character. This Latin twist is present throughout the song but it is the most dominant during the start, the bridge and the very end of the track. The concoction is a little quirky, but very fitting for the song (more on that in just a moment). While the rapping to this song is definitely a potential downfall for this track, the vocal elements by BoA are really good. I love the way she sings ‘Nega Dola‘ in the song, which means ‘Going Crazy’ (from what I can find out about it). It does feel like a little crazy. I also particularly like the when she brings out her power vocals at the end of each chorus, which I think also adds to that character comment I mentioned before. Overall, it is quite a nice song to listen to, particularly if you want to listen to something that is a little more different to your usual releases.

There is nothing as crazy as an upside down room. Essentially, the video is an odd mixture of an upside down room, your standard choreography shots and a lot of target practice. But I feel, given how the song does sound, they could have gone for a wackier concept, which would have fitted well with the meaning of the song. I am not a major fan of her panda ears hairstyle but her outfits are on point.

BoA has not disappoint with any of her performances from what I remember (don’t fact check that by reading up on the old reviews. I don’t remember what I wrote 5 years ago). I really liked the dance moves during the chorus, particuarly the very start of the chorus. The start and end of the performance was also quite cool looking.

Song – 8/10
Music Video – 6/10
Performance – 9/10
Overall Rating – 7.6/10

[Review] Spotlight – VAV

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2017 has been a very busy year for VAV, who has released a number of songs in the last 12 months, such as Venus (Dance With Me), Flower (You), ABC (Middle of the Night) and She’s Mine. Following the same momentum with their first comeback of 2018 (and 2 months after their last 2017 comeback) is Spotlight, which shares the same title as their title track.

Opening Spotlight is this really cool thumping sound, which definitely attracted my attention. In a way, they set up the song to be quite aesthetic (but I am a little disappointed that they didn’t follow through with this). The verses became a total miss for me. It wasn’t terrible. It just didn’t feel as interesting. The chorus managed to pump some energy with a more funky sound which definitely does brighten up the track. The post-chorus was the catchiest part of the entire song in my opinion, which was a cool hook in the song. Interestingly, the song omitted a rap section, which I thought was interesting. In its place seems to be an overwhelming autotune section. They could have toned it down a little to make it feel more fitting for the track, from what I could hear. The vocal work for the track is okay but it doesn’t feel that impressive as compared to their previous songs. Overall, Spotlight is definite another track to add to the list.

I liked it how the music video had a heavy emphasis on the lights, which make sense given that the title is Spotlight. The scenes at the dinner table reminded me of EXO’s Monster, which was definitely interesting. I did like the colour palette of the music video, which was definitely vibrant and (in some areas such as the white gallery) bold. I feel like the symbolism in this video is quite great but personally, I don’t know exactly what I should be looking for.

Once again, since the title of the song (and the lyrics) focuses on the Spotlight, the choreography also does a good job at putting this forward. The most impressive part of the choreography would be when they move forward during the post-chorus (around 1:11 of the music video).

Song – 8/10
Music Video – 7/10
Performance – 9/10
Overall Rating – 7.9/10

[Review] It’s U – Golden Child

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Making their first return to the stage is Golden Child. Golden Child is a group currently under Woolim Entertainment who debuted in August 2017 with Dam Da Di. Since then, they lost a member, Jaeseok, who left the group due to health issues. However, the group has reformed as a 10-member boy group for their comeback.

It’s U feels like your standard KPOP song. There are some synths that make it feel like some past KPOP tracks that give the song a nostalgic element to it, which I actually quite like. I say it is standard because it has that KPOP feel to it but there are some elements that make it feel a tad bland and dry, in my opinion. The verses, for example, didn’t do a good job at keeping my attention. The vocal work and the raps for the song in these sections were okay but they don’t really show anything off nor do they felt memorable. That being said, the song managed to make up in memorability during the chorus with that really catchy and addictive opening to each line. The very fast pace repetition that opens the chorus was the main reason to why the song places towards the higher end of the rating spectrum. Otherwise, the song would have just remained in the bland category for me.

Dam Da Di (their debut track) gave them a young concept that made them look like children, It’s U places them in school uniform outfits and this automatically makes them look so much more mature. I feel like they look so much better in this video, in comparison to their previous concept. Besides that, I am thoroughly confused about what is going on in the video. It seems like the members are learning tricks to impress a girl that they like. That is my (unoriginal) take of the video but I feel like the storyline can be a lot more original than what I think. If you have any understanding of the video, feel free to explain it to me in the comments below!

The performance for this song is quite lively, which fits their image and the song. I really liked the chorus and the pointing choreography that they do with it, which makes sense since they are singing ‘It’s U’ repetitively.

Song – 8/10
Music Video – 7/10
Performance – 8/10
Overall Rating – 7.7/10