I had somehow missed Park Ji Hoon’s comeback song, Wing, which was released earlier in the week on Monday. I knew he would be coming back sometime this week, but I was under the impression that his comeback would occur mid-week, rather than at the start. I don’t know how I managed to miss a major comeback like Park Ji Hoon’s, especially on a day full of solo male comebacks! So apologies for this unintended delay. His comeback single is featured on his third mini-album, The W. We last saw Park Ji Hoon at the end of last year through his 360 promotions.
Wing, to me, feels like multiple songs were snipped and conjoined together. From the very first second to the rap sequence that opens the second verse, we have 4 different songs mashed into one. And I would have been fine with that, provided that the song progresses along seamlessly. Unfortunately, the transition between the two halves of the verses does not have this quality and I am quite disappointed with it. It felt sudden and unexpected. But other than that transition, the rest of the song was quite fine. Park Ji Hoon showed off his voice throughout this song and this was a strong effort, particularly during the chorus. I did like how he used his signature deep voice for the hook of the song. The ‘Doom Doom Doom‘ was very catchy and addictive. It is probably one of the reasons why I want to continue listening to the song. I still would like to hear more rapping from the soloist, as that is what we know him for from his Wanna One days. It seemed like the song could have included more intense and impactful rap sequences to help bolden the song and give it some additional energy. The chorus had this party anthem-like feel to it, thanks to his shouting-like vocals and melodies that he brings to it. I did want more body to the chorus, to give it that oomph and with a lot more definition. Actually, that can be said across the entire instrumental of Wing. There is this typical feel to it, but I do admit that is comfortably pleasant. Collectively, I don’t think this tops his past two title tracks. But it is a fair effort.
For most of the video, I wasn’t really sure what was going on. Park Ji Hoon seems to be doing quite a fair bit in the video (i.e. driving around in the desert, talking into a microphone, sitting in a cafe). But nothing really made much sense, apart from the end where it looks like he is flying (which is the strongest connection we have, as he sings about his partner giving him wings to fly). I also want to be critical about the set. I don’t know if filming around a time which a ban was put in place (for current circumstances affecting the entire world), but the use of those built sets just cheapens the video and ruins any amazing shots of natural scenery the video had in it. I feel like the video could have been solely filmed in the desert/natural setting and it would have looked cool. The post-production editing for those scenes look quite good as well and they could have used this technique to change up the scenery a bit if they were worried that everythhing would look the same.
I really liked the light tapping to the head for the catchy ‘Doom Doom Doom‘ hook of the song. The song doesn’t give much opportunity for Park Ji Hoon or the dancers to show off any performing chops, if I was to be honest. But I did like the small acrobat-like moves that they pulled off during the performance. They made the stage look more captivating without going over the top.
Song – 7.5/10 Music Video – 6/10 Performance – 8/10 Overall Rating – 7.2/10
Also making their comeback today is MONSTA X with FANTASIA. This is a big comeback for the group as it is the first official comeback that does not feature Wonho, who left the group during their Follow promotions back in October 2019 (which is also their most recent comeback). The comeback also features the return of Joohoney, who took the last 3 months off from promotions for health reasons (he has been missing from their recent Japanese releases). FANTASIA was previously scheduled for an early May release, but was rescheduled to today after Shownu suffered an injury prior to their comeback date. Let’s see what MONSTA X offers with FANTASIA.
FANTASIA is no light track. From the very first second, the song hits you with its fierceness and intensity, something that we know MONSTA X for. This manages to somehow one up all their previous releases, in a way that I didn’t think was possible. But MONSTA X knows how to push it each time they comeback. The instrumental features a tribal and anthem-like thumping drum beat. The bass was heavily used, giving the song that epic feel. As for the members, I thought each members managed to shine during their sections. Joohoney’s intense rap sequence kicks things off, before the baton is handed to Kihyun and Shownu in the verse, who both brought their vocal chops to the table. We are then thrown into the chorus, which is lead by Minhyuk and Hyungwon. I was surprised about this as it is usually the main vocalists that dominate this section of the song. But I really like this flip and the texture these two members give the chorus. For a split second, it felt like the producer tones the energy down ever so slightly during the chorus. But the momentum was somehow continued effortlessly. I did also like the layering of vocals in the post-hook section. I.M opens up the second verse with another powerful rap sequence, before we are thrown back to the main vocalists and the rest of the song repeats itself (but not in a repetitive manner). The most powerful section has to be the first half of the bridge, where the thumping seems to be more drawn out and dramatic. The song then ticks the energy down a bit in the second half, so that the entrance to the final chorus is powerful. Overall, no doubt a powerful song that I personally like. Though, MONSTA X should start to consider that this sound is overwhelming for some and I am not sure if they fair well in the next review if they up the intensity to a higher level.
What did I like about this video in a visual sense? Well, the gold pairing with black is definitely something. I really liked it. While the sound is extremely powerful and a little barbaric in a sense, the set really gives off a refined and elegant vibe. In a way, the visual video prevents the song from going into that overwhelming mode. Out of all the members, Joohoney left the biggest impression on me with his chains and cow boy hat. I also wonder how the comeback links up with Follow, as I am reading that the two are connected. This can happen on many levels, but it is usually done through the music video. I just don’t see any visual connection other than the sun or burning planet at the start.
MONSTA X has described this to be their hardest choreography yet. And I believe them. With a song this intense, it only makes sense for their choreography to be amped up. I am in awe that they managed to pull ths off and probably will do it with live vocals, as well. I really like the crab-like movement during the post chorus hook section and bridge. I also liked how Kihyun got solo moments in the choreography during the verses.
Song – 9/10 Music Video – 9/10 Performance – 9/10 Overall Rating – 9/10
Since their re-debut last year, ONEWE have been returning with a quarter of their first studio length album. Their debut single, Reminisce About All, was featured on their 1st single album, 1/4. Their next comeback, Regulus, featured on their 2nd single album, 2/4. Earlier this year, ONEWE collaborated with label-mate Hwasa (from Mamamoo) with Q, which was the only track on their 3rd single album, 3/4. And now, the band is now back with their first studio album, appropriately named as One. The lead single from the album is titled End Of Spring and the focus of today’s review.
One thing that ONEWE has definitely established with their released singles is that they are capable of different sounds. And End Of Spring just adds to their variety. This is their most energetic sound yet and I would describe it as an exciting combination between the band sound with a club beat. There is such an even balance of both in this song that makes the song very pleasant. They could have gone heavy handed with the club beat or dominated with a rock sound, effectively snuffing out the other sound. But you can really hear both strongly in End Of Spring. Usually, I would say the guitars would be the highlight of the instrumental, especially when riffs are used. But in End Of Spring, I think the drums are the real winner as that adds to the song’s excitement and definitely gets things rolling along. Their vocal work is fairly good aspect of the song. I feel like they could have gone above and beyond with the vocal component of the song, but what we got was still quite good. The melodies which carry their voices is pleasant. The pre-chorus was probably the strongest part of the song, with Yonghoon’s vocalisation leading right into that energetic chorus. Dong Myeong also sounds nice during the verses and his harmonisation moment with Cya, who managed to insert a rap sequence into the song, which was probably a decent way to channel some energy in this song. Overall, it is a very good song and I would definitely go back for more.
What the music video for End Of Spring does right is that they mimicked the ideal club feel by bring a lot of people in. I have seen music videos for similar songs feature just the members performing and this doesn’t look as fun as it could have been. Here, you can tell that the atmosphere is exciting like the song and feels lively, which is what you definitely want alongside a song like this. I do wonder what the desert scenes are for, as the first half of the video was quite heavy on this. I assume this is connected to the lyrics somehow. Eagle eye fans may have noticed some familiar faces in the crowd. ONEUS (their labelmate and brother group) and AleXa (a soloist from a company that works very closely with RBW, the entertainment company that ONEWE is signed to). Great to see this closeness between members and artists even on screen. I think the video could have stepped up with something a little more exciting that coloured gas. Maybe fireworks that could have given some explosiveness to the atmosphere of the video. But the video does go well with the song and it definitely has me coming back for more (just like the song!).
Song – 8.5/10 Music Video – 8/10 Overall Rating – 8.3/10
The second solo artist to be reviewed today is Baekhyun from EXO. He makes his solo comeback with Candy and second mini-album, Delight. Baekhyun made his debut last year with UN Village and City Lights, which all formed one of the most successful solo debuts ever. Baekhyun’s comeback follows Suho’s solo debut last month and Chanyeol’s recent solo collaboration with Raiden, Lee Hi and Changmo. Baekhyun also recently participated in a collaboration (Leo) himself with BOL4, for her solo comeback which also occurred this month.
Baekhyun’s solo debut track highlighted a lot of his vocals. And it is expected that his solo comeback would do the same. Candy does just this, but in a more laid back manner. More on this later though. The song falls under the R&B realm as well, as per his debut song. But this one is a lot more upbeat and straight forward in terms of its instrumental. I really liked how sleek the overall song felt, which can be attributed to a really refined instrumental and his smooth vocals. The thumping bass and the light twinkling pop in the instrumentation was really nice. I do have my issues with the song. I did feel that by going this straightforward and direct R&B route, the song feels a little more typical. I wanted something that ‘one-up’ UN Village, which was unique and characteristic of him. Candy didn’t have momentum, unfortunately. That that is only a minute issue. His vocals do a lot in this song and I thought this vocal chops were well used throughout this song. Those ad-libs during the bridge and ending of the song were on point and effortlessly beautiful. Those deep ‘Candy, Candy, Candy‘ chants give some texture and depth to the song. Furthermore, Candy likens Baekhyun to various sweet food items. While this sounds rather childish in some ways, his vocals really put a mature spin on it, which I really like. Overall, Candy shows off that Baekhyun is highly capable of variety and a more upbeat style (i.e. he isn’t just your typical ballad main vocalist).
To reflect the more upbeat style that we heard in Candy, the music video opts for colour, which makes total sense. After all, this song does not deserve anything dull. It is set in a urban area of the neighbourhood, which has an old arcade and movie theatre, like the ones we see in movies. And this suits the more laid back vibes the song has. Baekhyun looks really good in this video. It might be his hair or his smiles he flashes towards the camera. The music video does seem to approach with the dreaded choreography and closeup formula. But I didn’t it mind as much, as some of the closeups seemed to flow through to the choreography scenes cohesively.
Unlike his solo debut, this comeback features choreography. It isn’t anything complicated, which again matches the laid back and easy going vibes of the song. The instrumental of the song also wasn’t complex, so there isn’t any need for overly complicated moves to wow us. I do note that the moves do all work together to create a cool performance. There was a part of the performance where he dances opposite female dancers. I thought that was a strong moment in the choreography and I would have liked to see a more prolonged sequence of that, as there seemed to be some chemistry between the two sides.
Song – 9/10 Music Video – 8/10 Performance – 8/10 Overall Rating – 8.5/10
Let’s kick off this week with reviews for two solo releases. The first belongs to the solo debut of Kim Woo Seok, otherwise known as Wooshin when he is apart of the UP10TION lineup. Though, you may be familiar with Kim Woo Seok for his more recent endeavours. Last year, he was one of the two members of UP10TION (the other being Lee Jin Hyuk) to participate in Produce X 101. He placed second overall in the survival show and thus was one of the 11 trainees from the show to make their debut as X1 with Flash. However, due to the voting rigging scandal, the project group disbanded earlier this year. Since then, Kim Woo Seok took a short break and has now returned as a solo artist with Red Moon. Let’s see what he has to offer with Red Moon.
Kim Woo Seok’s debut title track is a sensual styled song, made up of heavy bass and electric guitar. It isn’t a song that I find instantly powerful like many of the current dance tracks. Instead, it slowly builds as Red Moon progresses to become a really bold track. The song knows when to make an impact with its sound, such as the consecutive thumping that appeared between the more classically geared bridge and final chorus. This really helps boost up Red Moon to a whole new level. I say this because while I did enjoy the resulting instrumental, the ‘blank canvas’ or the trap-based layer that was heard underneath those already mentioned instruments above were incredibly dry and boring. Without those thumping beats, heavy bass and electrical guitar, I would have passed over this song and not looked back. If I could have my way in some capacity, I would wanted the song’s instrumental backbone to be a little more exciting as this could have provided the song with a little more electricity and power. But as I said, I did like the effects that were added to give that power and boldness. What I have no criticism for as I believe that Kim Woo Seok nailed from the very start was the vocal works. The song really does captialise on his vocals, bring that sensual nature to life. I really liked the relatively low tone he uses in the song’s verses. I also really liked how his voice amped up to match the increased energy flow from the chorus. All working well together to deliver Red Moon.
The music video looks pretty good. Sure, the music video heavily adopted the close up and choreography formula, which I have grown to dread. And this does bring a dry energy over the video. But I thought the sets designed looked cool. Furthermore, the warm hue in this video really reflected well with the song. The warm colours really made the video shine in a subtle manner and the song pop out of the video. The more vibrant coloured scenes ended up going well with the rest of the video. Kim Woo Seok takes on a homme fatale type of look throughout the video, which I am sure fans would love seeing. I do notice a growing trend of cutting fabric from clothing
The music video was definitely strong sensual vibe. And this is thanks to the performance. I think the main choreography points of the video is when his fingers run down his body and he proceeds to perform hip rolls. There is a lot of body rolling this in performance, which I am sure will excite fans. I particularly like the choreography during final moments of the bridge, leading into the final chorus. That looked powerful.
Song – 8/10 Music Video – 8/10 Performance – 9/10 Overall Rating – 8.2/10
Two weeks ago, Raiden and Chanyeol collaborated on a single titled Yours. We got less than a week’s notice and I had not picked up on its earlier, so I was caught off guard with the release of Yours (my excuse for posting a late review). For those who don’t know Raiden, he is a DJ and producer under SM Entertainment. For those who don’t know Chanyeol, he is the main rapper of the widely known KPOP group EXO (who is also under SM Entertainment). Credited as a featuring artist in Yours is Lee Hi and Changmo. Lee Hi is a former YG Entertainment solo artist, who has recently signed with Makeus Entertainment (home of Sunmi), while Changmo is a very popular rapper in Korea. Together, this is a very star studded collaboration, adding another to the month of May.
The different artists participating in this song are all very different in usual content that they release as standalone artists. But Yours converges them all into a light funky R&B track. There is a bit of retro vibe to the instrumental, but it is very subtle. In terms of overall impressions of the song, I found Yours to be very upbeat and fresh. It has a nice Summery vibe, which I think is suitable for this time of the year (for South Korea). In addition to all of that, Yours is also has a pleasant and calming tone. Chanyeol predominately sings. Usually, I find his voice to be very husky. But it sounds quite smooth in this song. Lee Hi’s airy vocals sounds very innocent and sweet, unlike any Lee Hi release I remember from the top of my head. Both singers do a really good job of harmonising together, helping bringing the track together. I really like the vocal layering during the chorus. They both sing and harmonise in the top layer of the chorus, while Chanyeol sings in the background. It may appear to be a little messy, but it actually gives the song additional definition. Somehow, this becomes a clever hook, in addition to the two singers singing the ‘I’ll Be Yours‘ in the chorus. Changmo adds more of that rap roughness and his vocal segments give the song some texture. Adding to the texture of Yours at the very end was the heavily electronised robot-sounding vocals, which felt like a ‘just right’addition. I don’t think Yours is my personal cup of tea, but it a really nice song to kick back to.
I thought the music video was rather artistic. While Chanyeol and Lee Hi shines in the actual music, I feel like the music video does a great job of highlighting Raiden’s presence in this collaboration. The sets and cinematography when we see him perform the various instruments looked really cool. The only artist to feature alongside Raiden in the video is Chanyeol, who takes pictures of the various sets which we see him in. All looked quite good and I am sure there is a deep meaning to each of the images he hang up at the end, which looks like they represent the seasons.
Song – 9/10 Music Video – 8/10 Overall Rating – 8.6/10
During the week, we saw the solo debut of Ryu Su Jeong, who may better known as a member of Lovelyz. Su Jeong is the second member of the group to undergo solo promotions after debuting, following Kei, who debuted under the stage name Kim Ji Yeon last year with I Go. As for Ryu Su Jeong, she made her solo debut on Wednesday with Tiger Eyes, which is the title for both her solo title track and mini-album. As this review is already a few days late, let’s get right into the review.
I am unfamiliar with the members of Lovelyz, so I wasn’t exactly sure what to expect with these (and any future) solo releases. Kei’s genre choice was a ballad, which made sense (in a cliche way) as she is the group’s main vocalist. Su Jeong is the lead vocalist of the group, so I half expected her to follow with the ballad route. But she ended up going with a dance track. And I think it is very refreshing move. Interestingly, Su Jeong strays away from the more innocent and ‘lovely’ (pun intended) style we always associate with Lovelyz. Instead, she opts for a very mature sound and a complete 180 from the concepts in which we usually see Su Jeong in. It is definitely exciting and adds to that refreshing note. I think this is a great song. The consistent beat we get in the instrumental reminded me songs from Kylie Minogue. There is slight heaviness to the beat, which is a major difference from the iconic artist. In addition, there is a very subtle intensity mixed into Tiger Eyes, which was interesting. The chorus has a nice kick of energy, which keeps the song exciting. I also enjoyed how the bridge had those piano key strikes, adding a light element to the otherwise pretty bass heavy dance track. I liked how Su Jeong’s vocals don’t go into that powerhouse mode or really any powerful mode in that sense. Instead, her vocals go down a more subtle route, with her vocals staying relatively low. By doing this, Su Jeong adds an intriguing touch to the song. The ‘Tiger Eyes‘ hooks was quite memorable after a few listens and I really liked how Su Jeong gave that phrase some life. I feel like this song could have used a rap sequence of some kind to give it that added edgy dimension, which I believe will make Tiger Eyes even more exciting.
You probably could already read my mind ahead of the next sentence. The music video had that typical close up and choreography formula. But I can’t always expect for a music video to incorporate a plot line. What the director of Tiger Eyes does right is highlighting the mature change that Su Jeong is undergoing. I mean, we are seeing a Lovelyz member in a way we have never seen them before. And there is a little bit of mysteriousness in the music video. I feel like there is enough interaction between the close up shots (even though they do not necessary connect to one another) that allows that mysteriousness to come from.
I feel like the performance could have used some more catwalk like moments, as I feel like there is enough attitude into the song to really make that feel natural. That, with the right stage effects, would have made this a knockout performance. But what we got is very suitable for the song. My only problem is how Su Jeong would return to a more innocent image through Lovelyz’s promotions. Unless, this solo promotion is easing us into a very different Lovelyz…
Song – 8.5/10 Music Video – 8/10 Performance – 8/10 Overall Rating – 8.3/10
It has been a few weeks since I have posted any reviews (let alone album reviews) on a Friday. I have just been so busy during the week that by Friday, I would fall asleep very early. But hopefully I can manage my sleep pattern a little better to publish reviews as per the usual schedule. As you can tell, I have missed many handfuls of songs over the last few weeks. But I will get onto them eventually. In the meantime, I will be reviewing NCT Dream’s fourth mini-album, Reload. It features the title track, Ridin’. The album has proven to be very successful, selling over 250,000 copies within a two day period.
2. Quiet Down – Quiet Down just doesn’t live up to its name in a literal sense. It is still relatively loud than compared to something that one would described as ‘Quiet’. But it does feel toned back a tad bit, in comparison to the title track. Despite that, I really like how edgy the song managed to maintain, which matches this new image that the group has been going for with their last release (Boom) and Ridin’. Elements of the song remind me of the Western pop in the ‘00s. The relatively rapid and dense bouncy synth in the background of the verses sounds vaguely familiar, while the chorus seemed to bring a R&B melody to the song, which I thought was awesome. I wasn’t as impressed with the vocals and rapping in this song, which felt pretty ordinary overall. (7/10)
3. 7 Days (내게 말해줘) – 7 Days takes a softer pop/R&B approach. Unlike in the previous song, I thought 7 Days had a good display of vocals and rapping. The melodies which the song thrive on really highlight the vocals/rapping skills of the manner. They also helped provide the song a memorable rhythm. The rappers of the group, Jeno and Jaemin, were singing in this song in a rap-sing manner that I really want to hear more of in the future. Not only were their singing great, but the rap sequences they had at the end of the song felt perfect and fitting for the song. The vocalists of the group (the rest of the group) sounded very smooth. Sure, the instrumentals were rather typical and could have used some character. But 7 Days was very pleasant to listen to. (8/10)
4. Love Again (사랑은 또다시) – Love Again seems to be a soft 90s hip-hop track. That is the best way I would describe the song. The chorus really takes you back to that era and I am extremely into it. The vocal and rapping from all members in Love Again on was point. There were very different textures but all worked very cohesively with one another. Haechan even raps in this song! Some of their delivery was rough, while other times its was very smooth. I also really liked how relatively soft yet upbeat the instrumentals were. They felt just right for this style and worked extremely with the member’s vocals/rapping. (9/10)
5. Puzzle Piece (너의 자리) – Puzzle Piece is a ballad with only one instrument in the background, an acoustic guitar. It is such a nice tune to end the album with. And the sweetness that I could feel just made it even better. I just liked how easy it was to slip into this song. Once again, their vocal work was amazing. As it was just the acoustic guitar, what we heard felt from the members very pure and ‘unhidden’. There were no synths to cover up any of the vocals, while there wasn’t anything to really fall back on. Furthermore, the harmonisation with the background vocals and one another was really powerful. I liked how the acoustic guitar built up the song and gained momentum. It made the song even better and feel well rounded. (10/10)
Since March, the members of NCT has been quite busy with various music releases and promotions (Props to Haechan for participating in all of them!). NCT 127 first returned with Kick It and their second studio album, Neo Zone, in March. NCT Dream only just returned a few weeks ago with Ridin’ and their mini-album Reload (album review coming). And yesterday, NCT returned with their 127 lineup for promotions for their repackaged album and Punch. The music video wasn’t released until today, so this prevented me from getting a review out yesterday.
Punch is a song that seeks to make an impact in one way or another. And I feel like they give that impact at the start of the song when the electronic retro arcade-like instrumental was probably the strongest. They start off with a rap sequence in which they all share, before reverting to a breathy whisper over the same instrumentation. The contrast here is very strong and unique. The song then strips away the electronic arcade-like backdrop, allowing for melodic instrumentation and vocals to exist. And this before the song brings in an anthem-like chorus that I feel was rather aesthetic in its own right. As you can tell, it seems like a messy roller coaster ride in just the first half of the song. As to be honest, I did find this approach to be rather messy when I first listened to the song. But with multiple listens, Punch gets better and feels less messy, especially as the song comes together quite neatly. There are other elements to the song that I thought were quite good. The instrumental, as you listen more of it, contains additional elements that really help bind the song together. From the trap influences (that remind me of Superhuman‘s trap instrumentation), to the faint electric guitars that add some pop to the song, to the cinematic-like dance break that features at the end of the song. I have to admit that I find both the vocals and some of the rapping to be quite safe for the group. I wished they managed to ‘pack a punch’ into this element to give the song some life. I was also surprised to hear that they laid off the intensity and energy, which I think was a missed opportunity. Kick It seems to be the more superior in this sense, with Punch toning it down significantly. Overall, Punch is a good song. But I don’t think its their best effort.
I found the music video to be rather weak and bland. Apart from the wavy distortion applied in the post-production phases to the closeup shots that I will say looks cool, the music video followed the typical closeup and choreography set up, which isn’t as exciting when you think about it. I feel like the members were dressed at the start in a manner that made them look extra tough and I didn’t really get that feel from the song to warrant all that black leather. The sets looked cool and the lighting was rather nice. But apart from that, not much else to discuss.
The choreography definitely had that wow factor that I wished the music video had. That entire sequence at the start when the members are standing in a circle looks amazing. I also liked how the members come at you during the breathy rap sequences in the verses. The entire final chorus and dance break sequence at the end was pretty cool as well.
Song – 8/10 Music Video – 6/10 Performance – 9/10 Overall Rating – 7.6/10
For this week’s past album review (PARs), we will be focusing on Seventeen. The group has released three studio albums so far. And so far, I have only reviewed their two most recent ones, Teen, Age and An Ode. Today I review both their first studio album, Love & Letter, and their repackaged followup, Love & Letter (Repackaged). Both were released in 2016 respectively. Pretty U features as the title track of the first studio album, which earned the group their very first and second music show awards. The repackaged album features Very Nice, which is probably one of my favourite songs in KPOP ever. Also featuring on the album are unit versions of Adore U, Mansae and Shining Diamond, which are all promotional tracks prior to the release of this album. For this review, I have included all three songs in review as each unit spun them in a different way, creating three different and (to a degree) new songs. Let’s see what the albums has to offer.
Love & Letter Album Cover
Love & Letter (Repackaged) Album Cover
1. No F.U.N – No F.U.N is a hip-hop dance track featuring tribal-like drums as the ‘main’ instrument piece in the instrumentation of the song. There is a bit more of the instrumental as well, such as short trumpet like sounds and what seems to be wooden sticks in the background. But like what the title of the song suggests, the song is not that much fun. In fact, I find it too serious sounding for my liking. It felt like so at the time of the album’s release and that the feeling somehow just has stuck with me over the years. Even with Seventeen now opting for more mature and serious sounding songs, I would find the song to be very bland and plain as it doesn’t offer that level of excitement that all Seventeen’s songs have. The rappers do shine in this song, but it definitely not a standout performance from the group. (6/10)
2. Very NICE (아주 NICE) (Title Track) – Once upon a time, I gave this song a 9/10 ranking. Over the years, I grown to really like every element of the song so much that it has become one of my most replayed songs of all time. It is only right that I give it a 10/10 rating now. Click here for the full review for Very NICE.(10/10)
3. Healing (힐링) – Following the very epic VeryNICE is a very bright and fun Healing. While the song doesn’t technically continue the momentum of the title track of the repackaged album, there is a very upbeat and robustness to Healing’s instrumentation that feels just right in this song. The dynamic drums and strumming guitar come together to give off the strong summery vibes in which the song thrives on. The vocal work and rapping feels very energetic and is another factor why the song sounds so addictive. I find that this song is super powerful in the current times as I write this review, mainly because we all cannot travel and go on holiday in this physical distancing and isolation lifestyle we all now live. Overall, a great song. (8/10)
4. SIMPLE (Woozi Solo) – The next song is SIMPLE and it features Woozi, the leader of the vocal team. And it is my favourite side-track off the new songs added to the repackaged album. There is a really breezy melody that makes the song so enjoyable. The instrumental is also quite nice and soothing, despite it being quite upbeat. Instead of opting for a ballad styled song, Woozi uses a band sound that can be describe as more suitable for the youthfulness that the album pushes for and this gives off a more epic vibe. It also brings out Woozi’s voice, which we don’t often hear in the group releases as those tracks are often shared with 13 members. (9/10)
5. Space (끝이 안보여) – Space features only a handful of the group, namely the Hip Hop unit of Seventeen (S.Coups, Wonwoo, Mingyu and Vernon) and also DK. I don’t much to say about this song other than it sounds like your standard pop song. There were good melodies in the song from all members who participated in the song, which helped make the song flow quite nicely. The rappers handled the verses well, while DK’s chorus was neat. The song just doesn’t really give me much to speak about, nor do I find it to be a memorable track on the album. (7/10)
6. Chuck (엄지척) – I remember Chuck to be the song which the group promoted alongside Pretty U. The song’s instrumental was very iconic, as it contrasted strongly with the album’s sweeter and almost cutesy tone. It was a mix between hip-hop and the cliché EDM of the time. Another aspect that I thought was strong was the chorus of the song. It also felt very iconic, though for a different reason at first. Based on the way it was paced, I was very surprised that they actually formed a proper sentence. It may sound a little ignorant, but I thought they were sounding out onomatopoeia vocabulary for the longest time, until I had that revelation. The combination that formed the chorus came out to be memorable and showed the members with a different sound (at the time), which they hadn’t attempted before. (8/10)
7. Pretty U (예쁘다) (Title Track) – My original review contain an overall rating of 7/10. Reading over my comment and my current thoughts about the song, I have decided to up the rating to a 9/10. Click here for the full review for Pretty U. (9/10)
8. Still Lonely (이놈의 인기) – Still Lonely is the second track on the repackaged album to feature a handful of the members including Jun, Hoshi, Wonwoo, Woozi, DK, Vernon and Dino. The song appeals me to me as it still feels fresh. It does feature that generic pop sound once again, but it easily overshadowed with the random synths, small details in the instrumentation and the song’s memorable section. In my opinion, the song’s memorable moment has to be the pre-chorus. Hoshi and Dino’s pre-chorus delivery was filtered with autotune, which I thought contributed to an interesting texture and melody to the otherwise smooth pop song. (7.5/10)
9. Popular Song (유행가) – Popular Song is more of a mix between pop and ballad, rather than just pop which the lyrics of the song keeps on referring to. It is a good song. Majority of the song takes the form of a ballad. The instrumentation is predominately piano-based and has this slow tempo, which are key characteristics of most ballads. But the chorus takes the song on a different route. It starts off with that ballad-like approach, but the second half of the chorus ups the tempo to be more a subdued pop track. I thought this was an interesting change up for the song, so it doesn’t fall into that too consistent category. The bridge brings an epic vibe to the song, which doesn’t necessary fit into any of the two sides of the song, hence incorporating another interesting change up the song. Overall, I thought it a nice track with some intriguing twists. (8/10)
10. Say Yes – Say Yes is a ballad duet between DK and Seungkwan. It features no interesting changes, like in the preceding track. It stays in ballad mode for the entire four-minute span. I thought it was a really beautiful sounding ballad. It starts off as a piano based ballad, but it slowly incorporates classical instrumentation to help drive the song forward and create a pleasant atmosphere. No doubt complimenting the instrumentation is are the really soothing vocals of the two vocalists. My favourite moments is when they harmonise together, which caught my attention during my relisten in order to review the album. I just wished the melodies were a little more memorable, which would have made the song perfect. (9/10)
11. Drift Away (떠내려가) – Drift Away features the remaining members who were not part of Still Lonely (S.Coups, Jeonghan, Joshua, Mingyu, The8 and Seungkwan). I thought this song was very pleasant. It is the type of song I would play to chill after a busy yet cheerful day. There is a feel-good vibe to the song, which I think will help serve the purpose of winding down after such a day. It features an instrumental predominately made of acoustic guitar amongst other instruments, which entering into the chorus really gave the song an upbeat appeal. Unlike Still Lonely, the highlight of Drift Away comes during the chorus, courtesy of The8. His section was undeniably the catchiest part of the song, in my opinion. (8/10)
12. Adore U (아낀다) (Vocal Team Version) – Adore U was the group’s debut title track, for those who don’t know. Given Seventeen’s style, the song was a pop dance track. The vocals team (Woozi, Joshua, Jeonghan, DK and Seungkwan) put the song into ballad mode, which I think is very fitting for the unit. But it felt a little cliché as well. I did like how they didn’t make it into the type of ballad that is rather still. There is a flowy melody that gets you to sway along to the music, which makes the song enjoyable. I thought the bridge of this version was quite nice, with Jeonghan and Joshua’s breathy tone and DK’s beautiful high note. (8/10)
13. Mansae (만.세) (Hip-Hop Team Version) – The hip-hop unit’s rendition of Mansae, now Monday To Saturday, was probably the most interesting of the three. Both in theory and with what they ended up presenting us with. Aside from the familiar and main chorus hook of the original song, everything else is the song has changed. The lyrics, the melodies, everything. And I don’t feel too good about it. I am not saying that by changing the entire song, they didn’t hit the brief. I would be surprised if they didn’t change any of the lyrics, as that would result in something that finishes up quite quickly. I am just disappointed that in their rendition of Mansae, everything was oddly light and lacked energy. Their rapping was good, but it just felt bland over the light instrumentation. By far the weakest track on the album, in my opinion. (5/10)
14. Shining Diamond (Performance Team Version) – The Performance Team is more well known for their impressive choreographies. So, it comes with no surprises that their version of Shining Diamond was more of a remix that gave the song more of a dance influence. They do this by incorporating synths that we see common in EDM for dancers to do perform to. They remix vocals and the original instrumentation. Frankly, I would say this is cheating. But it works for the unit to make the song their own. Talking about vocals a moment ago, they retained some of the original vocals as well, allowing the unit to focus on what they do best. (8/10)
15. LoveLetter (사랑쪽지) – We end the album with Love Letter, which was very easy to get into. It is a song for the fans and I thought it was a very sweet song to listen to. The melodies were very upbeat. I liked the percussion/clapping that featured as part of the chorus. It gave the song an interactive front, which I quite liked. Each member shined in this song. But it is undeniable that the main member in the limelight as result of the song is Wonwoo, who had his first (if I am not mistaken) vocal lines during the bridge. I feel like this was a great song to end the album with. (8.5/10)
Making their comeback and kicking off the week is TXT. For those who may not remember TXT (where have you been?) or if you are new KPOP listener (an acceptable excuse for not remembering TXT), they were the biggest male rookie group of 2019, debuting with Crown and Run Away. Today, the group returns with Can’t You See Me, which is the title track on their second mini-album, The Dream Chapter: Eternity. It also continues their series of growth, which has the themes of their past two releases. Let’s see how their latest release stacks up to their debut singles.
Can’t You See Me starts off with a really promising air of mysteriousness, which I think continually features throughout the song. It helps create an aesthetic atmosphere. The song then brings in a rock transition and this transition into what I would describe as a subdued rock dance track. Featuring throughout the verses are autotune moments that remind me of Billie Ellish’s Bad Guy. They add a really impactful and rough texture to the song, giving Can’t You See Me some character and profile. Instrumentally, the chorus feels very similar to the verse. But I really liked how their vocals help bring some life to the chorus, which helps differentiate the sections. I thought the chorus had decent hooks, with my favourite being the speaking line ‘My friends don’t understand me, no‘. The rest of the song is quite similar, with some different changes. The opening to the second verse is heavily filtered rap sequence brought to you by the members. I really liked the intensity of this sequence and how it added to the aesthetics of the song. The bridge takes away that subdued rock sound, leaving the vocals to do most of the work. Apart from some really soft crunchy synths, the slow tempo and the breathy vocals of Soonbin and Yeonjun makes total sense. I think the downfall of the track is that the different components I have described feel a little disorienting and it took me a few listens to cohesively piece the track together. But overall, I liked the more subdued sound and the different things they had going on in it.
The trailer for this comeback depicts the members becoming socially distance from Soobin. We get a sense of the social distance in the music video as well, as the members sing about how their friends no longer understands them. In the video, Soobin is the main character. The other members come over and I noticed that when they are all having fun, one or two of the members become ‘distant’. For the video, it happens to all the members. But storywise, I feel like only Soobin has this feeling. Things start to get wild as the members start to have a food fight with tomatoes and strawberries. During this food fight, Soobin screams (I assume he has had enough) and each of the members leave. All tomato and strawberry stained, we see the members outside (with exception of Soobin, I think) in a sadden mood. Skip a few seconds and we see the house on fire. I think Soobin takes his life (the red food fight depicts blood). But why are the members still around the house? Well, I think they are like voices in Soobin’s head and they realize their effect. Death is referenced in two parts. The first is when Beomgyu places a blanket over Yeonjun. When Yeonjun removes the blanket in a later part of the video, the other members are holding their heads, experiencing some crazy headache and are shown in a fast forward filter around Yeonjun. Maybe a headache caused by voices in one’s head? When the members leave Soobin, they are in the same fast forward filter as before, further showing that they are in his head. Yeonjun is later crushing a tomato in his hand and he looks at it like how someone would look at a blood-covered hand. When he looks up, all the members are zoned out. Each of these sections are followed by a red light (a foreshadowing moment). My next guess is that each member (other than Soobin) represent an emotion or desire. But for the sake of this review, I won’t delve into that level of detail. Overall, a really good video. I liked the set and the story (if my interpretation proves true).
The choreography has this subdued level of intensity that feel just right for the song. I liked how those autotuned moments in the instrumental became the more erratic moments in the choreography. These parts contrasted very nicely with the smoother texture of the rest of the choreography. I also liked their entire setup for the rap sequence in the second verse.
Song – 9/10 Music Video – 10/10 Performance – 9/10 Overall Rating – 9.3/10
Sorry about the double up on album reviews today. I thought I had already published Winner’s album review last night, but I guess I got distracted. Despite already publishing one album review today, I have decided to publish a second album (the usual Sunday album review release) to keep on track and not impact the upcoming release of reviews this week. The focus of this second album review will be on Oh My Girl, who recently returned with their most successful comeback yet, Nonstop. Both the album and title track shared the name, Nonstop. The album also features four other tracks, so let’s dive into the album to see it can be replayed nonstop.
2. Dolphin – If you have been following my Weekly KPOP Charts segment, you may notice that I have been mentioning this song over the last few weeks. Dolphin has fast become my favourite side-track of the year. It is extremely addictive, catchy and fun sounding. I also liked the light tone that the members adopted for the song. I thought it contrasted nicely with the relatively deep thumping and instrumentation that featured in the song. Per usual, I would have pointed out that consistency could have been an issue with this song. After all, this whole song is built on repetition. But I thought that adding that trap influence to the final part of song was quite clever and avoided me drawing the consistency red card. (10/10)
3. Flower Tea (꽃차) – Flower Tea is a ballad. No surprises there, as the title felt like it was going to be a ballad. While the main suspects in the instrumental are those classical associated instruments, the chorus seems to pick up a slight jazzy vibe, which I thought were very nice. It is a very soothing ballad and it shows off the member’s vocals really nicely. When I listen to the song, I feel like I am sitting in front of a warm fireplace as the song gives off that warm feeling. I just don’t find this song all that memorable. I just find Flower Tea to be the type of song that I would be happy to listen to this song if it pops up on my playlist, but it isn’t one I would go out of my way to find, if that makes sense. (7/10)
4. NE♡N – The title of this song is pronounced exactly like the word it is trying to spell. Neon. I don’t like the love heart in the actual title of the song. It just feels cringy and alludes to that form of cutesy in KPOP that I don’t really like. One thing I am glad about NE♡N is that it doesn’t go into that cringy cutesy style. It feels like a pop track with a mild level of cutesy in it. There was a good beat and the instrumental seemed to be incorporated an 8-bit type of feel. Part of me wants to say this song was very retro, but it also feels very contemporary. I also liked their vocals in this song, which was the usual Oh My Girl style. I must say that this song is more suited for when Oh My Girl had that young girl image. It suited them then and feels a little displaced in this more mature limelight. But it was still good nonetheless. (8.5/10)
5. Krystal– The melody of Krystal really stood out to me. It reminds me of BoA’s old tracks. It has that throwback type of vibe, which helps it become another strong song in my books and on this album, which helps end the album on a good note. If you can somehow replicate that same vibe as the Queen of KPOP and yet make the song your own, you are doing something right. I liked how the producers linked the overall sound of the song to the title. To me, it truly felt like the percussion and synths all came together to become a crystal that is glimmering and shining in the light. I also liked how light the vocals in the song were as well. But yet it was very different to the light vocals we got in Dolphin. In this song, the vocals felt warmer and sweeter. (9/10)
The album in focus for this review post is WINNER’s Remember, which was released over a month ago on 9th April. This album was confirmed to be the final release by the group before the members go on hiatus and enlist into the military. Jinwoo actually enlisted a week prior to the album’s release and Hoony enlisted exactly a month ago. In the meantime, it was also confirmed that we will see the rest of the members focus on individual promotions before enlisting. Remember, the group’s 3rd studio album, is also the title of the album’s main title track. It also features Hold (a pre-release track), and four member versions of their debut tracks (Empty and Color Ring) and two side tracks from their 1st studio album released back in 2014 (Different and Don’t Flirt). These four tracks will not be included as part of the review. Let’s see how the rest of the album fared.
2. Dduk (뚝) (Jinu Solo) – Jinu is a member of Winner who doesn’t get much attention by himself. I don’t think he gets much solo promotions and this solo track proves that he should have at least gotten something to celebrate his vocal ability. Dduk continues from where Remember left off. It is a ballad with a piano only backdrop. Usually, ballads would start off with just the one instrument and as it progresses, adds to the song to push the song along. Dduk doesn’t conform to this and instead keeps everything pretty much raw, which I thought was cool. This made the song’s melody, both piano and vocal wise to be really nice. You can feel a bit of emotion behind this song in Jinu’s voice, as he sings about splitting up. And I like how he ends each chorus with a short, sharp and spoken form of the title, adding a little interesting detail to the song. (9/10)
4. Just Dance (막춤) – Continuing the more upbeat vibes from Hold, Just Dance has that wholesome, feel-good and fun vibe. It is a song that will make you smile and maybe get a dance out of even the quiet and introverted people. I can imagine a fun music video, similar to how Can’t Stop The Feeling by Justin Timberlake came to be. The instrumental was quite laid back when you think about it. It never really went anywhere. But consistency probably helped made the song appealing, as you don’t want this going through moments of slowness or have the instrumental stripped away completely, as that would just ruin it. If you took anything away from Hold, it is that they can insert an element of fun to their delivery. And that is what Just Dance continues on effortlessly. (9/10)
5. My Bad – My Bad brings a R&B spin to the album. The background of the song seems refined and classy, thanks to the acoustic guitar that features in the background. There is obviously more to the instrumental to get to that point, but the guitar was the main standout. The rest of the song is built on the group’s vocals and a really smooth melody. And they sound amazing in this song. The ‘My Bad’ that features in the chorus (courtesy of Mino and Yoon) of the song brings out a hoarse nature to their vocals which makes the song sound so good. Probably my favourite part of the song. And out of all the members, Mino is the member that shines the brightest in the song. He shows off a great range in this song, switching between a deep tone for the opening verse and chorus echoes, and a falsetto for the pre-chorus. The other members do a good job in the song as well. (9/10)
6. Teaser – Listening to all the songs on the album, I feel like each member shines in a different song. For Teaser, which is a very heavy hip-hop influenced track, the member that shines is Yoon, who had the strongest individual part of the song (i.e. the ‘Baby You-ou-ou’ in the pre-chorus. Note how I pointed out individual. While each person has their individual sections in this song, I thought the combination of rapper and vocalist singing together gave the song some really interesting harmonies and textures. The interception felt unique and felt like a strong aspect in this song. (8.5/10)
7. Well – Well is essentially a song in which the members wish that their fans stay … well. The song is quite upbeat, but it necessary doesn’t have that fun vibe. Instead, I find the song has that nostalgic pop vibe to it that felt like it was part of many male KPOP group’s albums in the past. I really like the hooks of the song, which consisted of the title of the song being repeated. I also like the ad-libs inserted for the final chorus, which acted as the icing on the cake. I feel like this doesn’t have a standout member. It feels cliché to say this, but all of them shined when they all started to sing together as part of the final chorus. This section just feels right for this song, adding further to that appeal to fans. (8/10)
8. Serenade (세레나데) (Hoony Solo) – By default, Hoony shines in this song as he is the only member in this song (same for Jinu in his solo track). Serenade encompasses what I think suits Hoony, though I will admit my exposure to him as an artist is quite limited. Firstly, he is a rapper, so I don’t think he would do anything like a ballad, which serves better for vocalists. But at the same time, Hoony never strikes me to do something hip-hop heavy, like Mino’s solo tracks. Serenade binds together pop and rock, creating an upbeat number for Hoony to bring his rap to (and consequently rock to). There is colour and definitely a kick in the instrumentation, which I thought was amazing. I find his rapping to be full of expression in this song and he inputs energy that helps consolidate that this is a perfect solo track for him. I do think he could have gone a little harder with his delivery. But overall, Serenade is a great track. (9/10)
Returning yesterday was BVNDIT, with Jungle. This is the group’s 3rd comeback since their debut a year and a month ago with Hocus Pocus. Jungle is the title track of their second mini-album, Carnival, which also features Cool (which I have already reviewed) and Children (yet to review), both of which were released earlier this year. Let’s see what the group has offer with this latest comeback.
Jungle continues that intense sound that the group debuted and returned with in 2019. Their sound and visual concepts have aligned to the ‘girl crush’ realm since debut and they only stepped away from that side for the release of the two singles prior to Jungle. And while the group’s past title tracks have been rated fairly, I feel like Jungle is a step backwards and shows off that intensity in a not-so-good manner. The song goes with a middle-eastern influence within the dance track, which I personally don’t mind. I have praised many songs in the past for going with that foreign influence. What I do mind is that it is always there. Apart from the bridge of the song, it is never stripped away. It is always at a much lower tone so it is barely audible underneath the decent dance beats. This pretty much feels like an unnecessary incorporation, and frankly, it makes Jungle quite messy. I felt like they could have kept it when it was the main centre piece of the instrumental and then replaced it with more dynamic material to give the song some bulkiness during the other parts. I do admit it does give Jungle some colour and some character. It just could have been cleaned up. Another thing that the song lacks is a strong, catchy hook. I think this would have helped give the song some extra definition and made the song more robust. The only good solid part was the final dance break, just before the final chorus kicks in. But I felt like it was a bit too late for that.
The visual concept for this comeback was very strong and this definitely improves the comeback package by a mile. The members stand out throughout the music video, by wearing colours that pop in the various different settings in which they filmed in. There were some visual effects throughout the chorus, which helped make the video more captivating and helped boost the song’s appeal. The video was more of a close-up and choreography styled music video, but I think the video had some good points.
What I think is pretty strong in this performance is that the choreography used a staggered touch to some of the various moves, which I thought made the performance looked good. Unfortunately, the actual moves don’t really have much impact. The only part that looks pretty decent is that dance break just before the final chorus. There was some attitude to it, which I thought was good.
Song – 6/10 Music Video – 8/10 Performance – 7/10 Overall Rating – 6.8/10
Don’t you just love surprise releases? This is another collaboration single, joining the two big releases from last week (i.e. IU ft. Suga from BTS and BOL4 ft. Baekhyun from EXO). This single, Didn’t Say Anything, features Baek Z Young, a well known singer in KPOP, known for her songs such as Like Being Hit By A Bullet; My Ear’s Candy (ft. Taecyeon from 2PM); and my personal favourite, Garosugil (ft. Song Yu Vin). And alongside Baek Z Young in this song is Ong Seong Woo, whom we all know from his Wanna One days and recent solo comeback, Gravity.
I associate Baek Z Young, a lot of the time, to ballads. In addition to that thought, the title just screams out emotion and sadness. So that was my expectation going into the song. And boy, Didn’t Say Anything was definitely a ballad. I have only replayed it a couple of times since it was released. And each time, I have been left breathless and speechless. I miss these types of ballads that are just stunning to listen to and I can guarantee that it will continue that way for a very long time. Take Still Love You by Hwesung from N.Flying and Lee Hong Ki from FT Island, it still sounds amazing and floors me to this day. Didn’t Say Anything leaves me that way for a few reasons and it is usual suspects. Didn’t Say Anything features a very nice orchestral instrumentation that continues to build as the song progresses. And this buildup is paired alongside the vocals of both Baek Z Young and Ong Seong Woo. Both singers belt it out from about the half way point, slightly earlier than when most artists would unleash a high note or two. That high note at the end of the bridge was spectacular. Both artists surprised me with that one. Baek Z Young, sure. Ong Seong Woo, very unexpected. And to show off his vocal abilities further, he handles most (if not all) the ad-libs to finish off the song. But it wasn’t just the high notes that wowed me. Even at a normal volume, the pair sounded amazing. The harmonies were beautiful and Baek Z Young’s voice at the start and end was just velvety.
The song is about not saying anything to each other after a breakup due to the emotions one would feel, causing further heartbreak. For majority of the video, we see the singers alone, being heartbroken alone. But at the end, it was revealed that the two were actually side by side. They were in very close proximity to each other and a word or two easily could have been shared. But you could feel that there was an imaginary barrier between them that prevented them from doing so. And this imaginary line that was formed by their emotional states that prevented them from speaking (i.e. the sadness and the glances we could see them making towards one another). I thought that was an interesting yet clever way of presenting the meaning of the song.
Song – 10/10 Music Video – 10/10 Overall Rating – 10/10
Last month, I wrote a review for H&D’s debut single, SOUL. In that review, I promised that I would get around to writing a review for the second title track, Good Night, on the same debut mini-album, Soulmate. A music video was released for Good Night alongside SOUL, which I didn’t know about until a few days later. Though it seems I have taken a little longer than expected to review it, I finally present to you my review for Good Night. In other related news, both Lee Hangyul and Nam Dohyun have been confirmed to be debuting as part of a male group later this year.
When I listen to Good Night, Leessang is a name that keeps on popping up in my mind. For those who may be unfamiliar with Leessang, they were a duo who delved into the hip-hop and were very popular back in the day for songs like Turned Off The TV and Girl Who Can’t Break-Up and Boy Who Can’t Leave. I find the melody and the beat would be something that could have come from Leessang. Good Night is obviously a lot more upbeat, well suited for a youthful style and modernised. And the lyrics are a lot more innocent and pure. Moving the focus back to H&D, I thought their execution was pretty good. Both the rapping and singing from the duo were pretty strong. The only part that I thought was a little awkward was the chanting anthem sequence that followed the choruses in the song about half way and the at the end. I am unsure how to describe it as I am no musical expert, but it felt like the song become a lot rougher and messier when it came to that sequence, in my opinion. The instrumental of the song was more of your typical tropical island beats, but it did feel rather refreshing and well-suited for the upcoming Summery season that South Korea is about to enter. I personally think Good Night is a good song despite it also delving into a typical domain. I just feel that Good Night has more of a fresh appeal compared to SOUL.
When it comes to the concept of the music video, it is clear that they went in the opposite direction to their other debut music video. This video shows a sleepover concept and it was definitely a lot more lighthearted, colourful and innocent. I really liked how they wrote some the lyrics in the comic style font, in addition to having it act as a visual effect to give the video some extra character. Usually they do this for key English words in the song or just some typical ‘pow’ or ‘wow’ text. Overall, it looked fun and I think this video suited the song well.
To match the casual sleepover concept, the entire performance was done so in pajamas. I liked that they retained this detail, which made the performance feel more approachable and chill to watch. But the moves looked pretty typical and didn’t offer anything new to us viewers on the performance front. I did like the start and end, however, where they used the dancers to lean on, like they are on a couch, adding to that casual detail I mentioned.
Song – 8/10 Music Video – 8/10 Performance – 7/10 Overall Rating – 7.8/10
KPOPREVIEWED 