SATURDAY is back with a brand new single, BByong. We last saw the group through their WiFi promotions earlier in the year. With the BByong comeback, the group has also seen another lineup change. Chohee, Sion and Sunha announced their departure between comebacks, leaving SATURDAY to reform into a five-member girl group. Let’s hope all is well behind the scenes and that the remaining five members will stay together for future comebacks!
The track opens up with brass that is pretty much in your face and dominant. And I actually quite liked that. It made the track colourful and really reeled me in within the first few seconds. The track also had a subtle fun vibe to it, which I think follows on nicely from WiFi. The vocals were pretty nice and I liked how they dedicated the pre-chorus to really zone into this element. The verses contained a fair amount of rapping, which I thought was intriguing. The chorus was split between rapping and vocals. It too felt interesting and the more I listen to the chorus, the more I am enjoying it. While the song still feels like it has a Momoland influence, due to the use of brass and oddly fitting rap breakdown, I find this track to also have an ITZY influence. Certain parts (such as the melody and the start of the chorus) remind me of ICY. Overall, I thought BByong was another decent track from the group. And given the colour and vibrancy that we get from the track, I think this one will grow on me in the future.
The music video is okay. It goes towards that cutesy side of the group that we saw in their previous videos, so it isn’t anything new. It was colourful and the quality felt like the music, crisp and vibrant. The girls were doing a lot of things in the video, such as soap making, travelling to the future, ice cream eating etc. So, in a way, the video is loaded with content. Just not much to really comment on otherwise.
I just found a live performance for this comeback, so now I can write this section. Just my comments aren’t that postive. It isn’t memorable overall. I did like how the centre member spins during that opening line of the chorus. But the rest of the performance felt dull and boring for the song.
Song – 8/10 Music Video – 7/10 Performance – 5/10 Overall Rating – 7.1/10
Last week, I didn’t post any album reviews due to a lack of time on my end. But I preplanned the last few days so I could fit in an album review for today. Today, I will be focusing on FT Island’s latest mini-album release, Zapping. It has been confirmed that this will be the last album release prior to Hongki’s enlistment. Given that the other members are at that age as well, I am certain they will be enlisting sometime in the future. So this will also be the last time we hear from FT Island for a while. Let’s see if their album is fitting for the situation.
2. Hope Again (다시 바래) – When I pick albums to review, I give them a listen to see if there was anything worth writing. Hope Again is only the second track on the album. But upon hearing the chorus for the first time, I made sure it was on the list to review. I think this is such an amazing song. The instrumental came across as pleasant yet upbeat for a song about longing for the person they let go. The real winning element in this song is the vocals. Hongki’s vocals were extremely powerful in this track, particularly during the chorus. He went above and beyond what I had expected for the chorus, based on the very verses we got. I was also wondering when the other members would appear on the album as they were noticeably absent from the title track. But in Hope Again, we got both Jaejin and Seunghyun. Their sections were not as well showcased but at least they were there. If you want a track with vocals that blow you away, this is the one for you to check out. (10/10)
3. Day By Day (못 고치나 봐) – Another good song from FT Island. Just it feels like something we have heard before from the band. This time around, Hongki takes that explosive approach he used in the chorus for the previous song and opened Day By Day (this same section ended up being the chorus in the end). I think Jaejin was better incorporated in this song, with his part blending well with Hongki’s. The song also has strong rhythm and is quite upbeat, which made it rather appealing to me. But it was a good track to follow from the preceding perfection. (9/10)
4. No Regret (신기루) (사랑사랑사랑2) – This track is intriguing to me as it is Love Love Love 2 (Love Love Love 1 was released back in 2010 and was a hit). Interesting note, however, is that despite how iconic Love Love Love was for the band, I always thought it was one of their weakest releases. Listening to 2.0, I can hear the influence of 1.0 in the chorus. It just doesn’t feel as memorable as it doesn’t have the memorable Love Love Love line. And hence, No Regret comes off in a similar manner to Love Love Love for me. I felt like Hongki could have been more heartfelt and emotional in this track. I was lowkey expecting Seunghyun to return with another rap sequence but was disappointed that it wasn’t the case once the song wrapped up. (5/10)
5. Don’t Lose Yourself – Don’t Lose Yourself comes in crashing with a strong rock sound, something that we haven’t heard on the album thus far. This isn’t as present in the verses but it makes the return of it during the chorus even more powerful. Hongki’s vocals were superb. The way the lyrics are posed, it felt like it was a farewell song for the band (No, they are not quitting showbiz. They just need to step away so that can enlist as they are at that maximum age to do so). I liked how the song transitioned to be a live song, as towards the end you can hear their fans singing along. I think this makes this song extra special for FT Island and fans alike. And it ends the album on a very strong note as well. (9/10)
CO-ED groups, for some odd reason, just do not flourish in the KPOP industry. There are only a few co-ed groups active at the moment and I have seen many come and go in the past. To me, it is unexplored territory, given the rareness of the groups. And joining the small niche is K-Tigers Zero. Yesterday, the 12 member group (7 males and 5 females) made their debut with Now and Side Kick. The group is from the taekwondo demonstration group, K-Tigers, who has been previously known for their taekwondo infused dance videos and covers.
We shall start off with Now, which I think can be best described as a chilled song. The song doesn’t pack a punch, which contrasts with their more intense sounding Side Kick (see below). The song allows for the vocals and rapping to be focused upon. The instrumental just doesn’t really let the member hide behind, which is something I have seen KPOP songs do quite often. I thought it was a nice track. The vocals and rapping were okay. Not the best in the industry but they just started out, so there is always room to grow. I find the melody to very appealing and I liked that it is chilled and not to heavy. I really like the end, when all the members are singing together.
Moving to Side Kick, the track is the complete opposite to Now. Right of the bat, it is a lot heavier, utilising EDM in its instrumental. This pack definitely packs a punch. The song also zones in more of the rapping, which I think was pretty decent. Once again, I don’t think they will be getting the award for year’s best rapping. But there is potential behind this group. The vocals don’t kick in until the song’s bridge and I thought they were decent as well. It might have been a little too late, in my opinion. But it was a nice way to cut through the intensity that the instrumental was throwing at us. Overall, two good debut songs.
The music videos are the weakest part of their debut package. Now wasn’t that appealing visually. It is all shot outside and I thought they did well with what they had. The camera work was lacking and the members cannot lipsync to save their life. Their outfits were rather odd as well, as it looked like the theme was white and they could wear whatever they wanted, as long it was white. Side Kick was probably the better of the two. I think there was a storyline of one of the guys getting kidnapped and fights scenes were present make it look like they were looking for him. I wished they developed this storyline. Furthermore, I wished they played with the edginess factor a bit more.
There is no doubt that the performance is the winning element of their debut package. I also like it how they didn’t go completely mainstream, keeping their taekwondo roots in it. It was cleverly incorporated and it looked quite cool. Side Kick was probably the more superior routine as the EDM intensity allowed for more intense moves and overall look to the members.
Now Song – 7.5/10 Music Video – 5/10 Performance – 7/10 Overall Rating – 6.7/10
Side Kick Song – 8/10
Music Video – 6/10
Performance – 8/10 Overall Rating – 7.4/10
The number of reviews over the last few weeks have been quite low. I am just so overwhelmed with my work at the moment. But it is always nice to have a break and I thought, why not write one review instead. And that is exactly what I am doing now. Laboum made their comeback earlier today with Firework. It is also the lead title from their very first studio length album. This is their first release since Turn It On, which was released back in December 2018.
Since Yulhee left the group back at the end of 2017, Laboum has gone straight into a mature sound. And while I have liked this change in direction, it seems like it hasn’t really caught on with other listeners. Firework follows the same style and I am not sure exactly how others would receive the song. I personally find the song to have a lot more colour in its sound than their other mature singles. I think that is thanks to their vocals, the rap-like sprinklings and the guitar that dominates the instrumental. Their vocal techniques and the melody was very interesting and very attention-grabbing at certain times. I find the chorus to be very dynamic despite the style they went for. I liked how they upped the volume of their vocals and changed the tempo in the chorus, which both resulted in a lot of boldness and a strong contrast with their more softer verses. I just wanted something a little more explosive, especially with the instrumental, given that the song is titled as Firework. But overall, it was a pretty good song.
With the sound change, their image and concepts have also taken a turn from cutesy to mature. And I think they manage to take it a whole new level with this comeback. It feels a lot stronger in that department. I just feel the video could have been a little more captivating. The video follows the choreography and closeup formula, which can be okay in some circumstances. But I feel like the formula this time comes off bland and boring. I did like their use of lights throughout the video to add detail to the sets or fill up space. But it just didn’t really help out much as a whole.
I think the choreography was nice. Once again, there seems to be a lot of energy in their performance (for the chorus) that was unlike their past mature tracks. I also like the elegance they had during the slower sections of the song. I also think their live performance from today was very strong. From their outfits to the stability of their vocals, it definitely raises expectations for tomorrow and the future performance.
Song – 8/10 Music Video – 6/10 Performance – 8/10 Overall Rating – 7.4/10
Dream Catcher has returned with a special mini-album, Raid Of Dream and its lead title track, Deja Vu. This isn’t your normal KPOP release, as the group’s comeback this time is paired with the debut of the mobile game (something that I have no idea about), King’s Raid. Not sure if it is an English game though or if it is just in Korean. But that is not the main focus of the review. We are here to listen closely to Deja Vu. We also last saw Dream Catcher through their Piri promotions earlier this year.
I think the song is amazing. Barely a few seconds in and I am already in awe of the sounds that were coming out of my speakers. Deja Vu starts off very elegant and very OST-like. Siyeon, the member that opens the song, sounds amazing. Paired with the soft and melodic piano backing, we are given an entrance that is going to be highly memorable. I like the blast of energy that the song gives you during the chorus. It changes the sound up by going toward Dream Catcher’s rock style that we know of. It is intense and it throws a little chaos into the elegant sound that the verses and bridge opt for. Especially, that final chorus. What I like the most is that we are allowed to hear more of their vocals in this track. Even Dami opted for singing, rather than rapping. There was one set of lines that really shot right out at me while listening to the song that I also wanted to randomly touch upon. The ‘So now, I’m holding this pain‘ line is so strong. As a whole, another amazing song from the group.
Matching the song is the video. There is another complicated storyline, which I assume borrows inspiration from the game that they are promoting alongside the song. There were two key endings of the song, each of which showed one side to be victorious in the game. I liked that. Other parts seem to be a bit confusing, such as the ‘funeral’ scene. But as far I can tell, it seems to be the exact same scenario. The members swap positions. Besides the storyline, the video is so beautiful and well shot. The quality is something that really took the video to a whole new level, highlighting the beauty of the sets and the members. This is one to watch.
I think the extra fabric on their arms made the performance fit that elegance that the song and video had going. The moves, overall, looked good. I did like how they ended in a similar fashion to how they started, which was quite cool.
Song – 10/10 Music Video – 9/10 Performance – 8/10 Overall Rating – 9.3/10
It is time for another past album review (PARs). Last two weeks, I have been focusing on groups who have disbanded. And while I could continue that, I want to also focus on the groups that are still active (or supposedly active). Infinite is one of these groups who are in a weird limbo. Some members are actively promoting, while others are in the military. More recently, L moved on from Woolim Entertainment (the company managing Infinite), placing a question mark on top of the group’s future, despite L confirming that he is still part of the group. Nonetheless, Infinite still many albums to look at and that is what we will be doing today. The group’s fourth mini-album, New Challenge, was released in 2013 with Man In Love.
New Challenge Album Cover
2. Man In Love (남자가 사랑할때) (Title Track) – Rereading my past review, I am very confused about what I meant myself. So, to keep it short, Man In Love has grown immensely on me. Not immediately after the initial review, but a few months (maybe years) after the release. It still is a change-up no one saw coming, given their past darker releases that came before and after Man In Love. Vocally, I think the song is fine (now) and the rapping is still a highlight for me. I thought the retro sound was appealing and the upbeat nature was a welcome change after all. These comments are drastically different from what I had originally, but if you want to see what I wrote previously (ignore the hypocrisy), click here to read the original review. (9/10)
3. As Good As It Gets (이보다 좋을 순 없다) – As Good As It Gets is a decent track. It isn’t amazing. But it isn’t terrible. It is like the Goldilocks of the tracks on the album, which I think is rather fitting given the title of the song. It follows the title track in a sense that it is wholesome and lively. At the same time, however, the song doesn’t push itself to be better. It stays very consistent throughout. And in this case, it doesn’t work well with the track. The instrumental takes a rock pop approach, which I was good. It felt very typical, especially in comparison to other songs on the album. But it was a good canvas for the vocals. The singing together for the chorus was a good technique, as it added more colour to the song. The members alone sounded quite nice. The rapping was quite good as well, but it didn’t feel necessary. There are two sides to this track, which is why I label as decent. (7/10)
4. Still I Miss You (그리움이 닿는 곳에) – One thing that I am not exactly sure if you know about me. But I always love Infinite ballad, regardless of the lyrics. Their voices are very versatile and hence can fit multiple genres. And it is always nice to hear them attempt something so strong through their title tracks and then successfully nail their more fragile ballads perfectly. Unfortunately, Still I Miss You is one of those outliers that just doesn’t meet that benchmark. It is a nice ballad, but it doesn’t capture the best of the group. It felt very typical and the melody didn’t feel special. While some members shined, others didn’t really do as well in the song, which I think is another letdown. The instrumental was a lot more lively than the ballads that I listen to often from Infinite, which I guess was required to fit into the album. (7/10)
5. Beautiful – The vocals and instrumental start from the very first second, expressing how their partner leaves them in awe with their beauty. Given their previous tracks, this one follows the title track in being of the unexpected nature. But I guess some brightness doesn’t hurt from time to time. Harmonies are given to us at the start of the chorus and I thought the song zoned into the vocals quite well. Instrumentally, I thought it was a little standard. It felt more like a b-side track than anything else, honestly speaking. So, it wasn’t necessary memorable back then or now. But still, another decent track. (7/10)
6. 60 Seconds (60초) (Infinite Version) – 60 Seconds was previously the title track from Kim Sung Kyu’s first solo album. A song that I do come back to every so often because it is so damn good. So, to hear that the group would be releasing a version themselves was a pretty big deal back then. And it was a version that I enjoyed. The harmonies and the vocals of the individual members were shown off. Hoya and Dongwoo also introduced a rap sequence into the song to give it some additional depth of appeal. The instrumental remained the same between the two versions, keeping it consistently good throughout. (9/10)
7. Inconvenient Truth (불편한 진실) – Opening this track up is a female’s laughter and a very vibrant set of horns. It brings forward a very retro sound, which is Infinite’s forte for this album. The song shows the members in an unimpressed state because of their lover, with the laughter at the start present to tease the members. Despite, the song is very lively and energetic. I thought the chorus was nice, with all the members singing together. It did feel a little childish at times, from my perspective, which is something I am a little disappointed in. I also wanted more to the song, given how it was very consistent throughout. The fading out ending didn’t really wrap things up in a manner that I would have liked it. All of this felt made it feel like there should have been one more song coming right after, so it leaves a gap at the end of the album. (6.5/10)
SEVENTEEN is back and you all will probably know this is the comeback I am most excited for. We were all teased with their upcoming mature and dark sound through their pre-release single, HIT, which was released at the start of August. Today, the group released their official title track, titled Fear, which is the first to extend this dark and mature concept into the main promotional track. Furthermore, the title track is featured on the group’s 3rd full-length album, An Ode. The group will also embark into their first world tour later this year.
I am not exactly sure where to start with the song. I am overwhelmed with so many emotions because of this comeback. It took me a number of listens since its release to really get into the groove of the song. I found it slightly underwhelming, in comparison to their more impactful tracks like Getting Closer and HIT. Fear seems to take what those tracks started and gave it a melodic twist. And it is was this melody that allowed the song to focus more on the vocals throughout. The rapping was there but it didn’t feel like a main element to the song. On the topic of rapping and vocals, I thought these elements were quite cool. I liked how loaded and rough the instrumental felt, which definitely gives off a lot of texture. Jeonghan and Joshua had the best parts of the track, with their whispering sections adding a whole new level of suspense to the song. But I wanted more impact, as I mentioned, with that underwhelming feeling still hanging around.
Order up on an artistic video. The teasers gave us a little snippet into it and I totally saw this coming. I am not exactly sure what the video is trying to tell us (I will leave that to all the dedicated Carats out there), but there is a story within this video. The Jeonghan and Joshua scenes were very cool and I am glad they got the spotlight they deserved. In addition to that, the members look awesome. The aesthetics give them a whole new look that was quite unimaginable before. Masculine and attractive are just some of the words I would use to describe the members in this video. Might even throw in mysterious, given the way the ‘story’ is presented to us. I also liked how they expanded and constricted the frame of the video as it went on. It was something a little different. I also liked how they changed the orientation of the video for some scenes.
The performance is intense in a very subtle manner. It doesn’t feel like the choreography this time relies on any bold moves as SEVENTEEN always use. Instead, the moves we would usually consider bold was quite tame and subtle. But everything together makes it into an intense. I really like how they show the ‘poison’ (alternative English title for this track) by using their hands at the start, chorus and end of the performance.
Song – 8/10 Music Video – 9/10 Performance – 8.5/10 Overall Rating – 8.4/10
Another comeback this week is from BOL4, who made their return with two music videos from their latest mini-album, TWO FIVE. Both Workaholic and 25 serves as the title tracks for this release. And these are two tracks I am excited to review (as I have a lot to positive things to say about the two tracks already!) We last saw the duo earlier this year through their Bom and Stars On Me double-track promotions (for those who may have missed these ladies).
Let’s start off with Workaholic. This is probably their most mature sound yet, which caught me by surprise (given how the duo’s songs are usually incorporate happy thoughts and bright elements). Despite that initial surprise, I actually find this to be a really cool song. It is all about wanting to live a different life but unable to due to the demands of one’s current life. Something that I am sure we would relate to in some degree. Jiyoung’s voice sounds really nice in the track. But I really liked how the autotune gave the song a needed boost in the edgy department. I also like the use of guitars in the song. I can hear how Jiyoon will be incorporated into the song, but I also like the use of electric guitars to kick the song up a notch towards the end. Overall, I like the new direction that the duo opted for in this song.
25 is a little different from Workaholic. It is actually the sound that I had expected from the duo. There is a subtle bright and upbeat atmosphere to it, which is why the track sounds like it aligns to the duo’s discography more than Workaholic did. While I don’t usually like songs that keep a consistent instrumental, 25 has the opposite effect on me (despite falling into that category) to an extent. The instrumental didn’t buildup at all, which allowed me to focus purely on Jiyoung’s vocals and harmonies throughout the song (which is the standard huskiness). I did like the melody and I did think the chorus was catchy. But the chorus felt masked by the rest of the song and blended in a little too much for my liking. The song talks about the quarter-life crisis that people have at the age of 25, which I am nearing very soon.
I like how the storyline of the video reflects the lyrics in Workaholic. Essentially, we see Jiyoung playing the character who wants a better life but is stuck in her job. She drinks as a way out and this causes her problems at work. And the whole thing just repeats itself. In the end, she decides that she has had enough. Changing her outfit and causing a mess at the workplace, she is joined by the comedic relief of the video (fellow member Jiyoon) to end the video standing in the midst of a lot of pyrotechnics. I really liked how they made Jiyoung look so much mature in the video and the greyness was very fitting to make things look draining.
As for 25, the video is a lot more colourful. I think this plays in well with the song’s meaning though. The colourfulness seems to reflect the years before 25, while the emotions they are conveying throughout the video shows that quarter-life crisis. Though, I think the message that the video is showing is that everything is okay, especially if you have a friend to hang out with during this time. Jiyoung’s and Jiyoon’s friendship is quite cute in the video.
Workaholic Song – 9/10 Music Video 9/10 Overall Rating – 9/10
25 Song – 8/10 Music Video – 9/10 Overall Rating – 8.4/10
Apologies for my week-long absence from the site. I have been busy all week and by the time I got home, I would already be too tired to function. So I will be dedicating time this weekend to catch up on reviews. FT Island was the first of a few comebacks this week, returning with their last mini-album before the impending enlistment of the members. Quit is the band’s title track and it is also the first release from the band since Summer’s Night Dream, in 2017. This is also the band’s first comeback since the departure of Choi Jang Hoon due to the chatroom scandal earlier this year.
One of the most satisfying things in KPOP is when an artist or group returns to a sound that the group had successfully pulled off in the past. For FT Island, this could be a range of sounds given their many different concepts and genres that they have attempted. Quit reminds me of Severely, a rock ballad that the group nailed in 2012. And given that thought, there are high expectations surrounding the song. Were those expectations achieved? I think so. Hongki’s vocals (as per usual) were at the forefront of the song, with a really interesting melody that allowed the incorporation of new sounds into the instrumental. His voice is so loaded with emotion that it makes the song so much more impactful, which is the case of his solo ballad releases. The repetition of the title ‘Quit’ (Gwandwo) is evidence of this. The song started off like how a classical ballad would, with some piano and strings. Then they bring a rock influence into the song through the chorus and maintain this throughout. The pre-chorus was probably my favourite bits in the song, as I thought it was a nice and fast transition between the two genres.
The video is very confusing as it plays with time. And I am not exactly sure if my interpretation is right. The video starts off in October, which I think is when the female character walks out of her relationship. In October, we see her place the clock down on the ground, turning it back to September. It seems that even though she is leaving, she still remembers her time with the male character (and hence this might explain their date at the end of the video). Throughout the video, we see the past few months. March is probably the most significant, as this is when he gives her the clock, which my guess is the ‘beginning of the end’. The way she accepts it gives me that type of vibe. Furthermore, in Chinese culture, you don’t give a clock or watch as a present as it signifies that time is up to the person who receives the present. This might play a part in this video. The rest of the video shows her acting lovey-dovey with the male character but is very alone when she is alone (e.g. she moves from two cups on the table to just one as the video progresses). As I said, the video is confusing and I may be wrong. But that is the storyline that I managed to determine from the video, given the lyrics of the song.
Song – 10/10 Music Video – 8/10 Overall Rating – 9.2/10
The FT Island and BOL4 review that should have been published yesterday and today (respectively) will be published some other time this week.
It is time for another album review and this time, we will be looking into the past (as per the schedule for Tuesdays). Last week, we looked at HISTORY’s mini-album, HIM, their last release in their careers. Today, we turn to FIESTAR, who was also under the same company as HISTORY. While A Delicate Sense (their second mini-album) was not their last music release in their time as a group, it was their final album release. Released on March 2016, the mini-album features the title track Mirror. I have also previously reviewed their first mini-album, Black Label, which you can read here by clicking the link.
A Delicate Sense Album Cover
1. A Sip of Lips (입술 한 모금) – Kicking off their final mini-album isA Sip of Lips. I know I might be getting ahead of myself (and this review) here by making this initial comment but in my head, it makes sense to start off by saying this. When you look over the entire album, A Sip of Lips is a great opener to the album. It eases you into the sensual nature of Mirror that follows without going with a sound that isn’t too heavy or loaded. But it is a different story for the song itself (if I were to consider it standalone), it isn’t the most exciting song on the album (nor ever). It is a little typical. I thought the chorus/melody was rather annoying and I can imagine this annoyance accumulating as I listen to more of it. (6/10)
2. Mirror (Title Track) – Upon rereading my review, the rating there is as per the old system (i..e just the one number and not a breakdown). My comments still stand but to better reflect the ‘song’ section of the review, I have decided to change the rating for this album review. Click here to read my review for Mirror. (9/10)
3. Mr. Black – The group continues their sensual vibe with Mr. Black. It fairs better than the first song on the album as it is easier on the ears and less annoying in many senses. I like how husky their voices get in the song, which adds to the sensual vibes of the song. The instrumental keeps the song from feeling slow, which could have been a problem. But the best part must be Yezi’s rap sequence. Instead of something powerful, she opts for whispering, which I think makes her part so much more impactful. I think both routes would have been fine. Overall, a cool track. (9/10)
4. Thirst (갈증) – Once again, the sensual theme continues through Thirst. It is more of an R&B track, losing the dance element that could have come with Mr. Black. Not that this is any problem, because I think this stage would have been fine without one. Listening to the track for the first time, I thought T-Ara (oh, I miss them as well) was singing the song. The vocals were quite similar, and I had to check several times whether I had the right song and artist playing to write this review. Interestingly, I didn’t like Yezi’s rapping in this song. I know she could only fit in with a softer approach, but it felt a little awkward and not fitting as her whispering did in the previous song. (7/10)
5. Come And Go (왔다갔다) – Come And Go ends the album with another, you guessed it, sensual vibe song. This one, however, wasn’t as strong as the rest of the album. I think the upbeat side was a tad overpowering and steals the show from the sensual atmosphere. That being said, the combination of their voices, saxophone and seductive melody worked well together. My favourite part has to be the layering of rap and vocals that wrap the song at the end. It drew moments of the song together in a successful and elegant manner that made me enjoy the song. I did have concerns about its plainness for a while, but I think those thoughts are long gone. (8/10)
It is time for the Sunday album review. As I mentioned in my previous post, I had endeavoured to get this up by midnight (my time). And since it was a single album, it made things a lot more achievable. ONEWE returned the previous week with Regulus and their second single album, 2/4. And as expected, we can expect the third and fourth quarters in the future. In the meantime, let’s have a closer inspection of the tracks on tier second single album.
2/4 Album Cover
1. Love Me (내가 처음 만져본 강아지) – The very first thing that popped into my mind when I first listened to the song was that the very first second reminded me of AKMU. And if some past experience is something to go by, it means Love Me will be a pretty nice track. The track has a decent level of brightness that offsets the moodiness and darkness the group opted for their title track. It is also a new side to the band, which I think they should do for a title track. The vocals were fantastic, and I thought the instrumental was fantastically done (that guitar solo section for the bridge is perfect). It is a niche that should be done more in KPOP, as I feel the song manages to form a connection in a unique manner. Upon further research, the song is about a dog. And as a person who enjoys the company of dogs, I think the song is perfect for me. (10/10)
3. Feeling Good (2019 Version) – Before ONEWE was ONEWE, the band was known as MAS and they released the single Feeling Good back in 2016. It is nice to know that the band is still with their roots and this shows in the 2019 version of Feeling Good. The original version is something I would describe as jazzy. It is also notable bright and totally something I did not expect from the group. The 2019 version loses that jazzy feel, opting for a solid band feel. The chorus feels amped up, which is a good thing. It does maintain that brightness. Despite the changes, both tracks remain pleasant throughout. The vocal work and rapping were also commendable. The bridge does change up the song in an odd manner and I am not too sure what to think of that part as of yet. (8/10)
So, I have been a bit busy with my week off. A lot do to for my studies, so it wasn’t really a week off. And that means I didn’t get around to posting my album review yesterday. Well, don’t fret as I will be posting it today! I have decided to push the Japanese reviews to next week onwards because of this. Today we will be leaping into X1’s first mini-album, Emergency: Quantum Leap. It seems like both the album and their title track (Flash) is a major hit with fans and listeners alike, as the group have been topping album charts and weekly music shows consistently this week! Congratulations to the group! But let’s see if the album is worth the attention.
Emergency: Quantum Leap Album Cover
1. Stand Up (Intro Track) – This introductory track opens with a bit of piano, making you think they are going with a soft approach to ease us in. But in a matter of seconds, the group changes into a harsh rock-like track. It is a great opener, full of energy to drive interest towards this new (and expectedly popular) group. We got solid vocals and rapping from the members, which I think did enough to showcase themselves. It is catchy and there was a fun vibe to it. I would have liked to hear this song extended into a full track. With a few changeups, I think this would have been a fabulous contender for the title track position. (9/10)
3. Like Always (웃을 때 제일 예뻐) – Like Always opens with someone typing. It might be random but given the song’s lyrics, it might be alluding to typing out a confession letter/email to their lover. It was also a nice lead in to the rest of the song, as the song opted for colourful and lively percussion synths. The verses were positioned in the pop genre and I thought showcased an impressive set of the vocals from the members. The chorus takes a turn to the industry trends, opting for a synth-heavy electronic dance-based instrumental. It was robust and was a nice changeup in my opinion. Some might think the two styles clash but I thought it was fine. The rapping was pretty good, but I have to admit it wasn’t nearly as exciting as the rest of the song. (8.5/10)
4. I’m Here For You (괜찮아요) – It is expected that there is a ballad on the album. I think all the Produce 101 resultant group’s first albums contained a ballad that says thanks to their fans. It is also a very different sound to the group, given that all the songs were more dance tracks on the album. I am sure fans of the group (and of the survival show’s latest season) would find the song touching. For the song, I thought the vocals sounded nice throughout the track. The ballad melody was fluid and well-paced. I thought the rapping was a nice touch. Not many individuals can tweak their rapping abilities to fit ballads, but X1’s rappers do a splendid job here. Instrumentally, the track was a little dry. But still, a nice track for fans. (8/10)
5. U GOT IT (X1 Version) – U GOT IT was first released during Produce X 101. I have previously reviewed it and you can find the review for it by clicking on this link. As it forms part of this album review, I will give it a rating based on X1’s version. (8/10)
6. Move (움직여) (X1 Version) – Move was first released during Produce X 101. I have previously reviewed it and you can find the review for it by clicking on this link. As it forms part of this album review, I will give it a rating based on X1’s version. (9/10)
One girl group that has been on a roll this year is CLC. If I can remember correctly, this is their third comeback of the year and no other group has returned this many times in the year thus far. So for those who have missed out on the powerful CLC so far (where have you been?!), they released No in January and then Me in May. Now, the group is back with Devil. While I do hope these ladies have been having breaks in between their comebacks, I am sure they (and their fans) are feeling blessed, as this has been their most active year yet!
Devil is a bright, colourful and upbeat track. But more importantly, it is something that reminds me of their earlier works. Sure, the cutesy sound isn’t there, as it is replaced by the group’s newfound fame with the mature sound. But it is still rather close. I wouldn’t think the group would change gears like this, especially since it seems like listeners are finally warming up to their powerful and dominating sound. But I guess, they have to throw in a different sound once in a while. The song also takes a retro approach with its instrumental, which feels very KPOP-like. Despite this colorful direction, I found the track to have a little bit of edginess, through the piano/keyboard at the start/during the bridge. It was subtle,. But as I was expecting something robust like their last two tracks, it managed to come off in that manner. I thought the vocals were rather strong and made the chorus stand out some more. I liked the melody but I wanted a stronger hook to the chorus. Though, I wouldn’t be surprised if I start humming the chorus in the coming days. I am also glad that they allowed Yeeun to keep her hip-hop flair. Overall, Devil was a great track and a nice change to their now- usual style.
I guess the saying ‘Never judge a book by its cover’ applies here. The music video started off like most cutesy videos. Very colourful and bright. The members were sitting around a table, with a cake on it. We then see the members live their normal lives, with another member elsewhere in the scene. And it seems like there is some sort of fight or beef going on in the video, as each member is plotting something against another. Seunghee purposely throws darts at Eunbin, Sorn is playing with fire around Seunghee, Sorn was lightly shoved off the chair by Yeeun, Elkie dropped a cactus on top of Yeeun’s head, Eunbin vacuumed Eikie’s hair, Yuijin was playing with the painful legos under Seungyeon’s bed and Seungyeon was leaving bars of soap under Yujin. I was already hooked with all of this. But then the video takes a turn, going towards the member’s dark side. The cake table turned into something more sinister with eyeballs and the chopped off heads of dolls. The colour is gone and it is all replaced by darkness. Even their outfits turned into black and leather. It is a very interesting video and definitely something worth watching a few times.
I am basing this off the music video. But I thought the way they started off the performance was very like their early works. As for the rest of the performance, I didn’t really find much worth talking about. Maybe they have kept hidden the better parts. But I can’t really make a comment about that until I see it.
Song – 8/10 Music Video – 9/10 Performance – 6/10 Overall Rating – 7.9/10
Due to the nature of the video, I have typed up the bulk of the music video section in white font. To read this section, simply highlight the text.
Mamamoo is back in the form of one member! Wheein has returned to the music scene with a solo release titled as Good Bye. Her last solo single was 25, which she released in May of this year. That release went completely unnoticed by many (including me) due to a lack of promotions in the lead-up and after the release of the single. Let’s hope that Good Bye doesn’t share the same fate! Her last solo single officially reviewed by your faithfully was Easy, which was released last year.
Good Bye takes on the ballad side of the industry. And it does so in a way that feels fitting for Wheein. We know of her impressive vocals through her works with Mamamoo and her solo stages on shows like Duet Song Festival. Her raspy vocals come through in this song, whereas they usually don’t during the group promotions. And I thought they brought some really nice warm colour to the song. The instrumental is pretty plain and ordinary for a ballad, but her vocals do a fair (as you would expect with any ballad) to make up for this pitfall. I also like how her voice builds as the song progresses, which I is something I enjoy when it comes to most ballads. Okay, it sure sounds like the Good Bye confirms to most ballads in many ways. But Wheein’s execution of Good Bye makes it stand out from the rest of the ordinary bunch.
The attention-stealing component of this comeback is the music video. IF YOU HAVEN’T WATCHED THE VIDEO YET, I RECCOMEND YOU DO BECAUSE I AM ABOUT TO SPOIL IT!!! We see the lead female actress adjust to a singles life for the majority of the video. At the start of the video, we see she flip a picture frame over angrily, make a meal for two when she should have just a meal for herself and removed all of the couple stuff from the house. It seems like her former lover was an artist, as she trashes the painting on the wall with fresh paint. This is the turning point of the video and if you want to read the rest of the plotline, you will need to highlight it as I have typed it out in white. So essentially, a couple arrives at the house to see it trashed. The entire time, we were lead to believe that she returned to her own place. But instead, it turns out it was her lover’s house. The guy runs out, to alert people (I assume), leaving his girlfriend in the house. It actually turns out to be her house and that she was the painter. As this girlfriend enters the room with the painting, she picks up the same picture frame from the start of the video, revealing a huge patch of orange paint over her boyfriend’s face, while her own face is uncovered. We are then shown clips of the lead actress drunk, crying over her lover and she lives the house. If you still don’t get the story, don’t worry. Essentially, the lead actress loves the girlfriend, not the boyfriend. It is another video similar to Please Don’t by K.Will. And it is a really good plot twist that I had to rewatch a couple of times. I also like the warm colours that feature in this video, fitting for the first ballad that I have reviewed on the site for the Autumn season!
Song 9/10 Music Video – 10/10 Overall Rating – 9.4/10
Today, we return to the PARs (Past Album Reviews), where I look closely at an album from the previous years. This way, I am able to revisit artists who have disbanded or inactive, rediscover old songs and introduce to you (and myself) the unsung b-side tracks on different albums. Today, the focus will be on HISTORY, who officially disbanded in 2016. HIM was their final release ever and this occurred in 2017. It is a pity to see HISTORY disband, especially since I was a fan of many of their title tracks. So it will be interesting to see what their B-sides tracks are like.
HIM Album Cover
1..Wild Boy – Wild Boy starts this mini-album on a very strong front. Wild Boy is a dance track that consists of a heavy and intense EDM instrumental. It adds to History’s style, with the next release always building on top of the previous. It is a pity that they are no longer around to continue with this vibe. The singing was quite good. But there is no doubt that the rapping was the real winner in this song. The rapping added more intensity and roughness to the song. And I like it how they didn’t hold back. All these elements together tapped into the group’s wild side, which fits the song’s direction perfectly. (9/10)
2. Queen (Title Track) – I decided to bump the original rating from 7.5 (the combination of song, video and performance) to 9 (just the song). The song has remained a favourite in my books since its release, so many of my comments in the review still stand to this day. Click here to read the full review for Queen.(9/10)
3. Baby, Hello – Diverting from the intensity that we have felt so far is Baby, Hello. It goes for an R&B style, instead. It is typical in some senses. But it is a nice break from that intense sound that I just mentioned. And while the previous two songs allowed the rappers to come to the forefront, a song of this style allows the focus to shift towards the vocals. The members sound smooth, with the rappers still doing a really good job. What makes this song kind of unique is that it extends itself using an additional dance break. Around the 2:30 mark, we get a bit of electric guitars to ‘finish’ the R&B style. But we are given an additional jazzy outro, which paired really well with the rest of the song. (8/10)
4. Whenever (그럴 때면) (Dokhyun Solo) – Continuing on with this ‘break’ from intensity is Dokhyun’s solo song. If I remember correctly, he was the member that was often hidden away. Their debut with Dreamer put Dokhyun into the limelight as a strong vocalist. But from every release from then on, I didn’t get to recognise or see him as much, which is a little disappointing. Whenever proves that he does have a really good set of vocals. I wished that History’s title track gave him a little more opportunity to flourish. It does feel like he strains his vocals towards the end. But apart from that, this R&B number was well polished and was very light in tone, suiting this ‘break’ nicely. (7.5/10)
5. LOST – I was under the impression that I had written a review for LOST, as it was a track that they promoted within Japan. It is also a return to intensity, as the song launches into a grand start through the classical instrumented driven start and probably one of the most intense EDM launches that I have ever heard. The song stabilises out once the vocals are brought into play. But not for long, as the EDM instrumental and classical lineup joins forces for the most drown-able chorus ever. I couldn’t even hear any of the vocal work during the chorus as the instrumental was too much. Apart from that, the verses were fine. Just the chorus was the biggest letdown. (6/10)
6. Liar – Liar is significant as this is the final song we ever heard from the male group. After the release of this album, the group went away and was never heard of again (until the news of their disbandment). I find this to be a nice mix between the R&B side of the group and the dance side of the track. It isn’t too much of a slow song, nor is it overly intense. Some might think this is rather typical of a KPOP track. But with History’s style, this pop style track was something different for the group (as far as I was concerned). I like how the rapping gave some roughness to the song, while the vocals evenly smooth out the song. (8/10)
Predebut and pre-release tracks are fairly common throughout the industry. But I will admit that I tend to gloss over those because I tend to focus on actual debuts and comebacks. Though the general rule I have when deciding what to review is whether a music video is available for it or not. We find ourselves in a music video available scenario with Woolim’s latest project, W Project 4. 1 Minute, 1 Second features Kim Min Seo, Lee Sung Jun, Kim Dong Yun, Hwang Yun Seong, Lee Hyeop, and Joo Chang Uk (majority of these trainees represented Woolim in Produce X 101).
While 1 Minute 1 Second is obviously a dance track, it started off slow with a quiet tone and a moody atmosphere. However, right after that short introductory part, the song picks up and puts forward a loud and bold change in direction. Sure, it isn’t anything refreshing or new. But it is a contrast that I thought was rather cool. I also like the piano in the pre-chorus segment, which added another layer of contrast to the synths in the background and that follows in the chorus. The synth dominated chorus picks the track up to a whole new level. I also liked how they maintained that momentum throughout the song and didn’t go back to that intro segment (a thing that happens a little too much in KPOP). They did opt for a tone back bridge. But that is different from a slow start. I thought their rappings and vocals were really good, showcasing the new generation of KPOP to come in the future in a very positive light. Something I think the song could have done better was developed a little more. Like in my past reviews, it stayed fairly netural throughout. Other than that, 1 Minute 1 Second is a great track to show off the new trainees of Woolim Entertainment.
The music video, to me, is fairly straight forward. It isn’t to the level of other Woolim Entertainment music videos, which I guess makes sense. It just wouldn’t make sense to pour all this money into a project group, which I assume is a way for the company to try to capitalise on the attention that garnered through Produce X 101. The video is dark and gloomy, which matches the tone of the song. Similar to how I mentioned about contrasting above, the members contrasted fairly nicely with their white tops in the dark sets. Overall, for a predebut/project single, the video turned out well.
I mentioned this countless times in the past that Woolim stands out for the choreography that is performed on stage, especially for their male groups. There is a level of finetuning that goes into each performance. And I think W Project 4 also got this finetuning treatment as well. As a result, their entire choreography looked dynamic, powerful and awesome.
Song – 8.5/10 Music Video – 8/10 Performance – 8/10 Overall Rating – 8.3/10
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