[Album Review] Twicetagram / Merry & Happy (1st Studio Album) – TWICE

 

I’ll make this intro a very quick one due to the length of this post. TWICE has returned with Merry & Happy, which is the re-release of their first album, Twicetagram. Both albums and songs have already topped the charts, showcasing the success and stability of TWICE.

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Merry & Happy Album Cover

 

1. Heart Shaker (Title Track)Click here to read the full review for Heart Shaker. (8/10)

2. Merry & Happy – Another upbeat Christmas themed track which didn’t feel too loaded. All the members vocally shined in the song and it felt genuinely cute. Besides that, the instrumental could have been better to keep the song more interesting. (6/10)

3. Likey (Title Track)Click here to read the full review for Likey. (7.5/10)

4. Turtle (거북이) Turtle felt like a sweet song. It had a really nice acoustic instrumental which paired well with the vocals. From a song of such nature, the chorus became stuck in my head after a few listens. (8/10)

5. Missing U – Following Turtle is another acoustic song that developed into a somewhat pop-like during the chorus. It also seemed to incorporate some tropical flares in it as well. The transition between the acoustic and electric guitar was nice. In many ways, the song felt quite similar to Turtle, including the vocals and raps. Also, another catchy track. (9/10)

6. Wow – The song features retro vibes that made the song stand out slightly. Besides that, various details stuck out for the wrong reasons. The girl’s pronunciation of the word ‘Wow’ sounded like a dog barking, while the raps were my least favourite parts. Furthermore, the song felt repetitive by the time it got to the final chorus. (4/10)

7. FFW – For those who don’t know, FFW stands for ‘Fast Forward’. Given the title, the song’s tempo does not feel like it fits its name. But it isn’t intolerable. The chorus was quite nice but once again, the vocals didn’t seem to work with it. Come to the think of it, FFW does remind me of a Christmas song for some odd reason. (7/10)

8. Ding Dong – It is the one song on the album that is bound to get everyone dancing. The chorus was quite catchy and upbeat. It goes well with the bright sound that I think you can associate with TWICE. I like how there was an incline during the chorus, which I thought made the track interesting and appealing to my ears. (9/10)

9. 24/7 – The soft start of the song was really well done. Following that was a slight build-up throughout the rest of the song. It is a catchy track with many memorable moments. The addictive chorus, the clean vocal work, the subtle upbeat instrumentation and the cool rap. What more can you ask for? (9/10)

10. Look At Me (날 바라바라봐) – The “Look At Me” lines repeated throughout the song became quite addictive. The raps were also quite nice even though they were of a more standard nature. The falsetto vocals before the chorus and during the bridge were also quite intriguing. The slowdown that made up the bridge contrasted well with the rest of the track. Overall, I thought it was an interesting song. (8/10)

11. Rollin’ – I thought it was a great track but there is a part of me that thinks it could have been better. The greatness is attributed to the retro vibes coming straight from the instrumentals. I actually like the chorus, which reminds of certain songs. The reason why i think the track could have better was that the vocals/raps were underwhelming. (6.5/10)

12. Don’t Give Up (힘내!) – While I thought the instrumental was on the quirky side, there were moments where I thought it overpowered the vocals. The vocals themselves were quite good but it was clear that the rap sequences (especially the one at the end) was the best part of the entire track. The bridge felt like it belonged to a completely different song. It was another passable track on the album. (6/10)

13. You In My Heart (널 내게 담아) – I really enjoyed the fresh feel that the instrumental gave the song but its pop style is something that you hear often. The vocals don’t really add much to the song but they were extremely fitting and clean for the song. I must say that if you want something easy on the ears, this is the song for you. (8/10)

14. Sleep Tight, Good Night (잘자요 굿나잇) – It is time for that mandatory ballad. And it wasn’t as bad as I had expected it. Instead, the track contained nice vocals. It did make me feel sleepy, acting almost like a lullaby. And while that may sound like a bad track, it isn’t. Instead, it is a nice way to say the album is over and to wait for the next release (at least, that is what I got from it). (8/10)

Overall Album Rating – 7.5/10

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Twicetagram Album Cover

[Review] Joy – NCT Dream

NCT Dream is nominated in Best Subunit for this year’s KPOPREVIEWED Awards, while NCT is also nominated for Best Boy Group. If you have yet to support them or any other of your favourites, click the link here to get voting!

SM Entertainment has taken the Christmas season to a whole new level with multiple Christmas and Winter themed tracks for the very fast approaching holiday season. Last week, Taeyeon kicked things off with her solo title track, This Christmas. On Friday, NCT Dream marked their return with their first SM Station track, Joy.

Joy takes my surprise due to its upbeat nature. Upbeat Christmas songs have been done before, so I don’t know why I am so surprised about the idea of it. They managed to incorporate the traditional sounds of Christmas, giving the songs of the holiday season a modern sound. However, the upbeat nature has its down-side. It doesn’t feel right. Instead, it seemed to make the song feel quite complicated and had too much going on at certain parts. The chorus features two widely known Christmas songs, Joy To The World and Jingle Bells, but instead of making a full mash-up with the two songs, they only took the iconic line from each song to form the chorus. Their vocal work was nice and the raps were cool. Though I did have a laugh with Mark’s words during the second rap chorus, mainly because they felt really random at those moments. 

The music video was very golden. The choice of colours in the music video created a warm atmosphere, which is definitely a suitable aspect of the video. However, some of the stuff that was occurring didn’t reflect the Winter/Christmas season that accurately. Like you can do face-painting during the Christmas season but it doesn’t feel Christmas-related, which is clearly what the video is aiming for. As for some of the other scenes (such as the glitter scenes), it looked like the director focused more on aesthetics than the actual Christmas season. It isn’t a major issue but it does bug me to an extent.

Song – 7/10
Music Video – 7/10
Overall Rating – 7/10

 

[Review] Ending Credit – Uhm Jung Hwa

You can actually vote many times for the 2017 KPOPREVIEWED Awards. Some categories are extremely tight, while the leading nominees constantly change. So in order to get your favourites to win, make sure you continue voting!

Uhm Jung Hwa is back with her latest track, Ending Credit. She previously made her last comeback at the end of 2016 with the first part of her mini-album, The Cloud Dream of the Nine. Her return 1 year later features the second part of her mini-album, where Ending Credit is the main track. Uhm Jung Hwa also collaborated with Lee Hyori in another track (Delusion) which also features on the mini-album.

I dig this song a lot. It sounds very plain when you listen to it the first few times. But after a while, it caught on very quickly and is soon becoming a song that will dominate my replay list. The song is so smooth and just fits into the genre of music that I am loving. The chill side of the song is so damn good and the first few seconds (before she starts singing) would be fitting for many TV shows currently on our screens. Once she starts singing, you can identify the retro vibes that dance track is trying to portray. Her vocals glide very easily over the instrumental, giving it a very strong (in a subtle way) presence. It isn’t a catchy song, but somehow it manages to become impactful. And even more mysteriously, it has me going back for more.

If a particular music video is 100% retro, then Ending Credit is probably at 110% retro. From her outfits to the lighting, to her hairstyle, the video takes you back to the 80s. And I really enjoyed all of it. Even the hazy filter that was placed over the video looked so damn good. The theatre was a nice place to set the entire video, giving it an aesthetic look.  And to complete the video, it featured its own Ending Credit.

The choreography looks nice. Parts of it reminds me of voguing, while other parts felt like a normal upbeat dance. I want to see a full live stage (mainly because the one shown on Weekly Idol looks extremely promising and that full theatrics would make it an iconic stage), but the chorus looks so nice.

Song – 9/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 9/10

[Album Review] Infinite Only (6th Mini Album) – Infinite

With a rumoured comeback for January next year, I thought it would be nice to have a little trip back in time and look at Infinite’s last comeback. Infinite Only is the group’s 6th mini-album, released in September 2016. This was the last comeback to feature Hoya, who did not renew his contract with Woolim Entertainment earlier this year.

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Infinite Only Album Cover

1..Eternity (Intro Track) – This track will not be included in the review. It features a really dramatic orchestral piece that is very Infinite-esque that eases you into the title track.

2. The Eye (태풍) (Title Track)Click here to read the full review for The Eye. (9.5/10)

3. Air – Song starts off slow and eerie. But that lasts only for a few seconds before you are launched into an epic dubstep/EDM styled drop. It made the entire track become instantly intense. While the instrumental did remain dubstep/EDM based, the chorus sounded a lot like a traditional pop song. The bridge slowed the song down, but it made the song appear nicer. (10/10)

4. One Day – This track is a soft rock style ballad, which is quite pleasant to listen to. I liked how the instrumental was dynamic. Rather it is the minor details that make me think the instrumentation is dynamic. The vocal work is great but I felt the raps stood out, adding a more intense touch to the song. (9/10)

5. True Love – Out of all the tracks on the album, I felt like this one is the most out of place. It has a jazzy sound, which feels like it suits a more elegant tracklist. Not saying that EDM and rock are not elegant but it just doesn’t fit the overall feel of the album. I have to admit, however, the vocal work in this song is the best on the entire album. (7/10)

6. Thank You (고마워) – It is a fan-service song. A way to say ‘thank you’ to the fans. It is very nice on the ears and feels suitable for a warm Spring day or Autumn day. The harmonies during the chorus of the ballad and the lyrics made the song feel a lot more wholesome and warm. (8/10)

7. Zero – The album ends with another epic track. It grabs you from the very first second with its explosive synths and (yet again) EDM based instrumental. I thought the vocals would have drowned out in comparison to the rest of the song but they were nicely balanced. The high note at the end was spectacular. As the final song, it brings you to the edge of your seat and creates an intense finale. (10/10)

Overall Album Rating – 9/10

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Infinite Only Teaser Image

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[Review] The Night – Soyou ft. Geeks

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With many famous collaborations under her name, Soyou has officially embarked as a solo artist with her solo debut. With the unfortunate disbandment of Sistar earlier this year still haunting us, Soyou has taken this opportunity to show off a different side with her title track, The Night (featuring The Geeks) and her mini-album, Part 1 RE:BORN.

While I did expect something along the lines of her collaboration works, this one has a different sound to what I am used to. It makes sense, given her need to remove herself from the safety of Sistar and her duets with big names in the industry. Her song is quite nice, giving off a warm atmosphere through her vocals. It has a sweet and happy tune to it, which is something I like, mainly since Winter seems to focus largely on ballads. The melody makes the song quite catchy but I wonder how long the song would stick around. The song doesn’t necessarily feel like a song that should constantly be replayed but it is definitely a nice sound. Geeks added a nice touch with their delivery fitting the song’s tune very neatly. It’s definitely not Soyou’s next Some song but there is a decent sound to it.

The music video seems to show Soyou preparing for her date and shows her excitement for the date (as per the information taken from the description box to the music video). At the start, she is rehearsing what she expects will occur at night (i.e. cooking the ramen, drinking the blue bottle alcohol) but it seems her dates takes an unexpected turn as she returns home alone. At the very end, her head somehow lands into her date’s lap, which surprises her. It’s a nice video that makes sense with the lyrics. I like the brightness of the colours and the camera work that featured in the video.

Song – 8/10
Music Video – 8/10
Overall Rating – 8/10

 

[Review] Hands Up – B.A.P

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B.A.P has officially returned with a brand new single, Hands Up. 2017 has been a big year for some groups, B.A.P being one of them. With solo work included, B.A.P has already returned with two singles, Wake Me Up and Honeymoon. So their year is completely jam-packed from the very start to end. And to round out that year is this particular comeback.

When I first saw the title, I thought the song would be something like getting hyped for a party of some sort (I guess my mind is in holiday mode at the moment). It was extremely surprising (for some odd reason) when it came out to be a lot serious and leaned towards a darker hip-hop sound. The instrumental remains consistent throughout the entire song. And while it did get a little repetitive towards the end, the consistency works well with the serious nature of the track. It also made the song feel a lot smoother when it came to the vocal parts of the song, which I pretty much liked. The raps are also stand-out sections of the song, particularly Bang Yong Guk’s, which is the most intense part of the track (and his husky voice makes it 100% better). The ‘Go Hands Up’ becomes addictive after a few listens. I just feel the song lacked energy and did not do enough to give it that ‘wow’ factor that I like to surprise me when it comes to this type of music.

The concept reminded me of Young, Wild & Free. Young, Wild & Free’s music video felt isolated but I would imagine a similar video to Hands Up would be produced if they threw in a few more people. It attempts to be edgier than any other video but instead, it felt very standard and plain. I like how they managed to rug the members up in the cold weather but still maintain a look suitable for the music. And I think this is the first time I am going to say this but I am not a fan of the camera work in this video. Some of the shakier shots were distracting.

[Updated] The choreography was nice but it wasn’t that appealing and memorable. Some parts lacked energy (complimenting some comments I made previously) while others parts were more energetic (i.e. chorus). Though, it managed to showcase a tense atmosphere, which I thought made it look decent and right up B.A.P’s alley.

Song – 7.5/10
Music Video – 6/10
Performance – 6.5/10 [Updated]
Overall Rating – 7/10 [Updated]

[Review] This Christmas – Taeyeon (SNSD)

Taeyeon is nominated for Best Female Soloist for this year’s KPOPREVIEWED Awards. If you want to support her and your favourite groups, click here to get voting!

SM Entertainment doesn’t mess around when it comes to the Christmas season. Usually, they end the year with Christmas albums for some of their artists and lineup many collaborations for the upcoming festive seasons. This year is no exception and to kick things off is Taeyeon with her first Christmas album, titled as This Christmas – Winter Is Coming.

The lead title track from the album is This Christmas, which is another ballad to add to Taeyeon’s forever expanding portfolio. This Christmas features a very nice piano instrumental that makes you feel warm but manages to prick an emotion or two out of you. I liked the late buildup of the instrumental. Even though it did make the start feel a little dragged out, it is not how you start but rather how you end. And the end of the song gives off a grand feel. Most importantly, however, is that the instrumental compliments her vocals very well. They make the song feel so much more emotional. The latter half of the song (where the instrumentation picks up) showcases Taeyeon’s vocals in such a beautiful light that I have to say that this is one of her best works yet.

The music video focuses on the girl’s relationship with her father, centring around Christmas. It starts off with the typical loving father and daughter relationship when is young. As she gets older, the relationship gets rocky and we see multiple scenes of her walking out on her dad and pushing her father away. In the end, it implies that Taeyeon is the young girl. The storyline made it into a very beautiful video to watch. I love the various effects they used to make it feel like Taeyeon was in a snowstorm with the snow blowing rapidly and the fast-moving camera work. I think that was the best scene in the entire video. 

Song – 9/10
Music Video – 10/10
Overall Rating – 9.5/10

[Review] Heart Shaker – TWICE

TWICE is nominated for Best Female Group and Best Japanese Song by a Korean Artist. Have you supported them in this year’s KPOPREVIEWED Awards? If you haven’t, click here for the poll!

TWICE has returned with their brand new song, Heart Shaker. This song is actually the title track from their repackaged Twicetagram full-length album, which featured Likey as the main title track when it was released back in October. The repackaged album was retitled to be Merry & Happy and you can expect an album review for the entire album sometime in the near future.

Heart Shaker is a decent song. But to me, it is missing that iconic moment that all TWICE songs. You may say that iconic part is the chorus but I would say that lines (such as ‘Shy Shy Shy’ or ‘Me Likey Likey Likey‘) are the parts that everyone knows when it comes to a TWICE song. The ‘You’re My Heart Shaker‘ seems to be the main hook this time but it lacks energy and feels hidden in comparison to the other parts of the song. It does feature an amazing chorus to make up for it. The instrumental feel very KPOP centred, which is a good thing I guess. The vocals are quite nice, with the exception of some members which still catch me off guard every time I listen to the song. The raps are nice but there were moments (such as the intro) that I was not fond of.

I was expecting something Christmas theme (as the title of the album is Merry & Happy) but we got something that was equally as nice. Not exactly fond of the shopping store set but everything else looked quite nice. The editing of the video makes the transitions between scenes quite pleasing to watch and I thought it was quite cool. I did notice the Tyuzu mistake at 2:02 of the music video. The ending where they combine the two TWICE groups completely blew my mind and I wonder how they shot that since they are all overlapping each other. Overall, it was a nice video to watch.

Like the song, it is missing that iconic part. But I thought the choreography during the chorus was good enough, matching the song’s tempo and sounds. I did like how they manage to throw in a sneaky heart sign during the chorus.

Song – 8/10
Music Video – 8/10
Performance – 7/10
Overall Rating – 8/10

 

 

[Review] Charm Of Life – Heechul, Shindong, Eunhyuk (Super Junior) & Solar (Mamamoo)

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The next SM Station release is officially here. While SM Station focuses primarily on ballads and softer sounds, there have been instances of more energy packed songs. And such songs tend to be quite good. This time around, SM Station shares a collaboration between Super Junior members Heechul, Shindong and Eunhyuk who rap alongside Solar from Mamamoo.

The song is quite funky, a little unexpected. But then again, it should have been expected as the song features 3 people, of whom I regard as the funniest members of Super Junior. The song opens up as like any type of song with a solid vocal intro from Solar herself and everytime she pops up in the song, she blows me away. Solar’s addition to the song keeps it from going over the top if I assume the raps lyrics from the 3 male artists are comedic in nature. what does catch me off guard is the raps and instrumental. Shindong, Heechul and Eunhyuk’s rap-talking is nice but they do feel cheesy (and I don’t know what they are talking about). The funky drop sounds foreign but it makes me laugh with its brightness and energy. It is quirky but it suits the 3 members quite well.

I like the flashy style of the music video. The gold colouring is nice and I thought the retro vibes brought together by the cam-recorder and old fashion televisions looked quite cool. From the lyrics, Killagramz makes an appearance in the video, alongside Shindong, who seems to be parodying him. Nucksal also makes an appearance and is also parodied by Heechul (I think it is them. Not confident). It made for a fun atmosphere.

Song – 8/10
Music Video – 8/10
Overall Rating – 8/10

[Review] Day & Night – Taemin (SHINee)

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Taemin has made his unexpected return with a repackaged album of his second studio album, MOVE-ing. He previously returned with Move (which is the title of both his second studio album and title track) in November. His latest title track is Day & Night, which is one of the four new tracks on this repackaged album.

Day & Night is a mid-tempo song that seems to draw attention to Taemin’s vocals. It is a lot different to his previous comebacks and title tracks as it doesn’t employ dance elements or synths. Instead, everything is stripped back and made to sound more acoustic. And it is a style that I would love to hear more of from Taemin. It has never occurred to me that he should do this style, but hearing it once just confirms that we need more of these songs. His vocals are extremely well done and it definitely shows the road he took to get here. Them ad-libs at the end of the song were really good. I have to say, despite the guitar-based instrumental, the song has this very chill vibe to it. It does lack a good hook to make this song memorable but I will be replaying this song regardless.

This is the first music video under Taemin’s belt that does not feature a choreography. Instead, they contained various shots of the artist himself in nature. It makes for an artistic video. On top of that, it is loaded with aesthetics especially with the colour palette that was used. Besides that, there isn’t much else to say about the video.

Despite my wording in the review so far, it isn’t a Taemin comeback without a choreography. If I were to pick one word to describe it, it would be ‘elegant’. The way his body moves to the music is captivating and this song is great for displaying that.

Song – 8/10
Music Video – 7/10
Performance – 8/10
Overall Rating – 7.5/10 

 

 

[Review] Stalker – 1NB

I promised I would write the review for Stalker in yesterday’s review for Where U At, which is also by 1NB. And here it is. I find it funny that my wording in yesterday’s review seems to imply I would be writing this later on… Anyway… Stalker was released earlier on in the year as a pre-debut single for 1NB, who later debuted at the end of November with Where U At.

I don’t have that much to say in regards to the song. Right off the bat, it is hard to miss the sensual feeling that the song was aiming for. The breathy moans of ‘Hot Hot Hot’ during the chorus was a smart way of incorporating lyrics alongside the sound they were going for. I could also detect a Western influence as part of the song but still quite easy on the ears. I have to admit, the slowness of the track doesn’t ruin the song but it doesn’t turn it into a great track. It was great for the sensual vibes but its consistent pace did make it dry and repetitive. The vocals aren’t also that great but they work well with the concept. Overall, it isn’t a bad song but it isn’t the best song out there.

I think people who know this song would also know the music video very well. The stalker music video features a horror theme, which is also quite good. Not like an actual movie but it felt like a potential trailer. And like good horror movies, there is a decent plot that makes us ask questions. So, there is a detective that is haunted by nightmares of a lady (assumed to be his dead lover). These nightmares make him wake up during the night and he has to take pills. He is called to a crime scene, which somehow triggers his nightmares to become more powerful (I assume it is the same location as his nightmares). He returns to his residence but it continuously awoken by ghosts grabbing his body and at one point, his dead lover lies beside him with a very creepy smile. The music video is 9 minutes long and the song takes up a small portion of that time, coming into play when we are introduced to the dead ghost. There were a few editing/filming errors (i.e. one moment his shirt buttons are undone, the next they are done up). But overall, I thought it was a very interesting video.

There is choreography to this song. I felt the dance could have been a little raunchier, given the song. It isn’t that impressive and felt very held back.

Song – 6/10
Music Video – 9/10
Performance – 4/10
Overall Rating – 6.5/10

[Review] Where U At – 1NB

I am trying to find some new artists to listen to and see what else KPOP has to offer. I managed to stumble across a group which I never heard of before, 1NB. Currently, they are a five-member girl group under Trivus Entertainment, who made their debut last week. From what I managed to find, 1NB used to be a trio at the start of the year when they released their pre-debut single, Stalker (review coming soon). One of the members ended up leaving and 3 new members were added to the lineup, leading up to the release of Where U At.

Where U At feels like a pretty standard song. But there were parts of the song that were appealing and unique, allowing to standout in some ways. The song, to me, sounds like a mixture of RnB and dance combined. It results in a sound that is quite pleasant, despite the lyrics going in the other direction. The violins in the background and the guitar riffs in the second verse give it a more dramatic touch. But what sells me the song is the vocal work. All the members seem to have a husky voice, which makes the song sound so good. It also makes the song more unique. I have to say though, the ending of the song seems to feature vocals that seemed a little forced, which I didn’t notice in the rest of the song. Also, the ‘Where You At’ chorus is extremely catchy, giving the song that memorable element that I tend to talk about.

But I think everyone who knows of this song would be talking more about the music video than the actual song. It starts off with a sexy concept, taking an extremely dark turn. Essentially, these two girls partner together to take revenge upon a cheating boyfriend. One of them seduces the cheating man and drugs him. Once he is knocked out, he is brutally killed and he is eaten by the girls, who are quite satisfied with the outcome. It is obviously slapped with a 19+ rating for both the sexy and gory side of the video. If you have yet to check out the video, I definitely recommend this one (provided you are not grossed out by blood and organs).

The choreography was quite good. It just doesn’t have that memorable side to it. However, the choreography at the “Where You At” chorus, which fits the song ideally and matching the intensity.

Song – 9/10
Music Video – 10/10
Performance – 8/10
Overall Rating – 9/10

 

[Review] Hellevator – Stray Kids

Another song that I missed. JYP Entertainment jumped back onto the reality TV show bandwagon for their next boy group. STRAY KIDS is currently a show broadcasting in South Korea with the sole purpose of selecting members of a future boy group to debut next year. To promote the participants and show, the trainees released Hellevator, the focus of today’s review.

The first part of the track reminded me of Rhianna and Eminem’s Love The Way You Lie, which was one of the songs that got stuck in my head through my early teenage years. The way the vocals were set up reminded me eerily of the way Rhianna sang her song and the way the raps began reminded me of how Eminem rapped in the said song. Hellevator’s main attraction was the raps. There is no doubting that. And I thought the raps were really well done. They were rough and tough, much like the EDM drop that the song featured. The vocals, on the other hand, didn’t seem to connect well with that side of the song. What also yelled out to me was the intensity of the track, which basically grew larger as the song went on. It was there from the start but I think the chorus kicked it up a notch. Overall, it is a great pre-release, in my opinion.

I like the video. Ther post-apocalyptic vibes were very cool and the sets portrayed that very well. There was a small plotline in the video but for the amount of time it received, it felt unnecessary in the end. I am not going to make a summary of what I thought was going on in the video because I had no idea what was going on. But after some searching, I thought this site pretty much explained in a more cohesive manner than what I would have done. To read the synopsis, click here (3rd paragraph).

The choreography performed was really cool, as well. It seems to make their future releases look promising with such epic choreography.

Song – 8.5/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 8.5/10

[Review] Boy – The Boyz

A fresh new debut has just occurred and I am not delaying the reviewing until next week. That is a miracle. The Boyz is a 12-member boy group under Cre.ker Entertainment. Their debut comes in the form of the title track, Boy and the mini-album, The First. According to their Wikipedia page, some of the members have previously been in the spotlight through TV shows such as KPOP Star, High School Rapper and Produce 101.

Boy is another pop dance track that we have been seeing a lot lately. And while it is a good song, it really doesn’t have anything that allows it to stand out in the crowd. That’s the most disappointing aspect of the song. It was set up to be a decent song but with the lack of prominent hooks, the song just doesn’t draw any attention. There are many other aspects of the song which I would like to be a little different but they are more personal preferences. The instrumental was pretty much standard but it was still had a nice kick to it. There was a slight buildup to the chorus but I feel like a more defined drop into the chorus would be more suitable. Their vocals don’t really have much uniqueness to it, though there were some nice adlibs at the end of the song. The raps were the most interesting part of the song, in my opinion, fitting very neatly into the fast-paced music during its respective section. 

I am a little confused about the music video. It seems like they each member is paired with another member. And they all seemed to be friends in the past. Fast forward a few years, each pair seems to reunite with each other, leading to many moments of ‘is that who I think it is?’. That or each person was in awe of the other person’s handsome features. The camera work in this music video was also quite smooth and made the music video look quite appealing.

The choreography was spectacular. If I sounded like I was disappointed with the comeback, I apologise for that. However, the dance was quite impressive. From the infinity signs they made with their formation to their in-sync capabilities, it made the entire performance worth watching.

Song – 7/10
Music Video – 7/10
Performance – 9/10
Overall Rating – 7.5/10

[Review] I Like You – DAY6

For the past year, DAY6 has been releasing songs every single month. And as the current month (December) is the final month of the year, DAY6 has officially dropped the last track that makes up this Every DAY6 project, I Like You. It is definitely a remarkable feat for a KPOP group to continuously pump out songs like that and has proven extremely successful, with many of their tracks drawing the attention of listeners, new and old fans alike in the past year.

Let’s take a moment to appreciate how good I Like You is. Honestly, I have not been feeling some of their latest tracks. I Like You is completely different, as clearly, they have left the best til last. It is an awesome rock ballad mix to rock out to. The instrumentation is quite good but it isn’t the show-stealing element of the song. Their vocals were and they do not disappoint. Both Jae and Young K open the chorus up so well, that I am blown away each time I listen to the song. I love how their vocals occur prematurely in comparison to the chorus instrumental. Jae’s guitar solo was also another highlight. That pause that features in the song just makes everything feel so much more explosive, definitely giving the song its peak that it needs. And for once the fade-out ending is ideal for the song. Overall, it is a great song and totally great way to end 12 months of songs with a bang.

The music video was quite nice. I liked the little plotline that featured in the video. Basically, I assume the two leads actor/actress are interested in each other. The guy goes through a non-elaborate plan to confess his love to the waitress by using a very subtle heart shape balloon (sarcasm present). Usually, I find such things quite cheesy but it made for a nice video. The cinematography of the shots featuring the actors, along with the band scenes featuring DAY6, was quite nice as well.

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

[Double Review] Love & Live + Sonatine – LOOΠΔ 1/3

I am back with the second LOOΠΔ subunit double review. Technically, this is the first subunit unveiled, back in March and is made up of 4 members (HaSeul, ViVi, Heejin and Hyunjin. Their first song, Love & Live was released on 13th of March, while Sonatine was released as their repackaged single on the 27th of April.

Love & Live

While I want to say nice things about the song, I find is incredibly hard. The song was quite boring overall. I wish it was a little more poppy (despite the nice bubblegum pop vibes), which would make it more memorable and catchy. The song does seem to pick up around the chorus, it just isn’t enough to give the song some character.

But I did like the music video Love & Live. It is about a cyborg or humanoid designed to win races. But clearly, since she is a robot, there are many things that makes her envious of her team mates. The video depicts the cyborg as a perfect being but in reality she is bound to a battery pack. Clearly, at the end, she attempts to break away from the battery pack in an attempt to fit in. The concept was interesting and the background shots were nice (for the choreography scenes).

The accompanying choreography looked graceful. It just didn’t hit that memorable mark. I did, like however, the incorporation of the starting position of a track race.

Song – 5/10
Music Video – 9/10
Performance – 6/10
Overall Rating – 6.5/10


Sonatine

The orchestral instrumental that basically stands out from the crowd is a great backbone for the track. It gives the song that really nice touch and makes it sound so unique. There was a nice Latin flare mid-way through the song. The vocals worked well with the song but they felt constricted somewhat due to the instrumentation. There really isn’t a catchy moment to look out for but I like this song far better than the previous.

The contrast between the colours in the previous video and the darkness in this video was quite nice. The difference between day and night made this entire debut a little more interesting, especially since the backgrounds for the choreography shots for this video were similar. The camera angles and different shots throughout the video looked cool.

Once again, the choreography was graceful like the music. It goes well with the song but it just doesn’t have that memorable factor (once again).

Song – 8/10
Music Video – 8/10
Performance – 6.5/10
Overall Rating – 7.5/10