With the recent disbandment of JBJ, a few of the members have announced that they will be launching their solo careers. Jin Longguo is the first member to embark on a solo career post-JBJ, with his solo debut track dropping earlier today, titled as Clover. It features very well known hip hop artist Yoo Mi Rae. For those who don’t know Longguo is one-half of the duo Longguo & Shihyun and is currently under Choon Entertainment.
Clover is a decent R&B track. It isn’t the best track out there but it is still something that I wouldn’t mind putting on every now and then to unwind. The R&B vibes that come from this track do put you in an easing state, with the instrumental being its main driver. His vocals, while they were good at some points, it felt like he was pushing himself at other parts. His section of the bridge (before final chorus) was probably his best moment. The song wasn’t that memorable, with his chorus not being that catchy, despite the presence of the repetition of the song’s title. I did like Yoo Mi Rae’s featuring, as her voice compliments this R&B style so well. I also liked how her sections did not feel like it was going overtake Longguo’s vocals as her past songs may be indicative of her potential to overtake. Overall, it was okay.
The music video was kind of dry for my taste. But I felt like the music video complimented the song nicely, fitting in with its laidback vibe. I like how the colours of the video and the clothing that he wore were also fitting for that vibe. There just wasn’t anything else engaging about the music video to really make me want to watch it.
Song – 7/10 Music Video – 6/10 Overall Rating – 6.6/10
I have been holding onto a number of album reviews for a while now and have decided to release them before I forget about their existence. For this particular week, I wanted to focus on VIXX’s Greek mythology trilogy, which was released back in 2016. The review for Zelos was published on Monday, Wednesday (today) for Hades and Friday for Kratos.
Here is just a very brief rundown of the album release. Hades was released in April of 2016 and is the second part of their Greek mythology trilogy. Hades is the Greek God of the Underworld, which formed the basis of their concept and song lyrics. The title track of this album was Fantasy, which I reviewed previously. Hades, along with the other two albums/singles, was combined in November to form the VIXX 2016 Conception Ker (a compilation album of their trilogy).
2. Love Me Do – Once again, I like the upbeat vibes of the song, which do give the song some energy. The song just feels repetitive by the time you get to the end. However, the song doesn’t really let go, which I think is an important charm of the song. There are some other elements of the song which I liked. There is a sensual sound to the song, which is part of the appeal of the song. I thought both Hyuk and Hongbin sounded really nice in this song, alongside the great vocals from the other members. Overall, Love Me Do is one great side track for the group, fitting in with the dark vibes of Fantasy.(8/10)
3. Butterfly Effect (나비 효과) – The song had a mid-tempo instrumental despite falling into the ballad domain. The song had some good vocals and sounded like a nice confession song. The rap sequence was nice and I liked the roughness that it gave the song. The song just didn’t really appeal to my personal taste and felt like a standard ballad in my mind. (6/10)
Please note these special posts are designed to be long and may require some time to read (if you plan on reading the entire post).
In some cases, some groups extend their promotional period by promoting a new song. And in some of these cases, the groups also released a music video for the follow-up song. Usually, these music videos are released after I have published my album review and hence I don’t go back to do a separate review (as I have already done a short one for the song). So, I dedicate this week’s special post to return to some of those missed music videos and do a quick rundown.
Initially, my plans for this post would be over two weeks. Unfortunately, I don’t think there is enough for two weeks. So I have scrapped the second week and will do the entire list of 6 songs today. I may return to do more ‘Missed Reviews’ special posts in the future, in case I find myself in a similar position.
Lady – Golden Child
As part of their Miracle album promotions, Golden Child followed up their It’s U promotions with Lady, which received a 9.5/10 rating on the respective album review. I actually think the group, despite their youthful charms, can do extremely well with this mature concept. The heartbreak can be seen throughout the video, as the members deal with their one-sided love. While dancing on top of a building has been done before, it looks really good here. I feel like when the members all sing together, the video could have focused entirely on all the members in the choreography shots (like for the first chorus) as they enhance the epic sound of the chorus. But overall, it is one good video that compliments the song perfectly.
Black On Black – NCT 2018
I wanted to review Black On Black like a normal song-mv-performance review, however, they didn’t get around to promoting the track until weeks after the album (and album review) was released. On the album review, the song was given a 7/10 ranking. Black On Black was a relatively simple video, which showcases a very complex choreography. The members were all wearing black, fitting for the song’s title. What I did like was the set of the video. Despite it being the one set, it was shown in 3 different lighting settings, which made it feel like 3 different sets entirely. I know the ending was meant to show all the member but I found the random zoom up into Taeyong’s belt really odd. Other than that, pretty good video.
Yestoday – NCT U
It was clear that NCT received a large budget for their multiple music videos and I guess there was enough left over for a 6th music video. Yestoday is sung by NCT U (made up of Taeyong, Doyoung, Lucas and Mark) and received an 8/10 rating. It is okay to say that I like this music video more than some of the others? Because I was very impressed with what was given to us. While the song had this jazzy feel, I felt like the video was more edgy, which I thought was a great contrast. Simplicity was the key but they did a lot of the video post-production which made it likeable and interesting. I liked the random inserts of images that flash by throughout the video.
SObeR – Suzy
At the time of writing any of the reviews, I don’t think I was aware of any news that Suzy had shot three different music videos for four of her tracks. The first of which is SObeR, which received a 9/10. And with that title, it kind of makes sense that the video will be set partly in a bar. To me, it was a ‘fun’ themed video, where Suzy acted wild and drunk, in order to woo her interest. In the end, she confessed that she wasn’t sober, which I guess could be a fun game at the club (PS. Not a club person here). I thought the various sets or places she filmed at had this elegant vibe which suits Suzy, who is considered to be South Korea’s top actresses. I also liked it how she didn’t go over the top in this video, which could easily have occurred. But it kept to her image and ended up being a nice video to watch.
Teenager – GOT7
This is the one video released last year which I never got the chance to look at. Teenager was featured on GOT7’s 7th mini-album (7 for 7) and I gave the song an 8/10 rating. The video focused primarily on the choreography. Despite that, it was still a high-quality video which I thought it was rather cool to watch. I really liked the visual effects that were shown at the start of the video. I like how the video cuts between black and white to colour. Also liked how the background complimented the hip-hop style of the song, while also adding an edge. The members also looked good (including Jinyoung’s golf pants). It is a simple video done well.
One and Only One – GOT7
One and Only One is the pre-release single for GOT7’s 8th mini-album, released earlier this year. It received an 8/10 rating, as well. What we have isn’t technically a music video. Rather, it showcases the song for a minute and that is all. I did like the blue background and how simple the video was (like above). I think if we got a longer video with some flashing lights and maybe a few different colours in the background, along with Hyolyn actually featuring the video and some choreography, the video would have been amazing. Or at least, what I think the video could have been.
Distance – CLC
Distance is a single off their 7th mini-album and the accompanying music video was released after promotions for Black Dress ended. In the respective album review, Distance received a 7/10 rating. The music video, on the other hand, would have received something much higher. I don’t know how to exactly describe the video. It can either be about heartbreak or something more sinister. The cutting of the rope can be about breaking up and physical distance. But the members disappearing, the blindfolding and just the fact they wear white alludes to something else. I have no idea what it is, though. On top of that, I thought it was a really nice video that complimented the softer nature of the song.
Thanks to all who stuck around to the end. This wraps up this special post (for the time being as I may bring it back as more music videos or songs accumulate). I will be back in two weeks time with special posts dedicated to even more music videos, so do keep an eye open for those! (Or make it easier by following me!)
As mentioned over the weekend, I will be going back to review some songs that I have missed over the past month. Today’s review is Strong, a collaboration between WJSN (Cosmic Girls) and Weki Meki. A total of 4 members make up their project group: Seola and Luda (from WJSN) and Choi Yoo Jung and Kim Doyeon (from Weki Meki). While I am not exactly sure as to why they collaborated, it may be the female version of YDPP, who ended scoring a CF deal with Pepsi.
I thought it would be an interesting collaboration and my expectations for the project single skyrocketed given how much I enjoyed YDPP’s Like It Love It. But the song ended being more boring and typical. It is still listenable, so don’t worry. However, I think the song could have been more dynamic and interesting. The song did have some strong moments and I wished the song built on top of these moments. Yoojung’s rap was pretty good, giving the song some momentum and managed to make it less repetitive. The chorus had a nice melody, which can become someone’s new ringtone. I just wasn’t impressed with the singing. Maybe it was the amount of energy that the song could have used via the vocals which could have given the song some more life into it. The pre-chorus was just a little too dramatic for my taste. Overall, Strong isn’t my cup of tea.
The music video goes into the cutesy side of KPOP. And while there have been some great cutesy videos from KPOP, I think this one misses the mark. While I like the sets and the colours of the video (which was all very vibrant and bold), I didn’t enjoy the acting. It was awkward and felt too exaggerated in some parts. And the addition of the serial killer in the background and long-haired Grudge lady was an attempt to serve as the humorous relief. But instead, they add to the video’s exaggeration.
I think the cutesy concept worked the best in the performance. I thought the choreography was nice and it didn’t seem to be as exaggerated as the music video turned out to be.
Song – 5/10 Music Video – 4/10 Performance – 7/10 Overall Rating – 5.1/10
SHINee is still celebrating their 10 year anniversary with another part of their 6th full-length album, The Story of Light EP. 02. The title track for this part of the album is I Want You and you can expect an album review for the second part in the weeks to come. They previously released the 1st part of their 6th album (which I have reviewed) and the title track, Good Evening, two weeks ago.
I Want You continues the EDM sound with the song entering the tropical house genre of EDM. The song is good, with great vocals and raps from the members. The harmonies heard at various sections of the song (like the pre-chorus and chorus) really gave the song some identity and profile. Taemin’s high note is just extremely smooth. The chorus was moderately catchy and it uses melodies as the main driving point and hooks as its memorable pitch towards the audience. My only concern with the song is that it falls within ‘typical’ territory. I personally don’t find anything unique or memorable enough for my memory bank. Instead, it is plain and a standard song. Don’t get me wrong, I like the song. Just compared with Good Night, I Want You falls behind it.
I am not sure of the connection between the two videos that SHINee has released thus far. I am interested in knowing how they connect. My guess is that they get sucked into some odd world when they look and reach into the well. But apart from that, the videos don’t really connect. Parts of the music video for I Want You takes a more humorous approach, particularly the scene where Onew is smiling while being sprayed by the glass. Actually, most of the video seems a little far-fetched. The video does have strong retro vibes with the hazy filtering and the use of green screen. I personally thought it was a good video, as well.
There isn’t a live performance for the song yet. However, I think there might be enough to write this section within the music video. Really liked the dance move during that instrumental break during the chorus. Also, I liked the ‘Oh Nah Nah’ moves for the pre-chorus (?). Overall, the dance was extremely fitting for the song and the members seemed more connected to their performance this time around.
Song – 7.5/10 Music Video – 8/10 Performance – 8/10 Overall Rating – 7.8/10
I have been holding onto a number of album reviews for a while now and have decided to release them before I forget about their existence. For this particular week, I wanted to focus on VIXX’s Greek mythology trilogy, which was released back in 2016. The review for Zelos will be published Monday (today), Wednesday for Hades and Friday for Kratos.
Here is just a very brief rundown of the album release. Zelos was released in April of 2016 and is the official start to their Greek mythology trilogy. Zelos is the Greek God of Jealousy and Rivalry, which formed the basis of their concept and song lyrics. The title track of this album was Dynamite, which I reviewed previously. Zelos, along with the other two albums/singles, was combined in November to form the VIXX 2016 Conception Ker (a compilation album of their trilogy).
2. Six Feet Under (늪) – The song is quite vibrant and upbeat, similar to Dynamite title track. However, it keeps to VIXX’s true side of darkness through the lyrics and it’s instrumental gives off an edgy vibe. The pre-chorus is quite mysterious (in a good way). The way the line ‘Six Feet Under, That’s Enough‘ is sung throughout the song is super addictive. I also liked the vocal work in the song. Likewise, I felt the rapping was intense and you are basically thrown into it, which works wonders. (8/10)
3. Farewell Hands (손의 이별) – This is a ballad, which is about parting ways after losing chemistry in a relationship. The vocals are really well done, conveying the heartbreaking emotions well. The English lyrics that is scattered throughout the song seem to be well fitted for the song. There is a nice melody, particularly during the chorus which sounds nice. The instrumentation is quite standard, which seems to be the only thing that I can hold against the song. Other than that, the song is still fairly decent to listen to. (8/10)
As I mentioned yesterday, I am returning to do some reviews of songs that I have missed out over the last few weeks. Today’s focus is on PTL’s Hocus Pocus which was released almost a month ago. Planetarium Records (PTL) is a 5 member project group currently under a company of the same name. The members consist of Jinwoo, Villian, Gaho, Moti and June. Information on the group is quite limited so I don’t have much else to offer besides that they released songs earlier in the year (Blind and Blah).
I happened to stumble across the group when the song first came out and knew I had to review it. Apologies it took so long. Hocus Pocus is one damn catchy song that always blows my mind when I listen to it. It takes on the R&B and hip-hop genre quite nicely. For those who don’t know, I don’t really review songs from artists who do these genres unless they are big KPOP artists. But Hocus Pocus definitely has great energy and a groovy atmosphere that was hard to pass up. I thought the instrumental was extremely dynamic, with the muffled bleeping at the start of the song really intriguing. The raps and vocals in the song are quite good, part of the reason why I decided to put this on the ‘To Review’ list. The verses and the chorus really pushed the song along, with the latter being a very catchy part of the song. It may not be appearing on my Weekly KPOP Charts but I can assure you I have been listening to the song every single week.
The video seems to show the members trapped inside the confines of this place. But I guess it shows the members making the most of it. As you can tell, I have no clue what is going on in the video. I assuming Yoda, Zeus and Buddha make an appearance for a reason (at the very start of the video on the sheets of paper). However, it was a decent video. Despite not having heard of the group or the company before, it seemed like they had a decent budget for the video as it appears to be high quality and the sets didn’t seem to be on the cheap end of the market. The energy in the song was also channelled nicely through the video, which makes them a good match.
Song – 9/10 Music Video – 7/10 Overall Rating – 8.2/10
Just one week ago, Wanna One dropped their very first special album. Light is the main title track for this album release and it also features 4 songs, produced by well known artists in the industry and is performed by a special unit of members. Zico, Heize, Nell and Dynamic Duo collaborated with Wanna One for this album. It is the group’s best album yet in my opinion and it is definitely an album that sets the bar high for any future release.
2. Kangaroo (캥거루) (Triple Position – Kang Daniel, Kim Jaehwan & Park Woojin) (Prod. By Zico) – It isn’t surprisingly to hear this song was produced by Zico, mainly because the song just screams out his presence. It grew on me since the first listen and has become a really catchy song with its upbeat and hip-hop vibes. I thought the song played towards the strengths of each member (in both rapping and vocal domains). I thought the chorus was quite lively and it was a song that brought some happy energy to the somewhat serious album. (9/10)
3. Forever and A Day (영원+1) (Lean On Me – Hwang Minhyun, Yoon Ji Sung, Ha Sungwoon) (Prod. By Nell) – This particularly song was a beautiful ballad. Right after my first listen, I scrambled to figure out what the lyrics meant because it was so heartfelt and the emotions poured in the song really drove the song. For those who don’t know, it felt like the farewell song we expect them to release when they come to the end of their contracts. I love the song’s swaying effect that can be felt right in the melody. But what I love the most about this song is how it has given me a chance to hear some amazing vocals from the group. In particular, Sungwoon’s. Because let’s be frank, he has yet to shine in any of Wanna One’s songs. (10/10)
4. Hourglass (모래시계) (The Heal – Ong Seongwoo & Lee Daehwi) (Prod. By Heize) – Another song that really hits you in the feelings. The R&B song is heartfelt and beautiful, as well. Like the previous song, it too can be mistaken for a farewell song (check out the lyrics, they are amazing yet incredibly sad). Both member’s vocals were on point. I really like Heize’s featuring in the song, which further adds emotions into the song. The harmonies at the end were nice and the piano leading out of the song was great. My favourite part would have to be the entire second verse, with Seongwoo’s rapping and Daehwi’svocals at the ‘Don’t let yourself cry’ line. (10/10)
5. 11 (No. 1 – Park Jihoon, Bae Jinyoung, Lai Guanlin) (Prod. By Dynamic Duo) – While I have loved or enjoyed so far on the album, I felt that 11 was the weakest song on the track list. I don’t exactly hate the song but it just doesn’t appeal to my taste. It takes on a hip hop and R&B vibe, while also keeping to a sensual sound. I personally find this interesting because they have chosen some of the youngest members to perform the song and it also gives us a chance to experience some variety in their sound. Dynamic Duo’s featuring was nice and Jinyoung’s vocals stood out for me. Other than that, I wasn’t into the song. (7/10)
Can anyone believe we have already reached June? It is insane how fast time is going by. Welcome to this week’s chart post for the 1st Week of June 2018. I just wanted to start off by apologising for an error in last week’s chart. 30th position for last week was, in fact, Call Your Name by JBJ (I had incorrectly typed in YDPP’s song twice). I only noticed last night and I have updated the charts, which you can check out here.
Maintaining the top spot from last week is Bingle Bangle by AOA. Also remaining steady from last week is SHINee’s Good Evening (in the 3rd position). The rest of the top 5 are new entries for this week. Wanna One’s Light takes out the second position, Lady by Yubin takes out the 4th position and DKDK by Fromis_9 takes out the 5th position.
While there are no massive jumps this week, a number of songs remained steady from last week. In addition to AOA and SHINee in the top 5, PRISTIN V and HALO remained steady with their respective songs. This is pretty much a rare thing to occur.
Next week we hope to see SHINee’s second title track on the charts. Also possibly making their appearance next week is BTOB’s pre-release single and BLACKPINK!!!
For more of the charts, scroll down below!
3rd Jun – 9th Jun 2018
Title
Artist
Status
1
Bingle Bangle
AOA
(=)
2
Light
Wanna One
(new)
3
Good Evening
SHINee
(=)
4
Lady
Yubin
(new)
5
DKDK
Fromis_9
(new)
6
You & I
Dream Catcher
(▲ 5)
7
Get It
PRISTIN V
(=)
8
Complete
ONF
(new)
9
LATATA
(GI)-DLE
(▼ 3)
10
Time of Sorrow
VICTON
(▼ 6)
11
That Day
Lovelyz
(▲ 7)
12
love4eva
LOONA yyxy
(▼ 2)
13
Selfish
Moonbyul (Mamamoo) ft. Seulgi (Red Velvet)
(▲ 10)
14
How R U Today?
N.Flying
(▼ 6)
15
Take Me Higher
A.C.E
(new)
16
Travel
BOL4
(▼ 11)
17
Fake Love
BTS
(▼ 15)
18
Tulips
Snuper
(▲ 3)
19
OMG
Halo
(=)
20
Time For The Moon Night
Gfriend
(▲ 11)
21
Call Your Name
JBJ
(▲9)
22
Snapshot
IN2IT
(▼ 8)
23
Scentist
VIXX
(▲2)
24
Only One
UNB
(▲22)
25
No More
UNI.T
(▼ 12)
26
Teenager
Samuel ft. Lee Ro Han
(▼ 14)
27
Sense
UNB
(▼ 10)
28
Blooming Day
EXO-CBX
(▼ 6)
29
Salty
Kanto
(▼ 9)
30
Wind
BOL4
(▲5)
Songs leaving the charts this week (and will not appear on the charts starting next week) are:
Sense – UNB
Only One – UNB
What Is Love? – TWICE
Blooming Days – EXO_CBX
Love Tint – Hyeongseop x Euiwoong
Honestly – Eric Nam
Potion – Eric Nam ft. Woodie Gochild
Still Love You – Lee Hong Ki (FT Island) & Yoo Hwesung (N.Flying)
Lo Siento – Super Junior ft. Leslie Grace
When Spring Comes – Yu Seon Ho
Thirsty – Mad Clown & Ailee
Gangsta – NOIR
Thank you once again and hope to see you all back next week.
Over the next few weeks, I will be attempting to catch up on the many reviews in which I have missed out. BOL4 is in the midst of their promotions for their latest mini-album. The mini-album has two title tracks, Travel and Wind. I have already reviewed Travel (and Starlight) when it first came out. Wind‘s music video was released later on and I have been waiting for its release before writing a full review.
Wind is a ballad that mixes with BOL4’s indie sound. The way Jiyoung sings this song is pretty childish, however, I mean that in a good way. It felt like a child singing it, which gave the song innocence and a delicate vibe. Her vocals are good, so don’t misunderstand my initial statements with her vocals. The only issue that I have with the song it is quite dry and doesn’t progress much. The instrumental started off with just a very subtle orchestral sound and repetitive triangle tinging in the background. It does increase in volume as it goes on (ever so slightly). However, it wasn’t enough to give the song that momentum. Instead, I try my best to stay focus on the song. I personally don’t understand why it is a title track, as it feels like a standard sidetrack on the album. Starlight was a much better candidate.
The music video seems to also be shot in the same place as Travel and Starlight was shot. However, it shows a love story made up in Jiyoung’s mind. The male counterpart in the video is played by Jisoo and they meet in the laundromat after he tosses a blanket (or white shirt) on top of her by accident. And then a who imaginative sequence begins with the two dating and falling in love. Even though it was imaginative, the ending shows the possibility of the two actually falling in love when Jisoo gives Jiyoung the coin. It was honestly a nice video and the slow-motion that was applied to the video paired well with the slow tempo of the song.
Song – 6/10 Music Video – 7/10 Overall Rating – 7.4/10
Seventeen has been hugely popular in Japan for some time now. And now they have returned to Japan to make their official Japanese debut. The group recently released their first mini-album there, titled as We Make You. The title track is an original Japanese single, Call Call Call. The album also features Japanese version of some of their Korean side tracks.
For those who don’t know, I practically am a major fan of Seventeen and their work. Since their debut, they haven’t disappointed with any of their title tracks. And it seems like their Japanese releases hold the same effect on me. Call Call Call is a fast-paced dance track that fits in really well with their Korean portfolio. The song has some rock elements on top of the dance elements, which gives the song some drive and momentum. Their vocals are really great. But I think the true stars of the song are the rappers in the song. The entire hip-hop team had amazing sections from S.Coups and Wonwoo’s starting lines to Mingyu’s extremely addictive whisper-ish type of line. The song is super catchy and with its release a few weeks back, it has been a song I have been replaying constantly. It makes me wonder what their next release in Japan would be (since most artists tend to deviate from their Korean sounds in Japan and make their music more appealing for the Japanese audience).
Great music video as well. It was clear that they would go with a phone concept, given the title of the song. I liked how they mixed up the units and still split up into three small groups, like opposing gangs waiting for that phone call from their lover. We have neighbourhood boys (Vernon, Jun, Dino, Joshua), the ‘suited up’ dudes (Mingyu, S.Coups, Hoshi and Seungkwan) and the motorbike gang (Woozi, Wonwoo, The8, Jeonghan and DK). And the competition for the phone call was really intense. I really like the umbrella grab that someone from the ‘suited up’ group did and the Woozi transition with Mingyu’s punch.
Another section of the video that I really liked was the choreography. Seventeen doesn’t let you down in that aspect. I really liked how they moved into their different formations. Favourite part would have to be Wonwoo throughout the first chorus in the music video. Actually, the entire chorus was quite cool to watch.
Song – 9/10 Music Video – 8/10 Performance – 9/10 Overall Rating – 8.7/10
With the recent news that the supposed male group formed through YG Entertainment’s MIXNINE was not going ahead, a number of the groups associated announced their long-awaited comeback. A.C.E marks their return with their first mini-album, Adventures in Wonderland. The album consists of their previous main title tracks (Cactus and Callin’), along with the latest title track, Take Me Higher. The group has also returned with 4 members only, as Chan is promoting as part of UNB.
If you were expecting something like their previous title tracks (like me), you will be surprised with what the group went with. I don’t want to describe as the song as traditional, but compared with their EDM tracks, this song does sound rather traditional. There are no electronic synths or EDM elements in this song. Instead, it employs more of a pop sound. That ebing siad, I am really enjoying the song (partly due to its unexpected sound). The chorus of the song reminds me of Human Nature feel-good type of song. It just makes you want to smile. On top of that, the song zones right into the vocal abilities of the group and it shows how good their voices are. On top of that, the rapping fitted perfectly into the song. While the rappers tone was deep, it was well-paced to match the tempo of the song, which makes it fit in nicely. Overall, Take Me Higher was a another pretty good song, just not what I had expected.
To match the tone of the song, the video brings on colour and a playful concept. And from the start, it was a nice video to watch. I did notice that some of their outfits in the video seemed to be purposely allowing some skin to show. I personally thought it looked rather odd in this video (though I guess it makes sense for a video released in Summer). But besides that, it was a good video fitting for the song.
Their performance was quite good. On top of that, I think they performed live in the performance I am watching, which seems to be a huge feat, given how jumpy their performance is. I really liked the second half of the chorus when they get into the diagonal formation.
Song – 8/10 Music Video – 8/10 Performance – 9/10 Overall Rating – 8.2/10
With the recent news that the supposed male group formed through YG Entertainment’s MIXNINE was not going ahead, a number of the groups associated announced their long-awaited comeback. ONF is the youngest boy group under WM Entertainment, who made their debut last year with ON/OFF. After a 10 month period, the group has returned with their second mini-album (You Complete Me) and the title track, Complete.
I really liked the song for a number of reasons. Complete was extremely energetic and upbeat, which really gets to you (in a good way). From the start, it felt like we were thrown into a very active and enjoyable party. The song takes on the tropical route but it has some elements that make it unique. Starting off with the chorus, I really liked the vocals within the first line. That already won me over to begin with (I am easily pleased) and I enjoyed expecting it every time the chorus was due to occur. But what really kicks the song up a notch is the brass tune that really bumps the energy up. Honestly, it was quite un-expecting. However, it made the song stand out for me and I enjoy replaying the song just for that part. I pretty much liked the muffled effect that brought the bridge into play and the EDM drops just before the final chorus, while also maintaining that same tune. Overall, the song is pretty much A+ and this is exactly why I will continue coming back to it.
I am not exactly sure what is going on in the video. It seems to be just shots of the guys having fun. But I wasn’t sure where the crashed plane parts were meant to fit in. Despite that however, the music video does help enhance the song. I don’t know because visually the video doesn’t account too much (from what I can interpret from it). It might be because the editing for the video is done so to match the song perfectly, which is why I think it does a really good job at complimenting the song.
I like how there was still a playful routine within the strict boundaries of the set moves in the performance. And while the members look physically tired here, the group definitely enjoys being on stage. I really liked the footwork when the brass hook kicks in and the start of the final chorus (connection from the bridge). Really nice performance, overall.
Song – 10/10 Music Video – 8/10 Performance – 9.5/10 Overall Rating – 9.3/10
SHINee has made their return in celebration for their 10th year anniversary since debut. The promotional cycle for this album is a little different from what you are used to. We saw the release of Good Evening and the first section of their album. The upcoming Monday will see the release of the second section of the album (with a new title track). The full album will be released on the 25th of June. But we are here for the first part of the album, so let’s get going!
The Story Of Light EP. 01 Album Cover
1. All Day All Night – This song is one of the songs that would sound 100% awesome when the bass is turned up to the maximum. The powerful beat was the first thing that I noticed within the song, with it standing out quite prominently. The chorus was done really well, with the ‘All Day, All Night‘ part of the chorus catchy. I thought the vocals in the song were quite good, especially during the chorus, which felt like melodic shouting. The raps themselves were awesome. It starts the album on a very bold yet memorable tune. (9/10)
3. Undercover – The first thing you notice in this song is that it constantly changes. Like in the first song, the bass is definitely turned up, especially during the chorus. And this makes the song sound so good. I liked the muffled voices at the start but the vocals throughout the rest of the song actually felt muffled when paired with the loud dubstep instrumental. Going back to the changes, they were not (in any way) obnoxious. Instead, they connected well and the song flowed nicely as a result. There was a nice contrast between the ‘soft’ sections and the dubstep moments in the song. It’s not the best song on the album however it was still quite decent. (8/10)
4. Jump – The song starts off with a fade-in effect which I liked. I thought the song had an interesting atmosphere with the instrumental appearing to be somewhat retro and quite funky/groovy. The song is quite consistent and almost smooth with its transitions. Honestly, it is one of the few times where the consistency is the main charm of the song. Both vocals and raps fitted in nicely with the song. The fade out and fade in effect employed for the bridge was also quite good. Overall, it is an enjoyable song that doesn’t use unnecessary and loud synths. (10/10)
5. You & I (안녕) – The ballad of the album. There is an air of peacefulness in this song which makes it a really nice track. I like the huskiness in their voices and the soft nature of their vocals throughout the song. The slight echo that follows their vocals was nice, while the harmonies really made the song pop out. I really like Key’s part in the bridge, with that being a really grabbing part of the song. As a whole track, I liked how it ‘built up’ to its louder chorus in the final climax. Overall, it was a pleasant song to listen to and pleasant end of the first section. (10/10)
How haven’t I brushed everything (studies, personal commitments) to the side and write anything about this amazing song? Let’s backtrack, firstly. Yubin is the well-known rapper of the iconic (and now disbanded) Wonder Girls. Since the announcement of the end of the group, Yubin has been preparing for a solo debut. And this past Tuesday, it officially occurred with the release of Lady.
I personally don’t think we have seen anything as retro as this for a while now. Yubin’s solo debut track really takes you back to the disco era, especially (what I assumed to be) the Korean or Japanese disco era. The track does not hold back from the very first second, opting to throw you right into its addictive instrumental and hook. Both the verses and choruses were quite good but they don’t really live up to the standard set by that opening sequence/post-chorus. I personally love the slow-down in the bridge, along with the fact that Yubin, Wonder Girl’s resident rapper, does not rap at all in the song. I find that very interesting and surprised that she sounds so good. On top of that, I love the ‘Baby Baby’ that connects the pre-chorus to the actual chorus. I am hooked onto this whether I liked it or not and I can see myself constantly replaying this song in the weeks to come.
Fitting with the song’s sound, the music video is retro themed. From her outfit to the lighting in the video, everything points directly to the 70s or 80s. Even the filters placed on the video post-production (that hazy effect) and the overall cinematography just lines up with that era. There isn’t much else to the video. No plotline. Just Yubin and the retro vibes.
I really like how simple the choreography for that opening sequence/post-chorus instrumental section. But despite that, it worked perfectly to seem like a catchy dance move. I also like the chorus’s accompanying move as well, which seems to be a more angled version of previously described dance move.
Song – 9.5/10 Music Video – 8/10 Performance – 9/10 Overall Rating – 9/10
fromis_9 makes their return with DKDK (두근두근 – the sound of a thumping heart). This is fromis_9’s first comeback since To Heart, which was released earlier in the year. The group is currently short one member as Gyuri is now participating in the Produce 48, another survival show (since fromis_9 was formed through the survival reality show, Idol School).
DKDK stays within the sound that the group has debuted with. It has a cutesy sound that is extremely hard to look down upon. It isn’t overly exaggerated and for that, I am quite grateful. I think we can attribute that to their vocal work, which I think is quite good in the song. Once again, the song suffers from that standardness that I mentioned in the To Heart review. To me, the verses and chorus weren’t that great highlights of the song. It doesn’t make it memorable. On top of that, the song doesn’t really have momentum or any sort of energy that makes it a song that I continually replay. That being said, the song is still listenable. There is one standout moment that does have me coming back. However, it is purely for the ‘Dugeun Dugeun‘ hook right after the chorus. It is unique and extremely catchy. If the rest of the song was as catchy and memorable, I think the track would have been a total hit.
The way the video was shot remind me of LOONA predebut music videos. I assume the same director or producer was used. I think the video simply shows the girls becoming obsessed with cats (which I assume represents their true love). They go to catch one, which happens to be the biggest cat out there. Not sure what to make of the plot other than that simplistic understanding of it. So do share any other theories. Really like the start and the end of the video how the girl (and in the end – the cats) appear one by one, in time with the music. Overall, it was a good video to watch which appeared to complement the cutesy vibes of the song.
The performance is quite lively and energetic, which reflects well with the song. I particuarly like the few seconds at the start once the clapping begns and they were all in sync. I liked how they got into their final formation at the very end of the performance. But I feel like they could have tidied that section up a little bit to make it more appealing visually. Overall, nice performance.
Song – 7/10 Music Video – 8/10 Performance – 7.5/10 Overall Rating – 7.4/10
KPOPREVIEWED 