[Review] Get It – Pristin V

It has been a little over a year since Pristin debuted Wee Woo. Despite having one comeback in August (We Like), the group has been absent for the majority of the year, which is a bit concerning when it comes to newly debut groups. Instead of launching right into a full group comeback, Pristin V was formed, consisting of Nayoung, Roa, Eunwoo, Rena and Kyulkyung as part of the lineup. Their title track is Get It, which is featured on their single album, Like A V.

While it isn’t the most memorable song out of all the comebacks yesterday, the track is definitely a surprise. From its sound, you could tell they returned with a more sensual sound, which is opposite to what Pristin releases. The opening few seconds with the muffled voices weren’t really that great as an opener. However, when the instrumental starts to kick in, you can tell how awesome the track is going to be. I thought the chorus was superb. It wasn’t super catchy as some other songs but works extremely well with the verses and keeps the song consistent. The rapping was amazing and the vocals were quite nice. My favourite section of the entire track is the bridge, with the falsetto vocals and Nayoung’s rapping over pitch silence. That part had my jaw dropping. For a song that doesn’t have that explosive nature, the song does speak volumes and is dynamic in its own way.

It was obvious they were going with a more seductive concept and I think it worked really well. Though, I am not too keen on the tennis court set which they filmed on. It felt kind of random (I did like the colours though). I think they all look amazing, with their visuals definitely something to comment on. The video itself didn’t have much else to talk about, so I am going to stop right here.

The performance was really good. Nayoung’s part in the bridge killed me. It is truly seductive and I thought it was rather fitting for the song’s sensual nature.

Song – 8/10
Music Video – 7/10
Performance – 8/10
Overall Rating – 7.7/10

[Review] Bingle Bangle – AOA

Making their comeback after over a year’s absence from the KPOP scenes is AOA. Their last comeback was at the very start of last year with Bing Bing and Excuse Me. This time around, they return with Bingle Bangle, which is the title for both their title track and 5th mini-album. This is also the group’s first comeback since the departure of ChoA, which was confirmed about a year ago.

The last few days I have been talking about a list of songs that I am currently on a replaying binge. And it seems like the list is growing longer by the day. AOA’s Bingle Bangle finds itself on that very same list. The song, well-suited for the Summer period that is approaching imminently, is extremely catchy with its very simple and easy repetition. It doesn’t help that the section in question is super bright and features catchy whistling as well. I really liked Yuna’s parts just before the chorus kicks in, which shows us she is capable of taking over the main vocalist position. The one member I was most concerned was Jimin, as her rapping style doesn’t really compliment the song’s sound. However, I was quite wrong with that assumption and also thought her section was one of the best. I am totally digging the song and just want to continue listening to the song.

AOA takes on a concept change with the music video. And I really like what they did. The concept seems to be retro gaming, where the members of AOA (excluding Mina) are characters within the game. Mina spends the entirety of the day playing the games, only taking a break when she falls asleep. Within the game, the members notice how far Mina is levelling up and once she reaches 4000 points, she too enters the game (but takes on an 8-bit form). What also makes this music video feel more retro is that the members are on rollerskates and the game is set at a diner. It was a well-produced video and it had a fun concept, which made it even more likeable.

I love the choreography for this comeback. Especially during the Bingle Bangle repetition, which was my favourite bit of the entire performance. The members also looked like they were enjoying themselves on stage.

Song – 9/10
Music Video – 10/10
Performance – 9/10
Overall Rating – 9.3/10

 

[Review] Good Evening – SHINee

It has been a long while since we heard from SHINee, who last promoted together in 2016. Their last promotional cycle was for Tell Me What To Do. The group made their debut in May 2008, so this comeback cycle celebrates their 10 years together as a group. Their comeback promotions this time is a little unique, with the album split into 3 sections and will be unveiled every fortnight from tonight. The first title track is Good Evening (this review). We also already have the titles for their second and third title tracks, which are I Want You and You Left Me respectively.

Good Evening kicks off their promotions and it does not let you down. The song is super catchy and addictive with its electronic pop instrumentation. On top of that, they throw in their amazing vocals and rapping (from both Minho and Key), you have a winning formula. Their harmonies during the sections in which they sing together had this alluring feel to it, which drew my attention. Onew’s vocals sounded so good in the song and the rappers did a fantastic job with the rap section. It is a ridiculously groovy track that joins the list of songs that I have mentioned previously to be on my continuous replaying list. And if this is what they are kicking off the promotions with, I am keen to hear what they have coming up in the weeks to come.

Their music video is extremely artistic this time around. While it has that same colour feel to View, the video seems to be a spinoff of F(x)’s 4 Walls, with some scenes reminding me of the latter. My guess with what the video is trying to send over is that there has been some tension but they managed to figure it all out at the end. One of my most favourite scenes from the entire video is when the rapping starts and the members are dancing (while sitting down) under the plastic film. That looked awesome and really took the aesthetics in these music videos to whole new level.

While there hasn’t been a stage yet, I think there is enough in the music video to say it is awesome. Particularly that dance break during the instrumentation at 3:24 to 3:30 of the music video. On top of that, it seems the aesthetics charms from the music video also featured in their choreography, with some parts looking amazing and very artistic.

Song – 9/10
Music Video – 9/10
Performane – 8/10
Overall Rating – 8.8/10

I didn’t want to remind people of the sad events that shocked the KPOP industry in December last year within the review. Despite losing a member, I am glad to see SHINee back and still doing well. I think it is also the common belief that the video also pays tribute to Jonghyun with the inclusion of a 5th shadow at the well scene. Jonghyun will always be missed. 

 

[Review] Salty – Kanto

Kanto made his official solo comeback with Salty on the 15th of May. And due to my studies, I didn’t have a chance to have a look at it once it was released. But as they say, better late than never! For those who don’t know, Kanto is a rapper that is a part of Troy (a Korean hip-hop group). He did make his solo debut a little earlier with What You Want (feat. Kim Sung Kyu from Infinite) in 2012. He also participated in The Unit: Idol Rebooting Project. 

Salty is an extremely groovy track that I was not expecting. The work that I know him for has always been emotional or ‘dark’. However, Salty is quite upbeat and it tempts you to dance along with the music. The instrumental is extremely upbeat and bright. The trumpets really give it energy and definitely is my most favourite part of the song. Also featuring alongside the trumpet instrumentation was the super catchy “You are indifferent” repetition (or in Korean, it is 시큰둥 둥 둥).  His rap delivery is really well done and it fits in nicely with the bright atmosphere of the song. While rapping and bright songs have been heard on numerous occasions, it feels very fresh here. It is a promising track for a (hopefully) upcoming Korean rapper and hip-hop group.

Like the song, the music video is very bright with its colours. I thought the editing of the video was really well done, especially when they changed the colour of his jacket through software (the colours in the background also changed accordingly). The video shows him trying to get to the route of the problem after his girlfriend gives the sulky look. While that might be a serious issue for some, I really like the lighthearted vibes and fun presented visuals throughout the video. It worked well with the song.

It might be due to the concept change but I thought the performance was much more lively than any of his previous comebacks. He only seemed to participate in the choreography when he wasn’t rapping in the past promotions. This time around, he is participating in the choreography throughout the entire song (and not when he is given a break) and I thought it was rather cool. I liked his performance, though the moves aren’t anything mindblowing.

Song – 8/10
Music Video 8/10
Performance – 7/10
Overall Rating – 7.8/10

[Review] Love Flutters – The East Light

The East Light makes their second comeback of the year with Love Flutters. They last promoted on stage with Real Men, which was an amazing step up from their previous works (I have grown to like the song a lot more). That was also the first time I reviewed them on this site, so I thought it would be nice to revisit them. Love Flutters is the title track off their second mini-album, which shares the same name.

While I don’t think I would ever get used to their vocals, they managed to do a decent job with Love Flutters. The song takes on a more tropical route with sounds and vibes that gets you into the heart of Summer. Furthermore, it is a return to their original sound (something that I wasn’t a major fan of). Love Flutters manage to do a few things right with this song. The explosive percussion bangs (not really sure what to call them) really do attract your attention to the song and it is quite unique. Their vocals work well with the tropical sound. I particularly like the instrumental sequences at (after the first chorus and at the very end of the song) as they do a good job at portraying the Summer season within a few seconds of instrumentation. While I am not 100% hooked onto the song, I have a feeling that this song will have multiple appearances in the future (particularly when I yearn for the Summer months when I am struggling in the cold).

I thought the video was okay. It isn’t exactly the most exciting video out there nor is it content heavy. However, it does a decent job of portraying the song and its Summery vibes. Not exactly sure why they are holding onto the fruits, which did leave me a little confused. The best part of the video overall was the nodding and head turning at those explosive bags during the song. How else would you have that part?!

Song – 8/10
Music Video – 6.5/10
Overall Rating – 7.4/10 

[Album Review] Escape The Era (2nd Mini Album) – Dream Catcher

One of the few albums that were released in the past few weeks that I was aiming to have a closer look at is Dream Catcher’s Escape the Era. But unfortunately, my studies got in the way and prevented me from writing any album reviews (mainly because they are time intensive). So with no further delays, this is my review for Dream Catcher’s latest mini-album and comeback. Like always, I have opted to not look at the intro or instrumental of the title track in this review.

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Escape The Era Album Cover

2. You & I (Title Track)Click here to read the full review of You & I. (10/10)

3. Mayday – With the constant comment that their songs are suitable for the Japanese anime opening markets, it was no surprise that one of their side tracks would fall into the same category. The song is takes on that rock style that has been associated with them since their debut last year. What was interesting was that there were moments in which the intense rock sound contrasted with the softer opening line to the second verse and the bridge (which introduced some piano into the song). While I did feel like the song lost energy through this, the way they brought their energy back up to complete song was really nice, which gives it that seal of approval from me. (8.5/10)

4. Which A Star (어느 별) – Taking us on a different route, Dream Catcher throws in a pleasant pop sound that is incredibly softer than any of their past title tracks. In a way, it was a well-earned rest from the intense nature of the title track and preceding song. The song features great vocals and had amazing melodies which made it nice to listen to. Some singers tend to go down the emotional route with their changeup on track lists, so I liked how Dream Catcher managed to go in a different direction (most likely as their title tracks are emotional driven). (8/10)

5. Scar (이 더럽고도 추한…) – Ending the album is the sound that do best. They bring back the rock instrumental for this ballad-like song. Unlike the other songs, I thought the verses were the strongest part of the song, as it showed more of the group’s vocal capabilities (it somehow felt more delicate and softer than in the previous song). The chorus was surprisingly lacking in energy despite the instrumental and the vocals in the chorus didn’t really have any momentum. I did also like the rapping and its accompanying instrumentation, which gave the song intensity and energy that was lacking from the chorus. (7/10)

Overall Album Rating – 8.4/10

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Escape The Era Teaser Image

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[Weekly Chart] 4th Week Of May 2018

Welcome to the 4th week of May. Time is going insanely fast and I can’t believe that we are already here. I am hoping that I will be able to catch up on the reviews I have missed, as I have a week off from university before exams kick in.  There are more reviews coming today and a number of album reviews will also be released this week. So prepare yourselves!

It is no surprise that BTS takes over the charts this week, as they top every single chart throughout the world with their latest comeback. Dream Catcher rises one position to take over the second position overall on the charts. Doing an impressive jump is UNI.T’s debut track, No More, while N.Flying also rises to the fourth position. The only new track this week to begin their run in the Top 5 is BOL4’s Travel (Starlight follows right behind in the 6th position).

While UNI.T did jump up 34 spots this week, it wasn’t the biggest jump on the charts. HALO’s OMG managed to climb a whopping 41 spots to 11th place on the charts this week.

Finally, we have a number of comebacks next week including AOA, Pristin V, SHINee and Samuel. I also believe LOONA’s final predebut subunit, LOONA yyxy, is happening this week (and I can confirm they will appear on the charts next week if they manage to enter the top 30).

20th May – 26th May 2018
Title Artist Status
1 Fake Love BTS (▲ 15)
2 You And I Dream Catcher (▲ 1)
3 No More UNI.T (▲ 34)
4 How R U Today? N.Flying (▲ 11)
5 Travel BOL4 (new)
6 Starlight BOL4 (new)
7 Time For The Moon Night GFriend (▲ 3)
8 LATATA (G)I-DLE (▼ 6)
9 Scentist VIXX (▲ 17)
10 Shine Pentagon (▲ 11)
11 OMG HALO (▲ 41)
12 Go Away Junhyung (HIGHLIGHT) (▲ 7)
13 Snapshot IN2IT (▲ 7)
14 Jealousy Monsta X (▲ 11)
15 Angel IZ (▼ 6)
16 That Day Lovelyz (▼ 10)
17 Sense UNB (▲ 17)
18 Tulips Snuper (▼ 17)
19 Touch It Cross Gene (▼ 15)
20 Call My Name JBJ (▲ 9)
21 Bonnie & Clyde 24K (new)
22 Love It Like It YDPP (▼ 8)
23 Time Of Sorrow VICTON (new)
24 Lady EXID (▲ 3)
25 Selfish Moonbyul (Mamamoo) & Seulgi (Red Velvet) (new)
26 Blooming Day EXO-CBX (▼ 9)
27 Only One UNB (▲ 11)
28 District 9 Stray Kids (▲ 21)
29 Seoul Night Teen Top (▼ 22)
30 Giddy Up The Boyz (▼ 25)

Songs leaving the chart this week are:

  • Jealousy – Monsta X
  • District 9 – Stray Kids
  • The Chance Of Love – TVXQ
  • All Eyes On Me – Hoya
  • One – Samuel ft. Jung Ilhoon (BTOB)

Thank you once again and I hope to see you all next week!

[Review] Chain – NCT 127

NCT recently wrapped up their album promotions in Korea, which involved all members from the 3 NCT subunits (NCT 127, NCT U & NCT Dream). But the members of NCT 127 are not on a break yet, with their return to the Japanese music scene with their first single, Chain. The album officially dropped during the week (May 23rd) but the music video has been available online since the start of the month, so it is about time I got around to reviewing it.

If I had written a review for this song when it was first uploaded on YouTube (May 8th), it would have had the comments ‘very messy’ and ‘not that great’ written all over it. But with a lot of replays and time to take in this ‘mess’, it is a decent track that fits in well with NCT 127’s past work in Korea. That being said, it still isn’t the greatest song, mainly because you still have to work your way through its metallic clanging to get to the good stuff. The raps were decent and the vocal work was quite good. When the drop kicked in, I thought the high pitch screeching was extremely fitting for their rap-heavy track. The only issue that I have is the metal clanging, which is really in-your-face throughout the song and I wished they toned it down. The moments where they did stop the clanging gave the song some relief and allowed me to have a better grasp of the song. I like how they did keep their roots for their Japanese song, which is something you don’t really see all too often.

The music video for this release showed off a different persona that we don’t really see often in their Korean promotions. From what I can see, the video taps into their masculinity and dominant side. It definitely fits in with the intensity and fierceness of the song. And because fangirls don’t find anything sexier than a bunch of men posing with tools (I guess). Maybe this is my science mindset kicking in but there were moments that I wasn’t sure about the safety of the members. Don’t think holding a saw or a drill up close to your safe is considered safe in the manual. But overall, I thought it was a good video for the song.

The performance was surprisingly good. At first glance, the moves seemed rather slow. But watching it a few times, I thought the choreography did a good job at contrasting with the tempo and intensity of the video. There were some slow movements (more of the sexy slow though), while still balancing out with some fast moves.

Song – 7.5/10
Music Video – 8/10
Performance – 7/10
Overall Rating –  7.5/10

[Double Review] Travel + Starlight – BOL4

I haven’t reviewed BOL4 (or Bolbbalgan4) before, despite them being chart-topping artists in the past two years. With the release of their latest mini-album, Red Diary Page. 2, I thought it would be nice to finally talk about them on this site. This review will focus on Travel, which is one of the title tracks (the other being Wind, with no music video yet), and Starlight, which is a side-track (which has a music video, hence its inclusion in the review). 

Travel is your Summer time song that talks about taking a break and going on a vacation. Something I would like to have right now. It is a fun and bright song that really makes Jiyoung’s nasal vocals pop out. The song was extremely catchy with its catchy hook and you can genuinely feel the happiness in her vocals. The instrumental was extremely nice and I thought the guitar worked incredibly well with the rest of the song. Travel is one awesome song that I have been playing on repeat since its release and I have no plans on stopping.

Starlight takes on more of a ballad sound compared to Travel or any of their previous title tracks. It is quite breathtaking with the instrumental flowing around the vocals and the nasal vocals leaves you in awe. It is so good that I can’t really find anything that I dislike about it. I think there was a mix of electric and acoustic guitar in the song, which went extremely well with the orchestral and piano based instrumentals. Like Travel, the song has been on repeat since its release. And both songs are so good that I cannot choose an absolute favourite.

Each music video does an amazing job at compliment the song. As stated previously, Travel was a fun and bright song. And the video focused squarely on those two elements portraying a fun travel adventure where the duo seem to be carefree and having the time of their life, while the colours popped to make it such a bright video. Starlight, like the song, allows you to take in some of the views of where they took their holiday (I assume). Majority of the video was focused on the duo but I must admit, it is shot beautifully. The ending when the sky changes to the night sky (via post-production editing) was really nice. What puts the icing on the cake for me in this video is how perfect the wind is. Fake or not, it was done well and to reasonable proportions (and not over the top).

Travel
Song – 10/10
Music Video – 10/10
Overall Rating – 10/10

Starlight
Song – 10/10
Music Video – 10/10
Overall Rating – 10/10

[Review] Bonnie & Clyde – 24K

24K is making their first comeback in a very long time with their 4th mini-album and the title track, both titled as Bonnie & Clyde. This is their first comeback since the release of Only One last year. Once again, there were lineup changes with the addition of Kiyong. Kisu is currently on hiatus due to military enlistment, while Hui and Daeil left the group at the end of 2017.

Bonnie & Clyde takes a step back into familiar terrain with the use of heavy synths and the song falling nicely into the dubstep genre of music. At first glance, the song does seem overloaded with the instrumental and it does become a little hard to hear the individual members. They do lower the intensity when it comes to the vocalists, which was pretty good. But I felt the rappers got the short end of the stick when it comes to the instrumental. Pretty much, they had to put more force into their voices in order to be heard. There is this catchy effect, which pretty makes me hang around for some more. For those who don’t know, Bonnie & Clyde is an infamous criminal couple in American history, whom people associate to bank robberies. The song does a good job of portraying the dangerous love life the couple had through its lyrics. The intensity of the song does a pretty good job of complimenting this as well. I thought the song was decent and ended up being quite listenable when you overlook the heaviness.

While Bonnie & Clyde was known to approach banks as part of their dangerous lifestyle, a bank robbery portrayed in the video wouldn’t really go hand-in-hand with the music style. So the option for the more modern racing scene was definitely the perfect arena for a song like this yet still keeping that dangerous lifestyle in check. Also matching the song style was the flashy nature of the video, which I usually would not really enjoy. However, it works perfectly with the song. I am a little confused with the addition of the female model. Yes, she was hot. But her interaction with the members doesn’t really add anything to the video, which is why I am slightly confused. But other than that, it was a good video.

The performance does a really good job of fitting into the intensity levels. I did expect something a little more in that short instrumental sequence just prior to the end of the song. But it was still decent to watch.

Song – 8/10
Music Video – 8/10
Performance – 7/10
Overall Rating – 7.8/10

 

[Album Review] Love Yourself: Tear (3rd Studio Album) – BTS

Apologies for the delayed release of this album review. I just had some last minute things to focus on. Here is the long review for BTS’s latest album, Love Yourself: Tear. They had their comeback stage at the Billboard Music Awards this past Sunday and officially kicked off their promotions in South Korea last night. So with no further delays, here is my review!

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Love Yourself: Tear Album Cover

1. Intro: Singularity (V Solo) – Opening the album is an R&B track with a really ‘smooth’ instrumental that does a really good job of reeling you into the song. While this is the case, the song is a tad too slow for my liking. But as it features only V, it allows him to stand out. His vocals are extremely husky here and it sounds awesome when it is on a blank canvas, like this minimalistic instrumental. (8/10)

2. Fake Love (Title Track)Click here to read the full review of Fake Love. (9/10)

3. The Truth Untold (전하지 못한 진심) (ft. Steve Aoki) – The group previously collaborated with Steve Aoki for Mic Drop last year, so it was quite surprising to see another collaboration between the two. This around, however, the focus is on the vocal line, who put out a really beautiful ballad. Their vocals alone just amaze me. I loved how it climaxes at the bridge by bringing some percussion into the mix. And the ending was just perfect, giving the song the perfect ending. (10/10)

4. 134340 (Pluto) – The song manages to becomes its own thing by the inclusion of the flute in the instrumental. You don’t really hear them all too often in KPOP, so it definitely has this fresh feel. The song ended up having this jazzy or coffee shop vibe, which I thought was rather cool. I like how the vocals pushed the boundaries of the song, particularly the chorus and how the rapping sat so well within the boundaries. (10/10)

5. Paradise (낙원) – Unfortunately, Paradise didn’t really appeal to my taste, mainly because it became rather repetitive towards the end. The song had thumping from the very start, which I thought gave the song a strong foundation. I think I am going to side with the raps in this song, rather than the vocals. Don’t get me wrong, the vocals were fantastic but the raps felt like they had more edge. I did like the end where everyone was singing together though. (8/10)

6. Love Maze – Once again, the song features great vocals and rap sequences where the emotions that the members put in were easily felt. The harmonies during the chorus were quite nice. But I wasn’t too drawn to the song as it felt quite ‘simple’. The song doesn’t really scream excitement and the instrumental felt plain than anything else. It was a decent song, just not the best. (7.5/10)

7. Magic Shop – As I hear more songs that mixes amazing vocals with EDM or electronic based music, I am definitely falling harder for them. Magic Shop definitely throws in amazing vocals and raps, similar to what we would get from a ballad from the group. But with the addition of a great drop and EDM-based, it just gives the song a boost of life. The song wasn’t exactly catchy but it was breathtaking. The only other thing that I wasn’t keen on were the raps. (9/10)

8. Airplane Pt 2 – This song features a Latin-based sound, which seems to be a growing trend within the industry. In this song, the members take you to a trip around the world with their lyrics. The raps did a good job at keeping the song feel so linear. They also added some roughness through the huskiness of the rapper’s voices. The vocals were nice. But I wasn’t really drawn towards the song. (7/10)

9. Anpanman Anpanman is a Japanese cartoon superhero character, which I assume would be famous throughout Asia. The song falls onto the hip-hop side of the group, however, there was this enjoyable yet fun element to its sound, which made it memorable for me. Not particularly a fan of the vocals of the song, which were drawn out or adjusted to be deep. The rapping and bridge, on the other hand, were great points throughout the song. (7.5/10)

10. So What – Despite it featuring a heavy beat and a house genre instrumental, the song was quite easy on the ears. The song was exceptionally groovy and had a burst of energy from the chorus. It is one of the songs that I would consider to be actual ‘hype songs’ and can easily be slipped into a playlist at a party. Really liked RM’s opening line to the rap. Overall, it was one great song. (9/10)

11. Outro: Tears – The song focuses on the rapper line. Like how movies tend to end on cliff-hangers, this song is probably the equivalent of that. The song basically keeps you on edge the entire time and despite it closing up very nicely, it does make you want the next album release instantly. It also shows off the rappers and their potential once again. The instrumental was a lot darker in comparison to rest of the album. The only section I am not into is Suga’s autotuned rap but it was one damn good outro song. (9/10)

Overall Album Rating – 8.5/10

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Love Yourself: Tear Teaser Image

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[Review] Time Of Sorrow – VICTON

Apologies for the lack of reviews for the past few days, I have been extremely busy with studies once again. But today I make my return (and a start on a bombardment of reviews) with my review for VICTON’s latest comeback, Time Of Sorrow. This is the group’s first comeback since Remember Me, which was released in November last year.

The group takes on a more emotional and mature sound with their latest comeback. They do nail the emotional side of the song, which I could feel through their vocals. While I am on the topic, the vocals were nice. I really liked the combination of the high and low notes in the song, as they really do mix well. By doing this, they keep to the song’s nature throughout the song (without unnecessary changeups) but also manages to bring out the best of each member. Like the vocals, the raps were also quite good. I was a little skeptical within the first few seconds how the raps would be incorporated but now, I don’t know why I was worried.  I don’t want to say that the song is exactly soothing (due to the nature of the lyrics) but that was what my initial thought was.  The only downside is that the song doesn’t seem to be that memorable. Firstly, the song doesn’t really climax, staying relatively linear. There were nice melodies and synths in the song but I don’t think either really made the song that memorable for me.

The video showed the members having some fun times (via flashbacks) with a girl who was in the same class. In the present, however, it is clear that she left (or something happened to her), which left the members visibly upset. At the end of the video, one of the members leave a flower on her desk. Now, this can either be a love confession but I am more convinced (as all the members were upset) that something happened to her, as this would explain the flower at the end. I thought the video was quite nice, fitting well with the song. The choreography scenes in front of that olden day looking building was really well done and my absolute favourite scenes in the entire video.

The one word that you would describe a dance that accompanies a song of this tempo is graceful. And I think that is the perfect word to describe it. While I do see moves that fit into a more dance centred performance, the performance does a great job of staying within that very fine line of balance between the two elements, which make it a standout performance to watch.

Song – 7/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 7.8/10

 

 

[Special] LOOΠΔ Predebut Solo Song Reviews – Part 4

Please note these special posts are designed to be long and may require some time to read (if you plan on reading the entire post). To help shorten the length, the music video will be inserted as hyperlinked titles, so feel free to click the title of each section to watch the video.

After multiple requests about LOOΠΔ and reviews for their pre-release singles, it is time to start focusing on what seems to be a very promising girl group. Each Wednesday for the month of May, I will be releasing a special set of reviews for the LOOΠΔ members, which will focus on both their main and side-tracks as well.

LOOΠΔ is a 12-member girl group under Blockberry Creative. While they have yet to officially debut, their pre-debut promotion is extremely unusual. Starting in October 2016, each month a new member of the group is unveiled to the public. This continued until the end of March 2018. And with the completion of this pre-debut promotions, the group will be preparing and gearing up for their official debut which has been rumoured to be October this year.

Once I heard the project, I decided to wait for all the songs to be released (similar to what I did with previous project releases). I just didn’t anticipate for it to be such a long wait, as they also unveiled subunits made up of the already revealed members along the way, which drew the project out even longer. Talking about subunits, this is not the first time I have spoken about LOOΠΔ, as I have taken some time out to review and look closely to their subunit releases, which you can find out below.

LOOΠΔ 1/3 – Love & Live & Sonatine
LOOΠΔ Odd Eye Circle – Girl Front & Sweet Crazy Love

Today’s post will look at the side tracks that were released alongside the main tracks for the final 6 members. I couldn’t find any music videos for these songs, so the reviews may appear shorter.


Love Letter (Jinsoul & Kim Lip)

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Jumping right at me for this song is how well the song flows. And with that, there was also a very delicate feel to the song. I liked how the vocals from the two members were brought out, highlighting their potential well. At first, I thought the song could have had a bolder drop into the chorus. However, what we got seemed to compliment their vocals quite well and I am satisfied with it. I particularly liked the twinkling sounds just before the chorus. On the other hand, I am not a major fan of the verses, which felt dull. And the poor English. But other than that, it was a decent song.


Puzzle (Jinsoul & Choerry)

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The song had an exotic vibe to it, which I thought was nice. Once again, the vocals do jump out at me. But rather their normal pitch vocals didn’t do much of the screaming. Instead, the falsetto which they sang the chorus with stood out really well. However, while I do praise their singing, I am a little conflicted how it went with the instrumental. The vocals built up and you can hear the contrast between the different sections. The instrumental fell flat when it should have carried the vocals further. The whispering raps were too soft for my liking, as they could easily be missed. But it did offer some more texture to the song.


D-1 (Yves)

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In contrast to her main track, new, D-1 manages to bring out the more delicate vocals that Yves didn’t really get to show. There is a mixture of singing and rap-speaking, which shows off some versatility. The song is honestly too dry for my taste. However, it did feel like something that Lim Kim or Jang Jane would release with their nasal vocals. I did like the harmonies with the background vocals and the indie-changeup during the bridge. I also liked her falestto note, which peaked the song nicely.


Girl’s Talk (Chuu & Yves)

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We start to enter some grey area with the next few songs. I personally thought the vocals for this track was too light and high-pitched, in comparison to the rest of the songs on this list. The song does have a pop-diva type sound (almost disco with a modern twist), which was one likeable element. I really liked Yves rapping. It was limited but sounds awesome. I felt like the song was missing a breakdown, which could have given the song some life and appeal. Maybe it is because I put a lot of emphasis on the vocals, that I don’t really feel like they appeal to me in this song.


See Saw (Go Won & Chuu ft. Kim Lip)

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Two things liked about this song: the opening vocals for all three members (Chuu was the best sounding overall in the entire song) and the drop into the chorus. The rest of the song just didn’t have enough for me to like. The chorus could have been more dynamic and filled more with content to become more catchy and appealing. Same could be said about the instrumental. I am not too sure why Kim Lip featured in the song, as she seemed to only get one line. Someone said that her line linked back to her song but I just don’t see the necessity to feature someone just for one line.


Rosy (Go Won & Olivia Hye ft. Heejin)

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The final song I will be reviewing for the entire LOOΠΔ predebut project is Rosy. And I am glad it ends on a good note. The song contains youthful vocals that do sound quite cute, something that we didn’t get to see in either of Go Won’s or Olivia’s main tracks. The harmonies were nice. The bridge was my favourite part as it sounded quite random and quirky. Likewise, the instrumental on the end gives it a lasting impression and it also adds to the quirky side of the song.


Click here for Part 1 of the LOOΠΔ Solo Pre-debut reviews

Click here for Part 2 of the LOOΠΔ Solo Pre-debut reviews

Click here for Part 3 of the LOOΠΔ Solo Pre-debut reviews


Thank you all for reading the final part of my very late LOOΠΔ Solo Pre-debut reviews. I will be back with a new special segment in two weeks time, so click the follow button below so you know when it is out!

[Review] No More – UNI.T

One month after the male side of The Unit: Idol Rebooting Project show (UNB) made their official re-debut with Sense, it is time for the girls (UNI.T) to make their long-awaited re-debut. UNI.T compromises of Yang Jiwon (former member of Spica), Woohee (Dal Shabet), Yoonjo (former member of Hello Venus), ZN (Laboum), NC.A, Lee Hyun Joo (former member of April), Lee Suji (former member of The Ark), Euijin (Sonamoo) and Yebin (DIA). The mini-album release, Line, features the title track No More.

No More takes on the reggae-pop genre. While it does feel underwhelming at first, the song does grow quite a bit on you. Admittedly, it isn’t the catchiest piece of music released in the past week. However, it does feature a decent hook that appealed to my taste, at least. Like most songs, I thought the chorus was the main highlight. Rather than due to the actual music, it was the melody and vocals of the members that I liked. That may be due to fans picking a solid vocal line, as there wasn’t a rap section in the song. The ‘No More’ repetition is definitely growing on me and I loved how they voices did that part justice. The pre-choruses had that extra backing, which felt so much more interesting than the preceding verses. The only section which I thought was the messiest was the bridge with the unnecessary extra chimes and cymbals. All in all, it was a decent debut track that did the job nicely.

The video takes on a mature yet sensual concept. For some of the members who tend to fall towards the cutesy side of the girl group spectrum, this would be interesting. However, everyone fitted in nicely and no one looked out of place. I don’t know about you but I think it is clear that their company is favouring UNB, in terms of budget. UNI.T gets only one music video (so far) and it looks underbudget, especially with some of the scenes. Also, the editing for this looks rather poor. I don’t like how the camera angles were a little abstract but then no one shot remained for more than a second. Together, this creates a little mess that is really hard to miss.

I like how their performance started off with smaller groups and you don’t really get to see the whole team bridge. Despite the same moves appear for the chorus, you don’t really grow tired of it, regardless of how simple it turned out.  Like the video, the choreography takes on a sensual vibe, which looks amazing. Overall, I thought it was one damn good piece of choreography.

Song – 7/10
Music Video – 6/10
Performance – 9/10
Overall Rating – 7.1/10

[Album Review] Heal (4th Mini Album) – Lovelyz

Apologies for the lack of album reviews in the past week. I had to drop them temporarily due to my studies (it got hectic real fast). Now that the first hurdle is over, I am glad I can finally edit and publish on that I was holding for a few weeks now. Lovelyz made their comeback with That Day, which earned them their second trophy. It is the lead title track off their 4th mini-album, Heal. With no further delay, here is my album review!

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Heal Album Cover

2. That Day (그날의 너) (Title Track)Click here to read the full review of That Day. (7.9/10)

3. Bizarre (미묘미묘해)Bizarre is an upbeat and bright pop track with a cutesy vibe and retro feel. It is super catchy. It follows well after the title track with its ‘fun’ sound. Despite that, there was a ‘serious’ pre-chorus, which zoned right into the strong vocals and built up perfectly into the chorus. The verses were extremely colourful, which I really liked. Most awkward part of the song was definitely the end, where this deep tone came in. Quirky can be used to describe it but too random for my taste. Overall, a near-perfect song. (9.5/10) 

4. Temptation – This contrast nicely with a more serious and mature tone. I really like the synth in the background that gives the song an almost futuristic sound. While the vocals don’t really hit that peak as in their previous two tracks, it sounds equally as nice here. The chorus provided a blast of energy which made it feel so refreshing. And the change-up did wonders to the track. Lovelyz don’t rap too often, so it did feel a little foreign to hear a rap sequence in their song. Following the rap was a soft piece of melodic music. Not too much of a fan of that but it gave a very different feel. (9/10)

5. Watercolour (수채화) – The mandatory ballad on all album releases is back to bite us. The song does showcase nice vocals, like in their previous tracks. There were nice ballads. However, it felt like your typical sweet-sounding ballad that girl groups tend to throw onto their albums. It sadly is the least interesting track on this album but still decent to listen to. (7/10)

6. SHINING★STAR – The song fondly reminds me of their previous album. It starts off with a very typical pop sound but instantly changes up with a chaotic piece of music lasting for a few seconds, which reminds me of ‘retro sounding video games’. The thumping in the verses and fast tempo really makes the song stand out. Chorus was nice however I felt the vocals were overshadowed by the intensity of the instrumental. From the second verse onwards, the song was quite repetitive, with nothing new to offer. The end of the song follows an energetic formula but was sadly too abrupt for my taste. (8/10)

Overall Album Rating – 8.3/10

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Heal Teaser Image

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[Weekly Chart] 3rd Week of May 2018

Since all the TV shows that I follow have ended, I guess I now have more time to type these posts. But before I get onto that, we must go through the weekly charts for the 3rd Week of May 2018 because it just ended and I am trying to avoid studying. Anyway, welcome all to this week’s edition of the weekly charts!

Topping the charts this week is Snuper’s Tulip. Following behind them is (G)I_DLE’s LATATA. Dream Catcher’s latest track, You & I, take out the third position, while Cross Gene’s Touch It finishes in the fourth position. Rounding out the Top 5 is The Boyz’s Giddy Up, which has been on the charts for a number of weeks now.

With Fake Love being the biggest release of the past week, next week is going to get very interesting. Also possibly joining next are The EastLight, Bolbbalgan4 and 24K.

But before we get to next week, have a scroll through this week’s chart.

13th May – 19th May 2018
Title Artist Status
1 Tulips Snuper (▲ 3)
2 LATATA (G)I-DLE (▲ 1)
3 You And I Dream Catcher (▲ 13)
4 Touch It Cross Gene (▲ 11)
5 Giddy Up The Boyz (▲ 19)
6 That Day Lovelyz (▼ 5)
7 Seoul Night Teen Top (▲ 4)
8 Boomerang Wanna One (=)
9 Angel IZ (▲ 47)
10 Time For The Moon Night GFriend (▼ 8)
11 Where Are You From? Favorite (▲ 3)
12 Just Do It BSS (Seventeen) (▲ 6)
13 Light It Up Spectrum (▼ 3)
14 Love It Like It YDPP (▼ 9)
15 How R U Today? N.Flying (new)
16 Fake Love BTS (new)
17 Blooming Day EXO-CBX (▲ 14)
18 The Light IMFACT (▲ 31)
19 Go Away Junhyung (HIGHLIGHT) (=)
20 Snapshot IN2IT (▲ 2)
21 Shine Pentagon (▼ 15)
22 Baby The Rose (▲ 1)
23 Dally Hyolyn (▼ 2)
24 One Samuel ft. Jung Ilhoon (BTOB) (▲ 14)
25 Jealousy Monsta X (▲ 2)
26 Scentist VIXX (▼ 6)
27 Lady EXID (▲ 19)
28 My Only Star K.Will (▲ 12)
29 Call Your Name JBJ (▼ 17)
30 What Is Love? TWICE (▼ 23)

Leaving the charts this week (and hence won’t be appearing on it next week) are:

  • Boomerang – Wanna On
  • Just Do It – BSS (Seventeen)
  • Bibidi Babidi Boo – Honey Popcorn
  • Sudden Shower – Junhyung (HIGHLIGHT) ft. 10CM

Thank you all reading this post and I will see you next week!