Category: Reviews

[Review] BLUE – ZEROBASEONE

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ZEROBASEONE makes their grand return today with the new single BLUE and mini-album, BLUE PARADISE. It follows the pre-release single Doctor! Doctor!, which I will be reviewing soon. The new mini-album is the group’s first Korean release in 6 months, following their CINEMA PARADISE mini-album (album review coming) and GOOD SO BAD comeback in August last year. The group has also been busy in Japan with releasing their Japanese debut mini-album PREZENT last month and a new single NOW or NEVER.

But today’s post focuses on BLUE. BLUE is a pleasant alternative pop song that follows GOOD SO BAD quite nicely. The pleasantness comes from the airy and buoyant melodies, the underlying guitar we hear very clearly when the synth work is stripped away during the pre-choruses, and the refreshing synth instrumentation in the choruses. ZEROBASEONE’s vocals bring brightness to BLUE, giving it sweetness and a wholesome feel. Most of the song was enjoyable, and I liked it a lot. However, some parts in BLUE haven’t won me over yet (who knows what some more repeats of BLUE may do). The first is the way the chorus ended. It felt abrupt and sudden. A post-chorus would have helped offset this. The second is the rapping, which is a loss opportunity, in my opinion. While what we got in BLUE wasn’t bad, it played too safely with the pleasant trajectory. Listening to it closely, I wonder how a bit of roughness could have given the rapping some additional personality and oomph to make it even more memorable amongst the pleasantry vibes BLUE had throughout the song. Thirdly, the hooks don’t feel as established as they could be. BLUE is definitely more reliant on melodies given the song’s pleasant and vocal focus, but I wished the hooks were a little more enticing.

A clear blue sky symbolises a good day, and the members recall the fond memories of meeting someone special on that good day in BLUE‘s lyrics. The music video shows bright and beautiful days with clear blue skies throughout the video. Some of it is virtual, some is real life – all show us the consistent message of how good these days are. Even in some of the indoor shots, you can definitely get a sense of how blue the skies are by watching the good moods the members are in. Altogether, it’s definitely a feel-good video. As a small side note, the choreography scenes in the virtual world (i.e., the street with the changing buildings) reminded me of their Feel The POP music video from last year.

The choreography opts for a more flowy and airy approach, which works well with the song. Nothing that memorable, though the scarfs were a nice touch. I do want to point out that I didn’t notice how shouty the vocals were in the chorus until I watched the performance. But I am not disappointed by it. The shoutiness gives BLUE some character (more so than the audio version), and it was well-controlled and felt piercing in a good sense.

Song – 8/10
Music Video – 8.5/10
Performance – 8/10
Overall Rating – 8.2/10

[Review] earthquake – JISOO (BLACKPINK)

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JISOO made her long-awaited return to the music scene last week with the single earthquake and her first mini-album, Amortage. It is her first release since her solo debut in 2023 with Flower. In addition to the new music, JISOO has been busy with a new K-drama Newtopia. She will also regroup with the rest of BLACKPINK for a comeback and world tour later this year. So, keep your eyes out for more JISOO shortly!

earthquake starts off sleek and tense with low tones before building into a nice dance track. The instrumental brings in a slight grooviness and a hefty dance beat as it develops. Part of me thinks the combination is plain and straightforward, but I also believe it made earthquake sound more compelling (especially when compared to Flower). It also gave earthquake some dynamic flair, contrasting with the song’s monotonous melodies. But these melodies aren’t necessarily a bad thing. JISOO handles them well, especially the “da da da” post-chorus hook and the “It hits me like an earthquake” opener line to the chorus. I think they are the most memorable aspects of the song and have been on repeat since Valentine’s Day (the day earthquake was released). JISOO also flourishes in the pre-choruses, where her vocals are the strongest. I can’t think of anything bad about earthquake, and I find it to be a definite improvement from her solo debut.

I really enjoyed the music video. JISOO looks very stylish and fitting for the song. Essentially, this comeback is about how someone’s ex dropping back into that person’s life will shake it up, just like an earthquake. The music video shows her being interrogated by an officer from the Department of Heart Security (cameo by Cha Seung Won). But she gives in, blowing up the interrogation room (which also takes out Cha Seung Won). I like the explosions in the video, which feels cool and works well with the song’s title. JISOO also looks very cool in the driver’s seat of that sports car.

I also enjoyed the performance for earthquake very much, especially the aesthetics given off. The performance has some memorable moments, such as the vibrating dancers at the start, the serious post-chorus clicks and arm swings accompanying the first and last post-chorus hooks, and the sharp arms at the start of the second post-chorus sequence. JISOO also shows off her charisma throughout the performance, which adds to the performance.

Song – 9/10
Music Video – 10/10
Performance – 9/10
Overall Rating – 9.3/10

[Review] Flying Kiss – NCT DREAM

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I am bouncing around time at the moment. Reviews for songs last week, newer releases from this week, and now 2024 releases I have yet to review. In the lead up to the release of their 4th studio album, Dream()scape, in November 2024, NCT DREAM pre-releaed the single Flying Kiss. This preceded the single When I’m With You, which served as the title track for Dream()scape.

Flying Kiss is an alright song. It is quite a pleasant track overall, but also rather plain. I am glad it wasn’t the title track for the album. I blame the trap elements and hollow synths in the instrumental for that, as well as the verses. There were soft beats and a harp at the start. But these weren’t enough to make Flying Kiss compelling to me. Similarly, the verses were also not compelling and rather forgettable. Flying Kiss does get better when we reach the choruses. The relatively fast-paced delivery is actually charming and gives Flying Kiss a uniqueness. It also picks up Flying Kiss, which was much needed after the plain verses. The bridge also fairs better than the verses, with a strong velvety and dreamy flair exuded by the vocals. I also enjoyed the abruptly pierce change in momentum with the “I Just Wanna” change up. JENO and CHENLE’s delivery was awesome and gave impact, and it was a great way to get back to the chorus. Finally, the spoken ending line to Flying Kiss by JAEMIN stands out. Somehow it feels bold and distinct from the rest of the song, thus ending the song on a memorable note.

Like the song, Flying Kiss‘ music video was also alright. Some of it was shot using the same set as the train’s inside we saw in When I’m With You. But there was also other scenes that gave off a noticeable dreamy vibe to match the song. I liked their styling and how sweet it made them look, on brand for a group known for their youthful and bubbly charms when they first started. Definitely a nice throwback there. But there wasn’t anything exactly memorable that really makes me want to go back and revisit the video often.

The dance for this release opts for a softer and more pleasant vibe, which works well with Flying Kiss‘ instrumental. I liked how they gave the routine a kick during the chorus, which is also when the song picks up. But nothing memorable, once again. NCT DREAM themselves did look very sweet on stage and appear to really enjoy the performance, so that is something.

Song – 7.5/10
Music Video – 7/10
Performance – 8/10
Overall Rating – 7.5/10

[Review] The Stranger – ONF

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Returning after their first comeback since their amazing Bye My Monster and Beautiful Shadow mini-album last year is ONF. Their new release is the first part of their 2nd studio album ONF: My Identity, which dropped yesterday. It is led by the single The Stranger – the focus of this post.

The Stranger brings us back to 2021, with ONF’s mammoth year of releases. It all began with Beautiful Beautiful, which I described as ‘wonderfully energetic and [having an] exciting retro profile’. The Stranger follows that description, channelling a funky flair from the get-go and throughout the song’s entire length. The momentum that The Stranger builds up is exciting, making the chorus one to look forward to. And with their powerful vocals in play, ONF does not disappoint! Particularly in the central aspect of the song, their excellent vocal work gives The Stranger some extra punch and weight. But that isn’t the song’s best part. That honour goes to the post-chorus hook (i.e., the “Stoop-di-bap…“). Short and brief, but it caught my attention and is so catchy. The bridge is probably The Stranger’s most questionable segment. I enjoyed the first half, where the song levelled up through the harsher instrumental. But the second half, where the background to WYATT’s rap was ‘stripped away’, feels like a lull in the song’s dynamic momentum. But aside from that minor moment, The Stranger is still a top-notch song for ONF.

The music video shows the members investigating the bright figure we see at the start of the video. As the video progresses, we are given hints of who this figure might be. But unsurprisingly, it turns out to be the members themselves. I wished there was a plot twist to the mystery rather than something predictable. I also want the video to be bolder and present a wow factor. Something like the futuristic world setting in the Beautiful Beautiful/Ugly Dance/Goosebumps series could have done the job.

I like the handguns and the swinging arms that make up the choruses’ choreography. The changes in formation keeps it fresh. I also really enjoyed the cascading move alongside the second pre-chorus. Overall, the routine is not as dynamic as I hoped to really complement the funky flair and energy. But the constriction does allow them to showcase their stable live vocals.

Song – 9/10
Music Video – 7/10
Performance – 9/10
Overall Rating – 8.4/10

[Review] HOT MESS – EVNNE

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A more recent comeback belongs to EVNNE, who returned last week with the new single HOT MESS. The new song serves as the title track of the group’s 4th mini-album of the same name. This HOT MESS comeback follows their June 2024 comeback with Badder Love and the mini-album RIDE or DIE.

HOT MESS introduces us to a new side of EVNNE via an entirely new and distinct sound. As mentioned in their Badder Love review, EVNNE is a group that I associate with a bold and bombastic sound. HOT MESS turns EVNNE’s discography onto its head (in a good way) with such a goofy and colourful song. I did notice a childish flair, which usually concerns me. But I like how the song’s producers control it so that HOT MESS does not feel cringy (the case for a lot of childish-sounding songs). I really enjoyed the pop-rock tinge the instrumental had. It is on trend and brings an interesting retro flair to the HOT MESS‘ dynamic. The percussion and synth work also contributed to the HOT MESS‘ fun-filled nature. I also like how the upbeat nature of HOT MESS comes off naturally. The members all sound great in the song. If I were to pick, the vocals in the pre-choruses and JIHOO’s raps in the second verse were the best of both deliveries. The hooks are repetitive but catchy. The “I’m a mess” is quite effective and a good introduction to the choruses’ melodies (which I also greatly enjoyed). If I were to critique HOT MESS, its short length limits its potential. While HOT MESS is all good, it easily could have packed extra punch. But frankly, there was not enough time to explore that potential.

As expected with a fun song, the music video features more colour than what I am used to for EVNNE. But it isn’t exactly a vibrant set of colours. There are darker tones and shades used in the video, commonly used for a boy group to illustrate their toughness in a light-hearted video. It also lends well to the song’s harsher pop-rock influences. In the midst of the fun, the members represent worker ants because of the marching the start and the underground setting. And these worker ants also bake cakes. Their cakes are popular, but EVNNE is a ‘hot mess’ whilst baking and serving the cakes to their customers. At one point, they were throwing handful of cakes at their loyal fanbase. Though, I am sure it more so for portraying the fun and quirkier concept they were going for.

The choreography sees the group bring forth a very playful side of themselves. There were a lot of smiles and fun moments throughout the entire performance. The energy EVNNE puts into their delivery and exude from the performance is infectious. I don’t think anyone can help but grin widely while watching EVNNE perform HOT MESS.

Song – 8/10
Music Video – 8/10
Performance – 8.5/10
Overall Rating – 8.1/10

[Review] PYTHON – GOT7

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Out of the releases released while I was on break, I was most excited for GOT7’s long-awaited return. I have been looking forward to sitting down and reviewing the lead single, PYTHON. It is the title track from their 13th mini-album, WINTER HEPTAGON, which dropped in January. We last saw GOT7 as a group in 2022 through their 12th mini-album GOT7 and the single NANANA.

PYTHON features a very subdued trap-based instrumental, serving as the backdrop to showcase the group’s affinity for the hip-hop genre. There is also this harp-like synth recurring in the mix that feels quite calming and soothing. Altogether, PYTHON‘s instrumental is very low-key and minimalist, yet also chic and stylish. Also, it somehow doesn’t come off as repetitive to me. When the instrumental brings in some new elements, like the broad vibrating synth in the pre-choruses, these elements really pop. And I quite like that contrast. Another aspect of PYTHON that made it a great release was the vocals. I really like how expressive some of the members were (i.e., YOUNGJAE and YUGYEOM). On the flip side, I like how some other members were lowkey (i.e., JAY B, JACKSON and MARK). It is an interesting dynamic that actually showcases the members well. JINYOUNG does a great job in the pre-choruses, smoothly giving PYTHON some momentum. I also enjoyed PYTHON‘s darker tones, a side of GOT7 that I have previously enjoyed. We have BAMBAM to applaud for that, who was one of the producers behind PYTHON. Unfortunately, I do have a complaint to make, and it is about PYTHON‘s very short length. PYTHON sometimes feels like it wraps as soon as it starts, and I don’t find this satisfying. Overall, it’s a great song from GOT7, but something longer would have been appreciated.

As mentioned above, PYTHON has some dark tones, which were brought to life well in the music video. The song speaks to how the hold someone has on them is like a python’s grip, preventing them from moving on. That’s why we see the members stuck in the same location in their solo shots at the start. For example, JINYOUNG is walking in one spot, and YOUNGJAE is unable to leave the chair surrounded by microphones. Even on the plane (a form of transportation to move people), the members wear the same stylish black suits as in their earlier solo shots. This shows us they are ‘stuck’ in this form. In the latter scenes, the members escape the ‘hold’ and don more casual wear. But we see BAMBAM getting pulled back into the plane and black suit because the python’s grip is too firm at the end. This suggests someone has a strong hold on them, just like a python’s grip. In amongst the above, the music video cleverly incorporates elements from GOT7’s older music videos. I noticed the plane from their Flight Log series, the airline service trolley that JACKSON throws in their Hard Carry music video and the members lying down in a circle from their You Calling My Name era.

The choreography looked quite cool. I liked how they utilised the beats well to showcase the hip-hop style. The start of the chorus brings in imagery that looks like the python fangs and the AHGASE (GOT7’s fanclub’s name) hand sign. JINYOUNG’s solo moments in the pre-choruses are my highlight for the routine.

Song – 8.5/10
Music Video – 9/10
Performance – 8.5/10
Overall Rating – 8.7/10

[Review] CBZ (Prime Time) – BSS (SEVENTEEN)

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Another song released while I was on vacation was BSS’ (SEVENTEEN’s Boo Seungkwan, DK and HOSHI) CBZ (Prime Time). It is the title track from the unit’s second single album, Teleparty, which dropped in early January. CBZ (Prime Time) is BSS’ first comeback since their massive hit Fighting (ft. Lee Young Ji) from 2023 and their unit debut, Just Do It, in 2018.

All of BSS’ title tracks have been fun and always contain a positive message. CBZ (Prime Time) continues that tone and messaging. This time, the fun side of CBZ (Prime Time) comes from the instrumental’s jazzy elements. It made for quite a dynamic and funky piece. As for the positive message, CBZ (Prime Time) speaks to the idea that youth is not an age, but rather a mindset. The Korean title of the song is also a ‘Cheers’ acronym in Korean. The Korean title also means ‘jeans’, which is an element that the music video features (more on that in the next section). As for the other elements that make up CBZ (Prime Time), there is much to like in the song. I really enjoyed the expressive nature of the members’ vocals. A fun instrumental doesn’t necessarily guarantee a fun song. The vocals are a definite factor in helping bring life to the song, and CBZ (Prime Time) features an engaging delivery from the trio. The hooks were fantastic and got the song stuck in my mind after several listens. My only concern for the song is its longevity. Based on what I have seen, CBZ (Prime Time) doesn’t have the same pull on the Korean charts and social media as Fighting did. Regardless, it is another fantastic song by BSS.

As mentioned earlier, the music video visually conveys a few of the messages. With the youth mindset, this is done via the choruses, where the members have fun. They take the office workers to the pub while also partying it up at the end. The members also hand out jeans to bring that alternative meaning to the Korean title into the choreography. They make it the uniform of having fun, which makes sense, given jeans are more casual than office wear or school uniforms. The music video also features cameos from some Korean actors like Uhm Jung Hwa, Gal So Won, Jung Young Joo and Moon Sang Hoon.

Hands down, the best part of the choreography is when they launch into the final chorus. The dance challenge for this comeback may have played a part in this, but it was the most memorable section. Elsewhere in the performance, a fair bit is going on. I like how jumpy the dancing was – it probably feels like a workout. I also enjoyed how they integrated the idea of youth being a mindset and showed off their jeans in the routine.

Song – 9/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 9/10

[Review] ATTITUDE – IVE

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In my review for REBEL HEART, I mentioned my plan to review the second title track from their 3rd mini-album (IVE EMPATHY) soon. Well, ‘soon’ has arrived. The second song is titled ATTITUDE, and it dropped with the rest of the mini-album on Monday this week.

My first impression of ATTITUDE was that it could have used a little more sass or attitude. There are definitely moments in ATTITUDE that give off this tone and energy, like the song’s main hook (sampled from Suzanne Vega and DNA’s Tom’s Diner and the rapping in the second verse. But I wished ATTITUDE went further, as it would have given the song more oomph and further impact. Elsewhere in the song, I enjoyed the instrumental’s dance beat and funky disco undertones. I liked the idea of the ascending notes in the final lines of the pre-choruses – breaking the note was a good idea. I also appreciated them in the choruses, even if it did get slightly unpleasant. On the topic of the choruses, they had good flow and melodies, but the vocals were plain to me. The most questionable element of ATTITUDE was the bridge. I agree ATTITUDE needed a change-up, but I wonder if a relatively toneless shouty delivery was the best way to go about it. Overall, ATTITUDE was a decent song. It is not as strong as their best tracks, but still worth a listen.

Based on the lyrics, the music video shows the members as inhabitants of the ‘Loveless society’. But they know that their time in this location is short. I like the confidence they exude, particularly in contrast to the other inhabitants of the society. Their outfits and styling were very pretty, showcasing their beautiful looks. I also like how the members do their own thing rather than following the norm. Overall, a great video to watch.

Like the song, I felt the choreography could have used more sass and attitude. There were a lot of bright smiles and moves, which was all great. I wished there was more balance with some other sides of the group they have shown before in the routine. For example, when YUJIN stood on top of those desks in the music video. That would have taken the choreography to the next level and worked well with the message behind ATTITUDE.

Song – 8/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 8.3/10

[Review] REBEL HEART – IVE

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Apologies for the lack of reviews this week. Jet lag caught up with me and work got me tired.

One of the releases that came out while I was on vacation was IVE’s single REBEL HEART. It serves as one of the title tracks for their (at the time) upcoming 3rd mini-album IVE Empathy. As of Monday this week, the second title track, ATTITUDE, and the mini-album itself were released. A review for ATTITUDE will be posted soon. IVE Empathy follows from their IVE SWITCH mini-album and HEYA/Accendio comeback in April last year.

I remember listening to REBEL HEART while on vacation and thinking it was a great song, minus one part. REBEL HEART begins with a rock tinge instrumental that develops into a bombastic sound that reminds me of their I AM single from 2 years ago. I like how the members channel and complement the rock sound, sometimes almost turning the song into an anthem. I do acknowledge the chorus is repetitive, but it is also very simple and catchy. The “So you can love me, You will never be never be never me…” definitely makes for an addictive hook. REBEL HEART does falter when it comes to the “Na Na Na” part in the bridge. This moment turned a strong and empowering song into something childish. At least, WONYOUNG and LIZ’s vocal follow-up picked REBEL HEART back up and made the song slightly mature again. Overall, REBEL HEART is a strong first release from IVE Empathy. This makes me excited for their now-released second track, ATTITUDE.

The music video for REBEL HEART features the members rebelling against society but staying true to themselves. After all, they are ‘rebels in their hearts’, and the song’s lyrics express solidarity with those who rebel. The group and ‘friends supporting friends’ scenes reflected the latter message. GAEUL and LIZ were probably the easiest rebels to spot in the video. GAEUL opted for activities like graffiti and hanging out in abandoned buildings. LIZ didn’t attend school on school days and was seen walking in the opposite direction of her peers. The other members’ portrayal of rebels was a little more subtle. REI wore an outfit that made her standout in public. WONYOUNG was an unhappy bride, while YUJIN took part in activities that did not fit the stereotype for her gender. The hardest to make out was LIZ’s portrayal of a rebel, who I guess is representing those who want to make a living through social media rather than other ‘typical’ jobs.

The choreography for REBEL HEART was good. I don’t mind the routine we got. But it could have gone for something punchier, as some moves didn’t fit the song’s rock vibe. It felt more focused on being youthful and pretty than taking advantage of that rock sound.

Song – 8.5/10
Music Video – 9/10
Performance – 7/10
Overall Rating – 8.4/10

[Review] Fraktsiya – MARK (NCT) ft. LEE YOUNG JI

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MARK was originally due to make his solo comeback with his first album this month. But the long-awaited solo return of MARK was unfortunately delayed to April instead. To keep those waiting in anticipation for his solo release, MARK released the single titled Fraktsiya. It features LEE YOUNG JI, who had a successful run this year. This single release follows MARK’s other solo singles, which include Child, Golden Hour and 200.

MARK is well known for his rapping skills, which he has displayed through the abundance of songs he raps in. His rapping in SuperM’s Jopping springs straight to mind. But we have yet to come across a solo song from MARK that really showcases his rapping skills to the same degree. That is until Fraktsiya. It is a rap-based hip-hop track featuring a fast-paced and pulsing instrumental that exudes a dynamic yet lowkey energy. The details in the instrumental give off a prickly feeling, heightening the song’s excitement. MARK and LEE YOUNG JI were super punchy with their delivery through Fraktsiya, which I thought should be commended. Further, MARK’s flow throughout Fraktsiya does not let up and has me vibing along to the song. The same can be said about LEE YOUNG JI. But her style and rapping also bring a brighter-like tone element to Fraktsiya. But the song’s best part is when the pair rounds out with the shoutier “I’m so curious“. That was a great peak to accumulate towards and to end Fraktsiya with. Overall, this track excites me for what will come from MARK in April.

According to Google’s AI, Fraktsiya is the romanisation of the Korean word 쁘락지 (meaning ‘spy’). MARK and LEE YOUNG JI essentially rap about being spies in their respective ‘worlds’ – MARK being KPOP and LEE YOUNG JI being K-Hip-Hop. The video takes on a darker concept than usual for MARK. We see him as a spy in the first part. We then see him in the KPOP world, out of place and calm in the chaos as the staff prepares for a photoshoot. When LEE YOUNG JI appears, she appears out-of-place, as well. She wears a jacket with a touch of green on a green carpet, while everyone else is dressed in black suits on the white background. It was a cool video overall.

Song – 9/10
Music Video – 8.5/10
Overall Rating – 8.8/10

[Review] IZNA – izna

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As we draw to the end to 2024, I do find myself in a reflective mode. An area of the blog I personally felt I did not do a good job delivering on are rookie reviews. So many good rookies made their debut and I just didn’t get around to reviewing them. But I keen on ensuring I cover more rookies in 2025. And while we are not in the new year yet, it is always nice to get a head start. Today, I have picked IZNA’s self-titled debut track. The group hails from the survival show, I-Land 2: N/a, where the 7 top ranking members (Mai, Jeemin, Jiyoon, Koko, Sarang, Jungeun and Saeb) would form a new KPOP group. The first season of the show created ENHYPEN.

izna’s IZNA (this is not going to be confusing whatsoever) is a mixture of R&B and hip hop, but is all kept very minimalistic. For the most part, IZNA features a heavy beat and trap-like percussion. It is an okay production, but it does get flat and dull with repeat listens. Some other synths come into play during the bridge, but they are not pivotal or become the defining sound of IZNA. I just wished the song developed a little as it progressed to cut through the flatness to become more engaging. For example, IZNA potentially could have concentrated itself or give itself a climax of some kind. After all, those repeat listens made IZNA feel very much like a loop. In term of the members, their flat delivery (more on this in a second) was most definitely intentional. And to a degree, I do admit that it did sound intriguing and catchy. Their rapping was on show in IZNA, but the same can’t be said about their vocals, unfortunately.

While the quality of the music video is great, I feel the colour palette and odd dulling filter was a let-down. I don’t know about you, but these contributed to making everything feel opaque and boring. The video also attempted to do pull off a minimalistic concept in some regards. But instead of something striking or aesthetic, I felt even more bored and uninterested in the final product. I am not saying the music video had to be colourful or lively. What the final product did work well with the song. But some refinement would have been made the video better.

If there was anything to take away from this debut, it is that izna has charisma. Their intense facial expressions give the routine some added depth. And the routine itself is the better aspect of their debut. It was powerful and well-synchronised.

Song – 6/10
Music Video – 6/10
Performance – 8/10
Overall Rating – 6.4/10

[Review] Love In My Heart – BABYMONSTER

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BABYMONSTER continues their promotions for their first studio album, DRIP, with the music video release for Love In My Heart on Monday. This release follows the pre-release of FOREVER midyear and the release of the entire album and title tracks CLIK CLAK and DRIP in November.

Love In My Heart is a relatively mellow and heartfelt release from the group compared to the title tracks from the studio album. That being said, the producers of Love In My Heart keep the song contemporary by incorporating EDM backing and club beats together. This combination reminds me of the music I enjoyed from the late 2000s to the early 2010s. And with a mellow and heartfelt descriptor, Love In My Heart is vocal-focused, allowing BABYMONSTER to showcase more of that side of themselves. Rami surprised me with her high note. But despite recognising the group’s opportunity to shine vocally and the nostalgia the instrumental brings, I can’t help but also feel a generic vibe coming off Love In My Heart. And this impacts other aspects of the song that I usually look towards. Love In My Heart‘s melodies were not memorable, and the song’s hook (‘Give you ay ay ay‘) was awkwardly flat. The same can be said about their vocals. They were decent but lacked any shine to them. Overall, Love In My Heart is a decent track. But it could have been better executed.

The music video begins with commentary over the radio and news that the weather hasn’t been so great. This has affected the members’ mood, leading to fighting between two members. But despite that, the song expresses the idea that their love for one another is a strong bond. So soon after their fight, we see the members rejoin and run off together to enjoy the post-rain weather and go on a road trip together (just without a vehicle, at first).

Song – 7/10
Music Video – 8/10
Overall Rating – 7.4/10 [Updated on 22/02/2025 due to calculation error]

[Review] Rupert’s Drop – ONEUS

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ONEUS is back? I missed the news of their return with the digital single, Rupert’s Drop, which dropped last Monday. It’s not surprising though, since the official announcement of the release didn’t happen until mid-way last week. Still, keep your eyes out for the special album release dropping early next year. We last saw ONEUS through their Now comeback earlier this year and on Road to Kingdom: Ace of Ace.

Compared to their earlier releases (which have been of the dance variety), Rupert’s Drop is a change of pace for ONEUS. It is a mellow and soothing ballad track, with an acoustic-like pop-leaning instrumental and pleasant, straightfoward and easy-going melodies. It isn’t the most mind-blowing track ever, but it is still a really nice listen. The guitars riff in Rupert’s Drop reminds me of the guitar riffs in IU’s Blueming. This evokes a nostalgic feeling for me, which works in Rupert’s Drop‘s favour. I like how the instrumental builds as it progresses, peaking when the electric guitar comes into play in the bridge. Mellow material like Rupert’s Drop allows the song to focus on the vocals. And in Rupert’s Drop, ONEUS executes the track quite well. All the members sound so good in Rupert’s Drop and I particularly like the oomph they give during the choruses. ONEUS also bring a comforting tone to Rupert’s Drop. This makes the track feel warmer and fitting for the colder season in Korea. Overall, a hearty and likable song from ONEUS.

I am unsure if the music video is relevant to the song. The video only features the members singing amongst some flowers. Aesthetic-wise, it is pretty and works well with the likableness of the song. But my understanding of Rupert’s Drop lyrics is it depicts the idea that a connection is formed between two people when they cry. The tears and associated feelings are likened to Rupert Drop’s, the tadpole-like shaped drop that dripped molten glass solidifieds into when its cooled. Apart from falling snowflakes, which is the closest thing in the video we get to ‘drops’ in this video, I can’t see how else the video is relevant to the song.

Song – 8/10
Music Video – 7/10
Overall Rating – 7.6/10

[Review] Walkin On Water – Stray Kids

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Yesterday, Stray Kids made their return to the Korean music scene with the single Walkin on Water and their mixtape album Hop. It is their first Korean release since ATE (led by the single Chk Chk Boom) and their Japanese release GIANT last month.

Unsuprisingly, the track Walkin On Water is a hip-hop centric number. You can hear that within an instant. Personally, I quite like the choruses. I felt they were are good embodiment of old-school hip-hop in terms of the members delivery and instrumental-wise. I do find the members’ “Brrkt Brrkt” to be cringy, but the rest of the choruses were fine. I do like the infusion of rock elements in the end, which freshens up Walkin On Water and intensifies the song as it hurtles towards its finish. The verses containing the more interesting material, with CHANGBIN, HAN, HYUNJIN rapping and vocals from SEUNGMIN and I.N. BANGCHAN and LEE KNOW feature more in the choruses, while FELIX’s deep vocals make a presence during the bridge and the end of the choruses. Given that this is a mixtape, I wished they could have experimented a bit more with FELIX, who I think needs to be better utlisied (i.e., more than his deep vocals) and have his own rap sequence. And no offense to HYUNJIN, but I prefer his vocal work in the first chorus compared to his rapping in the song. Overall, Walkin On Water is a good track from Stray Kids.

Despite Walkin On Water is a different song than usual for Stray Kids, I liked how their music video doesn’t really differ. There are a lot more solo moments between each member, but the misplaced background people (which is a recurring element to Stray Kids videos) feature in the music video once again. We have motorcyclists and jet-skiers at the traditional Korean building. We also have horses eating out of the car engine and a basketball court at the same location. I also liked the arrow surrounded dance locations for this music video. The music video set at the traditional Korean buildings and FELIX’s solo moment in the bridge also gives off Thunderous vibes.

The footwork in the performance is a highlight. They add the bounce and embodies that hip-hop energy quite well. The synchonisation of their upper bodies must also be commended. Altogether, a very cool routine.

Song – 8/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 8.5/10

[Review] Now or Never – CRAVITY

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CRAVITY returned just over a week ago with their new single, Now or Never, their first single since their EVERSHINE comeback (led by the single Love or Die) and their win on Road To Kingdom: Ace of Ace.

Listening to Now or Never over the last week, I consistently thought that the song could have gone further with its rock influence. Now or Never felt like a song that could have been a powerful song that blows you away, especially after the ticking pre-choruses. But that powerful feeling isn’t realised when we reach Now or Never‘s choruses. Now or Never definitely heads in that direction, but a more electrifying or grungy feeling would have made the song more enticing and exciting in my books. We get closer to that realisation at certain points in Now or Never, such as the first half of the bridge. But it wasn’t enough to tip Now or Never over the line into ‘awesome territory’ for me. Similar comments regarding the choruses can be said about the vocals. While they were good and solid throughout (again, the autotuned vocals during the first part of the pre-choruses were great), I think there were some constraints on the members, which probably contributed to the dampening of the choruses. Stronger melodies and hooks would have helped, as well. I did feel the raps were the more promising aspect of Now or Never, as it helped add some extra power and suspense to the song in their own way. Overall, Now or Never was a decent follow-up to their Love or Die comeback from earlier in the year.

My biggest issue with the music video was the pause in the music. The purpose was to give off suspense, but the subsequent launch back into the music should have been more explosive. What ended up happening was a weak return, which just doesn’t do the music video or song justice. But aside from that, I really enjoyed the aesthetics of the video. Now or Never is about ‘boldly seizing opportunities, reflecting [their] ambition and unwavering determination to take on the world’s challenges fearlessly’. In the video, the challenge is an asteroid that comes crashing into Earth, but the members are able to embrace it and live through the impact with one another. I also really liked the clock (I think this is what it is) set in the video. It looked cool and very futuristic.

I liked the powerful vibe from the choreography and the energy the members put into the chorus sections of the routine. It made it feel jam-packed and very intense. The pre-chorus moves and the outro routine were also highlights. CRAVITY did an awesome job with this part of the comeback.

Song – 8/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 8.5/10

[Review] JJAM – Stray Kids

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As part of their ATE album (led by the title track Chk Chk Boom) released earlier this year, Stray Kids released some videos to accompany some of the side tracks on the mini-album (making them eligible for a separate review). Thus far, I have reviewed the side tracks MOUNTAINS and Stray Kids. Today, I am focusing on the final song with a video, JJAM.

JJAM features a strong EDM backing that really defines the song. The EDM, accompanied by the thumping beat, gives JJAM character and personality, similar to how EDM defined and made DOMINO (another Stray Kids track from their NOEASY era). The tight back-and-forth synth in the chorus (which, when paired with the choreography, became the critical point of JJAM) was quite memorable, as was the rest of the chorus. What made JJAM more special was how it features the three units of the group. Following the first chorus, we get solid and refreshing vocals from VOCALRACHA (SEUNGMIN & I.N). This is followed by an instrumental break that allows DANCERACHA (LEE KNOW, HYUNJIN & FELIX) to execute a dance break on stage, while fast-paced EDM that keeps me on my toes each time I listen to JJAM backs 3RACHA’s rap sequence (CHANGBIN & HAN). Leader BANGCHAN gets his own section, bridging the units’ section back to the rest of JJAM. Their delivery elsewhere in JJAM is top-notch. It is an exciting way to present Stray Kids that keeps true to their style and sound.

The music video shows Stray Kids going underground to make some “sticky and attractive” jam, which is probably the code for their music. I did like the killer vibes Stray Kids were giving off, either through vampirism (based on the red substance in the corner of HAN’s mouth or SEUNGMIN/I.N’s scene where they are smashing something up to source the red substance). However, they should have better vetted the place to avoid the ghostly presence that gets them. It is a hodge-podge of a video, but it was a fun and cool concept.

The accompanying choreography proves why Stray Kids’ performances are always something to look forward to. As mentioned above, the vibrating move accompanying the synth in the chorus was the key point of the song. It was such a cool move that it needs to be mentioned again. DANCERACHA’s dance break, as well as the all-member dance break towards the end, was also another highlight in the routine.

Song – 9/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 8.7/10