[Review] Don’t Tell – KANG DANIEL ft. JESSI

KANG DANIEL is nominated for Best Male Soloist, whilst Upside Down has been nominated for Best Solo Choreography (Male) for the 2022 KPOPREVIEWED Awards. JESSI is also nominated for Best Rap Performance, Best Rap/Hip-Hop Song and Best Solo Choreography (Female). Support KANG DANIEL, JESSI, and your other favourite artists, songs and performance by clicking here to vote today.

As mentioned earlier this week, I am determined to finally get KANG DANIEL’S The Story / The Story: Retold album review out this weekend. But before I can do that, I need to post one more review for a side track from the album that also got the music video treatment when the album was released earlier this year. This song is KANG DANIEL and JESSI’s collaboration, Don’t Tell. It joins Parade and How We Live, who also go the music video treatment despite also being side tracks on the album, that is lead by Upside Down and Nirvana.

Don’t Tell is a sexy song, tapping into the 2021 trend of Latin influences. The guitar is quite upfront in the initial seconds of the song’s beginning. It is then briefly muffled and placed further into the background of the background, allowing the deep paced bass beat to really come through. The deep beat really sets the tone of the song, showing a very mature and sexy side. KANG DANIEL’s vocals definitely work in this limelight, especially when he uses his deeper tones just prior to the choruses. The guitar returns to its former presence as we enter the chorus, which ends up being a slightly more amped version of what we have heard thus far (with added percussion). The melodies were quite catchy, and propelled the song forward. It might sound like a recipe for which I would usually call ‘overly consistent’, but I think the producers do enough of a job to Don’t Tell‘s chorus to keep me from getting to that conclusion. And as the song progresses, you can tell that more is being done to keep the song from falling into that trap. JESSI begins her feature in Don’t Tell from the second verse. The songs that I know her as of late have been more dynamic and upbeat. Here, JESSI channels a mature mindset to complement the song’s tone and brings her raspy vocals to the table, which I thought was a bit unexpected. I know that JESSI can sing, but I came in with the mentality that she would be rapping in the song. I also like how she also adds ad-libs to the song. The most memorable aspect of Don’t Tell is actually JESSI, with her line following the second and final choruses. The amplification she goes with in that line stands out and really stays with me. KANG DANIEl’s “All the girls in the back… All the fellas in the back….” line in the bridge was a close second. I also quite liked the final moments of the song where it got quite upbeat. This might have been brief, but it definitely helped end Don’t Tell on a non-consistent manner to the rest of the song. Overall, Don’t Tell was a nice side track on the album that ended up leaving a positive impression on me.

The music video didn’t have much to it. Choreography scenes and solo scenes of KANG DANIEL, JESSI and both. I was glad to see JESSI in the music video, and I loved the sexiness she added to the video. You can tell she isn’t shy. As for KANG DANIEL, he takes a subtle approach with his matureness and sexy appeal. But he does enough for it to be apparent enough. He just isn’t upfront with it. I did like the luxurious hotel setting the video appears to be shot at, especially when it came to the pool choreography scene and the ‘nightlife’ scene we see at the end of the video. The coloured neon lights made it look quite cool and very flashy (pun unintended).

KANG DANIEL’s showed off a more confident and sexier side to himself in this performance as well, from what I can see. There is a fair bit of hip work to this performance – of the thrusting and waving kind. I also thought his footwork was quite good. The dancers really put their all at the end and I really liked how this captialised on the energy exuded in this section. A nicely done performance, overall.

Song – 9/10
Music Video – 7.5/10
Performance – 8.5/10
Overall Rating – 8.5/10

[Review] What Type of X – Jessi

On top of focusing on solo artists this weekend, I also want to also look at a new artist that I have never reviewed before. The artist who I am talking about is Jessi, who is known for her variety show appearances and the single NUNU NANA. On a quick side note, NUNU NANA scored Jessi Best Rapper and Best Female Soloist Choreography in the 2020 KPOPREVIEWED Awards. NUNU NANA was on the list for review back when it was first released last year, I never got around to writing a review and have since dropped writing anything for the song (but that doesn’t mean I won’t choose to cover it in the future). But I made a promise with myself to review her next single, whenever that might be. Well, Jessi made her comeback less than a month ago with the single, What Type of X, so it is time for that long-awaited Jessi review.

For those who don’t know, I am not a major fan of hip-hop or rap based songs. However, there is always exceptions for everything and I have enjoyed my fair share of songs from those genres and styles. What Type of X is another song to add to that exception list. You probably can guess (if you have stuck around my blog for enough) that one of the reasons to why I enjoyed What Type of X is because of the instrumentation. There is a fair bit going on in this instrumentation, from the very badass guitar work introduction, to the upbeatness the percussion throughout the verses, to the powerful and memorable synths that made up the chorus, to the impactful and relentless nature of the instrumentation from the point of the song’s climax. Everything came together quite dynamically and screamed out confidence. And if the confidence wasn’t as explicit from the instrumentation, then we can refer to Jessi. Jessi’s name is probably synonymous to the word confidence in the Korean industry. She is not afraid to be go out there and be different, and you can tell that from the song and her performance (something which I will touch on later). Her delivery shows just that, with her husky and raspy voice really coming out throughout her vocal parts. I also find her rapping voice to be so seductive during the bridge. What makes What Type of X even better are all the catchy lines we get throughout the song, adding memorable points to the song. I also find the song’s English lines (such as ‘I am a different type of beast‘ and ‘Thanks to my ex, I am onto the next‘) to be very captivating and memorable. Overall, Jessi gave us another solid song in the form of What Type of X.

As mentioned above, Jessi showcases her confidence throughout the music video, just like in the song. You can tell that she is not afraid of others talking about her as she performs in the video. And this confidence works extremely well with the song’s lyrics. Out of all the sets in this video, the chess board is probably my favourite. Jessi also looks stunning throughout the scene, especially with that headpiece on and her black outfit, representing the queen on the chessboard. The horse masks the dancers wear are slightly frightening, but they work extremely well with the rest of the scene. The rest of the sets looked typical at best, but still good. One disappointing factor was that they CGI in the falling money in one of the scenes. It just didn’t look at as cool as the rest of the video.

One of the things about NUNU NANA that caught on quickly was the iconic choreography. What Type of X followed up with something that feels like it should be just as iconic. The image of the start of the chorus where everyone is bending backwards is effectively ingrained into my mind. And every time I listen to the song, it is what I vividly imagine. It is cool and it also makes a statement, which is something you would want to do with a song like this. I wished the rest of the performance had that same feel though.

Song – 8.5/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.3/10

[Special] 2020 KPOPREVIEWED Awards – Winners Announcement

Welcome to the announcement post of the winners for the 2020 KPOPREVIEWED Awards. During the month of December in 2020, I opened up a survey for the 2020 KPOPREVIEWED Awards. Over 1800 of you voted during the month of December, a number that I did not expect to see! I am sure that you all are excited and are awaiting to see which artist has clinched victory in each category. I have definitely made you wait long enough 🙂

Like the previous years, I will announce the winners using GIFs and images. I have also announced the runners up for each category as Honourable Mentions below the GIFs. In addition to that, I have included the KPOPREVIEWED Choice, which is my personal pick for each category.

Unlike previous years, however, all of the winners of the 2020 KPOPREVIEWED Awards (including the End of Year Charts and Best Song of 2020 Award) is included in this very one post! Towards the bottom of each post, you will see some page numbers. You can click on these page numbers to navigate to different award categories and the End of Year Charts. Here is a quick guide to the page numbers:

Page 1 – Artist Categories
Page 2 – Visual Categories, Performance Categories, Weekly KPOP Charts related Categories
Page 3 – Blog related Categories, Song Categories (excluding Best Song)
Page 4 – End of Year Charts & Best Song of 2020 Award

Artist Caregories

The following categories are all fan-voted categories for the artists that were active during the eligible period of December 2019 to November 2020.

Best New Male Group

Nominees:
BDC
CRAVITY
DRIPPIN’

Nominees:
MCND
TOO
TREASURE

Honourable Mention: TREASURE
KPOPREVIEWED Choice: TREASURE


Best New Female Group

Nominees:
aespa
BLACKSWAN
cignature

Nominees:
SECRET NUMBER
WEEEKLY
woo!ah!

Honourable Mention: WEEEKLY
KPOPREVIEWED Choice: WEEEKLY


Best New Male Soloist

Nominees:
Han Seung Woo (VICTON)
Kim Woo Seok (UP10TION)

Lee Eun Sang
Wonho
WOODZ

Honourable Mention: Wonho
KPOPREVIEWED Choice: WOODZ


Best New Female Soloist

Nominees:
Lee Suhyun (AKMU)
Moonbyul (Mamamoo)

Ryu Sujeong (Lovelyz)
Solar (Mamamoo)
YooA (Oh My Girl)

Honourable Mention: Lee Suhyun (AKMU)
KPOPREVIEWED Choice: YooA (Oh My Girl)


Rising Star of 2020

Nominees:
EVERGLOW
Golden Child
ONEUS

Nominees:
ONF
The Boyz
VICTON

Honourable Mention: EVERGLOW
KPOPREVIEWED Choice: The Boyz


Most Underrated Group of 2020

Nominees:
A.C.E
APRIL
ASTRO

Nominees:
Dream Catcher
ONEUS
VERIVERY

Honourable Mention: Dream Catcher
KPOPREVIEWED Choice: ONEUS


Best Vocals

Nominees:
AKMU
DAY6
IU

Nominees:
Lee Hi
Ong Seong Woo
Taeyeon (SNSD)

Honourable Mention: Taeyeon (SNSD)
KPOPREVIEWED Choice: DAY6


Best Rapper

Nominees:
Dami (Dream Catcher)
Han Ji Sung (Stray Kids)
Jessi

Nominees:
Jooheon (MONSTA X)
Moonbyul (Mamamoo)
Wooseok (Pentagon)

Honourable Mention: Han Jisung (Stray Kids)
KPOPREVIEWED Choice: Jooheon (MONSTA X)


Best Band

Nominees: CN BLUE, DAY6, IZ, N.Flying, ONEWE

Nominees:
CN BLUE
DAY6

IZ
N.Flying
ONEWE

Honourable Mention: CN BLUE
KPOPREVIEWED Choice: DAY6


Best CO-ED Group

Nominees:
AKMU
CHECKMATE
K-TRIGERS ZERO
KARD

Honourable Mention: AKMU
KPOPREVIEWED Choice: KARD


Best Subunit

Nominees:
BTOB 4U
End of Day
Moonbin & Sanha

Nominees:
NCT 127
Red Velvet – Irene & Seulgi
WJSN CHOCOME

Honourable Mention: NCT 127
KPOPREVIEWED Choice: NCT 127


Best Male Soloist

Nominees: Baekhyun (EXO), Chen (EXO), Kang Daniel, Ong Seong Woo, Taemin (SHINee), Zico

Nominees:
Baekhyun (EXO)
Chen (EXO)
Kang Daniel

Nominees:
Ong Seong Woo
Taemin (SHINee)
Zico

Honourable Mention: Taemin (SHINee)
KPOPREVIEWED Choice: Kang Daniel


Best Female Soloist

Nominees:
Chungha
Hwasa (Mamamoo)
IU

Nominees:
Jeon Somi
Sunmi
Taeyeon (SNSD)

Honourable Mention: Hwasa (Mamamoo)
KPOPREVIEWED Choice: Chungha


Best Male Group

Nominees:
A.C.E
AB6IX
ASTRO
ATEEZ
BTS
Golden Child

GOT7
MONSTA X
NCT
NU’EST
ONEUS
ONF
Pentagon

SEVENTEEN
SF9
Stray Kids
The Boyz
TXT
VERIVERY
VICTON

Honourable Mention: BTS, Stray Kids
KPOPREVIEWED Choice: NCT, SEVENTEEN, Stray Kids


Best Female Group

Nominees:
APRIL
BLACKPINK
BVNDIT
Cherry Bullet
CLC
Dream Catcher

EVERGLOW
fromis_9
(G)I-DLE
GFriend
ITZY
IZ*ONE
LOONA

Lovelyz
Mamamoo
Oh My Girl
Red Velvet
TWICE
Weki Meki
WJSN (Cosmic Girls)

Honourable Mention: BLACKPINK, EVERGLOW
KPOPREVIEWED Choice: ITZY, LOONA, Oh My Girl


Select the page numbers below (just above the comments section) to go to the award categories you want to see the most!
Page 1 – Artist Categories
Page 2 – Visual Categories, Performance Categories, Weekly KPOP Charts related Categories
Page 3 – Blog related Categories, Song Categories (excluding Best Song)
Page 4 – End of Year Charts & Best Song of 2020 Award

Recap of MelOn Music Awards 2015 and Thoughts

The MMA or MelOn Music Awards were held on the 7th of November 2015. MelOn does not refer to the fruit but rather the music chart and on-line music store in South Korea. It is held by LOEN Entertainment, which owns the music distribution company. The music award has its own unique criteria where it only calculates digital sales of artists in the past year and incorporate these sales with on-line votes of fans.

The following artists, groups and actors attended the ceremony: Big Bang, Yoona (SNSD), Hyukoh, Hyorin & Dasom (Sistar) (did not perform), Toy (did not perform), APINK, Zion.T, Sane, iKON, GFriend, Mad Clown (did not perform), Hong Jin Young, BTS, Red Velvet, EXID, Monsta X, Winner (did not perform). Actors, actresses and other celebrities attended the night as presenters.

The show on the night was hosted by Yoo Byung Jae and Seo Kang Joon. They were shortly joined by Lee Boo Yi, Kim Shin Young, Kim So Hyun & Irene (Red Velvet). The red carpet was hosted by Youngji (Former Member of Kara) and Seo Yuri.

Below are the winners on the night. Afterwards, I have left some comments regarding some awards:
Top 10 Artist – SHINee, Girl’s Generation, Hyukoh, Toy, Big Bang, Sistar, EXO, APINK, Zion.T, Sane.
Best New Artist – iKON & GFriend
Best Rap/Hip Hop – Mad Clown ft. Jinsil (Fire)
Best Ballad – Baek Ah Yeon ft. Young K (Shouldn’t Have)
Best RnB – Naul (Living In The Same Time)
Best Rock – Kim Sung Gyu (The Answer)
Best OST – Loco & Yuju (Spring Is Gone By Chance)
Best Trot – Hong Jin Young (Love WiFi)
Best Pop – Mark Ronson ft. Bruno Mars (Uptown Funk)
Best Male Dance – BTS (I Need U)
Best Female Dance – Red Velvet (Ice Cream Cake)
Best Folk – 10cm (Sseudam Sseudam)
Best Indie – Standing Egg ft. Wheein & Obroject Yundak (The Sunlight Hurts)
Netizen Popularity Award – Big Bang (Bang Bang Bang)
Hot Trend Award – Infinite Challenge (Yeongdong Expressway Music Festival)
Best Music Video – Park Jin Young ft. Jessi (Who’s Your Mama?)
Song Writer Award – Teddy
MBC Music Star Award – EXID
1theK Performance Award – Monsta X
Album Of The Year (Daesang) – EXODUS
Song Of The Year (Daesang) – Bang Bang Bang
Artist Of The Year (Daesang) – Big Bang

I personally think above is a fair spread for award winners. While I am not knowledgeable to comment on categories such as Best Indie and Best Folk, the rest show 2015 in its glory. Once again, I think Seventeen deserves the Best New Artist award and GFriend finally got what they deserved (it’s a good thing. Kind of sounded like I was hinting at something bad). Sistar and APINK’s Top 10 awards caught me off guard since they were quickly taken over by other artists on the digital charts and failed to be up to par with the other artists. I am glad to see Kim Sung Gyu win something for his album. It was really good.

And as per usual, there were performances that night from the groups who won awards. Performers included: Hyukoh, Big Bang, APINK, Zion.T, Sane, BTS, EXID, Red Velvet, Monsta X, iKON and GFriend. It would have been nicer to see some more artists who won from the night perform. I think best performance of the night was BTS with their cool jackets that had light coming off them. A very large portion of the show was dedicated to Big Bang, which had people talking. Sure, they won a lot of award, but I agree with majority of the audience. Big Bang’s performances just made it feel like one Big Bang concert. Sure, they won prestigious awards, but it just robbed the other artists of their night, who also put hard effort into making 2015 their year. Would have I gotten angry over the fact they turned the award show into a mini concert? No, but maybe they should have dropped one or two songs.

Overall, I think MMA15 was pretty fair. They had a large variety of winners (mainly because they have a lot of categories) and minus that small complaint regarding the performances, the show was great. Oh, but damn was the presentation of the awards cringe worthy. Probably this ceremony takes the award for  “Worst Presentation of Awards” award. Could have done it in a way where the presenters did not feel that ashamed of themselves.