[Review] Put It Back – ONF

Another mid-November comeback that I have yet to review (until today) is ONF’s Put It Back, the lead single off their 9th mini-album, UNBROKEN. Put It Back follows the release of the first part of their 2nd studio album, ONF: My Identity, and its title track, The Stranger.

Put It Back is good, but not great compared to ONF’s past hits. There are some elements that I really like that have me coming back to Put It Back. The super funky instrumental was the first thing that really jumped out at me. The concentration of prolific guitar twang and plucks makes Put It Back super cool and groovy. The hip-hop elements were also nicely handled throughout the song. Clear vocals and rapping are also present. The biggest problem I have with Put It Back is the lack of that really memorable hook and/or melody that becomes a defining feature of the song, as per their past hits. The “Put It Back” line that opens the chorus and its repetition as the post-chorus hook just doesn’t have that same ONF feel and boldness to stick with you, even after the song ends. This is most likely the result of decoupling ONF from Hwang Hyun, a long-term collaborator with ONF who has been behind many of ONF’s past songs.

The music video for this comeback was fairly straightforward, which I suspect is because budgets were cut back. For the most part, it featured close-up shots of the members, with the camera very close to them, as well as choreography shots around the stadium. The former offers what felt like a direct, unfiltered view of the members, which is a cool aesthetic. At the same time, with the latter, I appreciated how the production team used lighting, post-production and the outfits to give off different vibes and make it seem like entirely different locations.

ONF’s synchronisation and the smoothness of the ‘Put It Back‘ moves at the start of the chorus were the standout elements of their performance. Both were very cool to watch and appreciate.

Song – 8/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8/10

[Album Review] ONF: My Identity (2nd Studio Album – Part 1) – ONF

While we are patiently awaiting the second part of ONF’s 2nd studio album, here is my review of the first part of ONF: My Identity, which was released back in February this year. Leading the 6-track album is the title track The Stranger. Once again, ONF did not disappoint with their album release, almost reaching the same heights as last year’s mini-album release (see info below). I ranked all the tracks highly, half of which received a 10/10 from me. For more of my thoughts on the album, keep on reading.

Before the release of this album, we last saw ONF through their 8th mini-album, Beautiful Shadow, which was led by the amazingly superior Bye My Monster.

Album cover for ONF: My Identity (Part 1)

1. The Stranger (Title track)Click here for The Stranger’s full review. (9/10)

2. Night Tale – Following the title track is Night Tale, a cool electro funk number. While the song is under 3 minutes long, Night Tale packs quite a bit into its short span and effectively uses the time to make a punchy number. I really like HYOJIN’s ad-libs at the end, as well as WYATT and E-TION’s rap/rap-speak delivery in the second verse. The rest of the members’ deliveries also appear strong. The instrumental break, particularly thanks to the retro touches, definitely makes for a worthwhile dance break – exactly what the SEUNGJUN and the group gave us when Night Tale was performed on stage. (9/10)

3. Nothing But A Stranger – Next up on the mini-album are the unit tracks, with Nothing But A Stranger from the ON Team (HYOJIN, E-TION and MINKYUN). It is an R&B track that showcases what the unit is all about – vocals. I love how dreamier the melodies of Nothing But A Stranger gets as it progresses, allowing the trio to really whisk us away with their warm and comforting vocals as the song progresses. (10/10)

4. Anti Hero – The OFF Team (SEUNGJUN, WYATT and U) takes over the album with Anti Hero. The track features a rock-based track that is definitely exciting and powerful. The rock style reminds me of TVXQ’s Red Sun. I find myself head-banging along to the choruses each time I replay the song. Their rapping and vocals are on par with the instrumentation in terms of power and intensity, with WYATT’s deeper voice put on full display during the pre-chorus sequence, and SEUNGJUN and U’s vocals working perfectly in the chorus. (10/10)

5. Good PlaceGood Place is probably the most unique and intriguing track on the album (and probably in recent times in KPOP overall). It is a fun house and tropical blend track, which doesn’t sound too out of the ordinary. But it also features a cool flute synth accompaniment that just gives Good Place something different to separate it from the rest. I like how the melodies and vocals were ‘easy on the ears’, which is also channelled throughout the rest of Good Place, which makes for an intriguing listen overall. (10/10)

6. Collab – Continuing on with the upbeat vibes from the previous song is Collab, a bossa nova-influenced track. It is a more mellow and pleasant track compared to the others on the album. But it is still very bright, bouncy and has some boldness to it. I liked how pronounced their vocals and rapping were over the top of the instrumentation, and the brass elements were very appreciated. It is more on the ordinary side, however. (8/10)

Overall Album Rating – 9.3/10

ONF’s teaser image for ONF: My Identity (Part 1)

[Weekly KPOP Chart] Week 4 of February 2025

Welcome to the next edition of the Weekly KPOP Chart posts. This time, it is for Week 4 of February 2025, which includes 23 February to 1 March 2025.

A few changes to the Weekly KPOP Charts – I had to bring songs released in November/December 2024 back into the charts system because they have not fulfilled their 9 weeks based on some decisions I made whilst working on the KPOPREVIEWED Awards. I won’t go into further detail, but songs like Stray Kids’ Walkin’ On Water or NCT DREAM’s When I’m With You are back in the Top 30 this week to complete their 9 week runs. Some songs will be on for a short time, while others will be on there for a bit longer.

I have also decided that any song entering the Top 30 for the first time will have a (NEW) next to their name, regardless of when that occurs in its 9 week run on the charts.

Okay, that’s it! Here are the Weekly KPOP Chart posts for Week 4 of February 2025.

NOW LIVE – Winners of the 2024 KPOPREVIEWED Awards

Yesterday, I posted the winners for the 2024 KPOPREVIEWED Awards. It was a day later than expected, as it took a little longer to get all the elements in order. But I am definitely glad it is out for you to see who won each category that you—yes, you—voted for.

Click the link above and browse to see if your favourites won!

What else am I listening to?

Each week, I spotlight a song not on the Weekly KPOP Charts that I also listened to last week. This week’s song is THE BOYZ’s Bloom Bloom.

Non-Korean Song of the Week

Each week, the top-ranked non-Korean Song on the Weekly KPOP Chart is spotlighted (as this is an area I haven’t been focusing on as much on my blog lately). For the past week, the non-Korean song of the week is once again LISA’s Born Again, which features Doja Cat and Raye.

The Chart

ONF ranked in the top spot this past week with their latest single The Stranger. Congratulations to ONF!

[Review] The Stranger – ONF

Returning after their first comeback since their amazing Bye My Monster and Beautiful Shadow mini-album last year is ONF. Their new release is the first part of their 2nd studio album ONF: My Identity, which dropped yesterday. It is led by the single The Stranger – the focus of this post.

The Stranger brings us back to 2021, with ONF’s mammoth year of releases. It all began with Beautiful Beautiful, which I described as ‘wonderfully energetic and [having an] exciting retro profile’. The Stranger follows that description, channelling a funky flair from the get-go and throughout the song’s entire length. The momentum that The Stranger builds up is exciting, making the chorus one to look forward to. And with their powerful vocals in play, ONF does not disappoint! Particularly in the central aspect of the song, their excellent vocal work gives The Stranger some extra punch and weight. But that isn’t the song’s best part. That honour goes to the post-chorus hook (i.e., the “Stoop-di-bap…“). Short and brief, but it caught my attention and is so catchy. The bridge is probably The Stranger’s most questionable segment. I enjoyed the first half, where the song levelled up through the harsher instrumental. But the second half, where the background to WYATT’s rap was ‘stripped away’, feels like a lull in the song’s dynamic momentum. But aside from that minor moment, The Stranger is still a top-notch song for ONF.

The music video shows the members investigating the bright figure we see at the start of the video. As the video progresses, we are given hints of who this figure might be. But unsurprisingly, it turns out to be the members themselves. I wished there was a plot twist to the mystery rather than something predictable. I also want the video to be bolder and present a wow factor. Something like the futuristic world setting in the Beautiful Beautiful/Ugly Dance/Goosebumps series could have done the job.

I like the handguns and the swinging arms that make up the choruses’ choreography. The changes in formation keeps it fresh. I also really enjoyed the cascading move alongside the second pre-chorus. Overall, the routine is not as dynamic as I hoped to really complement the funky flair and energy. But the constriction does allow them to showcase their stable live vocals.

Song – 9/10
Music Video – 7/10
Performance – 9/10
Overall Rating – 8.4/10

[Album Review] Beautiful Shadow (8th Mini Album) – ONF

ONF made their Beautiful Shadow comeback in April, led by the single Bye My Monster, which is still a fantastic track after just over six months. Joining the title track are four additional side tracks – all of which were just as high calibre as Bye My Monster. You might think that I am a bit 10/10 happy with this mini-album. But honestly, no side track was skippable. And being a bit trigger-happy with the 10/10s has led to this mini-album being my blog’s highest-rated release in 3 years! Only two albums have received the same rating – TAEMIN’s Want and Kim Sung Kyu’s Won’t Forget You. But it isn’t the highest-rated album on the blog ever – only one mini-album has achieved that (guess which one). But for now, here are my thoughts on Beautiful Shadow.

Beautiful Shadow Album Cover

1. Bye My Monster (Title Track)Click here for the full review of Bye My Monster. (9.5/10)

2. Aphrodite – ONF goes funky in Aphrodite with an electronic instrumentation. It definitely made the track fun. Some moments stray away from the funkiness, such as the dramatic and serious outro and when all the members sing together throughout the bridge. All brought a slightly different dynamic to Aphrodite but didn’t disrupt the flow or energy that the song and members were exuding. Speaking of the members, they brought strong vocals and rapping, intensifying the song even further. (9/10)

3. BREATH, HAZE & SHADOW – Changing up the flow of the mini-album is this middle song. Following the intense and funky Aphrodite and preceding the pop Chemical Type, BREATH, HAZE & SHADOW takes us into the balladry domain. The instrumental is composed of strings and piano, making a beautiful background. The vocal work from all the members was superb, and I loved how powerful they got towards the song’s end. You can definitely feel all of the emotions in the song. Stunning is definitely how I would describe the song. (10/10)  

4. Chemical Type – Following the ballad, Chemical Type definitely packs a lot of oomph in its instrumentation. The pop track had me vibing along to the song. And from this, I had a lot of favourite moments in Chemical Type. The very unfiltered, vibrant instrumentation in the choruses was one of the highlights I enjoyed. The electric guitar that came through in the end felt like icing on the cake. The “My my chemical type” rings in my mind even after the song ends. WYATT’s part in the second verse, which moves between rap, vocals and then back into rapping, was another highlight. The rest of the vocals were powerful and complemented the oomph packed into the song. (10/10)

5. Slave To The Rhythm – I remember being intrigued by the title of the final song. It sounds like a very conceptual track that needed a slinky instrumental to feel alluring and commanding. The groovy synth bass was a vibe and had everything I had hoped for the track. There is a disco influence in Slave To The Rhythm, which was an appropriate era to draw upon. The instrumental break at the end was my favourite, but the dramatic ending was a close second. I liked how ONF’s vocals just glided along, and this highlighted the rhythm. Another 10/10 for this mini-album. (10/10)

Overall Album Rating – 9.7/10

Teaser image for Beautiful Shadow / Bye My Monster

[Special] KPOPREVIEWED’s Personal Favourite Songs from the 1st Half of 2024 & more

One of the first posts after 30 June each year is my ‘Personal Favourite’ post. Each year, to help round out the first half of the year, I post a list of my personal favourite songs from the 1st half of the year. As we are now in July 2024, it is time to post my personal favourite songs from the 1st half of 2024 (with a few extra tidbits).

For this year’s post, I am following what I did last (and the year before that) year, as I quite liked how that turned out. In addition to the usual list of 10 songs (which are in no particular order and not related to my reviews as songs do grow immensely on me) for the first half of 2023, I will also be posting two songs from the November – December 2022 period I personally liked and 3 non-Korean songs (i.e. English, Japanese etc.) by Korean artists that caught my attention so far this year. So without further delays, here are the list of my personal favourite songs of the year thus far (in no particular order, of course).

From November – December 2023

Personal favourite non-Korean songs of 2024 thus far

Personal favourite KPOP songs of the year so far (January – June 2024)

[Weekly KPOP Chart] 3rd Week of April 2024

Welcome back to another Weekly KPOP Chart post – this time for the 3rd Week of April 2024. Work once again took over the last week, so I over-promised and under-delivered once again. There is an upcoming public holiday this week, so I am hoping to use that to catch up on some reviews. This is in addition to the album review I will be posting later today and also the usual few songs reviews I do during the week. While you wait for those reviews, here is the Weekly KPOP Chart post for 3rd Week of April 2024.

Throwback Song of the Week

Each week I pick a song from the past to feature in this segment. It is recognition for the fact I listen to more than just the currently charting songs. And revisiting these songs are truly a blast from the past. Plus, I am hoping that this segment introduces new listeners to some great songs that I have enjoyed from my many years of listening to KPOP. Another song that hit hard this week for me was AILEE’s Room Shaker, which I had featured in this segment previously.

Non-Korean Song of the Week

As my focus on this blog is primarily on KPOP songs, I draw attention to a particular song that isn’t in the Korean language in this part of the Weekly KPOP Chart post. That song is the top ranking non-Korean song on each Weekly KPOP Chart post. The past week’s non-Korean song of the week is ATEEZ’s NOT OKAY. It ranks in the 6th position this week.

The Charts

Congratulations to ONF and their latest single Bye My Monster for remaining in the top spot of the Weekly KPOP Charts for the 3rd Week of April 2024 and for the second week in a row.

PositionSong TitleArtistChange
1Bye My MonsterONF(=)
2Earth, Wind & FireBOYNEXTDOOR(NEW)
3Welcome To The ShowDAY6(▲ 1)
4ImpossibleRIIZE(NEW)
5Deja VuTXT(▼ 2)
6NOT OKAYATEEZ(▲ 45)
7Midas TouchKISS OF LIFE(▲ 6)
8WAY 4 LUVPLAVE(▲ 5)
9Girls’ NightLoossemble(NEW)
10MagneticILLIT(▲ 15)
11SmoothieNCT DREAM(▼ 4)
12Youth2YouthEPEX(▲ 21)
13GGBSUPER JUNIOR-D&E(▲ 56)
14NectarTHE BOYZ(▼ 12)
15LIGHTHOUSETEMPEST(▲ 17)
161000 YEARSTABLO (EPIK HIGH) ft. J.Sheon(▲ 53)
17We Don’t Stopxikers(▲ 3)
18Demonfrom20(▲ 51)
19Officially CoolBang Yedam & Winter (aespa)(▲ 50)
20WHY?Stray Kids(▲ 49)
21YURA YURAZEROBASEONE(▼ 4)
22Wish You HellWENDY (Red Velvet)(▼ 7)
23BODYHIGHLIGHT(▼ 14)
24T.B.HQWER(▲ 45)
25EENIE MEENIECHUNG HA ft. HONGJOONG (ATEEZ)(▲ 37)
26Like A MovieDKZ(▲ 43)
27Like ThatSUPER JUNIOR-D&E(▲ 42)
28Love or DieCRAVITY(▼ 23)
29BBBPURPLE KISS(▼ 18)
30Beautiful AshesONEWE(NEW)

[Weekly KPOP Chart] 2nd Week of April 2024

Welcome back to another Weekly KPOP Chart post – this time for the 2nd Week of April 2024. Work took over last week, so I couldn’t get as much out. And I have a feeling that my work might take over my life this week, so I am looking to draft some reviews to be on hand should I need a or a few early nights to recuperate. Plus, I have plans today for another album review and to begin drafting one addition album review for a 2023 album before moving onto the very long list of 2024 albums I want to review. So a lot of work for me. In the meanwhile, here is the Weekly KPOP Chart post for 2nd Week of April 2024.

Throwback Song of the Week

Each week I pick a song from the past to feature in this segment. It is recognition for the fact I listen to more than just the currently charting songs. And revisiting these songs are truly a blast from the past. Plus, I am hoping that this segment introduces new listeners to some great songs that I have enjoyed from my many years of listening to KPOP. I listened to many good yet oldies this week to get through my work. A few hit hard, but nothing got many repeat as B1A4’s debut single O.K.

Non-Korean Song of the Week

As my focus on this blog is primarily on KPOP songs, I draw attention to a particular song that isn’t in the Korean language in this part of the Weekly KPOP Chart post. That song is the top ranking non-Korean song on each Weekly KPOP Chart post. The past week’s non-Korean song of the week is ZEROBASEONE’s YURA YURA. It ranks in the 17th position this week.

The Charts

Congratulations to ONF and their latest single Bye My Monster for debuting in the top spot for the Weekly KPOP Charts for the 2nd Week of April 2024. This felt very expected, given how much I enjoyed the song from the moment I first listened to it at the start of the week.

PositionSong TitleArtistChange
1Bye My MonsterONF(NEW)
2NectarTHE BOYZ(▲ 19)
3Deja VuTXT(▼ 2)
4Welcome To The ShowDAY6(▲ 1)
5Love or DieCRAVITY(▲ 5)
6FUEGOThe New Six (TNX)(▲ 20)
7SmoothieNCT DREAM(▼ 3)
8ShopperIU(▲ 5)
9BODYHIGHLIGHT(▲ 42)
10C’est La VieCRAVITY(NEW)
11BBBPURPLE KISS(▲ 40)
12Sugar RushBIBI(▲ 37)
13Midas TouchKISS OF LIFE(▲ 11)
14BirthARTMS(▲ 37)
15Wish You HellWENDY (Red Velvet)(▼ 7)
16EASYLE SSERAFIM(▲ 3)
17YURA YURAZEROBASEONE(▲ 34)
18TAPTAEYONG (NCT)(▼ 4)
19RooftopYooA (OH MY GIRL)(▼ 12)
20We Don’t Stopxikers(▲ 31)
212 ProudApl.de.Ap, Sandara Park (2NE1)(▲ 30)
22ONE SPARKTWICE(▼ 5)
23I’m ReadyCHUNG HA(▲ 28)
24EmptinessBoA(▼ 18)
25MagneticILLIT(▼ 7)
26HEYDAYXODIAC(▲ 25)
271 MINUTEYUGYEOM (GOT7)(▲ 23)
28CirclesASTRO(▲ 5)
29YoYoRESCENE(▲ 1)
30Navy BlueWooseok (PENTAGON)(▲ 21)

[Review] Bye My Monster – ONF

ONF makes their comeback today with their latest single Bye My Monster and their 8th mini-album, Beautiful Shadow. This is ONF’s first comeback since their Love Effect comeback in October of last year.

From the very first listen, I was already blown away with Bye My Monster. For me, it was the crafting of the two sound profiles, at first sounds distinct, but comes together so well in the end to create a stunner. The first verse gave me Moscow Moscow vibes (an infamous song from ONF’s arsenal), thanks to the presence of the Rachmaninoff’s Symphony No.2 sample. And that same vibe re-emerges each time the classical sounds reappear in the song. The chorus introduces a hint of rock to the mix, which helps makes the choruses feel explosive and gripping. All throughout these two distinct sound profiles, the group showcases their vocals so well. The timing of their vocal delivery was really complementary to the style of music in that moment and helped heighten the associated feelings you get from the two styles. Bye My Monster very quickly peaks when the two sound profiles of classical and band/rock join forces in the bridge. This combination isn’t anything new, but Bye My Monster found the sweet spot between the two to give us that intensity. Hyojin and E-Tion’s high note was incredible. Following the rush of intensity, the group pans between each other to give us a softer side, with falsettos and the re-emergence of the classical touch. The only other thing I have yet to mention is the rapping. That step-up in the second verse was rather interesting. To me, it feels a little mismatch for this song, but I don’t hate it. Maybe a few more listens to Bye My Monster will help warm me up to it. But overall, another top-notch piece.

Just like the song, the music video for Bye My Monster is a stunner, as well. The visuals and post-production in this video is at its A-game. The scene that made me go wow was the explosion clouds o on the tall building in the background during the choreography shots for the second chorus of the song. The song itself warns that love, in this instance, had created a monster within the members. We see the members realize what has become of them. Wyatt’s eyes and the acting by some of the other members portrayed this well. Hyojin’s character is surrounded by a dark cloud that I presume signifies the transition to a monster. Through the other scenes involving the other members (and the choreography shots), we see the members observes their angelic forms (white suits). But they know deep down that their monster form (black suits) is the end result. While the ending was a little cryptic and could be open ended, I think Hyojin hold hands with his angelic form in the dark clouds, which backs my theory they knew they were always going to be monsters – that they were always one. That’s my theory – I would like hear what yours is.

The performance for this comeback (FYI – the group has already performed the track at their recent concert, so I watched a few fancams for this section) finds a balance between the gracefulness of the classical music and the more hard-hitting moments of the song. And this balance makes for a great performance. The verses were the more interesting moments in the choreography. In the music video, they looked quite cool, so I can’t wait to see them better through the weekly music shows.

Song – 9.5/10
Music Video – 10/10
Performance – 9/10
Overall Rating – 9.6/10

[Album Review] Love Effect (7th Mini Album) – ONF

After completing their military enlistment at the same time in June 2023 (a first in KPOP to navigate the biggest cause of prolonged hiatus in male KPOP groups), ONF returned in October 2023 with their 7th mini-album, Love Effect. It is their first comeback since their special album release of Storage of ONF in 2022 in the midst of their military enlistments, which featured the title track Your Song. Love Effect (the mini-album) features a total of 5 songs, including their latest title track of the same name.

Overall, this new mini-album is a solid way to ease us back into ONF, with the title track itself borrowing that similar sound profile that I personally liked from their title tracks that they released prior to the military enlistments in 2021 (i.e., Beautiful Beautiful) and the others songs demonstrating the group’s variability with different sounds and genres. Continue reading to find out what my thoughts on each individual song are below.

Love Effect Album Cover

1. Be Here Now – Kicking off the mini-album is the single Be Here Now, which lyrics are about the future that ONF wants with their fans (FUSEs). I really like the cheerful and feel-good vibe that the verses bring to the song, and the choruses are an inclusive extension of that thanks to the members singing together. Wyatt’s rapping in the bridge brings a playful vibe to the mix, while the only pre-chorus in Be Here Now is extremely pleasant (so much so, that it stands out to me). (9/10)

2. Love Effect (바람이 분다)Click here for the review for Love Effect. (9/10)

3. Dam Dam Di Ram – ONF taps into hip-hop territory with this dance track, which to me sounds like a typical male KPOP group release. It just sounds plain and doesn’t really feel as exciting as some of their other tracks on this mini-album. Also, Dam Dam Di Ram is a lot more serious and heavier than ONF’s other releases, which is a departure from what we hear from ONF usually. That being said, there are some good moments and aspects to the song, such as Hyojin and Seungjun’s (formerly J-Us) unique vocals in the pre-choruses, Wyatt’s very low tone rap-speak in the second verse and the refreshing flute that features in the background throughout the song. (7.5/10)

4. Arrival – Whilst Arrival is also quite hefty and serious like releases from other male groups, I do find that Arrival does a much better job of showcasing ONF’s style and colour. Just check out the chorus, and I think you will know what I am talking about (if you have been a long-time fan of ONF). The synth wave instrumentation behind Arrival is a lot more dynamic and this definitely helps make the song more appealing. The detailing we hear in the background introduces some crunchy textures, while I felt was very cool. (8.5/10)

5. Wind Effect (바람이 부는 이유) – The final song on the album is (surprise, surprise) a ballad. It is a lovely song to end on, with a soft piano instrumental and pleasant vocals to round out of the mini-album. Given the title of this track is rather similar to the title track of this release, the lyrics of Wind Effect reads in as a potential lead into the title track – Wind Effect depicts the beginning of love, while Love Effect (the title track) depicts the falling in love. (8/10)

Overall Album Rating – 8.4/10

Love Effect Teaser Image

[Weekly KPOP Chart] 2nd Week of October 2023

Welcome back to the Weekly KPOP Charts, this time for the 2nd Week of October 2023. Another short intro to get right into the post, as I have some posts to draft and schedule for this week. And the usual Sunday chores. So I am going to get right to it with the Weekly KPOP Chart post for the 2nd Week of October 2023.

Recap of the past week

Here is a recap of what I posted:

Joining all those new releases above this week are the following songs:

  • Take Care – Kim Dohee
  • MEDUSA – JUST B
  • Do or Die – Lim Young Woong
  • RA TA TA – Ailee ft. Lil Cherry
  • f – Bobby (iKON)
  • With UNIVERSE – PENTAGON
  • IFEELGOOD – Woo Jinyoung
  • Sugar-holic – ITZY
  • Don’t Be Jealous – Seo In Guk
  • Vision Getting Blurred – BÉBE YANA
  • FIRST CLASS – 82MAJOR
  • Invincible – EVOLution (tripleS)
  • C’mon – JINI ft. Aminé
  • Dazzling – POW
  • Break the Brake – Xdinary Heroes
  • HOODIE E BANBAJI – Lee Hyori
  • Moon Shower – NELL
  • ABCDLOVE – BOYNEXTDOOR

Throwback Song of the Week

This week’s throwback song is an underrated track from 2013, Ra.D’s Thank You. Ra.D is a South Korean producer, who has produced songs for IU, 2PM, Gain (from Brown Eyed Girls) and Jooyoung. He is also an South Korean indie artist, as well.

Non-Korean song of the week

Mark Tuan’s Everyone Else Fades is top Non-Korean song of the week. It ranks in the 10th position this week.

The Charts

Congratulations to ONF and their comeback single Love Effect for rising to the top of my Weekly KPOP Charts for the 2nd week of October 2023. For more of the charts, keep on scrolling down below.

Pos.SongArtistChange
1Love EffectONF(▲ 1)
2Fact CheckNCT 127(▲ 3)
3Chasing That FeelingTXT(NEW)
4FULL METAL JACKETEPEX(▲ 37)
5Honey or SpiceLIGHTSUM(NEW)
6HeartDAWN(▲ 54)
7Either WayIVE( 13)
8In The MoodWhee In (MAMAMOO)(NEW)
9BaddieIVE(NEW)
10Everyone Else FadesMark Tuan (GOT7)(▲ 50)
11Off The RecordIVE(▲ 1)
12Back For MoreTXT with Anitta(▼ 2)
13ICE CREAMTFN(▲ 31)
14I’ll Hold YouAilee( 46)
15Pop PunkBIGONE ft. Dive & Do Hanse (VICTON)( 31)
16SKIP OUTRoa (Rocking Doll)(▲ 44)
17Angel EyesNCT 127(▲ 43)
18PADONCT U( 42)
19BubbleSTAYC(▲ 5)
20PANORAMAiKON(▲ 40)
21You’re BeautifulTHE ROSE(▲ 14)
22TimeJaechan (DKZ)(▲ 38)
23TROUBLEEVNNE(▼ 22)
24Baila ConmigoONEUS(▼ 21)
25GalileoKep1er(▼ 14)
26StarDAWN ft. 10CM(▲ 34)
27Gold Gold GoldJEON SOMI(▲ 33)
28Social PathStray Kids ft. LiSA(▼ 24)
29MEDUSAJUST B(NEW)
30C’monJINI ft. Aminé(NEW)

Songs leaving the charts

The following songs have wrapped up their nine week run in the charts system, and will no longer be on the charts from next week:

  • Drive5 – Hwiyoung (SF9)
  • My Sunshine – CHEN (EXO)
  • OUTLAW – BZ-BOYS
  • blessing in disguise – Huh Yunjin (LE SSERAFIM)
  • Told You – DKB
  • All Yours – DKB
  • BE – Jooyoung
  • Sara Sara – SEVENTEEN
  • Pop Punk – BIGONE ft. Dive & Do Hanse (VICTON)
  • Billionaire – Queendom Puzzle
  • Last Piece – Queendom Puzzle
  • Bubble – STAYC

[Review] Love Effect – ONF

Time to make a start on the new releases of the week. And first up is ONF’s grand return with Love Effect, the title of both of the lead single and their 7th mini-album. This is the group’s first comeback since their Goosebumps release in 2021 and their military enlistment. The group (sans U, who is Japanese) all enlisted around the same time and was discharged from the military around the same time this year, eager to return to the stage as a whole group for their fans to release new music. ONF had also released a special mini-album last year with Your Song and Storage of ONF.

The more I listen to Love Effect, the more I find myself falling for the track. I will admit that I wasn’t completely won over when I first heard Love Effect yesterday upon its release, simply because the track didn’t feel concentrated enough when you compare it to their previous dance tracks they promoted with. But Love Effect was clever, drawing upon elements of their previous title tracks (Complete and Beautiful Beautiful springs to mind instantly during my first listen) to form this new song. And this very much got me coming back for more. In addition to the nostalgia above, Love Effect adds in more of a funky undertone throughout the rest of the track and a jazzy backing to Wyatt’s rapping. I also enjoyed the piano flourishes that appears in the background. Other than that, the upbeat instrumentation exudes a bright and poppy energy that makes me instantly smile. Their vocals and rapping does the exact same, with the melodies and hooks all fun and lighthearted. The best part of the song, for me, has to be in the bridge and at the end of Love Effect, when the members sing together in a simple yet anthemic manner. It is lowkey and straightforward, charming in an easygoing manner. Overall, Love Effect is super positive in terms of energy and output, and a great return for the group!

Matching the brightness of the song is the music video, which was quite vibrant and colourful. I found the editing and cinematography of the video to be a super cool aspect of the video, along with the inclusion of the special effects (which takes you back to their virtual world era). Even the start had flashes of scenery from their Beautiful Beautiful and Ugly Dance videos! And the members look like they are all glad to be back, which makes the smiles and energy from the music video even more convincing.

In addition to being a fun and playful routine, I like how the choreography felt quite substantial and isn’t too lighthearted or wispy. While nothing stands out like (compared to their past performances), I would still say the whole routine is still quite robust and the energy the members put into the dance made it one to still watch.

Song – 9/10
Music Video – 9/10
Performance – 8/10
Overall Rating – 8.8/10

[Album Review] Storage of ONF (2nd Special Album) – ONF

ONF’s Goosebumps is nominated for Best Music Video and Best Album in the 2022 KPOPREVIEWED Awards. Support Goosebumps and your other favourite artists, songs and performance by clicking here to vote today.

ONF surprised fans with the announcement and subsequent release of Storage of ONF, a special album release for their fans. What made this release a surprise in particular is that 5 out of the 6 members of ONF are currently carrying out their military enlistment. And traditionally, this means that the members are on hiatus and do not release music during this time. But ONF has definitely gone the extra mile. In addition to new music and a new album, the group also prepared and filmed a music vided for the title track. This means that in an already busy last year when the members were heavily promoting Beautiful Beautiful, Ugly Dance, Popping and Goosebumps, ONF was also thinking ahead about their fans (Fuses) and making sure Fuses had their fill of songs for this usually empty period. It definitely puts a new spin on loyalty and shows their unrelentless commitment to their fans! Storage of ONF features the title track Your Song, four additional new tracks, and five remastered versions of previous title and side tracks.

Storage of ONF Album Cover

1. Your Song (Title Track)Click here to read the full review for Your Song. (9/10)

2. RunawayRunaway brings me back to their early days, in particular to their Complete and We Must Love days. The vibrant tone and upbeat energy made Runaway super fun, while I liked the retro tinge that the song has in the chorus. The hooks were catchy and adds a neat punch to the song. The vocal work was solid and on point, while Wyatt’s deep rapping was well-delivered and kept up with the energy of Runaway. The addition of strings to Runaway during the bridge was quite a surprise, but it was very interesting and adds a very different dimension to the song. I think taking me back to their earlier days was enough to give it a 10/10, but everything else within Runaway proves that it is a 10/10. (10/10)

3. Traveler Traveler tones down the energy and takes the form of a ballad. It is very nicely instrumented and quite piano dominant. As the ballad progresses, you get a very slight jazzy feel to the instrumental, which I thought was a really neat touch. I also liked the use of harmonies and backing vocals to form part of the instrumental for Traveler. The actual vocals were very dreamy and riveting. Everything in this track was a stunner. (9/10)

4. GUCCI – Whiplash is the first word that pops in my mind whilst listening to GUCCI. Following such a slow and peaceful track, GUCCI slaps you (quite forcibly, might I add, but not in a bad way) with its intensity and abrasiveness. It is quite an edgy track for ONF, but still feels like it within ONF’s repertoire. I feel like GUCCI would have been an absolutely cool track to see on stage, with high hopes for a really strong, cool and powerful dance routine to accompany the song. The hooks could have been a bit more fleshed out, but what we got was pretty memorable in itself. I also appreciate the fact that GUCCI managed to weave in quite melodic lines during its chorus. (8/10)

5. My Song – You might recognise the choruses’ melody of My Song, which comes from Your Song (this album’s title track). But aside from that similarity, the two songs have pretty much different. My Song instead is more orchestral centric with its instrumentation. And the different orchestral influences make My Song extremely alluring and captivating to listen to. I also liked how the vocals play into this, matching the orchestral sound for that part of the song. (9/10)

6. On/Off (Remastered Version)On/Off was released back in 2017 as part of the mini-album of the same name and as the debut single for ONF. While I have not reviewed On/Off (both the mini-album and title track) before, I have decided to omit the track from the overall album score. However, you can still check out the remastered version of On/Off below.

7. If We Dream (Remastered Version) If We Dream was released back in 2017 as part of the group’s debut mini-album On/Off. While I have not reviewed On/Off (the mini-album) or If We Dream before, I have decided to omit the track from the overall album score. However, you can still check out the remastered version of If We Dream below.

8. 86400 (Remastered Version) 86400 was released back in 2018 as part of the group’s second mini-album, You Complete Me. I have reviewed You Complete Me before. And by extension, I have reviewed 86400 before, You can read my thoughts on 86400 through that album review. I have decided to omit this version of 86400 from the overall album score. However, you can still check out the remastered version of 86400.

9. We Must Love (Remastered Version)We Must Love was released back in 2019 as part of the group’s third mini-album of the same name. I have previously reviewed We Must Love, which you can click here to read on my review for the single. However, I have decided to omit this version of We Must Love from the overall album score. But you can still check out the remastered version of We Must Love.

10. Complete (Remastered Version) – Complete was released back in 2018 as part of the group’s second mini-album, You Complete Me. I have previously reviewed Complete, which you can click here to read on my review for the single. However, I have decided to omit this version from the overall album score. But you can still check out the remastered version of Complete below.

Overall Album Rating – 9/10

[Review] Your Song – ONF

Following a very successful 2021, ONF decided to enlist into the military as a group to reduce the impact on their promotions as a group (i.e. the eligible members enlisted at the same time, as opposed to what commonly happens with other groups who enlist one member at a time causing long hiatus as a result). Commonly, military enlistment periods involve idols taking a break from the stage and other media (i.e. film, tv shows, social media). As a result, ONF’s comeback today is best described as unexpected. But I (and fans alike) are not complaining. ONF released the title track Your Song and the album Storage of ONF today, their first release since Goosebumps in December 2021.

Your Song starts off as an unsuspecting pop ballad. There was a peacefulness, calmness and ambience to the first verse which had already won me over. The synths used in the background of the first verse felt very appropriate for both ideas of Summer and the idea of a pop ballad. The vocals were got were stunning and Wyatt’s rapping was suitable for the pop aspect. One would expect the song to follow through with this pop ballad direction. But Your Song changes up the momentum, developing into a full fledge pop track with potential for choreography. They bring in guitars and a very refreshing pop vibe to the song, losing the balladry roots that started off the song. From there, the song continues with the changed momentum, giving Your Song a liveliness and brightness that just charms you. Also continuing to charm me are the vocals, which the group sound stunning. Wyatt’s vocals in the second verse impresses me (he needs to sing more) and I really liked the push the main and lead vocalists gives themselves during the chorus. There are no further dramatic changes in momentum occurs in Your Song, which I am glad is the case. The bridge brings a smile to my face with their harmonies and the simple ‘Na Na Na‘ sequences. They do touch on the balladry aspect again very briefly soon after, but Your Song reverts back to that pop vibe that the song grew to in the final chorus. Overall, I thoroughly enjoyed this release even if it isn’t what ONF puts out typically.

Even as a special release, ONF still manages to bring in that futuristic concept that has been part of ONF’s recent repertoire of videos (i.e. Beautiful Beautiful, Ugly Dance, Popping, Goosebumps). But there is no action or plot in this video. A completely different dynamic prevails in the futuristic world as a result of this. The song conveys the message that if there is a connection through music, we can meet by even transcending time and space (taken from SOOMPI). This felt fitting for the group’s current circumstances, as they are not together at the moment. But through music, they were able to reconnect – even if it was just virtually. I thought this was very clever and showcases a more thoughtful and heartwarming message. It makes me wonder what the group and their company have instore for us next, given that this comeback had to be thought of way in advance and it appears this concept is something long term).

Song – 9/10
Music Video – 9/10
Overall Rating – 9/10

[Album Review] Goosebumps (6th Mini Album) – ONF

The final album from 2021 that I will be reviewing is ONF’s Goosebumps, the group’s sixth mini-album. It follows a string of releases from the group in 2021, including Beautiful Beautiful (featured on their first studio album, ONF: My Name), Ugly Dance (featured on the repackaged version of their first studio album, City of ONF) and Popping (featured on their summer popup album of the same name). After the release of Goosebumps in early December, it was announced that ONF will undertake their military enlistment at the same time to reduce their hiatus. And by the end of the year, five members (excluding U, as he is not a Korean citizen) enlisted in the military, thus pushing the group into hiatus until (and I am guessing here based on the usual two year enlistment period) the end of 2023.

But while ONF is currently not releasing any music, they did leave us with Goosebumps, which features the title track of the same name and four other side tracks. Overall, Goosebumps was a terrific album that boasts high quality and enjoyable tracks. All the songs on here definitely throws me back to some form of ONF release, and has a unique tone that tells me that it is ONF’s album from afar. Check out the release below and let me know if you agree with my thoughts!

Goosebumps Album Cover

1. Goosebumps (Title Track)Click here for the full review of Goosebumps. (9/10)

2. Whistle – Following the title track is Whistle, and it is a very creative and unique track on the lyrics front. Essentially, the members sing in a perspective a cat who is close by to their owner, who is actually a cursed human that is now being punished for their past actions in their human relationship with said owner. But they want the curse to end, and the only way for that to happen is for their lover to whistle. It is quite an abstract idea, but one that makes Whistle standout as a track. I like the sorrow, reflective and pensive tone the members take in this song, while I like the somewhat jazzy nature of the instrumental. There is a bit of bass and pop melody infused into the chorus, which makes it a strong centerpiece. But the best part of Whistle for me is the bridge, which had enough change to be different, but stay within the boundaries of the song. (9/10)

3. Fat & SugarFat & Sugar is a return to the upbeat, vibrant and energetic energy that I associate with ONF. It takes a form of a funky hip-hop song that makes me groove along to the music every time I listen to the song. The chorus is extremely memorable, thanks to the repetition of the ‘I like bad things, Fat and Sugar, Fat and Sugar’. It does seem a bit childish (I remember passing over this song initially because of this childish tone), but it quite charming after many listens. I like the character they brought to the song through their vocals and rapping, which helped make Fat & Sugar so much more appealing than you think. (8.5/10)

4. Alarm – The album takes a turn with Alarm, this time entering ballad territory. It is a stunning piece. The verses were a bit typical and the instrumental is pretty standard for the ballad. But the stunning nature of Alarm comes during the chorus, where there is so much vocal layering. However, not once does it sound or feel overwhelming. It adds complexity to the otherwise simple track. Vocally, they sounded amazing throughout. The harmonies in this track are to die for. Talking about harmonies, the unexpected incline at the end of Alarm just makes the song even better! And of course, the swayable melody is also there. (10/10)

5. Show Must Go On –As mentioned in the introduction paragraph, this is ONF’s last album for a while. And a song titled Show Must Go On is very fitting for this hiatus. The direction that the song took us in was unexpected, however. But I love the fast pace nature of Show Must Go On and how it gives off and reminds me of the group’s title tracks. The fast pace nature also provides great energy and the chanting at the end is quite satisfying. It feels like ONF is going out with a big bang (in a way) with this release. (9/10)

Overall Album Rating – 9.1/10

Goosebumps Teaser Image

[Review] Goosebumps – ONF

ONF is nominated for a range of categories in the 2021 KPOPREVIEWED Awards, including Best Male Group, Best Music Video, Rising Star, Best Pop Song and Best Male Choreography (Group). Vote for ONF in these categories, and support your other favourite artists, songs and performances by clicking here.

Rounding out the past week was ONF, who returned with Goosebumps on Friday, the title of both the title track and their sixth mini-album. This release also rounds out a big year for the group, who has been actively promoting with releases such as Beautiful Beautiful, Ugly Dance and Popping. This will also be the group’s last release for a while, following the announcement that all the members (aside from U) will be enlisting into the military at the same time later this month. This is a big deal, as this showcase their group’s bond and will shorten their hiatus to the minimum (a first for a group facing military enlistment), allowing the group to hopefully relaunch back into promotions in about two years time. But until then, here is my thoughts on ONF’s Goosebumps (the title track).

Goosebumps is one interesting song. The best way I can describe to you is that is quite erratic. There is just so much going on in Goosebumps, with the song taking unexpected turns throughout. But yet, the song somehow is shaped together to become cohesive and whole. I find that to be remarkable and impressive. As a whole, Goosebumps, described as an alternative funk-based dance track with a powerful bass riff, was thrilling and fun, yet intriguing and fascinating all at the same time. The song kicks off with polished vocals from MK, and a funky instrumentation filled with bass and squealing synths. Wyatt and U’s rap-sing sequence follows over the same instrumentation, and was definitely memorable. We then are thrown into smooth territory with Hyojin’s soaring vocals, before launching into crunchy synths that make up the backing of the chorus. Personally, I felt like this was the weakest part of the song. I loved the monotonous ‘Goosebumps‘ repetition that kicks off each line of the chorus, but I felt the vocals that follow after were hidden away by the background, making it a bit hard to understand. I admit there is charm, but it isn’t as strong as the rest of the song. Wyatt returns with some cool vocals (which utilizes his deep tone well), before we are thrown back into an extended version of that smooth pre-chorus from the with MK, U and E-tion. The chorus returns, with the exact same instrumentation, but that deep and monotonous ‘Goosebumps‘ repetition at the start of each line is omitted. Instead, it is replaced by Hyojin and MK’s vocals, which was clearer and more audible over the instrumentation. I liked this version of the chorus. The members all come together for the bridge of the song, singing together a colourful and playful sounding sequence that is ultimately lead to the high-pitch autotuned repetitive ‘Lights On‘ peak. Personally, I found this to be a bit much, but it is getting better each time I replay Goosebumps. The best part comes after the peak, with everyone returning once again for a fun and funky chanty style rap sequence. I freaking enjoyed that part, and is pick for my highlight of the Goosebumps, before launching back into the second version of the chorus to close out the song, amped up by the instrumentation to be quite intense. Overall, Goosebumps is a fun song that seems all over the place at first, but it is actually pulled together nicely once you give it a go.

Per usual, I have no clue on what is happening in this music video. It seems like the members are in a different virtual world escaping those robots from Beautiful Beautiful and Ugly Dance, as they were closing in on the members. But it appears this secondary world is glitchy, based on the members appearing and disappearing, and the background keeps on changing. But this world is also dangerous, with computerised dragons, tentacles, action-packed scenes, a whole lot of guns and bullets. Like the song, it is pretty erratic. But I am sure there is a storyline somewhere that ties the three music videos together. As for the quality of the video, he people who made it has wowed me again, with amazing and detailed graphics. No wonder why ONF’s music videos have been a standout this year.

The choreography for Goosebumps is top notch! I wasn’t sure what direction they were going to go in with this performance, but it embraced the funkiness of the song, felt like it was fun and also quite intense. That whole ‘Lights On‘ sequence left me shocked, while the rap sequence that follows was definitely energy packed! Probably one of the best routines this year!

Song – 9/10
Music Video – 8.5/10
Performance – 10/10
Overall Rating – 9.1/10