Category: Reviews

[Review] Why – Kim Hyun Joong

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It has been almost 5 years since we last saw Kim Hyun Joong on the stage in Korea. But due to Japanese promotions and a number of scandals, he put his solo career on hold. On top of that, he also enlisted in the military and completed his duty in 2017. And now, he has returned with his new mini-album, New Way and the title track, Why. This is his first comeback since Beauty Beauty was released in 2014.

Why is a completely different sound to what Kim Hyun Joong used to release as a solo artist in the earlier in the decade. It is a vocally driven ballad. I personally did not expect this vocal style from him. Sure, I knew he could sing but not in this manner. The song gives off Roy Kim or John Park vibes, which I thought was a very interesting approach. I also liken his vocals to those artists. He doesn’t nail it perfectly but he is in that vicinity if we were to put all vocalists onto a spectrum of some sort. I liked the soothing nature of the ballad but I felt like the instrumental could have been a little bolder. I wanted a stronger orchestral touch to the song, which I think could have helped the song to sound more emotionally driven. Overall, Why is a nice song. It could have been more but it was still good nonetheless.

The music video was also quite interesting. We see Kim Hyun Joong and a female break up and they part ways. He spends a lot of his time walking in his chosen direction and this continues until the final chorus, to which he turns back and starts running in the direction of his former companion. But he lost her in the crowd and it comes until then that their relationship is no longer possible. The music video also features French (correct me if I am wrong) subtitles for all of the Korean that he sings but English subtitles when he sings words or phrases in English. Don’t really understand the point of that but thought it was intriguing. Another thing I noticed is that a lot of the people in the background are staring at him throughout the video. That has never bothered me before but I guess it is a lot noticeable due to the slow nature of the video.

Song – 7/10
Music Video – 8/10
Overall Rating – 7.4/10

[Review] We Must Love – ONF

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After their release of an absolute favourite, Complete, ONF has returned with We Must Love, their latest title track. It has been 8 months since the release of the previous track, which has set the bar extremely high in regards to the high quality of the title tracks for the group. Since their last promotions, the group have been relatively quiet with the exception of their Japanese debut back in July 2018 with the Japanese version of On/Off.

We Must Love is not a relatively quiet song, however. In fact, it is a dance track with smashing instrumental. It doesn’t necessarily pop as much as Complete but it has a show-stopping chorus which I am already hooked to. The instrumental for the chorus is staggered in a way that is unique. It is quite profound and the combination with the vocals from the main vocalists definitely makes it a highlight. I also like the piano featured within the verses, which made them feel very different from the chorus. The vocals here are equally as amazing as the chorus. On top of that. I also enjoyed the squeaky post-chorus instrumental hook, which provided the song with energy. But my absolute favourite part of the song has to be the rapping. I thought the instrumental in this section was perfect. I really enjoyed the dramatic buildup and it really highlights the rapper’s voices. We Must Love is a must love song, based on how much I have enjoyed it so far.

I find the music video quite confusing as all the members are all over the place. And I think time travel might be an element within the storyline of the video. The members used to all be part of this group in this futuristic place. But one of the members (the guy wearing the aqua jumper) uses a wrist device to travel to a different time era, to which he runs into himself at the local train station, identifiable by the barcode tattoo. I assume the other members too travel to this other time period in search of the missing member but instead run into his old self, who doesn’t recognise them. That’s my take on the video but I am not too sure. It is still a good video with amazing scenery shot in the video. It is also filmed in Hue, a beautiful city in Vietnam.

Interestingly, the performance video for their comeback has already been released. This is highly unusual due to the fact that the performance video is usually released either a few days or weeks after the actual music video release. But this gives us a great insight into their performance, which looks amazing. The dance break looks really cool and the synchronisation of the performance really makes it stand out even more.

Song – 9.5/10
Music Video – 9/10
Performance – 8.5/10
Overall Rating – 9.2/10

[Review] I Want To Say I Love You – IZ*ONE

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What makes IZ*ONE unique,, in comparison to I.O.I and Wanna One, is that they incorporated trainees from Korea and Japanese members from AKB48. This allows the project group to debut in Japan, which their other Produce 101 counterparts have yet to do. And this event occurred last week with IZ*ONE making their Japanese debut with I Want To Say I Love You or Suki to Iwasetai. The actual song isn’t available until later this week but as the music video has been revealed in full, I thought we might as well have a closer listen/look at it.

My experience with the JPOP culture and industry is very limited. But Suki to Iwasetai does remind me fondly of the sounds and music that I commonly associate to mainstream JPOP, particularly girl groups. I don’t know how to exactly describe this particular JPOP sound, however, so that ends that observation. But I did like the piano and violins in the background during the chorus. Talking about the chorus, I also enjoyed the small blast of energy they give us.  I did think the vocals were nice. They didn’t seem as clear as their Korean releases but it works with this JPOP sound that I have linked to the song. And the combination of the vocals and instrumental does make the song quite catchy. There is a side to me where I think they could have gone beyond this but it was a good track to start off their careers in Japan, from what I know of.

The music video is the main element of this debut that I wanted to talk about. I really liked the colours in this video. The backgrounds and scenery the producer chose for this video was definitely a highlight of the video, as they looked spectacular. The cinematography also complimented the choreography and amazing scenery. I liked how that choreography scene with the light strobes was set up. Aesthetics through the roof. I also thought the landfill set looked really cool and pretty with the colours. But my question is – did they really film at a landfill site? But once again, aesthetics.

There might be two choreography version to this debut, which I think is really interesting. The first would have to be the one performed on the road, whilst the second one is with the long coats. And I thought both were equally cool looking and definitely left a longing impression of their style.

Song – 7.5/10
Music Video – 8/10
Performance – 9/10
Overall Rating – 8/10

[Review] TicToc – NEONPUNCH

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NEONPUNCH made their comeback yesterday with TicToc. This is the group’s first comeback since their debut single, Moonlight. Since then, the only major piece of news that has affected the group was in regards to Terry leaving the group for unspecified reasons. However, NEONPUNCH has been able to remain as a 5-member female group due to the addition of the Dohee this year.

The first thing that comes to mind when I listen to TicToc is that it is a rather fun song. There is no serious tone to the song whatsoever. Instead, it gets onboard the 90s train and really pops with its vibrant sound. I thought the ‘Na Na Na‘ was a very memorable part of the song and it definitely is my pick for the catchiest moment of the song. I thought the lead up to the chorus was quite nice and dynamic. The chorus was a little disappointed, as I expected something a little more loaded and energetic. But it was still good enough for the song. I thought the vocals were really nice on this track, going nicely with that said vibrancy. I think the song could have done with a longer and intensified rap sequence, as that could have kicked it up a notch. But I quite like TicToc as it is right now.

It seems like the main theme for this music video is time warps, as that is what we are thrown into at the very start of the video. Besides that, the emphasis is largely on clocks, which I think makes the most sense given the title. I liked how fast paced the scenes were in the video, matching the fast tempo of the song. I also thought many of the closeup shots made the members look pretty and highlighted their visuals.

I think the choreography during the ‘Na Na Na‘ part was really well done. It kind of has what it takes to be the next trendy move. As for the rest of the choreography, there really isn’t anything memorable to mention. It was nice but quite passable for the most part.

Song – 8/10
Music Video – 8/10
Performance – 6.5/10
Overall Rating – 7.7/10

[Review] No – CLC

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Picked as the runner up for Most Underrated Artist of 2018 in the 2018 KPORPEVIWED Awards, CLC has returned with their latest single, No. It is featured on the group’s 8th mini-album, No. 1 (read as No One). After their amazing Black Dress release last year, I was wanting to hear more from the group. Today, it was revealed that the group was planning a comeback after Black Dress but that was ultimately cancelled. If their company could learn anything from their other groups, it should be that CLC will benefit from multiple promotional activities in one year. They deserve some attention for their edgy uniqueness.

And No is basically just that. I find it very edgy, which is in line with their more recent releases and it has this unique tone on to it, which I think draws listeners into the song. The song kicks off with a checklist, to which the members respond ‘No’ to. It is a very bold way to start the song and I quite like it. The chorus is the next best bit, with the “I Love Me‘ line quite memorable for me. The vocals are quite good. But I think the winning element, once again, is the rapping. It just works wonderfully in this track and it gives the edgy song even more edge! The instrumental reminds me of a confident model strutting their stuff on the runway. I attribute that to the deep bass in the background It also felt like it was Madonna or Kylie Minogue influenced as well. Overall, I thought No was that confident song that the group needed, especially following up from Black Dress. My only major complaint is that the song felt too short and that it went by too quickly!

Going back to how the song felt like a model strutting their stuff on the runway, it is the exact visual we get in the music video. I thought the video was quite powerful, especially when they came to the point of burning everything in the said checklist. I also like the coloured sets, which contrasted nicely with their black outfits (which added the edge to the video). I think they could have had more edge to the video (if I was going to be critical in any way) but what they did was pretty good itself.

The performance looked really cool. Not only does it feel 100% fitting for the song but they seemed to put their own modern take on some voguing in their routine. I thought that was cool. Of course, they do some strutting as well. I also like the sexiness they bring without it going overboard in any form.

Song – 9.5/10
Music Video – 9/10
Performance –  9/10
Overall Rating – 9.3/10

[Review] Faker – LU:KUS

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It is time for me to quickly write up another review for a release many days ago. Today’s focus will be on LU:KUS (formerly L.A.U), who returned with Faker on the 14th of January. Faker is actually a previous Japanese song of the group. It has also been a while since I last reviewed them for their comeback track, Break Ya. A lot has happened since then including the group moved companies, lost and regained their original name (hence why they promoted with the name L.A.U for a while),  had lineup changes and multiple comebacks that I have somehow all missed. Currently, they are a four-member group comprising of J.One, Donghyun, Kyungjin and Choi.

Faker is a mid-tempo dance track that uses guitars primarily in the instrumentation. I thought the use of guitar was very interesting as it manages to express the emotions from the lyrics quite nicely. I read somewhere that it sounds ‘tortured’ and I thought that was a nice way of describing the song overall. For those who don’t know, the lyrics are about not wanting to depart from a one-sided relationship. I personally like the chorus a lot. The song starts off quite acoustic but once the choruses come into play, they insert some energy into the song, contrasting in a memorable way. The melody was also quite catchy despite it being quite short and not that explicitly strong. I also liked the vocals and the raps in the song.  Putting my thoughts aside, I would understand why some people would not enjoy the song as it does lack an appealing element (i.e. it is quite plain). But I am on the side of the fence that hears the great execution of song, from its lyrics to its fitting atmosphere.

The music video managed to fit in a small plotline, alongside the use of those overused sets we see commonly in music videos. Two of the members, along with the lead actress, work together in a car garage that specialises in car tinting.  At the start, they seem to be shown as close friends. The two fall for her but she chooses to be with the grey-hair dude. This causes the other guy to become jealous, causing a rift in the three’s friendship. After a while, I guess they realized that their friendship is broken and they all trade in their rings, thus breaking their bond. My question is when did the black-hair guy get his ring? Slightly confused for that part but I thought it was still a good storyline to watch.

The choreography for this comeback looked quite fitting for the song. I did think it was rather weak at times but I am not too sure if that was due to the song. I really like the hand movement across the face when they sing ‘Faker” in the chorus, which kind of indicates a mask. I also like the post-chorus body roll that they remade.

Song – 8/10
Music Video – 7/10
Performance – 7.5/10
Overall Rating – 7.6/10

[Review] Only U – IMFACT

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It is always disappointing to see persistent groups try so hard but not get far with their careers. One of these groups is IMFACT, whose recent music has grown to be favourites of mine (regardless of what I have written in their respective reviews). And now, the group has returned once again with a brand new single, Only U. This is their first comeback since their NANANA comeback in August of last year.

To me, Only U is in line with NANANA and The  Light, both of which were released last year. There is a westernised feel that makes IMFACT’s songs quite unique. Only U  is a very grounded deep house song. The instrumental does provide the song with a blank canvas despite it being a very familiar and standard tone. But it is the vocals and the rap sequences that act like paint strokes and making this song into a decent painting. Their vocals are quite nice, especially during the chorus. The ‘Only U‘ repetition packs a punch with some unique energy. I really like the hoarseness of the rappers’ voice, giving a really strong texture. But the best bit of the entire song has to be the bridge and onwards. The sudden focus on some nice singing and then the sudden flick towards the EDM buildup was actually a very attractive section. And finally, that soft ending contrasts interestingly with the rest of the electronic based song, which I also quite like. Overall, another great song from the group.

I am not exactly sure what the music video is about but it feels like IMFACT are the girl’s guardian angels, helping her and protecting her throughout the video. We can see what they are doing but she cannot – but she is able to sense them. At the end of the video, we see both parties (i.e. IMFACT and the actress) interact, which I guess is that she believes them to be her friends but she doesn’t not about their guardian position. My only issue with the video was the kitchen scene. An exploding pot of boiling hot water does not equate to a food fight. But that is me being picky.

I wanted them to have a more impactful routine, to match that drop we get in the chorus. Instead, I felt like the choreography ended up weak. There were good moves but I don’t think it was enough to really give that fitting feeling.

Song – 8/10
Music Video – 7/10
Performance – 5.5/10
Overall Rating – 7.2/10

[Review] U Um U Um – Hyomin (T-ARA)

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Hyomin has returned with another solo single, U Um U Um earlier this week and today we will be having a closer look at this comeback. We last saw the female soloist through her Mango comeback last year. Once again I have included T-ARA in the title as they are still together. Hyomin recently expressed in an interview that the group wants to regroup for fans during their 10-year anniversary this year, which further highlights that they are still together as a 4-member group. But until then, let’s dive into the review.

U Um U Um is a dance song that actually has a very easy going and pleasant vibe. The instrumental is in no way heavy-handed, which is a departure from other dense and heavy sounding dance songs out there. But, this lighter style choice is quite deliberate. Hyomin’s vocals are much higher than what we have heard and the lighter instrumentation really compliments her vocal choice. The vocals, despite it being different than usual, manages to fill up the song quite nice, so it doesn’t seem like the song is lacking any elements when it comes to the vocals or instrumentation. I also really like the melodies in the song, which were made possible by the two identified elements that I have spoken about thus far. It gives the song that appealing flavour. I also like the deep ‘Um’ in the background during the choruses. They give off a nice texture that contrasts nicely with the rest of the song. Overall, this is something that I wouldn’t mind returning to often.

While the music video’s style has been attempted before, it has been a while since we last saw the one-shot take, so it is quite refreshing. And I think this makes everything run a lot smoother. It may have also given the song that smooth touch as well. I also liked how during the second verses, only the male dancers appeared to really highlight the fact that this is a one-shot music video as this would give Hyomin time to quickly change into another outfit, delivering a different atmosphere to the second half of the one-shot video. I thought this was rather smart and different from the rest.

While it was a one-shot type of video, the entirety of the video was choreography based. And I like this choreography because it brings back the sexy side of her, which we weren’t really treated to during her last comeback. It feels more fitted for Summer but I am not too troubled by that.

Song – 8/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8/10

[Review] I Wanna Know – Roh Taehyun (HOTSHOT)

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This review focuses on the solo debut of Roh Taehyun from HOTSHOT. He is a familiar face to the many as he previously participated in Produce 101 Season 2 and placed 25th overall. After Produce 101 Season 2, Roh Taehyun returned to HOTSHOT and has promoted as part of the group since then. He also later went on to debut as part of the now disbanded JBJ, the ‘fan-imagined’ group of Produce 101. Today, Roh Taehyun made his mark as a solo artist by debut with I Wanna Know, which is featured on the mini-album, biRTHday.

I Wanna Know is a fun hip-hop track that really shows off a different charm that I know of Roh Taehyun when he is a part of HOTSHOT. I only know HOTSHOT based on their two recent tracks and Roh Taehyun is a very serious fellow in these two tracks. But to hear him do something playful and energetic, I thought was a rather cool change. He brings his vocals to the song, which I think is rather nice. The instrumentation was a little plain for my liking but the melody of the track was quite catchy. I personally think the song can benefit from a rap sequence as it could have added an extra texture to really give the song some definition. But still, what we got is pretty good.

I usually make comments for the inside of the video (i.e. the content within). All of that lines up with what the song felt like. Fun, friendly and playful. So I really can’t say much about that. Just the title for the video uploaded onto Roh Taehyun’s personal YouTube page just dulls any effects the music video had going on. They put the wrong title up. Instead of the song’s title. they put the album’s title. And as a KPOP follower for a number of years, stuff like this don’t really help with promotions. I felt I just needed to write that despite it not being any of my concern as a KPOP reviewer. But other than that, a well-suited video.

I actually like the choreography for this performance. As the song and video, there is a fun and playful tone in it. Also, like I mentioned in the song review part, it is rather nice to see a more energetic and hyper Taehyun on stage as opposed to the serious side that I have commonly seen. I liked how he managed to slide in some popping and his moments with the female backup dancer were my favourites.

Song – 8/10
Music Video – 7/10
Performance – 8/10
Overall Rating – 7.7/10

[Review] Dream About U – NATURE

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NATURE kicks off their 2019 year with the release of a brand new single and concept, Dream About U. This follows the group’s debut with Allegro Cantabile and SOME (You’ll Be Mine) from last year. Unfortunately, this is a late review as the song was released over a week ago. In other news, NATURE was nominated in the 2018 KPOPREVIEWED Awards for Best New Female Group. To see if they won and see who else won, click here.

To me, Dream About U is a step in the wrong direction. It isn’t a terrible song, so don’t get me wrong. However, both their debut track and SOME were slightly unique, so I don’t really get the idea of going with a very typical sound for a girl group. The entire song features this cutesy vibe, which I do think fits NATURE very well. But since the song itself conforms to that standard cutesy sound that most girl groups attempt some point in their careers, I just simply pass over this song. If they did it in a way that was rather unique and different, like their previous two title tracks, I think the song would have been better. But let’s finish up on some positives. Vocals are really nice in this song, showcasing their capabilities. The instrumental was actually quite nice, with the violins. And together, these two elements to create a very bubbly atmosphere.

It would be unfair to say the exact same thing about their music video but my feelings are basically on the same line. However, I thought the music video was rather fitting for the song. The cutesy concept is definitely a change from their SOME concept, which I thought was rather nice and refreshing.

Likewise with the choreography. Like the song, the performance was pretty much passable. I wasn’t too keen on their wands that they were holding. It felt cheesy but fitted well into their cutesy concept.

Song – 6/10
Music Video – 6/10
Performance – 5/10
Overall Rating – 5.8/10

[Review] Q&A – Cherry Bullet

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It is time to review a brand new group in the KPOP industry. And this particular group comes from FNC Entertainment, which is widely known for FT Island, CN BLUE, N.Flying, AOA and SF9. They are Cherry Bullet and is the company’s first girl group since the formation of AOA. The 10 member girl group consists of Haeyoon, Yuju, Mirae, Bora, Jiwon, Kokoro, Remi, Chaerin, Linlin, and May. They made their debut with the single Q&A on the 21st of January. So, let’s dive a little more into their debut package.

Q&A is what I would call a bubbly song with a very nice typical yet refreshing instrumental. I say that because the instrumental is rather techno-infused pop and isn’t that mind-blowing when I think about it. But I love the direction of the song. The verses were quite nice. The pre-chorus rap sequences were very ear-catching. To also add to the fun of the song, the chorus was very catchy with its melodies and amazingly addictive hook (I am already humming along to the ‘DaDaDa’ despite listening to it a few times. The bridge really brings out the vocals capabilities of the group, which I think were really nice. I think if they added an extra element into the instrumental to make it really pop and colourful, the song would have gone extra miles for me. But other than that, this is one rocking debut track.

Cherry Bullet’s debut music video is a fresh take on AOA’s music video for Bingle Bangle. Both music videos feature the retro video game concept. Instead of going completely 8-bit, Cherry Bullet’s video went with a retro-futuristic video game, which I think looked really cool. Added on top of that, they managed to make everything look and feel high-tech, which I think would be appealing to the audience of today. I really like the backdrop for the choreography shots for this music video, as they looked like the coolest parts of the music video.

The choreography was quite good. Nothing too new or mind-blowing here, once again. But it seemed energetic and lively, like the song. I personally like the skip they did during the chorus to get out of the formations and that they genuinely looked like they were enjoying every second of their time on the stage.

Song – 9/10
Music Video – 8/10
Performance – 8/10
Overall Rating – 8.5/10

[Review] Home – SEVENTEEN

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After the highly anticipated release of their darkest sound and concept (Getting Closer) yet, all fans are waiting to see what SEVENTEEN would promote for their upcoming album release. Well, the wait is over as SEVENTEEN is officially back with a brand new song, Home. It is featured on the group’s, You Made My Dawn, which is a continuation of their 2018 album You Make My Day (which features their previous Korean comeback title track, Oh My!).

Home is a rather interesting track, mainly because we haven’t heard anything just like it KPOP. Based on what I am reading, the song is an R&B urban fusion. And this a fusion that I would gladly check out in the future, as Home is quite memorable. The song doesn’t feel as hard-hitting as their previous title tracks. Instead, there is an emotive side to the song that you can just sense. It creates an interesting atmosphere. The chorus was probably my favourite bit. With SEVENTEEN’s songs, you expect them to go with a hard-hitting drop. But with this track, the chorus felt more spaced out and aesthetically pleasing. We don’t get that kick until the end, which I thought was very appropriate. Once again, the vocals and rapping were amazing. I think the winning members of the song is either Wonwoo, who got to sing in this song as opposed to his usual rapping, or DK, who voice just stands out from the pack. Overall, Home is another solid track from the group.

I just watched the music video very briefly. But I don’t see much connection between Oh My!, Getting Closer or Home. The earlier two videos were shown to be connected. So I am interested to see how Home fits in, as the aesthetics from this video seem to point towards the same producers of the other two music videos. One clever individual on YouTube noticed that there were elements from every SEVENTEEN music video to date within Home, such as the sofa from Pretty U, the beach imagery that was shown in Don’t Wanna Cry etc. I really like the start with individual shots of each member and then the cinematography throughout the rest of the video.

Every time I write a review for SEVENTEEN, the comments when it comes to the performance section of the review is basically the same. Amazing choreography to really draw in the crowd. And this is no exception. I like how they made the routine chill at the start and once the kick at the end was delivered, the performance also featured a kick in energy and power.

Song – 9/10
Music Video – 9/10
Performance – 9/10
Overall Rating – 9/10

[Review] Cosmos – Pentagon

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Pentagon is back with a brand new Japanese single. Cosmos is their first original Japanese single, which follows the release of the Japanese versions of Shine and Violet last year. The new track is also featured on a mini-album of the same name, which includes 2 other original tracks from the group. This is also their first release since Naughty Boy in South Korea.

What stands out the most in Cosmos is the guitar and dance music mixture that makes up the instrumental for the song. There were also other elements such as the keyboard and synthetic violins that acted like that small detail that really makes up for some bareness from the more prevalent sounds. I thought it was a rather dynamic and interesting sound to really bring out the best of Pentagon. This instrumental just goes perfectly well with the vocals and the rapping that each member brings. It did seem a little overwhelming and messy at first. But those feelings did die down for me. What I have yet to mention is my favourite part has to be the synthetic violins that made the song feel staggered at the end of the choruses. While I don’t have much else to say regarding the song, I quite liked it overall.

The instrumental has a bunch of solo shots of the members reminiscing about their previous lovers. But I think towards the end, they let go of those memories and go on with their lives. Those shots are pretty much standard. But something stood out for me within the music video. Those black and white choreography shots look stunning. I really thought that was very classy and edgy at the same time (even though they were wearing suits throughout those shots).

I don’t really have much to say about the choreography. Mainly because we only saw small snippets, so there really isn’t anything that I could personally see worth discussing. The only part we got in full was the dance break at the start of the song and that was good.

Song – 8/10
Music Video – 7/10
Performance – 6.5/10
Overall Rating – 7.4/10

[Review] All Night – ASTRO

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It has been a very long wait for fans of ASTRO but the male group is finally back with their first studio album and the title track, All Night. We last saw the group officially promote a music release at the end of 2017 with Crazy Sexy Love. 2018 was incredibly bare for ASTRO, with a lack of group promotions throughout the year to further grow their fanbase. Instead, we got solo promotions, concerts and a special album (Always You) that was not promoted. The good news is that they are back and this lack of promotions will finally end today!

I am calling All Night ASTRO’s best title track so far. The song starts off quite minimalistic, with a really soft instrumental and the vocalists singing. In words, it doesn’t really sound all too good. But when you hear it, the start of the track is a nice bundle of pleasantness and freshness. For the chorus, the drop was completing unexpecting and the dance electronic sound just comes out of nowhere. And I really liked that because it makes the track become very dynamic and contrasting nicely from the pleasantness preceding it. The rapping is amazing. I really like both Rocky and JinJin’s delivery. I also like how JinJin’s section had a little bit of fun with the brief pauses, creating some texture in the song. The highlight of the song has to be Eunwoo’s ‘Such a Good Night‘, which also came out of nowhere. My description of the song probably doesn’t do it much justice so do check out All Night so you can experience what I did.

The video I thought was rather cool. Minus the delay in release due to ‘technical issues’ (whatever they may be), I thought it was a good video to show off their charms. ASTRO is working in a greenhouse and from the start, it seemed a little eerie. This feeling continues throughout the video and I was lowkey expecting something dark to happen. The closest was that vampire-like scene between Eunwoo and Rocky. It could all be in my head but I very interested to see if anyone else felt this as well. What the video does perfectly is show off the visuals off each member. Towards the end, we see each member smile, showcasing their charming looks. That left an impression on me that is so great, I am down to continually replay the music video.

And once again, ASTRO showcases freshness in their routine for All Night. I really like how they spent a large portion of the performance on the floor. That doesn’t happen all too often. I also like how they kept their moves in check with whether the sound was pleasant or explosive. The best part has to be that awesome explosive dance break at the end, which ends the performance on a solid note.

Song – 10/10
Music Video – 9/10
Performance – 10/10
Overall Rating – 9.7/10

[Review] Loca – FAVORITE

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FAVORITE has returned with a brand new concept and sound. Through their new title track, Loca, the group is branching out from their unique and memorable Party Time debut and their more typical Where Are You From? cutesy concept. Personally, I am glad that they decided to move away from the cutesy concept because it is an overused concept within the industry. It only works when you have a song good enough to set it apart from the rest of the competition, which is what Loca aims to do by changing the sound and concept.

This wouldn’t be the first time that FAVORITE had a little exotic flair in their song. Their debut track, Party Time, had a Middle Eastern influence, which I thought gave it a defining uniqueness. For Loca, FAVORITE jumps on board the all too familiar Latin trend. However, it isn’t heavily used as other songs. Instead, the electronic dance sound is used more heavily, with the Latin influence acting as a compliment. Hence, I am not too troubled by the overused latin influence in this song. I really like the guitar during the dance breaks in the song, as they allow that influence to be kicked up a notch, the song to become energetic and bring together the song. I think the song could have used some more powerful vocals. I did think the verses were kind of bland compared to the chorus. I would have liked more of the rap throughout the song as this could have really brought more intensity to the song. But both elements were fine as is in the song. I don’t find the track all too catchy at the moment but it is memorable enough to return to.

I am a little confused about the video. To me, there isn’t a plotline despite the music video does feature some good scenes that could have been part of a plotline. Like the member messing up her hair because she thinks she doesn’t look good enough for the red dress or the member being wrapped by the rose vine, these scenes could have been interesting if someone was sabotaging them.  That could have added a nice level of darkness to the video, which I think could have complimented the song. But instead, we are left with everyone pretty much in their own scene that just doesn’t add up.

I really like the choreography for this comeback. While the moves did seem very standard, I thought they matched the song very well. I also thought the moves were elegant. My favourite bits were the dance breaks throughout the song as this allowed the members to show off some of their moves. I also liked the ‘Na Na Na’ moves at the end of the song.

Song – 8/10
Music Video – 6/10
Performance – 7/10
Overall Rating – 7.2/10

[Review] Say My Name – ATEEZ

Posted in KPOP, ReviewsTagged 6 Comments

ATEEZ made their debut towards the end of 2018 with two title tracks – Pirate King and Treasure. Both tracks and their mini-album, TREASURE EP.1: All to Zero, has gained a lot of attention from what I can see. And with that, the group is continuing their momentum, just months after wrapping up their debut promotions, by returning with their first comeback, Say My Name and the mini-album, TREASURE EP.2: Zero To One.

The first that popped into my head was the familiarity with some of the melodies within the song (i..e during the very start of the song and the pre-chorus). I just can’t pinpoint the name of the songs that it reminds me of. I am not too troubled by this as this does bring back a sense of nostalgia. I liked the instrumental to the track, with a strong presence of hip-hop influences apparent in the song. I really enjoyed the guitar in the verses and the intensity that the pre-chorus also brings to the song, connecting more subdued verses and the dramatic chorus together in an effortless manner. Vocals were really good in the song but once again, the rappers are the ones that manage to bring the punch to the song. The ‘Say My Name‘ repetition gave the song an addictive nature, partly due to the rough texture we get from the rapper who sang that part, which leaves a strong and lasting impression. Overall, another excellent track from ATEEZ.

Based on what I can see, the sets for this music video looks insanely expensive. I don’t know why I think this but the sets do remind me of BTS’s sets. The music video features a very mysterious plotline, which I don’t get whatsoever. It just left me confused and the lyrics didn’t help at all. Besides the plotline, there were choreography shots which I thought, with the help of editing, looked really cool. The very shots at the end that snapped between their members dancing in their more casual outfits and the members dancing with the black outfits/hats that they wore in their teaser images, were a clear example of this.

The choreography for this comeback is freaking amazing. There is one move that I thought looked so cool, that it screams attitude and is the one scene that replays in my mind. I am talking about the move at 1:36 of the music video. The rest of the choreography was full of intensity and energy, matching it extremely well to the song.

Song – 9/10
Music Video – 8/10
Performance – 9/10
Overall Performance – 8.7/10